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  • MPI Ethno. Forsch.  (45)
  • Amsterdam : Amsterdam University Press  (45)
  • PERFORMING ARTS ; Film & Video ; General  (29)
  • Europa
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  • 1
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    European Women's Letter-writing from the Eleventh to the Twentieth Centuries (2023)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048556427
    Sprache: Englisch
    Seiten: 1 Online-Ressource (296 Seiten)
    Paralleltitel: Erscheint auch als Monagle, Clare, 1973 - European Women's Letter-writing from the Eleventh to the Twentieth Centuries
    DDC: 809.6
    Schlagwort(e): 1500 bis heute ; Christi Geburt bis 1500 nach Chr ; Modern period, c 1500 onwards ; c 500 CE to c 1000 CE ; Gender Studies: Frauen und Mädchen ; Gender studies: women ; HIS058000 ; HISTORY / Social History ; LITERARY CRITICISM / European / General ; LITERARY CRITICISM / Women Authors ; Literary studies: fiction, novelists & prose writers ; Literaturwissenschaft: Prosa, Erzählung, Roman, Autoren ; SOCIAL SCIENCE / Sociology / Marriage & Family ; SOCIAL SCIENCE / Women's Studies ; Social & cultural history ; Sociology: family & relationships ; Sozial- und Kulturgeschichte ; Soziologie: Familie und Beziehungen ; Europa ; Europe
    Kurzfassung: This book reveals the importance of personal letters in the history of European women between the year 1000 and the advent of the telephone. It explores the changing ways that women used correspondence for self-expression and political mobilization over this period, enabling them to navigate the myriad gendered restrictions that limited women s engagement in the world. Whether written from the medieval cloister, or the renaissance court, or the artisan s workshop, or the drawing room, letters crossed geographical and social distance and were mobile in ways that women themselves could not always be. Women wrote to govern, to argue, to plead, and to demand. They also wrote to express love and intimacy, and in so doing, to explain and to understand themselves. This book argues that the personal letter was a crucial place for European women s self-fashioning, and that exploring the history of their letters offers a profound insight into their subjectivity and agency over time
    Beschreibung / Inhaltsverzeichnis: Introduction 1 Authority and the Self: the Letters of Medieval Women 2 The Rise of Vernacular Letter-writing 3 The Triumph of the Familiar Letter 4 Intimate Letters Epilogue Acknowledgements Bibliography Endnotes
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  • 2
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    Dynasties and State Formation in Early Modern Europe (2023)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9048554039 , 9789048554034
    Sprache: Englisch
    Seiten: 1 Online-Ressource (316 pages)
    Serie: Early Modern Court Studies
    Paralleltitel: Erscheint auch als Dynasties and state formation in early modern Europe
    Schlagwort(e): Royal houses History ; Monarchy History ; European history ; Early modern history: c 1450/1500 to c 1700 ; HISTORY / Europe / General ; HISTORY / Modern / 17th Century ; HISTORY / Modern / 18th Century ; Political structure and processes ; European history ; Social and cultural history ; Europe History 1492-1648 ; History, Art History, and Archaeology ; HIS ; Early Modern Studies ; EARLY MOD ; Politics and Government ; POL & GOV ; State Formation, Dynasties, Conglomerate States ; Aufsatzsammlung ; Europa ; Dynastie ; Staat ; Entstehung ; Geschichte 1500-1800
    Kurzfassung: In state formation research, princely houses have been a blind spot. The development of states has been discussed from many perspectives, like interstate competition, internal social conflicts, fiscal-military developments, etc., but at the centre of most European states, there was a princely house. These ruling houses have been overlooked in studies about state formation. What's more, when discussing such dynasties, the vertical chronological perspective (grandfather-father-son) is all dominating, for instance in the focus on dynastic continuity, dynastic culture and representation, and the like. This collection of essays highlights the horizontal perspective (ruler, all children, siblings, cousins), in asking how the members of a princely family acted as a power network. The quest is to develop an understanding how this family network interplayed with other factors in the state formation process. This volume brings together existing knowledge of the topic with the aim of exchanging insights and furthering knowledge
    Anmerkung: "Amsterdam University Press" , 1. Building Dynasties, Shaping States: Dynasty and State Formation in Early Modern Europe (Liesbeth Geevers and Harald Gustafsson) 2. Divine Right of Dynasty. Deposing the God-Given Monarch in Protestant Europe (Cathleen Sarti) 3. Presence Makes the Heart Grow Fonder: Proximity and the Creation of Dynasty (Fabian Persson) 4. The Austrian Nephews: The Offspring of Maximilian II and Maria of Austria at the Service of the Spanish King (Rubén González Cuerva) 5. Sixteen Corpses: The First Reburials in the Escorial in 1586 and the Dynastic Dynamics that Made Them Happen (Liesbeth Geevers) 6. An Elected Dynasty of Sweden? Blood, Charisma and Representative Monarchy (Mats Hallenberg) 7. Narrowing Dynastic Rule. Models of Governance, Social Conflict and the Hobbesian Bargain in Early Modern Sweden (1560-1718) (Joakim Scherp) 8. The Nassaus and State Formation in Pre-Modern Germany (Jasper van der Steen) 9. The Frustrations of Being the Spare: Second Sons in the French Monarchy and their Increasingly Limited Roles in Politics and Society, 1560s-1780s (Jonathan Spangler) 10. Dynastic Marriage Spheres in Early Modern Europe. A Comparison of the Danish Oldenburgs and three Houses of the Empire (Harald Gustafsson) 11. Danish Dynastic Histories in the Seventeenth and Eighteenth Centuries: Claus Christoffersen Lyschander, Vitus Bering, Ludvig Holberg and Hans Peter Anchersen (Sebastian Olden-Jørgensen)
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  • 3
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    Supreme Courts Under Nazi Occupation (2023)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789463720496
    Sprache: Unbestimmte Sprache
    Seiten: 1 Online-Ressource (342 p.)
    Serie: War, Conflict and Genocide Studies
    Paralleltitel: Erscheint auch als Supreme courts under Nazi occupation
    Schlagwort(e): Second World War ; Courts & procedure ; Political structures: totalitarianism & dictatorship ; Europa ; Zweiter Weltkrieg ; Besetzte Gebiete ; Verfassungsgericht
    Kurzfassung: This is the first extensive treatment of leading judicial institutions under Nazi rule in WWII. It focusses on all democratic countries under German occupation, and provides the details for answering questions like: how can law serve as an instrument of defence against an oppressive regime? Are the courts always the guardians of democracy and rule of law? What role was there for international law? How did the courts deal with dismissals, new appointees, new courts, forced German ordinances versus national law? How did judges justify their actions, help citizens, appease the enemy, protest against injustice? Experts from all democracies that were occupied by the Nazis paint vivid pictures of oppression, collaboration, and resistance. The results are interpreted in a socio-legal framework introducing the concept of 'moral hygiene' to explain the clash between normative and descriptive approaches in public opinion and scholarship concerning officials' behaviour in war-time
    Anmerkung: English
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  • 4
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    The green middle ages : the depiction and use of plants in the western world 600-1600 (2022)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789462262973
    Sprache: Englisch
    Seiten: 1 Online-Ressource (339 Seiten) , Illustrationen
    Serie: CLAVIS Kunsthistorische Monografieën
    Paralleltitel: Erscheint auch als The green Middle Ages
    RVK:
    NM 1500
    Schlagwort(e): European history ; Trees, wildflowers & plants ; Aufsatzsammlung ; Europa ; Pflanzen ; Kultur ; Geschichte 600-1600
    Kurzfassung: How ‘green’ were people in late antiquity and the Middle Ages? Unlike today, the nature around them was approached with faith, trust and care. The population size was many times smaller than today and human impact on nature not as extreme as it is now. People did not have to worry about issues like deforestation and sustainability. This book is about the knowledge of plants and where that knowledge came from. How did people use earth and plants in ancient times, and what did they know about their nutritional or medicinal properties? From which plants one could make dyes, such as indigo, woad and dyer’s madder? Is it possible to determine that through technical research today? Which plants could be found in a ninth-century monastery garden, and what is the symbolic significance of plants in secular and religious literature? The Green Middle Ages addresses these and other issues, including the earliest herbarium collections, with a leading role for the palaeography and beautiful illuminations from numerous medieval manuscripts kept in Dutch and other Western libraries and museums
    Anmerkung: Open Access , Nutzungsrecht: Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means , Mode of access: Internet via World Wide Web. , English
    DOI: 10.5117/9789463726191
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  • 5
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    Human trafficking in Medieval Europe : slavery, sexual exploitation, and prostitution (2020)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048551552
    Sprache: Englisch
    Seiten: 1 Online-Ressource (277 Seiten)
    Serie: Social worlds of late antiquity and the early Middle Ages
    Paralleltitel: Erscheint auch als
    DDC: 306.362094
    Schlagwort(e): Geschichte 300-1500 ; Human trafficking / Europe / History / To 1500 ; Prostitution ; Ausbeutung ; Mittelalter ; Menschenhandel ; Sklaverei ; Europa ; Hochschulschrift ; Hochschulschrift ; Europa ; Mittelalter ; Menschenhandel ; Ausbeutung ; Sklaverei ; Prostitution ; Geschichte 300-1500
    Kurzfassung: Human trafficking has become a global concern over the last twenty years, but its violence has terrorized and traumatized its victims and survivors for millennia. This study examines the deep history of human trafficking from Late Antiquity to the Early Modern Period. It traces the evolution of trafficking patterns: the growth and decline of trafficking routes, the everchanging relationships between traffickers and authorities, and it examines the underlying causes that lead to vulnerability and thus to exploitation. As the reader will discover, the conditions that lead to human trafficking in the modern world, such as poverty, attitudes of entitlement, corruption, and violence, have a long and storied past. When we understand that past, we can better anticipate human trafficking's future, and then we are better able to fight it
    Anmerkung: Title from publisher's bibliographic system (viewed on 20 Nov 2020) , Frontmatter -- - Social Worlds of Late Antiquity and the Early Middle Ages -- - Table of Contents -- - Acknowledgements -- - Introduction -- - 1. Early Medieval Slave Trading -- - 2. 'Stuffing the Beaches' -- - 3. Gendered Differences -- - 4. The High Medieval Pivot -- - 5. The Late Medieval Sex Trade -- - Conclusion -- - Bibliography -- - Index
    DOI: 10.1017/9789048551552
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    URL: https://www.cambridge.org/core/product/identifier/9789048551552/type/BOOK
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  • 6
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    Imams in Western Europe : developments, transformations, and institutional challenges (2018)
    Amsterdam : Amsterdam University Press
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    ISBN: 9789462983830
    Sprache: Englisch
    Seiten: 438 Seiten
    Suppl.: Rezensiert in Shaffer, Ryan, 1982 - Homegrown terrorism and responses in Europe 2020
    Paralleltitel: Erscheint auch als Imams in Western Europe: Authority, Training, and Institutional Challenges (Veranstaltung : 2014 : Rom) Imams in Western Europe
    Paralleltitel: Erscheint auch als Imams in Western Europe: Authority, Training, and Institutional Challenges (Veranstaltung : 2014 : Rom) Imams in Western Europe
    RVK:
    LB 46005
    Schlagwort(e): Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Europa ; Imam
    Anmerkung: Literaturangaben , "This book is the offspring of an international conference entitled 'Imams in Western Europe: Authority, Training, and Institutional Challenges', held on 5-7 November 2014 at the LUISS Guido Carli University and John Cabot University in Rome." - (Acknowledgements)
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  • 7
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    Imams in Western Europe : developments, transformations, and institutional challenges (2018)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048540006
    Sprache: Englisch
    Seiten: 1 Online-Ressource (438 Seiten)
    Paralleltitel: Erscheint auch als Imams in Western Europe: Authority, Training, and Institutional Challenges (Veranstaltung : 2014 : Rom) Imams in Western Europe
    RVK:
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    Schlagwort(e): Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Europa ; Imam
    Anmerkung: Literaturangaben , "This book is the offspring of an international conference entitled 'Imams in Western Europe: Authority, Training, and Institutional Challenges', held on 5-7 November 2014 at the LUISS Guido Carli University and John Cabot University in Rome." - (Acknowledgements)
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  • 8
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    Film museum practice and film historiography : the case of the Nederlands Filmmuseum (1946-2000) (2017)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048526741 , 9048526744 , 9089648267 , 9789089648266
    Sprache: Englisch
    Seiten: 1 Online-Ressource (270 pages) , illustrations
    Serie: Framing film
    Schlagwort(e): Desmet, Jean ; Nederlands Filmmuseum History ; EYE Film Instituut Nederland ; Motion pictures History 20th century ; Electronic books ; Nederlands Filmmuseum ; Nederlands Filmmuseum ; Bauhaus Dessau ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion pictures ; Filmgeschichtsschreibung ; Filmmuseum ; Diskurs ; Desmet, Jean ; Netherlands ; History ; Electronic books
    Kurzfassung: Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history
    Kurzfassung: Table of Contents; Acknowledgements; Introduction; PART I. COLLECTIONS; 1. Private Collectors; 2. Blind Choices: Parameters and Repetitions; 3. Eyes Wide Open: Duplicates; PART II. PRESERVATIONS; 4. Passive Preservation: An Historical Overview; 5. Impressions: Restoration of the Film Image; 6. Reconstructions; PART III. PRESENTATIONS; 7. Film Museum Exhibition Spaces; 8. Framing Programmes; 9. Performances; Coda: Past Futures, Future Pasts; Notes; Bibliography; Index.
    Anmerkung: Includes bibliographical references and index
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  • 9
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    Migration from the Middle East and North Africa to Europe : past developments, current status, and future potentials (2014)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048523177 , 9048523176 , 9789089646507 , 9089646507
    Sprache: Englisch
    Serie: Imiscoe Research
    Paralleltitel: Erscheint auch als Migration from the Middle East and North Africa to Europe
    Paralleltitel: Print version Migration from the Middle East and North Africa to Europe. Past developments, current status, and future potentials
    RVK:
    LB 56005
    Schlagwort(e): Emigration and immigration ; Emigration and immigration ; Economic aspects ; Emigration and immigration ; Social aspects ; SOCIAL SCIENCE ; General ; Maghreb ; Moyen-Orient ; Migration internationale ; Aspects socio-économiques ; UE/CE Union européenne ; North Africa ; Europe ; Middle East ; Politique migratoire ; HISTORY ; Europe ; Western ; Europe Emigration and immigration ; Economic aspects. ; Europe Emigration and immigration ; Social aspects. ; Africa, North Emigration and immigration. ; Middle East Emigration and immigration. ; Europe Emigration and immigration ; Economic aspects ; Africa, North Emigration and immigration ; Europe Emigration and immigration ; Social aspects ; Middle East Emigration and immigration ; Europe Emigration and immigration ; Social aspects ; Africa, North Emigration and immigration ; Middle East Emigration and immigration ; Europe Emigration and immigration ; Economic aspects ; Electronic books ; Mittlerer Osten ; Nordafrika ; Migration ; Europa ; Arbeitsmarkt ; Bevölkerungsentwicklung ; Potenzial
    Kurzfassung: One of the most important challenges facing the European Union is demographic: as birth rates continue to decline and the population ages, immigration will be needed to sustain a sufficient working-age population. This volume takes that fact as a point of departure for analyzing patterns and prospects of immigration from the Middle East and North Africa to Europe.
    Anmerkung: English
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  • 10
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    Exhibiting cinema in contemporary art (2013)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1306207878 , 9089644717 , 904851777X , 9048517761 , 9781306207874 , 9789089644718 , 9789048517770 , 9789048517763
    Sprache: Englisch
    Seiten: 1 Online-Ressource (256 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Film culture in transition
    Paralleltitel: Print version Balsom, Erika Exhibiting cinema in contemporary art
    Schlagwort(e): Motion picture industry Technological innovations ; Motion pictures and the arts ; Art and motion pictures ; Art in motion pictures ; Art and motion pictures ; Art in motion pictures ; Motion pictures and the arts ; Motion picture industry Technological innovations ; Film theory and criticism ; Film, TV and radio ; Films, cinema ; The arts ; ART ; History ; General ; PERFORMING ARTS ; Film & Video ; General ; Art and motion pictures ; Art in motion pictures ; Motion picture industry ; Technological innovations ; Motion pictures and the arts ; Electronic books
    Kurzfassung: Explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art
    Anmerkung: Includes bibliographical references (pages 227-239) and index
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  • 11
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    Transition and transformation : Victor Sjöström in Hollywood 1923-1930 (2013)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9048518199 , 9048518180 , 9789089645043 , 9789048518197 , 9789048518180
    Sprache: Englisch
    Seiten: 1 Online-Ressource (157 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Film culture in transition
    Paralleltitel: Print version Florin Transition and transformation. Victor Sjöström in Hollywood 1923-1930
    Schlagwort(e): Sjöström, Victor ; Sjöström, Victor ; Motion picture producers and directors ; Motion picture producers and directors ; Sjöström, Victor ; BIOGRAPHY & AUTOBIOGRAPHY ; Entertainment & Performing Arts ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion picture producers and directors ; California ; Los Angeles ; Electronic book
    Kurzfassung: Introduction -- From Sjöström to Seastrom --Sjöström -- From National to International --Lyrical Intimacy as Authorial Style --National or International in Public Debate --American Voices on Sjöström --A European in Hollywood -- Name the Man and the Shift of --Production Systems --Production Cultures --Contaminating Hollywood --Stylistic Variations --From Scientist to Clown -- He Who Gets Slapped --Sjöström as Hollywood Scriptwriter --Traces of the Narrator --The Symbolic Clown --Transformed Identities --The Question of Whitefacing --He, the Clown --A for Adultery -- The Scarlet Letter --Hester Prynne and the Spectacle --An Aesthetics of Light --Stylistic Devices --Conquering Nature -- The Wind --Landscape of the Origins --Framing the Wind --Shattering the Frame --From Physical Space to Mental Space --The Final Crossover --Fragmented Pieces -- Writing the History of the Lost Hollywood Films --Authorial Imprints: Confessions of a Queen --Lagerlöf in Hollywood: The Tower of Lies --The Divine Woman -- From Bernhardt to Garbo --A Strange Interlude: The Masks of the Devil --The Shadow of the Silents -- A Lady to Love --One Film, Two Versions --The Transition to Sound --The Transition from Silents --Europeans in Hollywood --The Genius and the System- Some Concluding Remarks.
    Kurzfassung: Victor Sjöström (1879-1960), or Victor Seastrom as he was known during his Hollywood career, was undoubtedly one of the most renowned silent film directors. Focusing on his masterpieces such as 'The Scarlet Letter' and 'The Wind', but also including films he had made in Sweden before moving to Hollywood, as well as film fragments and films considered lost, Florin analyses Sjöström's austere and naturalistic style and the transformations it underwent during his Hollywood years
    Beschreibung / Inhaltsverzeichnis: Introduction -- From Sjöström to Seastrom -- Sjöström -- From National to International -- Lyrical Intimacy as Authorial Style -- National or International in Public Debate -- American Voices on Sjöström -- A European in Hollywood -- Name the Man and the Shift of -- Production Systems -- Production Cultures -- Contaminating Hollywood -- Stylistic Variations -- From Scientist to Clown -- He Who Gets Slapped -- Sjöström as Hollywood Scriptwriter -- Traces of the Narrator -- The Symbolic Clown -- Transformed Identities -- The Question of Whitefacing -- He, the Clown -- A for Adultery -- The Scarlet Letter -- Hester Prynne and the Spectacle -- An Aesthetics of Light -- Stylistic Devices -- Conquering Nature -- The Wind -- Landscape of the Origins -- Framing the Wind -- Shattering the Frame -- From Physical Space to Mental Space -- The Final Crossover -- Fragmented Pieces -- Writing the History of the Lost Hollywood Films -- Authorial Imprints: Confessions of a Queen -- Lagerlöf in Hollywood: The Tower of Lies -- The Divine Woman -- From Bernhardt to Garbo -- A Strange Interlude: The Masks of the Devil -- The Shadow of the Silents -- A Lady to Love -- One Film, Two Versions -- The Transition to Sound -- The Transition from Silents -- Europeans in Hollywood -- The Genius and the System- Some Concluding Remarks.
    Anmerkung: Includes bibliographical references, filmography and index
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  • 12
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    Battlefields of negotiation : control, agency, and ownership in World of Warcraft (2012)
    Amsterdam : Amsterdam University Press
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    ISBN: 9048518091 , 9048518083 , 9789089645005 , 9789048518098 , 9789048518081
    Sprache: Englisch
    Seiten: 1 Online-Ressource (220 pages)
    Ausgabe: Online-Ausg.
    Serie: MediaMatters
    Paralleltitel: Print version Glas Battlefields of negotiation. Control, agency, and ownership in World of Warcraft
    Schlagwort(e): World of Warcraft (Game) Social aspects ; World of Warcraft (Game) Social aspects ; LANGUAGE ARTS & DISCIPLINES ; Journalism ; PERFORMING ARTS ; Film & Video ; General ; Electronic books
    Kurzfassung: The massively multiplayer online role-playing game 'World of Warcraft' has become one of the most popular computer games of the past decade, introducing millions around the world to community-based play. Within the boundaries set by its design, the game encourages players to appropriate and shape the game to their own wishes, resulting in highly diverse forms of play and participation. This illuminating study frames 'World of Warcraft' as a complex socio-cultural phenomenon defined by and evolving as a result of the negotiations between groups of players as well as the game's owners, throwing new light on complex consumer- producer relationships in the increasingly participatory but still tightly controlled media of online games
    Beschreibung / Inhaltsverzeichnis: Part I: Framing the Game. 1. The Definition Game -- Games without end? -- Tracing the MMORPG genre's roots -- 2. The Many Faces of Play -- The movement of play -- Ludic vs. representational role-playing -- Problematizing social play -- 3. The Contracts of Play -- Social codes, norms, and boundaries -- Playing on a licence -- 4. Play and/as Participation -- Every player plays its part -- Participation as exploitation? -- 5. Battlefields of Negotiation -- Part II: Controlling the Game. 6. The Setup of Play -- Network play -- Playing machines -- Configuring play -- 7. The Rules of Play -- Designing play -- Designing cooperation -- Facing the other -- 8. Playing with Fiction -- Representing Azeroth -- The space of play -- Stuck in time -- Part III: Gaming the Game. 9. It's About Time -- Paratexts as cheating tools -- From emergence to progression -- Hyperproductive demystification -- 10. Twinking, or Playing Another Game -- The luxury of twinking -- Going for the easy kill -- A game within a game -- 11. Playing the Interface -- Mods as social surveillance tools -- Controlling code through theorycrafting -- Exposing the inside -- Part IV: Claiming the Game -- 12. Virtual Thievery -- Play, work or crime -- The power of small print -- Part of the game? -- 13. Performing on the Edge of Rules and Fiction -- Our story, your story -- Looking the other way -- Exploration or exploitation -- 14. The Fragmented and the Multiple -- Community control, controlling community -- With great power comes great responsibility -- Playing identity and community -- Conclusion.
    Anmerkung: Includes bibliographical references and index
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  • 13
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    Figuring the past : period film and the mannerist aesthetic (2012)
    Amsterdam : Amsterdam University Press
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    ISBN: 1283698242 , 9089642811 , 9048513537 , 9781283698245 , 9789089642813 , 9789048513536
    Sprache: Englisch
    Seiten: 1 Online-Ressource (256 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Film culture in transition
    Paralleltitel: Erscheint auch als
    Schlagwort(e): Motion pictures and history ; Renaissance in motion pictures ; Historical films History and criticism ; Historical films History and criticism ; Motion pictures and history ; Renaissance in motion pictures ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Film, TV and radio ; The arts ; Historical films ; Motion pictures and history ; Renaissance in motion pictures ; Criticism, interpretation, etc
    Kurzfassung: "This definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures - the house, the tableau and the letter - structure a critical journey through a selection of detailed case studies, in relation to changing notions of visual style, melodrama, and gender. This seeks to place this popular but often undervalued genre in a new light and to rethink its significance in the context of key debates in film studies."--Publisher's website
    Beschreibung / Inhaltsverzeichnis: Introduction: period film and the mannerist moment -- A poetics of figuration -- Present in the past: The house -- Time and the image: the tableau -- The scene of writing: the letter -- Conclusion-Second sight: reviewing the past, figuring the present.
    Anmerkung: Includes bibliographical references and index , English
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  • 14
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    Jean Epstein : Critical Essays and New Translations (2012)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089642927 , 9048513847 , 9789089642929 , 9789048513840
    Sprache: Englisch
    Seiten: 1 Online-Ressource (440 pages)
    Ausgabe: Online-Ausg.
    Serie: Film Theory in Media History
    Paralleltitel: Print version
    Schlagwort(e): Epstein, Jean Criticism and interpretation ; Epstein, Jean Criticism and interpretation ; Epstein, Jean ; The arts ; Film, TV and radio ; Films, cinema ; Individual film directors, film-makers ; PERFORMING ARTS ; Film & Video ; General ; PERFORMING ARTS ; Reference ; Criticism, interpretation, etc ; Electronic book
    Kurzfassung: Filmmaker and theoretician Jean Epstein profoundly influenced film practice, criticism and reception in France during the 1920s and well beyond. His work not only forms the crux of the debates of his time, but also remains key to understanding later developments in film practice and theory. Epstein's film criticism is among the most wide-ranging, provocative and poetic writing about cinema and his often breathtaking films offer insights into cinema and the experience of modernity. This collection - the first comprehensive study in English of Epstein's far-reaching influence - arrives as several
    Kurzfassung: A Temporal Perspective: Jean Epstein's Writings on Technology and SubjectivityUltra-Modern: Jean Epstein, or Cinema"Serving the Forces of Transgressionand Revolt"; Thoughts on Photogénie Plastique; Translations; Introduction: Epstein's Writings; La Poésie d'aujourd'hui, un nouvel état d'intelligence; Bonjour Cinéma; La Lyrosophie; Le Cinématographe vu de l'Etna; L'intelligence d'une machine; Le Cinéma du diable; Later Works; Esprit de cinéma; Late Articles; Alcool et cinéma; Afterword: Reclaiming Jean Epstein; Filmography; Select Bibliography; Notes on Contributors; Index of Names
    Kurzfassung: Jean Epstein; Table of Contents; Acknowledgments; Abbreviations; Preface; Introduction; Essays; Epstein's Photogénie as Corporeal Vision: Inner Sensation, Queer Embodiment, and Ethics; Novelty and Poiesis in the Early Writings of Jean Epstein; The Cinema of the Kaleidoscope; Distance is [Im]material: Epstein Versus Etna; "The Supremacy of the MathematicalPoem": Jean Epstein's Conceptions of Rhythm; The "Microscope of Time": Slow Motionin Jean Epstein's Writings; A Different Nature; Cinema Seen from the Seas: Epstein and the Oceanic
    Anmerkung: Includes bibliographical references and index , En
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  • 15
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    New mythological figures in Spanish cinema 1975-1996 : dissident bodies under Franco (2011)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089643044 , 9089643036 , 9048514037 , 9789089643049 , 9789089643032 , 9789048514038
    Sprache: Englisch
    Seiten: 1 Online-Ressource (325 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Film culture in transition
    Paralleltitel: Print version New Mythological Figures in Spanish Cinema 1975-1996
    Schlagwort(e): Homosexuality in motion pictures ; Women in motion pictures ; Motion pictures, Spanish History ; Motion pictures, Spanish History ; Women in motion pictures ; Homosexuality in motion pictures ; ART ; Film & Video ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Homosexuality in motion pictures ; Motion pictures, Spanish ; Women in motion pictures ; History ; Electronic books
    Kurzfassung: In the 1970s, especially after Franco's death in 1975, Spanish cinema was bursting at the seams. Numerous film directors broke free from the ancient taboos which had reigned under the dictatorship. They introduced characters who, through their bodies, transgress the traditional borders of social, cultural and sexual identities. Post- Franco cinema exhibits women, homosexuals, transsexuals, and delinquents in new and challenging ways. Under Franco rule, all of these dissident bodies were 'lost'. Here, they reflect new mythological figures, inhabiting an idealised body form (a prototypical body)
    Kurzfassung: From prohibition to clear exhibition: how to read into these film-images? -- The liberation of women -- The homosexual body on stage -- The delinquent's body out of focus
    Anmerkung: Includes bibliographical references (pages 307-320) and index
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  • 16
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    Alexander Kluge : Raw Materials for the Imagination (2011)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1280118210 , 9089642722 , 9089642730 , 9048513391 , 9781280118210 , 9789089642721 , 9789089642738 , 9789048513390
    Sprache: Englisch
    Seiten: 1 Online-Ressource (439 pages)
    Ausgabe: Online-Ausg.
    Serie: Film Culture in Transition
    Paralleltitel: Print version Forrest, Tara Alexander Kluge : Raw Materials for the Imagination
    Schlagwort(e): Motion pictures ; Science (General) ; Motion pictures ; Science (General) ; Kluge, Alexander ; Bibel ; The arts ; Film, TV and radio ; Films, cinema ; Individual film directors, film-makers ; Mathematics and science ; Science: general issues ; PERFORMING ARTS ; Film & Video ; General ; PERFORMING ARTS ; Reference ; Motion pictures
    Kurzfassung: Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book - the first of its kind in Englishlish - comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those in
    Kurzfassung: 'All Things Are Enchanted Human Beings': Remarks on Alexander Kluge's News from Ideological AntiquitySelected Bibliography of English-Language Texts; Acknowledgments; Notes on Contributors; Index of Names; Index ofWorks
    Kurzfassung: Alexander Kluge; Table of Contents; Introduction; Editor's Introduction; The Stubborn Persistence of Alexander Kluge; Film, Politics and the Public Sphere; On Film and the Public Sphere; Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge's Contribution to Germany in Autumn; 'What is Different is Good': Women and Femininity in the Films of Alexander Kluge; Rethinking History; In Search of Germany: Alexander Kluge's The Patriot; Alexander Kluge and German History: 'The Air Raid on Halberstadt on 8.4.1945'; The Air Raid on Halberstadt, 8 April 1945(extract)
    Kurzfassung: Realism as ProtestConstruction Site Film: Kluge's Idea of Realism and His Short Films; The Sharpest Ideology: That Reality Appeals to its Realistic Character; Debate on the Documentary Film: Conversation with Klaus Eder, 1980; Opera as a 'Power Plant of Emotion'; Undoing Act 5: History, Bodies and Operatic Remains in The Power of Emotion; 'Feelings Can Move Mountains ... ': AnInterview with Alexander Kluge on the Film The Power of Feelings; Alexander Kluge's Phantom of the Opera; Storytelling and Politics; An Analytic Storyteller in the Course of Time
    Kurzfassung: The Political as Intensity of Everyday FeelingsAt the 2003 International Security Conference; Television and Counter-Public Spheres; Raw Materials for the Imagination: Kluge'sWork for Television; Television and Obstinacy; Reframing Islam in Television: Alexander Kluge's Interviews on Islamand Terrorism since 9/11; In the Real Time of Feelings: Interview with Alexander Kluge; Television Interviews; Character Armour and MobileWarfare; Jeff Mills: Godfather of Techno; Tsunami of Emotion: On Puccini's Tosca; Early Cinema/RecentWork; Reinventing the Nickelodeon: Notes on Kluge and Early Cinema
    Anmerkung: Includes bibliographical references and index , English
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  • 17
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    Watch and learn : rhetorical devices in classroom films after 1940 (2011)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089643125 , 9048514118 , 9789089643124 , 9789048514113
    Sprache: Englisch
    Seiten: 1 Online-Ressource (372 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Framing film
    Paralleltitel: Print version Masson, Eef Watch and learn
    Schlagwort(e): Educational films ; Audio-visual education ; Educational films History and criticism ; Motion pictures in education ; Motion pictures in education ; Educational films ; Audio-visual education ; Educational films History and criticism ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Audio-visual education ; Educational films ; Motion pictures in education ; Unvdervisningsfilm ; Education ; Music, Dance, Drama & Film ; Social Sciences ; Theory & Practice of Education ; Film ; Netherlands ; Criticism, interpretation, etc ; Electronic books
    Kurzfassung: "Since the late 1990s, there has been a marked increase in academic interest in what are sometimes called 'utility films'. Intended for purposes of information, training, teaching or advertising. Although such research was long overdue, the current academic output tends to be restricted in scope, paying little attention to the films' textual features: the means they deploy in defending their informational, educational or commercial arguments. In the absence of such studies, the image survives of very 'formulaic' genres. This book seeks to modify this picture, and suggests a methodology that helps to foreground the films' rhetorical diversity. Taking her departure from a historical collection of Dutch classroom films. Masson proposes an approach that considers an audio-visual text as part of a so-called dispositif: the set-up of technology, text and viewing situation that is relevant to the specific corpus under scrutiny."--Page 4 of cover
    Kurzfassung: Film for education: debates, idea(l)s and practices -- Classroom film use and the pedagogical Dispositif -- Rhetoric: text and frame -- Textual rhetoric I: motivational devices -- Textual rhetoric II: referencing the pedagogical dispositif -- Conclusions: towards a conception of the dispositif notion as a comparative tool
    Anmerkung: Includes bibliographical references and index -- Includes bibliographical references (pages 335-354) and index
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  • 18
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    Herr Lubitsch goes to Hollywood : German and American film after World War I (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1417583436 , 9053567089 , 9053567097 , 9048505364 , 9781417583430 , 9789053567081 , 9789053567098 , 9789048505364
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Serie: Film culture in transition
    Paralleltitel: Print version Thompson, Kristin, 1950- Herr Lubitsch goes to Hollywood
    Schlagwort(e): Lubitsch, Ernst Criticism and interpretation ; Lubitsch, Ernst Criticism and interpretation ; Motion picture producers and directors ; Motion pictures ; Motion pictures ; Motion picture producers and directors ; Motion pictures ; Motion pictures ; Lubitsch, Ernst ; Lubitsch, Ernst ; PERFORMING ARTS ; Film & Video ; Direction & Production ; The arts ; Film, TV and radio ; Films, cinema ; PERFORMING ARTS ; Film & Video ; General ; Motion picture producers and directors ; Motion pictures ; Filmkunst ; Stomme films ; Film ; United States ; Germany ; USA ; Deutschland ; Criticism, interpretation, etc
    Kurzfassung: The first study by an acclaimed American scholar of the artistic interdependencies between the German and the Hollywood cinema in the 1920s
    Beschreibung / Inhaltsverzeichnis: Lubitsch's career -- Making the light come from the story : lighting -- Subduing the cluttered background : set design -- Guiding the viewer's attention : editing -- Peeking at the players : acting -- Mutual influences -- Epilogue: The Lubitsch touch.
    Anmerkung: Includes bibliographical references and filmography , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 19
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    The cinema of attractions reloaded (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1280958448 , 1429454644 , 9053569456 , 9053569448 , 9048505534 , 9781280958441 , 9781429454643 , 9789053569450 , 9789053569443 , 9789048505531
    Sprache: Englisch
    Seiten: 1 Online-Ressource (460 pages) , illustrations
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Serie: Film culture in transition
    Paralleltitel: Print version Cinema of attractions reloaded
    Schlagwort(e): Motion pictures History ; Motion pictures History 20th century ; Motion pictures History 20th century ; Motion pictures History ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; The arts ; Film, TV and radio ; Motion pictures ; Filmkunst ; Filmtheorie ; History
    Kurzfassung: Twenty years ago, noted film scholars Tom Gunning and Andre; Gaudreault introduced the phrase "cinema of attractions" to describe the essential qualities of films made in the medium's earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair's debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars - and featuring contributions by Gunning and Gaudreault as well - The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence
    Kurzfassung: Introduction to an Attractive Concept / Wanda Strauven -- Theory Formation ["The Cinema of Attractions"]. Attractions: How They Came into the World / Tom Gunning -- A Rational Reconstruction of "The Cinema of Attractions" / Warren Buckland -- The Cinema of Attractions as Dispositif / Frank Kessler -- Spectacle, Attractions and Visual Pleasure / Scott Bukatman -- Attraction Theories and Terminologies ["Early Film"]. From "Primitive Cinema" to "Kine-Attractography" / André Gaudreault -- From "Primitive Cinema" to "Marvelous" / Wanda Strauven -- The Attraction of the Intelligent Eye: Obsessions with the Vision Machine in Early Film Theories / Viva Paci -- Rhythmic Bodies/Movies: Dance as Attraction in Early Film Culture / Laurent Guido -- Audiences and Attractions ["Its Spectator"]. A Cinema of Contemplation, A Cinema of Discernment: Spectatorship, Intertextuality and Attractions in the 1890s / Charles Musser -- The Lecturer and the Attraction / Germain Lacasse -- Integrated Attractions: Style and Spectatorship in Transitional Cinema / Charlie Keil -- Discipline through Diegesis: The Rube Film between "Attractions" and "Narrative Integration" / Thomas Elsaesser -- Attraction Practices through History ["The Avant-Garde": section 1]. Circularity and Repetition at the Heart of the Attraction: Optical Toys and the Emergence of a New Cultural Series / Nicolas Dulac and André Gaudreault
    Kurzfassung: Lumiére, the Train and the Avant-Garde / Christa Blümlinger -- Programming Attractions: Avant-Garde Exhibition Practice in the 1920s and 1930s / Malte Hagener -- The Associational Attractions of the Musical / Pierre-Emmanuel Jaques -- Digital Media and (Un)Tamed Attractions ["The Avant-Garde": section 2]. Chez le Photographe c'est chez moi: Relationship of Actor and Filmed Subject to Camera in Early Film and Virtual Reality Spaces / Alison McMahan -- The Hollywood Cobweb: New Laws of Attraction / Dick Tomasovic -- Figures of Sensation: Between Still and Moving Images / Eivind Røssaak -- "Cutting to the Quick": Techne, Physis, and Poiesis and the Attractions of Slow Motion / Vivian Sobchack -- Dossier. Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy / Donald Crafton -- Early Cinema as a Challenge to Film History / André Gaudreault and Tom Gunning -- The Cinema of Attraction[s]: Early Film, Its Spectator and the Avant-Garde / Tom Gunning -- Rethinking Early Cinema: Cinema of Attractions and Narrativity / Charles Musser
    Anmerkung: Includes bibliographical references (pages 421-433) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 20
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    Playing the waves : Lars Von Trier's game cinema (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9053569790 , 905356991X , 9048501865 , 9048501741 , 9789053569795 , 9789053569917 , 9789048501861 , 9789048501748
    Sprache: Englisch
    Seiten: 1 Online-Ressource (251 pages)
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    Serie: Film culture in transition
    Paralleltitel: Print version Simons, Jan Playing the waves
    Schlagwort(e): Trier, Lars von Criticism and interpretation ; Trier, Lars von Criticism and interpretation ; Dogme 95 (Group) History ; Dogme 95 (Group) History ; Game theory ; Games in art ; Game theory ; Games in art ; Trier, Lars von ; Trier, Lars von ; Trier, Lars von ; Dogma95 ; Dogme 95 (Group) ; PERFORMING ARTS ; Film & Video ; Direction & Production ; PERFORMING ARTS ; Film & Video ; General ; Mathematics and science ; Science: general issues ; Game theory ; Games in art ; Filmkunst ; Dogma 95 ; Film ; Criticism, interpretation, etc ; History
    Kurzfassung: Playing the waves offers a unique approach to the work Dannish filmmaker Lars von Trier
    Beschreibung / Inhaltsverzeichnis: Machine generated contents note: 1. Manifesto and modernism -- manifesto as a postmodern parody -- manifesto taken seriously -- manifesto and modernism -- From 'essence' to game -- manifesto : reiteration and difference -- 2. name of this game is Dogma 95 -- Filmmaking as a game -- Film and formalism : the parametric film -- Aesthetics and dramaturgy -- Filming : story as reconstruction and as representation -- Enter the matrix : game, simulation, rules and art -- Complex art : Psykomobile #1 : the World Clock -- 'There is something digital in the state of Denmark' -- 3. Filming the game -- rules of the game -- game of filming, and films about games -- Idioterne (1) -- Idioterne (2) -- 4. Virtual explorations : journeys to the end of the night -- Rules and manifestos -- Virtual explorations : the Europa trilogy -- Virtual worlds -- Virtual film -- 5. leader of the game -- Many films, one game -- 'von Trier' gameworlds -- Nuances and subtleties -- 6. Between cinema and computer -- Filming the virtual -- Spirituality and virtuality -- Registrations of simulations -- Virtuality -- Virtual realism -- viewer as lurker -- 'von Trier system' revisited -- 7. Between Hollywood and Copenhagen -- Dogma, film and gaming -- Enter the Matrix : virtual Hollywood -- Matrix unloaded : virtual realism -- Dogma 95 : Nouvelle Vague II? -- Between new Hollywood and old Europe -- Today's Hollywood, today's Europe -- 8. name of the game : punish or perish -- Cinematic games : games or movies? -- Game theory and games studies -- Narrative and game theory -- Punish or perish; exploit or be exploited -- Stories and games reconsidered : probabilities and tragic endings.
    Anmerkung: Includes bibliographical references (pages 223-236)-and indexes , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 21
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    A long goodbye to Bismarck? : the politics of welfare reforms in continental Europe (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 908964234X , 904851245X , 9789089642349 , 9789048512454
    Sprache: Englisch
    Seiten: 1 Online-Ressource (455 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Changing welfare states
    Paralleltitel: Print version Long goodbye to Bismarck?
    Paralleltitel: Erscheint auch als A long goodbye to Bismarck?
    RVK:
    MF 9200
    RVK:
    MS 6500
    RVK:
    ME 3350
    Schlagwort(e): Sozialstaat ; Sozialreform ; Europa ; Wohlfahrtsstaatsmodell ; Public welfare History 21st century ; Public welfare History 20th century ; Public welfare History 21st century ; Public welfare History 20th century ; POLITICAL SCIENCE ; Public Policy ; Social Services & Welfare ; SOCIAL SCIENCE ; Human Services ; POLITICAL SCIENCE ; Comparative Politics ; Society and social sciences ; Politics and government ; Economics, finance, business and management ; Public welfare ; Verzorgingsstaat ; Hervormingen ; Social Sciences ; Social Welfare & Social Work - General ; Social Welfare & Social Work ; Europe ; Europa (geografie) ; History ; Electronic books ; Aufsatzsammlung ; Europa ; Wohlfahrtsstaat ; Reform ; Geschichte ; Europa ; Sozialstaat ; Reform ; Geschichte
    Kurzfassung: The best available up-to-date scholarship in comparative socio-economic research in welfare state reform
    Kurzfassung: Prologue : what does it mean to break with Bismarck? / Gøsta Esping-Andersen -- Ordering change : understanding the 'Bismarckian' welfare reform trajectory / Bruno Palier -- A social insurance state withers away. Welfare state reforms in germany -- or, Attempts to turn around in a cul-de-sac / Karl Hinrichs -- The dualizations of the French welfare system / Bruno Palier -- Janus-faced developments in a prototypical Bismarckian welfare state : welfare reforms in Austria since the 1970s / Herbert Obinger and Emmerich Tálos -- Continental welfare at a crossroads : the choice between activation and minimum income protection in Belgium and the Netherlands / Anton Hemerijck and Ive Marx -- Italy : an uncompleted departure from Bismarck / Matteo Jessoula and Tiziana Alti -- Defrosting the Spanish welfare state : the weight of conservative components / Ana Guillén -- Reform opportunities in a Bismarckian latecomer : restructuring the Swiss welfare state / Silja Häusermann -- The politics of social security reforms in the Czech Republic, Hungary, Poland and Slovakia / Alfio Cerami -- Reforming Bismarckian corporatism : the changing role of social partnership in continental Europe / Bernhard Ebbinghaus -- Trajectories of fiscal adjustment in Bismarckian welfare systems / Philip Manow -- Whatever happened to the Bismarckian welfare state? From labor shedding to employment-friendly reforms / Anton Hemerijck and Werner Eichhorst -- The long conservative corporatist road to welfare reforms / Bruno Palier
    Anmerkung: Includes bibliographical references (pages 403-437) and index , English
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  • 22
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    Ostrannenie : on "strangeness" and the moving image : the history, reception, and relevance of a concept (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089640797 , 9048507952 , 9789089640796 , 9789048507955
    Sprache: Englisch
    Seiten: 1 Online-Ressource (278 pages)
    Ausgabe: Online-Ausg.
    Serie: The key debates 1
    Paralleltitel: Print version Ostrannenie
    Schlagwort(e): Motion pictures History ; Motion pictures History ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion pictures ; History ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Electronic books
    Kurzfassung: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry
    Kurzfassung: pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny
    Anmerkung: Includes bibliographical references (pages 241-254) and indexes
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  • 23
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    Camera obscura, camera lucida : essays in honor of Annette Michelson (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585495319 , 1280919485 , 9053564942 , 9048505062 , 9780585495316 , 9781280919480 , 9789053564943 , 9789048505067
    Sprache: Englisch
    Seiten: 1 Online-Ressource (294 pages) , illustrations
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Serie: Film culture in transition
    Paralleltitel: Print version Camera obscura, camera lucida
    Schlagwort(e): Modernism (Art) ; Motion pictures ; Art and motion pictures ; Motion pictures ; Art and motion pictures ; Modernism (Art) ; PERFORMING ARTS ; Film & Video ; Reference ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; General ; Art and motion pictures ; Modernism (Art) ; Motion pictures ; Filmgeschiedenis (wetenschap) ; Filmtheorie ; Electronic book
    Kurzfassung: In honor of Michelson's unique legacy
    Kurzfassung: Contents; Acknowledgements; Preface; Introduction; The Logic of an Illusion: Notes on the Genealogy of Intellectual Cinema; Narcissistic Machines and Erotic Prostheses; Loïe Fuller and the Art of Motion: Body, Light, Electricity, and the Origins of Cinema; Visitings of Awful Promise: The Cinema Seen from Etna; Transfiguring the Urban Gray: László Moholy-Nagy's Film Scenario 'Dynamic of the Metropolis'; Eisenstein's Philosophy of Film; Knight's Moves; Hitchcock and Narrative Suspense: Theory and Practice; From the Air: A Genealogy of Antonioni's Modernism
    Anmerkung: Includes bibliographical references (pages 275-282) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 24
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    Avoiding the subject : media, culture and the object (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1417581921 , 9781417581924 , 9789048505883 , 9048505887
    Sprache: Englisch
    Seiten: Online Ressource (216 p.) , ill.
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Online-Ausg. [S.l.] : HathiTrust Digital Library
    Paralleltitel: Erscheint auch als Clemens, Justin Avoiding the subject
    DDC: 302.23
    Schlagwort(e): Mass media Social aspects ; Médias et culture ; Médias Aspect social ; Mass media and culture ; Mass media Social aspects ; Mass media ; Médias Aspect social ; Médias et culture ; Mass media Social aspects ; Mass media and culture ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; General ; The arts ; SOCIAL SCIENCE ; Media Studies ; Massamedia ; Informatiemaatschappij ; Object (filosofie) ; Massenmedien ; Wirkung ; Methode ; Electronic book ; Electronic books ; Electronic book
    Kurzfassung: A lively and erudite analysis on visual culture, critical theory, film theory, and new media
    Anmerkung: Includes bibliographical references (p. 185-211) and index. - Description based on print version record , Description based on print version record , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Online-Ausg. [S.l.] : HathiTrust Digital Library , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 25
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    Shooting the family : transnational media and intercultural values (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 141758341X , 9781417583416 , 9789048505401 , 9048505402
    Sprache: Englisch
    Seiten: Online Ressource
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Online-Ausg. [S.l.] : HathiTrust Digital Library
    Paralleltitel: Erscheint auch als Shooting the family
    DDC: 306.85
    Schlagwort(e): Médias et famille ; Famille ; Mass media and families ; Families ; Family ; Electronic books ; Famille ; Médias et famille ; Families ; Mass media and families ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; General ; FAMILY & RELATIONSHIPS ; Alternative Family ; FAMILY & RELATIONSHIPS ; Reference ; Films ; Televisie ; Familierelaties ; Interculturele vergelijking ; Fernsehfilm ; Audiovisuelle Medien ; Familie ; Familie ; Multikulturelle Gesellschaft ; Film ; Electronic books ; Electronic books
    Kurzfassung: This collection of essays explores ever-changing representations of family life on a global scale
    Anmerkung: Title from e-book title screen (viewed Mar. 18, 2005). - Includes bibliographical references and index , Includes bibliographical references and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Online-Ausg. [S.l.] : HathiTrust Digital Library , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 26
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    Online-Ressource
    Cinephilia : movies, love and memory (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1423709640 , 9781423709640 , 9048505445 , 9789048505449
    Sprache: Englisch
    Seiten: Online Ressource
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Online-Ausg. [S.l.] : HathiTrust Digital Library
    Serie: Film culture in transition
    Paralleltitel: Erscheint auch als Cinephilia
    DDC: 302.2343
    Schlagwort(e): Motion pictures Social aspects ; Motion pictures History ; Motion picture audiences USA ; New York 〈NY, 2002〉 ; Motion pictures Social aspects ; Motion pictures History ; Motion picture audiences ; Motion picture audiences USA ; New York 〈NY, 2002〉 ; Motion pictures History ; Motion pictures Social aspects ; SOCIAL SCIENCE ; Media Studies ; The arts ; Film, TV and radio ; Films, cinema ; PERFORMING ARTS ; Film & Video ; General ; Motion picture audiences ; Motion pictures ; Filmkunst ; Filmliefhebbers ; Sociale aspecten ; Konzeption ; Kulturwandel ; Film ; History ; Motion pictures ; Motion pictures ; New York 〈NY, 2002〉 ; USA ; Electronic books History
    Kurzfassung: Documents the latest generation of cinephiles and their use of new technologies
    Anmerkung: Includes bibliographical references and indexes , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Online-Ausg. [S.l.] : HathiTrust Digital Library , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 27
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    Malaysian cinema, Asian film : border crossings and national cultures (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585498156 , 9053565809 , 9053565191 , 9048505127 , 9780585498157 , 9789053565803 , 9789053565193 , 9789048505128
    Sprache: Englisch
    Seiten: 1 Online-Ressource (301 pages) , illustrations
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Serie: Film culture in transition
    Paralleltitel: Print version Van der Heide, William Malaysian cinema, Asian film
    Schlagwort(e): Motion pictures Cross-cultural studies ; Motion picture industry ; Motion pictures Cross-cultural studies ; Motion picture industry ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Film, TV and radio ; Films, cinema ; The arts ; Motion picture industry ; Motion pictures ; Filmkunst ; Multikulturelle Gesellschaft ; Film ; Asien ; Malaysia ; Malaysia ; Cross-cultural studies
    Kurzfassung: A study of the heterogeneity and cultural complexities of the Malaysian cinema
    Beschreibung / Inhaltsverzeichnis: Introduction. Panggung Wayang; Malaysian Cinema, Asian Film -- The Realities of Film Viewing -- The Scope of this Study -- Chapter 1: Border Crossings. Introduction -- National Cinema and Genre -- Cross-cultural Analysis -- Transtextuality -- The Hamburger Western -- The Samurai Film and the Noodle Western -- The Samurai Film and the Hamburger Western -- The Sword Film and the Spaghetti Western -- The Spaghetti Western -- The Martial Arts Film and the Chop Suey Western -- The Stunt Film and the Curry Western -- Conclusion -- Chapter 2: Malaysian Society and Culture. Introduction -- Identity -- National Identity and National Culture -- Malaysian Identity -- Pre-colonial Malaysia -- Foundational Narratives -- Colonial Malaysia -- Parsee Theatre and Bangsawan -- Postcolonial Malaysia -- The National Cultural Policy and its Consequences -- Conclusion -- Chapter 3: Film in Malaysia. Introduction -- National Cinema -- National Cinema Texts -- The Film Industry and Film Culture in Malaysia -- Early Film-going in Malaya -- The British in Malaya -- Origins -- Laila Majnun, India and Indonesia -- Shaw Brothers -- The Golden Age -- The Indian Connection -- The Studio System -- P. Ramlee -- Indian Cinema -- Hong Kong Cinema -- Indonesian Cinema -- The Decline -- The Revival -- Government Assistance and Controls -- Hong Kong Cinema -- Indian Cinema -- Conclusion -- Chapter 4: Malaysian Cinema. Introduction -- The Indian Cinema of the 1950's -- Hujan Panas -- Penarik Beca -- Hang Tuah -- Semerah Padi -- Hang Jebat -- Ibu Mertua-ku -- Matinya Seorang Patriot -- Fenomena -- Selubung -- Perempuan, Isteri & ... -- Sembilu -- Conclusion.
    Anmerkung: Includes bibliographical references (pages 271-292) ; filmography (p. 265-270) ; and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 28
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    European cinema : face to face with Hollywood (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1280958863 , 1423746252 , 9053565949 , 9053566023 , 9048505178 , 9781280958861 , 9781423746256 , 9789053565940 , 9789053566022 , 9789048505173
    Sprache: Englisch
    Seiten: 1 Online-Ressource (563 pages) , illustrations
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Serie: Film culture in transition
    Paralleltitel: Print version Elsaesser, Thomas, 1943- European cinema
    Schlagwort(e): Motion picture industry ; Motion pictures ; Motion picture industry ; Motion pictures ; BUSINESS & ECONOMICS ; Industries ; Media & Communications ; TECHNOLOGY & ENGINEERING ; Telecommunications ; Society and social sciences ; Society and culture: general ; The arts ; Film, TV and radio ; Humanities ; History ; HISTORY ; General ; Motion picture industry ; Motion pictures ; Filmkunst ; Filmindustrie ; Film ; Film ; Music, Dance, Drama & Film ; Europe ; Europa ; Electronic books
    Kurzfassung: Annotation, Has European cinema, in the age of globalization, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere for European films? Can the cinema be the appropriate medium for a multicultural Europe and its migrating multitudes? Is there a division of representational labor, with Hollywood providing stars and spectacle, the Asian countries exotic color and choreographed action, and Europe a sense of history, place and memory? This collection of essays by an acclaimed film scholar examines how independent filmmaking in Europe has been reinventing itself since the 1990s, faced by renewed competition from Hollywood and the challenges posed to national cinemas by the fall of the Wall in 1989. Elsaesser reassesses the debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world nbsp;cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, and the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition
    Beschreibung / Inhaltsverzeichnis: Introduction -- European Cinema: Conditions of Impossibility? [2005] -- National Cinema: Re-Definitions and New Directions -- European Culture, National Cinema, the Auteur and Hollywood [1994] -- ImpersoNations: National Cinema, Historical Imaginaries [2005] -- Film Festival Networks: the New Topographies of Cinema in Europe [2005] -- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005] -- Auteurs and Art Cinemas: Modernism and Self-Reference -- Ingmar Berman -- Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994] -- Late Losey: Time Lost and Time Found [1985] -- Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse [1992] -- Spellbound by Peter Greenaway: In the Dark ... and Into the Light [1996] -- The Body as Perceptual Surface: The Films of Johan van der Keuken [2004] Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel [1992] -- Touching Base: Some German Women Directors in the 1980s [1987] -- Europe-Hollywood-Europe -- Two Decades in Another Country: Hollywood and the Cinephiles [1975] -- Raoul Ruiz's Hypothese du Tableau Vole [1984] -- Images for Sale: The "New" British Cinema [1984] -- "If You Want a Life": The Marathon Man [2003] -- British Television in the 1980s Through The Looking Glass [1990] -- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror [2003] -- Central Europe Looking West -- Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator [1968] -- Defining DEFA's Historical Imaginary: The Films of Konrad Wolf [2001] -- Under Western Eyes: Who Does Zizek Want? [1995] -- Our Balkanist Gaze: About Memory's No Man's Land [2003] -- Europe Haunted by History and Empire -- Is History an Old Movie? [1986] -- Edgar Reitz' Heimat: Memory, Home and Hollywood [1985] -- Discourse and History: One Man's War -- An Interview with Edgardo Cozarinsky [1984] -- Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes [1989] -- Joseph Losey's The Go-Between [1972] -- Games of Love and Death: Peter Greenaway and Other Englishmen [1988] -- Border-Crossings: Filmmaking without a Passport -- Peter Wollen's Friendship's Death [1987] -- Andy Engel's Melancholia [1989] -- On the High Seas: Edgardo Cozarinsky's Dutch Adventure [1983] -- Third Cinema/World Cinema: An Interview with Ruy Guerra [1972] -- Ruy Guerra's Erendira [1986] -- Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema [1992].
    Anmerkung: Includes bibliographical references and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 29
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    Between stage and screen : Ingmar Bergman directs (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9053561374 , 9048505658 , 9053561714 , 9789053561379 , 9789048505654 , 9789053561713
    Sprache: Englisch
    Seiten: 1 Online-Ressource (243 pages) , illustrations
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Serie: Film culture in transition
    Paralleltitel: Print version Törnqvist, Egil, 1932- Between stage and screen
    Schlagwort(e): Bergman, Ingmar ; Bergman, Ingmar ; Motion pictures Production and direction ; Theater Production and direction ; Radio Production and direction ; Motion pictures Production and direction ; Theater Production and direction ; Radio Production and direction ; Bergman, Ingmar ; Bergman, Ingmar ; Bergman, Ingmar ; PERFORMING ARTS ; Film & Video ; Direction & Production ; PERFORMING ARTS ; Film & Video ; General ; Motion pictures ; Production and direction ; Radio ; Production and direction ; Theater ; Production and direction ; Regie ; Toneel ; Films ; Electronic book
    Kurzfassung: Ingmar Bergman (1918), by now responsible for about a hundred stage performances, forty radio productions, fifty feature films and fifteen TV productions, has for more than half a century combined an impressive versatility with a very marked individual signature. None of the many books on Bergman has so far attempted to compare Bergman's stage and screen activities - despite the fact that he has been an outstanding and very productive director in both areas and despite his own statement that 'the distance between the theater and the film studio has always been a short one'
    Beschreibung / Inhaltsverzeichnis: Prologue: The Stage and the Screen -- PART 1: THE STAGE DIRECTOR. Strindberg, The Dream Play (1970) -- Strindberg, The Ghost Sonata (1973) -- Strindberg, Miss Julie (1985) -- O'Neill, Long Day's Journey into Night (\988) -- Ibsen, A Doll's House (1989) -- Shakespeare, The Winter's Tale (1994) -- PART 2: THE SCREEN DIRECTOR. The Seventh Seal (1957) -- Wild Strawberries (1957) -- Strindberg, Storm (1960) -- Persona (1966) -- Cries and Whispers (1973) -- Autumn Sonata (1978) -- Fanny and Alexander (1982) -- PART 3: THE RADIO DIRECTOR. Strindberg, EasIer (1952) -- A Matter of the Soul (1990) -- Epilogue: Between Stage and Screen.
    Anmerkung: Includes bibliographical references (pages 226-230) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 30
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    Audiovisions : cinema and television as entr'actes in history (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 905356313X , 9048503566 , 9053563032 , 9789053563137 , 9789048503568 , 9789053563038
    Sprache: Englisch
    Seiten: 1 Online-Ressource (356 pages) , illustrations
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Serie: Film culture in transition
    Originaltitel: Audiovisionen
    Paralleltitel: Print version Zielinski, Siegfried Audiovisions
    Schlagwort(e): Television History ; Motion pictures History ; Television Forecasting ; Television History ; Television History ; Television History ; Motion pictures History ; Television Forecasting ; PERFORMING ARTS ; Television ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion pictures ; Television ; Television ; Forecasting ; Filmkunst ; Televisie ; Germany ; History ; Electronic book
    Kurzfassung: Orientation: At the End of the History of Cinema and Television Prolegomena to a History of Audiovision -- 1. Vanishing Point -- Cinema: The Founding Years of Audiovision -- 2. Between the Wars: Between the Dispositifs -- 3. Vanishing Point Television? On the Permeation of Familial Privateness by Televisuality -- 4. No Longer Cinema, No Longer Television: The Beginning of a New Historical and Cultural Form of the Audiovisual Discourse -- Conclusion: Good Machines, Bad Machines: For Living Heterogeneity in the Arts of Picture and Sound -- Against Psychopathia Medialis
    Anmerkung: Includes bibliographical references (pages 319-345) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 31
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    Strindberg's The ghost sonata : from text to performance (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1281972401 , 9053564357 , 9048505801 , 9053564543 , 9781281972408 , 9789053564356 , 9789048505807 , 9789053564547
    Sprache: Englisch
    Seiten: 1 Online-Ressource (269 pages) , illustrations
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Paralleltitel: Print version Törnqvist, Egil, 1932- Strindberg's The ghost sonata
    Schlagwort(e): Strindberg, August ; Strindberg, August ; Spöksonaten (Strindberg, August) ; LITERARY CRITICISM ; European ; Scandinavian ; PERFORMING ARTS ; Film & Video ; General ; Spöksonaten (Strindberg) ; Toneelvoorstellingen ; Criticism, interpretation, etc ; Translations ; Electronic book
    Kurzfassung: "In this monograph of the play as text and as performance, Egil Tornqvist examines, in four chapters, the source text, various translations of it into English, the stage versions of Max Reinhardt, Olof Molander and Ingmar Bergman, and select radio and TV adaptations." "In two framing chapters the background and impact of the play are illuminated. Focusing on Bergman's 1973 production, the book also contains a rehearsal diary and a transcription of this pioneering stage version. The book is concluded with a select annotated list of productions. Strindberg's The Ghost Sonata is the first monograph on Strindberg's famous play and the most memorable stagings of it."--Jacket
    Beschreibung / Inhaltsverzeichnis: Source text -- Target texts -- Stage productions -- Adaptations -- Epilogue -- Appendices -- Configuration chart of Strindberg's drama text -- Configuration chart of Bergman's 1973 production -- Short rehearsal diary of Ingmar Bergman's 1973 production -- Transcription of Bergman's 1973 production.
    Anmerkung: Includes bibliographical references (pages 251-257) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 32
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    Players unleashed! Modding the Sims and the culture of gaming (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089642013 , 9048511984 , 9789089642011 , 9789048511983
    Sprache: Englisch
    Seiten: 1 Online-Ressource (296 pages)
    Ausgabe: Online-Ausg.
    Serie: Mediamatters
    Paralleltitel: Print version Sihvonen Players unleashed! Modding the Sims and the culture of gaming
    Schlagwort(e): Computer games Design ; Simlife (Game) ; Computer games Programming ; Simlife (Game) ; Computer games Programming ; Computer games Design ; LANGUAGE ARTS & DISCIPLINES ; Journalism ; PERFORMING ARTS ; Film & Video ; General ; Fiction and related items ; Adventure ; Computer games ; Design ; Computer games ; Programming ; Simlife (Game)
    Kurzfassung: The author of this informative study explores the question of what happens when players practise and negotiate computer code, various ideologies, and the game itself by modding (modifying a game) in the context of "The Sims", the bestselling computer game of all time. Sihvonen examines the technical and material specificities of "The Sims" mods, as well as their cultural context. Viewed as a manifestation of participatory culture, modding makes PC games ultimately malleable: players reconfigure the game by creating new content, altering the code and changing the behaviours of the game engine. Using a semiotic framework, Sihvonen suggests a signification process that includes representation, interpretation, investigation and experimentation with the game system and rules
    Kurzfassung: Machine generated contents note
    Anmerkung: Includes bibliographical references and index
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  • 33
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    Film architecture and the transnational imagination : set design in 1930s European cinema (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9053569804 , 9053569847 , 9048501792 , 904850175X , 9789053569801 , 9789053569849 , 9789048501793 , 9789048501755
    Sprache: Englisch
    Seiten: 1 Online-Ressource (316 pages) , illustrations
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Serie: Film culture in transition
    Paralleltitel: Print version Bergfelder, Tim Film architecture and the transnational imagination
    Schlagwort(e): Motion pictures History 20th century ; Group work in art ; Motion pictures Setting and scenery ; Transnationalism ; Group work in art ; Transnationalism ; Motion pictures Setting and scenery ; Motion pictures History 20th century ; Film, TV and radio ; Society and social sciences ; Society and culture: general ; Group work in art ; Motion pictures ; Motion pictures ; Setting and scenery ; Transnationalism ; Filmarchitektur ; ART ; Film & Video ; Europa ; Europe ; PERFORMING ARTS ; Film & Video ; Reference ; History ; The arts ; Electronic book
    Kurzfassung: Presents for the first time a comparative study of European film set design in the late 1920s and 1930
    Beschreibung / Inhaltsverzeichnis: Introduction: understanding and interpreting set design in cinema -- European set design in the 1920s and 1930s: cultural contexts and professional practices -- Imagining space in late Weimar Cinema -- French cinema in the 1930s: space, place and national identity -- Set design, style, and genre in 1930s British Cinema.
    Anmerkung: Includes bibliographical references (pages 297-304) and indexes , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , En
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  • 34
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    Harun Farocki : working on the sight-lines (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 905356635X , 9048505267 , 9053566368 , 9789053566350 , 9789048505265 , 9789053566367
    Sprache: Englisch
    Seiten: 1 Online-Ressource (379 pages) , illustrations
    Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Serie: Film culture in transition
    Paralleltitel: Print version Harun Farocki
    Schlagwort(e): Farocki, Harun ; Farocki, Harun ; Farocki, Harun ; Farocki, Harun ; Farocki, Harun ; PERFORMING ARTS ; Film & Video ; General ; Films ; Installaties (beeldende kunst) ; Filmtheorie ; Cinéma ; Philosophie ; Film ; Biographies ; Criticism, interpretation, etc ; Electronic book
    Kurzfassung: The first English-language book on Germany's 'best-known important filmmaker'
    Anmerkung: Filmography: pages 325-361 -- Includes bibliographical references and index , Use copy Restrictions unspecified star MiAaHDL , Harun Farocki : filmmaker, artist, media theorist , Painting pavements , Images and thoughts, people and things, materials and methods , Incisive divides and revolving images : on the installation Schnittstelle , Passage along the shadow-line : feeling one's way towards the Filmkritik-style , The green of the grass : Harun Farocki in Filmkritik , Staking one's life : images of Holger Meins , Working at the margins : film as a form of intelligence , Dog from the freeway , Political filmmaking after Brecht : Farocki, for example , The road not taken : films by Harun Farocki , Slowly forming a thought while working on images , Making the world superfluous : an interview with Harun Farocki , Reality would have to begin , Light weapons , The political im/perceptible : Images of the world , Workers leaving the factory , On media and democratic politics : Videograms of a revolution , Towards an archive for visual concepts , Controlling observation , Nine minutes in the yard : a conversation with Harun Farocki , Harun Farocki : critical strategies , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 35
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    From grain to pixel : the archival life of film in transition (2009)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089641394 , 9048510694 , 9789089641397 , 9789048510696
    Sprache: Englisch
    Seiten: 1 Online-Ressource (320 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Framing film
    Paralleltitel: Print version Fossati, Giovanna From grain to pixel
    Schlagwort(e): Motion picture film Preservation ; Digital preservation ; Film archives ; Film archives ; Digital preservation ; Motion picture film Preservation ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Digital preservation ; Film archives ; Motion picture film ; Preservation ; Filmarkiv ; Arkivmaterial ; bevarande och restaurering ; Digitala medier och film ; Electronic books
    Kurzfassung: Fossati proposes a new theoretization of film archival practice as the starting point for a renewed dialogue between film scholars and film archivists
    Beschreibung / Inhaltsverzeichnis: Framing Film (in Transition): an Introduction -- PART 1. Practice and Theory of (Archival) Film. 1. Film Practice in Transition -- 2. Theorizing Archival Film -- PART 2. Theorizing (Archival) Practice. 3. Film Archival Field in Transition -- 4. Restoration Case Studies: Theorizing Archival Practice -- A New Mindset for (Archival) Film in Transition: a Conclusion.
    Anmerkung: Includes filmography (p. 293-295) , Includes bibliographical references (pages 297-310) and index , English
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  • 36
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    Films that work : industrial film and the productivity of media (2009)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089640126 , 9089640134 , 9048502268 , 9789089640123 , 9789089640130 , 9789048502264
    Sprache: Englisch
    Seiten: 1 Online-Ressource (491 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Film culture in transition
    Paralleltitel: Print version Films that work
    Schlagwort(e): Industrial films History and criticism ; Industrial films History and criticism ; The arts ; Film, TV and radio ; Industrial films ; Films ; Ondernemingen ; Documentaires ; Criticism, interpretation, etc ; Documentary films ; Documentary films ; LANGUAGE ARTS & DISCIPLINES ; Journalism ; PERFORMING ARTS ; Film & Video ; General ; Electronic book
    Kurzfassung: Industriële films worden gezien als een apart filmgenre van de twintigste eeuw. Ze werden geproduceerd en gesponsord door de overheid en grote bedrijven en moesten vooral aan de wensen van de sponsors voldoen, en niet zo zeer aan die van de filmmakers. In de hoogtijdagen werkten er duizenden mensen aan deze industriële films. Zo zijn er vakbladen en filmfestivals ontstaan door samenwerking met grote bedrijven als Shell en AT & T. Daarnaast hebben belangrijke regisseurs, zoals Buster Keaton, John Grierson en Alain Resnais, aan deze films meegewerkt. Toch lijkt de industriële film geen spoor te hebben achtergelaten in het filmische culturele discours. Films that Work is het eerste boek waarin de industriële film en zijn opmerkelijke geschiedenis worden onderzocht
    Kurzfassung: The history of industrial films - an orphan genre of twentieth-century cinema composed of government-produced and industrially sponsored movies that sought to achieve the goals of their sponsors, rather than the creative artists involved - seems to have left no trace in filmic cultural discourse. At its height the industrial film industry employed thousands, produced several trade journals and festival circuits, engaged with giants of twentieth-century industry like Shell and AT & T, and featured the talents of iconic actors and directors such as Buster Keaton, John Grierson and Alain Resnais. This is the first full-length book, anthology, and annotated bibliography to analyse the industrial film and its remarkable history. Exploring the potential of the industrial film to uncover renewed and unexplored areas of media studies, this remarkable volume brings together renowned scholars such as Rick Prelinger and Thomas Elsaesser in a discussion of the radical potential and new possibilities in considering the history of this unexplored corporate medium
    Anmerkung: Includes bibliographical references and indexes , Machine generated contents note: I. Navigating the Archive ; Archives and Archaeologies: The Place of Non-Fiction Film in Contemporary Media , Record, Rhetoric, Rationalization: Industrial Organization and Film , Vernacular Archiving: An Interview with Rick Prelinger , II. Visuality and Efficiency ; Early Industrial Moving Pictures in Germany , Layers of Cheese: Generic Overlap in Early Non-Fiction Films on Production Processes , Images of Efficiency: The Films of Frank B. Gilbreth , "What Hollywood Is to America, the Corporate Film Is to Switzerland": Remarks on Industrial Film as Utility Film , Poussieres: Writing the Real vs. the Documentary Real , Thermodynamic Kitsch: Computing in German Industrial Films, 1928/1963 , III. Films and Factories ; Touring as a Cultural Technique: Visitor Films and Autostadt Wolfsburg , Corporate Films of Industrial Work: Renault (1916-1939) , Filming Work on Behalf of the Automobile Firm: The Case of Renault (1950-2002) , Eccentricity, Education and the Evolution of Corporate Speech: Jam Handy and His Organization , Centron, an Industrial/Educational Film Studio, 1947-1981: A Microhistory , Films from Beyond the Well: A Historical Overview of Shell Films 243 , IV. See, Learn, Control ; Personnel Is Political: Voice and Citizenship in Affirmative-Action Videos in the Bell System, 1970-1984 , Behaviorism, Animation, and Effective Cinema: The McGraw-Hill INDUSTRIAL MANAGEMENT Film Series and the Visual Culture of Management
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  • 37
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    The Family in Question : Immigrant and Ethnic Minorities in Multicultural Europe (2008)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789053568699
    Sprache: Englisch
    Seiten: 1 Online-Ressource (314 S.)
    DDC: 303
    RVK:
    MS 3600
    Schlagwort(e): Anthropology ; Sociology ; Women: historical, geographic, persons treatment ; Anthropologie ; Sociologie ; Vrouwenstudies ; Social sciences (General) ; Sociology (General) ; Colonies and colonization. Emigration and immigration. International migration ; Einwanderer ; Soziologie ; Ethnicity Congresses ; Immigrant families Congresses ; Immigrants Congresses Social conditions ; Minority families Congresses ; Multiculturalism Congresses ; Einwanderer ; Ethnische Gruppe ; Familie ; Multikulturelle Gesellschaft ; Europa ; Europa ; Konferenzschrift 2006 ; Konferenzschrift 2006 ; Konferenzschrift 2006 ; Electronic book ; Electronic book ; Europa ; Multikulturelle Gesellschaft ; Einwanderer ; Ethnische Gruppe ; Familie
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  • 38
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    Transfigurations : violence, death and masculinity in American cinema (2008)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1282171410 , 9089640304 , 908964010X , 9048508509 , 9781282171411 , 9789089640307 , 9789089640109 , 9789048508501
    Sprache: Englisch
    Seiten: 1 Online-Ressource (274 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Film culture in transition
    Paralleltitel: Print version Grønstad, Asbjørn Transfigurations
    Schlagwort(e): Violence in motion pictures ; Death in motion pictures ; Masculinity in motion pictures ; Motion pictures, American ; Violence in motion pictures ; Death in motion pictures ; Masculinity in motion pictures ; Motion pictures, American ; PERFORMING ARTS ; Film & Video ; Reference ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Society and social sciences ; Society and culture: general ; PERFORMING ARTS ; Film & Video ; General ; Death in motion pictures ; Masculinity in motion pictures ; Motion pictures, American ; Violence in motion pictures ; Gewalt ; Tod ; Männlichkeit ; Film ; Film ; Music, Dance, Drama & Film ; USA ; Electronic book
    Kurzfassung: "Transfigurations: Violence, Death and Masculinity in American Cinema suggests a fundamental rethinking of the notion of violence in Hollywood cinema, and discloses the methodological and theoretical inadequacies of a series of common approaches to screen violence. More specifically, the book challenges the traditional understanding of the concept of memesis with regard to film fiction in general and film violence in particular. Transfigurations deconstructs the idea that the film image is a transparent entity, and proposes instead that filmicity is always opaque. In turn, this argument leads to the conclusion that all film fiction is amimetic, and that it entails processes of transfiguration rather representation, aesthetic theorization rather than mimetic reflection. By considering film violence not as a mirror but as a trope, this book shows how the violence in films may be interpreted as a discourse on death and masculinity."--Jacket
    Kurzfassung: In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs
    Beschreibung / Inhaltsverzeichnis: Introduction: film violence as figurality -- Screen violence: five fallacies. Empiricism ; Aristotelianism ; Aestheticism ; Mythologicism ; Mimeticism -- Filming death. The transfigured image -- Narrating violence, or, allegories of dying -- Male subjectivities at the margins. Mean streets: death and disfiguration in Hawks's Scarface -- Kubrick's The killing and the emplotment of death -- Blood of a poet: Peckinpah's The wild bunch -- As I lay dying: violence and subjectivity in Tarantino's Reservoir dogs -- One-dimensional men: Fincher's Fight club and the end of masculinity.
    Anmerkung: Includes bibliographical references (pages 221-260) and indexes
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  • 39
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    Film festivals : from European geopolitics to global cinephilia (2007)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9053562168 , 9053561927 , 9048506727 , 9789053562161 , 9789053561928 , 9789048506729
    Sprache: Englisch
    Seiten: 1 Online-Ressource (276 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Film culture in transition
    Paralleltitel: Print version Valck, Marijke de Film festivals
    Schlagwort(e): Film festivals ; Film festivals ; Film festivals ; Film festivals ; The arts ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Film festivals ; Filmfestspiel ; Filmfestivals ; Filmfestival ; Filmfestival ; Globalisierung ; Geopolitik ; Kultureller Wandel ; Europe ; Europa ; Europa ; Europa (geografie) ; Film, TV and radio ; Proefschriften (vorm) ; Electronic book
    Kurzfassung: The film festival has come a long way from its relatively humble origins in Venice in 1932--when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today's most famous film festivals--Cannes, Berlin, Venice, and Rotterdam--continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. Film Festivals shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether "successful" is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to "new waves
    Beschreibung / Inhaltsverzeichnis: Introduction : film festivals as sites of passage -- Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit -- Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands -- Venice and the value-adding process : the role of mediation, segregation and agenda setting -- Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events -- Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network.
    Anmerkung: Includes bibliographical references (pages 249-260) and indexes
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  • 40
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    Acquisition and Loss of Nationality, 1 : Comparative Analyses - Policies and Trends in 15 European Countries (2006)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789053569207 , 9048504457 , 9053569200 , 9789048504459
    Sprache: Englisch
    Seiten: 1 Online-Ressource (500 pages)
    Serie: IMISCOE Research
    Paralleltitel: Erscheint auch als Acquisition and loss of nationality ; 1: Comparative analyses
    Paralleltitel: Print version
    Schlagwort(e): Citizenship ; Citizenship ; Europe ; European Union countries ; POLITICAL SCIENCE ; Political Freedom & Security ; Human Rights ; Citizenship ; POLITICAL SCIENCE ; Political Freedom & Security ; Civil Rights ; Electronic books ; Aufsatzsammlung ; Europa ; Nationalität
    Kurzfassung: The legal integration of potential citizens:Denizens in the EU in the final years before theimplementation of the 2003 Directive on long-termresident third country nationals1The status of quasi-citizenship in EU memberstates: Why some states have 'almost-citizens'1; Evaluation and recommendations
    Kurzfassung: Table of Contents; INTRODUCTION; Nationality in public international law andeuropean law; Methodology for comparing acquisition andloss of nationality1; Acquisition of nationality; Loss of nationality1; Administrative practices in the acquisition ofnationality1; Statistics on acquisition and loss of nationality; European trends in nationality law; Rights of expatriates, multiple citizens andrestricted citizenship for certain nationals
    Anmerkung: English
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  • 41
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    European cinema : face to face with Hollywood (2005)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789053565940
    Sprache: Englisch
    Seiten: 1 Online-Ressource (563 Seiten) , Illustrationen
    Serie: Film culture in transition
    Paralleltitel: Erscheint auch als Elsaesser, Thomas, 1943 - 2019 European cinema
    RVK:
    AP 59706
    Schlagwort(e): History (General) ; Communication. Mass media ; Social sciences (General) ; History (General) ; Social sciences (General) ; Communication. Mass media ; Film, TV & radio ; History ; Society & culture: general ; Europa ; Film ; USA ; Europa ; Film
    Kurzfassung: In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition.
    Anmerkung: Literaturangaben
    DOI: 10.5117/9789053565940
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  • 42
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    The last great American picture show : New Hollywood cinema in the 1970s (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1417521724 , 9053566317 , 9053564934 , 904850368X , 9781417521722 , 9789053566312 , 9789053564936 , 9789048503681
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 volume)
    Ausgabe: [S.l.] HathiTrust Digital Library Electronic reproduction
    Serie: Film culture in transition
    Paralleltitel: Print version Last great American picture show
    Paralleltitel: Erscheint auch als The last great American picture show
    RVK:
    AP 44981
    RVK:
    AP 44983
    Schlagwort(e): Motion pictures History ; Motion pictures History ; Electronic books ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion pictures ; Filmkunst ; Films ; Filmindustrie ; Cinéma ; États-Unis ; 1960-1990 ; Histoire et critique ; United States ; History ; Aufsatzsammlung ; Los Angeles- Hollywood ; Film ; Geschichte 1967-1976 ; USA ; Geschichte 1970-1980 ; Film
    Kurzfassung: Annotation, The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide
    Kurzfassung: The impure cinema : new Hollywood 1967-1976 / Alexander Horwath -- "The last good time we ever had" : remembering the new Hollywood cinema / Noel King -- American auteur cinema : the last -- or first -- great picture show / Thomas Elsaesser -- The decade when movies mattered / David Thomson -- A walking contradiction (partly truth and partly fiction) / Alexander Horwath -- The exploitation generation, or how marginal movies came in from the cold / Maitland McDonagh -- New Hollywood and the sixties melting pot / Jonathan Rosenbaum -- Dinosaurs in the age of the cinemobile / Richard T. Jameson -- "The cylinders were whispering my name" : the films of Monte Hellman / Kent Jones -- Nashville contra Jaws, or "The imagination of disaster" revisited / J. Hoberman -- For Wanda / Bérénice Reynaud -- Everybody knows this is nowhere : the uneasy ride of Hollywood and rock / Howard Hampton -- Auteurism and war-teurism : Terrence Malick's war movie / Dana Polan -- The pathos of failure : American films in the 1970s : notes on the unmotivated hero / Thomas Elsaesser -- Trapped in the affection image : Hollywood's post-traumatic cycle (1970-1976) / Christian Keathley --Grim fascination : Fingers, James Toback and 1970s American cinema / Adrian Martin -- Allegories of post-Fordism in 1970s new Hollywood : countercultural combat films and conspiracy thrillers as genre recycling / Drehli Robnik
    Anmerkung: Includes bibliographical references (pages 359-370) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 43
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    Europe's invisible migrants (2003)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048505104
    Sprache: Englisch
    Seiten: 1 Online-Ressource (246 Seiten) , Karten
    Serie: Europa
    Paralleltitel: Erscheint auch als Europe's invisible migrants
    RVK:
    MS 3600
    Schlagwort(e): History (General) ; Sociology (General) ; History (General) ; Sociology (General) ; History ; Sociology & anthropology ; Konferenzschrift 09.04.1999 ; Frankreich ; Kolonie ; Rückwanderung ; Niederlande ; Kolonie ; Rückwanderung ; Portugal ; Kolonie ; Rückwanderung ; Europa ; Migration ; Geschichte 1945-1955
    Kurzfassung: Following the decolonization movements that swept the globe after World War II, between four and six million people were 'returned' to Europe from the colonies. From an exporter of people, Europe turned to a site of immigration for the first time in the twentieth century. Until now, these migrations have been overlooked as scholars have highlighted instead the parallel migrations of former 'colonized' peoples. Europe's Invisible Migrants corrects this bias. This multidisciplinary volume presents essays by prominent sociologists, historians, and anthropologists on their research with these 'invisible' migrant communities. Their work highlights the experiences of colonists returning to France, Portugal and the Netherlands, the intersection of race, citizenship, and colonial ideologies, and the ways these migrations reflect the return of the 'colonial' to Europe. This volume offers fresh insights into immigration, racism and ethnic conflict in post-colonial Europe by presenting colonial repatriates as another 'immigrant' population.
    Anmerkung: Literaturverzeichnis: Seite 209-235 , Most of the authors of this book first met at the April 9, 1999 conference, "Europe’s Invisible Migrants: Consequences of the Colonists' 'Return,' ..." (Acknowledgements, Seite 7)
    DOI: 10.5117/9789053565711
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  • 44
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    Europe's Invisible Migrants (2002)
    Amsterdam : Amsterdam University Press
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    ISBN: 9789053565711
    Sprache: Englisch
    Seiten: 1 Online-Ressource (248 S.)
    DDC: 304.8/4
    RVK:
    MS 3600
    Schlagwort(e): Geschichte 1945-1955 ; Sociology ; History, geography, and auxiliary disciplines ; Sociologie ; Geschiedenis ; History (General) ; Sociology (General) ; Soziologie ; Rückwanderung ; Migration ; Kolonie ; Frankreich ; Europa ; Portugal ; Niederlande ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Kolonie ; Rückwanderung ; Niederlande ; Kolonie ; Rückwanderung ; Portugal ; Kolonie ; Rückwanderung ; Europa ; Migration ; Geschichte 1945-1955
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  • 45
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    Living dangerously : a biography of Joris Ivens (2000)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1281972312 , 9053564330 , 9053563881 , 9048503590 , 9781281972316 , 9789053564332 , 9789053563885 , 9789048503599
    Sprache: Englisch
    Seiten: 1 Online-Ressource (443 pages) , illustrations
    Ausgabe: Online-Ausg.
    Serie: Film Culture in Transition
    Originaltitel: Gevaarlijk leven: een biografie van Joris Ivens
    Paralleltitel: Print version Schoots, Hans, 1950- Living dangerously
    Schlagwort(e): Ivens, Joris ; Ivens, Joris ; Motion picture producers and directors Biography ; Motion picture producers and directors Biography ; Ivens, Joris ; PERFORMING ARTS ; Film & Video ; Direction & Production ; BIOGRAPHY & AUTOBIOGRAPHY ; Entertainment & Performing Arts ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; General ; Motion picture producers and directors ; Filmkunst ; Films ; Netherlands ; Biographies
    Kurzfassung: Highly prized biography of one of the Netherlands' most famous and controversial filmmakers
    Kurzfassung: 16. The Uncle Behind the Iron Curtain (1947-1950)17. The Blue Book (1950-1956); 18. Breathing Space (1957-1960); 19. Cowboy Boots and Guerrilla Cap (1960-1964); 20. A Socialist Scoop (1964-1968); 21. Sixty-Nine in Sixty-Eight (1968-1971); 22. The Old Steed Gallops a Thousand Li (1971-1978); 23. An Arduous De-Stalinization (1978-1985); 24. Unfavorable Winds (1985-1989); Acknowledgements; Archives and Document Collections; People Interviewed; Notes; Bib
    Kurzfassung: Contents; Introduction; 1. The Boss's Son (1898-1921); 2. Ragmop (1921-1927); 3. A Time of Daily Discoveries (1927-1929); 4. Exactly How We See It Too, Sir (1929); 5. You hear me, Father, Mother, World, Charnel House (1930-1931); 6. The Magnetic Mountain (1932); 7. Socialist Realism (1933); 8. Sidetracked (1934-1936); 9. Land of Opportunity (1936); 10. The Spanish Labyrinth (1937); 11. Chinese Poker (1938); 12. Ivens's Interbellum (1939-1941); 13. Glamour Boy of the Revolution (1941-1944); 14. War Under the Palm Trees (1944-1945); 15. Indonesia Merdeka (1945-1946)
    Anmerkung: Includes bibliographical references ([418]-429) and index
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