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  • 1
    Online Resource
    Online Resource
    Hoboken : Taylor and Francis
    ISBN: 9781138822351
    Language: English
    Pages: Online-Ressource (285 p)
    Series Statement: Routledge Advances in Art and Visual Studies
    Parallel Title: Print version On Not Looking: The Paradox of Contemporary Visual Culture
    DDC: 306.4/7
    Keywords: Visual perception.. ; Cognition and culture.. ; Art and society.. ; Art ; Philosophy ; Electronic books ; Electronic books
    Abstract: On Not Looking: The Paradox of Contemporary Visual Culture focuses on the image, and our relationship to it, as a site of ""not looking."" The collection demonstrates that even though we live in an image-saturated culture, many images do not look at what they claim, viewers often do not look at the images, and in other cases, we are encouraged by the context of exhibition not to look at images. Contributors discuss an array of images-photographs, films, videos, press images, digital images, paintings, sculptures, and drawings-from everyday life, museums and galleries, and institutional context
    Description / Table of Contents: Cover; Title; Copyright; Contents; List of Figures; Acknowledgements; Introduction; PART I Images that Don't Look; 1 Not Looking into the Abyss: The Potentiality to See; 2 The Rest Is Noise: On Lossless; 3 The Men in the Bathroom: Reflections on William E. Jones's Tearoom; PART II The Privilege of the Other Senses; 4 Peripatetic Sculpture: The Exhaustion of Looking in the Presence of Richard Serra's Promenade; 5 Burrowing under the Apparent: The Blindfold Drawings of Claude Heath; PART III Not Looking at Bodies and Cultures on the Margins; 6 ©AMOUFLAGE
    Description / Table of Contents: 7 The Horizon to Come: Planetary Aesthetics in William Kentridge's Felix in Exile and Galileo Galilei's Moon Drawings8 Between Looking and Not Looking: Race, Spectacular Scenes, and Counter-Spectacular Effects in Paul Pfeiffer's Long Count Series; PART IV Institutions Overpower Images; 9 Looking at the West Looking Away: Khmer Rouge, Western Blindness, and Documentary Images; 10 The "Coffin," the Camera, and the Commodity: Visualizing American Military Dead at Dover; 11 Lessons from the Life of an Image: Malcolm Browne's Photograph of Thich Quang Duc's Self-Immolation; Contributors; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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