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    ISBN: 978-3-8394-5291-2
    Language: English
    Pages: 1 Online-Ressource (253 Seiten) : , Illustrationen.
    Series Statement: Queer Studies volume 28
    Series Statement: Queer Studies
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Graz
    DDC: 791.45/6526643
    RVK:
    RVK:
    Keywords: American Studies ; Canada ; Cultural Studies ; Culture ; Gender Studies ; Gender ; Identity ; Internet ; LGBT. ; Literature ; Media ; Queer Theory ; Romance Studies ; Spain ; US. ; Women ; YouTube ; SOCIAL SCIENCE / Gender Studies ; Internet television ; Lesbianism on television ; Gender ; Gender Studies ; Internet ; Queer Theory ; Culture ; Media ; Canada ; YouTube ; women ; Cultural Studies ; literature ; American Studies ; identity ; Romance Studies ; Spain ; US ; LGBT ; Webserie. ; Frau ; Identität ; Lesbische Orientierung ; USA. ; Kanada. ; Spanien. ; Hochschulschrift ; Webserie ; Frau ; Identität ; Lesbische Orientierung
    Abstract: Lesbian web series narrate female-centered stories, strengthen identity construction, and generate transnational communities beyond cultural barriers. Julia Obermayr explores the first definition of a new format, the first representations of lesbian women in US-American, Canadian, and Spanish web series from 2007 and onward, as well as their reciprocal effects regarding identity construction and community building of their transnational, mainly female, audience.The analyzed corpus comprises scenes taken from Venice the Series (2009) and its backstory »Otalia« on the soap opera Guiding Light (1952-2009), Seeking Simone (2009), Out With Dad (2010), Féminin/ Féminin (2014), Chica Busca Chica (2007) and its cinematic sequel De Chica En Chica (2015), as well as Notas Aparte (2016)
    Abstract: Biographical note: Julia Obermayr (Dr. phil.), born in 1981, did her doctorate at the University of Graz and in LGBT+ archives in Los Angeles, Toronto, Montreal, Madrid, and Barcelona. She specializes in cultural studies, lesbian/LGBT studies and diversity, minority identities, and female representations in audiovisual media, mainly in Romance speaking Europe and the Americas
    URL: Volltext  (URL des Erstveröffentlichers)
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