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    Book
    Book
    Athens : Ohio University Press
    ISBN: 978-0-8214-2347-9 , 978-0-8214-2346-2 /Hb. , 978-0-8214-4653-9 /PDF
    Language: English
    Pages: XX, 339 Seiten , Illustrationen
    Series Statement: New African Histories
    DDC: 709.630904
    RVK:
    RVK:
    Keywords: Afrika Äthiopien ; Kunst, afrikanische ; Moderne Kunst ; Politik und Gesellschaft ; Kunstgeschichte ; Anthropologie, politische
    Abstract: If modernism initially came to Africa through colonial contact, what does Ethiopia`s inimitable historical conditionits independence save for five years under Italian occupationmean for its own modernist tradition? In Modernist Art in Ethiopiathe first book-length study of the topicElizabeth W. Giorgis recognizes that her home country`s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context.Giorgis explores the varied precedents of the country`s political and intellectual history to understand the ways in which the import and range of visual narratives were mediated across different moments, and to reveal the conditions that account for the extraordinary dynamism of the visual arts in Ethiopia. In locating its arguments at the intersection of visual culture and literary and performance studies, Modernist Art in Ethiopia details how innovations in visual art intersected with shifts in philosophical and ideological narratives of modernity. The result is profoundly innovative worka bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece. (Umschlagtext)
    Description / Table of Contents: List of illustrations - Preface -- Acknowledgements -- Introduction -- Early to mid-twentieth-century modernism (1900/1957) and the formation of the Fine Art School -- Intellectual thought of the 1960s: the prime of Ethiopian modernism -- The modernists of the 1960s: Gebre Kristos Desta and Skunder Boghossian and their students -- Enat Hager Weym Mot (revolutionary motherland or death): art during the Derg, 1974/91 -- Contemporary Ethiopian art: 1995/2015 -- Conclusion -- Notes -- Bibliography -- Index
    Note: Literaturverzeichnis: Seite 325-334
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