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    ISBN: 9789004365537
    Language: English
    Pages: VIII, 212 Seiten
    Series Statement: Francopolyphonies volume 24
    Series Statement: Francopolyphonies
    Parallel Title: Erscheint auch als Everett, Julin Le queer impérial
    DDC: 840.9/896
    RVK:
    Keywords: French literature History and criticism ; Homosexuality in literature ; Race in literature ; Colonies in literature ; Postcolonialism in literature ; French literature History and criticism ; French-speaking countries ; Homosexuality in literature ; Race in literature ; Colonies in literature ; Postcolonialism in literature ; Frankophones Afrika ; Queer ; Literatur ; Frankophones Afrika ; Queer ; Literatur ; Sembène, Ousmane 1923-2007 ; Bokoum, Saïdou 1945- ; Sony Labou Tansi 1947-1995 ; Sassine, Williams 1944-1997
    Abstract: In Le Queer Impérial Julin Everett explores the taboo subject of male homoerotic desire between black Africans and white Europeans in francophone colonial and postcolonial literatures.
    Abstract: Introduction: Passages à l'acte : political and textual violence in Francophone colonial and postcolonial literatures -- Colonial sexting : homoerotic voyeurism in La femme et l'homme nu by Pierre Mille and André Demaison, and Makako, singe d'Afrique by Herman Grégoire -- "Entre hommes et sous l'équateur" : colonial masculinity, race and desire in Makako, singe d'Afrique -- Nothing but a thing : the African male as fetishist and fetish in La femme et l'homme nu -- Loving the alien : rape of the African immigré in Ousmane Sembène's Le docker noir and Saidou Bokoum's Chaine -- Is looking merely the opposite of doing? : rape and representation in Le docker noir -- "L'homme de couleur et le blanc" : interracial desire and the fear of the queer in Chaine -- Civil servant whores and neocolonial slum-johns in Sony Labou Tansi's Je, soussigné cardiaque and Williams Sassine's Mémoire d'une peau -- The space between : bisexuality, intersexuality, albinism and the postcolonial state in Mémoire d'une peau -- Must la victime be feminine? postcolonial violence, gender ambiguity and homoerotic desire in Sony Labou Tansi's Je, soussigné cardiaque.
    Note: Includes bibliographical references and index
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