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  • 2005-2009  (3)
  • NetLibrary, Inc
  • English Studies  (3)
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Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Shakespeare's tragedies : violation and identity (2005)
    Cambridge : Cambridge University Press
    Details
    ISBN: 0511113528 , 0521608635 , 9780511483660 , 051148366X , 9780511113529 , 0511121946 , 9780511121944 , 0511113013 , 9780511113017 , 9780521846240 , 0521846242 , 9780521608633
    Language: English
    Pages: ix, 228 p , 23 cm
    Edition: Boulder, Colo NetLibrary 2005 Online-Ressource E-Books von NetLibrary
    Additional Information: Rezensiert in Mentz, Steve [Rezension von: Leggatt, Alexander, Shakespeare's Tragedies: Violation and Identity] 2006
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als Leggatt, Alexander Shakespeare's tragedies
    RVK:
    HI 3421
    Keywords: Shakespeare, William 1564-1616 Tragedies ; Shakespeare, William 1564-1616 Tragédies ; Shakespeare, William ; Shakespeare, William Tragedies ; Shakespeare, William Tragedies ; Shakespeare, William ; tragedier ; Shakespeare, William ; Shakespeare, William ; Electronic books ; Identity (Psychology) in literature ; Violence in literature ; Tragedy ; Violence dans la littérature ; Tragédie ; Identité (Psychologie) dans la littérature ; Electronic books ; Identity (Psychology) in literature ; Violence in literature ; Tragedy ; LITERARY CRITICISM ; Shakespeare ; DRAMA ; Shakespeare ; Criticism and interpretation ; Identity (Psychology) in literature ; Tragedy ; Violence in literature ; Våld i litteraturen ; Tragedies ; Tragödie ; Shakespeare, William ; Tragedies ; Electronic books ; Shakespeare, William 1564-1616 ; Tragödie ; Shakespeare, William 1564-1616 ; Tragödie
    Abstract: Titus Andronicus: this was thy daughter -- Romeo and Juliet: what's in a name? -- Hamlet: a figure like your father -- Troilus and Cressida: this is and is not Cressid -- Othello: I took you for that cunning whore of Venice -- King Lear: we have no such daughter -- Macbeth: a deed without a name
    Abstract: Shakespeare's Tragedies: Violation and Identity traces the linked themes of violation and identity through seven Shakespearean tragedies. Written in a clear, accessible style, it will appeal not just to specialists but to students and general readers with an interest in Shakespeare
    Note: Includes bibliographical references (p. 210-225) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 2
    Online Resource
    Online Resource
    Lies that tell the truth : magic realism seen through contemporary fiction from Britain (2005)
    Amsterdam : Rodopi
    Details
    ISBN: 1417591064 , 9781417591060
    Language: English
    Pages: 383 p , 22 cm
    Edition: Boulder, Colo NetLibrary 2005 Online-Ressource E-Books von NetLibrary
    Series Statement: Costerus new ser. 155
    Series Statement: EBSCOhost eBook Collection
    Series Statement: Costerus
    Parallel Title: Erscheint auch als Hegerfeldt, Anne C Lies that tell the truth
    RVK:
    HN 1331
    Keywords: Magic realism (Literature) ; English fiction History and criticism. 20th century ; English fiction History and criticism ; 20th century ; Magic realism (Literature) ; English fiction History and criticism 20th century ; Magic realism (Literature) ; English fiction History and criticism. 20th century ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; English fiction ; Magic realism (Literature) ; Criticism, interpretation, etc ; Englisch ; Magischer Realismus ; Rezeption ; Roman ; Electronic books. ; Electronic books. ; Electronic books Criticism, interpretation, etc ; Magischer Realismus ; Rezeption ; Englisch ; Roman ; Geschichte 1969-2000 ; Magischer Realismus ; Rezeption ; Englisch ; Roman ; Geschichte 1969-2000
    Abstract: The critical debate : an overview -- A working definition -- Magic "mongrel" realism : the adaptation of other genres and modes -- Through anOther's eyes : magic realist focalizers -- Mythos meets logos : paradigms of knowledge in magic realist fiction -- Making the real fantastic and the fantastic real : strategies of destabilization -- Making the immaterial matter : techniques of literalization -- Mimicking the mind : magic realism as an inquiry into human thought -- "The only real ism of these back-to-front and jabberwocky days" : mimicking a fantastic reality
    Abstract: Magic realism has long been treated as a phenomenon restricted to postcolonial literature. Drawing on works from Britain, Lies that Tell the Truth compellingly shows how magic realist fiction can be produced also at what is usually considered to be the cultural centre without forfeiting the mode's postcolonial attitude and aims. A close analysis of works by Angela Carter, Salman Rushdie, Jeanette Winterson, Robert Nye and others reveals how the techniques of magic realism generate a complex critique of the West's rational-empirical worldview from within a Western context itself. Understanding magic realism as a fictional analogue of anthropology and sociology, Lies that Tell the Truth reads the mode as a frequently humorous but at the same time critical investigation into people's attempts to make sense of their world. By laying bare the manifold strategies employed to make meaning, magic realist fiction indicates that knowledge and reality cannot be reduced to hard facts, but that people's dreams and fears, ideas, stories and beliefs must equally be taken into account; 1900 - 1999
    Note: Title from ebook title screen (viewed on May 2, 2005) , Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 3
    Online Resource
    Online Resource
    Pronouncing Shakespeare : the Globe experiment (2005)
    Cambridge : Cambridge University Press
    Details
    ISBN: 0511113641 , 9780511113130 , 9780511487019 , 9780511122026 , 0511487010 , 0511113137 , 9780511113642 , 0511112130 , 9780511112133 , 0511122020
    Language: English
    Pages: xviii, 188 p , ill , 21 cm
    Edition: Boulder, Colo NetLibrary 2005 Online-Ressource E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version Pronouncing Shakespeare
    RVK:
    HI 3331
    RVK:
    HI 3381
    RVK:
    HI 3560
    Keywords: Shakespeare, William Stage history ; England ; London ; Shakespeare, William Stage history ; 1950- ; Shakespeare, William Romeo and Juliet ; Shakespeare, William Language ; Shakespeare, William 1564-1616 Stage history ; England ; London ; Shakespeare, William 1564-1616 Stage history ; 1950- ; Shakespeare, William 1564-1616 ; Shakespeare, William 1564-1616 Language ; Shakespeare, William Stage history ; Shakespeare, William Stage history ; Shakespeare, William ; Shakespeare, William Language ; Shakespeare, William Stage history ; Shakespeare, William Stage history ; Shakespeare, William ; Shakespeare, William Language ; Shakespeare, William Language ; Shakespeare, William Stage history ; England ; London ; Shakespeare, William Stage history ; 1950- ; Shakespeare, William Romeo and Juliet ; Shakespeare, William ; Shakespeare, William ; Shakespeare, William ; Shakespeare, William ; Globe Theatre (London, England : 1996- ) ; Globe Theatre (London, England : 1996- ) ; Globe Theatre (London, England : 1996- ) ; Romeo and Juliet (Shakespeare, William) ; Romeo and Juliet ; William Shakespeare's Romeo and Juliet ; Electronic books ; English language Pronunciation ; Early modern, 1500-1700 ; English language Pronunciation Early modern, 1500-1700 ; English language Pronunciation Early modern, 1500-1700 ; Electronic books ; English language Pronunciation ; Early modern, 1500-1700 ; LITERARY CRITICISM ; Shakespeare ; DRAMA ; Shakespeare ; English language ; Early modern ; Pronunciation ; Language and languages ; Aussprache ; Frühneuenglisch ; Romeo and Juliet (Shakespeare) ; Uitspraak (taalkunde) ; Toneelvoorstellingen ; Globe Theatre ; Literatura inglesa ; Teatro elizabetano ; Aufführung ; Phonetik ; England ; London ; Globe Theatre (London, England : 1996- ) ; Electronic books Electronic books ; William Shakespeare's Romeo and Juliet ; Aufführung ; Phonetik ; Geschichte 2004 ; William Shakespeare's Romeo and Juliet ; Aufführung ; Phonetik ; Geschichte 2004
    Abstract: "How did Shakespeare's plays sound when they were originally performed? How canwe know, and could the original pronunciation ever be recreated? For three days in June 2004 Shakespeare's Globe presented their production of Romeo and Juliet in original, Shakespearian pronunciation. This book tells the story of how it happened ... In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, David Crystal recounts the first attempt in over fifty years to mount a Full-length Shakespeare play in original pronunciation. The story begins by introducing the Globe theatre and its approach to 'original practices', which had dealt with all aspects of Elizabethan Stagecraft--except pronunciation. It traces the way the idea developed, from the initial proposal in 2003 through planning and rehearsals to the full-scale production in 2004. A large section is devoted to the nature of the Early Modern English sound system and the evidence for it. Other major sections include reports of how the actors coped with the task of learning the pronunciation, how it affected their performances, and how the audiences reacted."-- Publisher's description
    Abstract: "How did Shakespeare's plays sound when they were originally performed? How canwe know, and could the original pronunciation ever be recreated? For three days in June 2004 Shakespeare's Globe presented their production of Romeo and Juliet in original, Shakespearian pronunciation. This book tells the story of how it happened ... In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, David Crystal recounts the first attempt in over fifty years to mount a Full-length Shakespeare play in original pronunciation. The story begins by introducing the Globe theatre and its approach to 'original practices', which had dealt with all aspects of Elizabethan Stagecraft--except pronunciation. It traces the way the idea developed, from the initial proposal in 2003 through planning and rehearsals to the full-scale production in 2004. A large section is devoted to the nature of the Early Modern English sound system and the evidence for it. Other major sections include reports of how the actors coped with the task of learning the pronunciation, how it affected their performances, and how the audiences reacted."-- Publisher's description
    Note: Title from ebook title screen (viewed on June 7, 2005) , Includes index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005 , Prologue , Proposal; Reaction; Transcription; Meeting ; Evidence; Spelling; Orthoepists; Sound patterns; Decisions; Styles; Challenges; Differences; Features; Consonants; Vowels; Long vowels; Diphthongs; Individual cases; Resonances ; Rehearsal; Meeting; Refining; Finalizing; On stage; PR ; Performance; Interpretations; Dimensions; Talkback ; Consequences; Theatrical; Future; Epilogue; App. 1. Chief distinctive Early Modern English vowels ; App. 2. Extracts from the transcription.
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
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