Language:
Undetermined
,
Undetermined
Pages:
41MB, 00:04:45:00 (unknown)
,
Stummfilm
,
Silent movie
Angaben zur Quelle:
(Jan. 1967)
Keywords:
music (ethnology)
;
killing, ritual
;
chicken sacrifice
;
Musikinstrumente
;
sacred objects and places
;
musical instruments
;
Feste
;
Gesellschaft
;
Tieropfer
;
work
;
Tierhaltung
;
religiöse Handlung
;
custom / course of the year
;
Encyclopaedia Cinematographica
;
estates and professions
;
Ritual
;
religion
;
divination
;
shaman
;
Geflügelhaltung
;
percussion instruments
;
Musikinstrumente / Idiophone
;
Räucherstäbchen
;
rite / killing of animals
;
Tötung, rituelle
;
divination, diviner
;
idiophones
;
Idiophone
;
animal husbandry
;
arts (ethnology)
;
cymbal
;
Kulturwissenschaften
;
Thailand
;
heilige Objekte und Stätten
;
Becken
;
incense
;
sacrificial act
;
sacrifices
;
Arbeit
;
Neujahr
;
Huhnopfer
;
joss stick
;
altar table
;
new year
;
animal sacrifice
;
Miao
;
Schamane
;
course of life
;
Duftstoffe, Räucherwerk
;
Thailand
;
Divination, Diviner
;
blood
;
Opferhandlung
;
Arbeitsorganisation
;
Orakelholz
;
scents / perfumes
;
Altartisch
;
Wirtschaft (Ethnologie)
;
Lebenslauf
;
seasonal festivities
;
Miao
;
Schlaginstrumente
;
Religion
;
Ahnenkult
;
ancestor worship
;
ritual
;
Bräuche
;
religious practices
;
cultural studies
;
Ethnologie/Kulturanthropologie
;
poultry-keeping
;
diviner
;
bowl
;
Tod
;
theology
;
ethnology/cultural anthropology
;
death
;
Ritus / Tötung von Tieren
;
musical instruments / idiophone
;
Theologie
;
Musik (Ethnologie)
;
Blut
;
Brauchtum / Jahreslauf
;
jahreszeitliche Festivitäten
;
Totenkult/Ahnenkult
;
Asia
;
labor organisation
;
Asien
;
Künste (Ethnologie)
;
religious act
;
economy
;
Opfer
;
religiöse Praktiken
;
oracle wood
;
society
;
customs
;
cult of the dead/ancestor worship
;
Stände und Berufe
;
feasts
Abstract:
Salanang Sen Tao, ein Schamane aus Huye Luang, bringt am Neujahrstag als Oberhaupt seiner Familie ein Bittopfer an die Ahnengeister dar.
Abstract:
This sacrifice addresses the ancestor spirits. In front of the entrance of the shaman's house the ritual objects are assembled on a small altar table: incense sticks, alcholic liquid in bowls, rice, and spirit paper. The shaman standing in front of the altar invokes the spirits. He throws the oracle rods to inquire whether the sacrifice has been accepted and gives the fowl to two women who slaughter it in the manner required by ritual. Blood is sprinkled on the altar, on the rice and on the spirit paper. After the fowl is boiled it is brought back to the altar table. A pair of cymbals, a burning oil lamp, and smoking incense sticks are placed next to it. The shaman comes back to the altar table and continues its invocations. He throws again the oracle rods. Finally he burns the spirit paper, picks up the oracle rods and returns into his house. Members of the family remove the altar table and carry the ritual objects to the ancestor shrine inside the house.
Note:
Audiovisuelles Material
