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  • Electronic books
  • Zeitschriften zur Ethnologie
  • Musicology  (282)
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Language
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Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    1964 : Fotografien und Betrachtungen (2023)
    München : C.H. Beck | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783406804182
    Language: German
    Pages: 1 Online-Ressource (378 pages)
    Edition: 1st ed.
    RVK:
    LS 48040
    RVK:
    AP 95740
    Keywords: Bildband ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    Online Resource
    Online Resource
    Hit Girls : Women of Punk in the USA, 1975-1983 (2023)
    La Vergne : Feral House
    Details
    ISBN: 9781627311281
    Language: English
    Pages: 1 Online-Ressource
    RVK:
    LS 48645
    RVK:
    LR 56617
    Keywords: Electronic books ; USA ; Punkerin ; Geschichte 1975-1983
    Abstract: Intro -- Title Page -- Copyright -- Dedication -- Contents -- Author's Note -- Foreword by Ann Magnuson -- Introduction -- Essays ¡Feminista! By Alice Bag -- Neo Boys Liner Notes by Suzi Creamcheese -- 1. Midwest: Hit Girls, Haute Girls -- Destroy All Monsters -- The Welders -- Nikki &amp -- the Corvettes -- Flirt -- Chi-Pig -- DA! -- The Shivvers -- The Waitresses -- Bitch -- The Dadistics -- The Cubes -- Unit 5 -- Ama-Dots -- The Dents -- Kate Fagan -- Algebra Suicide -- Dummy Club -- 2. South: Feast on My Heart -- Pylon -- Cichlids -- The Klitz -- The Delinquents -- Mydolls -- Screaming Sneakers -- The Cold -- F-Systems -- Teddy and the Frat Girls -- The Foams -- 3. Northwest: Guys Are Not Proud -- The Dishrags -- Chinas Comidas -- The Accident -- Neo Boys -- The Anemic Boyfriends -- Sado-Nation -- Art Object -- The Braphsmears -- The Visible Targets -- Bam Bam -- 4. West Coast (South): Manic in a Panic -- Backstage Pass -- The Bags -- The Controllers -- Castration Squad -- The Alley Cats -- The Eyes -- Suburban Lawns -- The Dinettes -- The Brat -- 45 Grave -- Tex &amp -- the Horseheads -- Sin 34 -- The Pandoras -- Screamin' Sirens -- 5. West Coast (North): Shake the Hands of Time -- Mary Monday -- The Nuns -- The Avengers -- The Blowdryers -- The Urge -- VS -- VKTMS -- U.X.A. -- IXNA -- Los Microwaves -- Romeo Void -- The Contractions -- Inflatable Boy Clams -- Wilma -- Frightwig -- 6. East Coast: Subversive Pleasure -- Jayne County -- Mars -- The Phantoms -- Helen Wheels Band -- 'B' Girls -- Teenage Jesus &amp -- the Jerks -- Cheap Perfume -- DNA -- Nasty Facts -- UT -- ESG -- Plasmatics -- Tiny Desk Unit -- Disturbed Furniture -- Bush Tetras -- Y Pants -- Egoslavia -- Dizzy and the Romilars -- Chalk Circle -- The Excuses -- Red C -- The Bloods -- Pulsallama -- IN MEMORIUM -- AUTHOR'S ACKNOWLEDGMENTS -- CITATIONS -- INDEX.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext
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  • 3
    Online Resource
    Online Resource
    The Routledge companion to ethics and research in ethnomusicology (2023)
    New York : Routledge | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781000784671
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge music companions
    DDC: 780.89
    RVK:
    LS 17100
    RVK:
    LS 12100
    Keywords: Musikethnologie ; Feldforschung ; Wissenschaftsethik ; Aufsatzsammlung ; Electronic books
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  • 4
    Online Resource
    Online Resource
    South African Popular Music (2023)
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501383441
    Language: English
    Pages: 1 Online-Ressource (195 pages)
    Series Statement: Genre: a 33 1/3 Series
    DDC: 781.630968
    RVK:
    LS 47925
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 5
    Online Resource
    Online Resource
    Congo's Dancers : Women and Work in Kinshasa (2023)
    Madison : University of Wisconsin Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780299340339
    Language: English
    Pages: 1 Online-Ressource (216 pages)
    Edition: 1st ed.
    DDC: 306.484609675112
    RVK:
    LQ 93300
    RVK:
    AP 83975
    Keywords: Rumba ; Tänzerin ; Geschlechterrolle ; Demokratische Republik Kongo ; Kinshasa ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 6
    Online Resource
    Online Resource
    Together, Somehow : Music, Affect, and Intimacy on the Dancefloor (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478027058
    Language: English
    Pages: 1 online resource (321 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als
    DDC: 306.4846
    RVK:
    LR 56610
    RVK:
    LS 48655
    Keywords: Electronic books
    Abstract: Drawing on fieldwork in the minimal techno and house music sub-scenes in Chicago, Paris, and Berlin, Luis Manuel Garcia-Mispireta shows that people get along and share the dancefloor by an intimacy and belonging rooted in affect.
    Abstract: Cover -- Contents -- Preface -- Introduction -- 1. Touch and Intimacy on the Dancefloor -- 2. Sonic Tactility -- 3. Liquidarity -- 4. Thickening Something -- 5. The Sweetness of Coming Undone -- 6. Bouncers, Door Policies, and Embedded Diversity -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9781478027058
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    Music and Citizenship (2023)
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780197555200
    Language: English
    Pages: 1 Online-Ressource (193 pages)
    Series Statement: Oxford Theory in Ethnomusicology Series
    DDC: 306.4842
    RVK:
    LS 18600
    Keywords: Electronic books
    Abstract: In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 8
    Online Resource
    Online Resource
    Jüdische Komponistinnen zwischen Erfolg und Verfolgung, Exil und Heimkehr (2022)
    Wien : Hollitzer Wissenschaftsverlag
    Details
    ISBN: 9783990128114
    Language: German , English , Hebrew , Japanese
    Pages: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Parallel Title: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
    RVK:
    LS 33120
    RVK:
    LR 56617
    Keywords: Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Abstract: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Note: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 9
    Online Resource
    Online Resource
    Mixing pop and politics : political dimensions of popular music in the 21st century (2022)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780429284526
    Language: English
    Pages: 1 Online-Ressource (ix, 223 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LR 57728
    RVK:
    LS 48015
    Keywords: Electronic books ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-
    Note: Description based on publisher supplied metadata and other sources
    DOI: 10.4324/9780429284526
    URL: lizenzpflichtig
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  • 10
    Online Resource
    Online Resource
    Music and Change in the Eastern Baltics Before and After 1989 (2022)
    Boston, MA : Academic Studies Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781644698952
    Language: English
    Pages: 1 Online-Ressource (362 p.)
    Series Statement: Studies in the History and Sociology of Music
    DDC: 306.484209479
    RVK:
    LQ 80027
    Keywords: Electronic books ; Konferenzschrift 2020 ; Konferenzschrift 2020
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    DOI: 10.1515/9781644698952
    URL: https://doi.org/10.1515/9781644698952?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781644698952
    URL: Cover
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    Insulting Music : A Lexicon of Insult in Music (2022)
    Cham : Springer International Publishing AG | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783031164668
    Language: English
    Pages: 1 Online-Ressource (213 pages)
    Edition: 1st ed.
    DDC: 781.64159
    RVK:
    LS 48050
    Keywords: Popular music ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 12
    Online Resource
    Online Resource
    The Routledge companion to music and human rights (2022)
    Abingdon, Oxon : Routledge | London : Taylor & Francis Group
    Details
    ISBN: 9781003043478 , 9781000574746 , 9781000574791
    Language: English
    Pages: 1 Online-Ressource (xxxi, 516 Seiten)
    Series Statement: SOAS studies in music
    DDC: 306.4/842
    RVK:
    LR 57500
    Keywords: Music Social aspects ; Music Political aspects ; Human rights ; Music and state ; Electronic books
    Abstract: The Routledge Companion to Music and Human Rights is a collection of case studies spanning a wide range of concerns about music and human rights in response to intensifying challenges to the well-being of individuals, peoples, and the planet. It brings forward the expertise of academic researchers, lawyers, human rights practitioners, and performing musicians who offer critical reflection on how their work might identify, inform, or advance mutual interests in their respective fields. The book is comprised of 28 chapters, interspersed with 23 voices' - portraits that focus on individuals' intimate experiences with music in the defence or advancement of human rights - and explores the following four themes: 1) Fundamentals on music and human rights; 2) Music in pursuit of human rights; 3) Music as a means of violating human rights; 4) Human rights and music: intrinsic resonances
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781003043478
    URL: https://www.taylorfrancis.com/books/9781003043478
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  • 13
    Online Resource
    Online Resource
    Jazz in socialist Hà Nội : improvisations between worlds (2022)
    New York : Routledge
    Details
    ISBN: 9781003165927 , 1003165923 , 9781000555684 , 1000555682 , 9781000555653 , 1000555658
    Language: English
    Pages: 1 Online-Ressource (xiv, 212 Seiten) , Illustrationen
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als Tan-Tangbau, Stan BH Jazz in socialist Hà Nội
    RVK:
    LS 48100
    Keywords: Jazz History and criticism 20th century ; Jazz Political aspects ; Jazz musicians Interviews ; Communism and music ; Electronic books ; MUSIC / Genres & Styles / Jazz ; MUSIC / Ethnomusicology ; MUSIC / Genres & Styles / International
    Abstract: Between worlds -- A nascent discography -- Live jazz -- Jazz at the conservatoire -- Music, war and revolution -- Becoming a professional musician -- Vietnam, the Socialist Bloc and jazz -- Hà Nội's jazz scene -- Coda.
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781003165927
    URL: lizenzpflichtig
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  • 14
    Online Resource
    Online Resource
    Singing the News of Death : Execution Ballads in Europe 1500-1900 (2022)
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780197551875
    Language: English
    Pages: 1 Online-Ressource (xx, 533 Seiten) , Illustrationen
    Series Statement: New Cultural History of Music
    DDC: 306.4842094
    RVK:
    LS 21720
    Keywords: Musik ; Ballade ; Todesstrafe ; Hinrichtung ; Nachricht ; Music-Social aspects ; Death songs ; Europa ; Electronic books
    Abstract: Author Una McIlvenna brings the execution ballad to life in Singing the News of Death, uncovering the relationship between punishment and music throughout Europe from 1500-1900 with an unprecedented breadth of study and ambition.
    Note: Description based on publisher supplied metadata and other sources , Literaturverzeichnis Seite 459-504
    DOI: 10.1093/oso/9780197551851.001.0001
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  • 15
    Online Resource
    Online Resource
    Fela Anikulapo-Kuti : Afrobeat, Rebellion, and Philosophy (2022)
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501374739
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    DDC: 781.63092
    RVK:
    LS 48660
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 16
    Online Resource
    Online Resource
    Making Tracks : A Record Producer's Southern Roots Music Journey (2022)
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781496839190
    Language: English
    Pages: 1 Online-Ressource (314 pages)
    Series Statement: American Made Music Ser.
    DDC: 780.266
    RVK:
    LS 48050
    RVK:
    LS 22980
    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Abstract: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Note: Description based on publisher supplied metadata and other sources
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  • 17
    Online Resource
    Online Resource
    An anthology of french and francophone singers, from a to z : Singin' in french (2022)
    Newcastle-upon-Tyne : Cambridge Scholars Publishing | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781527581234
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2nd Edition
    Parallel Title: Erscheint auch als Abecassis, Michaël An Anthology of French and Francophone Singers, from a to Z, 2nd Edition
    DDC: 782.420944
    RVK:
    LR 53357
    RVK:
    LQ 82207
    RVK:
    LS 22590
    Keywords: Geschichte ; Sänger ; Sängerin ; Französisches Sprachgebiet ; Biografie ; Electronic books
    Abstract: French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. Every musical form has had an impact on the linguistic practices of our society. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to Fre
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  • 18
    Online Resource
    Online Resource
    The Bloomsbury handbook of popular music, space and place (2022)
    New York : Bloomsbury Academic & Professional
    Details
    ISBN: 9781501336300
    Language: English
    Pages: 1 Online-Ressource (xiv, 394 Seiten)
    Series Statement: Bloomsbury Handbooks Series
    Parallel Title: Erscheint auch als
    RVK:
    LS 48020
    Keywords: Ort ; Popmusik ; Electronic books ; Aufsatzsammlung ; Popmusik ; Ort
    Abstract: Cover -- Contents -- List of contributors -- Introduction Geoff Stahl and J. Mark Percival -- Section I Theory and method -- 1 Music, space, place and non-place Geoff Stahl -- 2 Rhythmanalysis and circulation Will Straw -- 3 Global, local, regional and translocal: Towards a relational approach to scale in popular music Hyunjoon Shin and Keewoong Lee -- 4 Sociological perspectives on music and place Andy Bennett -- 5 Ethnomusicology and place Kimberly Cannady -- 6 Political economies of urban music Shane Homan -- 7 Sensobiographic walking and ethnographic approach of the Finnish school of soundscape studies Helmi Järviluoma -- Section II Space, place and consumption -- 8 At home with Sinatra Keir Keightley -- 9 Music radio J. Mark Percival -- 10 The record shop Nabeel Zuberi -- 11 The nightclub Hillegonda C Rietveld -- 12 The live venue Robert Kronenburg -- 13 Mobile listening cultures Raphaël Nowak -- Section III Space, place, production andperformance -- 14 In the city: Glasgow Martin Cloonan -- 15 Bedroom production Emília Barna -- 16 The studio Ruth Dockwray -- 17 The virtual studio Martin K. Koszolko -- 18 The space of the record: Something happening somewhere Simon Zagorski-Thomas -- 19 The live gig Sam Whiting -- Section IV Cities, suburbs, nations and beyond -- 20 Suburban breakout: Nomadic reverie in British pop Andrew Branch -- 21 Sounding South African township life Kathryn Olsen -- 22 Funk: A musical symbol of Rio de Janeiro's favelas Vincenzo Cambria -- 23 Postcolonial noise: How did French rap (re)invent 'the banlieue'? Christina Horvath -- 24 Music and the nation Melanie Schiller -- 25 Transnational music Simone Krüger Bridge -- Section V Selling, celebrating, representing spaceand place -- 26 Music, heritage and place Catherine Strong -- 27 Music and tourism Leonieke Bolderman -- 28 Festivals Chris Anderton.
    Note: Description based on publisher supplied metadata and other sources
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  • 19
    Online Resource
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    Queer country (2022)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252053221
    Language: English
    Pages: 1 Online-Ressource (x, 268 pages) , Illustrations (black and white).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    DDC: 781.642
    RVK:
    LS 48610
    RVK:
    LR 56618
    Keywords: Countrymusic ; Queer-Theorie ; Country music History and criticism ; Gender identity in music ; Gay musicians ; Transgender musicians ; Electronic books
    Abstract: Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. 'Queer Country' blends ethnographic research with analysis and history to provide an i-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X.
    Note: Also issued in print: 2022 , Includes bibliographical references, discography, filmography and index
    DOI: 10.5622/illinois/9780252044267.001.0001
    URL: https://doi.org/10.5622/illinois/9780252044267.001.0001
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  • 20
    Online Resource
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    Arab music : a survey of its history and its modern practice (2021)
    Oxford : Archaeopress Publishing Ltd
    Details
    ISBN: 9781789699333
    Language: English
    Pages: 1 Onliner-Ressource (viii, 200 Seiten) , Notenbeispiele, Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.9174927
    RVK:
    LS 34120
    Keywords: Arabs Music ; History and criticism ; Songs, Arabic History and criticism ; Electronic books
    Abstract: Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 21
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    The Beatles and The 1960s : Reception, Revolution, and Social Change (2021)
    London : Bloomsbury Publishing Plc | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781350107458
    Language: English
    Pages: 1 Online-Ressource (277 pages)
    DDC: 782.421660922
    RVK:
    LS 48040
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 22
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    Krise - Boykott - Skandal : konzertierte Ausnahmezustände (2021)
    München : edition text + kritik
    Details
    ISBN: 9783967074598
    Language: German
    Pages: 1 Online-Ressource (268 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Krise - Boykott - Skandal
    DDC: 301
    RVK:
    LR 56707
    RVK:
    LR 57720
    Keywords: Electronic books ; Aufsatzsammlung ; Moderne ; Gesellschaft ; Krise ; Skandal ; Boykott ; Darstellende Kunst ; Massenmedien ; Pop-Kultur ; Geschichte 1945-2021
    URL: lizenzpflichtig
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  • 23
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    Nachgelassene Schriften. Abteilung IV : Band 11: Fragen der Dialektik (1963/64). (2021)
    Berlin :Suhrkamp Verlag,
    Details
    ISBN: 9783518769720
    Language: German
    Pages: 1 Online-Ressource (520 pages).
    RVK:
    CI 1322
    RVK:
    LP 91140
    RVK:
    MQ 3010
    RVK:
    CI 1321
    Keywords: Dialektik. ; Kritische Theorie. ; Philosophie. ; Electronic books ; Dialektik ; Kritische Theorie ; Philosophie
    Note: Description based on publisher supplied metadata and other sources
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    HU Berlin
  • 24
    Online Resource
    Online Resource
    Mediale Interferenzen : Literatur und Popmusik in Japan (1955-2005) (2021)
    Wiesbaden : Harrassowitz Verlag | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783447391801
    Language: German
    Pages: 1 Online-Ressource (475 Seiten)
    Series Statement: Kulturwissenschaftliche Japanstudien v.11
    Parallel Title: Erscheint auch als
    RVK:
    LS 48060
    Keywords: Geschichte 1955-2005 ; Japanisch ; Literatur ; Popmusik ; Intermedialität ; Electronic books
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  • 25
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    Songbooks : the literature of American popular music (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
    RVK:
    HR 1121
    RVK:
    LS 48050
    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478021391
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1515/9781478021391?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478021391
    URL: Cover
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    URL: lizenzpflichtig
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    URL: Cover  (lizenzpflichtig)
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  • 26
    Online Resource
    Online Resource
    Americanaland : Where Country and Western Met Rock 'n' Roll (2021)
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource (299 pages)
    Series Statement: Music in American Life Ser. v.1
    DDC: 781.640973
    RVK:
    LS 48050
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 27
    Online Resource
    Online Resource
    Politics As Sound : The Washington, DC, Hardcore Scene, 1978-1983 (2021)
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780252053122
    Language: English
    Pages: 1 Online-Ressource (227 pages)
    Series Statement: Music in American Life Ser.
    DDC: 781.6609753
    RVK:
    LS 48635
    RVK:
    LQ 89308
    Keywords: Geschichte 1978-1983 ; Hardcore ; Punk ; Washington, DC ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 28
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    Online Resource
    Künstler-Ehe : Ein Phänomen der bürgerlichen Musikkultur (2021)
    Gottingen : Vandenhoeck & Ruprecht
    Details
    ISBN: 9783412523947
    Language: German
    Pages: 1 online resource (469 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine, 1984 - Künstler-Ehe
    RVK:
    LC 87015
    RVK:
    LB 41015
    RVK:
    LR 57185
    Keywords: Electronic books ; Hochschulschrift ; Musiker ; Musikerin ; Ehepaar ; Bürgerliche Gesellschaft ; Geschlechterverhältnis ; Geschichte 1800-1899 ; Geschichte 1800-1899 ; Geschichte 1800-1899 ; Musiker ; Musikerin ; Ehepaar
    Abstract: Intro -- Title Page -- Copyright -- Table of Contents -- Einführung -- 1. Das Forschungsfeld -- 1.1. Forschungsstand -- 2. Methoden und Perspektiven -- 2.1. Historische Diskursanalyse und Musikerpaare -- 2.2. Systematisierung der Quellen in einer Datenbank -- 2.3. Von der Künstlerehe erzählen: Zur Schreibperspektive -- 3. Aufbau der Arbeit -- I. Teil: Kontexte und Begriffe -- 1. Der Untersuchungsraum -- 2. Bürgerliche Kultur - Kunst - Geschlecht -- 2.1. Bürgerliches Eheideal -- 2.1.1 „Eheliches Glück" -- 2.1.2. Zuspitzung des Ehediskurses -- 2.2. Kunst- und Musikkultur -- 3. Diskursverschränkungen -- 3.1. Nationaldiskurs und Geschlecht -- 3.2. Kunstgewerbe und Geschlecht -- 4. Begriffe -- 4.1. Künstlerehe - Musikerehe: ‚Künstler-Ehe-Diskurs' -- 4.2. Musiker und Musikerinnen - musikkulturell Handelnde -- 4.3. Ehe - Partnerschaft - Liebe -- 4.4. Glück - Unglück, Scheitern - Gelingen -- II. Teil: Der Diskurskern -- Einleitung II. Teil -- Kapitel 1: Der Diskurs in seinen Quellen -- 1. Recherche -- 1.1. Recherchestrategien -- 1.2. Quellenauswahl und mediale Vielfalt -- 2. Das Quellenkorpus -- 2.1. Periodika -- 2.1.1. Überblick -- 2.1.2. „Sollen Künstlerinnen heiraten? Eine Rundfrage" -- 2.1.3. Paul Felix: Künstlerehen -- 2.2. Fiktionale Quellen -- 2.2.1. Überblick -- 2.2.2. Alphonse Daudet: Künstlerehen -- 2.2.3. E. Werner: Gesprengte Fesseln -- 2.3. Biografische Quellen -- 2.3.1. Überblick -- 2.3.2. A. Niggli: Das Künstlerpaar August und Anna Walter-Strauß -- 2.3.3. La Mara: Die Frauen im Tonleben der Gegenwart -- 2.4. Ego-Dokumente -- 2.4.1. Überblick -- 2.4.2. Die Ehetagebücher von Eugen und Hermine d'Albert -- 2.5. Bildquellen -- 2.5.1. Überblick -- 2.5.2. Vier Musikerpaarporträts von Edvard und Nina Grieg -- 2.5.3. Drei Karikaturen im Simplicissimus -- 2.6. Quellen diskursiven musikkulturellen Handelns -- 2.6.1. Überblick.
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  • 29
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    Online Resource
    The stories of Jazz : narrating a musical tradition (2021)
    Wien : Hollitzer
    Details
    ISBN: 9783990128954
    Language: English
    Pages: 1 Online-Ressource (406 Seiten)
    Series Statement: Jazzforschung 48 (2016)
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Electronic books ; Jazz ; Geschichte
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 30
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    Online Resource
    Women Composers' Creative Conditions Before and During the Turkish Republic : A Case Study on Three Women Composers: Leyla Hanımefendi, Nazife Aral-Güran, and Yüksel Koptagel (2021)
    Wien : Hollitzer Wissenschaftsverlag
    Details
    ISBN: 9783990128510
    Language: English
    Pages: 1 Online-Ressource (518 Seiten)
    Parallel Title: Erscheint auch als Atalay, Nejla Melike Women Composers' Creative Conditions Before and During the Turkish Republic
    RVK:
    LS 36060
    Keywords: Koptagel, Yüksel ; Saz, Leyla ; Güran, Nazife ; Geschichte 1850-2000 ; Women composers-Turkey-Biography ; Komponistin ; Türkei ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Saz, Leyla 1850-1936 ; Güran, Nazife 1921-1993 ; Koptagel, Yüksel 1931- ; Türkei ; Komponistin ; Geschichte 1850-2000
    Library Location Call Number Volume/Issue/Year Availability
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    München BSB
    BVB
  • 31
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    Online Resource
    Transcending dystopia : music, mobility, and the Jewish community in Germany, 1945-1989 (2021)
    Oxford : Oxford University Press USA - OSO
    Details
    ISBN: 9780197532997
    Language: English
    Pages: 1 online resource (645 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Frühauf, Tina, 1972 - Transcending dystopia
    DDC: 780.8992404309045
    RVK:
    LS 33260
    Keywords: Jews-Germany-Music-History and criticism ; Music-Germany-20th century-History and criticism ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Electronic books ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Abstract: Transcending Dystopia tells the story of the remarkable revival of Jewish music in postwar and Cold War Germany. Covering a wide spectrum of musical activities and geographies across the country, this book provides a panoramic view on how music contributed to transformations within and beyond Jewish communities after the Holocaust.
    Abstract: cover -- Transcending Dystopia -- Copyright -- Dedication -- Contents -- Acknowledgments -- Prologue: Moving Toward Silence -- On Transliteration and Translation, Spelling, and Names -- Abbreviations -- Introduction: Against All Odds-The Jewish Gemeinde as Sonic Community in an Age of Mobility -- Part 1 -- 1 In the Midst of Rubble: Rebuilding a Musical Life in Berlin -- 2 Out of the Depths: The Case of Munich and the South -- 3 Communal Encounters: Frankfurt am Main and the North -- 4 Remnants in the Soviet and French Zones and Beyond -- 5 Remembering the Holocaust: Mourning and Celebration -- 6 Disseminating Survival: Jews, Music, and the Media -- 7 The End of Dystopia? -- Part II -- 8 Returning and Leaving: Frankfurt in Flux -- 9 Rebuilding with or without Organ -- 10 Cantors on the Move -- 11 Regenerating a Choral Music Culture -- 12 Music in Social Life -- Part III -- 13 Dystopia under Communism: Communities in the Crossfire of Politics -- 14 Werner Sander and the Formation of the Leipziger Synagogalchor -- 15 Facing Cultural Stagnation: Musical Life after Sander -- 16 "Making Antifascist Politics Visible": Jewish Heritage Music and Cold War Politics -- 17 The Leipziger Synagogalchor in the Service of State Propaganda -- 18 Jewish Culture in Public Diplomacy, Memory Politics, and the Curious Case of Halle -- 19 Projecting Utopia: Jewish Heritage Music Abroad -- 20 The Politics of Commemoration and Reorientation -- Part IV -- 21 The Establishment of the Jüdische Gemeinde von Groß-​Berlin -- 22 The Anniversary Year of 1971 and the Dawn of Détente -- 23 The Rise of the Jüdische Gemeinde zu Berlin -- 24 Deterioration and Recovery: The Jüdische Gemeinde Berlin, Hauptstadt der DDR -- 25 Toward a New Communal Future: Parallel Sound Worlds and Rapprochement -- Notes -- Bibliography -- Index -- oso-9780197532973_BM.pdf.
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  • 32
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    Sampling, Biting, and the Postmodern Subversion of Hip Hop (2021)
    Cham : Springer International Publishing AG | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783030749033
    Language: English
    Pages: 1 Online-Ressource (135 pages)
    DDC: 782.421649
    RVK:
    LS 48650
    RVK:
    MS 8020
    Keywords: Rap (Music)-History and criticism ; Hip-hop-History ; Rap (Music)-Philosophy and aesthetics ; Electronic books
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  • 33
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    Transforming ethnomusicology Volume I : methodologies, institutional structures, & policies (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
    RVK:
    LB 30000
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    DOI: 10.1093/oso/9780197517604.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
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  • 34
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    HipHop, Musik und die Artikulation von Geographie (2021)
    Stuttgart : Franz Steiner Verlag
    Details
    ISBN: 9783515130585
    Language: German
    Pages: 1 online resource (317 pages)
    Edition: 1st ed.
    Series Statement: Sozialgeographische Bibliothek v.8
    DDC: 780.091
    RVK:
    RB 10795
    RVK:
    LS 48900
    RVK:
    LC 87000
    RVK:
    LC 88015
    RVK:
    RB 10801
    RVK:
    RB 10798
    Keywords: Electronic books ; Hochschulschrift
    Abstract: Intro -- Danksagung -- Inhalt -- Abbildungen -- 1 Einleitende Bemerkungen -- 2 Music non stop: Geräusche, Geschichte, Gesellschaft und Geographie -- 2.1 Anfänge wissenschaftlicher Rede über Klang: Musik- und Sozialwissenschaften -- 2.2 Geographische Traditionen in Musik -- 2.3 Peopling the soundscape: Humanistische Geographie und New Cultural Geography -- 2.4 Musik Macht Politik: die neue Agenda -- 2.5 Auralität und Räumlichkeit -- 2.6 Zusammenfassung -- 3 HipHop in Raum und Zeit -- 3.1 The rap on rap music -- 3.2 Strukturen und Akteure einer kulturellen Neuerung -- 3.3. Diffusionen -- 4 Raum und Zeit in HipHop-Musik -- 4.1 Räume, Orte und die Rhythmen des Alltäglichen -- 4.2 Rap in den USA: representing race, space and place -- 4.3 HipHop, Deutschrap!, Rap in Deutschland -- 5 HipHop, Musik und die Artikulation von Geographie: ein Fazit -- 6 Literatur, Quellen, Diskographie -- 6.1 Literatur- und Quellenverzeichnis -- 6.2 Auswahldiskographie und Filme -- 6.3 Übersicht der Interviews -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 35
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    Who Got the Camera? : A History of Rap and Reality (2021)
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781477323946
    Language: English
    Pages: 1 Online-Ressource (358 pages)
    Series Statement: American Music Ser.
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 36
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    Jüdische Musik im süddeutschen Raum : Mapping jewish music of southern Germany (2021)
    München : Allitera Verlag
    Details
    ISBN: 9783962332754 , 9783962332747
    Language: German
    Pages: 1 Online-Ressource (271 Seiten)
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum: Geschichte, Exil, Fortleben (Veranstaltung : 2019 : München) Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    LS 33120
    Keywords: Jews Congresses Music ; History and criticism ; Jews Music History and criticism 19th century ; Congresses ; Jews Music History and criticism 20th century ; Congresses ; Music Congresses History and criticism ; Electronic books ; Süddeutschland ; Juden ; Musik ; Geschichte
    URL: lizenzpflichtig
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  • 37
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    Musician in the Museum : Display and Power in Neoliberal Popular Culture (2021)
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501368912
    Language: English
    Pages: 1 Online-Ressource (275 pages)
    DDC: 781.63074
    RVK:
    LS 48015
    RVK:
    AK 85100
    Keywords: Popmusik ; Museum ; Kommerzialisierung ; Neoliberalismus ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 38
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    Music and Musicians in the Medieval Islamicate World : A Social History (2021)
    London : I. B. Tauris & Company | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780755617890
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Series Statement: Early and Medieval Islamic World Ser.
    DDC: 780.917670902
    RVK:
    LS 34120
    Keywords: Islam ; Musikleben ; Musiker ; Naher Osten ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 39
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    Juedisches Kulturerbe MUSIK - Divergenzen und Zeitlichkeit : Ueberlegungen Zu Einer Kulturellen Nachhaltigkeit Aus Sicht der Juedischen Musikstudien (2021)
    Frankfurt a.M. : Peter Lang GmbH | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783631835487
    Language: German
    Pages: 1 Online-Ressource (240 pages)
    Series Statement: Juedische Musikstudien. Jewish Music Studies v.2
    RVK:
    LS 33100
    Keywords: Juden ; Musik ; Kulturerbe ; Kollektives Gedächtnis ; Diskurs ; Nachhaltigkeit ; Europa ; Aufsatzsammlung ; Electronic books
    Abstract: Problematisierung kultureller Aneignung ,,jüdischen Kulturerbes" nach 1945. Kritik an Diskursen und Praktiken zu jüdischem Kulturerbe Musik vor dem Hintergrund aktueller Debatten um kulturelle Nachhaltigkeit. Diskussion innerjüdischer Nachhaltigkeitskonzepte als Denkanstoß für einen zukunftsorientierten Umgang mit jüdischem Musik-/Kulturerbe.
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  • 40
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    The Evolution of Electronic Dance Music (2021)
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501366383
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    DDC: 781.648
    RVK:
    LS 48655
    Keywords: Elektronische Musik ; Techno ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 41
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    Pearl Jam and Philosophy (2021)
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501362804
    Language: English
    Pages: 1 Online-Ressource (281 pages)
    DDC: 782.421660922
    RVK:
    LS 48635
    RVK:
    LS 48050
    Keywords: Pearl Jam ; Grungerock ; Aufsatzsammlung ; Electronic books
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  • 42
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    A people's music : Jazz in East Germany, 1945-1990 (2020)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
    RVK:
    LS 48100
    RVK:
    LQ 80407
    RVK:
    LP 19507
    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext
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  • 43
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    How the West stole democracy from the Arabs : the Syrian Arab Congress of 1920 and the destruction of its Liberal-Islamic Alliance (2020)
    New York : Atlantic Monthly Press, an imprint of Grove Atlantic | London : Grove Press UK, an imprint of Grove Atlantic
    Details
    ISBN: 9781611859003
    Language: English
    Pages: 1 Online-Ressource (442 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als Thompson, Elizabeth F., 1959 - How the West stole democracy from the Arabs
    DDC: 956.91041
    RVK:
    NQ 5750
    RVK:
    LS 48040
    Keywords: Faysal ; Lawrence, T. E ; Electronic books ; Syria History French occupation, 1918-1946 ; Arab countries History 20th century ; Arab countries Foreign relations ; Syrien ; Unabhängigkeitsbewegung ; Kolonialmacht ; Geschichte 1919-1920
    Abstract: Cover -- Title -- Copyright -- Contents -- Photo Credits -- Preface -- The Setting -- The Players -- Note on Nomenclature, Spelling, and Transliteration -- Abbreviations Used for Archival Sources -- Part I: An Arab State in Syria -- 1. Damascus: Enter the Prince -- 2. Aleppo: A Government and Justice for All -- 3. Cairo: A Sheikh Prays to an American President -- Part II: A Chilly Peace at Paris -- 4. Wooing Woodrow Wilson -- 5. The Covenant and the Colonial Color Line -- 6. A Sip of Champagne, with a Sour Aftertaste -- Part III: Syria's Declaration of Independence -- 7. The Syrian Congress and the American Commission -- 8. A Democratic Uprising in Damascus -- 9. Revolution at the Quai d'Orsay -- 10. The Prince, the Sheikh, and "The Day of Resurrection" -- 11. Wilsonism Colonized at San Remo -- Part IV: The Constitution: a Civil Weapon Against Colonization -- 12. The Sheikh versus the King: A Parliamentary Revolution -- 13. Women's Suffrage and the Limits of Islamic Law -- 14. A Democratic Constitution for Christians and Muslims -- Part V: Syria's Expulsion from the Civilized World -- 15. Battle Plans for Syria -- 16. The French Ultimatum and Faisal's Dissolution of Congress -- 17. Maysalun: The Arab State's Last Stand -- 18. Wilson's Ghost in Geneva -- Epilogue: Parting of Ways-The Liberal, the Sheikh, and the King -- Appendices -- A. Members of Congress in March 1920 -- B. The Syrian Declaration of Independence, March 8, 1920 -- C. The Syrian Constitution of July 19, 1920 -- Acknowledgments -- For Further Reading -- Notes -- Index.
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  • 44
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    Musik - Kultur - Gedächtnis : theoretische und analytische Annäherungen an ein Forschungsfeld zwischen den Disziplinen (2020)
    Wiesbaden : Springer VS
    Details
    Language: German
    Pages: 1 Online-Ressource (317 Seiten) , Illustrationen , 21 cm x 14.8 cm
    Series Statement: Soziales Gedächtnis, Erinnern und Vergessen – Memory Studies
    Parallel Title: Erscheint auch als Musik - Kultur - Gedächtnis
    DDC: 306.4842
    RVK:
    LR 56608
    RVK:
    MS 8020
    Keywords: Electronic books ; Musik ; Kultur ; Kollektives Gedächtnis
    Abstract: Intro -- Inhalt -- Zu den Autor*innen -- 1 Musik - Kultur - Gedächtnis. Eine Einleitung -- Literaturverzeichnis -- Teil 1 THEORETISCHE ÜBERLEGUNGEN -- 2 Das kollektive Gedächtnis in der Gruppe der Musiker -- 3 Musik und Gedächtnis bei Maurice Halbwachs und Alfred Schütz -- Das kollektive Gedächtnis derMusiker*innen -- Die Phänomenologie derMusik -- Schütz' Kritik an Halbwachs -- Gedächtnissoziologische Ergänzungen zum Verhältnis von Musik und Gedächtnis -- Musik, Körper und individuelle Gedächtnisse -- Differenzierung, Kultur und genuin soziale Gedächtnisse -- Fazit -- Literaturverzeichnis -- 4 Einschreibungen. Körper und Gedächtnis - eine musiksoziologische Beobachtung -- Musikalische Körper -- II. Übergang: AbsoluteMusik -- III. Interpretation erinnern -- Literaturverzeichnis -- 5 Zum Verhältnis von Musik, Zeit und Gedächtnis -- 1. Zeit -- 2. Grenzen der Wahrnehmung -- 2.1 Die minimale Integrationszeit -- 2.2 Die maximale Integrationszeit -- 3.Musik, Zeit und Gedächtnis -- Literaturverzeichnis -- 6 Zur erinnerungskulturellen Dimensionierung musikalischer Praktiken. Eine theoretische Skizze -- 1. Raum -- 2. Körper -- 3. Emotion -- 4. Zusammenführung -- Literaturverzeichnis -- 7 Das akustische Gedächtnis und die medialen Ordnungen des Speicherns und Übertragens -- Speichern, Sammeln und Archivieren: Phonographie -- Vom Speicher- zum Übertragungsdispositiv: Weimarer Rundfunk -- Speicher- und Übertragungssysteme im Nationalsozialismus -- Fazit -- Literaturverzeichnis -- Internet -- Audioquellen -- Teil 2 ANALYTISCHE BETRACHTUNGEN -- 8 . . . her life was saved by rock and roll. Selbstthematisierung, kulturelle Bekenntnisse und der ›Erlösungs‹-Diskurs in der populären Musik -- 1. Drove my chevy to the levee, but the levee was dry: Selbstthematisierung -- 2.We built this city on rock 'n' roll: Kulturelle Bekenntnisse.
    Note: Literaturverzeichnis
    URL: Volltext
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    The Bloomsbury handbook of rock music research (2020)
    New York : Bloomsbury Academic | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501330476 , 9781501330469
    Language: English
    Pages: 1 Online-Ressource (xvii, 636 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
    LS 48070
    RVK:
    LS 48635
    Keywords: Rockmusik ; Forschung ; Electronic books
    Abstract: Cover -- Contents -- List of Figures -- List of Tables -- Notes on Contributors -- Acknowledgments -- 1 Introduction: Rock Music's Emergence, Censorship, and Perceived Death Paul Carr and Allan Moore -- 2 Rock Historiography: Music, Artists, Perspectives, and Value John Covach -- 3 Serious Writing about Rock Sarah Hill -- 4 The Definition of "Rock" and Stylistic Overlaps Taylor Myers and Brad Osborn -- Part I Practice, Analysis, and Recording -- 5 Rock Voice Katherine Meizel -- 6 "The Rock Instrumentarium" Steve Waksman -- 7 Analyzing and Interpreting Song Forms Ralf von Appen -- 8 Convention and Invention in Harmonic and Melodic Theories for Rock Music Brett Clement -- 9 Rhythmic and Metric Theorization in Rock Music Nicole Biamonte -- 10 Computational Musicology in Rock Trevor de Clercq -- 11 Function and Construction of Rock Lyrics Dai Griffiths -- 12 Rock Music Engineering and Production Samantha Bennett -- 13 Sonic Space and Texture in Rock Olivier Julien -- Part II Rock Theories -- 14 Authenticity, Creativity, Originality Theodore Gracyk -- 15 Categorization: Genre, Style, Idiolect, and Beyond Nick Braae -- 16 Personas in Rock: "We Will, We Will Rock You" Stan Hawkins -- 17 Rock Hermeneutics Katherine Reed -- 18 Narrativity and Rock Music Alexander C. Harden -- 19 Sliding Scales and Slippery Slopes: Representations of Autonomy and Mediation in the "Radial Mainstream" of UK-Based Pop/Rock Damon Minchella -- Part III Rock Environments -- 20 Studio Practice and Organization in Rock Music Simon Zagorski-Thomas -- 21 Rock Music Pedagogy in the UK and USA: Ignorance or Elitism? Paul Carr -- 22 The Rock Press Paula Hearsum and Martin James -- 23 Rock and Time-Based Visual Media Laura Niebling -- 24 Rock in Time-Based Events Andrew Blake -- 25 Rock Live Performance Sergio Pisfil -- 26 Marketing and Commodification of Rock Roy Shuker
    Note: Literaturverzeichnis: Seite 507-612
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    A New and Concise History of Rock and R&B Through the Early 1990s (2020)
    Middletown, CT. 06459 : Wesleyan University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780819578969
    Language: English
    Pages: 1 Online-Ressource (417 pages)
    RVK:
    LS 48635
    Keywords: Geschichte 1900-1997 ; Rockmusik ; Rhythm and Blues ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 47
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    Cloud-Based Music Production (2020)
    [Erscheinungsort nicht ermittelbar] : Focal Press | Sebastopol, CA : O'Reilly Media Inc.
    Details
    ISBN: 9781351137089
    Language: English
    Pages: 1 Online-Ressource (168 pages)
    Edition: 1st edition
    RVK:
    LS 48650
    Keywords: Rockmusik ; Cloud Computing ; Musikproduktion ; Synthesizermusik ; Electronic books
    Abstract: Cloud-Based Music Production: Samples, Synthesis, and Hip-Hop presents a discussion on cloud-based music-making procedures and the musical competencies required to make hip-hop beats. By investigating how hip-hop producers make music using cloud-based music production libraries, this book reveals how those services impact music production en masse . Cloud-Based Music Production takes the reader through the creation of hip-hop beats from start to finish - from selecting samples and synthesizer presets to foundational mixing practices - and includes analysis and discussion of how various samples and synthesizers work together within an arrangement. Through case studies and online audio examples, Shelvock explains how music producers directly modify the sonic characteristics of hip-hop sounds to suit their tastes and elucidates the psychoacoustic and perceptual impact of these aesthetically nuanced music production tasks. Cloud-Based Music Production will be of interest to musicians, producers, mixers and engineers and also provides essential supplementary reading for music technology courses.
    URL: https://learning.oreilly.com/library/view/-/9781351137089/?ar
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  • 48
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    Online Resource
    Hungry listening : resonant theory for indigenous sound studies (2020)
    Minneapolis, London : University of Minnesota Press
    Details
    ISBN: 9781452961248
    Language: English
    Pages: 1 Online-Ressource (319 Seiten) , Illustrationen
    Series Statement: Indigenous Americas
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.8997071
    RVK:
    LC 87000
    RVK:
    LS 49680
    Keywords: Geschichte 1990-2020 ; Indigenes Volk ; Kulturkontakt ; Entkolonialisierung ; Partizipation ; Musik ; Multikulturelle Gesellschaft ; Kanada ; Indigenous peoples / Canada / Music / History and criticism ; Music / Canada / History and criticism ; Decolonization / Canada ; Appropriation (Arts) / Canada ; Multiculturalism / Canada ; MUSIC / Ethnomusicology ; Appropriation (Arts) ; Decolonization ; Multiculturalism ; Music ; Canada ; Electronic books ; Electronic books ; Criticism, interpretation, etc ; Kanada ; Indigenes Volk ; Entkolonialisierung ; Musik ; Multikulturelle Gesellschaft ; Partizipation ; Kulturkontakt ; Geschichte 1990-2020
    Abstract: "This highly theoretical work of ethnomusicology is a reclamation of Indigenous ceremonial and artistic practice arguing that the inclusion and appropriation of Indigenous performers in classical music traditions only enriches the settler nation-state. Robinson gives shape to Western musical and aesthetic practices as well as to Indigenous listening practices in order to eschew traditional (Western) forms of musical analysis. Instead, the work argues that new modes of listening and studying reception, emerging out of critical Indigenous studies, are essential to understanding Indigenous musical expression in ways that do not reify the power of the settler state"--
    Description / Table of Contents: Introduction. Writing Indigenous Space -- Hungry Listening -- Event Score for Guest Listening I -- Writing about Musical Intersubjectivity -- xwélalà:m, Raven Chacon's Report -- Contemporary Encounters Between Indigenous and Early Music -- Event Score for Return -- Ethnographic Redress, Compositional Responsibility -- Event Score for Responsibility : "qimmit katajjaq / sqwélqwel tl'sqwmá:y" -- Feeling Reconciliation -- Event Score to Act
    URL: http://public.eblib.com/choice/PublicFullRecord.aspx?p=6152353
    URL: EBSCOhost
    URL: JSTOR
    URL: lizenzpflichtig
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  • 49
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    Classical Antiquity in heavy metal music (2020)
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781350075382 , 9781350075368
    Language: English
    Pages: 1 Online-Ressource (XI, 260 Seiten) , 6 Illustrationen, Karte
    Series Statement: Imagines : classical receptions in the visual performing arts
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
    LS 48635
    Keywords: Heavy Metal ; Rezeption ; Rockmusik ; Antike ; Heavy metal (Music) / History and criticism ; Classical antiquities in music ; Heavy metal (Music) ; Criticism, interpretation, etc ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Rockmusik ; Heavy Metal ; Rezeption ; Antike
    Description / Table of Contents: Vergil's Aeneid and nationalism in Italian metal -- Eternal defiance : Celtic identity and the classical past in heavy metal -- Screaming ancient Greek hymns : the case of Kawir and the Greek black metal scene -- Cassandra's plight : gender, genre, and historical concepts of femininity in goth and power metal -- Heavy metal Dido : Heimdall's Ballad of the Queen -- A metal monstrum : Ex Deos Caligula -- Occult and pulp visions of Greece and Rome in heavy metal -- When the land was milk and honey and magic was strong and true : Edward Said, ancient Egypt, and heavy metal -- Coda : some trends in metal's use of classical antiquity
    DOI: 10.5040/9781350075382
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    HU Berlin
    Würzburg UB
    BSZ
    GBV
    KOBV
    BVB
  • 50
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    Radiohead and the journey beyond genre : analysing stylistic debates and transgressions (2020)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780429445149
    Language: English
    Pages: 1 Online-Ressource (vi, 185 Seiten)
    Series Statement: Routledge studies in popular music
    Parallel Title: Erscheint auch als
    DDC: 782.421660922
    RVK:
    LS 48045
    Keywords: Radiohead ; Musikalischer Stil ; Rockmusik ; Radiohead (Musical group) ; Rock music / Criticism and interpretation ; MUSIC / General ; Electronic books ; Electronic books ; Radiohead ; Rockmusik ; Musikalischer Stil
    Abstract: Radiohead and the Journey Beyond Genre traces the uses and transgressions of genre in the music of Radiohead and studies the band's varied reception in online and offline media. Radiohead's work combines traditional rock sounds with a unique and experimental approach towards genre that sets the band apart from the contemporary mainstream. A play with diverse styles and audience expectations has shaped Radiohead's musical output and opened up debates about genre amongst critics, fans, and academics alike. Interpretations speak of a music that is referential of the past but also alludes to the future. Applying both music- and discourse-analytical methods, the book discusses how genre manifests in Radiohead's work and how it is interpreted amongst different audience groups. It explores how genre and generic flexibility affect the listeners' search for musical meaning and ways of discussion. This results in the development of a theoretical framework for the study of genre in individual popular music oeuvres that explores the equal validity of widely differing forms of reception as a multidimensional network of meaning. While Radiohead's music is the product of an eclectic mixture of musical influences and styles, the book also shows how the band's experimental stance has increasingly fostered debates about Radiohead's generic novelty and independence. It asks what remains of genre in light of its past or imminent transgression. Offering new perspectives on popular music genre, transgression, and the music and reception of Radiohead, the book will appeal to academics, students, and those interested in Radiohead and matters of genre. It contributes to scholarship in musicology, popular music, media, and cultural studies
    DOI: 10.4324/9780429445149
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveroeffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Würzburg UB
    BVB
  • 51
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    Artistic migration and identity in Paris, 1870-1940 : = Migration artistique et identité à Paris, 1870-1940 (2020)
    New York : Peter Lang
    Details
    ISBN: 9781433159039
    Language: English
    Pages: 1 Online-Ressource (xxvii, 388 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Artistic Migration and Identity, Paris 1870-1940 (Veranstaltung : 2017 : Montréal) Artistic migration and identity in Paris, 1870-1940
    DDC: 700.94436109034
    RVK:
    LQ 82600
    Keywords: Electronic books ; Konferenzschrift 2017 ; Paris ; Künstler ; Migration ; Identität ; Geschichte 1870-1940 ; Paris ; Multikulturelle Gesellschaft ; Einwanderer ; Künste ; Geschichte 1870-1940
    Abstract: This interdisciplinary study explores the reality phenomenon of artistic migration in Paris under the Third Republic. Notre ouvrage explore de façon interdisciplinaire (musique, littérature et arts visuels) la réalité de la migration artistique à Paris sous la Troisième République.
    Note: Beiträge teilweise französisch, teilweise englisch
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=6174358
    URL: Inhaltsverzeichnis
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  • 52
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    Deindustrialisation and popular music : punk and 'post-punk' in Manchester, Düsseldorf, Torino and Tampere (2020)
    London ; New York : Rowman & Littlefield International
    Details
    ISBN: 9781786607386
    Language: English
    Pages: 1 Online-Ressource (viii, 213 Seiten)
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
    LB 42005
    RVK:
    LB 71005
    RVK:
    LC 27005
    RVK:
    LC 87005
    RVK:
    LS 48645
    Keywords: Geschichte 1980-1990 ; Musikleben ; Punk ; Punk Rock ; Großstadt ; Deindustrialisierung ; Heavy Metal ; Postpunk ; Sozialer Wandel ; Europa ; Tampere ; Turin ; Manchester ; Düsseldorf ; Popular music / Social aspects / Europe / History ; Punk rock music / Social aspects / Europe / History ; Post-punk music / Social aspects / Europe / History ; Deindustrialization / Europe ; Deindustrialization ; Popular music / Social aspects ; Europe ; Electronic books ; History ; Turin ; Tampere ; Manchester ; Düsseldorf ; Deindustrialisierung ; Punk ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte 1980-1990 ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Description / Table of Contents: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place
    URL: Volltext
    URL: Volltext
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    München UB
    BVB
  • 53
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    Fashion and jazz : dress, identity and subcultural improvisation (2020)
    London, England : Bloomsbury Academic | London, England : Bloomsbury Publishing
    Details
    ISBN: 9781350051195
    Language: English
    Pages: 1 online resource (xvi, 194 pages) , illustrations
    Series Statement: Dress, body, culture
    Parallel Title: (print)
    Parallel Title: (paperback)
    Parallel Title: (paperback)
    Parallel Title: (hardback)
    Parallel Title: (print)
    Parallel Title: (print)
    Parallel Title: (print)
    Parallel Title: (print)
    DDC: 391
    RVK:
    LC 12610
    RVK:
    LS 48200
    Keywords: ¶aClothing and dress¶xHistory ; ¶aFashion¶xHistory ; ¶aJazz¶xSocial aspects ; Geschichte ; Clothing and dress / History ; Fashion / History ; Jazz / Social aspects ; Fashion & society ; Electronic books
    Note: Includes bibliographical references, discography, filmography and index , Also published in print , Mode of access: World Wide Web
    DOI: 10.5040/9781350051195
    URL: Abstract with links to full text
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    HBZ
  • 54
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    Deindustrialisation and Popular Music : Punk and 'Post-Punk' in Manchester, Düsseldorf, Torino and Tampere (2020)
    Lanham : Rowman & Littlefield Publishers
    Details
    ISBN: 9781786607386
    Language: English
    Pages: 1 online resource (206 pages)
    Series Statement: Popular Musics Matter: Social, Political and Cultural Interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and popular music
    DDC: 781.66
    RVK:
    LS 48645
    Keywords: Popular music-Social aspects-Europe-History ; Electronic books ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel ; Unterhaltungsmusik ; Volkstümliche Musik ; Sozialer Wandel
    Abstract: The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods.
    Abstract: Intro -- Title Page -- Acknowledgements -- Introduction -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst -- Conclusion -- References -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 55
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    Making the Scene in the Garden State : Popular Music in New Jersey from Edison to Springsteen and Beyond (2020)
    New Brunswick : Rutgers University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780813574691
    Language: English
    Pages: 1 Online-Ressource (193 pages)
    DDC: 781.6409749
    RVK:
    LS 48020
    RVK:
    LQ 89407
    RVK:
    LQ 89408
    Keywords: Geschichte ; Unterhaltungsmusik ; Jazz ; Musikleben ; Musikproduktion ; Popular music-New Jersey-History and criticism ; Sound recording industry-New Jersey-History ; New Jersey ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 56
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    Metalmorphosen : die unwahrscheinlichen Wandlungen des Heavy Metal (2020)
    Stuttgart : Franz Steiner Verlag
    Details
    ISBN: 9783515126397
    Language: German
    Pages: 1 Online-Ressource (290 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
    LS 48635
    Keywords: Electronic books ; Heavy Metal ; Geschichte
    Abstract: Intro -- Inhaltsverzeichnis -- 1. Intro. Happy Metal? Heavy Metal und seine unwahrscheinlichen Wandlungen -- Musiktheoretische Analyse 1: Rhapsody Of Fire - Emerald Sword -- 2. Arise. Metal und die Geschichte seiner Ästhetik -- 2.1 Megatrends in Brutality. Was ist Metal? -- 2.2 Point of Entry. Die Entstehung des Begriffs -- 2.3 Back to the Primitive. Die Archaik des Metal, der Blues und der Atomkrieg -- 2.4 Black Death. Metal, Hautfarbe und Hip-Hop -- Interview mit Sabina Classen (Holy Moses) -- 2.5 Desecrators of the New Age. Punk, Pluralismus und bleierne Moderne im klassischen Metal -- Interview mit Conrad Thomas "Cronos" Lant (Venom) -- Musiktheoretische Analyse 2: Megadeth - Symphony of Destruction -- 2.6 Into the Pandemonium. Über den Mainstream zum Extrem -- Interview mit Ben Weinman (The Dillinger Escape Plan) -- 2.7 Mental Floss for the Globe. Crossover und Renaissance des klassischen Metal -- Interview mit Mille Petrozza (Kreator) -- Musiktheoretische Analyse 3: Behemoth - O Father O Satan O Sun! -- 3. The God That Failed. Metal und Religion -- Interview mit Freddy Lim (Chthonic) -- Musiktheoretische Analyse 4: Metallica - Master Of Puppets -- 4. Heavy Metal Is the Law. Metal und Politik -- Interview mit Prika Amaral (Nervosa) -- Musiktheoretische Analyse 5: Amon Amarth - Twilight of the Thundergod -- 5. I'll Be Your Sister. Metal und Gender -- 6. Nachwort und Dank -- Anmerkungen zu Zitaten und Quellen -- Anmerkungen -- Bildnachweise &amp -- Copyright.
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 57
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    Jewish Difference and the Arts in Vienna : Composing Compassion in Music and Biblical Theater (2019)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253040565
    Language: English
    Pages: 1 online resource (226 pages)
    Additional Information: Rezensiert in Uslin, Karen L. [Rezension von: Kita, Caroline A., Jewish Difference and the Arts in Vienna] 2021
    Series Statement: German Jewish Cultures Ser.
    Parallel Title: Erscheint auch als Kita, Caroline A. Jewish difference and the arts in Vienna
    DDC: 780.943613
    RVK:
    NY 4690
    RVK:
    LS 33100
    RVK:
    BD 6820
    RVK:
    BD 6810
    Keywords: Music-Austria-Vienna-History and criticism ; Music-Austria-Vienna-History and criticism ; Electronic books ; Biblisches Drama ; Juden ; Mitgefühl ; Musik ; Literatur ; Bibel Altes Testament ; Juden ; Wien ; Geschichte 1876-1918
    Abstract: Jewish Difference and the Arts in Vienna explores how Jewish writers and composers sought, through their engagement with musical forms and styles, to capture Jewish voices and their dynamic expression of compassion and otherness.
    Abstract: Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Note on Translation -- Introduction -- 1. A Case for Compassion: Siegfried Lipiner's Adam -- 2. Voicing Compassion: Gustav Mahler's Second and Third Symphonies -- 3. Polyphony as a Poetics of Compassion: Arnold Schoenberg's Die Jakobsleiter -- 4. Dialogues of Compassion: Richard Beer-Hofmann's Jaákobs Traum -- 5. Compassion as Communal Song: Stefan Zweig's Jeremias -- Epilogue -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 58
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    Sprechen Sie Rhythmus? : Onomatopoesie beim Lernen melorhythmischer Pattern (2019)
    Wien : Hollitzer Wissenschaftsverlag
    Details
    ISBN: 9783990125786
    Language: German
    Pages: 1 online resource (169 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.62
    RVK:
    AP 84350
    RVK:
    LR 55250
    RVK:
    AP 84050
    Keywords: Rhythm ; Electronic books ; Musikerziehung ; Lautmalerei ; Rhythmus ; Pattern
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 59
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    Jazz in Europe : networking and negotiating identities$h (2019)
    New York : Bloomsbury Academic & Professional
    Details
    ISBN: 9781501346606
    Language: English
    Pages: 1 online resource (201 pages)
    Parallel Title: Erscheint auch als
    RVK:
    LS 48200
    Keywords: Electronic books ; Europa ; Jazz ; Forschung ; Musikerziehung ; Musikförderung ; Netzwerk ; Kulturelle Identität
    Abstract: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Abbreviations -- Introduction -- 1 Researching jazz in Europe today -- 2 Challenges for European jazz networking -- 3 Current strategies -- 4 Giving voice to ground players -- Conclusions -- References -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5751870
    URL: Inhaltsverzeichnis
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  • 60
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    Jugend – Pop – Kultur : Eine transnationale Geschichte (2019)
    Berlin : Suhrkamp Verlag
    Details
    ISBN: 9783518754597
    Language: German
    Pages: 1 online resource (866 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mrozek, Bodo, 1968 - Jugend, Pop, Kultur
    DDC: 305.23509045
    RVK:
    NB 2252
    RVK:
    LS 48070
    RVK:
    EC 2410
    Keywords: Krawall ; Jugendbewegung ; Subkultur ; Jugendmedien ; Electronic books ; Hochschulschrift ; Jugendkultur ; Massenkultur ; Kriminalisierung ; Popularisierung ; Transnationalisierung ; Soziokultureller Wandel ; Geschichte 1953-1966 ; Jugendkultur ; Pop-Kultur ; Massenkultur ; Kriminalisierung ; Popularisierung ; Transnationalisierung ; Soziokultureller Wandel ; Geschichte 1953-1966
    Abstract: Cover -- Informationen zum Buch -- Titel -- Impressum -- Inhalt -- 1. Einleitung -- 1.1. Jugend- und Popgeschichte: Fragestellung und Problemaufriss -- 1.2. Forschungsperspektive und Methodik -- 1.3. Begriffe und Hypothesen -- 1.4. Transnationale Perspektive -- 1.5. Aufbau des Buches -- 1.6. Platten, Filme, Akten: Popgeschichtliche Quellen -- 2. Jugend und Stadt: Zur Topographie von Devianz (1953-1958) -- 2.1. Street Corner Societies: Die »Glokalisierung« von Jugendkulturen -- 2.1.1. Jugend in der Mitte des 20. Jahrhunderts: Historische Kontexte -- 2.1.2. »Innerstädtische Problemviertel«: Delinquenz als Urbanisierungsproblem -- 2.1.3. Kleider machen neue Leute: Vestimentäre Codes und Gruppenbildung -- 2.1.4. Eckensteher und pimp roll: Richtige und falsche Haltungen -- 2.2. »Ronnie the Masher«, Michael Farmer und die »Slim-Bande«: Gerichtsverfahren als Kulminationspunkte -- 2.2.1. Vom Fall Bentley zum Clapham Common Murder: Teddy Boys vor Gericht -- 2.2.2. »Teen Terror« in New York: Der Fall Michael Farmer -- 2.2.3. Großkrawalle in Ostberlin: Die »Slim-Bande« -- 2.2.4. Kölner »Knüppeldemokraten«: Der Staatsschutz jagt »Die schwarze Hand« -- 2.2.5. Von Exzentrikern zu Verbrechern: Verpolizeilichung von Medienklischees -- 2.3. Jugend im Parlament: Straßenpolitik und behördliche Maßnahmen -- 2.3.1. Motorräder als sonisches Ärgernis -- 2.3.2. Provokation durch Herumstehen: Deviante Raumaneignung -- 2.3.3. ›The Jury is Out‹: Jugenddelinquenz wird Chefsache -- 2.3.4. Kampf dem Rowdytum in der DDR: Strategien der Exterritorialisierung -- 2.3.5. Die Notting Hill Riots von 1958 -- 2.3.6. Globale Reaktionen: Die Notting Hill Riots im globalen Süden (Exkurs) -- 2.3.7. Die Politisierung der Jugendfrage -- 2.4. Hardliner versus Streetworker: Zwischen Kriminalisierung und Therapeutisierung -- 2.4.1. ›Reaching the Fighting Gang‹: Das New York City Youth Board.
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5830367
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  • 61
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    Radiohead and the Journey Beyond Genre : Analysing Stylistic Debates and Transgressions (2019)
    Milton : Routledge
    Details
    ISBN: 9780429817229
    Language: English
    Pages: 1 online resource (195 pages)
    Series Statement: Routledge Studies in Popular Music Ser.
    Parallel Title: Erscheint auch als
    RVK:
    LS 48045
    Keywords: Electronic books
    Abstract: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Introduction -- Book structure -- Notes -- References -- Chapter 1 Popular music genre -- Definitions and distinctions -- Etymological debates -- Historical origins -- Genre theory in cultural studies: genre as process and as discourse -- Genre theory in popular music studies: from tradition to transgression -- Genre identities and the popular music discourse -- Notes -- References -- Chapter 2 Genre and transgression in the music of Radiohead -- Methodological backgrounds -- A look at "Creep" and its alternatives -- A text-based analysis of genre in the music of Radiohead -- Concluding thoughts -- Notes -- References -- Chapter 3 Challenging genre: Radiohead and the music press -- A brief history of genre in music journalism -- Journalism in theory -- The case of the 'genre portrait' -- The journalistic genre discourse on Radiohead -- Uses of genre in music journalism -- Notes -- References -- Chapter 4 Scholarly perspectives on Radiohead -- The scholarly discourse on Radiohead -- Notes -- References -- Chapter 5 Genre online: Wider audience and fan perspectives -- Methodology and ethical concerns -- Online writing conventions and temporal constraints -- Specialist genre audiences and processes of canon-building -- Canonic terminologies and stages of the discourse -- Non-canonic terminologies -- A few words about fan message boards -- The 'Radiohead genre' and notions of transgression -- Notes -- References -- Conclusion -- Note -- Reference -- Appendix -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5963843
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  • 62
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    Jewish Religious Music in Nineteenth-Century America : Restoring the Synagogue Soundtrack (2019)
    Bloomington : Indiana University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780253040237
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: 1st ed.
    RVK:
    NY 4900
    RVK:
    LS 33260
    Keywords: Geschichte 1800-1900 ; Juden ; Synagoge ; Geistliche Musik ; Kirchenmusikpflege ; USA ; Electronic books
    Abstract: Jewish Music in Nineteenth Century America looks at key Jewish American musical figures and texts from the 19th century, demonstrating the significant influence central European traditions had during this period and complicating the notion that American Jewish musical traditions "progressed" from solo chant to canters and choirs.
    Note: Description based on publisher supplied metadata and other sources
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  • 63
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    Online Resource
    Nachgelassene Schriften. Abteilung V : Band 1: Vorträge 1949-1968. (2019)
    Berlin :Suhrkamp Verlag,
    Details
    ISBN: 978-3-518-76139-7
    Language: German
    Pages: 1 online resource (789 pages).
    Edition: 1st ed
    RVK:
    MQ 3010
    RVK:
    CI 1322
    RVK:
    LP 91140
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=6109233
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    HU Berlin
  • 64
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    Theory for ethnomusicology : histories, conversations, insights (2019)
    New York : Routledge
    Details
    ISBN: 1315408570 , 1315408554 , 1315408562 , 9781315408576 , 9781315408552 , 9781315408569
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Edition: Second edition
    Parallel Title: Erscheint auch als Theory for ethnomusicology
    DDC: 780.89
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Ethnomusicology ; Music Philosophy and aesthetics ; MUSIC / Ethnomusicology ; bisacsh ; Ethnomusicology ; fast ; (OCoLC)fst00916186 ; Electronic books ; Musikethnologie ; Musiksoziologie ; Musikphilosophie
    Abstract: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements
    Note: Includes bibliographical references and index
    URL: Volltext
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    BSZ
  • 65
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    The making of a Reform Jewish cantor : musical authority, cultural investment (2019)
    Bloomington, IN : Indiana University Press
    Details
    ISBN: 9780253045478 , 0253045479
    Language: English
    Pages: 1 Online-Ressource , illustrations
    Edition: First paperback edition
    Series Statement: [Helen B. Schwartz book in Jewish studies]
    Parallel Title: Erscheint auch als Cohen, Judah M Making of a Reform Jewish cantor
    RVK:
    LR 56600
    RVK:
    LR 57050
    RVK:
    LR 57740
    RVK:
    LS 33240
    Keywords: Hebrew Union College-Jewish Institute of Religion ; Cantillation Instruction and study ; Cantors (Judaism) Education ; Reform Judaism ; Hebrew Union College-Jewish Institute of Religion ; MUSIC / Ethnomusicology ; Cantillation ; Instruction and study ; Reform Judaism ; Berufsausbildung ; Kantor ; Reformjudentum ; USA ; USA ; Electronic books
    Abstract: To fashion a cantor -- Seeking the tradition -- Constructing a tradition -- Through the prism of the practicum -- A prism of cantorial sound -- A prism of cantorial identity.
    Abstract: "The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture."--Jacket
    Note: Includes bibliographical references and index
    URL: https://www.jstor.org/stable/10.2307/j.ctvr43jqw
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  • 66
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    Popular Music in the Nostalgia Video Game : The Way It Never Sounded (2019)
    Cham : Palgrave Macmillan
    Details
    ISBN: 9783030042813
    Language: English
    Pages: 1 Online-Ressource (165 Seiten)
    Series Statement: Palgrave Studies in Audio-Visual Culture
    Parallel Title: Erscheint auch als Ivănescu, Andra Popular music in the nostalgia video game
    DDC: 791.43
    RVK:
    EI 6828
    RVK:
    LS 48660
    RVK:
    ST 324
    Keywords: Nostalgia in literature ; Electronic books
    Abstract: Intro -- Acknowledgements -- Contents -- About the Author -- Chapter 1 The Ghosts of Popular Music Past and Video Games Future -- 1.1 Introduction: Flappers in Rapture -- 1.2 Semiotic Ghosts -- 1.3 Appropriated Music -- 1.4 Nostalgia: The Land of Constant Return -- 1.5 Video Game Nostalgia -- 1.6 The Nostalgia Game -- 1.7 Nostalgia, Appropriated Music and Video Games -- 1.8 Appropriated Music and the Nostalgia Game -- References -- Chapter 2 Games on Media: Beyond Remediation -- 2.1 Games on Games -- 2.1.1 Evoland as Playable Game History -- 2.1.2 Evoland 2: Taking It Further -- 2.1.3 Player as Media Archaeologist -- 2.2 Games on Film -- 2.2.1 L.A. Noir -- 2.2.2 Immediacy/Hypermediacy, Real/Hyperreal -- 2.2.3 La Musique Noir -- 2.2.4 La Musique Fatale -- 2.2.5 La Musique Prêtée -- 2.2.6 La Musique Nostalgique -- 2.3 Canon Fodder -- 2.3.1 Miami Vice City and the American Dream -- 2.3.2 A Media History of Violence -- 2.3.3 Musical Vices -- 2.3.4 Canon Fodder -- 2.4 Conclusions: Remediation Is the Message -- References -- Chapter 3 Games on Society: Playable Anxieties -- 3.1 Games on Race -- 3.1.1 When Did You Meet Lincoln Clay? -- 3.1.2 Born on the Bayou -- 3.1.3 Sympathy for the Devil -- 3.1.4 The Sound of the Moment -- 3.1.5 The Sound of the Movement -- 3.1.6 Conclusions -- 3.2 Games on Gender -- 3.2.1 Cool Schmool -- 3.2.2 Oh the Horror! -- 3.2.3 The Grrrl's a Riot! -- 3.2.4 Intersectional Riot -- 3.2.5 The Twist Is There Is No Twist -- 3.3 Conclusions: Playable Anxieties -- References -- Chapter 4 Temporal Anomalies: Alternative Pasts and Alternative Futures -- 4.1 Nostalgia on Nostalgia -- 4.1.1 Maybe -- 4.1.2 The Wasteland -- 4.1.3 The Future That Never Was -- 4.1.4 No Future -- 4.1.5 Musical Fallout -- 4.1.6 Way Back Home -- 4.1.7 Love Me as Though There Were No Tomorrow.
    Note: Literaturangaben , Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5632051
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 67
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    Curating pop : exhibiting popular music in the museum (2019)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501343612 , 9781501343605
    Language: English
    Pages: 1 Online-Ressource (x, 180 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.64075
    RVK:
    AK 86500
    RVK:
    LR 57250
    RVK:
    LS 48015
    Keywords: Organisation ; Ausstellung ; Museum ; Popmusik ; Music museums / Curatorship ; Popular music / Exhibitions ; Popular music / Historiography ; Electronic books ; Museum ; Ausstellung ; Popmusik ; Organisation
    DOI: 10.5040/9781501343612
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 68
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    Fangirls : scenes from modern music culture (2019)
    London : Hardie Grant - Quadrille
    Details
    ISBN: 9781787133273
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 305.4
    RVK:
    LS 48015
    Keywords: Geschichte 1960-1920 ; Rockmusik ; Weiblicher Fan ; Berühmte Persönlichkeit ; Popmusik ; Women-Sociological aspects ; Electronic books ; Berühmte Persönlichkeit ; Popmusik ; Rockmusik ; Weiblicher Fan ; Geschichte 1960-1920
    Abstract: Intro -- Title Page -- Table of Contents -- Preface -- 1 An Animal within an Animal: A Brief Fangirl History -- 2 The Waiting Game -- 3 I'm (Not) Okay: To Retreat and Return -- 4 Lady Gaga Will See You Now -- 5 Sex &amp -- iPhones &amp -- Rock &amp -- Roll -- (i) 'Fuck Me Daddy' (or Screaming Obscenities at Objects of Desire) -- (ii) Queering with Strangers -- 6 'We Are The Media': Inside the Hive Mind -- 7 Harry's Girls, Long Distance Love and Global Fangirling -- 8 Dangerous Women and Political Fun -- 9 Our Tears Dry on Their Own: Amy, Grief and British Female Fans -- 10 Witches Always Live Through This: Courtney Love's Older Fangirls -- Afterword -- Reading List -- Acknowledgements -- Copyright Page.
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    BVB
  • 69
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    Devět Z české Hudební Alternativy Osmdesátých Let (2019)
    Prague : Karolinum Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9788024643397
    Language: Czech
    Pages: 1 Online-Ressource (216 pages)
    DDC: 780.07
    RVK:
    KS 7523
    RVK:
    LS 48040
    RVK:
    LS 48060
    Keywords: Geschichte 1980-1990 ; Alternative Rock ; Jazz ; Experimentelle Musik ; Music-Social aspects-Czech Republic ; Tschechien ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 70
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    Cornelius's Fantasma (2019)
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    Details
    ISBN: 9781501330209 , 9781501330193
    Language: English
    Pages: 1 Online-Ressource (xv, 178 pages) , illustrations
    Series Statement: 33 1/3 Japan
    Parallel Title: Erscheint auch als Roberts, Martin Cornelius's Fantasma
    DDC: 781.63
    RVK:
    LS 48040
    Keywords: Cornelius ; Popular music History and criticism 1991-2000 ; Electronic books ; Biografie ; Biografie ; Electronic books ; Biografie ; Japan ; Popmusiker ; Musikalbum ; Geschichte 1997 ; Volkstümliche Musik ; Unterhaltungsmusik ; Geschichte 1997 ; Cornelius 1969-
    Abstract: "In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more"--Bloomsbury Collections
    Abstract: Dedication -- Epigraph -- Note on Transliterations and Japanese Names -- Preface: White Rabbit -- Chapter 1. From Nakameguro to Everywhere -- Chapter 2. Magic Kingdom -- Chapter 3. Ape Shall Not Kill Ape -- Chapter 4. Mutations -- Chapter 5. Pet Sounds -- Chapter 6. Merrie Melodies -- Chapter 7. Three-Dimensional Music -- Chapter 8. Analog Afterlives -- Chapter 9. Double Fantasy -- Notes -- Bibliography -- Permissions -- Index.
    Note: Includes bibliographical references and index
    DOI: 10.5040/9781501330209
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 71
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    Music practices across borders : (e)valuating space, diversity and exchange (2019)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839446676
    Language: English
    Pages: 1 Online-Ressource (214 Seiten)
    Series Statement: Music and sound culture Volume 35
    Series Statement: Musik und Klangkultur 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
    RVK:
    LS 48000
    Keywords: Globalization ; Music ; Transnational ; globalization ; music ; transnational ; Evaluation ; Migration ; Interculturalism ; Sociology of Culture ; Musicology ; Music Practices; Migration; Evaluation; Transnational; Music; Globalization; Musicology; Interculturalism; Sociology of Culture; ; Konferenzschrift ; Aufsatzsammlung ; Electronic books ; Globalisierung ; Internationale Migration ; Kulturkontakt ; Weltmusik ; Interkulturalität
    Abstract: Connecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Conceiving music as a practice not confined to audibility, the contributions reveal how music emerges in concrete situations through people, objects, techniques, meanings, and emotions in different parts of the world and during different historic periods. Values are thereby created and shared, and creative processes are evaluated in terms of diversity, space and exchange.〈br /〉This book presents cases of contemporary, popular and traditional music, festivals and trade fairs, albums and band projects, shedding light on the tensions between the transfer, reconstruction and creation of music in different contexts.〈/p〉
    URL: kostenfrei
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 72
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    The Blues Come to Texas : Paul Oliver and Mack McCormick's Unfinished Book (2019)
    College Station : Texas A&M University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781623496395
    Language: English
    Pages: 1 Online-Ressource (472 pages)
    Series Statement: John and Robin Dickson Series in Texas Music, sponsored by the Center for Texas Music History, Texas State University
    DDC: 781.64309764
    RVK:
    LS 48500
    RVK:
    LQ 89407
    Keywords: Geschichte ; Blues ; Blues (Music)-Texas-History and criticism ; Texas ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 73
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    Music is power : popular songs, social justice and the will to change (2019)
    New Brunswick : Rutgers University Press
    Details
    ISBN: 1978808151 , 9781978808157
    Language: English
    Pages: 1 Online-Ressource (vii, 236 pages) , illustrations
    Parallel Title: Erscheint auch als Schreiber, Brad Music is power
    DDC: 306.4/8424
    RVK:
    LS 48050
    Keywords: Popular music Social aspects ; History ; Popular music Political aspects ; History ; History ; Popular music ; Social aspects ; Popular music ; Political aspects ; MUSIC ; General ; Electronic books
    Abstract: Frontmatter -- Contents -- 1. Musical Workers of the World Unite: Joe Hill, Woody Guthrie, and Pete Seeger -- 2. There for More Than Fortune: Phil Ochs, Joan Baez, and Bob Dylan -- 3. Caged Artists: Lesley Gore, Janis Ian, and P.F. Sloan -- 4. Parody and Poetry: Tom Lehrer; Peter, Paul and Mary; and The Smothers Brothers -- 5. Psychedelicate Situations: Jimi Hendrix and Pink Floyd -- 6. Reason and Blues: Marvin Gaye and The Temptations -- 7. Say It Loud, We're Blocked but Proud: James Brown and Curtis Mayfield -- 8. Hard Rock Turns Metallic: The Who and Black Sabbath -- 9. More Than a Working-Class Hero: John Lennon and The Beatles -- 10. Out of Place and In Your Face: The Dead Kennedys and The Sex Pistols -- 11. Word: Gil Scott-Heron and Grandmaster Flash -- 12. Global Music Consciousness: Bob Marley and Peter Gabriel -- 13. Weird, Funny, Smart, Angry: Frank Zappa versus Everyone -- 14. Rap, Not Hip-Hop: NWA and Public Enemy -- 15. Weapons of Mass Deconstruction: Dixie Chicks and Green Day -- Bibliography -- Index -- About the Author
    Abstract: Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction and so many other crucial issues. Music Is Power takes us on a guided tour through the past 100 years of politically-conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches-- angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority--to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, The Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9781978808157
    URL: Cover
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 74
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    The Routledge companion to popular music analysis : expanding approaches (2019)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781315544700 , 9781134830787 , 1134830785 , 1315544709
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.64/117
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Musikalische Analyse ; Unterhaltungsmusik ; Neue Musik ; Popular music / Analysis, appreciation ; Popular music / History and criticism ; Musical analysis ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Musikalische Analyse ; Unterhaltungsmusik ; Neue Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.taylorfrancis.com/books/9781315544700
    URL: https://doi.org/10.4324/9781315544700
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.routledgehandbooks.com/doi/10.4324/9781315544700
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 75
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    Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives (2019)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48015
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    DOI: 10.1515/9783839443583
    URL: kostenfrei
    URL: Cover
    URL: kostenfrei registrierungspflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: De Gruyter, Cover
    URL: EBSCOhost
    URL: https://doi.org/10.14361/9783839443583
    URL: https://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff
    URL: Biblioboard
    URL: Image
    URL: lizenzpflichtig
    URL: kostenfrei
    URL: kostenfrei
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  • 76
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    Kulturelle Teilhabe durch Musik? : Transkulturelle Kinder- und Jugendbildung im Spannungsfeld von Empowerment und Othering (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839448496
    Language: German
    Pages: 1 Online-Ressource (353 Seiten)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Stoffers, Nina, 1978 - Kulturelle Teilhabe durch Musik?
    Dissertation note: Dissertation Humboldt-Universität zu Berlin
    DDC: 306.4842
    RVK:
    AP 14900
    RVK:
    DG 8500
    RVK:
    DG 9000
    RVK:
    DS 7400
    RVK:
    LR 56600
    RVK:
    LR 56957
    RVK:
    LR 57070
    RVK:
    MS 3500
    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Kulturpädagogik ; Teilhabe ; Außerschulische Jugendbildung ; Ethnosoziologie ; Multikulturelle Gesellschaft ; Gruppenarbeit ; Ausgrenzung
    Abstract: Die Idee kultureller Teilhabe wird in wissenschaftlichen und gesellschaftspolitischen Kontexten immer wichtiger - mit entsprechenden Hoffnungen verbunden ist dabei insbesondere die Förderung von benachteiligten Gruppen. Dem Diskurs inhärent ist jedoch, dass das Ziel kultureller Teilhabe in sein Gegenteil verkehrt werden und zu einer inkludierenden Exklusion führen kann. Nina Stoffers zeigt, wie dieses Spannungsverhältnis wechselseitig voneinander abhängiger Strategien des Empowerment und des Othering gerade in transkulturellen Musikprojekten mit Kindern und Jugendlichen austariert wird. Kulturelle Teilhabe wird dabei als diversitätssensible und rassismuskritische Praxis begreifbar
    Abstract: Frontmatter -- Inhalt -- Danksagung -- Teil I: Einleitung -- 1. Forschungshorizont -- 2. Forschungsperspektive -- 3. Aufbau -- Teil II: Theoretische Grundlagen -- 1. Kulturelle Bildung -- 2. Bedeutungsvarianten des Kulturbegriffs -- 3. Transkulturalität -- 4. Kulturelle Teilhabe -- Teil III: Methodik -- 1. Das Forschungsfeld und seine Erschließung -- 2. Standortgebundenheit, methodisch kontrolliertes Fremdverstehen und ethische Forschungshaltung -- 3. Erhebungsmethoden -- 4. Erhebung und Sampling -- 5. Auswertungsmethoden -- 6. Darstellung der Daten -- Teil IV: Transkulturelle Musikprojekte -- Einleitung -- A. Heimat re-invented (Köln) -- Steckbrief -- Übersicht der Szenen von Heimat re-invented -- 1. Selbst- und Fremdbild: (Re-)Präsentationen in Antrag, Homepage, Evaluation und Presse -- 2. Zur Relevanz der Dramaturgie: Wer hält die Fäden in der Hand? -- 3. Was wird aufgeführt und wer steht auf der Bühne? Zur Auswahl des Repertoires und der Teilnehmenden -- 4. Kostüme und Requisiten -- 5. Wer arbeitet wie? Die Arbeitsweisen der künstlerischen Dozentinnen -- 6. Für wen ist das Projekt? Erwartungen und Ziele aus künstlerischen und pädagogischen Perspektiven -- 7. Titel und Rahmen -- 8. Exkurs: Der Umgang mit Klischees und Stereotypen -- B. Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- C. Zukunftsmusik (Berlin) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- Teil V: Im Spannungsfeld von Empowerment und Othering -- 1. Sichtbarkeit -- 2. Kompetenzorientierung -- 3. Zuschreibungen -- 4. Musik als Mittel zum Zweck? -- 5. Schlüsselkategorie: Das Spannungsfeld von Empowerment und Othering -- Teil VI: Fazit und Ausblick -- Einleitung -- Inkludierende Exklusion -- Ausblick -- Teil VII: Anhang -- Materialauflistung und Abkürzungsverzeichnis -- 1. Allgemein -- 2. Projekt A: Heimat re-invented (Köln) -- 3. Projekt B: Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- 4. Projekt C: Zukunftsmusik (Berlin) -- Teil VIII: Bibliografie
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
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  • 77
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    Social-Pop-Media : zur Mediatisierung von Popmusik und digitaler Musikpraxis in sozialen Medien (2019)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658278823
    Language: German
    Pages: 1 Online-Ressource (315 Seiten)
    Series Statement: Research
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Rheinische Friedrich-Wilhelm-Universität zu Bonn 2016
    DDC: 302.231
    RVK:
    LR 57798
    RVK:
    AP 14350
    RVK:
    MS 8020
    Keywords: Electronic books ; Social media ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Medialisierung ; Social Media ; Musikwirtschaft ; Popmusik ; Digitalisierung ; Streaming ; Social Media ; Strukturwandel
    Abstract: Intro -- Inhaltsverzeichnis -- Abbildungsverzeichnis -- Tabellenverzeichnis -- 1 Social-Pop-Media - Einleitung -- 2 Mediatisierung und medienkultureller Wandel -- 2.1 Mediatisierung als Metaprozess sozialen Wandels -- 2.2 Makro-Meso-Mikro - Mediatisierung von Struktur und Praxis -- 2.3 Unter Mediatisierungsdruck - Logiken, Prägkräfte, Affordanzen -- 2.4 Mediatisierte Welten -- 2.5 Mediatisierung und digitale Medienkultur -- 2.6 Der Circuit of Culture als Modell zur Medienkulturanalyse -- 3 Medienpraxis als soziale Praxis -- 3.1 Praxis zwischen Materialität und Eigensinn -- 3.2 Medienpraxis als mediatisierte soziale Praxis -- 3.3 Medienpraxis in sozialen Medien -- 4 Popmusik - Ursprünge, Einordnungen, Zugänge -- 4.1 Populäre Kultur und populäre Musik -- 4.2 Popkultur und Popmusik - Von Subkultur zu Popsynkretismus -- 4.3 Popmusik als Medientext -- 5 Soziale Medien als Erlebnisräume für Popmusik -- 5.1 Digitalisierung als Strukturbruch der Musikindustrie -- 5.2 Napster - ‚Online Piracy' und kommunikative Aneignung -- 5.3 Foren und Chatrooms - Frühformen digitaler Musikpraxis -- 5.4 MySpace - Startpunkt digitaler Musikkultur im Social Web -- 5.5 Kommunikative Arenen digitaler Musikkultur im Social Web -- 5.6 YouTube - Archiv und Erbe des Musikfernsehens -- 5.7 Streaming - Die Nutzungsform der Gegenwart -- 5.8 Musikblogs - Ende und Zukunft des Musikjournalismus -- 5.9 Soziale Netzwerke -- 5.9.1 Last.fm - Das erste musikzentrierte Netzwerk -- 5.9.2 SoundCloud - „Track ID anyone?" -- 5.9.3 Soziale Musiknetzwerke zwischen Innovation und Nische -- 5.9.4 Twitter - 140/280 Zeichen Pop -- 5.9.5 Facebook - Popmusik im (noch) größten Netzwerk -- 5.9.6 Instagram - Next Big Thing(?) -- 5.10 Konzeptioneller Anschluss -- 6 Methodologie und Design der Studie -- 6.1 Medienkulturanalyse als qualitativer Forschungsprozess -- 6.2 Grounded Theory -- 6.3 Studiendesign.
    Note: Description based on publisher supplied metadata and other sources
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    MPI Ethno. Forsch.
  • 78
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    Music of a Thousand Years : A New History of Persian Musical Traditions (2019)
    Berkeley, CA : University of California Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780520972032
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    DDC: 780.955
    RVK:
    LS 37060
    Keywords: Musik ; Iran ; Electronic books
    Abstract: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran's particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran's national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region's political history.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
    DOI: 10.1515/9780520972032
    URL: kostenfrei
    URL: Cover
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  • 79
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    Turkic soundscapes : from shamanic voices to hip-hop (2018)
    Abingdon, Oxon : Routledge
    Details
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als Turkic soundscapes
    DDC: 780.9174943
    RVK:
    LS 36760
    Keywords: Music Europe, Western x History and criticism ; Music Middle East x History and criticism ; Turkic peoples Music ; History and criticism ; Music Turkish influences ; Electronic books
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- List of musical examples -- Notes on contributors -- Acknowledgements -- Map of the Turkic-speaking world -- Foreword -- Foreword -- 1 Introduction: traditions and transformations in Turkic musical cultures -- Part I Cultural foundations in music of the twenty-first century -- 2 The concept of makam-based melody and its problematic in musical analysis -- 3 The pedagogical system of Azerbaijani master musician Bahram Mansurov (1911‒1985) -- 4 From popular tradition to pop diffusion: jahrī zikr among teenagers in present-day Kazakhstan -- Part II Turkic music in popular culture and mass media -- 5 Azerbaijani rap music and oral poetry between "the folk" and "the popular" -- 6 Mass music in Kazakhstan: the phenomenon and its interpretation -- 7 Musical images of Istanbul from Fatih Akin's films and stage performances -- Part III Cross-cultural encounters in the Turkic-speaking world and beyond -- 8 From the spiritual to the profane and back: religious melodies and folksongs of Turkic peoples -- 9 The Circumpontic Lezginka dance as a cultural phenomenon -- 10 The impact of Turkic musical culture on the music of Bulgaria -- Part IV Turkic music and national identities -- 11 Debating "national ownership" of musical instruments: the balalaika as a subject of ethnopolitical discourse -- 12 New music of the Crimean Tatars: history and current status -- 13 Ancient roots, modern nation-building: Kazakh spirituality and identity in the music of the Turan ensemble -- References -- Index.
    Note: Includes bibliographical references and index
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  • 80
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    Theory and practice in the music of the Islamic world : essays in honour of Owen Wright (2018)
    Abingdon, Oxon ; New York, N.Y. : Routledge,
    Details
    ISBN: 9781315191461 , 9781351752145
    Language: English
    Pages: 1 online resource (xxxviii, 321 Seiten)
    Series Statement: SOAS musicology
    Parallel Title: Erscheint auch als
    DDC: 780.917/67
    RVK:
    LS 34120
    Keywords: Geschichte ; Musiktheorie ; Musik ; Musikpflege ; Islamische Staaten ; Music / History and criticism / Islamic countries ; Music ; Islamic countries ; History and criticism ; Electronic books ; Festschrift ; Islamische Staaten ; Musik ; Musikpflege ; Musiktheorie ; Geschichte
    DOI: 10.4324/9781315191461
    URL: https://www.taylorfrancis.com/books/9781315191461
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  • 81
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    Anti-Music : Jazz and racial blackness in German thought between the wars (2018)
    Albany : State University of New York Press
    Details
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
    RVK:
    LS 48100
    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
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  • 82
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    Sonic agency : sound and emergent forms of resistance (2018)
    Cambridge : Goldsmiths Press
    Details
    ISBN: 9781906897536
    Language: English
    Pages: 1 Online-Ressource (191 Seiten)
    Series Statement: Goldsmiths Press sonics series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als LaBelle, Brandon, 1969 - Sonic agency
    DDC: 303.48/4
    RVK:
    LC 59000
    RVK:
    LR 56650
    RVK:
    LR 56668
    Keywords: Sound Psychological aspects ; Resistance (Philosophy) ; Resistance (Philosophy) ; Resistance (Philosophy) ; Sound Psychological aspects ; Sound Psychological aspects ; Sound-Psychological aspects ; Electronic books ; Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik ; Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik
    Abstract: A timely exploration of whether sound and listening can be the basis of political change.
    Abstract: Cover -- Half title -- Title page -- Copyright -- Contents -- Acknowledgments -- 1 Unlikely Publics: On the Edge of Appearance -- Tact / And Tenderness -- Four Sonic Figures -- Anti-political Politics -- Notes -- 2 The Invisible -- Acousmatic Voices / Listening in the Dark / Encounters beyond the Face -- The Black Arts / And Black Readings / From Histories of Secrets / (Im)possible -- The Hidden / Yet Heard / As New Consciousness / The Making of Faces -- Notes -- 3 The Overheard -- Urban Scenes / A Logic of Encounters / Stranger Relations -- Networks / The Cognitive Body / Leaks and Invisible Remainders -- Unsitely Commons / Pirate Cultures / New Moral Challenge -- Notes -- 4 The Itinerant -- Echo Worlds / And Diversal Subjects / Lyrics of Displacement -- Rasta Reasoning / "I and I" / Of Deep Echoes -- The Migrations / And Desperate Walks / For No Borders -- Border Subjects / Giving Way to Border Publics / Encroachments -- Notes -- 5 The Weak -- Ecstasy / Collective Vibrations / By Which to Weaken / And Raise -- Non-violence / Standing Still / Within Churches from Below -- Listening / Loving Relations / This Rage / And Other Weapons -- Notes -- 6 Poor Acoustics: Listening from Below -- Notes -- Bibliography -- Index.
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  • 83
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    Music, sound, and architecture in Islam (2018)
    Austin : The University of Texas Press
    Details
    ISBN: 9781477312476 , 9781477312483
    Language: English
    Pages: 1 Online-Ressource (xix, 440 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als Music, sound, and architecture in Islam
    DDC: 700.91767
    RVK:
    LS 34000
    RVK:
    LO 87143
    Keywords: Music and architecture-Islamic countries ; Art and architecture-Islamic countries ; Music-Social aspects-Islamic countries ; Music-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Art and architecture-Islamic countries ; Music and architecture-Islamic countries ; Music-Islamic countries-History and criticism ; Music-Social aspects-Islamic countries ; Electronic books ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik ; Islam ; Architektur ; Musik ; Akustik
    Abstract: Intro -- List of Figures, Plates, Charts, and Tables -- Foreword by Ali S. Asani -- Acknowledgments -- Part One: Transregional -- 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles -- Part Two: The Ottoman Empire and Turkey -- 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin -- 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan OâConnell -- 4. Articulating Otherness in the Construction of Alevi-BektaÅi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff -- Part Three: The Arab World -- 5. Venerating Cairoâs Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf -- 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon -- 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach -- Part Four: Andalusia and Europe -- 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson -- 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson -- 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein -- Part Five: Central and South Asia -- 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz -- 12. The Social and Sacred Microcosm of the Kiiz Ãi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva -- Part Six: Iran -- 13. Listening to Pictures in Iran, by Anthony Welch -- 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian ZÅ«rkhÄneh, by Federico Spinetti -- References
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  • 84
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    Sonic Agency : Sound and Emergent Forms of Resistance (2018)
    Cambridge : Goldsmiths | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781906897529
    Language: English
    Pages: 1 Online-Ressource (191 pages)
    Series Statement: Goldsmiths Press / Sonics Ser. v.1
    DDC: 303.484
    RVK:
    LC 59000
    RVK:
    LR 56650
    RVK:
    LR 56668
    Keywords: Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik ; Sound-Psychological aspects ; Electronic books
    Abstract: A timely exploration of whether sound and listening can be the basis of political change.
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  • 85
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    Black Music Matters : Jazz and the Transformation of Music Studies (2018)
    New York : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781538111710
    Language: English
    Pages: 1 Online-Ressource (257 pages)
    DDC: 780.71
    RVK:
    LS 48015
    Keywords: Geschichte 2000- ; Jazz ; Musikerziehung ; Kulturelle Identität ; USA ; Electronic books
    Abstract: Black Music Matters: Jazz and the Transformation of Music Studies is among the first books to examine music studies reform through the lens of African American music, as well as the emergent field of consciousness studies. It is inspired by conversations on race and a rich body of literature on the place of black music in American culture.
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  • 86
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    Klingende Eklats : Skandal und Neue Musik (2018)
    Bielefeld : Transcipt Verlag
    Details
    ISBN: 9783839439838
    Language: German
    Pages: 1 Online-Ressource (357 pages)
    Series Statement: Histoire Band 118
    Parallel Title: Print version Schürmer, Anna Klingende Eklats : Skandal und Neue Musik
    DDC: 306
    RVK:
    LR 56707
    RVK:
    LR 57720
    Keywords: Popular culture ; Electronic books ; Hochschulschrift ; Hochschulschrift
    Abstract: Cover -- Inhalt -- KLINGENDE HISTORIOGRAPHIE (Einleitung) -- REFERENZEN und CHIFFREN (Exposition) -- AGON und SKANDAL (Durchführung #1) -- ELEKTRONISCHE EKLATANZ (Durchführung #2) -- TRANSKULTURELLE TRANSFERS (Durchführung #3) -- QUERSTAND von KUNST und POLITIK (Durchführung #4) -- ANALYTISCHE KONTRAPUNKTE (Reprise) -- BIBLIOGRAPHIE
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    URL: http://www.transcript-verlag.de/978-3-8376-3983-4
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    URL: Cover
    URL: Cover
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  • 87
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    Music and Modernity among First Peoples of North America (2018)
    Middletown, CT. 06459 : Wesleyan University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780819578648
    Language: English
    Pages: 1 Online-Ressource (361 pages)
    Edition: 1st ed.
    DDC: 780.89/97
    RVK:
    LS 49700
    Keywords: Musik ; Musikethnologie ; Indianer ; Nordamerika ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 88
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    The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll (2018)
    Cambridge : Harvard University Press
    Details
    ISBN: 9780674919747
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Stephens, Randall J The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll
    DDC: 306.4/84260973
    RVK:
    LV 78630
    Keywords: Rock music Religious aspects ; Christianity ; Rock music History and criticism ; Rock music History and criticism ; Christian rock music History and criticism ; Fundamentalism History ; Electronic books
    Abstract: When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil's Music tells the story of this transformation. Rock's origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock 'n' roll's popularity grew, white preachers tried to distance their flock from this "blasphemous jungle music," with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock 'n' roll, faith served as a vehicle for whites' racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus's message within their own religious community and project it into a secular world. In Stephens's compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.--
    Abstract: Cover -- Title Page -- Copyright -- Contents -- Introduction -- 1. Pentecostalism and Rock 'n' Roll in the 1950s -- 2. Race, Religion, and Rock 'n' Roll -- 3. The Beatles, Christianity, and the Conservative Backlash -- 4. The Advent of Jesus Rock -- 5. The Fundamentalist Reaction to Christian Rock -- Epilogue -- Notes -- Acknowledgments -- Index
    Note: Includes bibliographical references and index
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    URL: https://doi.org/10.4159/9780674919747?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780674919747
    URL: Cover
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  • 89
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    Logic of experimentation : reshaping music performance in and through artistic research (2018)
    Leuven (BE) : Leuven University Press
    Details
    ISBN: 9789462701380 , 9461662505 , 9462701385 , 9461662505 , 9789462701380 , 9789461662507
    Language: English
    Pages: 1 Online-Ressource (300 pages)
    Series Statement: Orpheus Institute series
    Parallel Title: Print version Assis, Paulo de Logic of experimentation. Reshaping music performance in and through artistic research
    RVK:
    LR 56008
    Keywords: Music Performance ; Music ; Electronic books ; Music ; Performance ; MUSIC / Instruction & Study / General ; Musikalische Aufführungspraxis ; Experiment ; Musikalische Aufführungspraxis ; Rezeption ; Musikalische Aufführungspraxis ; Künstlerische Forschung
    Abstract: Beyond interpretation: a proposal for experimental performance practices.0'Logic of Experimentation' offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance - be it mainstream or historically informed performance practices - 'Logic of Experimentation' creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 90
    Online Resource
    Online Resource
    Middlebrow modernism : Britten's operas and the great divide (2018)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520970700 , 0520970705 , 9780520298651 , 0520970705 , 9780520298651 , 9780520970700
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als
    Parallel Title: Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
    RVK:
    LP 91536
    Keywords: Britten, Benjamin ; Britten, Benjamin ; Britten, Benjamin ; Music ; Opera ; Modernism (Music) ; Music Philosophy and esthetics 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Music Philosophy and esthetics 20th century ; Electronic books ; MUSIC / History & Criticism ; Modernism (Music) ; Opera ; Operas (Britten, Benjamin) ; History ; Electronic books ; Britten, Benjamin 1913-1976 ; Oper ; Soziale Situation ; Massenkultur ; Neue Musik
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 91
    Online Resource
    Online Resource
    Gender, branding, and the modern music industry : the social construction of female popular music stars (2018)
    Boca Raton, FL : Routledge, an imprint of Taylor and Francis,
    Details
    ISBN: 9781351662857
    Language: English
    Pages: 1 online resource (294 pages)
    Edition: Second edition.
    Parallel Title: Lieb, Kristin Gender, branding, and the modern music industry
    RVK:
    LS 48070
    RVK:
    MS 8020
    Keywords: Women musicians ; Women in music ; Music trade Social aspects ; Popular music Social aspects ; Electronic books ; Music trade ; Social aspects ; Popular music ; Social aspects ; Women in music ; Women musicians ; Geschlechterforschung ; Marke ; Musikwirtschaft
    URL: Volltext
    URL: lizenzpflichtig
    URL: Volltext
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    GBV
    KOBV
  • 92
    Online Resource
    Online Resource
    Popular music, stars and stardom (2018)
    Acton, ACT, Australia : Australian National University Press
    Details
    ISBN: 9781760462123 , 1760462136 , 1760462128 , 1760462136 , 9781760462123 , 9781760462130
    Language: English
    Pages: 1 Online-Ressource (x, 162 pages)
    Parallel Title: Print version Popular music, stars and stardom
    RVK:
    LR 57730
    RVK:
    MS 7850
    Keywords: Mercury, Freddie Criticism and interpretation ; Caballé, Montserrat Criticism and interpretation ; Jacques, Judy Criticism and interpretation ; Saddington, Wendy Criticism and interpretation ; Beyoncé Criticism and interpretation ; Mercury, Freddie ; Caballé, Montserrat ; Jacques, Judy ; Saddington, Wendy ; Beyoncé ; Rock music ; Popular music Political aspects ; Popular music Social aspects ; Popular music History and criticism ; Fame Political aspects ; Minstrel music History ; Women musicians ; Popular music ; Rock music ; Popular music ; Popular music ; Popular music ; Fame ; Minstrel music ; Women musicians ; Popular music ; Electronic books ; Beyoncé ; Caballé, Montserrat ; Mercury, Freddie ; Music ; Popular culture ; Media, information & communication industries ; Minstrel music ; Popular music ; Popular music ; Political aspects ; Popular music ; Social aspects ; Rock music ; Women musicians ; Australia ; Criticism, interpretation, etc ; History ; Electronic books ; Popmusik ; Popsänger ; Popsängerin ; Starkult
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 93
    Online Resource
    Online Resource
    Gender Inequality in Metal Music Production (2018)
    Bingley : Emerald Publishing Limited
    Details
    ISBN: 9781787146747
    Language: English
    Pages: 1 Online-Ressource (170 pages)
    Series Statement: Emerald Studies in Metal Music and Culture Ser
    Parallel Title: Print version Berkers, Pauwke Gender Inequality in Metal Music Production
    DDC: 305.4
    RVK:
    LR 56610
    RVK:
    LS 48635
    Keywords: Music trade.. ; Sound recordings-Production and direction.. ; Sex discrimination against women.. ; Discrimination in employment ; Electronic books
    Abstract: In metal, it seems that women are nowhere but gender is everywhere. This title offers a sociological analysis of metal music's historical and global gender imbalance to investigate why this genre is such an impenetrable fortress for female musicians and how it could change
    Abstract: Intro -- Gender Inequality in Metal Music Production -- Contents -- Lists of Images, Figures and Tables -- Images -- Figures -- Tables -- About the Authors -- Preface and Acknowledgments -- Introduction: Gender Inequality in Metal Music Production -- Learning, Doing and Evaluating Gender in Society, Pop Music and Metal -- I. Gender in Society at Large -- II. Gender in Popular Music -- Representation of Women in Pop Music -- Explaining the Representation of Women in Pop Music -- III. Gender in Metal Music -- Representation of Women in Metal Music -- Explaining the Representation of Women in Metal Music -- Data and Methods -- Structure and Outline of the Book -- 1. Winds of Change? Longitudinal Trends and Cross-National Differences -- A History of Women in Metal Music Production -- Getting into Metal Music -- The Statistics of a Boy's Club: Three Per Cent -- Global Cultural Production of Metal Music -- The Masculine Glocalisation of Metal Music -- 2. 'Female-Fronted Metal': Gender Differences and (Sub)Genres -- Genre Rules: Expectations, Orientations and Conventions -- Gendered Genre Rules -- The Statistics of Gendered Subgenres -- Gender and Subgenres -- Gender and Subgenres in Six Countries -- Gendering of (Sub)Genre Through Social Marking -- 3. All Vocals, Few Chords: Gender Differences in Instrumentation -- Horizontal Sex Segregation: Gender, Instruments and Stereotypes -- Vertical Sex Segregation: Gender, Prestige and Instruments -- The Statistics of Instrumentation: All Vocals, Few Chords -- Gender and Instrumentation -- Gender and Instrumentation in Metal Subgenres -- 4. Wielding the Double-Edged Sword: Gender Differences in Artistic Careers -- Social Marking and Boundaries -- Tokenism -- Cultural/Structural Embeddedness and the Double-Edged Sword -- Positive Tension: The Benefits of Higher Visibility
    Abstract: Negative Tension: The Disadvantages of Higher Visibility -- The Statistics of the Double-Edged Sword: Institutional Recognition -- The Great Trade-Off: Standing Out or Fitting In? -- Conclusion: Women Are Nowhere, Gender Is Everywhere -- Main Findings and Contributions -- Discussion and Further Research -- Amplifying Gender Equality, Perhaps -- Appendix 1: Quantitative Data - The Metal Archives -- Variable Construction: Subgenre and Instruments -- Appendix 2: Qualitative Data - Interviews with Metal Musicians -- References -- Secondary Sources -- Index
    URL: Volltext  (lizenzpflichtig)
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    BSZ
    GBV
    HeBIS
    BVB
  • 94
    Online Resource
    Online Resource
    Music wars : money, politics, and race in the construction of rock and roll culture, 1940-1960 (2018)
    Lanham : Lexington Books
    Details
    ISBN: 9781498575881
    Language: English
    Pages: 1 Online-Ressource (217 pages)
    Parallel Title: Erscheint auch als Hajduk, John C. Music wars : money, politics, and race in the construction of rock and roll culture, 1940-1960
    DDC: 306.4/84240973
    RVK:
    LS 48630
    Keywords: Popular music Social aspects 20th century ; History ; Music trade History 20th century ; Electronic books
    Note: Description based on print version record
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    HeBIS
    BVB
  • 95
    Online Resource
    Online Resource
    The race of sound : listening, timbre, and vocality in African American music (2018)
    Durham : Duke University Press
    Details
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    LS 48015
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    DOI: 10.1215/9780822372646
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    BVB
    Bayreuth UB
  • 96
    Online Resource
    Online Resource
    Philosophie des HipHop : Performen, was an der Zeit ist (2018)
    Bielefeld : Transcript-Verlag
    Details
    ISBN: 3839441528 , 9783839441527
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: X-Texte zu Kultur und Gesellschaft
    Parallel Title: Erscheint auch als
    RVK:
    LC 87000
    RVK:
    LS 48650
    RVK:
    MR 7100
    Keywords: Music ; Hip-hop ; Musique ; Musique ; Hip-hop ; Music ; Music ; Music ; Theory of music & musicology ; Hip-hop Philosophy and aesthetics ; Music ; Music Philosophy and aesthetics ; Hip-Hop ; Philosophie ; Electronic books ; Electronic books ; Hip-Hop ; Philosophie
    Abstract: In Gesprächen, mit Texten, Songs, Kommentaren und durch spontane Assoziationen loten Philosoph*innen und Rapper*innen (Megaloh, Sookee, Spax u.a.) miteinander aus, was Philosophie des HipHop heißt. Dabei geht es um lebendiges Philosophieren. Philosophieren im Sinne des HipHop verlangt, sich selbst aktiv einzubringen. Eigene Gedanken blitzen auf in der Konfrontation mit den Gedanken anderer. Authentizität bzw. Realness und Kreativität: das sind die Leitwerte des HipHop. Philosophie des HipHop bedeutet nicht talking philosophy, sondern doing philosophy, und zwar in der Auseinandersetzung mit den Herausforderungen der Gegenwart. Philosophie des HipHop heißt: Performen, was an der Zeit ist
    Abstract: Philosophers and rappers jointly explore in discussions, texts, songs, comments and spontaneous associations what philosophy of hip-hop means, the focus being on living philosophyzing. Philosophyzing in the sense of hip-hop requires getting personally involved. What is dreaded is not amateurism but copying the thoughts of others. In the confrontation with the thoughts of others, your own thoughts flash through your head. Authenticity, respectively realness and creativity: These are the ethical values of hip-hop. The philosophy of hip-hop does not mean talking philosophy but doing philosophy - namely when facing the challenges of modern life. The philosophy of hip-hop means performing what's happening
    Note: Frontmatter -- , Inhalt -- , Danksagung -- , 01. Philosophie und HipHop -- , 02. Selbstmeisterung -- , 03. Die 10 Gesetze der Rap-Philosophie -- , 04. Wo bin ich zu Hause? -- , 05. HipHop heiSt wissen, was ungerecht ist -- , 06. Dialektik der Gewalt -- , 07. Anleitung zur Dekonstruktion -- , 08. Täter*in des Wortes -- , 09. Kampf um Anerkennung -- , 10. Intersektionale Perspektiven -- , 11. Performative Philosophie -- , 12. Wahrsprechen -- , 13. Die Vision des Neu-Anfangen-Könnens -- , 14. Sehnsucht nach dem guten Leben -- , 15. Transfiguration der Welt -- , 16. Philosophie in Bewegung: Zwischen hip und hop -- , 17. Wider die Wiederkehr des Gleichen -- , 18. HipHop don't stop ... -- , Autoren & Co-Autor*innen -- , Namensregister -- , Literatur -- , Anmerkungen , In German
    DOI: 10.14361/9783839441527
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Regensburg UB
    BVB
  • 97
    Online Resource
    Online Resource
    The Jazz Bubble : Neoclassical Jazz in Neoliberal Culture (2018)
    Berkeley : University of California Press
    Details
    ISBN: 9780520968219
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Chapman, Dale The Jazz Bubble : Neoclassical Jazz in Neoliberal Culture
    DDC: 306.4/84250973
    RVK:
    LS 48200
    Keywords: Gordon, Dexter ; Verve Records (Firm) History ; Verve Music Group History ; Jazz Economic aspects ; Jazz History and criticism ; Jazz Social aspects ; Sound recording industry Economic aspects ; Music-halls (Variety-theaters, cabarets, etc.) History ; Electronic books
    Abstract: Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies
    Abstract: Cover -- The Jazz Bubble -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Banks, Bonds, and Blues -- 1. âControlled Freedomâ: Jazz, Risk, and Political Economy -- 2. âHomecomingâ: Dexter Gordon and the 1970s Fiscal Crisis in New York City -- 3. Selling the Songbook: The Political Economy of Verve Records (1956â1990) -- 4. Bronfmanâs Bauble: The Corporate History of the Verve Music Group (1990â2005) -- 5. Jazz and the Right to the City: Jazz Venues and the Legacy of Urban Redevelopment in California -- 6. The âYoshiâs Effectâ: Jazz, Speculative Urbanism, and Urban Redevelopment in Contemporary San Francisco -- Notes -- Works Cited -- Index
    Note: Includes bibliographical references and index
    URL: Volltext
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    HeBIS
  • 98
    Online Resource
    Online Resource
    In Search of Soul : Hip-Hop, Literature, and Religion (2017)
    Berkeley : University of California Press
    Details
    ISBN: 9780520966758
    Language: English
    Pages: 1 online resource (290 pages)
    Edition: 1st ed.
    Parallel Title: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Parallel Title: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
    RVK:
    LS 48650
    Keywords: Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Abstract: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Abstract: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Includes bibliographical references and index
    URL: Volltext
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=4797580
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  • 99
    Online Resource
    Online Resource
    Nachgelassene Schriften. Abteilung IV : Band 3: Ästhetik (1958/59). (2017)
    Berlin :Suhrkamp Verlag,
    Details
    ISBN: 978-3-518-74867-1
    Language: German
    Pages: 1 online resource (523 pages).
    Edition: 1st ed
    RVK:
    CI 1322
    RVK:
    MQ 3010
    RVK:
    LP 91140
    Keywords: Electronic books
    Abstract: [Cover] -- [Informationen zum Buch / zum Autor] -- [Titel] -- [Impressum] -- Inhalt -- Vorlesungen 1958/1959 -- 1. Vorlesung 11. 11. 1958 -- 2. Vorlesung 13. 11. 1958 -- 3. Vorlesung 18. 11. 1958 -- 4. Vorlesung 20. 11. 1958 -- 5. Vorlesung 2. 12. 1958 -- 6. Vorlesung 4. 12. 1958 -- 7. Vorlesung 9. 12. 1958 -- 8. Vorlesung 11. 12. 1958 -- 9. Vorlesung 16. 12. 1958 -- 10. Vorlesung 18. 12. 1958 -- 11. Vorlesung 6. 1. 1959 -- 12. Vorlesung 8. 1. 1959 -- 13. Vorlesung 13. 1. 1959 -- 14. Vorlesung 15. 1. 1959 -- 15. Vorlesung 20. 1. 1959 -- 16. Vorlesung 22. 1. 1959 -- 17. Vorlesung 27. 1. 1959 -- 18. Vorlesung 29. 1. 1959 -- 19. Vorlesung 3. 2. 1959 -- 20. Vorlesung 5. 2. 1959 -- 21. Vorlesung 12. 2. 1959 -- Stichworte zu den Vorlesungen -- Anmerkungen des Herausgebers -- Abkürzungen -- 1. Vorlesung -- 2. Vorlesung -- 3. Vorlesung -- 4. Vorlesung -- 5. Vorlesung -- 6. Vorlesung -- 7. Vorlesung -- 8. Vorlesung -- 9. Vorlesung -- 10. Vorlesung -- 11. Vorlesung -- 12. Vorlesung -- 13. Vorlesung -- 14. Vorlesung -- 15. Vorlesung -- 16. Vorlesung -- 17. Vorlesung -- 18. Vorlesung -- 19. Vorlesung -- 20. Vorlesung -- 21. Vorlesung -- Stichworte zu den Vorlesungen -- Editorische Nachbemerkung -- Register -- Übersicht
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5777499
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    HU Berlin
  • 100
    Online Resource
    Online Resource
    Flip the script : European Hip Hop and the politics of postcoloniality (2017)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226496351
    Language: English
    Pages: 1 Online-Ressource (295 Seiten)
    Series Statement: Chicago Studies in Ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rollefson, J. Griffith Flip the script
    DDC: 782.421649094
    RVK:
    LS 48650
    Keywords: Hip-hop-Europe, Western ; Postcolonialism and music ; Music-Europe, Western-African American influences ; Electronic books ; Hip-hop ; Music ; Postcolonialism and music ; Europe, Western ; Westeuropa ; Hip-Hop ; Postkolonialismus ; Westeuropa ; Hip-Hop ; Postkolonialismus
    Abstract: Intro -- Contents -- Acknowledgments -- Introduction: Hip Hop as Postcolonial Art and Practice -- 1. "J'accuse": Hip Hop's Postcolonial Politics in Paris -- 2. Nostalgia "En noir et blanc": Black Music and Postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- 3. Musical (African) Americanization: Strategic Essentialism, Hybridity, and Commerce in Aggro Berlin -- 4. Heiße Waren: Hot Commodities, "Der Neger Bonus," and the Commercial Authentic -- 5. M.I.A.'s "Terrorist Chic": Black Atlantic Music and South Asian Postcolonial Politics in London -- 6. Marché Noir: The Hip Hop Hustle in the City of Light -- 7. "Wherever We Go": UK Hip Hop and the Deformation of Mastery -- 8. "Straight Outta B.C.": Différance, Defness, and Juice Aleem's Precolonial Afrofuturist Critique -- Conclusion: Hip Hop Studies and/as Postcolonial Studies -- Notes -- Bibliography -- Discography and Videography -- Index.
    Note: Description based on publisher supplied metadata and other sources
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    GBV
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