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  • BSZ  (98)
  • Englisch  (98)
  • Electronic books
  • Musikwissenschaft  (98)
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  • 1
    Online-Ressource
    Online-Ressource
    Hit Girls : Women of Punk in the USA, 1975-1983 (2023)
    La Vergne : Feral House
    Details
    ISBN: 9781627311281
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    RVK:
    LS 48645
    RVK:
    LR 56617
    Schlagwort(e): Electronic books ; USA ; Punkerin ; Geschichte 1975-1983
    Kurzfassung: Intro -- Title Page -- Copyright -- Dedication -- Contents -- Author's Note -- Foreword by Ann Magnuson -- Introduction -- Essays ¡Feminista! By Alice Bag -- Neo Boys Liner Notes by Suzi Creamcheese -- 1. Midwest: Hit Girls, Haute Girls -- Destroy All Monsters -- The Welders -- Nikki &amp -- the Corvettes -- Flirt -- Chi-Pig -- DA! -- The Shivvers -- The Waitresses -- Bitch -- The Dadistics -- The Cubes -- Unit 5 -- Ama-Dots -- The Dents -- Kate Fagan -- Algebra Suicide -- Dummy Club -- 2. South: Feast on My Heart -- Pylon -- Cichlids -- The Klitz -- The Delinquents -- Mydolls -- Screaming Sneakers -- The Cold -- F-Systems -- Teddy and the Frat Girls -- The Foams -- 3. Northwest: Guys Are Not Proud -- The Dishrags -- Chinas Comidas -- The Accident -- Neo Boys -- The Anemic Boyfriends -- Sado-Nation -- Art Object -- The Braphsmears -- The Visible Targets -- Bam Bam -- 4. West Coast (South): Manic in a Panic -- Backstage Pass -- The Bags -- The Controllers -- Castration Squad -- The Alley Cats -- The Eyes -- Suburban Lawns -- The Dinettes -- The Brat -- 45 Grave -- Tex &amp -- the Horseheads -- Sin 34 -- The Pandoras -- Screamin' Sirens -- 5. West Coast (North): Shake the Hands of Time -- Mary Monday -- The Nuns -- The Avengers -- The Blowdryers -- The Urge -- VS -- VKTMS -- U.X.A. -- IXNA -- Los Microwaves -- Romeo Void -- The Contractions -- Inflatable Boy Clams -- Wilma -- Frightwig -- 6. East Coast: Subversive Pleasure -- Jayne County -- Mars -- The Phantoms -- Helen Wheels Band -- 'B' Girls -- Teenage Jesus &amp -- the Jerks -- Cheap Perfume -- DNA -- Nasty Facts -- UT -- ESG -- Plasmatics -- Tiny Desk Unit -- Disturbed Furniture -- Bush Tetras -- Y Pants -- Egoslavia -- Dizzy and the Romilars -- Chalk Circle -- The Excuses -- Red C -- The Bloods -- Pulsallama -- IN MEMORIUM -- AUTHOR'S ACKNOWLEDGMENTS -- CITATIONS -- INDEX.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext
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  • 2
    Online-Ressource
    Online-Ressource
    Raving (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478024040
    Sprache: Englisch
    Seiten: 1 online resource (153 pages)
    Ausgabe: 1st ed.
    Serie: Practices Ser.
    Paralleltitel: Erscheint auch als
    DDC: 306.109747
    RVK:
    LS 48655
    RVK:
    LC 88610
    Schlagwort(e): Electronic books
    Kurzfassung: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478024040?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478024040
    URL: Cover
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  • 3
    Online-Ressource
    Online-Ressource
    Congo's Dancers : Women and Work in Kinshasa (2023)
    Madison : University of Wisconsin Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780299340339
    Sprache: Englisch
    Seiten: 1 Online-Ressource (216 pages)
    Ausgabe: 1st ed.
    DDC: 306.484609675112
    RVK:
    LQ 93300
    RVK:
    AP 83975
    Schlagwort(e): Rumba ; Tänzerin ; Geschlechterrolle ; Demokratische Republik Kongo ; Kinshasa ; Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 4
    Online-Ressource
    Online-Ressource
    Music and Citizenship (2023)
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780197555200
    Sprache: Englisch
    Seiten: 1 Online-Ressource (193 pages)
    Serie: Oxford Theory in Ethnomusicology Series
    DDC: 306.4842
    RVK:
    LS 18600
    Schlagwort(e): Electronic books
    Kurzfassung: In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 5
    Online-Ressource
    Online-Ressource
    Music and Change in the Eastern Baltics Before and After 1989 (2022)
    Boston, MA : Academic Studies Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781644698952
    Sprache: Englisch
    Seiten: 1 Online-Ressource (362 p.)
    Serie: Studies in the History and Sociology of Music
    DDC: 306.484209479
    RVK:
    LQ 80027
    Schlagwort(e): Electronic books ; Konferenzschrift 2020 ; Konferenzschrift 2020
    Kurzfassung: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    DOI: 10.1515/9781644698952
    URL: https://doi.org/10.1515/9781644698952?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781644698952
    URL: Cover
    URL: lizenzpflichtig
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  • 6
    Online-Ressource
    Online-Ressource
    Jazz in socialist Hà Nội : improvisations between worlds (2022)
    New York : Routledge
    Details
    ISBN: 9781003165927 , 1003165923 , 9781000555684 , 1000555682 , 9781000555653 , 1000555658
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 212 Seiten) , Illustrationen
    Serie: Transnational studies in jazz
    Paralleltitel: Erscheint auch als Tan-Tangbau, Stan BH Jazz in socialist Hà Nội
    RVK:
    LS 48100
    Schlagwort(e): Jazz History and criticism 20th century ; Jazz Political aspects ; Jazz musicians Interviews ; Communism and music ; Electronic books ; MUSIC / Genres & Styles / Jazz ; MUSIC / Ethnomusicology ; MUSIC / Genres & Styles / International
    Kurzfassung: Between worlds -- A nascent discography -- Live jazz -- Jazz at the conservatoire -- Music, war and revolution -- Becoming a professional musician -- Vietnam, the Socialist Bloc and jazz -- Hà Nội's jazz scene -- Coda.
    Anmerkung: Includes bibliographical references and index
    DOI: 10.4324/9781003165927
    URL: lizenzpflichtig
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  • 7
    Online-Ressource
    Online-Ressource
    Jüdische Komponistinnen zwischen Erfolg und Verfolgung, Exil und Heimkehr (2022)
    Wien : Hollitzer Wissenschaftsverlag
    Details
    ISBN: 9783990128114
    Sprache: Deutsch , Englisch , Hebräisch , Japanisch
    Seiten: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Paralleltitel: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
    RVK:
    LS 33120
    RVK:
    LR 56617
    Schlagwort(e): Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Kurzfassung: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Anmerkung: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 8
    Online-Ressource
    Online-Ressource
    Transforming ethnomusicology Volume I : methodologies, institutional structures, & policies (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780197517642
    Sprache: Englisch
    Seiten: 1 Online-Ressource (272 Seiten)
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
    RVK:
    LB 30000
    RVK:
    LC 87000
    RVK:
    LS 16000
    Schlagwort(e): Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Kurzfassung: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Anmerkung: Description based on publisher supplied metadata and other sources
    DOI: 10.1093/oso/9780197517604.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
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  • 9
    Online-Ressource
    Online-Ressource
    Songbooks : the literature of American popular music (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478021391 , 147802139X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Serie: Refiguring american music
    Paralleltitel: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
    RVK:
    HR 1121
    RVK:
    LS 48050
    Schlagwort(e): Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Kurzfassung: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478021391
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1515/9781478021391?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478021391
    URL: Cover
    URL: lizenzpflichtig
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    URL: Cover  (lizenzpflichtig)
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  • 10
    Online-Ressource
    Online-Ressource
    The stories of Jazz : narrating a musical tradition (2021)
    Wien : Hollitzer
    Details
    ISBN: 9783990128954
    Sprache: Englisch
    Seiten: 1 Online-Ressource (406 Seiten)
    Serie: Jazzforschung 48 (2016)
    Paralleltitel: Erscheint auch als
    RVK:
    LS 48100
    Schlagwort(e): Electronic books ; Jazz ; Geschichte
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 11
    Online-Ressource
    Online-Ressource
    Classical Antiquity in heavy metal music (2020)
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781350075382 , 9781350075368
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 260 Seiten) , 6 Illustrationen, Karte
    Serie: Imagines : classical receptions in the visual performing arts
    Paralleltitel: Erscheint auch als
    DDC: 781.66
    RVK:
    LS 48635
    Schlagwort(e): Heavy Metal ; Rezeption ; Rockmusik ; Antike ; Heavy metal (Music) / History and criticism ; Classical antiquities in music ; Heavy metal (Music) ; Criticism, interpretation, etc ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Rockmusik ; Heavy Metal ; Rezeption ; Antike
    Beschreibung / Inhaltsverzeichnis: Vergil's Aeneid and nationalism in Italian metal -- Eternal defiance : Celtic identity and the classical past in heavy metal -- Screaming ancient Greek hymns : the case of Kawir and the Greek black metal scene -- Cassandra's plight : gender, genre, and historical concepts of femininity in goth and power metal -- Heavy metal Dido : Heimdall's Ballad of the Queen -- A metal monstrum : Ex Deos Caligula -- Occult and pulp visions of Greece and Rome in heavy metal -- When the land was milk and honey and magic was strong and true : Edward Said, ancient Egypt, and heavy metal -- Coda : some trends in metal's use of classical antiquity
    DOI: 10.5040/9781350075382
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: lizenzpflichtig
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    HU Berlin
    Würzburg UB
    BSZ
    GBV
    KOBV
    BVB
  • 12
    Online-Ressource
    Online-Ressource
    How the West stole democracy from the Arabs : the Syrian Arab Congress of 1920 and the destruction of its Liberal-Islamic Alliance (2020)
    New York : Atlantic Monthly Press, an imprint of Grove Atlantic | London : Grove Press UK, an imprint of Grove Atlantic
    Details
    ISBN: 9781611859003
    Sprache: Englisch
    Seiten: 1 Online-Ressource (442 Seiten) , Illustrationen, Karten
    Paralleltitel: Erscheint auch als Thompson, Elizabeth F., 1959 - How the West stole democracy from the Arabs
    DDC: 956.91041
    RVK:
    NQ 5750
    RVK:
    LS 48040
    Schlagwort(e): Faysal ; Lawrence, T. E ; Electronic books ; Syria History French occupation, 1918-1946 ; Arab countries History 20th century ; Arab countries Foreign relations ; Syrien ; Unabhängigkeitsbewegung ; Kolonialmacht ; Geschichte 1919-1920
    Kurzfassung: Cover -- Title -- Copyright -- Contents -- Photo Credits -- Preface -- The Setting -- The Players -- Note on Nomenclature, Spelling, and Transliteration -- Abbreviations Used for Archival Sources -- Part I: An Arab State in Syria -- 1. Damascus: Enter the Prince -- 2. Aleppo: A Government and Justice for All -- 3. Cairo: A Sheikh Prays to an American President -- Part II: A Chilly Peace at Paris -- 4. Wooing Woodrow Wilson -- 5. The Covenant and the Colonial Color Line -- 6. A Sip of Champagne, with a Sour Aftertaste -- Part III: Syria's Declaration of Independence -- 7. The Syrian Congress and the American Commission -- 8. A Democratic Uprising in Damascus -- 9. Revolution at the Quai d'Orsay -- 10. The Prince, the Sheikh, and "The Day of Resurrection" -- 11. Wilsonism Colonized at San Remo -- Part IV: The Constitution: a Civil Weapon Against Colonization -- 12. The Sheikh versus the King: A Parliamentary Revolution -- 13. Women's Suffrage and the Limits of Islamic Law -- 14. A Democratic Constitution for Christians and Muslims -- Part V: Syria's Expulsion from the Civilized World -- 15. Battle Plans for Syria -- 16. The French Ultimatum and Faisal's Dissolution of Congress -- 17. Maysalun: The Arab State's Last Stand -- 18. Wilson's Ghost in Geneva -- Epilogue: Parting of Ways-The Liberal, the Sheikh, and the King -- Appendices -- A. Members of Congress in March 1920 -- B. The Syrian Declaration of Independence, March 8, 1920 -- C. The Syrian Constitution of July 19, 1920 -- Acknowledgments -- For Further Reading -- Notes -- Index.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 13
    Online-Ressource
    Online-Ressource
    A people's music : Jazz in East Germany, 1945-1990 (2020)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781108776233
    Sprache: Englisch
    Seiten: 1 Online-Ressource (346 Seiten)
    Ausgabe: First published
    Serie: New Studies in European History
    Paralleltitel: Erscheint auch als
    DDC: 781.650943/1
    RVK:
    LS 48100
    RVK:
    LQ 80407
    RVK:
    LP 19507
    Schlagwort(e): Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Kurzfassung: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext
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  • 14
    Online-Ressource
    Online-Ressource
    Jewish Difference and the Arts in Vienna : Composing Compassion in Music and Biblical Theater (2019)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253040565
    Sprache: Englisch
    Seiten: 1 online resource (226 pages)
    Suppl.: Rezensiert in Uslin, Karen L. [Rezension von: Kita, Caroline A., Jewish Difference and the Arts in Vienna] 2021
    Serie: German Jewish Cultures Ser.
    Paralleltitel: Erscheint auch als Kita, Caroline A. Jewish difference and the arts in Vienna
    DDC: 780.943613
    RVK:
    NY 4690
    RVK:
    LS 33100
    RVK:
    BD 6820
    RVK:
    BD 6810
    Schlagwort(e): Music-Austria-Vienna-History and criticism ; Music-Austria-Vienna-History and criticism ; Electronic books ; Biblisches Drama ; Juden ; Mitgefühl ; Musik ; Literatur ; Bibel Altes Testament ; Juden ; Wien ; Geschichte 1876-1918
    Kurzfassung: Jewish Difference and the Arts in Vienna explores how Jewish writers and composers sought, through their engagement with musical forms and styles, to capture Jewish voices and their dynamic expression of compassion and otherness.
    Kurzfassung: Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Note on Translation -- Introduction -- 1. A Case for Compassion: Siegfried Lipiner's Adam -- 2. Voicing Compassion: Gustav Mahler's Second and Third Symphonies -- 3. Polyphony as a Poetics of Compassion: Arnold Schoenberg's Die Jakobsleiter -- 4. Dialogues of Compassion: Richard Beer-Hofmann's Jaákobs Traum -- 5. Compassion as Communal Song: Stefan Zweig's Jeremias -- Epilogue -- Bibliography -- Index -- About the Author.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 15
    Online-Ressource
    Online-Ressource
    Cornelius's Fantasma (2019)
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    Details
    ISBN: 9781501330209 , 9781501330193
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 178 pages) , illustrations
    Serie: 33 1/3 Japan
    Paralleltitel: Erscheint auch als Roberts, Martin Cornelius's Fantasma
    DDC: 781.63
    RVK:
    LS 48040
    Schlagwort(e): Cornelius ; Popular music History and criticism 1991-2000 ; Electronic books ; Biografie ; Biografie ; Electronic books ; Biografie ; Japan ; Popmusiker ; Musikalbum ; Geschichte 1997 ; Volkstümliche Musik ; Unterhaltungsmusik ; Geschichte 1997 ; Cornelius 1969-
    Kurzfassung: "In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more"--Bloomsbury Collections
    Kurzfassung: Dedication -- Epigraph -- Note on Transliterations and Japanese Names -- Preface: White Rabbit -- Chapter 1. From Nakameguro to Everywhere -- Chapter 2. Magic Kingdom -- Chapter 3. Ape Shall Not Kill Ape -- Chapter 4. Mutations -- Chapter 5. Pet Sounds -- Chapter 6. Merrie Melodies -- Chapter 7. Three-Dimensional Music -- Chapter 8. Analog Afterlives -- Chapter 9. Double Fantasy -- Notes -- Bibliography -- Permissions -- Index.
    Anmerkung: Includes bibliographical references and index
    DOI: 10.5040/9781501330209
    URL: lizenzpflichtig
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  • 16
    Online-Ressource
    Online-Ressource
    Jazz in Europe : networking and negotiating identities$h (2019)
    New York : Bloomsbury Academic & Professional
    Details
    ISBN: 9781501346606
    Sprache: Englisch
    Seiten: 1 online resource (201 pages)
    Paralleltitel: Erscheint auch als
    RVK:
    LS 48200
    Schlagwort(e): Electronic books ; Europa ; Jazz ; Forschung ; Musikerziehung ; Musikförderung ; Netzwerk ; Kulturelle Identität
    Kurzfassung: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Abbreviations -- Introduction -- 1 Researching jazz in Europe today -- 2 Challenges for European jazz networking -- 3 Current strategies -- 4 Giving voice to ground players -- Conclusions -- References -- Index.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5751870
    URL: Inhaltsverzeichnis
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  • 17
    Online-Ressource
    Online-Ressource
    Theory for ethnomusicology : histories, conversations, insights (2019)
    New York : Routledge
    Details
    ISBN: 1315408570 , 1315408554 , 1315408562 , 9781315408576 , 9781315408552 , 9781315408569
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 online resource)
    Ausgabe: Second edition
    Paralleltitel: Erscheint auch als Theory for ethnomusicology
    RVK:
    LC 87000
    RVK:
    LS 16000
    Schlagwort(e): Ethnomusicology ; Ethnomusicology ; Music Philosophy and aesthetics ; MUSIC / Ethnomusicology ; bisacsh ; Ethnomusicology ; fast ; (OCoLC)fst00916186 ; Electronic books ; Musikethnologie ; Musiksoziologie ; Musikphilosophie
    Kurzfassung: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements
    Anmerkung: Includes bibliographical references and index
    URL: Volltext
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  • 18
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    Music is power : popular songs, social justice and the will to change (2019)
    New Brunswick : Rutgers University Press
    Details
    ISBN: 1978808151 , 9781978808157
    Sprache: Englisch
    Seiten: 1 Online-Ressource (vii, 236 pages) , illustrations
    Paralleltitel: Erscheint auch als Schreiber, Brad Music is power
    DDC: 306.4/8424
    RVK:
    LS 48050
    Schlagwort(e): Popular music Social aspects ; History ; Popular music Political aspects ; History ; History ; Popular music ; Social aspects ; Popular music ; Political aspects ; MUSIC ; General ; Electronic books
    Kurzfassung: Frontmatter -- Contents -- 1. Musical Workers of the World Unite: Joe Hill, Woody Guthrie, and Pete Seeger -- 2. There for More Than Fortune: Phil Ochs, Joan Baez, and Bob Dylan -- 3. Caged Artists: Lesley Gore, Janis Ian, and P.F. Sloan -- 4. Parody and Poetry: Tom Lehrer; Peter, Paul and Mary; and The Smothers Brothers -- 5. Psychedelicate Situations: Jimi Hendrix and Pink Floyd -- 6. Reason and Blues: Marvin Gaye and The Temptations -- 7. Say It Loud, We're Blocked but Proud: James Brown and Curtis Mayfield -- 8. Hard Rock Turns Metallic: The Who and Black Sabbath -- 9. More Than a Working-Class Hero: John Lennon and The Beatles -- 10. Out of Place and In Your Face: The Dead Kennedys and The Sex Pistols -- 11. Word: Gil Scott-Heron and Grandmaster Flash -- 12. Global Music Consciousness: Bob Marley and Peter Gabriel -- 13. Weird, Funny, Smart, Angry: Frank Zappa versus Everyone -- 14. Rap, Not Hip-Hop: NWA and Public Enemy -- 15. Weapons of Mass Deconstruction: Dixie Chicks and Green Day -- Bibliography -- Index -- About the Author
    Kurzfassung: Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction and so many other crucial issues. Music Is Power takes us on a guided tour through the past 100 years of politically-conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches-- angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority--to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, The Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley
    Anmerkung: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9781978808157
    URL: Cover
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  • 19
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    Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives (2019)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839443583
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48015
    Schlagwort(e): Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Kurzfassung: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    DOI: 10.1515/9783839443583
    URL: kostenfrei
    URL: Cover
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    URL: De Gruyter, Cover
    URL: EBSCOhost
    URL: https://doi.org/10.14361/9783839443583
    URL: https://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff
    URL: Biblioboard
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    URL: lizenzpflichtig
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  • 20
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    Music Practices Across Borders : (E)Valuating Space, Diversity and Exchange (2019)
    Bielefeld : transcript-Verlag
    Details
    ISBN: 3839446678 , 9783839446676
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Musik und Klangkultur 35
    RVK:
    LS 48000
    Schlagwort(e): Music ; Musicology ; Ethnomusicology ; SOCIAL SCIENCE / General ; MUSIC / History & Criticism ; Music ; Musicology ; Ethnomusicology ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    Kurzfassung: Frontmatter --Content --Introduction-Music practices across borders /Peres da Silva, Glaucia / Hondros, Konstantin --Valuation in a reversed economy /Fryberger, Annelies --Culture, creativity and practice /Wafula, Mukasa Situma --"Come and expose yourself to the fantastic music from around the world" /Lell, Peter --From desire for recognition to desire for independence /Le Coz, Sandrine --The invention of African art music /Riva, Nepomuk --Contemplating musical life in Tunisia under the French protectorate-the society and challenges /El Kahla, Alla --The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century /Anabel González, Daniela --Brazilian grooves and cultured clichés /Boy Bystron, Janco / Santana, Chico --About the authors
    Kurzfassung: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Anmerkung: In English
    URL: kostenfrei
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 21
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    Anti-Music : Jazz and racial blackness in German thought between the wars (2018)
    Albany : State University of New York Press
    Details
    ISBN: 9781438469881
    Sprache: Englisch
    Seiten: 1 Online-Ressource (228 pages)
    Serie: SUNY Series, Philosophy and Race
    Serie: SUNY Series, Philosophy and Race Ser.
    Paralleltitel: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
    RVK:
    LS 48100
    Schlagwort(e): Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Kurzfassung: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 22
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    Turkic soundscapes : from shamanic voices to hip-hop (2018)
    Abingdon, Oxon : Routledge
    Details
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: SOAS musicology series
    Paralleltitel: Erscheint auch als Turkic soundscapes
    DDC: 780.9174943
    RVK:
    LS 36760
    Schlagwort(e): Music Europe, Western x History and criticism ; Music Middle East x History and criticism ; Turkic peoples Music ; History and criticism ; Music Turkish influences ; Electronic books
    Kurzfassung: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- List of musical examples -- Notes on contributors -- Acknowledgements -- Map of the Turkic-speaking world -- Foreword -- Foreword -- 1 Introduction: traditions and transformations in Turkic musical cultures -- Part I Cultural foundations in music of the twenty-first century -- 2 The concept of makam-based melody and its problematic in musical analysis -- 3 The pedagogical system of Azerbaijani master musician Bahram Mansurov (1911‒1985) -- 4 From popular tradition to pop diffusion: jahrī zikr among teenagers in present-day Kazakhstan -- Part II Turkic music in popular culture and mass media -- 5 Azerbaijani rap music and oral poetry between "the folk" and "the popular" -- 6 Mass music in Kazakhstan: the phenomenon and its interpretation -- 7 Musical images of Istanbul from Fatih Akin's films and stage performances -- Part III Cross-cultural encounters in the Turkic-speaking world and beyond -- 8 From the spiritual to the profane and back: religious melodies and folksongs of Turkic peoples -- 9 The Circumpontic Lezginka dance as a cultural phenomenon -- 10 The impact of Turkic musical culture on the music of Bulgaria -- Part IV Turkic music and national identities -- 11 Debating "national ownership" of musical instruments: the balalaika as a subject of ethnopolitical discourse -- 12 New music of the Crimean Tatars: history and current status -- 13 Ancient roots, modern nation-building: Kazakh spirituality and identity in the music of the Turan ensemble -- References -- Index.
    Anmerkung: Includes bibliographical references and index
    URL: Volltext
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  • 23
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    Sonic agency : sound and emergent forms of resistance (2018)
    Cambridge : Goldsmiths Press
    Details
    ISBN: 9781906897536
    Sprache: Englisch
    Seiten: 1 Online-Ressource (191 Seiten)
    Serie: Goldsmiths Press sonics series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als LaBelle, Brandon, 1969 - Sonic agency
    DDC: 303.48/4
    RVK:
    LC 59000
    RVK:
    LR 56650
    RVK:
    LR 56668
    Schlagwort(e): Sound Psychological aspects ; Resistance (Philosophy) ; Resistance (Philosophy) ; Resistance (Philosophy) ; Sound Psychological aspects ; Sound Psychological aspects ; Sound-Psychological aspects ; Electronic books ; Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik ; Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik
    Kurzfassung: A timely exploration of whether sound and listening can be the basis of political change.
    Kurzfassung: Cover -- Half title -- Title page -- Copyright -- Contents -- Acknowledgments -- 1 Unlikely Publics: On the Edge of Appearance -- Tact / And Tenderness -- Four Sonic Figures -- Anti-political Politics -- Notes -- 2 The Invisible -- Acousmatic Voices / Listening in the Dark / Encounters beyond the Face -- The Black Arts / And Black Readings / From Histories of Secrets / (Im)possible -- The Hidden / Yet Heard / As New Consciousness / The Making of Faces -- Notes -- 3 The Overheard -- Urban Scenes / A Logic of Encounters / Stranger Relations -- Networks / The Cognitive Body / Leaks and Invisible Remainders -- Unsitely Commons / Pirate Cultures / New Moral Challenge -- Notes -- 4 The Itinerant -- Echo Worlds / And Diversal Subjects / Lyrics of Displacement -- Rasta Reasoning / "I and I" / Of Deep Echoes -- The Migrations / And Desperate Walks / For No Borders -- Border Subjects / Giving Way to Border Publics / Encroachments -- Notes -- 5 The Weak -- Ecstasy / Collective Vibrations / By Which to Weaken / And Raise -- Non-violence / Standing Still / Within Churches from Below -- Listening / Loving Relations / This Rage / And Other Weapons -- Notes -- 6 Poor Acoustics: Listening from Below -- Notes -- Bibliography -- Index.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 24
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    Music, sound, and architecture in Islam (2018)
    Austin : The University of Texas Press
    Details
    ISBN: 9781477312476 , 9781477312483
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xix, 440 Seiten)
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Music, sound, and architecture in Islam
    DDC: 700.91767
    RVK:
    LS 34000
    RVK:
    LO 87143
    Schlagwort(e): Music and architecture-Islamic countries ; Art and architecture-Islamic countries ; Music-Social aspects-Islamic countries ; Music-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Art and architecture-Islamic countries ; Music and architecture-Islamic countries ; Music-Islamic countries-History and criticism ; Music-Social aspects-Islamic countries ; Electronic books ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik ; Islam ; Architektur ; Musik ; Akustik
    Kurzfassung: Intro -- List of Figures, Plates, Charts, and Tables -- Foreword by Ali S. Asani -- Acknowledgments -- Part One: Transregional -- 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles -- Part Two: The Ottoman Empire and Turkey -- 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin -- 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan OâConnell -- 4. Articulating Otherness in the Construction of Alevi-BektaÅi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff -- Part Three: The Arab World -- 5. Venerating Cairoâs Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf -- 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon -- 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach -- Part Four: Andalusia and Europe -- 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson -- 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson -- 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein -- Part Five: Central and South Asia -- 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz -- 12. The Social and Sacred Microcosm of the Kiiz Ãi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva -- Part Six: Iran -- 13. Listening to Pictures in Iran, by Anthony Welch -- 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian ZÅ«rkhÄneh, by Federico Spinetti -- References
    URL: Volltext  (lizenzpflichtig)
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  • 25
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    The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll (2018)
    Cambridge : Harvard University Press
    Details
    ISBN: 9780674919747
    Sprache: Englisch
    Seiten: 1 Online-Ressource (345 pages)
    Ausgabe: Online-Ausg.
    Paralleltitel: Print version Stephens, Randall J The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll
    DDC: 306.4/84260973
    RVK:
    LV 78630
    Schlagwort(e): Rock music Religious aspects ; Christianity ; Rock music History and criticism ; Rock music History and criticism ; Christian rock music History and criticism ; Fundamentalism History ; Electronic books
    Kurzfassung: When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil's Music tells the story of this transformation. Rock's origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock 'n' roll's popularity grew, white preachers tried to distance their flock from this "blasphemous jungle music," with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock 'n' roll, faith served as a vehicle for whites' racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus's message within their own religious community and project it into a secular world. In Stephens's compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.--
    Kurzfassung: Cover -- Title Page -- Copyright -- Contents -- Introduction -- 1. Pentecostalism and Rock 'n' Roll in the 1950s -- 2. Race, Religion, and Rock 'n' Roll -- 3. The Beatles, Christianity, and the Conservative Backlash -- 4. The Advent of Jesus Rock -- 5. The Fundamentalist Reaction to Christian Rock -- Epilogue -- Notes -- Acknowledgments -- Index
    Anmerkung: Includes bibliographical references and index
    URL: Volltext
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    URL: https://doi.org/10.4159/9780674919747?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780674919747
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
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    Gender Inequality in Metal Music Production (2018)
    Bingley : Emerald Publishing Limited
    Details
    ISBN: 9781787146747
    Sprache: Englisch
    Seiten: 1 Online-Ressource (170 pages)
    Serie: Emerald Studies in Metal Music and Culture Ser
    Paralleltitel: Print version Berkers, Pauwke Gender Inequality in Metal Music Production
    DDC: 305.4
    RVK:
    LR 56610
    RVK:
    LS 48635
    Schlagwort(e): Music trade.. ; Sound recordings-Production and direction.. ; Sex discrimination against women.. ; Discrimination in employment ; Electronic books
    Kurzfassung: In metal, it seems that women are nowhere but gender is everywhere. This title offers a sociological analysis of metal music's historical and global gender imbalance to investigate why this genre is such an impenetrable fortress for female musicians and how it could change
    Kurzfassung: Intro -- Gender Inequality in Metal Music Production -- Contents -- Lists of Images, Figures and Tables -- Images -- Figures -- Tables -- About the Authors -- Preface and Acknowledgments -- Introduction: Gender Inequality in Metal Music Production -- Learning, Doing and Evaluating Gender in Society, Pop Music and Metal -- I. Gender in Society at Large -- II. Gender in Popular Music -- Representation of Women in Pop Music -- Explaining the Representation of Women in Pop Music -- III. Gender in Metal Music -- Representation of Women in Metal Music -- Explaining the Representation of Women in Metal Music -- Data and Methods -- Structure and Outline of the Book -- 1. Winds of Change? Longitudinal Trends and Cross-National Differences -- A History of Women in Metal Music Production -- Getting into Metal Music -- The Statistics of a Boy's Club: Three Per Cent -- Global Cultural Production of Metal Music -- The Masculine Glocalisation of Metal Music -- 2. 'Female-Fronted Metal': Gender Differences and (Sub)Genres -- Genre Rules: Expectations, Orientations and Conventions -- Gendered Genre Rules -- The Statistics of Gendered Subgenres -- Gender and Subgenres -- Gender and Subgenres in Six Countries -- Gendering of (Sub)Genre Through Social Marking -- 3. All Vocals, Few Chords: Gender Differences in Instrumentation -- Horizontal Sex Segregation: Gender, Instruments and Stereotypes -- Vertical Sex Segregation: Gender, Prestige and Instruments -- The Statistics of Instrumentation: All Vocals, Few Chords -- Gender and Instrumentation -- Gender and Instrumentation in Metal Subgenres -- 4. Wielding the Double-Edged Sword: Gender Differences in Artistic Careers -- Social Marking and Boundaries -- Tokenism -- Cultural/Structural Embeddedness and the Double-Edged Sword -- Positive Tension: The Benefits of Higher Visibility
    Kurzfassung: Negative Tension: The Disadvantages of Higher Visibility -- The Statistics of the Double-Edged Sword: Institutional Recognition -- The Great Trade-Off: Standing Out or Fitting In? -- Conclusion: Women Are Nowhere, Gender Is Everywhere -- Main Findings and Contributions -- Discussion and Further Research -- Amplifying Gender Equality, Perhaps -- Appendix 1: Quantitative Data - The Metal Archives -- Variable Construction: Subgenre and Instruments -- Appendix 2: Qualitative Data - Interviews with Metal Musicians -- References -- Secondary Sources -- Index
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  • 27
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    In Search of Soul : Hip-Hop, Literature, and Religion (2017)
    Berkeley : University of California Press
    Details
    ISBN: 9780520966758
    Sprache: Englisch
    Seiten: 1 online resource (290 pages)
    Ausgabe: 1st ed.
    Paralleltitel: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Paralleltitel: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
    RVK:
    LS 48650
    Schlagwort(e): Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Kurzfassung: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Kurzfassung: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Anmerkung: Includes bibliographical references and index
    URL: Volltext
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=4797580
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  • 28
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    Consuming Music : Individuals, Institutions, Communities, 1730-1830 (2017)
    Rochester : Boydell & Brewer
    Details
    ISBN: 9781782049227
    Sprache: Englisch
    Seiten: 1 Online-Ressource (265 pages)
    Serie: Eastman Studies in Music v.Volume 138
    Paralleltitel: Print version Green, Emily H Consuming Music : Individuals, Institutions, Communities, 1730-1830
    Paralleltitel: Erscheint auch als Consuming music
    DDC: 780.9/033
    RVK:
    LR 56604
    RVK:
    LR 57760
    RVK:
    LR 57435
    RVK:
    LR 57434
    RVK:
    LR 57430
    RVK:
    LR 55860
    Schlagwort(e): Electronic books ; Aufsatzsammlung ; Musikmarkt ; Musikleben ; Geistesleben ; Kulturleben ; Geschichte 1730-1830
    Kurzfassung: This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics
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  • 29
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    Flip the script : European Hip Hop and the politics of postcoloniality (2017)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226496351
    Sprache: Englisch
    Seiten: 1 Online-Ressource (295 Seiten)
    Serie: Chicago Studies in Ethnomusicology
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Rollefson, J. Griffith Flip the script
    DDC: 782.421649094
    RVK:
    LS 48650
    Schlagwort(e): Hip-hop-Europe, Western ; Postcolonialism and music ; Music-Europe, Western-African American influences ; Electronic books ; Hip-hop ; Music ; Postcolonialism and music ; Europe, Western ; Westeuropa ; Hip-Hop ; Postkolonialismus ; Westeuropa ; Hip-Hop ; Postkolonialismus
    Kurzfassung: Intro -- Contents -- Acknowledgments -- Introduction: Hip Hop as Postcolonial Art and Practice -- 1. "J'accuse": Hip Hop's Postcolonial Politics in Paris -- 2. Nostalgia "En noir et blanc": Black Music and Postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- 3. Musical (African) Americanization: Strategic Essentialism, Hybridity, and Commerce in Aggro Berlin -- 4. Heiße Waren: Hot Commodities, "Der Neger Bonus," and the Commercial Authentic -- 5. M.I.A.'s "Terrorist Chic": Black Atlantic Music and South Asian Postcolonial Politics in London -- 6. Marché Noir: The Hip Hop Hustle in the City of Light -- 7. "Wherever We Go": UK Hip Hop and the Deformation of Mastery -- 8. "Straight Outta B.C.": Différance, Defness, and Juice Aleem's Precolonial Afrofuturist Critique -- Conclusion: Hip Hop Studies and/as Postcolonial Studies -- Notes -- Bibliography -- Discography and Videography -- Index.
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  • 30
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    A distinctive voice in the antipodes : essays in honour of Stephen A. Wild (2017)
    Acton, A.C.T : ANU Press
    Details
    ISBN: 9781760461119 , 1760461121
    Sprache: Englisch
    Seiten: 1 Online-Ressource (Electronic text (xvi, 502 pages))
    DDC: 305.899/15
    RVK:
    LS 49400
    Schlagwort(e): Wild, Stephen ; Essays ; Festschriften ; Dance ; Aboriginal Australians ; Music ; Festschrift ; Aufsatzsammlung ; Electronic books ; Electronic books ; Electronic books
    Kurzfassung: Stephen A. Wild: A Distinctive Voice in the Antipodes / Kirsty Gillespie, Sally Treloyn, Kim Woo and Don Niles -- Festschrift Background and Contents / Kirsty Gillespie, Sally Treloyn and Don Niles -- Indigenous Australia. A Different Mode of Exchange: The Mamurrng Ceremony of Western Arnhem Land / Reuben Brown -- Warlpiri Ritual Contexts as Imaginative Spaces for Exploring Traditional Gender Roles / Georgia Curran -- Form and Performance: The Relations of Melody, Poetics, and Rhythm in Dhalwangu Manikay / Peter G. Toner -- Alyawarr Women's Rain Songs / Myfany Turpin, Richard Moyle and Eileen Kemarr Bonney -- Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley / Sally Treloyn -- Turning the Colonial Tide: Working towards a Reconciled Ethnomusicology in Australia / Elizabeth Mackinlay and Katelyn Barney ---
    Kurzfassung: Pacific Islands and Beyond. Chanting Diplomacy: Music, Conflict, and Social Cohesion in Micronesia / Brian Diettrich -- Songs for Distance, Dancing to Be Connected: Bonding Memories of the Ogasawara Islands / Masaya Shishikura -- The Politics of the Baining Fire Dance / Naomi Faik-Simet -- Touristic Encounters: Imag(in)ing Tahiti and Its Performing Arts / Jane Freeman Moulin -- Heritage and Place: Kate Fagan's Diamond Wheel and Nancy Kerr's Twice Reflected Sun / Jill Stubington -- Living in Hawai'i: The Pleasures and Rewards of Hawaiian Music for an 'Outsider' Ethnomusicologist / Ricardo D. Trimillos -- Archiving and Academia. Protecting Our Shadow: Repatriating Ancestral Recordings to the Lihir Islands, Papua New Guinea / Kirsty Gillespie -- The History of the 'Ukulele 'Is Today' / Gisa Jähnichen -- 'Never Seen It Before': The Earliest Reports and Resulting Confusion about the Hagen Courting Dance / Don Niles ---
    Kurzfassung: Capturing Music and Dance in an Archive: A Meditation on Imprisonment / Adrienne L. Kaeppler -- Some Comments on the Gradual Inclusion of Musics beyond the Western Canon by Selected Universities and Societies / Barbara B. Smith -- Ethnomusicology in Australia and New Zealand: A Trans-Tasman Identity? / Dan Bendrups and Henry Johnson -- Publications by Stephen A. Wild
    DOI: 10.2307/j.ctt1trkk4c
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  • 31
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    The Jazz republic : music, race, and American culture in Weimar Germany (2017)
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    Details
    ISBN: 9780472122660
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Serie: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
    RVK:
    LS 48100
    RVK:
    LS 48200
    RVK:
    LS 48060
    RVK:
    NQ 1090
    Schlagwort(e): Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
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    URL: https://hdl.loc.gov/loc.gdc/gdcebookspublic.2020707233
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  • 32
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    Global metal music and culture : current directions in metal studies (2016)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781317587255 , 9781315742816
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 369 Seiten)
    Serie: Routledge studies in popular music 12
    Paralleltitel: Erscheint auch als
    DDC: 781.66
    RVK:
    LS 48635
    Schlagwort(e): Gesellschaft ; Musik ; Heavy metal (Music) / History and criticism ; Music / Social aspects ; Kulturwissenschaften ; Heavy Metal ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Electronic books ; Heavy Metal ; Kulturwissenschaften
    Anmerkung: Includes bibliographical references and index
    DOI: 10.4324/9781315742816
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  • 33
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    Classics for the Masses : Shaping Soviet Musical Identity under Lenin and Stalin (2016)
    New Haven, CT : Yale University Press
    Details
    ISBN: 9780300219432
    Sprache: Englisch
    Seiten: 1 Online-Ressource (297 pages)
    Paralleltitel: Erscheint auch als Fairclough, Pauline, 1970 - Classics for the masses
    DDC: 306.4842809470904
    RVK:
    LQ 86007
    RVK:
    NQ 8294
    RVK:
    NK 4700
    Schlagwort(e): Music - Soviet Union - History and criticism ; Electronic books ; Sowjetunion ; Musikpolitik ; Nationalismus ; Musikleben ; Kulturelle Identität ; Geschichte 1917-1953
    Kurzfassung: Cover page -- Halftitle page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- NOTE ON TRANSLITERATION AND ARCHIVAL SOURCES -- SOVIET ACRONYMS AND ABBREVIATIONS -- INTRODUCTION -- Postscript -- CHAPTER ONE PROPAGANDIZING THE CLASSICS 1917-1929 -- After 1917 -- Shaping the Canon: The Russian Classics -- Marketing the Western Classics -- Narkompros -- Composer Societies in the 1920s -- Mass Work in the 1920s: Amateur Groups -- The Modernism Question: Repertoire Politics in the Leningrad and Moscow Philharmonias, 1921-8 -- The Church Music Problem -- CHAPTER TWO CULTURAL REVOLUTION, REPERTOIRE POLITICS AND THE CLASSICS -- The All-Union Conferences, 1929-31 -- Repertoire Politics during the 'Great Break' -- Final Attacks on Church Music -- End of an Era -- The Campaign against RAPM -- CHAPTER THREE INTERNATIONALISM, MODERNISM AND THE 'STALINIST ENLIGHTENMENT' 1932-1941 -- The End of RAPM? -- Internationalism and Modernism -- Narratives of Enlightenment, 1932-41 -- The Soviet Bach Revival -- Pergolesi, Mozart and Beethoven -- Anti-fascism and Wagner -- Classics versus Moderns -- CHAPTER FOUR TURNING INWARDS: THE RISE OF RUSSIAN NATIONALISM 1937-1941 -- The Philharmonia Purges -- Nationalism and Repertoire -- Old Faces, New Scapegoats -- The End of Internationalism? -- Reinventing the Russian Musical Past -- Musorgskiy and the Kuchka -- CHAPTER FIVE FROM THE GREAT PATRIOTIC WAR TO THE ZHDANOVSHCHINA 1941-1953 -- The Radio Committee Orchestra in Blockaded Leningrad, 1941-4 -- Allied 'Internationalism' -- Restoring the Orthodox Church: The Return of Russian Sacred Music? -- The 'Rehabilitation' of Rakhmaninov -- The 'Iron Curtain' Descends: 1944-7 -- Background to the Zhdanovshchina -- 'Weary of False Notes': The Gol'denveyzer Affair -- The End of Internationalism: Late Stalinist Stagnation
    Kurzfassung: Wagner Revisited and New Soviet Music -- Attitudes to the West in Post-war Soviet Scholarship -- CONCLUSION -- BIOGRAPHIES -- NOTES -- SELECT BIBLIOGRAPHY -- INDEX
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    Networked music cultures : contemporary approaches, emerging issues (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137582904
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 251 Seiten) , Illustrationen
    Serie: Pop music, culture and identity
    Paralleltitel: Print version Nowak, Raphaël Networked Music Cultures : Contemporary Approaches, Emerging Issues
    Paralleltitel: Erscheint auch als Networked music cultures
    DDC: 306.4842
    RVK:
    LR 57790
    Schlagwort(e): Music ; Electronic books ; Electronic books ; Aufsatzsammlung ; Musik ; Musikwirtschaft
    Kurzfassung: "Contents" -- "Contributor Biographies" -- "List of Figures" -- "List of Tables" -- "Chapter 1: Editorsâ Introduction" -- "1.1 Music and Digital Technologies" -- "1.2 Networked Music Cultures" -- "1.3 Outline of the Book" -- "Bibliography" -- "Chapter 2: The Peopleâs Mixtape: Peer-to-Peer File Sharing without the Internet in Contemporary Cuba" -- "2.1 Prologue" -- "2.2 âThe Peopleâs Internetâ: Foreign Texts in Cuba" -- "2.3 Static and Hiss: Contextualising USB Use in Cuba" -- "2.4 Getting the Content, Getting the Devices" -- "2.5 Extra-textual Data Loss: File Sharing and/as Collective Identity" -- "2.6 Conclusion: The Future of File Sharing" -- "2.7 Epilogue" -- "Notes" -- "Bibliography" -- "Chapter 3: Musica Analytica: The Datafication of Listening" -- "3.1 Spotify: The Echo Nest" -- "3.2 Pandora Internet Radio: The Music Genome Project" -- "3.3 Data-Driven Advertising on Pandora" -- "3.4 Political Ad Targeting" -- "3.5 Conclusion" -- "Notes" -- "Bibliography" -- "Chapter 4: The Legacy of Napster" -- "4.1 Control, Format and Content" -- "4.2 Not Quite P2P" -- "4.3 Legal Cat and Mouse: Not a Technical Necessity" -- "4.4 Commercial Cat and Mouse Too" -- "4.5 Spotify: The Taming of âFreeâ or Its Triumph?" -- "4.6 Who Pays and Who Gets Paid?" -- "4.7 Parallel Economies of Free and Paid Access" -- "4.8 The Counterfactual Case of Digital Sports Broadcasting" -- "4.9 Conclusion" -- "Bibliography" -- "Chapter 5: Streaming Music in Japan: Corporate Cultures as Determinants of Listening Practice" -- "Bibliography" -- "Chapter 6: Making Sense of Acquiring Music in Mexico City" -- "6.1 Data Collection" -- "6.2 Music, Technology and Musical Practices" -- "6.3 Un-blackboxing Mexican Piracy" -- "6.4 The Heterogeneous Know-How of Downloading" -- "6.5 The Right Practices of Music".
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  • 35
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    Post-punk, politics and pleasure in Britain (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137497802
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 228 Seiten)
    Serie: Palgrave studies in the history of subcultures and popular music
    Paralleltitel: Erscheint auch als
    DDC: 941
    RVK:
    LS 48645
    RVK:
    MG 42094
    Schlagwort(e): History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    DOI: 10.1057/978-1-137-49780-2
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  • 36
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    Good Vibrations : Brian Wilson and the Beach Boys in Critical Perspective (2016)
    Ann Arbor : University of Michigan Press | [Berlin] : BiblioLabs
    Details
    ISBN: 9780472902385
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Tracking Pop
    DDC: 782.42166092/2
    RVK:
    LS 48040
    Schlagwort(e): Wilson, Brian ; The Beach Boys ; Geschichte ; Electronic books ; Electronic books ; Electronic books
    Kurzfassung: Good Vibrations brings together scholars with a variety of expertise, from music to cultural studies to literature, to assess the full extent of the contributions to popular culture and popular music of one the most successful and influential pop bands of the twentieth century. The book covers the full fifty-year history of the Beach Boys' music, from essays on some of the group's best-known music-such as their hit single "Good Vibrations" -to their mythical unfinished masterpiece, Smile. Throughout, the book places special focus on the individual whose creative vision brought the whole enterprise to life, Brian Wilson, advancing our understanding of his gifts as a songwriter, arranger, and producer
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  • 37
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    Sounds of the underground : a cultural, political and aesthetic mapping of underground and fringe music (2016)
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780472121649 , 9780472902378
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Tracking pop
    Paralleltitel: Erscheint auch als Graham, Stephen, 1982 - Sounds of the Underground
    DDC: 781.64
    RVK:
    LS 48015
    Schlagwort(e): Underground music Social aspects ; Underground music Political aspects ; Underground music History and criticism ; Subculture ; Music ; Music / Ethnomusicology ; Electronic books ; Electronic books ; Electronic books ; Underground ; Musiker ; Musikleben ; Soziale Funktion
    Kurzfassung: In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy
    Anmerkung: Literaturverzeichnis: Seite 269-289
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  • 38
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    Gender, Metal and the Media : Women Fans and the Gendered Experience of Music (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137554413
    Sprache: Englisch
    Seiten: 1 Online-Ressource (IX, 184 p. 9 illus., 8 illus. in color)
    Serie: Pop Music, Culture and Identity
    Paralleltitel: Erscheint auch als
    DDC: 302.23
    RVK:
    LR 56600
    RVK:
    LS 48635
    Schlagwort(e): Culture Study and teaching ; Communication ; Music ; Feminist anthropology ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Geschlechterrolle ; Hard Rock ; Weiblicher Fan ; Heavy Metal ; Großbritannien ; Electronic books ; Großbritannien ; Hard Rock ; Heavy Metal ; Weiblicher Fan ; Geschlechterrolle
    DOI: 10.1057/978-1-137-55441-3
    URL: http://dx.doi.org/10.1057/978-1-137-55441-3
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  • 39
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    Popular Music Scenes and Cultural Memory (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137402042
    Sprache: Englisch
    Seiten: 1 Online-Ressource (X, 206 p)
    Serie: Pop Music, Culture and Identity
    Paralleltitel: Erscheint auch als
    DDC: 306.01
    RVK:
    LS 48015
    Schlagwort(e): Culture Study and teaching ; Music ; Historiography ; Emotions ; Interview ; Electronic books
    DOI: 10.1057/978-1-137-40204-2
    URL: http://dx.doi.org/10.1057/978-1-137-40204-2
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  • 40
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    Identity, intertextuality, and performance in early modern song culture (2016)
    Leiden, Netherlands ; : Brill
    Details
    ISBN: 9789004314986
    Sprache: Englisch
    Seiten: 1 online resource (397 pages) , illustrations, photographs.
    Serie: Intersections Volume 43
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
    RVK:
    LS 21000
    RVK:
    LR 53970
    Schlagwort(e): Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Kurzfassung: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Anmerkung: Includes bibliographical references at the end of each chapters and index. Description based on print version record
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    The study of ethnomusicology : thirty-three discussions (2015)
    Urbana : University of Illinois Press
    Details
    ISBN: 9780252097331 , 0252097335
    Sprache: Englisch
    Seiten: Online Ressource (xiii, 560 pages)
    Ausgabe: Third edition
    Paralleltitel: Erscheint auch als Nettl, Bruno, 1930 - 2020 The study of ethnomusicology
    Paralleltitel: Print version Nettl, Bruno, 1930- Study of ethnomusicology
    DDC: 780.89
    RVK:
    LS 16000
    RVK:
    LC 87000
    Schlagwort(e): Ethnomusicology ; Ethnomusicology ; MUSIC / General ; Music ; Ethnomusicology ; Musikethnologie ; Music ; Electronic books ; Aufsatzsammlung ; Musikethnologie
    Kurzfassung: Known affectionately as The Red Book, Bruno Nettl's The Study of Ethnomusicology became a classic upon its original publication in 1983. Scholars and students alike have hailed it not just for its insights but for a disarming, witty style able to engage and entertain even casual readers while providing essential grounding in the field. In this third edition, Nettl revises the text throughout, adding new chapters and discussions that take into account recent developments across the field and reflecting on how his thinking has changed or even reversed itself during his sixty-year career. An updated bibliography rounds out the volume
    Anmerkung: Includes bibliographical references and index. - Print version record
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  • 42
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    The organic globalizer : Hip Hop, political development, and movement culture (2015)
    [New York] : Bloomsbury Academic
    Details
    ISBN: 9781501302299 , 9781628920062
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als The organic globalizer
    DDC: 306.2
    RVK:
    LR 57728
    RVK:
    LS 48650
    Schlagwort(e): Social movements ; Hip-hop Political aspects ; Political participation ; Social action ; Youth Political activity ; Popular culture Political aspects ; Music Political aspects ; Politics and culture ; Electronic books ; Electronic books ; Hip-Hop ; Politische Bewegung ; Globalisierung
    Kurzfassung: "The Organic Globalizer is a collection of critical essays which takes the position that hip-hop holds political significance through an understanding of its ability to at once raise cultural awareness, expand civil society's focus on social and economic justice through institution building, and engage in political activism and participation. Collectively, the essays assert hip hop's importance as an "organic globalizer:" no matter its pervasiveness or reach around the world, hip-hop ultimately remains a grassroots phenomenon that is born of the community from which it permeates. Hip hop, then, holds promise through three separate but related avenues: (1) through cultural awareness and identification/recognition of voices of marginalized communities through music and art; (2) through social creation and the institutionalization of independent alternative institutions and non-profit organizations in civil society geared toward social and economic justice; and (3) through political activism and participation in which demands are articulated and made on the state. "--Bloomsbury Publishing
    Kurzfassung: Machine generated contents note: -- About the Cover Art Contributors1. The organic globalizer Christopher Malone; George Martinez, Jr.2. No church in the wild: Politics, morality, and hip hop in the political science classroomCraig Douglas Albert3. (Re)building the cypher: Fulfilling the promise of hip hop for liberation Paul Kuttner; Mariama White-Hammond4. Men or monsters? The applied uses of the commercial rap artist Joy Boggs5. Copyright outlaws and hip hop moguls: Intellectual property law and the development of hip hop musicRichard Schur6. Whirl Trade: The peculiar image of hip hop in the global economiesFahamu Pecou7. Liberation hip hop: Palestinian hip hop and peaceful resistance Denise DeGarmo; E. Duff Wrobbel8. Asserting identity through music: Indigenous hip hop and self-empowerment Anne Flaherty9. Hip hop and the dialects of political awareness: Between branding banality and authenticity in Central European rap Barbara Franz10. Representations of Chinese-ness in Afro-Cuban hip hop during post-Soviet era Cuba Angela Ju11. The politics of violence, hustling, and contempt in the Oakland, CA rap music scene H. Lavar Pope12. The belly of the beast Keesha M. Middlemass13. All day, all week, occupy all streets! Race, class, and hip hop in the occupy movement Christopher Malone; George Martinez, Jr.; Davina AndersonIndex.
    Anmerkung: Includes bibliographical references and index
    DOI: 10.5040/9781501302299
    URL: Volltext  (lizenzpflichtig)
    URL: http://dx.doi.org/10.5040/9781501302299?locatt=label:secondary_bloomsburyPopularMusic
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  • 43
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    Relocating popular music : edited by Ewa Mazierska and Georgina Gregory (2015)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137463388
    Sprache: Englisch
    Seiten: 1 Online-Ressource (262 Seiten)
    Serie: Pop music, culture and identity
    Paralleltitel: Erscheint auch als Relocating popular music
    Paralleltitel: Erscheint auch als Relocating popular music
    DDC: 301
    RVK:
    LS 48015
    Schlagwort(e): Arts ; Electronic books ; Electronic books
    Kurzfassung: Pages:1 to 25 -- Pages:26 to 50 -- Pages:51 to 75 -- Pages:76 to 100 -- Pages:101 to 125 -- Pages:126 to 150 -- Pages:151 to 175 -- Pages:176 to 200 -- Pages:201 to 225 -- Pages:226 to 250 -- Pages:251 to 262
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  • 44
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    Performing civility : international competitions in classical music (2015)
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    Details
    ISBN: 9781316181478
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 287 pages)
    Serie: Cambridge cultural social studies
    DDC: 780.794
    RVK:
    LR 57230
    Schlagwort(e): Electronic books ; Electronic books
    Kurzfassung: Although competitions in classical music have a long history, the number of contests has risen dramatically since the Second World War, all of them aiming to launch young artists' careers. This is not the symptom of marketization that it might appear to be. Despite the establishment of an international governing body, competitions are plagued by rumors of corruption, and even the most mathematically sophisticated voting system cannot quell accusations that the best talent is overlooked. Why do musicians take part? Why do audiences care so much about who wins? Performing Civility is the first book to address these questions. In this groundbreaking study, Lisa McCormick draws from firsthand observations of contests in Europe and the US, in-depth interviews with competitors, jurors and directors, as well as blog data from competition observers to argue that competitions have endured because they are not only about music, they are also about civility.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: https://doi.org/10.1017/CBO9781316181478
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  • 45
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    Pop-Frauen der Gegenwart : Körper - Stimme - Image ; Vermarktungsstrategien zwischen Selbstinszenierung und Fremdbestimmung (2015)
    Bielefeld : Transcript-Verl.
    Details
    ISBN: 9783837627749 , 9783839427743
    Sprache: Deutsch , Englisch
    Seiten: 1 Online-Ressource (269 S.) , Ill.
    Serie: Studien zur Popularmusik
    DDC: 346.4
    RVK:
    LS 48030
    Schlagwort(e): Popmusikerin ; Strategie ; Vermarktung ; Frau ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusikerin ; Vermarktung ; Strategie ; Popmusik ; Frau ; Vermarktung ; Strategie
    Anmerkung: Beitr. teilw. dt., teilw. engl.
    URL: Volltext
    URL: http://dx.doi.org/10.1515/9783839427743?locatt=mode:legacy
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839427743
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  • 46
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    Ethnomusicology : a very short introduction (2014)
    New York, NY : Oxford University Press
    Details
    ISBN: 0199794588 , 0199397546 , 9780199794584 , 9780199397549
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 151 Seiten)
    Serie: Very short introductions
    Paralleltitel: Erscheint auch als Rice, Timothy, 1945 - Ethnomusicology
    DDC: 780.89
    RVK:
    EC 2440
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LC 86000
    Schlagwort(e): Ethnomusicology ; MUSIC ; Genres & Styles ; Classical ; MUSIC ; Reference ; Ethnomusicology ; Electronic books ; Einführung ; Musikethnologie
    Kurzfassung: Defining ethnomusicology -- A bit of history -- Conducting research -- The nature of music -- Music and culture -- Individual musicians -- Writing music history -- Ethnomusicology in the modern world -- Ethnomusicologists at work
    Anmerkung: Includes bibliographical references and index
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  • 47
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    Paris blues : African American music and French popular culture, 1920-1960 (2014)
    Chicago : The University of Chicago Press
    Details
    ISBN: 022613895X , 9780226138954
    Sprache: Englisch
    Seiten: 1 Online-Ressource (291 pages) , illustrations
    Paralleltitel: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
    RVK:
    LS 48015
    RVK:
    LS 48100
    Schlagwort(e): Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Kurzfassung: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Kurzfassung: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Anmerkung: Includes bibliographical references and index , English
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    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226138954.001.0001/upso-9780226138787
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  • 48
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    Youth and Rock in the Soviet Bloc : Youth Cultures, Music, and the State in Russia and Eastern Europe (2014)
    Lanham : Lexington Books
    Details
    ISBN: 9780739166932
    Sprache: Englisch
    Seiten: Online-Ressource (320 p)
    Paralleltitel: Erscheint auch als Youth and rock in the Soviet bloc
    DDC: 306.484260947
    RVK:
    NQ 8273
    RVK:
    LS 48060
    Schlagwort(e): Youth - Europe, Eastern - History - 20th century ; Youth - Europe, Eastern - History - 20th century ; Electronic books ; Electronic books ; Aufsatzsammlung ; Osteuropa ; Jugend ; Popmusik ; Rockmusik ; Kulturpolitik ; Jugendkultur ; Musiksoziologie ; Geschichte 1945-1989
    Kurzfassung: 〈span〉〈span style=""font-style:italic;""〉Youth and Rock in the Soviet Bloc 〈/span〉〈span〉explores the impact of Western popular culture on young people in Russia and Eastern Europe during the Cold War. 〈/span〉〈/span〉
    Beschreibung / Inhaltsverzeichnis: Contents; Introduction; 1 Swinging between East and West; 2 Against "Pop-Song" Poison from the West; 3 Coercion and Consumption; 4 Only Rock 'n' Roll?; 5 The Making of the Gang; 6 Détente and Western Cultural Products in Soviet Ukraine during the 1970s; 7 Punk and the State of Youth in the GDR; 8 "A Room-Sized Ocean"; 9 Shostakovich versus Boney M.; 10 Facing the Music; 11 Rockin' Down the Mainline; 12 East of (Teenaged) Eden, or, Is Eastern Youth Culture So Different from the West?; Select Bibliography; Index; About the Contributors
    Anmerkung: Description based upon print version of record
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  • 49
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    Punk in Russia : cultural mutation from the "useless" to the "moronic" (2014)
    New York : Routledge
    Details
    ISBN: 9781315850573
    Sprache: Englisch
    Seiten: Online-Ressource (xiii, 223 p.) , ill.
    Serie: Routledge contemporary Russia and Eastern Europe series 55
    Paralleltitel: Erscheint auch als Gololobov, Ivan Valerʹevič, 1975 - Punk in Russia
    DDC: 305.2350947
    RVK:
    LQ 86300
    RVK:
    MS 1225
    RVK:
    MS 2350
    RVK:
    LC 86326
    RVK:
    LB 42326
    Schlagwort(e): Youth Russia (Federation) ; Subculture Russia (Federation) ; Punk culture Russia (Federation) ; Electronic books ; Youth ; Subculture ; Punk culture ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Punk
    Kurzfassung: 1. Punk, but not as we know it : rethinking punk from a post-socialist perspective / Hilary Pilkington -- 2. The evolution of punk in Russia / Ivan Gololobov and Yngvar B. Steinholt -- 3. St Petersburg : big city : small scenes / Yngvar B. Steinholt, Ivan Gololobov and Hilary Pilkington -- 4. Krasnodar : perpendicular culture in the biggest village on Earth / Ivan Gololobov -- 5. Vorkuta : a live scene in a 'rotting city' / Hilary Pilkington -- 6. Conclusion / Hilary Pilkington, Ivan Gololobov and Yngvar B. Steinholt
    Kurzfassung: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries of the world. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia. It considers the music and lyrics of classic and new punk bands, explores social media underpinning punk scenes, and reports on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Kurzfassung: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia, considering the music and lyrics of classic and new punk bands, exploring social media, and reporting on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Anmerkung: Includes bibliographical references and index
    DOI: 10.4324/9781315850573
    URL: Volltext
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  • 50
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    Cairo Pop : Youth music in contemporary Egypt (2014)
    Minneapolis, London : University of Minnesota Press
    Details
    ISBN: 9781452942797
    Sprache: Englisch
    Seiten: 1 online resource (xi, 256 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4
    RVK:
    MI 12930
    RVK:
    LS 35200
    Schlagwort(e): Geschichte 2000- ; Popmusik ; Jugendkultur ; Musiksoziologie ; Kairo ; Music ; Social aspects ; Egypt ; Cairo ; History ; 21st century ; Music and youth ; Egypt ; Cairo ; History ; 21st century ; Popular culture ; Egypt ; Cairo ; History ; 21st century ; Popular music ; Egypt ; Cairo ; History and criticism ; Electronic books ; Online-Publikation ; Online-Publikation ; Electronic books ; Kairo ; Jugendkultur ; Popmusik ; Musiksoziologie ; Geschichte 2000-
    Kurzfassung: Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and '60s and even into the '70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the 'ud-the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya-and its role in the lives of a nation's youth
    Kurzfassung: Cover -- Contents -- Preface -- Acknowledgments -- Note on Transliteration and Pseudonyms -- Introduction: Good Music, Bad Music, and Youth Music -- 1. "My Patience Is Short": Youth Talk about Grandpa's Music -- 2. " Oh, My Brown Skinned Darling": Sex, Music, and Egyptianness -- 3. "The Hardest Thing to Say": Taxonomies of Aesthetics -- 4. " A Poem Befitting of Her": Ambiguity and Sincerity in Revolutionary Pop Culture -- Epilogue: On the Counterrevolution -- Notes -- Glossary -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Anmerkung: Description based on publisher supplied metadata and other sources
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    Aurality : listening and knowledge in nineteenth-century Colombia (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822376262
    Sprache: Englisch
    Seiten: Online-Ressource (281 p)
    Ausgabe: Online-Ausg.
    Serie: Sign, Storage, Transmission
    Serie: Sign, Storage, Transmission Ser.
    Paralleltitel: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    LQ 90304
    Schlagwort(e): Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Kurzfassung: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Beschreibung / Inhaltsverzeichnis: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Anmerkung: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
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    The cultural impact of Kanye West (2014)
    New York, NY [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9781137395825 , 9781137395832
    Sprache: Englisch
    Seiten: 292 S.
    Ausgabe: 1. ed.
    Paralleltitel: Print version The Cultural Impact of Kanye West
    DDC: 306
    RVK:
    LS 48045
    RVK:
    LS 48650
    Schlagwort(e): Communication ; Electronic books ; Electronic books ; Aufsatzsammlung
    Kurzfassung: Through rap and hip hop, entertainers have provided a voice questioning and challenging the sanctioned view of society. Examining the moral and social implications of Kanye West's art in the context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them
    Beschreibung / Inhaltsverzeichnis: Cover; Title; Copyright; Dedication; Contents; Foreword; Preface: The Cultural Impact of Kanye West ; Acknowledgments; Part I Revisiting the Pharmakon: Artistic Gifts / Human Complexities; Chapter 1 Now I Ain't Saying He's a Crate Digger: Kanye West, "Community Theaters" and the Soul Archive; Chapter 2 Kanye West: Asterisk Genius?; Chapter 3 Afrofuturism: The Digital Turn and the Visual Art of Kanye West; Chapter 4 You Got Kanyed: Seen but Not Heard; Chapter 5 An Examination of Kanye West's Higher Education Trilogy; Part II Unpacking Hetero-normativity and Complicating Race and Gender
    Beschreibung / Inhaltsverzeichnis: Chapter 6 "By Any Means Necessary": Kanye West and the Hypermasculine ConstructChapter 7 Kanye West's Sonic [Hip-hop] Cosmopolitanism; Chapter 8 "Hard to Get Straight"; Chapter 9 You Can't Stand the Nigger I See!: Kanye West's Analysis of Anti-Black Death; Part III Theorizing the Aesthetic, the Political, and the Existential; Chapter 10 When Apollo and Dionysus Clash: A Nietzschean Perspective on the Work of Kanye West; Chapter 11 God of the New Slaves or Slave to the Ideas of Religion and God?*; Chapter 12 Trimalchio from Chicago*: Flashing Lights and The Great Kanye in West Egg
    Beschreibung / Inhaltsverzeichnis: Chapter 13 Confidently (Non)cognizant of Neoliberalism: Kanye West and the Interruption of Taylor SwiftChapter 14 Kanye Omari West: Visions of Modernity; References; Notes on Contributors; Index
    Anmerkung: Description based upon print version of record
    DOI: 10.1057/9781137395825
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
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  • 53
    Online-Ressource
    Online-Ressource
    Black popular music in Britain since 1945 (2014)
    Farnham : Ashgate
    Details
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVI, 240 Seiten)
    Serie: Ashgate popular and folk music series
    Paralleltitel: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
    RVK:
    LS 48060
    Schlagwort(e): Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Anmerkung: Includes bibliographical references, discography, and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 54
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    Online-Ressource
    Music in the Social and Behavioral Sciences : An Encyclopedia (2014)
    Thousand Oaks : SAGE Publications
    Details
    ISBN: 9781452283036
    Sprache: Englisch
    Seiten: Online-Ressource (1350 p)
    Paralleltitel: Print version Music in the Social and Behavioral Sciences : An Encyclopedia
    DDC: 306.4/842
    RVK:
    LR 56400
    Schlagwort(e): Music -- Psychological aspects -- Encyclopedias ; Music -- Social aspects -- Encyclopedias ; Music ; Psychological aspects ; Encyclopedias ; Music ; Social aspects ; Encyclopedias ; Electronic books ; Musikpsychologie ; Musiksoziologie
    Kurzfassung: This first definitive reference resource to take a broad interdisciplinary approach to the nexus between music and the social and behavioral sciences examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-t
    Beschreibung / Inhaltsverzeichnis: Cover; Volume 1; Copyright; Table of Contents; List of Articles; Reader's Guide; About the Editor; List of Contributors; Introduction; Chronology; A Chapter; B Chapter; C Chapter; D Chapter; E Chapter; F Chapter; G Chapter; H Chapter; I Chapter; Volume 2; L Chapter; M Chapter; N Chapter; O Chapter; P Chapter; R Chapter; S Chapter; T Chapter; U Chapter; V Chapter; W Chapter; Y Chapter; Glossary; Resource Guide; Appendix; Index; Photo Credits
    Anmerkung: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 55
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    Online-Ressource
    The global sixties in sound and vision : media, counterculture, revolt (2014)
    New York : Palgrave Macmillan
    Details
    ISBN: 9781306837965 , 9781137375230 , 9781137375223
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VIII, 296 Seiten)
    DDC: 306.400904
    RVK:
    LS 48070
    RVK:
    AP 19000
    Schlagwort(e): Geschichte 1960-1970 ; Counterculture History 20th century ; Art and society History 20th century ; Mass media Social aspects 20th century ; Gegenkultur ; Massenmedien ; Rebellion ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Massenmedien ; Gegenkultur ; Rebellion ; Geschichte 1960-1970
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 56
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    Listening in detail : performances of Cuban music (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822378877 , 0822378876
    Sprache: Englisch
    Seiten: 1 online resource (xviii, 333 pages)
    Serie: Refiguring american music
    Paralleltitel: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    Paralleltitel: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    DDC: 780.97291
    RVK:
    LS 48700
    Schlagwort(e): Music History and criticism ; Music Performance ; Music ; Cuba ; History and criticism ; Music ; Performance ; Cuba ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books
    Kurzfassung: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert.
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877
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  • 57
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    Making samba : a new history of race and music in Brazil (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Sprache: Englisch
    Seiten: Online-Ressource (xvii, 364 pages) , illustrations
    Ausgabe: Online-Ausg.
    Paralleltitel: Print version Making samba
    DDC: 781.640981
    RVK:
    LS 48800
    Schlagwort(e): Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Kurzfassung: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Beschreibung / Inhaltsverzeichnis: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Beschreibung / Inhaltsverzeichnis: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Anmerkung: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822391906
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822391906
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  • 58
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    Punk rock and German crisis : adaptation and resistance after 1977 (2013)
    New York, NY : Palgrave Macmillan
    Details
    ISBN: 9781137337559
    Sprache: Englisch
    Seiten: Online-Ressource (209 S.) , Ill.
    Ausgabe: Online-Ausg.
    Serie: Studies in European culture and history
    Paralleltitel: Druckausg. Shahan, Cyrus Punk rock and German crisis
    DDC: 781.660943
    RVK:
    LS 48645
    Schlagwort(e): Geschichte 1977-1989 ; Punk rock music Social aspects ; Germany (West) ; Punk culture Germany (West) ; Deutschland 〈Bundesrepublik〉 ; Punk Rock ; Germany (West) Social life and customs ; Electronic books ; Deutschland ; Punk Rock ; Geschichte 1977-1989
    Kurzfassung: Introduction--representing "no future" -- Punk poetics -- Psycho punk and the legacies of state emergency -- Post-punk poaching, subversive consumerism and reading for anti-racism -- After punk
    Anmerkung: Includes bibliographical references. - Description based on print version record
    URL: Volltext
    URL: Cover
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  • 59
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    Ethnomusicology : A Research and Information Guide (2013)
    Hoboken : Taylor and Francis
    Details
    ISBN: 9780415879774
    Sprache: Englisch
    Seiten: Online-Ressource (468 p)
    Ausgabe: 2nd ed
    Serie: Routledge Music Bibliographies
    Serie: Routledge Music Bibliographies Ser
    Paralleltitel: Print version Ethnomusicology : A Research and Information Guide
    Paralleltitel: Druckausg. Post, Jennifer C. Ethnomusicology
    Paralleltitel: Druckausg. Post, Jennifer C. Ethnomusicology
    DDC: 016.78089
    RVK:
    LS 13000
    Schlagwort(e): Ethnomusicology Bibliography ; Ethnomusicology ; Electronic books ; Ethnomusicology ; Bibliography ; Electronic books ; Bibliografie ; Musikethnologie
    Kurzfassung: Ethnomusicology: A Research and Information Guide is an annotated bibliography to books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts. Part One is organized by resource type in categories of greatest concern to students and scholars. It includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widel
    Beschreibung / Inhaltsverzeichnis: Front Cover; Ethnomusicology; Copyright Page; Contents; Introduction; Part I: Reference and Information Sources; I. Research Guides and Links to Online Information; Topical Research Guides in Music and Dance; General Studies in Music and Dance; Jazz and Popular Music; Music Education and Music Therapy; Topical Research Guides in Other Subject Areas; Anthropology and Ethnography; Media and Cultural Studies; Research Guides: Regional Resources; Africa; Europe; Latin America and the Caribbean; North America; Online Information Guides; II: Encyclopedias, Dictionaries, and Handbooks
    Beschreibung / Inhaltsverzeichnis: Topical Encyclopedias and Dictionaries in Music and DanceGeneral Music and Dance Sources; Blues, Country, and Folk Music; Jazz; Musical Instruments; Popular Music; Regional Encyclopedias and Dictionaries in Music; African Music; Asian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Encyclopedias and Dictionaries in Related Disciplines; General; Anthropology and Sociology; Cultural Studies; Folklore; Gender Studies; Geography; Philosophy; Popular Culture; Race and Ethnicity; Religion; Theater
    Beschreibung / Inhaltsverzeichnis: Regional Encyclopedias and DictionariesAfrica and the African Diaspora; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia; Handbooks: Topics in Music; Medical Ethnomusicology; Music Education; Music Psychology; Musical Instruments; Handbooks: Other Topics; Cultural Studies; Fieldwork; Filmmaking; III: Bibliographies, Discographies, and Videographies; Topical Bibliographies in Music and Dance; Dance; Gender and Music; Jazz and Blues; Jewish Music; Popular Music; Religion and Music; Sound Engineering; Regional Music Bibliographies; General
    Beschreibung / Inhaltsverzeichnis: African MusicAsian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Topical Discographies; Regional Discographies; European Music; Latin American Music; North American Music; Pacific Island and Australian Music; Filmographies and Videographies; IV: Indexing and Abstracting Tools; Indexes: Arts and Humanities; General; Dance and Music; History; Religion; Indexes: Social Sciences; General; Anthropology and Sociology; Gender Studies; Regional Indexes; Africa; Asia; Europe; Latin America and the Caribbean; North America
    Beschreibung / Inhaltsverzeichnis: DissertationsPart II: Sources for Research and Study; V: Journals and Other Serial Publications; Journals in Music; Ethnomusicology; Folk Music; Gender and Music; Jazz and Blues; Music Education; Musicology, Organology, and Music Theory; Popular Music; Regional Music; Journals in Other Disciplines; Anthropology; Cultural Studies; Dance; Folklore; Popular Culture; Theater; Regional; VI: Audio Recordings; Record Companies; Audio Recordings: General; Regional Audio Recordings; Africa; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia
    Beschreibung / Inhaltsverzeichnis: VII: Film and Video Recordings
    Beschreibung / Inhaltsverzeichnis: Front Cover; Ethnomusicology; Copyright Page; Contents; Introduction; Part I: Reference and Information Sources; I. Research Guides and Links to Online Information; Topical Research Guides in Music and Dance; General Studies in Music and Dance; Jazz and Popular Music; Music Education and Music Therapy; Topical Research Guides in Other Subject Areas; Anthropology and Ethnography; Media and Cultural Studies; Research Guides: Regional Resources; Africa; Europe; Latin America and the Caribbean; North America; Online Information Guides; II: Encyclopedias, Dictionaries, and Handbooks
    Beschreibung / Inhaltsverzeichnis: Topical Encyclopedias and Dictionaries in Music and DanceGeneral Music and Dance Sources; Blues, Country, and Folk Music; Jazz; Musical Instruments; Popular Music; Regional Encyclopedias and Dictionaries in Music; African Music; Asian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Encyclopedias and Dictionaries in Related Disciplines; General; Anthropology and Sociology; Cultural Studies; Folklore; Gender Studies; Geography; Philosophy; Popular Culture; Race and Ethnicity; Religion; Theater
    Beschreibung / Inhaltsverzeichnis: Regional Encyclopedias and DictionariesAfrica and the African Diaspora; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia; Handbooks: Topics in Music; Medical Ethnomusicology; Music Education; Music Psychology; Musical Instruments; Handbooks: Other Topics; Cultural Studies; Fieldwork; Filmmaking; III: Bibliographies, Discographies, and Videographies; Topical Bibliographies in Music and Dance; Dance; Gender and Music; Jazz and Blues; Jewish Music; Popular Music; Religion and Music; Sound Engineering; Regional Music Bibliographies; General
    Beschreibung / Inhaltsverzeichnis: African MusicAsian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Topical Discographies; Regional Discographies; European Music; Latin American Music; North American Music; Pacific Island and Australian Music; Filmographies and Videographies; IV: Indexing and Abstracting Tools; Indexes: Arts and Humanities; General; Dance and Music; History; Religion; Indexes: Social Sciences; General; Anthropology and Sociology; Gender Studies; Regional Indexes; Africa; Asia; Europe; Latin America and the Caribbean; North America
    Beschreibung / Inhaltsverzeichnis: DissertationsPart II: Sources for Research and Study; V: Journals and Other Serial Publications; Journals in Music; Ethnomusicology; Folk Music; Gender and Music; Jazz and Blues; Music Education; Musicology, Organology, and Music Theory; Popular Music; Regional Music; Journals in Other Disciplines; Anthropology; Cultural Studies; Dance; Folklore; Popular Culture; Theater; Regional; VI: Audio Recordings; Record Companies; Audio Recordings: General; Regional Audio Recordings; Africa; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia
    Beschreibung / Inhaltsverzeichnis: VII: Film and Video Recordings
    Anmerkung: Description based upon print version of record
    URL: Volltext
    URL: Volltext
    URL: Volltext
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  • 60
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    Music and empire in Britain and India : identity, internationalism, and cross-cultural communication (2013)
    New York, NY : Palgrave Macmillan
    Details
    ISBN: 9781137311641 , 9781137311658
    Sprache: Englisch
    Seiten: 1 Online-Ressource(xii, 219 Seiten) , Illustrationen, Notenbeispiele
    Ausgabe: Online-Ausgabe
    Serie: Palgrave studies in cultural and intellectual history
    Paralleltitel: Erscheint auch als Linden, Bob van der Music and empire in Britain and India
    DDC: 780.9171/241
    RVK:
    LQ 84006
    RVK:
    LS 39400
    RVK:
    LQ 94006
    Schlagwort(e): Music Social aspects 20th century ; History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Indic influences ; Music Western influences ; Music Social aspects 19th century ; History ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Great Britain-History ; Electronic books ; Electronic books ; Indien ; England ; Geschichte 1649-1660 ; Musik ; Kulturkontakt ; Geschichte
    Kurzfassung: Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in
    Anmerkung: Includes bibliographical references and index
    DOI: 10.1057/9781137311641
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
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  • 61
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    Bodies of sound : studies across popular music and dance (2013)
    Burlington, Vt : Ashgate
    Details
    ISBN: 9781409445180
    Sprache: Englisch
    Seiten: Online-Ressource (XVIII, 237 S.) , Ill.
    Ausgabe: Online-Ausg.
    Serie: Ashgate popular and folk music series
    Paralleltitel: Druckausg. Bodies of sound
    DDC: 781.6409
    RVK:
    LS 48015
    Schlagwort(e): Popular music History and criticism ; Dance History ; Electronic books ; Popmusik ; Tanz
    Kurzfassung: Constructing the popular. The problem of popularity : the cancan between the French and digital revolutions / Clare Parfitt-Brown ; Bellowhead : re-entering folk through a pop movement aesthetic / Sherril Dodds ; Sound understandings : embodied musical knowledge and "connection" in a ballroom dance community / Joanna Bosse -- Authenticity, revival, and reinvention. Dancing out of time : the forgotten Boston of Edwardian England / Theresa Jill Buckland ; The English folk voice : singing and cultural identity in the English folk revival, 1955-65 / Simon Featherstone ; Halling as a tool for nationalistic strategies / Anne Margrete Fiskvik -- (Re)framing value. Rocking the rhythm : dancing identities in drum 'n' bass club culture / Joanna Hall ; Authenticity, uplift, and cultural value in Bahian samba junino / Danielle Robinson and Jeff Packman ; Hierarchical reversals : the interplay of dance and music in West Side story / Rachel Duerden & Bonnie Rowell ; Talking machines, dancing bodies : marketing recorded dance music before World War 1 / Susan C. Cook -- Politics of the popular. Superficial profundity : performative translation of the dancing body in contemporary Taiwanese popular culture / Chih-Chieh Liu ; Keeping the faith : issues of identity, spectacle, and embodiment in Northern soul / Laura Robinson ; Jazz, dance, and black British identities / Catherine Tackley
    Anmerkung: Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
    URL: Volltext
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  • 62
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    Rock and roll always forgets : a quarter century of music criticism (2013)
    Durham [N.C.] : Duke University Press
    Details
    ISBN: 0822394170 , 9780822394174
    Sprache: Englisch
    Seiten: Online-Ressource (XVI, 335 S.) , Ill.
    Ausgabe: Online-Ausg.
    Paralleltitel: Druckausg. Eddy, Chuck Rock and roll always forgets
    DDC: 781.64
    RVK:
    LS 48000
    Schlagwort(e): Rock music History and criticism ; 1981-1990 ; Rock music History and criticism ; 1991-2000 ; Rock music History and criticism ; 2001-2010 ; Popular music History and criticism ; 1981-1990 ; Popular music History and criticism ; 1991-2000 ; Popular music History and criticism ; 2001-2010 ; Electronic books
    Kurzfassung: Over and out -- Rhymed funk hits area -- Skin yard, skin yard -- Drug crazed teens: flaming lips -- Music that passes the acid test -- New kids in the '90s: a decade in the life -- Radiohead, the bends -- Walking into spiderwebs : the ultimate band list -- Talking world war iii blues -- Bombast in the blood: bad religion -- Conscience of some conservatives: the ramones -- Punk's first family grow old together : the Ramones -- Howls from the heartland : the untamed Midwest -- An indie rises above: SST records -- Slime is money (bastard) -- Big black give you a headache -- Nirvana, "all apologies" -- Wrong is right : Marilyn Manson -- Live : Tower Theatre, Philadelphia, 18 february 1997 -- City of dreams : rock in Mexico -- Chumbawamba at the piss factory -- Mr. and Mrs. used to be : the White Stripes find a little place to fight 'em off -- Great beats-per-minute -- Seduce, seduce -- Agnostic front, beyond possession, Dr. Know, Helstar, Raw Power -- Top 40 that radio won't touch : Metallica -- Welcome home (sanitarium): Metallica seek psychiatric help -- Mentors, up the dose -- Robert Plant, technobilly -- Def Leppard?s magic and loss -- AC/DC's aged currencies -- White Wizzard escape each other -- Mantronix : strange loops -- Spoonie Gee : unreformed -- Just-Ice : rap with teeth -- Pazz & jop ballot excerpt 1989 : N.W.A -- Pazz & jop ballot excerpt 1992 : Arrested Development -- Sir Mix-a-Lot : Chief Boot Knocka -- From Taco Bell to Pachelbel : Coolio -- Pazz & jop ballot excerpt 1997 : Erykah Badu and B-Rock & the Bizz -- Timbaland, Magoo, and ma
    Anmerkung: Includes index. - Description based on print version record. - Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
    URL: Volltext
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  • 63
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    Musical performance and the changing city : post-industrial contexts in Europe and the United States (2013)
    New York : Routledge
    Details
    ISBN: 9780203078921
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 309 Seiten)
    Serie: Routledge research in music 4
    Serie: Routledge research in music
    Paralleltitel: Erscheint auch als Musical performance and the changing city
    DDC: 306.4/8424
    RVK:
    LR 56608
    Schlagwort(e): Popular music Social aspects ; Popular music History and criticism ; Popular music Social aspects ; Electronic books ; Popmusik ; Musiksoziologie ; USA ; Europa ; Popmusik ; Nachindustrielle Gesellschaft ; Urbanität
    Anmerkung: Includes bibliographical references at the end of each chapters and index
    DOI: 10.4324/9780203078921
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Assimilate : a critical history of industrial music (2013)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190268305
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIV, 361 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.64809
    RVK:
    LS 48015
    RVK:
    LS 48900
    Schlagwort(e): Geschichte ; Industrial music History and criticism ; Industrial Rock ; Electronic books ; Electronic books ; Industrial Rock ; Geschichte
    Kurzfassung: Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups who combined avant-garde electronic music with the provocative attitude and style of punk rock. In its early days, bands such as Throbbing Gristle and Cabaret Voltaire produced a genuinely radical form of music bent on recontextualizing the signs and methods of cultural authority in an attempt to liberate listeners from the trappings of modernity. But, as industrial music took on more and more elements of popular music over the course of the 1980s it slowly abandoned its mission. By the mid-1990s, it was seen as simply another style of pop music, and had ironically fallen into the trappings it sought by its very existence to destroy. In "Assimilate", S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre tracing industrial music's trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity on the back of the band Nine Inch Nails in the mid-1990s, and through its decline to the present day. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created. In so doing, he reveals an engaging story of an ideological disintegration and its aftermath. The definitive text on the genre, "Assimilate" is essential reading for fans of industrial music, and scholars and students of popular music alike.
    Anmerkung: Published to Oxford Scholarship Online: May 2015
    DOI: 10.1093/acprof:osobl/9780199832583.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    The instrumental music of Wutaishan's Buddhist monasteries : social and ritual contexts (2012)
    Surrey, England ;Burlington, VT : Ashgate
    Details
    ISBN: 9781283429337
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (xix, 174 p.)) , ill., music
    Ausgabe: Online-Ausg.
    Serie: SOAS musicology series
    Paralleltitel: Druckausg. Szczepanski, Beth The instrumental music of Wutaishan's Buddhist monasteries
    DDC: 781.7430951152
    RVK:
    LS 41950
    Schlagwort(e): Buddhist music History and criticism ; China ; Wutai Mountains ; Shengguan History and criticism ; China ; Wutai Mountains ; Electronic books ; Buddhismus ; Kloster ; Instrumentalmusik ; Wutai Shan ; Hochschulschrift ; Wutai Shan ; Buddhismus ; Kloster ; Instrumentalmusik
    Anmerkung: Based on the author's thesis (doctoral--Ohio State University, 2008) presented under title: Sheng Guan in the past and present. - Includes bibliographical references (p. [157]-163) and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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    Sound and sentiment : birds, weeping, poetics, and song in Kaluli expression (2012)
    Durham, N.C. : Duke University Press
    Details
    ISBN: 9780822395898 , 0822395894
    Sprache: Englisch
    Seiten: 1 online resource (xli, 300 p. , ill., map, music)
    Ausgabe: 3rd ed.; thirtieth anniversary ed. with a new introduction.
    Paralleltitel: Erscheint auch als
    DDC: 305.89/912
    RVK:
    LC 86690
    RVK:
    LS 49500
    RVK:
    RX 70844
    Schlagwort(e): Kaluli (Papua New Guinean people) Social life and customs ; Kaluli (Papua New Guinean people) Rites and ceremonies ; Kaluli (Papua New Guinean people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Kaluli History and criticism ; Birds Mythology ; Birds ; Electronic books ; Forschungsbericht
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822395898
    URL: lizenzpflichtig
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    Senses of Vibration : a History of the Pleasure and Pain of Sound (2012)
    New York : Bloomsbury Publishing
    Details
    ISBN: 9781441118905 , 144111890X
    Sprache: Englisch
    Seiten: Online Ressource (223 pages)
    Paralleltitel: Print version Senses of Vibration : A History of the Pleasure and Pain of Sound
    DDC: 306.09
    RVK:
    LR 57810
    Schlagwort(e): Sound Psychological aspects ; Sound Physiological effect ; Vibration Physiological effect ; Sound in literature ; Sensory stimulation ; Vibration ; Sound Psychological aspects ; Sound Physiological effect ; Vibration ; Sound in literature ; Sensory stimulation ; Vibration ; Vibration Physiological effect ; Sound Psychological aspects ; Sound Physiological effect ; Sound ; Vibration ; Literature ; Noise ; Psychological Phenomena and Processes ; Sensory stimulation ; Sound Physiological effect ; Sound Psychological aspects ; Sound in literature ; Vibration Physiological effect ; Vibration ; SOCIAL SCIENCE ; Popular Culture ; Kultur ; Schallwelle ; Schwingung ; Wahrnehmung ; POLITICAL SCIENCE ; Public Policy ; Cultural Policy ; SOCIAL SCIENCE ; Anthropology ; Cultural ; Electronic books ; Electronic books
    Kurzfassung: The study of the senses has become a rich topic in recent years. Senses of Vibration explores a wide range of sensory experience and makes a decisive new contribution to this growing field by focussing not simply on the senses as such, but on the material experience - vibration - that underpins them. This is the first book to take the theme of vibration as central, offering an interdisciplinary history of the phenomenon and its reverberations in the cultural imaginary. It tracks vibration through the work of a wide range of writers, including physiologists (who thought vibrations in the nerve
    Beschreibung / Inhaltsverzeichnis: Acknowledgements; Introduction: Hearing Vibrations; 1 Nervous Motions; 2 Psychophysical Sensations and Spiritual Vibrations; 3 Wires, Rays and Radio Waves; 4 Pathological Motions: Railway Shock, Street Noises, Earthquakes; 5 Sexual Health: Sewing Machines, Bicycle Spine, the Vibrator; Afterword; Notes; Bibliography; Index
    Anmerkung: Includes bibliographical references (pages 193-209) and index. - Print version record , Includes bibliographical references (pages 193-209) and index
    URL: lizenzpflichtig
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    Go-go live : the musical life and death of a chocolate city (2012)
    Durham : Duke University Press
    Details
    ISBN: 0822352117 , 0822395207 , 9780822352112 , 0822352001 , 9780822395201 , 9780822352006 , 9781280487163
    Sprache: Englisch
    Seiten: 1 online resource (xvi, 214 p.
    Ausgabe: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Serie: e-Duke books scholarly collection
    Paralleltitel: Print version Go-Go Live
    DDC: 306.4/84240975309045
    RVK:
    LS 48900
    Schlagwort(e): African Americans Social life and customs 20th century ; Go-go (Music) History and criticism ; African Americans Music 20th century ; Go-go (Music) Social aspects ; Go-go (Music) -- Washington (D.C.) -- History and criticism ; Go-go (Music) -- Social aspects -- Washington (D.C.) ; African Americans -- Washington (D.C.) -- Music -- 20th century ; African Americans -- Washington (D.C.) -- Social life and customs -- 20th century ; Electronic books ; Electronic books
    Kurzfassung: Includes bibliographical references and index
    Kurzfassung: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986
    Kurzfassung: Go-go is an upbeat, funky Black popular music from Washington, D.C. with a history as long as that of house or hip-hop. Natalie Hopkinson is the Media and Culture Critic for The Root, with access to clubs, producers, and artists, and is therefore well-placed to tell the story of the music from the 70s to the present. With the regentrification of the District, more of the Black population and the go-go industry have moved to the Maryland suburbs. In Go-Go Live, Hopkinson gives a critical, inside account of the scene and how it survives in a changing city
    Beschreibung / Inhaltsverzeichnis: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986.
    Anmerkung: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1515/9780822395201
    URL: https://www.degruyter.com/isbn/9780822395201
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Contemporary Carioca : technologies of mixing in a Brazilian music scene (2012)
    Durham : Duke University Press
    Details
    ISBN: 9780822394884 , 082239488X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    LS 48800
    Schlagwort(e): Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Anmerkung: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    DOI: 10.1215/9780822394884
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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    Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945 (2012)
    Amsterdam : Amsterdam Univ. Press
    Details
    ISBN: 9789048516339 , 9789048516322
    Sprache: Englisch
    Seiten: Online-Ressource
    Ausgabe: Online-Ausg.
    Paralleltitel: Druckausg. Birdsall, Carolyn, 1980 - Nazi soundscapes
    DDC: 303.375097309043
    RVK:
    NQ 2170
    RVK:
    LR 57255
    RVK:
    LQ 80107
    RVK:
    AP 17340
    RVK:
    AP 19100
    RVK:
    NQ 2270
    Schlagwort(e): c 1939 to c 1945 (including WW2) ; Fascism & Nazism ; Propaganda ; Radio & television industry ; Electronic books ; Deutschland ; Massenkultur ; Großveranstaltung ; Propaganda ; Geschichte 1933-1945 ; Drittes Reich ; Massenkultur ; Großveranstaltung ; Propaganda ; Deutschland ; Geschichte 1933-1945 ; Propaganda ; Stadt ; Audiovisuelle Medien
    Kurzfassung: Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Dusseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulat
    Beschreibung / Inhaltsverzeichnis: Acknowledgements; Abbreviations; Introduction; Modern Sound and the Metropolis; Modern Modes of Listening; Theorising Listening Attention and Sound Technology; Researching Historical Soundscapes; 1. Affirmative Resonances in Urban Space; Auditory Perception and Affirmative Resonance; Sonic Brawling and Aesthetic Occupations of Public Space; Publicising Songs, Institutionalising Schlageter; The Call for National Awakening; Conclusion; 2. The Festivalisation of the Everyday; A Festival for Everyone?; Radio and the Modern Festival; Festive Exclusions: The Carnival Heimat
    Beschreibung / Inhaltsverzeichnis: Anti-Semitic Violence as FestivalConclusion; 3. Mobilising Sound for the Nation at War; Imagining National Community; Radio Sounds as National Celebration; Alarm Sounds as Acoustic Signals; Suspicious Sounds; Conclusion; 4. Cinema as a Gesamtkunstwerk?; The Gesamtkunstwerk in Cinema; Acoustic Metaphors: From Symphony to Postcard; Rhythmic Harmony: Sound as a Controlled Event; Synchronising the Nazi Era?; Conclusion; Afterword: Echoes of the Past; Notes; Introduction; Notes to Chapter 1; Notes to Chapter 2; Notes to Chapter 3; Notes to Chapter 4; Notes to Afterword; Bibliography
    Beschreibung / Inhaltsverzeichnis: Interviews (Selection)Track List; Track 1 [03:05 mins]; Track 2 [03:18 mins]; Track 3 [02:05 mins]; Track 4 [27:55 mins]; Track 5 [02:30 mins]; Track 6 [00:30 mins]; Index; Index of Names; Index of Subjects;
    Anmerkung: Description based upon print version of record , en
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
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    URL: https://doi.org/10.1515/9789048516322
    URL: Cover
    URL: https://www.cambridge.org/core/product/identifier/9789048516322/type/BOOK
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    Buena Vista in the club : rap, reggaetón, and revolution in Havana (2011)
    Durham : Duke University Press
    Details
    ISBN: 9780822393931 , 082239393X
    Sprache: Englisch
    Seiten: 1 online resource (xii, 410 p.)
    Serie: Refiguring American music
    Paralleltitel: Erscheint auch als Baker, Geoffrey, 1970 - Buena Vista in the club
    DDC: 782.421649097291
    RVK:
    LQ 90000
    RVK:
    LS 48650
    Schlagwort(e): Buena Vista Social Club (Musical group) ; Rap (Music) ; Reggaetón ; Music Political aspects ; Buena Vista Social Club (Musical group) ; Rap (Music) ; Cuba ; Havana ; Reggaetón ; Cuba ; Havana ; Music ; Political aspects ; Cuba ; Electronic books ; Electronic books ; Electronic books ; Kuba ; Hip-Hop ; Rap
    Kurzfassung: Hip hop, revolución! : nationalizing rap in Cuba -- The revolution of the body : reggaetón and the politics of dancing -- The Havana you don't know : urban music and the late socialist city -- Cuban hip hop all stars: transnationalism and the politics of representation -- Conclusion: the rise and fall of Havana hip hop.
    Anmerkung: Description based on print version record. - Includes bibliographical references and index
    DOI: 10.1215/9780822393931
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393931
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393931
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    The politics of post-9/11 music : sound, trauma, and the music industry in the time of terror (2011)
    Farnham, Surrey, England ;Burlington, VT : Ashgate Pub
    Details
    ISBN: 9781283318891 , 1409427854 , 128331889X , 9781409427858
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (xix, 211 p.)) , ill.
    Ausgabe: Online-Ausg.
    Ausgabe: 2013 Electronic reproduction; Available via World Wide Web
    Serie: Ashgate popular and folk music series
    Paralleltitel: Druckausg. The politics of post-9/11 music
    Paralleltitel: Print version The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
    DDC: 781.64097309051
    RVK:
    LR 57728
    RVK:
    LS 48015
    Schlagwort(e): Popular music Political aspects ; United States ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Electronic books ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Popular music History and criticism 2001-2010 ; September 11 Terrorist Attacks, 2001 Influence ; Popular music Social aspects ; Popular music Political aspects ; USA ; Attentat ; Elfter September ; Rezeption ; Musikwissenschaften ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Attentat ; Elfter September ; Rezeption ; Popmusik ; Musikwirtschaft
    Kurzfassung: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music&quot
    Beschreibung / Inhaltsverzeichnis: Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
    Beschreibung / Inhaltsverzeichnis: 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
    Beschreibung / Inhaltsverzeichnis: 14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
    Anmerkung: Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record , Series from dust jacket , Electronic reproduction; Available via World Wide Web
    URL: Volltext
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    Alternative Chinese opera in the age of globalization : performing zero (2011)
    Basingstoke [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9780230245655 , 9780230300422 , 9780230312036
    Sprache: Englisch
    Seiten: XII, 232 S. , Ill.
    Ausgabe: 1. publ.
    Ausgabe: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Serie: Studies in International Performance
    Serie: Studies in International Performance Ser.
    Paralleltitel: Print version Alternative Chinese Opera in the Age of Globalization
    DDC: 792.5089/951
    RVK:
    LS 41400
    Schlagwort(e): Chinese Ethnic identity ; Operas, Chinese History and criticism ; Operas, Chinese Performances ; Theater ; Electronic books
    Kurzfassung: "Bringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese "opera" in locations around the Pacific Rim, including Hong Kong, Taiwan and California"--
    Beschreibung / Inhaltsverzeichnis: Cover; Contents; List of Figures; Acknowledgements; Series Editors' Preface; Introduction: Performing Zero; 1 Femininity Comes to the Rescue: Innovative Jingju in Taiwan; 2 Pacification and Silent Resistance: Performing Hong Kong in The Flower Princess; 3 The Blossoming of the Transnational Peony: Performing Alternative China in California; 4 Waiting for Meaning: The Joint Venture of Robert Wilson, Jingju, and Taiwan; Conclusion; Notes; Bibliography; Index
    Anmerkung: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
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    Brazilian popular music and citizenship (2011)
    Durham, NC : Duke University Press
    Details
    ISBN: 9780822393603 , 0822393603
    Sprache: Englisch
    Seiten: 1 online resource (x, 364 p.)
    Paralleltitel: Erscheint auch als
    DDC: 306.4/84240981
    RVK:
    LS 48800
    Schlagwort(e): Popular music Social aspects ; Popular music Political aspects ; Popular music History and criticism ; Popular music ; Social aspects ; Brazil ; Popular music ; Political aspects ; Brazil ; Popular music ; Brazil ; History and criticism ; Electronic books ; Electronic books ; Electronic books
    Kurzfassung: Dissonant voices under a regime of order-unity : popular music and work in the Estado Novo / Adalberto Paranhos -- Orpheonic chant and the construction of childhood in Brazilian elementary education / Flávio Oliveira -- Farewell to MPB / Carlos Sandroni -- From Mr. Citizen to the defective android : Tom Zé and citizenship in Brazil / Christopher Dunn -- Rude poetics of the 1980s : the politics and aesthetics of the Titãs / Angélica Madeira -- "We live daily in two countries" : audiotopias of postdictatorship Brazil / Frederick Moehn -- Soundtracking landlessness : music and rurality in the Movimento dos Trabalhadores Rurais sem Terra / Malcolm K. McNee -- Zhen Brasil's Japanese Brazilian groove / Shanna Lorenz -- Embodying the Favela : representation, mediation, and citizenship in the music of Bezerra da Silva / Aaron Lorenz -- Hip-Hop in São Paulo : identity, community formation, and social action / Wivian Weller and Marco Aurélio Paz Tella -- "Conquistando espaço" : hip-hop occupations of São Paulo / Derek Pardue -- Funk music made in Brazil : media and moral panic / João Freire Filho and Micael Herschmann -- Technobrega, Forró, Lambada : The parallel music of Brazil / Hermano Vianna -- "Tradition as Adventure": Black music, new Afro-descendant subjects and pluralization of modernity in Salvador da Bahia / Osmundo Pinho -- Modernity, agency, and sexuality in the Pagode Baiano / Ari Lima -- Candeal and Carlinhos Brown : social and musical contexts of an Afro-Brazilian community / Goli Guerreiro -- Of mud huts and modernity : the performance of civic progress at Arcoverde's São João festival / Daniel Sharp -- Mangue beat music and the coding of citizenship in sound / Idelber Avelar.
    Anmerkung: Description based on print version record. - Includes bibliographical references and index
    DOI: 10.1215/9780822393603
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393603
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393603
    URL: https://doi.org/10.1515/9780822393603
    URL: https://www.degruyter.com/isbn/9780822393603
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Stare in the darkness : the limits of hip-hop and black politics (2011)
    Minneapolis : University of Minnesota Press
    Details
    ISBN: 9780816669875 , 9780816669882
    Sprache: Englisch
    Seiten: Online-Ressource (245 p) , ill
    Ausgabe: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Paralleltitel: Print version Stare in the Darkness : The Limits of Hip-hop and Black Politics
    DDC: 305.896/073
    RVK:
    HD 475
    RVK:
    LS 48650
    Schlagwort(e): Hip-hop Social aspects ; African Americans Politics and government ; Hip-hop Political aspects ; African Americans Social life and customs ; Plumbing -- Handbooks, manuals, etc ; Plumbing -- Standards -- Handbooks, manuals, etc ; African Americans ; Politics and government ; African Americans ; Social life and customs ; Hip-hop ; Political aspects ; Hip-hop ; Social aspects ; Electronic books
    Kurzfassung: Rap's critique of police brutality in the 1980s. The Hip Hop Political Convention. The rise (and fall) of Kwame Kilpatrick, the "hip-hop mayor" of Detroit. Barack Obama echoing the body language of Jay-Z on the campaign trail. A growing number of black activists and artists claim that rap and hip-hop are the basis of an influential new urban social movement. Simultaneously, black citizens evince concern with the effect that rap and hip-hop culture exerts on African American communities. According to a recent Pew survey conducted on the opinions of Black Americans, 71 percent of black
    Beschreibung / Inhaltsverzeichnis: Cover; Contents; Introduction: Follow Me into a Solo; 1. In This Journey, You're the Journalist: Rap Lyrics, Neoliberalism, and the Black Parallel Public; 2. A Little Knowledge Is Dangerous: Consuming Rap and Political Attitudes; 3. Follow the Leader: Hip-hop Activism and the Circulation of Black Politics; 4. Put Here to Be Much More Than That: The Rise and Fall of Kwame Kilpatrick; Conclusion: Obama and the Future of Hip-hop Politics; Acknowledgments; Appendix A: Political Platforms for the Hip-hop Social Action Network and the Black Panther Party
    Beschreibung / Inhaltsverzeichnis: Appendix B: National Hip-hop Convention Agenda, 2004Appendix C: Top Hip-hop Albums for the Week of December 1, 2006; Appendix D: Ownership of Top Market Urban-Urban Adult Contemporary Radio Stations; Notes; Bibliography; Discography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y
    Anmerkung: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: Volltext
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    URL: Volltext
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.5749/minnesota/9780816669875.001.0001
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    Blowin' Hot and Cool : Jazz and Its Critics (2010)
    Chicago, IL : University of Chicago Press
    Details
    ISBN: 9780226289229
    Sprache: Englisch
    Seiten: Online-Ressource (495 p)
    Paralleltitel: Print version Blowin' Hot and Cool : Jazz and Its Critics
    DDC: 306.4/8425
    RVK:
    LS 48100
    Schlagwort(e): Jazz ; History and criticism ; Jazz ; Social aspects ; United States ; Electronic books ; Electronic books
    Kurzfassung: In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled-often both-but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now.In Blowin' Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The
    Beschreibung / Inhaltsverzeichnis: Contents; Acknowledgments; Introduction: (Much More than) a Few Words about Jazz; Chapter 1: "Not Only a New Art Form but a New Reason for Living''; Chapter 2: "As If It Were Artistic and Not Just a Teenage Enthusiasm'': Hot Collecting across the Color Line; Chapter 3: Hearing the "Noisy Lostness': 'Telling the Story of Jazz; Chapter 4: Writer's Writers and Sensitive Cats: Mapping the New Jazz Criticism; Chapter 5: Swinging in a High-Class Groove: Mainstreaming Jazz in Lenox and Newport; Chapter 6: The Shock of the New: Black Freedom, the Counterculture, and 1960s Jazz Criticism
    Beschreibung / Inhaltsverzeichnis: Chapter 7: Race-ing the Bird: Ross Russell's Obsessive Pursuit of Charlie ParkerChapter 8: Tangled Up in Blues: The New Jazz Renaissance and Its Discontents; Conclusion: Change of the Century; Notes; Index
    Anmerkung: Description based upon print version of record
    URL: Volltext
    URL: Volltext
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    Performing Africa (2009)
    Princeton : Princeton University Press
    Details
    ISBN: 9780691074894
    Sprache: Englisch
    Seiten: Online-Ressource (264 p)
    Paralleltitel: Print version Performing Africa
    DDC: 306.096
    RVK:
    LS 47940
    Schlagwort(e): Folklore ; Performance ; Gambia ; Gambia ; Social life and customs ; Griots ; Gambia ; Music ; History and criticism ; Mandingo (African people) ; Gambia ; Music ; History and criticism ; Music ; Gambia ; History and criticism ; Electronic books ; Electronic books
    Kurzfassung: The jali--a member of a hereditary group of Mandinka professional performers--is a charismatic but contradictory figure. He is at once the repository of his people's history, the voice of contemporary political authority, the inspiration for African American dreams of an African homeland, and the chief entertainment for the burgeoning transnational tourist industry. Numerous journalists, scholars, politicians, and culture aficionados have tried to pin him down. This book shows how the jali's talents at performance make him a genius at representation--the ideal figure to tell us about the "Afr
    Beschreibung / Inhaltsverzeichnis: CONTENTS; OVERTURE: Where and When I Enter; INTRODUCTION: Performing Africa; PART ONE: Representations/Performances; CHAPTER ONE: Music: Europe and Africa; CHAPTER TWO: Performances; PART TWO: Professional Dreams; CHAPTER THREE: Curators of Tradition; CHAPTER FOUR: Personalistic Economy; CHAPTER FIVE: Interview Encounters: The Performance of Profession; PART THREE: Culture as Commodity; CHAPTER SIX: Travel Stories; CHAPTER SEVEN: Tourists as Pilgrims; CODA; NOTES; BIBLIOGRAPHY; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y;
    Anmerkung: Description based upon print version of record
    URL: Volltext
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    Reggaeton (2009)
    Durham [NC] : Duke University Press
    Details
    ISBN: 9780822392323 , 0822392321
    Sprache: Englisch
    Seiten: xiv, 371 p.
    Serie: Refiguring American music
    Paralleltitel: Erscheint auch als Reggaeton
    DDC: 781.64
    RVK:
    LS 48000
    RVK:
    LS 48900
    Schlagwort(e): Reggaetón History and criticism ; Reggaetón ; History and criticism ; Electronic books ; Reggaetón ; History and criticism ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Reggae
    Kurzfassung: From música negra to reggaeton latino: the cultural politics of nation, migration, and commercialization / Wayne Marshall -- Placing Panama in the reggaeton narrative : editor's notes / Wayne Marshall -- Reggae in Panama : bien tough / Christoph Twickel -- The Panamanian origins of reggae en español: seeing history through "los ojos café" of Renato / Interview by Ifeoma C.K. Nwankwo -- Muévelo (move it!): from Panama to New York and back again, the story of El General / Interview by Christoph Twickel -- Policing morality, mano dura style : the case of underground rap and reggae in Puerto Rico in the mid-1990s / Raquel Z. Rivera -- Dominicans in the mix : reflections on Dominican identity, race, and reggaeton / Deborah Pacini Hernandez -- The politics of dancing: reggaetón and rap in Havana / Geoff Baker -- You got your reggaetón in my hip-hop: crunkiao and "Spanish music" in the Miami urban scene / Jose Davila -- Visualizing reggaeton: editors' notes / Wayne Marshall and Raquel Z. Rivera -- Images by Miguel Luciano -- Images by Carolina Caycedo -- Images by Kacho López -- (W)rapped in foil : glory at twelve words a minute / Félix jiménez -- A man lives here : reggaeton's hypermasculine resident / Alfredo Nieves Moreno -- How to make love with your clothes on : dancing regeton, gender, and sexuality in Cuba / Jan fairley -- Chamaco's corner / Gallego (José Raúl González) -- Salon philosophers : Ivy Queen and surprise guests take reggaetón aside / Alexandra T. Vazquez -- From hip-hop to reggaeton: is there only a step? / Welmo Romero Joseph -- Black pride / Tego Calderón -- Poetry of filth : the (post) reggaetonic lyrics of calle 13 / Frances Negrón-Muntaner.
    Anmerkung: Includes bibliographical references and index
    DOI: 10.1215/9780822392323
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822392323
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: http://dx.doi.org/10.1215/9780822392323
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    Mexican American mojo : popular music, dance, and urban culture in Los Angeles, 1935-1968 (2008)
    Durham : Duke University Press
    Details
    ISBN: 9780822389385 , 082238938X
    Sprache: Englisch
    Seiten: xvi, 383 p.
    Serie: Refiguring American music
    Paralleltitel: Erscheint auch als Macías, Anthony F., 1969 - Mexican American mojo
    DDC: 781.6408968/72079494
    RVK:
    HD 475
    RVK:
    LS 48015
    Schlagwort(e): Popular music History and criticism ; Mexican Americans Music ; History and criticism ; Mexican Americans Social life and customs ; Popular music ; California ; Los Angeles ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Music ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Social life and customs ; Electronic books ; Electronic books ; Electronic books ; Los Angeles, Calif. ; Chicanos ; Musikleben ; Sozialgeschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Rockmusik ; Geschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Jazz ; Geschichte 〈1935-1968〉
    Kurzfassung: Mojo in motion : the swing era -- The drape shape : intercultural style politics -- Boogie woogie breakthrough : the rhythm and blues era -- Come on, let's go : the rock and roll era -- Con sabor Latino : Latin jazz, the mambo, and Latin holidays.
    Anmerkung: Includes bibliographical references and index
    DOI: 10.1215/9780822389385
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822389385
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822389385
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    Rumba rules : the politics of dance music in Mobutu's Zaire (2008)
    Durham : Duke University Press
    Details
    ISBN: 9780822389262 , 0822389266
    Sprache: Englisch
    Seiten: xxiii, 300 p , ill
    DDC: 306.4/8423096751
    RVK:
    LS 47950
    RVK:
    LC 87534
    Schlagwort(e): Mobutu Sese Seko / 1930-1997 ; Popular music / Political aspects / Congo (Democratic Republic) ; Popular music / Social aspects / Congo (Democratic Republic) ; Music and state / History / 20th century / Congo (Democratic Republic) ; Electronic books ; Electronic books
    Kurzfassung: Popular culture's politics -- The Zairian sound -- Made in Zaire -- Live time -- Musicians and mobility -- Live texts -- The political life of dance bands -- In the skin of a chief
    Anmerkung: Includes bibliographical references (p. [271]-285) and index. - Includes discography (p. 287-288)
    DOI: 10.1215/9780822389262
    URL: Volltext
    URL: Volltext
    URL: https://doi.org/10.1515/9780822389262?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822389262
    URL: Cover
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    Mobilizing India : women, music, and migration between India and Trinidad (2008)
    Durham : Duke University Press
    Details
    ISBN: 9780822388425 , 0822388421
    Sprache: Englisch
    Seiten: x , 271 p , ill , 25 cm
    DDC: 305.48891411
    RVK:
    LS 39000
    Schlagwort(e): Women / Social conditions / Trinidad and Tobago / Trinidad ; Women singers / Social conditions / Trinidad and Tobago / Trinidad ; Gender identity / Trinidad and Tobago / Trinidad ; East Indians / Ethnic identity / Trinidad and Tobago / Trinidad ; Electronic books ; Filmografie ; Electronic books ; Filmografie
    Kurzfassung: 1 "The Indian in Me": Studying the Subaltern Diaspora -- 2 "Left to the Imagination": Indian Nationalism and Female Sexuality -- 3 "Take a Little Chutney, Add a Touch of Kaiso": The Body in the Voice -- 4 Jumping out of Time: The Indian in Calypso -- 5 "Suku Suku What Shall I Do?": Hindi Cinema and the Politics of Music -- Afterword: A Semi-Lime
    Anmerkung: Includes bibliographical references, ( p. [253]-265 ) and index
    DOI: 10.1215/9780822388425
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822388425
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822388425
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    Bacchanalian sentiments : musical experiences and political counterpoints in Trinidad (2008)
    Durham : Duke University Press
    Details
    ISBN: 9780822388746 , 082238874X
    Sprache: Englisch
    Seiten: xiv, 258 p , 24 cm
    DDC: 780.972983
    RVK:
    LS 48700
    Schlagwort(e): Folk music / History and criticism / Trinidad and Tobago ; Music / Social aspects / Trinidad and Tobago ; Electronic books ; Electronic books
    Kurzfassung: Initial connections -- Governmental organization of spontaneity -- Bacchanalian counterpoints to the state -- Parang : Christmas in Anamat -- Bakrnal : an example of changing opinions -- "Chukaipan," "lootala," and the counterpoint of "mix up" -- Concluding relations
    Anmerkung: Includes bibliographical references (p. [229]-247) and index
    DOI: 10.1215/9780822388746
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822388746
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822388746
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    French music, culture, and national identity, 1870-1939 (2008)
    Rochester : University of Rochester Press
    Details
    ISBN: 9781282894969 , 9781580467230 , 128289496X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIX, 260 Seiten)
    Serie: Eastman studies in music
    Paralleltitel: Print version French Music, Culture, and National Identity, 1870-1939
    Paralleltitel: Erscheint auch als French music, culture, and national identity, 1870 - 1939
    DDC: 306.4842094409034
    RVK:
    LQ 82206
    Schlagwort(e): Nationalism in music ; Music Political aspects 19th century ; History ; Music Political aspects 20th century ; History ; Music -- Political aspects -- France -- History -- 19th century ; Music -- Political aspects -- France -- History -- 20th century ; Nationalism in music ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation
    Beschreibung / Inhaltsverzeichnis: ""Frontcover""; ""CONTENTS""; ""LIST OF ILLUSTRATIONS""; ""ACKNOWLEDGMENTS""; ""TIMELINE: Selective Chronology of Historical and Cultural Events,1870â€?1939""; ""INTRODUCTION: The Roles of Music and Culture in National Identity Formation""; ""Part One: Heroism, Art, and New Media: France and Identity Formation""; ""1 Unifying the French Nation: Savorgnan de Brazza and the Third Republic""; ""2 New Media, Source-Bonding, and Alienation: Listening at the 1889 Exposition Universelle""; ""3 Debussy and the Making of a musicien franÃais: Pelléas, the Press, and World War I""
    Beschreibung / Inhaltsverzeichnis: ""4 À bas Wagner!: The French Press Campaign against Wagner during World War I""""Part Two: Canon, Style, and Political Alignment""; ""5 D�Indy�s Beethoven""; ""6 Messidor: Republican Patriotism and the French Revolutionary Tradition in Third Republic Opera""; ""7 The Symphony and National Identity in Early Twentieth-Century France""; ""8 Transcending the Word?: Religion and Music in Gauguin�s Quest for Abstraction""; ""9 Jolivet�s Search for a New French Voice: Spiritual “Otherness� in Mana (1935)""; ""Part Three: Regionalism""
    Beschreibung / Inhaltsverzeichnis: ""10 Rameau in Late Nineteenth-Century Dijon: Memorial, Festival, Fiasco""""11 Becoming Alsatian: Anti-German and Pro-French Cultural Propaganda in Alsace, 1898�1914""; ""12 National Identity and the Double Border in Lorraine, 1870�1914""; ""LIST OF CONTRIBUTORS""; ""INDEX ""; ""Backcover""
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: https://www.cambridge.org/core/product/identifier/9781580467230/type/BOOK
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    Game sound : an introduction to the history, theory, and practice of video game music and sound design (2008)
    Cambridge, Massachusetts : The MIT Press
    Details
    ISBN: 9780262270694
    Sprache: Englisch
    Seiten: Online-Ressource (X, 200 Seiten)
    Serie: The MIT Press Ser.
    Paralleltitel: Erscheint auch als Collins, Karen, 1973 - Game sound
    DDC: 781.54
    RVK:
    LS 48000
    RVK:
    AP 15963
    Schlagwort(e): Video game music - History and criticism ; Electronic books ; Videospiel ; Begleitung ; Videospiel ; Klangkunst
    Kurzfassung: An examination of the many complex aspects of game audio, from the perspectives of both sound design and music composition.
    URL: Volltext  (lizenzpflichtig)
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    Psychedelic white : Goa trance and the viscosity of race (2007)
    Bristol : [University Presses Marketing [distributor] | Minneapolis, Minn : University of Minnesota Press
    Details
    ISBN: 0816649944 , 0816649936 , 9780816649945 , 9780816649938
    Sprache: Englisch
    Seiten: Online-Ressource (x, 239 p) , ill., maps
    Ausgabe: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    Paralleltitel: Print version Psychedelic White : Goa Trance and the Viscosity of Race
    DDC: 305.80095478
    RVK:
    LB 57385
    RVK:
    LS 39000
    RVK:
    LS 48655
    Schlagwort(e): Whites Race identity ; Cultural geography ; Hallucinogenic drugs Social aspects ; Trance (Underground dance music) Social aspects ; Counterculture ; Tourists Social networks ; Counterculture ; India ; Anjuna ; Cultural geography ; India ; Anjuna ; Hallucinogenic drugs ; Social aspects ; India ; Anjuna ; Tourists ; Social networks ; India ; Anjuna ; Trance (Underground dance music) ; Social aspects ; India ; Anjuna ; Whites ; Race identity ; India ; Anjuna ; Electronic books
    Kurzfassung: A rich ethnography, Psychedelic White explains how race plays out in Goa's white counterculture and grapples with how to make sense of racism when it is not supposed to be there. Challenging the prevailing conception of racial difference as a purely social construction and offering insights into the global underground music scene, Psychedelic White presents nothing less than a new materialist approach to race
    Beschreibung / Inhaltsverzeichnis: Contents; Preface; Ethnography as Thought; 1. Psychedelic Whiteness; 2. What Materialism?; 3. Tripping on India; The Researcher's Body; Viscosity; 4. Goa Freaks; 5. Drugs and Difference; 6. Trance, Dance, and the Trance-Dance; 7. The Psychopathology of Travel; The Trials of Transcendence; 8. Visual Economy; 9. Faces of Goa; 10. Zombie Beach; 11. Sunlight and Judgment; Purity as Machinic Effect; 12. The Politics of Location; 13. Cliques; 14. Noise, Narcotics, Law and Order; 15. Dealing with the Third World; When the Music's Over; 16. A Machinic Geography of Phenotype; 17. Freaking Whiteness
    Beschreibung / Inhaltsverzeichnis: The Molecular RevolutionAppendix: Field/Work; Notes; Index
    Anmerkung: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
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    Music and Manipulation : On the Social Uses and Social Control of Music (2005)
    New York, NY : Berghahn Books
    Details
    ISBN: 9781845450984
    Sprache: Englisch
    Seiten: Online-Ressource (400 p)
    Ausgabe: Online-Ausg.
    Paralleltitel: Print version Music and Manipulation : On the Social Uses and Social Control of Music
    DDC: 306.4
    RVK:
    LR 56800
    RVK:
    LR 56600
    Schlagwort(e): Music -- Social aspects ; Electronic books ; Electronic books ; Aufsatzsammlung
    Kurzfassung: Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse
    Beschreibung / Inhaltsverzeichnis: Title Page; Copyright Page; Table of Contents; Illustrations list; Foreword; Preface; List of Contributors; Introduction; Part I: Music Events; Chapter 1 Ritual and Ritualization: Musical Means of Conveying and Shaping Emotion in Humans and Other Animals; Chapter 2 Music, Identity, and Social Control; Chapter 3 Between Ideology and Idenity: Media, Discourse, and Affect in the Musical Experience; Part II: Background Music; Chapter 4 Music in Business Environments; Chapter 5 The Social Uses of Background Music for Personal Enhancement; Part III: Audiovisual Media
    Beschreibung / Inhaltsverzeichnis: Chapter 6 Music, Moving Images, Semiotics, and the Democratic Right to KnowChapter 7 Music Video and Genre; Chapter 8 The Effectiveness of Music in Television Commercials; Part IV: Governmental/Industrial Control; Chapter 9 Music Censorship from Plato to the Present; Chapter 10 Orpheus in Hell; Chapter 11 The Changing Structure of the Music Industry; Part V: Control by Reuse; Chapter 12 Music and Reuse; Chapter 13 Copyright, Music, and Morals: Artistic Expression and the Public Sphere; Epilogue; Index
    Anmerkung: Description based upon print version of record
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
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    Black cultural traffic : crossroads in global performance and popular culture (2005)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 0472098403 , 0472068407
    Sprache: Englisch
    Seiten: Online-Ressource (x, 404 p) , 24 cm
    Ausgabe: Online-Ausg. 2010 Electronic reproduction; Available via World Wide Web
    Paralleltitel: Erscheint auch als
    DDC: 305.896/073/09051
    RVK:
    LS 48050
    RVK:
    NK 5270
    Schlagwort(e): African Americans Race identity ; Blacks Race identity ; Performing arts Social aspects ; Popular culture ; African American arts ; African Americans Intellectual life ; Blacks Intellectual life ; Popular culture ; Arts, Black ; Performing arts Social aspects ; Performing arts - Social aspects - United States ; Electronic books
    Kurzfassung: Intro -- Contents -- Foreword -- Twenty Questions -- Introduction: Traveling While Black -- PART ONE Crossroads and Intersections in Black Performance and Black Popular Culture -- When Is African Theater "Black"? -- Performing Blackness Down Under: Gospel Music in Australia -- Passing and the Problematic of Multiracial Pride (or, Why One Mixed Girl Still Answers to Black) -- The Shadows of Texts: Will Black Music and Singers Sell Everything on Television? -- PART TWO Stop Signs and Signposts: Stabilities and Instabilities in Black Performance and Black Popular Culture -- Optic Black: Naturalizing the Refusal to Fit -- Diaspora Aesthetics and Visual Culture -- Keepin' It Real: Disidentification and Its Discontents -- Faking the Funk? Mariah Carey, Alicia Keys, and (Hybrid) Black Celebrity -- Interlude: Black Artists on Issues of Culture and Performance -- PART THREE International Congestion: Globalization, Dispersions, and Black Cultural Travel -- Black Community, Black Spectacle: Performance and Race in Transatlantic Perspective -- The 1960s in Bamako: Malick Sidibé and James Brown -- Global Hip-Hop and the African Diaspora -- Continental Riffs: Praisesingers in Transnational Contexts -- PART FOUR Trafficking in Black Visual Images: Television, Film, and New Media -- Where Have All the Black Shows Gone? -- Hip-Hop Fashion, Masculine Anxiety, and the Discourse of Americana -- Spike Lee's Bamboozled -- Moving Violations: Performing Globalization and Feminism in Set It Off -- Change Clothes and Go: A Postscript to Postblackness -- Contributors -- Index.
    Anmerkung: Electronic reproduction; Available via World Wide Web
    URL: Volltext
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    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=3414671
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  • 88
    Online-Ressource
    Online-Ressource
    Music and tourism : on the road again (2005)
    Clevedon : Channel View Publications
    Details
    ISBN: 1873150938 , 187315092X , 9781873150948
    Sprache: Englisch
    Seiten: Online-Ressource (viii, 301 p) , ill , 24 cm
    Ausgabe: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    Serie: Aspects of tourism 19
    Paralleltitel: Print version Music and Tourism : On the Road Again
    DDC: 306.4/842
    RVK:
    LR 57760
    RVK:
    QQ 910
    RVK:
    QQ 912
    Schlagwort(e): Music Social aspects ; Music Economic aspects ; Music and tourism ; Music -- Economic aspects ; Music -- Social aspects ; Music ; Economic aspects ; Music ; Social aspects ; Music and tourism ; Electronic books
    Kurzfassung: Music and Tourism is the first book to comprehensively examine the links between travel and music. It combines contemporary and historical analysis of the economic and social impact of music tourism, with discussions of the cultural politics of authenticity and identity
    Beschreibung / Inhaltsverzeichnis: Contents; Preface; Chapter 1 Tourism and Music; Chapter 2 Virtual Tourism; Chapter 3 Musical Landscapes, Tourist Sites; Chapter 4 Music in the Market: Economy, Society and Tourism ; Chapter 5 Music, Tourism and Culture: Authenticity and Identity ; Chapter 6 On the Road Again: Nostalgia and Pleasure ; Chapter 7 Festivals: Community and Capital; Chapter 8 Conclusion: Final Notes; References; Index
    Anmerkung: Includes bibliographical references (p. 272-293) and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
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  • 89
    Online-Ressource
    Online-Ressource
    Hello, hello Brazil : popular music in the making of modern Brazil (2004)
    Durham : Duke University Press
    Details
    ISBN: 9780822385639 , 0822385635
    Sprache: Englisch
    Seiten: 1 online resource (ix, 296 p.)
    Paralleltitel: Erscheint auch als McCann, Bryan, 1968 - Hello, hello Brazil
    DDC: 781.640981
    RVK:
    LS 20720
    Schlagwort(e): Popular music History and criticism ; Music Social aspects ; Popular music ; Brazil ; History and criticism ; Music ; Social aspects ; Brazil ; Electronic books ; Electronic books ; Electronic books ; Brasilien ; Unterhaltungsmusik ; Geschichte ; Brasilien ; Unterhaltungsmusik ; Geschichte
    Kurzfassung: Radio and estado novo -- Samba and national identity -- The rise of Northeastern regionalism -- American seduction -- Inventing the old guard of Brazilian popular music -- Fan clubs and auditorium programs -- Advertising and audience fragmentation.
    Anmerkung: Description based on print version record. - Includes bibliographical references (p. [281]-290) and index
    DOI: 10.1215/9780822385639
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822385639
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822385639
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  • 90
    Online-Ressource
    Online-Ressource
    Russia gets the blues : music, culture, and community in unsettled times (2004)
    Ithaca, N.Y : Cornell University Press
    Details
    ISBN: 9781501717208 , 1501717200
    Sprache: Englisch
    Seiten: Online Ressource (xviii, 179 pages) , illustrations.
    Serie: Culture and society after socialism
    Paralleltitel: Print version Urban, Michael E., 1947- Russia gets the blues
    DDC: 781.6430947
    RVK:
    KK 1030
    RVK:
    LC 87326
    RVK:
    LS 48500
    RVK:
    LC 87325
    RVK:
    LQ 86007
    RVK:
    NQ 8294
    Schlagwort(e): Blues (Music) History and criticism ; Russia (Federation) ; Popular music History and criticism ; 1991-2000 ; Russia (Federation) ; Blues Histoire et critique ; Russie ; Musique populaire Histoire et critique ; 1991-2000 ; Russie ; Russia (Federation) ; Russland ; Russland 〈Sowjetrepublik〉 ; Criticism, interpretation, etc ; Blues (Music) History and criticism ; Popular music History and criticism 1991-2000 ; Popular music History and criticism 1991-2000 ; Blues (Music) History and criticism ; MUSIC / Instruction & Study / Theory ; SOCIAL SCIENCE / Anthropology / Cultural ; Blues (Music) ; Popular music ; Blues ; Blues ; Blues music ; Russia (Federation) ; History and criticism ; Criticism, interpretation, etc ; Russland ; Russland ; Russland 〈Sowjetrepublik〉 ; Russia (Federation) ; Electronic books ; Electronic books
    Kurzfassung: Why blues? -- First encounters -- Moscow blues : musicians and their music -- Moscow blues : sites and sounds -- St. Petersburg and the provinces -- Identity and community -- Politics
    Anmerkung: Includes bibliographical references and index. - Print version record
    URL: lizenzpflichtig
    URL: Volltext
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  • 91
    Online-Ressource
    Online-Ressource
    A handbook of cultural economics (2003)
    Northampton, Mass : Edward Elgar Pub
    Details
    ISBN: 9781781008003
    Sprache: Englisch
    Seiten: 1 Online-Ressource (512 p) , ill
    Serie: Edward Elgar E-Book Archive
    Paralleltitel: Available in another form
    Paralleltitel: Elektronische Reproduktion von A handbook of cultural economics
    DDC: 338.4/77/003
    RVK:
    EC 2460
    RVK:
    LB 24000
    RVK:
    LC 90000
    RVK:
    LR 57760
    RVK:
    QR 750
    RVK:
    QR 560
    RVK:
    LH 60000
    Schlagwort(e): Kulturökonomik ; Theorie ; Welt ; Arts Economic aspects ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kulturwirtschaft ; Kulturindustrie ; Kunstökonomie ; Kulturmanagement
    Kurzfassung: Several of the authors question the efficacy of copyright, which is increasingly regarded as benefiting multinational organisations rather than individual authors and performers. Others are less critical of copyright per se, but question its ability to meet the new challenges of a digital era. Some of the specific issues covered include: law and international transactions of copyrighted material; economic analysis of copyright and freedom of expression; music licensing in the digital age; the role of copyright in stimulating cultural development; internet distribution of copyright material; and the problems of licensing museum images
    Anmerkung: Includes bibliographical references and index
    DOI: 10.4337/9781781008003
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Deutschlandweit zugänglich
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Deutschlandweit zugänglich
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Deutschlandweit zugänglich
    URL: FULL  ((Currently Only Available on Campus))
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    MPI Ethno. Forsch.
  • 92
    Online-Ressource
    Online-Ressource
    Music, popular culture, identities (2002)
    Amsterdam [u.a.] : Rodopi
    Details
    ISBN: 9789004334120
    Sprache: Englisch
    Seiten: 1 Online-Ressource (360 Seiten)
    Serie: Critical studies volume 19
    Serie: Critical studies
    Paralleltitel: Erscheint auch als
    DDC: 781.6309
    RVK:
    LS 12100
    RVK:
    LS 18600
    Schlagwort(e): Aspect social ; Culture populaire ; Culture populaire ; Ethnomusicologie ; Histoire ; Identiteit ; Identité (Psychologie) ; Identité (Psychologie) ; Musique populaire - Aspect social ; Musique populaire - Histoire et critique ; Musique populaire ; Musique ; Popmuziek ; Volkscultuur ; Volksmuziek ; Identität ; Identity (Psychology) ; Popular culture ; Popular music History and criticism ; Identität ; Musikethnologie ; Kulturelle Identität ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung Criticism, interpretation, etc ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Identität ; Popmusik ; Kulturelle Identität
    DOI: 10.1163/9789004334120
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: DOI
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: DOI
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  • 93
    Online-Ressource
    Online-Ressource
    What to listen for in rock : a stylistic analysis (2002)
    New Haven : Yale University Press
    Details
    ISBN: 9780300128239 , 0300128231
    Sprache: Englisch
    Seiten: Online Ressource (xvii, 253 p.) , zahlr. Notenbeisp.
    Ausgabe: Online-Ausg.
    Paralleltitel: Print version What to listen for in rock
    DDC: 781.66117
    RVK:
    LS 48000
    Schlagwort(e): Rock music Analysis, appreciation ; Rock (Musique) Analyse et appréciation ; Rock music Analysis, appreciation ; Rock music Analysis, appreciation ; MUSIC ; Genres & Styles ; Punk ; MUSIC ; Genres & Styles ; Heavy Metal ; MUSIC ; Genres & Styles ; Rock ; Rock music ; Analysis, appreciation ; Electronic books ; Rockmusik ; Musikalischer Stil ; Stilistik
    Kurzfassung: In this analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The text addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the second half of the 20th century and within most substyles
    Beschreibung / Inhaltsverzeichnis: Phrase rhythmKey and mode -- Cadences -- Chord type and harmonic palette -- Harmonic succession -- Form -- Analyzing a hit.
    Anmerkung: Includes discography (p. 195-196), bibliographical references (p. 197-217), and index. - Description based on print version record
    URL: lizenzpflichtig
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  • 94
    Online-Ressource
    Online-Ressource
    Soundtrack available : essays on film and popular music (2001)
    Durham : Duke University Press
    Details
    ISBN: 9780822380986 , 0822380986
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 491 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als Soundtrack available
    DDC: 781.54209
    RVK:
    AP 47500
    RVK:
    LS 48000
    RVK:
    LR 53509
    Schlagwort(e): Motion pictures and music ; Motion picture music History and criticism ; Popular music History and criticism ; Motion pictures and music ; Motion picture music ; History and criticism ; Popular music ; History and criticism ; Electronic books ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Filmmusik ; Unterhaltungsmusik ; Geschichte
    Kurzfassung: Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow -- "The future's not ours to see" : song, singer, labyrinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse réaliste in 1930s French cinema / Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings / Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African American recordings of Porgy and Bess as film and cultural criticism / Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik.
    Anmerkung: Includes bibliographical references (p. [455]-473) and index. - Description based on print version record
    DOI: 10.1215/9780822380986
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 95
    Online-Ressource
    Online-Ressource
    Songs of the Women Migrants : Performance and Identity in South Africa (1999)
    Edinburgh : Edinburgh University Press
    Details
    ISBN: 9781474469579
    Sprache: Englisch
    Seiten: 1 online resource (249 pages)
    Serie: International African Library
    Paralleltitel: Erscheint auch als
    DDC: 304.8/082/0968
    RVK:
    LS 47974
    Schlagwort(e): Migrant labor ; Women employees ; Music-Social aspects ; Electronic books ; Electronic books
    Kurzfassung: This book gives an account of how migrant women dance and sing the vibrant and expressive musical style of kiba.
    Kurzfassung: Intro -- CONTENTS -- List of Maps, Tables and Figures -- Acknowledgements -- Introduction -- 1 Home Boys, Home Dances: Migrants Create Past and Place -- 2 'Those of My Home': MIgrant Women on the Reef -- 3 'We are Visitors': Men's and Women's Kiba -- 4 Women as Brothers, Women as Sons: Domestic Predicaments Unravelled -- 5 'I Dress in This Fashion': Rural Singers and the Sotho Life-Course -- 6 Dislocations and Continuitieis: Disrupted Youth and Adolescence -- 7 Family Gifts, Family Spirits -- Conclusion -- Appendix 1: Lists of Discussions and Interpreters -- Appendix 2: List of Kiba Performances -- Appendix 3: Select Discography -- Notes -- Bibliography -- Index.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781474469579
    URL: https://www.degruyter.com/isbn/9781474469579
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 96
    Online-Ressource
    Online-Ressource
    Saying something : jazz improvisation and interaction (1996)
    Chicago, Ill. [u.a.] : University of Chicago Press
    Details
    ISBN: 9780226534787 , 0226534774 , 0226534782 , 9780226534794
    Sprache: Englisch
    Ausgabe: Online-Ausg. [s.l.] eblib 2009 Online Ressource
    Serie: Chicago studies in ethnomusicology
    Paralleltitel: Druck-Ausg. Monson, Ingrid, 1955 - Saying something
    DDC: 781.65/136
    RVK:
    LS 48100
    Schlagwort(e): Improvisation (Music) ; Jazz ; Criticism and interpretation ; Electronic books ; Jazz ; Improvisation
    Kurzfassung: This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century American cultural life. Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists.
    Kurzfassung: Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1 Talking to Musicians -- 2 Grooving and Feeling -- 3 Music, Language, and Cultural Styles: Improvisation as Conversation -- 4 Intermusicality -- 5 Interaction, Feeling, and Musical Analysis -- 6 Ethnomusicology, Interaction, and Poststructuralism -- Coda -- Notes -- Interviews -- Recordings -- Bibliography -- Index.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=432268
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  • 97
    Online-Ressource
    Online-Ressource
    The space between the notes : rock and the counter-culture (1992)
    London : Routledge
    Details
    ISBN: 020339836X , 9780203398364
    Sprache: Englisch
    Seiten: viii, 142 Seiten
    Ausgabe: Online-Ausgabe London Taylor and Francis 2003 1 Online-Ressource
    Paralleltitel: Elektronische Reproduktion von Whiteley, Sheile, 1941-2015 The space between the notes
    DDC: 781.6609046
    RVK:
    LS 48000
    Schlagwort(e): Musiksoziologie ; Rockmusik ; Electronic books
    Anmerkung: Online-Ausgabe:
    DOI: 10.4324/9780203398364
    URL: https://doi.org/10.4324/9780203398364
    URL: Inhaltsverzeichnis
    URL: Volltext
    URL: Volltext
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  • 98
    Online-Ressource
    Online-Ressource
    The Performing Arts : Music and Dance (1979)
    Berlin : De Gruyter Mouton
    Details
    ISBN: 9789027978707
    Sprache: Englisch
    Seiten: Online-Ressource (368 p)
    Ausgabe: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Serie: World Anthropology
    Paralleltitel: Print version The Performing Arts : Music and Dance
    DDC: 780.89
    RVK:
    LS 12000
    RVK:
    LS 18700
    Schlagwort(e): Electronic books ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift
    Beschreibung / Inhaltsverzeichnis: General Editor's Preface; Table of contents; Introduction by John Blacking; The Study of Man as Music-Maker; Toward a Cross-Cultural Conceptualization of Dance and Some Correlate Considerations; Culture Change: Functional and Dysfunctional Expressions of Dance, a Form of Affective Culture; Totemic Dances of Armenia; Kolona Kolu: The Round upon Round in Yugoslavia; The Study of Folk Dancing in the Soviet Union: Its State and Tasks; Continuity and Discontinuity in Song Styles: An Ordinal Cross-Cultural Classification; Rice-Planting Music of Chindo (Korea) and the Chügoku Region (Japan)
    Beschreibung / Inhaltsverzeichnis: The Status of Women in the Performing Arts of India and Iberia: Cross-Cultural Perspectives from Historical Accounts and Field ReportsThe Functions of Folk Songs in Vietnam; The Aboriginal Music of Taiwan; Contemporary Music of the Maclay Coast; Rituals and Songs of Weather in Georgian Poetic Folklore; On the Hungarian Variants of South Slavic Folk Songs and Tales; The Rumanian Folklore Calendar and Its Age Categories; The Role of Songs for Children in the Formation of Musical Perception; Pattern Perception and Recognition in African Music
    Beschreibung / Inhaltsverzeichnis: Tactility as an Aesthetic Consideration in African MusicStress Behavior in Musicolinguistics; Igeri Ututu: An Igbo Folk Requiem Music Dance Ritual; Ngoma Music Among the Zulu; The Possibility of Objective Rhythmic Evidence for African Influence in Afro-American Music; Music and Dance as Expressions of Religious Worship in Jamaica; Space Rock: Music and Dance of the Electronic Era; Biographical Notes; Index of Names; Index of Subjects;
    Anmerkung: Description based upon print version of record , Electronic reproduction; Available via World Wide Web
    DOI: 10.1515/9783110800692
    URL: Volltext
    URL: Volltext
    URL: Cover
    URL: Volltext
    URL: http://www.degruyter.com/doi/book/10.1515/9783110800692
    URL: Cover
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Cover
    URL: lizenzpflichtig
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