ISBN:
978-3-643-90607-6
Language:
English
Pages:
149 Seiten
,
Illustrationen
Series Statement:
Iranian Studies (Wien) Vol. 2
DDC:
306.480955
Keywords:
Iran Geschichte
;
Soziokultureller Kontext
;
Photographie, ethnographische
;
Anthropologie, visuelle
;
Nasir-ad-Din, Iran, Schah
;
Mossofar od-Din, Iran, Schah
;
Teheran
;
Konferenzschrift 2011
;
Konferenzschrift 2011
;
Aufsatzsammlung
;
Konferenzschrift 2011
;
Aufsatzsammlung
;
Kongress 2011
Abstract:
In Iran, the history of photography and cinematography is mired with doubts and ambiguities. Whilst academic debates have focused on Qajar photography and cinematography from the viewpoint of historical analyses and technical aspects, there does not appear to be any anthropological, and particularly, visual anthropological research on these two important visual mediums. This book presents first results using visual anthropology, ethnographical film, media and visual studies as a methodological framework. (Verlagsangabe)
Description / Table of Contents:
Foreword -- Photographic documentation of Ta'zieh and Taqlid during the Qajar era / Ali Gholipoor -- The disfigured and the abnormal captured by the lens of Qajar era photographers / Alireza Nabipoor -- Photography and recognizing historical changes of the Qajar era: a new historical view / Ali Mohammad Tarafdari -- Comparative analysis of Iranian and foreign photographers' representations of the Qajar era / Abbas Amiri -- Back in the picture: early film techniques used to capture the Qajar era / Alex Fischer -- Portraiture in Qajar Iran and the Ottoman Empire: a comparative approach / Basak Kilerci -- Tracking a modern visual element through two similar conditions of chaos / Siamak Hajimohammad -- Bibliography -- Index
Note:
Literaturverzeichnis: Seite [141]-146
URL:
http://d-nb.info/1065773714/04
