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Materialart
  • 1
    ISBN: 9781478025160 , 9781478020271
    Sprache: Englisch
    Seiten: 554 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Alvarez, Daniela Future/present
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    RVK:
    Schlagwort(e): Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Kurzfassung: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Beschreibung / Inhaltsverzeichnis: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Anmerkung: Includes bibliographical references
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  • 2
    Buch
    Buch
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Sprache: Englisch
    Seiten: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
    RVK:
    Schlagwort(e): Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Kurzfassung: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 3
    ISBN: 1912520958 , 9781912520954
    Sprache: Englisch
    Seiten: 141 Seiten
    DDC: 700.8996073
    RVK:
    Schlagwort(e): 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Kurzfassung: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Anmerkung: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 4
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Sprache: Englisch
    Seiten: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Schlagwort(e): Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Kurzfassung: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Beschreibung / Inhaltsverzeichnis: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Anmerkung: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 5
    ISBN: 9780300272963
    Sprache: Englisch
    Seiten: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Schlagwort(e): African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Kurzfassung: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Beschreibung / Inhaltsverzeichnis: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Anmerkung: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 6
    ISBN: 9780262048668
    Sprache: Englisch
    Seiten: xvii, 243 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Anthology of Blackness
    Paralleltitel: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
    RVK:
    RVK:
    Schlagwort(e): Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Kurzfassung: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Beschreibung / Inhaltsverzeichnis: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Anmerkung: Bibliographie (Seite 234 - 243)
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  • 7
    Online-Ressource
    Online-Ressource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Serie: Routledge research in art and race
    Paralleltitel: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
    RVK:
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    Schlagwort(e): Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 8
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Sprache: Englisch
    Seiten: 151 Seiten , 28 cm
    DDC: 305.896073075
    RVK:
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    Schlagwort(e): Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Kurzfassung: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Anmerkung: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 9
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Sprache: Englisch
    Seiten: 133 Seiten , 23 x 28 cm
    DDC: 709.73
    RVK:
    Schlagwort(e): Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Anmerkung: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 10
    Online-Ressource
    Online-Ressource
    Bielefeld : transcript
    ISBN: 9783839452943
    Sprache: Englisch
    Seiten: 1 Online-Ressource (215 Seiten) , Illustrationen
    Serie: Image volume 180
    Serie: Image
    Paralleltitel: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    Schlagwort(e): Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Kurzfassung: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 11
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Serie: North Carolina scholarship online
    DDC: 302.23082
    RVK:
    Schlagwort(e): Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Kurzfassung: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 12
    Buch
    Buch
    Princeton ; Oxford : Princeton University Press
    ISBN: 9780691208190
    Sprache: Englisch
    Seiten: VII, 254 Seiten , Illustrationen, Pläne
    Paralleltitel: Erscheint auch als
    DDC: 745.40973/0904
    RVK:
    Schlagwort(e): Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Kurzfassung: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 13
    ISBN: 1934351199 , 9781934351192
    Sprache: Englisch
    Seiten: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
    RVK:
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    Schlagwort(e): African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Kurzfassung: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Kurzfassung: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Anmerkung: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 14
    ISBN: 9781941366325 , 1941366325
    Sprache: Englisch
    Seiten: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Schlagwort(e): African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Kurzfassung: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Anmerkung: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 15
    Buch
    Buch
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Sprache: Englisch
    Seiten: xviii, 194 Seiten , Illustrationen
    Serie: Midcentury: architecture, landscape, urbanism, and design
    Paralleltitel: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Schlagwort(e): Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Kurzfassung: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Kurzfassung: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Anmerkung: Includes bibliographical references and index
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  • 16
    Buch
    Buch
    Philadelphia : Temple University Press
    ISBN: 9781439914236
    Sprache: Englisch
    Seiten: x, 235 Seiten , Illustrationen
    Suppl.: Rezensiert in Reynolds, Daniel P. Memory Passages: Holocaust Memorials in the United States and GermanyNatasha Goldman 2021
    Paralleltitel: Erscheint auch als Goldman, Natasha, 1970 - Memory passages
    DDC: 940.5318640943
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    Schlagwort(e): Holocaust memorials ; Holocaust memorials ; Memorialization ; Memorialization ; Art and history ; Art and history ; USA ; Deutschland ; Judenvernichtung ; Denkmal ; Kollektives Gedächtnis ; USA ; Deutschland ; Denkmal ; Judenvernichtung
    Kurzfassung: For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In 'Memory Passages', Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.The book introduces lesser-known sculptures, such as Nathan Rapoport's 'Monument to the Six Million Jewish Martyrs' in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman's 'Memorial to the Murdered Jews of Europe' in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy. Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials. 'Memory Passages' suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching-or seeking to better understand-the Holocaust
    Anmerkung: Literaturverzeichnis: Seite 219-227 , Register
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  • 17
    ISBN: 9789490153328 , 949015332X
    Sprache: Englisch
    Seiten: 184 Seiten , Illustrationen
    Serie: KA series 32
    Paralleltitel: Parallele Sprachausgabe
    DDC: 700.411
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    Schlagwort(e): 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Kurzfassung: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Anmerkung: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 18
    Buch
    Buch
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476669496
    Sprache: Englisch
    Seiten: x, 274 Seiten, 8 Seiten , Illustrationen
    DDC: 303.482730969
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    Schlagwort(e): Einfluss ; Massenkultur ; USA ; Hawaii
    Anmerkung: Bibliography Seite 256-264
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  • 19
    Buch
    Buch
    Lanham : Rowman & Littlefield
    ISBN: 9781538101452
    Sprache: Englisch
    Seiten: xxvii, 382 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Schlagwort(e): Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Kurzfassung: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Anmerkung: Includes bibliographical references and index
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  • 20
    ISBN: 9781138605923
    Sprache: Englisch
    Seiten: XX, 211 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Schlagwort(e): USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 21
    Online-Ressource
    Online-Ressource
    Boca Raton, FL : Routledge,
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Sprache: Englisch
    Seiten: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Ausgabe: First edition.
    Serie: Routledge Research in Art and Race
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Schlagwort(e): Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Kurzfassung: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Anmerkung: Includes bibliographical references and index
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  • 22
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479832774 , 9781479890170
    Sprache: Englisch
    Seiten: xxii, 299 Seiten , Illustrationen
    Serie: Sexual cultures
    Paralleltitel: Erscheint auch als
    DDC: 306.7601
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    Schlagwort(e): Ishioka, Eiko ; González-Torres, Félix ; Bustamante, Nao ; Tseng, Kwong Chi ; Simone, Nina ; Danh Vo ; Queer theory ; Performance art ; Minorities Social conditions ; Performance ; Kleinkunst ; Identität ; Soziale Situation ; Darstellender Künstler ; Queer-Theorie ; USA ; USA ; Kleinkunst ; Performance ; Darstellender Künstler ; Soziale Situation ; Identität ; Queer-Theorie ; Bustamante, Nao 1963- ; Simone, Nina 1933-2003 ; Danh Vo 1975- ; Ishioka, Eiko 1939-2012 ; Tseng, Kwong Chi 1950-1990 ; González-Torres, Félix 1957-1996
    Anmerkung: Includes bibliographical references and index
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  • 23
    Buch
    Buch
    Madrid : Iberoamericana | Frankfurt am Main : Vervuert
    ISBN: 9788416922291 , 9783954876211
    Sprache: Spanisch
    Seiten: 348 Seiten , Illustrationen
    Serie: La casa de la riqueza 41
    Serie: La casa de la riqueza
    DDC: 306
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    Schlagwort(e): García Lorca, Federico ; Buñuel, Luis ; Dalí, Salvador ; Amerikabild ; USA ; Konferenzschrift 15.10.2015-17.10.2015 ; Aufsatzsammlung ; Aufsatzsammlung ; García Lorca, Federico 1898-1936 ; Buñuel, Luis 1900-1983 ; Dalí, Salvador 1904-1989 ; USA ; Amerikabild
    URL: Cover
    URL: Cover
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  • 24
    ISBN: 9783837642537 , 3837642534
    Sprache: Deutsch
    Seiten: 375 Seiten , Illustrationen
    Serie: Edition Medienwissenschaften Band 51
    Serie: Edition Medienwissenschaft
    Paralleltitel: Erscheint auch als Miggelbrink, Monique Fernsehen und Wohnkultur
    Dissertationsvermerk: Dissertation Universität Paderborn 2017
    DDC: 302.2345094309046
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    Schlagwort(e): Wohnkultur ; Fernsehempfänger ; Design ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Deutschland ; USA ; Fernsehempfänger ; Design ; Wohnkultur ; Geschichte 1953-1970 ; Fernsehen ; Möbel ; Fernsehen ; Wohnkultur ; Fernsehempfänger ; Möbel
    Anmerkung: Quellen- und Literaturverzeichnis: Seite 349-375
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  • 25
    Bild
    Bild
    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Sprache: Englisch
    Seiten: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Schlagwort(e): Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Kurzfassung: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Anmerkung: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 26
    ISBN: 9780872731844 , 0872731847
    Sprache: Englisch
    Seiten: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Schlagwort(e): African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Kurzfassung: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Anmerkung: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 27
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    New Haven and London : Yale University Press | New Haven : Yale University Press
    ISBN: 9780876332726 , 9780300225891
    Sprache: Englisch
    Seiten: 496 Seiten , Illustrationen
    DDC: 750
    RVK:
    Schlagwort(e): Watercolor painting Exhibitions 20th century ; Watercolor painting, American Exhibitions 19th century ; Watercolor painting, American Exhibitions 20th century ; Watercolor painting Exhibitions 19th century ; Watercolor painting ; Watercolor painting ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; USA ; Aquarell ; Geschichte 1800-1930 ; USA ; Aquarell ; Geschichte 1800-1930
    Kurzfassung: The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture
    Kurzfassung: The American watercolor movement -- American watercolor before 1866: separate worlds -- Ruskin, Turner, and the English tradition, 1855-1865 -- The formation of the American Watercolor Society -- "Strenuous and persistent efforts": the watercolor movement, 1873-1877 -- Landscape in the 1870s -- The illustrators: from "black and white" to color, 1873-1882 -- Figure painting in the 1870s: Homer and Eakins -- Art for a Decorative Age -- Impressionism from Munich and Rome -- High-water mark: figure painters in the 1880s -- Landscape painting after 1880: tonalism -- Illustration and decoration in the Gilded Age -- Impressionism and post-impressionism: Prendergast, Homer, and Sargent -- The "American medium" and the moderns -- Flash in the pan: a history of manufacturing watercolor paint in America / Rebecca Pollak
    Anmerkung: Rückseite der Titelseite: "Published on the occasion of the exhibition American Watercolor in the Age of Homer and Sargent, March 1-May 14, 2017."
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  • 28
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    Cambridge, Massachusetts ; London, England : The MIT Press
    ISBN: 9780262035743 , 9780262544917
    Sprache: Englisch
    Seiten: 254 Seiten , Illustrationen
    DDC: 725/.7609793135
    RVK:
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    Schlagwort(e): Architektur ; Architecture ; Architecture and society ; American dream ; Transformation ; Architektur ; USA ; Las Vegas Strip (Nev.) ; Las Vegas (Nev.) Buildings, structures, etc ; Las Vegas, Nev. ; Las Vegas, Nev. ; Architektur ; American dream ; Transformation
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 29
    ISBN: 9780872731837
    Sprache: Englisch
    Seiten: 319 Seiten , Illustrationen
    Ausgabe: First published
    Suppl.: In Beziehung stehendes Werk We wanted a revolution 2018
    DDC: 305.48896073
    RVK:
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    Schlagwort(e): Nengudi, Senga ; Geschichte 1900-2000 ; Geschichte 1965-1994 ; Geschichte 1965-1985 ; Geschichte ; Weibliche Schwarze. Amerika ; African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; Frauenkunst ; Person of Color ; Künstlerin ; USA ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; USA ; Frauenkunst ; Person of Color ; Geschichte 1965-1994 ; Künstlerin ; Person of Color ; Geschichte 1965-1985 ; Nengudi, Senga 1943-
    Anmerkung: Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 30
    ISBN: 9780872731837
    Sprache: Englisch
    Seiten: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Schlagwort(e): African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 31
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    Bielefeld : Transcript-Verl.
    ISBN: 3837631117 , 9783837631111
    Sprache: Englisch
    Seiten: 425 S. , graph. Darst., Kt.
    Serie: Urban studies
    Paralleltitel: Online-Ausg. ISBN 9783839431115
    DDC: 810.9321732
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    Schlagwort(e): Geschichte 1880-2015 ; Literatur ; Amerikabild ; Stadt ; Stadt ; Soziokultureller Wandel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturangaben
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  • 32
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Press
    ISBN: 978-1-62040-375-4 , 1-62040-375-7 , 9781620403761
    Sprache: Englisch
    Seiten: x, 333 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen , 25 cm
    DDC: 306.09
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    Schlagwort(e): Wright, Frank Lloyd / 1867-1959 / Friends and associates ; Wright, Frank Lloyd / 1867-1959 / Criticism and interpretation ; Johnson, Philip / 1906-2005 / Friends and associates ; Johnson, Philip / 1906-2005 / Criticism and interpretation ; Johnson, Philip / 1906-2005 ; Wright, Frank Lloyd / 1867-1959 ; Wright, Frank Lloyd ; Johnson, Philip ; Geschichte 1900-2000 ; Geschichte 1900-2000 ; Architecture / United States / History / 20th century ; ARCHITECTURE / History / General ; HISTORY / Americas (North, Central, South, West Indies) ; BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers ; ARCHITECTURE / History / Modern (late 19th Century to 1945) ; ARCHITECTURE / History / Contemporary (1945- ) ; Architecture ; Friendship ; Architektur ; Geschichte ; Architektur ; United States ; USA ; USA ; Wright, Frank Lloyd 1867-1959 ; Johnson, Philip 1906-2005 ; USA ; Architektur ; Geschichte 1900-2000
    Kurzfassung: "In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867-1959) began it with his romantic prairie style; Johnson (1906-2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other"--
    Beschreibung / Inhaltsverzeichnis: Prologue: The master and the maestro -- Part I: a meeting of minds -- Two conversations -- Plotting a comeback -- European travels -- Part II: The MOMA moment -- The new museum -- An invitation issued -- Wright vs. Johnson -- The show must go on -- Part III: Acting out their antagonism -- The banks of Bear Run -- Politics and art -- Wright's Manhattan project -- Philip comes out classical -- The whiskey bottle and the teapot -- Epilogue: A friendly wrangle
    Anmerkung: Includes bibliographical references (pages 285-320) and index
    URL: Cover
    URL: Cover
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  • 33
    ISBN: 9780300214680
    Sprache: Englisch
    Seiten: viii, 281 Seiten , Illustrationen
    Serie: Studies in the history of art 81
    Serie: Center for Advanced Study in the Visual Arts 58
    Serie: Studies in the history of art
    DDC: 704.9/499737
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    Schlagwort(e): Art and war Congresses ; Art and history Congresses ; Collective memory Congresses ; United States Art and the war History Civil War, 1861-1865 ; Congresses ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Sezessionskrieg ; Kollektives Gedächtnis ; Kunst ; Geschichte 1861-2000 ; USA ; Sezessionskrieg ; Schwarze ; Rassenkonflikt ; Kollektives Gedächtnis ; Kunst ; Gedenkstätte ; Kriegerdenkmal
    Anmerkung: Includes index , Rückseite Titelblatt: "Proceedings of the symposium "The Civil War in Art and Memory," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Arthur Vining Davis Foundations. The symposium was held November 8-9, 2013, in Washington" , Konferenzschrift zum Symposium Civil War in Art and Memory
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  • 34
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Sprache: Englisch
    Seiten: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Schlagwort(e): Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Kurzfassung: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Kurzfassung: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Anmerkung: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 35
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    Newcastle upon Tyne : Cambridge Scholars Publishing
    ISBN: 9781443883757 , 1443883751
    Sprache: Englisch
    Seiten: xxv, 182 Seiten, 38 ungezählte Seiten , Illustrationen
    DDC: 306.09
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunst ; Politik ; Gesellschaft ; Geschichte 1914-1970 ; USA ; Kunst ; Politik ; Gesellschaft ; Geschichte 1914-1970
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  • 36
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    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469607542
    Sprache: Englisch
    Seiten: XII, 274 S. , Ill.
    Zusätzliches Material: 1 CD (audio ; 12 cm), 1 DVD (12 cm)
    DDC: 810.8/0975
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    Schlagwort(e): American literature ; Southern States Literary collections ; USA ; Englisch ; Literatur ; Schriftsteller ; Schriftstellerin
    Anmerkung: CDs enth.: Musikbeispiele, Film , Includes bibliographical references and index -- Includes filmography
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  • 37
    ISBN: 89-9371930-6 , 978-89-9371930-7
    Sprache: Englisch , Koreanisch
    Seiten: 231 S. , Ill., Kt. , 28 cm
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    Schlagwort(e): Traditionale Kultur ; Sammlung ; Kunstwerk ; Korea ; USA ; Ausstellungskatalog Special Exhibition Gallery of the National Museum of Korea 05.06.2012-05.08.2012 ; Ausstellungskatalog Special Exhibition Gallery of the National Museum of Korea 05.06.2012-05.08.2012 ; Ausstellungskatalog Special Exhibition Gallery of the National Museum of Korea 05.06.2012-05.08.2012 ; Korea ; Traditionale Kultur ; Kunstwerk ; USA ; Sammlung
    Anmerkung: Includes bibliographical references. - Text in Korean and English
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  • 38
    ISBN: 8993719306 , 9788993719307
    Sprache: Koreanisch , Englisch
    Seiten: 231 S. , Ill., Kt. , 28 cm
    Ausgabe: Ch'op'an
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    Schlagwort(e): Art, Korean Exhibitions ; Art, Korean Exhibitions ; Ausstellungskatalog 2012 ; Ausstellungskatalog 2012 ; Korea ; Kunst ; USA
    Anmerkung: Korean. Schreibweise der Ausstellung: 미국, 한국미술을 만나다 , Includes bibliographical references. - Text in Korean and English , Erscheinungsjahr in Vorlageform:c2012 , Text in Korean and English
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  • 39
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    Amherst [u.a.] :Univ. of Massachusetts Press,
    ISBN: 978-1-55849-875-4
    Sprache: Englisch
    Seiten: XV, 205 S., [8] Bl. : , Ill.
    DDC: 704.0396073
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    Schlagwort(e): Geschichte 1927-2011 ; Gesellschaft ; Art museums Social aspects ; African American art Exhibitions ; Social aspects ; Art and society ; Art and race ; Schwarze. ; Künstler. ; Kunstmuseum. ; USA ; USA. ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Schwarze ; Künstler ; Kunstmuseum ; Geschichte 1927-2011
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (Inhaltsverzeichnis)
    URL: Volltext  (Inhaltsverzeichnis)
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  • 40
    Sprache: Deutsch
    Seiten: II, 368, XIV S. , Ill.
    Ausgabe: [Mikrofiche-Ausg.]
    Ausgabe: Mikroform-Ausgabe 2011 4 Mikrofiches : 24x Mikrofiche-Ausg.:
    Paralleltitel: Reproduktion von Park-Gessner, Susann, 1976- American Self-Fashioning
    Dissertationsvermerk: Berlin, Freie Univ., Diss., 2011
    DDC: 391.00973
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    Schlagwort(e): Geschichte 1776-1945 ; Kleidung ; Mode ; Anerkennung ; Identität ; USA ; Hochschulschrift ; USA ; Kleidung ; Mode ; Identität ; Anerkennung ; Geschichte 1776-1945
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  • 41
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9780822391524
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 254 Seiten) , Illustrationen
    Serie: Perverse modernities
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896073
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    Schlagwort(e): Sexualität ; Gewalt ; Massenkultur ; Schwarze Frau ; Sklaverei ; USA ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Anmerkung: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 42
    Buch
    Buch
    Chicago : The University of Chicago Press
    ISBN: 0226102378 , 0226102386 , 9780226102375 , 9780226102382
    Sprache: Englisch
    Seiten: XII, 240 S.
    Suppl.: Rezensiert in Schorey, Shannon Trosper Review: Enabling Creative Chaos: The Organization Behind the Burning Man Event, by Katherine K. Chen 2011
    DDC: 394.2509793/54
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    Schlagwort(e): Black Rock City, LLC Management ; Burning Man (Festival) Management ; Art festivals Management ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunst ; Geschichte 2005-2007
    Beschreibung / Inhaltsverzeichnis: Introduction: the perils of under- and overorganizing -- Context: the development of the Burning Man event and organization -- Reflexive organizing: incorporating suggestions and criticisms -- Radical inclusion: attracting and placing members -- No spectators: motivating members to contribute -- Managing relations in the pursuit of legitimacy -- Conclusion: sustaining creative chaos -- Appendix 1. Ethnography and qualitative research -- Appendix 2. Interview protocols.
    Anmerkung: Includes bibliographical references and index
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  • 43
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    Newark : Univ. of Delaware Press
    ISBN: 9780874139617 , 0874139619
    Sprache: Englisch
    Seiten: 220 S. , zahlr. Ill. , 29 cm
    Serie: The University of Delaware Press studies in seventeenth- and eighteenth-century art and culture
    DDC: 306.47
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    Schlagwort(e): Geschichte 1675-1800 ; Illustration ; USA
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  • 44
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 0822338505 , 0822338661 , 9780822338505 , 9780822338666
    Sprache: Englisch
    Seiten: XXX, 235 S. , Ill. (überw. farb.) , 26 cm
    Serie: Objects/histories
    DDC: 759.13
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    Schlagwort(e): Indian painting ; Modernism (Art) ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Indianer ; Malerei ; Moderne ; Geschichte 1940-1960
    Beschreibung / Inhaltsverzeichnis: Art and modern Indian policyThe culture brokers : the Pueblo paintings of José Lente and Jimmy Byrnes -- "Our inter-American consciousness" : Barnett Newman and the primitive universal -- The importance of place : the Ojibwe modernism of Patrick Desjarlait and George Morrison -- Becoming Indian : the self-invention of Yeffe Kimball -- "A fine painting-- but not Indian" : Oscar Howe, Dick West, and native American modernism -- Making modern native American artists.
    Beschreibung / Inhaltsverzeichnis: Art and modern Indian policy -- The culture brokers : the Pueblo paintings of José Lente and Jimmy Byrnes -- "Our inter-American consciousness" : Barnett Newman and the primitive universal -- The importance of place : the Ojibwe modernism of Patrick Desjarlait and George Morrison -- Becoming Indian : the self-invention of Yeffe Kimball -- "A fine painting-- but not Indian" : Oscar Howe, Dick West, and native American modernism -- Making modern native American artists
    Anmerkung: Includes bibliographical references (p. [217]-225) and index
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  • 45
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 019516721X , 9780195167214
    Sprache: Englisch
    Seiten: 354 S , Ill , 29 cm
    DDC: 704.04208996073
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    Schlagwort(e): African American art ; African American women artists ; Bibliografie ; Bibliografie ; USA ; Schwarze ; Frau ; Kunst
    Anmerkung: Literaturverz. S. [325] - 329
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  • 46
    ISBN: 0300109245 , 0300109253
    Sprache: Englisch
    Seiten: 376 S. , zahlr. Ill
    DDC: 940.5488
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    Schlagwort(e): Geschichte 1931-1945 ; Mode ; Krieg ; Kunst ; Kleidung ; Geschichte ; Militär ; Großbritannien ; Japan ; USA ; Geschichte 1931-1945 ; Ausstellung ; Ausstellungskatalog Allentown Art Museum 08.10.2006-07.01.2007 ; Ausstellungskatalog Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture 18.11.2005-05.02.2006 ; Ausstellungskatalog ; Ausstellungskatalog Allentown Art Museum 08.10.2006-07.01.2007 ; Ausstellungskatalog Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture 18.11.2005-05.02.2006 ; Ausstellungskatalog Allentown Art Museum 08.10.2006-07.01.2007 ; Ausstellungskatalog Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture 18.11.2005-05.02.2006 ; Ausstellungskatalog ; Japan ; Großbritannien ; USA ; Mode ; Militär ; Krieg ; Geschichte 1931-1945 ; Japan ; Mode ; Kleidung ; Geschichte 1931-1945 ; Japan ; Kunst ; Geschichte ; Geschichte 1931-1945 ; Großbritannien ; Mode ; Kleidung ; Geschichte 1931-1945 ; Großbritannien ; Kunst ; Geschichte ; Geschichte 1931-1945 ; USA ; Mode ; Kleidung ; Geschichte 1931-1945 ; USA ; Krieg ; Geschichte 1931-1945 ; USA ; Mode ; Kleidung ; Geschichte 1931-1945 ; USA ; Kunst ; Geschichte ; Geschichte 1931-1945
    Anmerkung: Ausst.: Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture 〈New York, NY〉 : 18.11.2005-5.2.2006 , Ausst.: Allentown Art Museum : 8.10.2006-7.1.2007
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  • 47
  • 48
    Buch
    Buch
    London : Thames & Hudson
    ISBN: 0500203776
    Sprache: Englisch
    Seiten: 232 S. , zahlr. Ill. , 21cm
    Serie: Thames & Hudson world of art
    DDC: 745.08997
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    Schlagwort(e): Indian art North America ; Indians of North America Material culture ; Indians of North America Antiquities ; Indian art North America ; Indians of North America Material culture ; Indians of North America Antiquities ; North America Antiquities ; North America Antiquities ; Eskimo ; Indianer ; Kanada ; USA ; Kunst
    Anmerkung: Literaturverz
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  • 49
    Buch
    Buch
    Westport, Conn. [u.a.] : Greenwood Press
    ISBN: 0313326827 , 9780313333286
    Sprache: Englisch
    Seiten: XLV, 321 S. , Ill.
    DDC: 304.873
    RVK:
    Schlagwort(e): Geschichte ; Einwanderung ; Einwanderungspolitik ; Ellis Island ; USA ; Wörterbuch ; Wörterbuch ; Wörterbuch ; Wörterbuch ; Wörterbuch ; Wörterbuch
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  • 50
    Buch
    Buch
    Westport, CT : Bergin & Garvey
    ISBN: 0897898109
    Sprache: Englisch
    Seiten: XVI, 225 S. , Ill.
    DDC: 306.1
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    Schlagwort(e): African American youth Social life and customs ; African American youth Social conditions ; Hip-hop ; Graffiti Social aspects ; United States ; African American arts ; Young artists United States ; Interviews ; African American United States ; Interviews ; USA ; Pop-Kultur ; Graffito
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  • 51
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    Buch
    Boulder [u.a.] : Westview Press
    ISBN: 0813397650
    Sprache: Englisch
    Seiten: X, 206 S. , Ill.
    Ausgabe: 2. ed.
    DDC: 720.47
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    Schlagwort(e): Zivilisation ; Symbol ; Architektur ; Umwelt ; USA ; USA ; Zivilisation ; Symbol ; USA ; Architektur ; Umwelt ; Symbol
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  • 52
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    Buch
    New York [u.a.] : Free Press
    ISBN: 0684813548
    Sprache: Englisch
    Seiten: 288 S. , Ill.
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    Schlagwort(e): Geschichte ; Modern Jazz ; Bebop ; Geschichte ; USA ; USA ; Bebop ; Geschichte ; USA ; Bebop ; Geschichte ; Modern Jazz
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  • 53
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    Buch
    London [u.a.] : Tauris
    ISBN: 1860643825
    Sprache: Englisch
    Seiten: X, 258 S. , Ill.
    DDC: 306.4/7/08996041
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1980-1999 ; Art, Black ; Art, British 20th century ; Blacks in art ; Multiculturalism in art ; Postmodernism ; Schwarze ; Kultur ; Visuelle Wahrnehmung ; Großbritannien ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kultur ; Schwarze ; USA ; Schwarze ; Kultur ; Visuelle Wahrnehmung ; Geschichte 1980-1999
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  • 54
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    Buch
    Cambridge, Mass. [u.a.] : MIT
    ISBN: 0262062097
    Sprache: Englisch
    Seiten: XIII, 453 S , Ill , 24 cm
    DDC: 701/.03
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    Schlagwort(e): Public art ; Art, American 20th century ; Art Commissioning ; Community arts projects ; Artists Interviews ; Interview ; USA ; Kunst ; Öffentlicher Raum ; Künstler
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  • 55
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    Buch
    New Haven, Conn. [u.a.] : Yale Univ. Press
    ISBN: 0300070454
    Sprache: Englisch
    Seiten: IX, 198 S. , zahlr. Ill.
    DDC: 720
    RVK:
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    Schlagwort(e): Geschichte 1850-1950 ; Architektur ; Gesellschaft ; Öffentlichkeit ; USA
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  • 56
    Buch
    Buch
    New York [u.a.] : New York Univ. Press
    ISBN: 0814793517 , 0814793509
    Sprache: Englisch
    Seiten: 316 S. , Ill.
    DDC: 306.47097309045
    RVK:
    Schlagwort(e): Geschichte 1980-1999 ; Kunst ; Ästhetik ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 57
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    Buch
    Seattle [u.a.] : Univ. of Washington Press
    ISBN: 0295976462
    Sprache: Englisch
    Seiten: 112 S , überw. Ill., Kt
    Serie: Asian art & culture
    DDC: 700.95209044
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    Schlagwort(e): Japan ; USA ; Kunstsoziologie ; Kultur ; Geschichte 1945-1952
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  • 58
    Buch
    Buch
    Washington, DC : Smithsonian Inst.
    ISBN: 1891739018 , 1891739026
    Sprache: Englisch
    Seiten: 182 S. , Ill.
    DDC: 745/.09593/074753
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    Schlagwort(e): Sammlung ; König ; Geschenk ; Kunstwerk ; Thailand ; USA ; Katalog ; Katalog ; Katalog ; König ; Thailand ; Geschenk ; USA ; Kunstwerk ; Sammlung
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  • 59
    Buch
    Buch
    Lincoln [u.a.] : Univ. of Nebraska Press
    ISBN: 080321037X
    Sprache: Englisch
    Seiten: XXII, 310 S , 36 Ill. (z.T. farb.) , 23 cm
    Serie: American Indian Lives Series
    DDC: 704/.0397073/0904
    RVK:
    Schlagwort(e): Indian artists Interviews ; Indian art 20th century ; Interview ; Interview ; Interview ; USA ; Indianer ; Maler
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  • 60
    ISBN: 2232103463
    Sprache: Französisch
    Seiten: 271 S , zahlr. Ill
    DDC: 708
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    Schlagwort(e): Arts, Modern 20th century ; Arts France ; Paris ; Kulturbeziehungen ; Kulturinstitut ; Ausland ; Kulturaustausch ; Kultur ; Anwesenheit ; Akkulturation ; Kulturübertragung ; Frankreich ; USA ; Centre culturel américain (Paris, France) ; History ; American Center ; Geschichte 1934-1994
    Anmerkung: Literaturverz. S. 264 - 268
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  • 61
    Buch
    Buch
    Milano : Scheiwiller
    Sprache: Italienisch
    Seiten: 308 S. , Ill.
    Serie: Presenze straniere nella vita e nella storia d'Italia 1
    Serie: Presenze straniere nella vita e nella storia d'Italia
    DDC: 303.48245073
    RVK:
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    Schlagwort(e): Geschichte ; Americans History ; Italien ; Italy Civilization ; American influences ; Italien ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Italien
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  • 62
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    Buch
    Baltimore [u.a.] : Johns Hopkins Univ. Press
    ISBN: 0801840686
    Sprache: Englisch
    Seiten: XXIII, 293 S. , Ill. , 26 cm
    Serie: Creating the North American landscape
    DDC: 393.10973
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    Schlagwort(e): Funeral rites and ceremonies United States ; Cemeteries Landscape architecture ; United States ; United States Social life and customs ; USA ; Friedhof ; Geschichte 1796-1990 ; Geschichte
    Beschreibung / Inhaltsverzeichnis: Includes bibliographical references S. 275 - 281 and index
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  • 63
    Buch
    Buch
    Baltimore [u.a.] : Johns Hopkins Univ. Press
    ISBN: 0801840686
    Sprache: Englisch
    Seiten: XXIII, 293 S. , Ill.
    Serie: Creating the North American landscape
    DDC: 393.10973
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    Schlagwort(e): Geschichte 1796-1990 ; Friedhof ; USA
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  • 64
    Buch
    Buch
    New York, NY : Princeton Architectural Press
    ISBN: 0910413223
    Sprache: Englisch
    Seiten: IX, 129 S. , überwiegend Ill.
    DDC: 363.7/5/0973
    RVK:
    Schlagwort(e): Cimetières - États-Unis ; Monuments funéraires - États-Unis ; Cemeteries United States ; Sepulchral monuments ; Geschichte ; Friedhof ; USA ; USA ; Bildband ; Bildband ; Bildband ; USA ; Friedhof ; Geschichte
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  • 65
    Buch
    Buch
    New York : Princeton Architectural Press
    ISBN: 0910413223
    Sprache: Englisch
    Seiten: IX, 129 S. , zahlr. Ill.
    DDC: 363.7/5/0973
    RVK:
    Schlagwort(e): Cemeteries United States ; Sepulchral monuments ; USA ; Friedhof ; Geschichte ; Soziologie
    Anmerkung: Bibliographie S. [124] - 129
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  • 66
    Online-Ressource
    Online-Ressource
    New York : Metropolitan Museum of Art [u.a.]
    ISBN: 0870995340
    Sprache: Englisch
    Seiten: 1 Online-Ressource (87 Seiten)
    Paralleltitel: Erscheint auch als From Queen to Empress
    DDC: 390/.00941/07401471
    RVK:
    Schlagwort(e): Ausstellungskatalog Metropolitan Museum of Art New York 15.10.1988-16.04.1989 ; Ausstellungskatalog ; Ausstellungskatalog Metropolitan Museum of Art New York 15.10.1988-16.04.1989 ; Ausstellungskatalog ; Großbritannien ; Mode ; Geschichte 1837-1877 ; USA ; Mode ; Geschichte 1837-1877
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 67
    ISBN: 9780262021869 , 9780262521116 , 0262021862 , 0262521113
    Sprache: Englisch
    Seiten: XII, 331 Seiten
    Ausgabe: 1. paperback edition
    RVK:
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    Schlagwort(e): Geschichte 1890-1945 ; Geschichte 1800-2000 ; Städtebau ; Stadtplanung ; Geschichte ; USA ; USA ; Stadtplanung ; Geschichte 1890-1945 ; USA ; Stadtplanung ; Geschichte ; USA ; Städtebau ; Geschichte 1800-2000
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  • 68
    Buch
    Buch
    Stuttgart : Dt. Verl.-Anst.
    ISBN: 3421028133
    Sprache: Deutsch
    Seiten: 191 S. , zahlr. Ill.
    Originaltitel: The skyscraper
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    Schlagwort(e): Geschichte 1800-2000 ; Geschichte 1846-1980 ; Geschichte 1887-1983 ; Hochhaus ; Geschichte ; Architektur ; USA ; Bildband ; Bildband ; USA ; Hochhaus ; Geschichte 1887-1983 ; Hochhaus ; USA ; Geschichte ; USA ; Hochhaus ; Geschichte 1846-1980 ; USA ; Hochhaus ; Geschichte 1800-2000 ; USA ; Architektur ; Geschichte 1800-2000 ; Hochhaus ; Architektur
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  • 69
    Buch
    Buch
    [Omaha, Neb.] : Joslyn Art Museum [u.a.]
    ISBN: 0803211856
    Sprache: Englisch
    Seiten: VIII, 376 S. , überwiegend Ill., Kt.
    DDC: 759.9494
    RVK:
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    Schlagwort(e): Bodmer, Karl 〈1809-1893〉 ; Bodmer, Karl ; Watercolorists Biography ; Nordamerika ; Aquarell ; Zeichnung ; Schweiz ; USA ; United States In art ; West (U.S.) In art ; USA ; Bildband ; Biografie ; Bildband ; Biografie ; Bildband ; Biografie ; Bodmer, Karl 1809-1893 ; Aquarell ; Zeichnung ; Nordamerika ; Bodmer, Karl 1809-1893 ; Aquarell ; USA
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  • 70
    Buch
    Buch
    New Haven [u.a.] : Yale Univ. Press
    ISBN: 0300031386 , 0300035810
    Sprache: Englisch
    Seiten: 165 S. , Ill.
    DDC: 304.20973
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    Schlagwort(e): Kulturlandschaft ; Landschaftsbild ; Landschaft ; USA
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  • 71
    ISBN: 3874905454
    Sprache: Deutsch
    Seiten: 232 S. , Ill.
    RVK:
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    Schlagwort(e): Seyler, Julius ; Geschichte 1800-2000 ; Geschichte 1800-1900 ; Indianer ; Malerei ; USA ; Biografie ; Biografie ; Biografie ; Seyler, Julius 1873-1955 ; Indianer ; Malerei ; USA ; Geschichte 1800-1900 ; Indianer ; Geschichte 1800-2000
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  • 72
    Buch
    Buch
    New York [u.a.] : Harper & Row
    ISBN: 0060908319
    Sprache: Englisch
    Seiten: 299 S. , zahlr. Ill.
    Ausgabe: 1. ed.
    DDC: 728.097
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    Schlagwort(e): Geschichte 1680-1978 ; Architecture, Domestic ; Hausforschung ; Haus ; Architektur ; USA ; USA ; USA ; Hausforschung ; USA ; Haus ; Architektur ; Geschichte 1680-1978
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  • 73
    Buch
    Buch
    Cambridge, Mass. : Harvard Univ. Pr.
    ISBN: 0674316800
    Sprache: Englisch
    Seiten: XIV, 261 S. , 280 Ill.
    DDC: 728
    RVK:
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    Schlagwort(e): Geschichte 1700-1800 ; Geschichte 1600-1700 ; Geschichte 1625-1725 ; Architecture - Massachusetts (Colonie) - 17e siècle ; Architecture - Massachusetts (Colonie) - 18e siècle ; Architecture - États-Unis - Influence anglaise ; Architecture coloniale - Massachusetts (Colonie) ; Architecture domestique - Massachusetts (Colonie) ; Architecture, Colonial - Massachusetts (Colony) ; Architecture, Domestic - Massachusetts (Colony) ; Architecture, Modern - 17th-18th centuries - Massachusetts (Colony) ; Maisons en bois - Massachusetts (Colonie) ; Monuments historiques - Massachusetts ; Wooden-frame houses - Massachusetts (Colony) ; Architektur ; Wooden-frame houses ; Architecture 17th century ; Architecture 18th century ; Architecture, Colonial ; Architecture, Domestic ; Architecture English influences ; Historic buildings ; Haus ; USA ; Massachusetts ; Massachusetts ; Haus ; Geschichte 1625-1725
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  • 74
    ISBN: 3881840052
    Sprache: Deutsch
    Seiten: 84 S. , überw. Ill.
    Ausgabe: 13. - 22. Tsd.
    Originaltitel: Handmade houses, a guide to the woodbutcher's art
    RVK:
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    Schlagwort(e): Alternative Architektur ; USA ; Bildband ; Bildband ; USA ; Alternative Architektur
    Anmerkung: EST: Handmade houses 〈dt.〉
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  • 75
    Buch
    Buch
    New York : Abrams
    ISBN: 0810917505
    Sprache: Englisch
    Seiten: 240 S. , zahlr. Ill.
    DDC: 704.94/9/978
    RVK:
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1800-1976 ; West (U.S.) in art ; Art, American ; Art, Modern 19th century ; Art, Modern 20th century ; Indianer ; Malerei ; Cowboy ; Geschichte ; Moderne ; Kunst ; USA ; West (U.S.) In art ; USA ; Frontier ; USA Weststaaten ; USA ; Kunst ; Moderne ; Cowboy ; Indianer ; Geschichte 1800-1976 ; USA Weststaaten ; Malerei ; Geschichte 1800-1976 ; USA ; Kunst ; Frontier ; Geschichte
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  • 76
    Sprache: Deutsch
    Seiten: VII, 111 S., 20 Abb., VIII Taf. , Ill.
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    Schlagwort(e): Eskimo ; Kunst ; Visuelle Kommunikation ; Expedition ; Russland ; USA ; Polargebiete ; Nordamerika ; Amerika
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