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  • Online Resource  (17)
  • USA  (17)
  • Art History  (17)
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Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Charting the Afrofuturist imaginary in African American art : the black female fantastic (2022)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
    RVK:
    LO 94000
    RVK:
    LH 60250
    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    GBV
    KOBV
  • 2
    Online Resource
    Online Resource
    Taking stakes in the unknown : tracing post-black art (2021)
    Bielefeld : transcript
    Details
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    LO 94037
    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    Online Resource
    BSZ
    GBV
    MPI-MMG
  • 3
    Online Resource
    Online Resource
    Behold the Land : The Black Arts Movement in the South (2021)
    Chapel Hill : University of North Carolina Press
    Details
    ISBN: 9781469663067
    Language: English
    Pages: 1 online resource (245 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser.
    Parallel Title: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
    RVK:
    LO 94000
    RVK:
    LO 94030
    Keywords: Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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    Online Resource
    GBV
  • 4
    Online Resource
    Online Resource
    Grotesque touch : women, violence, and contemporary circum-Caribbean narratives (2021)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
    RVK:
    LO 97100
    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469664644.001.0001
    URL: https://doi.org/10.5149/northcarolina/9781469664644.001.0001
    URL: lizenzpflichtig
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    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
  • 5
    Online Resource
    Online Resource
    Technocrats of the imagination : art, technology, and the military-industrial avant-garde (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478007326
    Language: English
    Pages: 1 Online-Ressource (241 Seiten)
    Parallel Title: Erscheint auch als Beck, John, 1963 - Technocrats of the imagination
    DDC: 700.1/050973
    RVK:
    LH 61100
    RVK:
    LI 99900
    Keywords: Technology and the arts History 20th century ; Military-industrial complex ; Arts Experimental methods ; Art / Criticism & Theory ; Electronic books ; USA ; Medienkunst ; Militärtechnik ; Geschichte 1960-1969 ; Experiments in Art and Technology ; Laboratorium ; Militär
    Abstract: Science, Art, Democracy -- A Laboratory of Form and Movement: Institutionalizing Emancipatory Technicity at MIT -- The Hands-on Approach: Engineering Collaboration at E.A.T. -- Feedback: Expertise, LACMA and the Think-Tank -- How to Make the World Work -- Heritage of Our Times.
    Abstract: "TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdis ...
    Note: A cultural politics book , Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Inhaltsverzeichnis
    URL: Cover  (Thumbnail cover image)
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    MPI Ethno. Forsch.
  • 6
    Online Resource
    Online Resource
    The Black Arts Movement and the Black Panther Party in American Visual Culture (2019)
    Boca Raton, FL : Routledge,
    Details
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
    RVK:
    HD 474
    RVK:
    LO 94000
    RVK:
    MS 3450
    RVK:
    HU 1728
    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
    DOI: 10.4324/9780429467851
    URL: lizenzpflichtig
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  • 7
    Online Resource
    Online Resource
    Beyond chinoiserie : artistic exchange between China and the west during the late qing dynasty (1796-1911) (2018)
    Leiden : BRILL | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9789004387836
    Language: English
    Pages: 1 Online-Ressource (339 Seiten)
    Series Statement: East and West: culture, diplomacy and interactions volume 4
    DDC: 909/.09821
    RVK:
    LO 88900
    Keywords: Kunst ; Rezeption ; China ; Europa ; USA
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 8
    Online Resource
    Online Resource
    Urban transformations in the U.S.A : spaces, communities, representations (2016)
    Bielefeld : transcript | Berlin, Germany : Walter de Gruyter GmbH
    Details
    ISBN: 9783839431115
    Language: English
    Pages: 1 Online-Ressource (425 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: Urban studies
    DDC: 300
    RVK:
    LB 73000
    RVK:
    LO 96630
    RVK:
    MS 1750
    RVK:
    MS 1780
    RVK:
    MS 1820
    RVK:
    RB 10906
    RVK:
    RU 10627
    Keywords: Geschichte 1880-2015 ; Literatur ; Amerikabild ; Stadt ; Stadt ; Soziokultureller Wandel ; America ; American Culture ; American Literature ; Cities ; City ; Cultural Geography ; Social Geography ; Sociology ; Urban Studies ; USA ; USA ; Aufsatzsammlung
    Abstract: How did American cities change throughout the 20th and early 21st century? This timely publication integrates research from American Literary and Cultural Studies, Urban Studies and History. The essays range from negotiations of the »ethnic city« in US literature and media, to studies of recent urban phenomena and their representations: gentrification, re-appropriation and conversion of urban spaces in the USA. These interdisciplinary and intercultural perspectives on American cities provide unique points of access for studying the complex narratives of urban transformation.
    Note: Literaturangaben
    DOI: 10.1515/9783839431115
    URN: urn:nbn:de:101:1-201607311731
    URL: http://d-nb.info/1109538626/34
    URL: http://dx.doi.org/10.1515/9783839431115?locatt=mode:legacy
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839431115
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    Online Resource
    HU Berlin
    HeBIS
  • 9
    Online Resource
    Online Resource
    Exhibiting blackness : African Americans and the American art museum (2011)
    Amherst ; Boston : University of Massachusetts Press
    Details
    ISBN: 9781613760062
    Language: English
    Pages: 1 Online-Ressource (XV, 205 Seiten, 8 ungezählte Seiten Tafeln) , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LB 48610
    RVK:
    HD 575
    RVK:
    LO 94030
    Keywords: Geschichte 1927-2011 ; Art museums Social aspects ; African American art Exhibitions ; Social aspects ; Art and society ; Art and race ; Schwarze ; Kunstmuseum ; Künstler ; USA ; USA ; Schwarze ; Künstler ; Kunstmuseum ; Geschichte 1927-2011
    URL: Inhaltsverzeichnis
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    Online Resource
    HBZ
  • 10
    Online Resource
    Online Resource
    Welcome to the Jungle : new positions in black cultural studies (2010)
    New York ; London : Taylor and Francis
    Details
    ISBN: 9780203700594
    Language: English
    Pages: 1 Online-Ressource (viii, 339 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896041
    RVK:
    HU 1728
    RVK:
    LH 61100
    RVK:
    LO 94036
    RVK:
    MS 3450
    Keywords: Geschichte 1900-2000 ; African American arts / 20th century ; African Americans / Race identity ; Arts, Black / Great Britain / 20th century ; Arts, British / 20th century ; Blacks / Race identity / Great Britain ; Schwarze. USA ; Schwarze ; Kultur ; Großbritannien ; USA ; Großbritannien ; USA ; Kultur ; Schwarze ; Großbritannien ; Kultur ; Schwarze
    DOI: 10.4324/9780203700594
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    BVB
  • 11
    Online Resource
    Online Resource
    Monstrous intimacies : making post-slavery subjects (2010)
    Durham : Duke University Press
    Details
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
    RVK:
    HR 1728
    RVK:
    LO 94030
    RVK:
    MS 3450
    RVK:
    NW 8295
    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
    URL: lizenzpflichtig
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  • 12
    Online Resource
    Online Resource
    Monstrous intimacies : making post-slavery subjects (2010)
    Durham : Duke University Press
    Details
    ISBN: 9780822391524
    Language: English
    Pages: 1 Online-Ressource (XI, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    RVK:
    LO 94030
    RVK:
    HR 1728
    RVK:
    MS 3450
    RVK:
    NW 8295
    RVK:
    MS 1660
    Keywords: Sexualität ; Gewalt ; Massenkultur ; Schwarze Frau ; Sklaverei ; USA ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    DOI: 10.1215/9780822391524
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822391524
    URL: https://www.degruyter.com/isbn/9780822391524
    URL: Cover
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    KOBV
    HeBIS
    BVB
    Bayreuth UB
  • 13
    Online Resource
    Online Resource
    The Indian craze : primitivism, modernism, and transculturation in American art, 1890-1915 (2009)
    Durham : Duke University Press | The Hague : OAPEN Foundation
    Details
    ISBN: 9781478090786 , 1478090782
    Language: English
    Pages: 1 Online-Ressource (xv, 277 Seiten) , Illustrationen
    Series Statement: Objects/histories
    Parallel Title: Erscheint auch als Hutchinson, Elizabeth, 1966 - The Indian craze
    DDC: 709/.01/1
    RVK:
    LO 96730
    Keywords: Indianer ; Kunst ; Rezeption ; USA ; Künstler ; Gesellschaft ; Geschichte 1890-1915 ; USA ; Indianer ; Künstler ; Geschichte 1890-1915
    Note: Literaturverzeichnis: Seite 263-265
    URL: kostenfrei
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    Online Resource
    MPI Ethno. Forsch.
  • 14
    Online Resource
    Online Resource
    Enabling creative chaos : the organization behind the Burning Man event (2009)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226102394 , 9780226102399
    Language: English
    Pages: 1 Online-Ressource (xii, 240 pages, [12] pages of plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 394.2509793/54
    RVK:
    LO 94037
    RVK:
    LR 56600
    Keywords: Burning Man (Festival) / Management ; Burning Man (Festival) Management ; Black Rock City, LLC Management ; Geschichte 2005-2007 ; SOCIAL SCIENCE / Customs & Traditions ; Art festivals Management ; Kunst ; USA ; Aufsatzsammlung ; USA ; Kunst ; Geschichte 2005-2007
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references and index , Introduction: the perils of under- and overorganizing -- Context: the development of the Burning Man event and organization -- Reflexive organizing: incorporating suggestions and criticisms -- Radical inclusion: attracting and placing members -- No spectators: motivating members to contribute -- Managing relations in the pursuit of legitimacy -- Conclusion: sustaining creative chaos -- Appendix 1. Ethnography and qualitative research -- Appendix 2. Interview protocols , In the summer of 2008, nearly fifty thousand people traveled to Nevada's Black Rock Desert to participate in the countercultural arts event Burning Man. Founded on a commitment to expression and community, the annual weeklong festival presents unique challenges to its organizers. Over four years Katherine K. Chen regularly participated in organizing efforts to safely and successfully create a temporary community in the middle of the desert under the hot August sun. Enabling Creative Chaos tracks how a small, underfunded group of organizers transformed into an unconventional corporation with a ten-million-dollar budget and two thousand volunteers. Over the years, Burning Man's organizers have experimented with different management models; learned how to recruit, motivate, and retain volunteers; and developed strategies to handle regulatory agencies and respond to media coverage. This remarkable evolution, Chen reveals, offers important lessons for managers in any organization, particularly in uncertain times
    URL: Volltext
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    BVB
  • 15
    Online Resource
    Online Resource
    Real Photo Postcards : Unbelievable Images from the Collection of Harvey Tulcensky (2005)
    New York, NY : Harvey Tulcensky and Laetitia Wolff
    Details
    ISBN: 9781568986654
    Language: English
    Pages: Online-Ressource , v.: digital
    Edition: Online-Ausg. Springer eBook Collection. Humanities, Social Science and Law Electronic reproduction; Available via World Wide Web
    DDC: 973.91/022/2
    RVK:
    LH 29912
    RVK:
    LH 98350
    Keywords: Humanities ; Arts ; Bildband ; USA ; Soziale Wirklichkeit ; Alltag ; Fotografie ; Sammlung ; Geschichte 1900-2000 ; Postkarte
    Abstract: It may be hard to believe, but there actually was a time when the postcard image was not a cliche. To reach it, you'll have to set your clock back to the end of the nineteenth century, when an Act of Congress allowed Americans to mail a card for just one cent. A few years later, Kodak introduced an easy-to-use and affordable folding camera that put postcard power into the hands of ordinary citizens, setting off a craze.
    Note: A selection of these cards was first exhibited under the title Postmarked at the K.S. Art Gallery, New York, May 2004 , Includes interview with artist , Electronic reproduction; Available via World Wide Web
    DOI: 10.1007/1-56898-665-3
    URL: Volltext  (lizenzpflichtig)
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    Online Resource
    MPI Ethno. Forsch.
  • 16
    Online Resource
    Online Resource
    Recording conceptual art : early interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner (2001)
    Berkeley : University of California Press
    Details
    ISBN: 0585389659 , 9780585389653 , 9780520935273 , 0520935276
    Language: English
    Pages: xv, 162 p , ill , 26 cm
    Edition: Boulder, Colo NetLibrary 2002 Online-Ressource E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version Recording conceptual art
    Parallel Title: Druckausg. Recording conceptual art
    RVK:
    LO 96696
    RVK:
    LH 65829
    RVK:
    LO 94036
    RVK:
    LH 65827
    RVK:
    LH 65870
    Keywords: Conceptual art ; Artists Interviews. ; Conceptual art United States ; Artists Interviews ; United States ; United States ; Conceptual art ; Artists Interviews ; Artists Interviews ; Conceptual art ; Conceptual art ; Artists Interviews. ; Conceptual art United States ; Artists United States ; Interviews ; Conceptual art ; Conceptuele kunst ; Interviews ; Interviews (vorm) ; ART ; Conceptual ; Artists ; Interview ; Concept-art ; Künstler ; United States ; Verenigde Staten ; USA ; Electronic books. ; Electronic books. ; Electronic books Interviews ; Interview ; USA ; Concept-art ; Künstler ; Interview ; USA ; Concept-art ; Künstler
    Abstract: Preliminaries; LIST OF ILLUSTRATIONS; ACKNOWLEDGMENTS; PREFACE; INTRODUCTION; INTRODUCTION TO ELEVEN INTERVIEWS; NOTE ON THE INTERVIEWS; Dennis Oppenheim; Seth Siegelaub; Robert Morris; Stephen Kaltenbach; Robert Barry; Lawrence Weiner; Sol LeWitt; Robert Smithson; Douglas Huebler; INDEX.
    Abstract: Recording Conceptual Art features a highly provocative series of previously unpublished interviews conducted in early 1969 with some of the most dynamic, daring, and innovative artists of the tumultuous 1960s. The nine individuals--eight artists and one art dealer--are now known as major contributors to Conceptual art
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2002
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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    MPI Ethno. Forsch.
  • 17
    Online Resource
    Online Resource
    From Queen to empress : Victorian dress 1837 - 1877 ; Costume Institue, New York: 15.12.1988 - 16.4.1989 (1989)
    New York : Metropolitan Museum of Art [u.a.]
    Details
    ISBN: 0870995340
    Language: English
    Pages: 1 Online-Ressource (87 Seiten)
    Parallel Title: Erscheint auch als From Queen to Empress
    DDC: 390/.00941/07401471
    RVK:
    LO 62906
    Keywords: Ausstellungskatalog Metropolitan Museum of Art New York 15.10.1988-16.04.1989 ; Ausstellungskatalog ; Ausstellungskatalog Metropolitan Museum of Art New York 15.10.1988-16.04.1989 ; Ausstellungskatalog ; Großbritannien ; Mode ; Geschichte 1837-1877 ; USA ; Mode ; Geschichte 1837-1877
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    BSZ
    GBV
    KOBV
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