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  • FID-SKA-Lizenzen  (83)
  • Ireland  (47)
  • Ethnology  (40)
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  • 1
    Online Resource
    Online Resource
    In:  Anthropological Journal of European Cultures - (formerly: Anthropological Yearbook of European Cultures) Vol. 30, 1 (2021)
    ISSN: 1755-2931 , 1755-2923
    Titel der Quelle: Anthropological Journal of European Cultures - (formerly: Anthropological Yearbook of European Cultures)
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 30, 1 (2021)
    Keywords: borders ; heritage ; reconciliation ; Ireland ; Northern Ireland ; European Union
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  • 2
    Online Resource
    Online Resource
    In:  Museum Worlds - Advances in Research Vol. 9, 1 (2021)
    ISSN: 2049-6737 , 2049-6729
    Titel der Quelle: Museum Worlds - Advances in Research
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 9, 1 (2021)
    Keywords: American colonialism ; Ethnology ; Philippines ; ruination
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  • 3
    Online Resource
    Online Resource
    In:  Anthropology in Action - Journal for Applied Anthropology in Policy and Practice Vol. 27, 3 (2020)
    ISSN: 1752-2285 , 0967-201X
    Titel der Quelle: Anthropology in Action - Journal for Applied Anthropology in Policy and Practice
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 27, 3 (2020)
    Keywords: commensuration ; COVID-19 ; enumeration ; intimacy ; Ireland ; health protection ; health surveillance ; medical data
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  • 4
    Online Resource
    Online Resource
    In:  Anthropology in Action - Journal for Applied Anthropology in Policy and Practice Vol. 27, 3 (2020)
    ISSN: 1752-2285 , 0967-201X
    Titel der Quelle: Anthropology in Action - Journal for Applied Anthropology in Policy and Practice
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 27, 3 (2020)
    Keywords: Christian nationalism ; community ; COVID-19 ; development ; intimacy ; Ireland ; neoliberalism
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  • 5
    Online Resource
    Online Resource
    In:  Anthropological Journal of European Cultures - (formerly: Anthropological Yearbook of European Cultures) Vol. 24, 1 (2015)
    ISSN: 1755-2931 , 1755-2931 , 1755-2923
    Pages: 17 p.
    Titel der Quelle: Anthropological Journal of European Cultures - (formerly: Anthropological Yearbook of European Cultures)
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 24, 1 (2015)
    Keywords: commemoration ; entextualisation ; Ireland ; occlusion ; semiotics ; violence
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  • 6
    Online Resource
    Online Resource
    In:  Focaal - Journal of Global and Historical Anthropology Vol. 2015, 71 (2015)
    ISSN: 1558-5263 , 1558-5263 , 0920-1297
    Pages: 13 p.
    Titel der Quelle: Focaal - Journal of Global and Historical Anthropology
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 2015, 71 (2015)
    Keywords: anti-sovereign ; assemblage ; borders ; Ireland ; Northern Ireland ; sovereignty ; state
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  • 7
    Online Resource
    Online Resource
    London :Sky Vision,
    Language: English
    Pages: 1 online resource (50 min.). , 004951
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Egypt ; episode 3
    Series Statement: Ethnographic video online, volume 2
    Keywords: Civilization History. ; Egypt Civilization. ; Egypt History To 640 A.D. ; Ireland ; Documentary films.
    Abstract: This documentary by Jeff Morgan is about the findings of archaeological research into the era of the 18th Dynasty of Ancient Egpyt, the so-called age of gold.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Egypt and Sudan. , Previously released as DVD. , This edition in English.
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  • 8
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Hindi
    Pages: 1 online resource (14 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Textile waste ; Textile workers ; Textiles Recycling ; Ireland ; Nonfiction films.
    Abstract: Unravel follows the western worlds least wanted clothes, on a journey across northern India, from sea to industrial interior. They get sent to Panipat, a sleepy town and the only place in the world that wants them, recycling them back into yarn. Reshma is a bright, inquisitive woman working in a textile recycling factory in small time India, who dreams of travelling the vast distances the clothes she handles have. While Reshma shows us how these garments get transformed, she and other women workers reflect on these cloths. Despite limited exposure to western culture, they construct a picture of how the west is, using both their imagination and the rumours that travel with the cast-offs.--Original container.
    Note: Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 9
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: Spanish , English , South American Indian (Other)
    Pages: 1 online resource (86 minutes) , 012529
    Keywords: Palmer, John ; Anthropologists Biography. ; Mataco Indians Social life and customs. ; Indians of South America ; Indians of South America Civil rights ; Ethnology ; Bhutan ; Nonfiction films. ; Documentary films.
    Abstract: John Palmer arrived in a Wichí community, located in Argentina, thirty years ago as an anthropologist - today he has married a Wichí woman with whom he has five sons in the last 5 years, who babble English, Wichí, and Spanish words. As the legal advisor of the Lapacho Mocho community, and as a part of the family, he works to obtain Qatu's freedom, a member of the Wichí community who has been in jail for 5 years waiting for an oral hearing on a charge of abusing his wife's daughter. The film gains depth and impact from its more intimate domestic interludes involving John's wife Tojweya their young children - including a baby only weeks old. So while Palmer has achieved considerable eminence in his field, winning the Royal Anthropological Institute's Lucy Mair Medal in 2009, his immersion into Wichí culture, history and customs has become much more than a matter of academic ethnography.
    Note: Title from resource description page (viewed June 24, 2016). , In Spanish, English, and Wichí (Mataco).Optional subtitles in Spanish, English, French, Portuguese, Italian.
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  • 10
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Niger-Kordofanian (Other)
    Pages: 1 online resource (61 min.). , 010117
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ancestor worship ; Christianity and other religions ; Funeral rites and ceremonies ; Tarok (African people) Rites and ceremonies. ; Tarok (African people) Social life and customs. ; Ireland ; Nonfiction films.
    Abstract: Nigerian writer Dul Johnson returns to Tarok land to observe the local death rituals and the record of the Tarok ways of dealing with grief and honoring departed. This film provides a rare and detailed record of local religious practices. It bears witness to the fluid ways in which communities, families and individuals construct their religious and cultural identities, and also reseals the tense interplay between the modern and the traditional. Johnson's search for meaning in Tarok land yields a compelling portrait of Tarok culture, and provides a unique contributrion to the knowledge of contemporary religious life of Tarok communities of Mile 4 Langtan South, Tunkun and Wan Langtan North, Plateau State, Nigeria.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Tarok with English subtitles.
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  • 11
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Portuguese
    Pages: 1 online resource (57 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Prostitution Drama. ; Transphobia Drama. ; Transsexuals Drama. ; Ireland ; Nonfiction films.
    Abstract: Transfiction explores 'ethnofiction' - an experimental ethnographic documentary film style in which the participants collaborate with the filmmaker to act out their own and others' life experiences in improvisations. The film focuses on identity and discrimination in the daily lives of transgendered Brazilians living in São Paulo. Fabia Mirassos projects her life through the role of Meg, a transsexual hairdresser confronting intolerance and re-living memories of abuse. Savana 'Bibi' Meirelles plays Zilda who makes her living as one of the many transgendered sex workers in São Paulo, as she struggles to find her way out of prostitution.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in Portuguese with English subtitles.
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  • 12
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Persian
    Pages: 1 online resource (120 min.). , 020007
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Music ; Nomads ; Qashqāʾī (Turkic people) ; Ireland ; Documentary films.
    Abstract: Amin is the story of an ancient musical tradition and one man's struggle to preserve it. It is told using a unique approach to documentary storytelling that challenges the boundaries of fiction and reality. Amin Aghaie is a young modern nomad from the south of Iran. He has dedicated his life to preserving, documenting and teaching the unique musical tradition of his people, the Qashqai tribe, a tradition on the verge of extinction. Despite the fact that Amin's family face steep financial and cultural obstacles, they are devoted to their art and culture and express that by supporting the work of their talented musician son. Every summer, Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family sell their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kiev, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition. Awards: Award of Excellence at Yamagata Documentary Film Festival in 2011; Asian Vision Award at Taiwan International Documentary 2010; Film Festival Special Distinction at Dubai International Film Festival in 2010; Nominated for Best Documentary, Asia Pacific Screen Awards, in 2011.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Iran. , Previously released as DVD. , This edition in Farsi, western (Persian) with English subtitles.
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  • 13
    Online Resource
    Online Resource
    In:  Anthropology in Action - Journal for Applied Anthropology in Policy and Practice Vol. 16, 1 (2009)
    ISSN: 1752-2285 , 1752-2285 , 0967-201X
    Pages: 10 p.
    Titel der Quelle: Anthropology in Action - Journal for Applied Anthropology in Policy and Practice
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 16, 1 (2009)
    Keywords: education ; Ireland ; Michel de Certeau ; mobile phone ; strategies ; tactics ; youth culture
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  • 14
    Online Resource
    Online Resource
    Thailand :Extra Virgin Co,
    Language: Thai
    Pages: 1 online resource (121 min.). , 020044
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Ireland ; Feature films.
    Abstract: Two families are employed by a landowner to work on his rice fields. One of them used to own their own land, but was evicted for being unable to keep up with his hefty loan payments. In the absence of machinery, they plant rice using traditional farming methods and an untrained buffalo. However, the low market prices for rice mean that they have to supplement their income with picking wild mushrooms. They also eat wild frogs, snakes and honeycomb when their income proves to be too meagre to feed the family. In contrast, a neighboring farmer, a retired teacher, farms his land organically and hopes to keep the land fertile with the rice stalks, so that he will always be able to grow food for himself. Thai director Uruphong Raksasad had grown up in the same village where the film is beautifully shot, and had chosen to use local farmers as his actors. Awards/Festivals: NETPAC Special Mention Award, International Film Festival Rotterdam; Special Mention Award, Barcelona Asian Film Festival; NETPAC Award, Brisbane International Film Festival; Golden Hanoman Award, Jogja-NETPAC Asian Film Festival; NETPAC Award, Jogja-NETPAC Asian Film Festival; Best Narrative Film, Toronto Reel Asian International Film Festival; !f Inspired Award - Most Inspired Director, !f International Independent Film Festival, Istanbul; Special Jury Award, Millenium International Documentary Film Festival; Green Chilies Award (Best Film), Asian Hot Shot Berlin Festival; Hong Kong International Film Festival; Singapore International Film Festival; Jeonju International Film Festival; Libertas Film Festival; Filmfest Munchen; Vancouver International Film Festival; Yamagata International Documentary Film Festival; Flanders International Film Festival Ghent; Mumbai Film Festival; Vienna International Film Festival; Asiaticafilmmediale, Rome; Mar del Plata International Film Festival; Taipei Golden Horse International Film Festival; International Film Festival Bratislava; International Film Festival of Kerala; Pune International Film Festival; Fajr International Film Festival; San Francisco Asian American Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Thailand. , Previously released as DVD. , This edition in Thai with English subtitles.
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  • 15
    Online Resource
    Online Resource
    New York :Big Media,
    Language: English
    Pages: 1 online resource (60 min.). , 010026
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Indigenous peoples. ; Ireland ; Documentary films.
    Abstract: Part 1: This episode examines the traditional cultures of the Mongols, the Nubans of Sudan, the Australian Aborigines, the Saami of Northern Scandinavia, and Papua New Guineans.
    Abstract: Part 2: This episode looks at the traditional cultures of the Maori of New Zealand, the San (Bushmen) of the Kalahari, the Bhutanese, the Waorani of the Amazon, and the Maasai of Kenya.
    Abstract: Part 3: This episode looks at the traditional cultures of the Marsh Arabs and the Aka Pygmies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 16
    Online Resource
    Online Resource
    In:  Anthropology in Action - Journal for Applied Anthropology in Policy and Practice Vol. 16, 1 (2009)
    ISSN: 1752-2285 , 1752-2285 , 0967-201X
    Pages: 14 p.
    Titel der Quelle: Anthropology in Action - Journal for Applied Anthropology in Policy and Practice
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 16, 1 (2009)
    Keywords: computer-supported cooperative work ; information systems design ; Ireland ; paperless office ; political clientelism ; public administration ; workplace ethnography
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  • 17
    Online Resource
    Online Resource
    In:  Anthropology in Action - Journal for Applied Anthropology in Policy and Practice Vol. 16, 1 (2009)
    ISSN: 1752-2285 , 1752-2285 , 0967-201X
    Pages: 11 p.
    Titel der Quelle: Anthropology in Action - Journal for Applied Anthropology in Policy and Practice
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 16, 1 (2009)
    Keywords: appropriation ; computer ; domestication ; the home ; Internet ; Ireland
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  • 18
    Online Resource
    Online Resource
    In:  Anthropology in Action - Journal for Applied Anthropology in Policy and Practice Vol. 16, 1 (2009)
    ISSN: 1752-2285 , 1752-2285 , 0967-201X
    Pages: 16 p.
    Titel der Quelle: Anthropology in Action - Journal for Applied Anthropology in Policy and Practice
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 16, 1 (2009)
    Keywords: ageing ; design ; the home ; Ireland ; anthropological praxis ; applications of anthropology ; material culture
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  • 19
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (46 min.). , 004614
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ancestor worship ; Hospitality industry ; Marine resources conservation ; Tourism ; Village communities ; Madagascar Social conditions. ; Madagascar Social life and customs. ; Ireland ; Nonfiction films.
    Abstract: Uncanny Strangers is a 46 min non-fiction film shot in a fishing village in South Western Madagascar. The film follows different relations between the villagers and various human and non-human strangers - ancestor and tromba spirits, Western NGO workers, ecotourists, fish collectors, cattle rustlers and the ethnographic filmmaker. Through a series of everyday life episodes, it provides insights into the ontology of these relationships and the strategies employed by the villagers to make them work for their economic and political purposes. Through its specific ethnographic focus on the 'uncanny' qualities of such relations, the film points towards more generic issues related to hospitality practice, the constitution of selves through webs of relationships with others, and forms of collaboration in emerging transnational social field such as - here - environmental action.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Recorded in 2006. , Previously released as DVD. , This edition in English.
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  • 20
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Undetermined
    Pages: 1 online resource (56 min.). , 005620
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dagar, Rahim Fahimuddin, ; Khushnawaz, Mohammad Rahim. ; Musicians Biography. ; Rabāb music. ; Ireland ; Nonfiction films.
    Abstract: Shot in the city of Heart, western Afghanistan 1994, in the period between the fall of the last leftist government and the coming of the Taliban, this is a portrait film of an outstanding musician, Ustad Rahim Khushnawaz. He was a master of the Afghan rubab, a double-chambered plucked lute with sympathetic strings. Using the observational cinema style the film shows Ustad Rahim in various contexts. These include a guided tour of the photos in his music room that recount his musical career, being at home with his wife and children, showing off his pigeons, erecting the tombstone for his father's grave, and teaching and playing the rubab. Of particular interest is the gormani ritual, a gathering of musicians where Rahim accepts a new student.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Recorded in 1994. , Previously released as DVD. , This edition in an undetermined language with English subtitles.
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  • 21
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 minutes) , 005759
    Keywords: Ethnology ; Nightclubs ; Bhutan ; Ethnographic films.
    Abstract: Mirror Mirror is based on an audio-visual ethnography of London's queer Club Wotever. Begun in the autumn of 2003, it promoted itself as a club that welcomed all genders and sexualities - a counterpoise to London's mainstream segregated scenes.
    Note: Title from resource description page (viewed June 24, 2016). , In English.
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  • 22
    Online Resource
    Online Resource
    Paris, France :ZED,
    Language: English
    Pages: 1 online resource (51 min.). , 005100
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Living cultures
    Keywords: Tumba francesa Study and teaching ; Tumba francesa ; Ireland ; Nonfiction films.
    Abstract: In Cuba, Sulaidy learns the Tumba Francesa, an old French dance that her ancestors have kept alive from the time they were slaves, hundred of years ago. Andrea and his husband, Flavio, are the presidents of the Tumba of Santiago. They fear for the future of this dance. To perpetuate tradition, they take the children in hand and teach them to play and to sing. They struggle to teach younger people so that the Tumba lives on.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 23
    Online Resource
    Online Resource
    Paris, France :ZED,
    Language: English
    Pages: 1 online resource (6 min.). , 000545
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Little man ; 16
    Keywords: Buddhist monks ; Children ; Coming of age ; Initiation rites ; Tibet Autonomous Region (China) Rites and ceremonies. ; Ireland ; Nonfiction films.
    Abstract: Life is not always taught on school benches. In many countries, children must first learn ancestral traditions and know-hows. This series invites kids to travel the world and discover other lifestyles and ways of growing up. Each episode features a different child who is initiated by an elder to a special task in which he will have to demonstrate courage and maturity.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 24
    Online Resource
    Online Resource
    Paris, France :ZED,
    Language: English
    Pages: 1 online resource (53 min.). , 005235
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Living cultures
    Keywords: Sanskrit drama. ; Theater Study and teaching ; Theater ; Ireland ; Nonfiction films.
    Abstract: Vipin is 15 years old. He is a student at the Kalamandalam School, where performing arts are taught. He has been studying Kutyattam for three years, the only traditional Sanskrit theatre in India. Each day, students are subjected to rigorous discipline and intensive trainings. Thanks to the help of their teacher, Sangi, they will learn more than 400 codified gestures and will develop a new body: the actor's body, the Kutiyattam body.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 25
    Online Resource
    Online Resource
    Paris, France :ZED,
    Language: English
    Pages: 1 online resource (51 min.). , 005054
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Living cultures
    Keywords: Children ; Dance Study and teaching ; Dance ; Ireland ; Nonfiction films.
    Abstract: Koun is a survivor of the Khmer Rouge tragedy. She was once a famous dancer, and today contributes to the restoration of the Royal Ballet by teaching dance to children. Sre Cha, the prettiest and most talented of Koun's students, dreams of performing as the White Apsara, the divinely beautiful dancer. Kmao, the mischievous boy from the slums, wants to dance as Hanuman, the white monkey, a hero for all Cambodian boys.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English and an undetermined language with English subtitles.
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  • 26
    Online Resource
    Online Resource
    Paris, France :ZED,
    Language: English
    Pages: 1 online resource (6 min.). , 000602
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Little man ; 28
    Keywords: Arranged marriage ; Coming of age ; Marriage ; Women ; Ireland ; Nonfiction films.
    Abstract: Life is not always taught on school benches. In many countries, children must first learn ancestral traditions and know-hows. This series invites kids to travel the world and discover other lifestyles and ways of growing up. Each episode features a different child who is initiated by an elder to a special task in which he will have to demonstrate courage and maturity.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 27
    Online Resource
    Online Resource
    Paris, France :ZED,
    Language: English
    Pages: 1 online resource (53 min.). , 005239
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Living cultures
    Keywords: House construction ; Wood-carving ; Woodwork ; Zafimaniry (Malagasy people) ; Ireland ; Nonfiction films.
    Abstract: On the northwest coast of Madagascar live the Zafimaniry people, lumbermen famous for their incredible wood crafting abilities. The subtle and poetic geometric patterns of their work translate the principles that guide their lives. Solo and Jean are two young boys who will build a traditional house like their ancestors did, following the advices of the elders. The Zafimaniry wood crafting knowledge of Madagascar has been proclaimed a Masterpiece of Human Heritage by Unesco, which plans to safeguard this tradition that has been passed down orally from generation to generation for centuries.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 28
    Online Resource
    Online Resource
    Paris, France :ZED,
    Language: English
    Pages: 1 online resource (6 min.). , 000539
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Little man ; 31
    Keywords: Gong ; Percussion instrument makers ; Ireland ; Nonfiction films.
    Abstract: Life is not always taught on school benches. In many countries, children must first learn ancestral traditions and know-hows. This series invites kids to travel the world and discover other lifestyles and ways of growing up. Each episode features a different child who is initiated by an elder to a special task in which he will have to demonstrate courage and maturity.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 29
    Online Resource
    Online Resource
    Paris, France :ZED,
    Language: English
    Pages: 1 online resource (6 min.). , 000532
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Little man ; 14
    Keywords: Children ; Coming of age ; Initiation rites ; Melanesia Rites and ceremonies. ; Ireland ; Nonfiction films.
    Abstract: Life is not always taught on school benches. In many countries, children must first learn ancestral traditions and know-hows. This series invites kids to travel the world and discover other lifestyles and ways of growing up. Each episode features a different child who is initiated by an elder to a special task in which he will have to demonstrate courage and maturity.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 30
    Online Resource
    Online Resource
    Paris, France :ZED,
    Language: English
    Pages: 1 online resource (6 min.). , 000534
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Little man ; 18
    Keywords: Children ; Coming of age ; Crocodiles Religious aspects. ; Initiation rites ; Madagascar Rites and ceremonies. ; Ireland ; Nonfiction films.
    Abstract: Life is not always taught on school benches. In many countries, children must first learn ancestral traditions and know-hows. This series invites kids to travel the world and discover other lifestyles and ways of growing up. Each episode features a different child who is initiated by an elder to a special task in which he will have to demonstrate courage and maturity.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 31
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (57 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghans Music. ; Tabla music. ; Ireland ; Nonfiction films.
    Abstract: Ethnomusicologist John Baily visits Fremont, California, the new home of the large community of exiled Afghans. He is joined by Kabuli master-musician Ustad Asif Mahmoud.
    Note: Previously released as DVD. , This edition in English and an undetermined language with English subtitles.
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  • 32
    Language: English , Multiple languages , English
    Pages: 1 online resource (49 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    DDC: 781.7/7400954
    Keywords: Islamic music. ; Qawwali. ; Sufi music. ; Ireland ; Nonfiction films.
    Abstract: "For hundreds of millions of Sufi followers worldwide, music is at the heart of their tradition and a way of getting closer to God. From the Whirling Dervishes of Turkey to the qawwali music of Pakistan, Sufism has produced some of the world's most spectacular music celebrated by Muslims and non-Muslims alike. Dalrymple's film traces the shared roots of Christianity and Islam in the Middle East and discovers Sufism to be a peaceful, tolerant and pluralistic bastion against fundamentalism"-- Original container.
    Note: Originally broadcast on television as a special documentary on BBC's Channel in November 2005. , Program notes and notes on the performers and presenter by Simon Braughton and William Dalrymple ([6] p. : col. ill.) in original container. , Previously released as DVD. , This edition in English.
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  • 33
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (61 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    DDC: 306.0954167
    Keywords: Lepcha (South Asian people) ; Social change ; Social structure ; Sikkim (India) Social life and customs. ; Ireland ; Nonfiction films. ; Nonfiction films
    Abstract: "This film illustrates the changes the Lepcha of the Dzongu reserve, North Sikkim, have been through in the last 60 years. From the 1940's, the Lepcha of Tingvong village gradually abandoned hunting, gathering and the slash and burn cultivation of dry rice, and became settled agriculturalists. Entire mountains sides were converted to cardamom and terraced for the cultivation of irrigated paddy. The irrigated rice and the cardamom cash crop not only brought the Lepcha within Sikkim's market economy but helped create a surplus which could among other things be invested in religion. In the 1940's, the Lepcha of Tingvong embraced Buddhism and all its complex rituals without however abandoning their strong shamanic traditions. Today, both forms of rituals amiably co-exist in the village. This film is part of a long-term visual anthropology training project for the tribal communities of Sikkim."--Original container.
    Note: "For educational use only."--Original container. , "Produced by Director, Namgyal Institute of Tibetology, Gangtok, Sikkim." , Previously released as DVD. , This edition in Lepcha with English subtitles.
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  • 34
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Sinhalese
    Pages: 1 online resource (109 min.). , 014841
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films ; Ireland ; Feature films.
    Abstract: This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, each of whom is affected by the war in different ways. Chamari enlists the aid of a London-based journalist to help locate her husband, a pilot who was captured by the Tamil Tigers; a young Muslim boy, Arfath, tries to keep his dog, even as his family joins thousands of other Muslims in a mass exodus to escape the conflict; and Dumida, a lonely young soldier, discovers that his sister has been working as a prostitute in a brothel that serves both Sinhalese and Tamil soldiers. All of these events, presented from a Sinhalese perspective, take place under the searing heat of a hot August sun and the weight of lengthy civil war. Awards/Festivals: Grand Jury Prize and nominated Lino Brocka Award Cinemanila International Film Festival 2003; Grand Prix des Amriques Montreal World Film Festival 2003; FIPRESCI/NETPAC Award Singapore International Film Festival 2004; Amiens International Film Festival 2003; International Film Festival Rotterdam 2004; Deauville Asian Film Festival 2004.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sri Lanka. , Previously released as DVD. , This edition in Sinhala. , This edition in Sinhala.
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  • 35
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Vietnamese , English
    Pages: 1 online resource (57 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Herbs Therapeutic use. ; Medicinal plants ; Naturopathy. ; Traditional medicine ; Ireland ; Nonfiction films.
    Abstract: A Vietnamese American filmmaker journey's to her native Vietnam to observe and document her great-uncle's folk medicine practices. During her visit, Nguyen observes him treating many patients and making his medicines for tumors, leprosy, and infections. She also talks to his patients, to local doctors and herbalists, battles Vietnamese government censors who are fearful her footage might make them appear backward to the Western world, and ultimately realizes that through her investigation she has unwittingly begun to apprentice.
    Note: Previously released as DVD. , This edition In English and Vietnamese with English subtitles.
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  • 36
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (51 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Theater and society ; Theater Anthropological aspects ; Theater ; Ireland ; Nonfiction films.
    Abstract: Winner of the (RAI) Basil Wright Film Prize 1998 Ymako Teatri, a theatre company based in Ivory Coast, uses street theatre to question some contemporary West-African problems. Their originality consists in using the ‘invisible theatre’ method in order to surprise the public and thus make it react itself to its own problems. This documentary shows how a local theatre company efficiently uses fiction to problematise today’s African reality. This film presents two performances, one criticises the current proliferation of religious sects, the other deals with the awakening of villagers towards AIDS. Ymako, in Bambara, means 'our concerns'.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in French with English subtitles.
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  • 37
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (49 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Marriage customs and rites ; Jambi (Indonesia : Province) Social life and customs. ; Olakkemang (Indonesia) Social life and customs. ; Sumatra (Indonesia) Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: "This film records the preparations for the wedding of two sisters in eastern Sumatra in December 1996. There is an emphasis on the importance of the role of women in the village. Ritual exchanges of textiles and cakes, and a series of purification rituals are shown"--Original container.
    Note: "For educational use only"--Original container. , Originally produced as a motion picture in 1997. , Previously released as DVD. , This edition in English.
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  • 38
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Indonesian
    Pages: 1 online resource (31 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dance ; Ireland ; Nonfiction films.
    Abstract: Once a year a ritual is held in a Javanese village. After a distribution of food, men dance with professional female dancers. Their allegedly sexual ethos makes these 'tayuban' unacceptable as national culture, but the dancing is a gift to the protective spirit in exchange for well-being, and represents community identity.
    Note: Previously released as DVD. , This edition in English and Indonesian with English subtitles.
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  • 39
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Malay
    Pages: 1 online resource (67 min.). , 010701
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Ireland ; Feature films.
    Abstract: U-Wei Bin Haji Saari based The Arsonist (1995) on William Faulkner's short story Barn Burning, transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His family is isolated from the community, and their life is continually disrupted. They are often reduced to camping out in the open with their goats. His middle son admires his courage, but asks himself if his honor demands him to stop his father from ruining himself and their family. The movie premiered at the Singapore International Film Festival, and went on to be the most honored Malaysian film in history, selected in Cannes, and winning the Grand Prize (Best International Film) at the Brussels Film Festival. Other Festivals: Nominated Silver Lion Best Short Film Venice Film Festival 2004; Los Angeles International Short Film Festival 2004.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaysia. , Previously released as DVD. , This edition in Malay with English subtitles.
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  • 40
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (26 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Matriarchy ; Na (Chinese people) Social life and customs. ; Naxi (Chinese people) ; Ireland ; Nonfiction films.
    Abstract: The Na are an ethnic group in south-east China. Their particularity is that all the members of each household are consanguineous relatives; their social organization is absolutely matrilineal and as incest is prohibited, like elsewhere, their sexual life mainly takes the form of nocturnal visits of men to women.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English.
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  • 41
    Online Resource
    Online Resource
    Indonesia :Set Film Workshop,
    Language: Indonesian
    Pages: 1 online resource (123 min.). , 020317
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films. ; Motion pictures, Indonesian. ; Ireland ; Feature films.
    Abstract: Literally translated, the title means 'The Moon Pierced by Wild Grass,' and the film tells the story of the relationship between an aged traditional song teacher named Waluyo, his folk music disciple Ilalang (who has to cope with memories of his abusive father) and the lovely dancer Bulan, who Ilalang has loved for a long time. The feature is set in Solo, where the vestiges of feudal Javanese culture can still be found, and gamelan music is heard throughout. It is an intensely emotional meditation upon the relationship between the generations and the role of music in the search for recovery from a traumatic past and for identity in an uncertain present. Director Garin Nugroho, who has described himself as 'a Javanese living amidst multiculturalism,' and who celebrates Indonesian cultural diversity in such films as A Poet, here explores Javanese culture. He sees this film as 'encompassing at the same time refinement and cruelty, softness and tyranny, and a beauty based on feudalism.' Awards/Festivals: Best Director Award, Nantes International Film Festival. Special Jury Prize at the Nantes Three Continent Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Indonesia. , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 42
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (157 min.). , 023640
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Taiga nomads ; 1-3
    Keywords: Ethnology ; Evenki (Asian people) Economic conditions. ; Evenki (Asian people) Social conditions. ; Evenki (Asian people) Social life and customs. ; Nomads ; France ; Nonfiction films.
    Abstract: Taiga Nomads is a film series about the Evenki (previously the Tungus), a nomadic people scattered all over eastern Siberia, and living under harsh conditions in the Taiga, an area predominated by coniferous/larch forests and swamp lands. This series gives a picture of everyday life, during the four seasons the film crew lived with the main characters, consisting of three generations of members of the Archemku family.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 43
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: Portuguese
    Pages: 1 online resource (50 min.). , 004945
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Under the sun
    Keywords: Carnival Competitions ; Carnival ; Ireland ; Documentary television programs.
    Abstract: Examines the traditional annual Brazilian carnival where rival groups dress up in costumes and choose a carnival king and queen. It examines the history and roots of the custom, which was introduced for the slaves in the 17th century, but which was also intermerged with a festival for a West African god, master of rebellion, chaos and revellry. Divination, sacrifice, spirit possession and withcraft are also elements that play a part in the carnival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1991 in Brazil. , Previously released as DVD. , This edition in Portuguese with English subtitles.
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  • 44
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005514
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Canada ; Documentary films.
    Abstract: A further visit to the Mursi of Southern Ethiopia, with whom contact was established 17 years ago, for an important coming of age ceremony which has had to be postponed many times. An elder of the Mursi faces his last and most important challenge -- to arrange this ceremony. The date has been finally set but life has been very difficult for the Mursi over the past few years owing to attacks by hostile tribes, drought, famine, disease and cattle raiders and even now the ceremony may not take palace. There was a meningitis epidemic from which many people died until a vaccination and treatment programme ended it. This time we visit the South, the heartland of the Mursi, but everyone is fearful for the future.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Omo Valley, Ethiopia. , Previously released as DVD. , This edition in English.
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  • 45
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Albanian
    Pages: 1 online resource (54 min.). , 005417
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Albanians. ; Albania Social life and customs. ; Ireland ; Documentary films.
    Abstract: With the fall of the Stalinist regime in Albania, one of the poorest countries in Europe, the people of a remote mountain village, Rrogam, are faced with the dilemma of how to re-allocate the land and flocks after 40 years of collectivism. For the first time they have to make their own decisions in the face of an uncertain, changing future, and eke out an existence without the direction from above to which they have become accustomed. Rrogam is a small Catholic village more than 3,000 feel above sea level in Northern Albania. Closed to foreigners since the second world war, the Disappearing World team were the first outsiders to fully explore this area in the north. Traditional Northern Albanian society stressed honour and etiquette. Today these traditional codes have been replaced with Albanian law, effecting the Rrogamis deeply. But Northern Albanians still follow their own rules for interpersonal relations and stick to traditional behaviour when it does not conflict with new Albanian law.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Rrogam, Albania. , Previously released as DVD. , This edition in Albanian and English with English subtitles.
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  • 46
    Online Resource
    Online Resource
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (68 min.) , 010716
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Manners and customs. ; Papua New Guinea ; Canada ; Documentary films.
    Abstract: The Trobriand Islands lie off the eastern tip of Papua New Guinea. The island society has a complex balance of male authority and female wealth. Magic spells and sorcery pervade everyday life. This programme focuses on two important events: the distribution of women's wealth after a death and the "month of play", a time of celebration following the yam harvest.
    Note: Title from resource description page (viewed October 28, 2014). , Previously released as DVD. , In English.
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  • 47
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005305
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Manners and customs. ; Mende (African people) ; Sierra Leone Social life and customs. ; Canada ; Documentary films.
    Abstract: Granada Television’s major documentary series looks at various aspects of societies from around the world.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sierra Leone. , Previously released as DVD. , This edition in English.
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  • 48
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005456
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Kalash (Pakistan people) ; Pakistan Social life and customs. ; Canada ; Documentary films.
    Abstract: The Kalasha are a tribal people, 3,000 strong, who live in the high valleys of the Hindu Kush mountains in the North West Frontier Province of Pakistan. The Kalasha are unique as a pagan people in this Islamic Republic. Joshi, their three day festival of song and dance, rituals and sacrifice and the re-telling of legends celebrates the coming of spring and encourages chivalrous romance between the sexes. All this provides a colourful focus for this film which explores the life and customs of the Kalasha. Before the menfolk depart to the high mountain pastures for the goats’ summer grazing they present the women with goats’ milk and bread that has been ritually purified. The women sing their thanks, praise and food and clamour for more. Whilst the men are away, the women stay in the narrow valleys, tending their tiny terraced fields of wheat, maize and millet. The Kalasha are worried that their way of life is under threat. The naively mortgaged land and walnut trees to their Chitrali Muslim neighbours, often in exchange for paltry loands. The Chitralis now covet the profits to be made from exploiting the cedar and holm oak which grow in the Kalasha valleys. The Pakistan government is aware of the problems and would like to safeguard the Kalashas’ existence as a flourishing minority culture and tourist industry. But a future as a ‘zoo people’ within a tourist park does not appeal to the Kalasha. They are happy to welcome tourists at their festivities and they appreciate interest in their customs, but they are pragmatic about its value to them.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Balanguru, Pakistan. , Previously released as DVD. , This edition in English and Kalash with English subtitles.
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  • 49
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Fragile Earth
    Keywords: Piailug, Mau. ; Thomas, Stephen D. ; Ethnology ; Micronesians Social life and customs. ; Navigation ; France ; Nonfiction films.
    Abstract: Stephen Thomas sails with Mau Piailug to learn about navigation and life in Micronesia.
    Note: Previously released as DVD. , This edition in English.
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  • 50
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (67 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Samoa Social life and customs. ; France ; Nonfiction films.
    Abstract: This film is a valuable treatment of archival footage that George Milner shot while conducting field research in 1955 and 1959. The footage (eighteen minutes of the total film) focuses on traditional Samoan activities, such as fishing, cooking, house-building, hand-weaving, and bark-cloth making in preparation for the formal installation (saofa'i) of a Samoan matai (a male titleholder responsible for the welfare, prosperity and good behaviour of his extended family). This is one of the most important Samoan rites of passage. The ceremonies which validate his assumption of a new status are shown, both within the extended family and at the level of the village, whose existing titleholders formally acknowledge the new matai's right to a seat in council. Their approval is marked by the acceptance of gifts of goods and valuables, especially fine mats, which are of great importance. The musical sound track is of traditional songs recorded during the same period. Christina Toren, a South Pacific specialist, then interviews Reverend Lalomilo Kamu, a Samoan scholar currently at the University of Birmingham, about the previous footage and Samoan customs. In particular they discuss the formal preparation of a bowl of kava; the role of the taupou (ceremonial village virgin); the making of sinnet, the braided cord made from the fibres of coconut husk; the role of Samoan houses; cooking; the informal schooling of the young; the preparation of bark-cloth; and the process of hand-weaving. The interview provides a rare opportunity for viewers to hear a scholar from a filmed group comment on and explain the symbolism behind the pictures captured by the camera. The interview is quite detailed and is particularly useful for specialists in Polynesia or other regions of the South Pacific.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English.
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  • 51
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005458
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuvinians Social conditions. ; Tuvinians Social life and customs. ; Ethnology ; United Kingdom ; Documentary films.
    Abstract: The Tuvinians live deep inside the Soviet Union, at the very centre of Asia. Tuva is geographically closer to Beijing than to Moscow. It only entered the USSR in 1944 and was closed to foreigners until 1988. According to the film-makers the last known British visitors were members of the Carruthers expedition in 1910-11. With 'glasnost', the new openness, a Disappearing World film crew was given permission to film the nomadic yak-herders of Mongun-Taiga, a rugged district on the border with Mongolia. Mongun-Taiga or 'sacred wilderness' is, even at its lowest point, 6,000 feet above sea level. Two huge mountains dominate the landscape and provide a stunning backdrop for the film, accompanied at times on the film sound track by the traditional throat singing. Arable farming is impossible and the inhabitants are dependent on the nomadic herding of yak, sheep, goats and horses. Families live alone or in groups of two to three felt tents (yurts). Following the seasons and the pastures, they move camp several times each year. The film looks at the methods the herders use to protect their children from destructive spirits. A child, dressed in a traditional frock, is revealed in the film to be a boy. This cross-dressing of the sexes continues until a child is three or four, when it is believed that its soul is more firmly attached to its body and not so easily stolen by spirits. Shamanic beliefs continue, despite state disapproval, and include worship of the spirits of mountains, purification by the water of sacred springs, sacrifice, and the use of animals in exorcism, omens and divination. The opportunities for modern Soviet life which attract many young people are countered by the pull of an independent Mongolia, which is much closer to the Tuvinians in culture and way of life. Under Gorbachev, new systems of herding have been introduced which allow families to work for themselves as well as the state farms. The herders, however, still have reservations about the new ways. 'How are you doing with perestroika?' asks the daughter of Chugluur-Ool, a herder. 'Perestroika's doing all right,' he replies. Part of what makes this film interesting is the film-makers' admission of the material they were not able to obtain. Continually throughout the film, the narrator mentions the confusion and frustration the film-makers felt. This gives a refreshing honesty to the film as a whole.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Tuva Region, Russia. , Previously released as DVD. , This edition in English and Tuvan with English subtitles.
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  • 52
    Online Resource
    Online Resource
    Berkeley, CA :University of California, Berkeley,
    Language: Indonesian
    Pages: 1 online resource (26 min.). , 002625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology. ; Ethnology ; Manners and customs. ; Sumba Island (Indonesia) Social life and customs. ; Indonesia ; France ; Documentary films.
    Abstract: The eastern Indonesian island of Sumba is the last island in the Malay archipelago where the majority of the people still follow their ancestral religion, called marapu. This film, shot in 1986, focuses on a challenge to the authority of the spirits and ancestors in a village ritual to restore fertility after a fire and famine.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1986 in Manganipi-Kodi, Indonesia. , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 53
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Spanish
    Pages: 1 online resource (52 min.). , 005215
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Sierra de Gredos (Spain) Economic conditions. ; Sierra de Gredos (Spain) Social life and customs. ; Canada ; Documentary films.
    Abstract: The 130 villagers of Navalguijo in the Sierra de Gredos of Central Spain live in a village perched high in the mountains and they face an extreme climate with very cold winters and hot summers. The soil is acid and poor, and the steep slopes and short growing season mean that agriculture cannot provide a living. Collectively the villagers own summer pastures high in the mountains, and individually they hold smaller autumn pastures. With access to winter pastures across the mountains in the region of Extremadura, they are able to maintain a large herd of beef cattle, which form their main source of wealth and which are their dearest possessions. To make this film, the crew joined the village men on their trek to Extremadura, when they drive their cattle down the mountains. This cattle drive is a mixture of hard work and holiday, with passing round of leather wine bottles, story-telling and evening stopovers at favourite inns punctuating the long march. This film portrays a society whose ideals of village co-operation and the rigid and efficient organisation of tasks have given the village a strong sense of identity over generations. It remains to be seen if this sense of identity survives the breakdown of their isolation from the outside world as tourists discover 'hidden Spain' and better communications and roads bring increasing contact with the rest of the country.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Spain. , Previously released as DVD. , This edition in Spanish and English with English subtitles.
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  • 54
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Indonesian
    Pages: 1 online resource (53 min.). , 005303
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Whaling ; Lamalera (Indonesia) Social life and customs. ; Canada ; Documentary films.
    Abstract: The Whale Hunters of Lamalera was filmed over a period of four weeks during June 1987. Lamalera is a village which is perched on the rocky slopes of an active volcano on the southern coast of the island of Lembata, in Nusa Tenggara Timur in eastern Indonesia. An anonymous Portuguese document of 1624 describes the islanders as hunting whales with harpoons for their oil, and implies that they collected and sold ambergris. This report confirms that whaling took place in the waters of the Suva Sea at least two centuries before the appearance of American and English whaling ships at the beginning of the nineteenth century. The film follows the daily life of the villagers of Lamalera, a community of about 1500 people. The Christian Mission has been in place in the community for a hundred years, schools have been established and a training workshop teaches carpentry. It is a fishing village in a region where most communities support themselves by agriculture. Lamalera has very little productive land, so the villagers have to fish in order to survive. Their preferred quarry is sperm whale. Catching sperm whale with hand-thrown harpoons from small open boats powered by muscle and palm-leaf sail is no easy task, and the hunt is by no means uneven between man and whale. The tail flukes of a whale can smash the timbers of the boats and many boats are temporarily disabled by their prey. Harpooners have been disabled and killed. But the attraction of the whale is its size. The flesh of the whale (and shark and manta ray) is cut into strips and sun dried in the village. The meat is then carried to small markets where it is bartered with mountain villagers. One strip of dried fish or meat is equivalent to twelve ears of maize, twelve bananas, twelve pieces of dried sweet potatoes, twelve sections of sugar cane, or twelve sirih peppers plus twelve pinang nuts. Commercial whaling is banned throughout much of the world, but subsistence whaling is permitted by International Whaling Commission regulations in Alaska, the USA, the USSR and Greenland. Indonesia is not, however, a signatory to the IWC. Seven whales were caught in Lamalera in 1987.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 55
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Indonesian
    Pages: 1 online resource (50 min.). , 004948
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dance ; Ireland ; Nonfiction films.
    Abstract: Jaipongan is a new style of music and dancing which was 'invented' about a decade ago on Western Java, Indonesia. Drawing on more classical Javanese music and taking elements from Japanese and Indian music as well, Jaipongan has become widely popular. Dancers and musicians explain the place of Jaipongan within Sundanese culture.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 56
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Romani
    Pages: 1 online resource (54 min.). , 005335
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Romanies ; Hungary Social life and customs. ; Ireland ; Documentary films.
    Abstract: 'Across the Tracks' is a gripping film for the general viewer ... It is beautifully filmed in observational style (lingering scenes of muddy courtyards) with enough subtitled interview material to provide context. Rom is the word that describes Vlach Gypsies, unassimilated descendents of Gypsy slaves in Wallachia in Romania in the 19th century. A larger group, the Romungro, are more obviously part of Hungarian society: they speak Hungarian, not Romany. Romungros are the people who play violins in restaurants; 'true' Rom, the Vlach, wouldn't dream of it. The total Gypsy population in Hungary forms 3% of the Hungarian population the same proportion as people of Asian or Caribbean origin in Britain. This Disappearing World film explores the Vlach Gypsies' position in socialist Hungary through the eyes of three related families. Maron and her husband Jozi work in conventional jobs where work is compulsory: this is the fundamental first principle of the 'official' economy. Maron and Jozi use their income to improve their impoverished lives. They are becoming more like the gazo — the contemptuous Romany term for all Hungarians, meaning 'peasants'. Jozi's first wife, Terez, and her husband Mokus try to realise their dreams in a more Gypsy-like fashion. Terez scavenges in rubbish bins for bread to fatten pigs which she hopes to sell for Mokus to buy horses. Mokus reluctantly works in a factory but wants to be a horse dealer like his brother-in-law Sera. He is disqualified from work by a dubious disability, and instead buys and sells horses, 'turning money around, so that more comes to me.' The market is central to the Gypsy economy, but is not seen as a means of accumulating wealth. The market exists to circulate wealth, to ensure money passes through as many hands as possible – so that all may benefit from it. If a Gypsy acquires money, he is expected to celebrate with his friends, his 'brothers'. Horses are like temporary bank deposits, ready to be exchanged or cashed in when a 'brother' needs money. This film provides an interesting view of the tensions between the Hungarian state and the Gypsies, and of the complex contradictions of the Gypsies' lives. It is recommended for classes in anthropology, sociology, European studies, ethnicity, ecology, and political studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Hungary. , Previously released as DVD. , This edition in Romani and English with English subtitles.
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  • 57
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005455
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians Social life and customs. ; Ethnology ; Ethnology. ; Indians of South America Social life and customs. ; Indians of South America Social life and customs. ; Brazil. ; North America ; Documentary films.
    Abstract: This film focuses on the conflicts and determination of a group of people trying to survive and maintain their ethnic identity in the face of almost overpowering odds. The film contrasts the reactions of two groups of Kayapo to outside influence. The Kapot have opposed contact and resisted both non-indigenous Brazilian settlers and gold miners. The Gorotire, by contrast, were invaded by gold miners who strip-mined their land and polluted their rivers. The miners paid the Gorotire very little for the destruction until 1985 when the Gorotire forced the miners to raise the commission by 5% when 200 warriors seized the airstrip. This commission amounts to two million dollars per year for the tribe and the tribe is learning to cope with the money, both with the problems it brings and the power it gives. They have trained several of their number to deal effectively with the outside world on behalf of the rest of the tribe and they now run a plane (and hire a pilot) to patrol their land against intruders. The Kapot, in their own way, are also trying to assert their identity and independence. This portion of the film shows the Kapot in the traditional activities of building and dismantling a hunting camp. The hunters returning with the tortoises they have caught are a particularly impressive sight. The now famous Chief Rop-ni is featured as a leader of the Kapot and he states eloquently his opposition to the Gorotire's acceptance of the gold miners. Despite their adherence to tradition, however, the Kapot use modern technology – video, radios, etc. – to protect their interests and record their rituals. This is a political film and would be excellent for courses in anthropology, Latin American studies, ecology, development, and international politics.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 58
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (43 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Bon (Tibetan religion) Rituals. ; Bonpos ; Fasts and feasts Buddhism. ; Holidays. ; New Year. ; Ireland ; Nonfiction films.
    Abstract: "This outstanding documentary is placed in Northern India among a group of Tibetan refugees. They celebrate the New Year following a ritual of their religion, Bonpo, which is older than Buddhism."--Original container.
    Note: Previously released as DVD. , This edition in English.
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  • 59
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Austronesian (Other)
    Pages: 1 online resource (55 min.). , 005441
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Solomon Islanders Religion. ; Solomon Islanders Social life and customs. ; Malaita (Solomon Islands) Social life and customs. ; Australia ; Documentary films.
    Abstract: Pierre Miranda and a team from Granada Television have made a fine film exploring the troubled realities of the people of the lagoon in the 1980s. This film focuses on the people of Lau lagoon in the Solomon Islands who live on artificial islands near the island of Malaita. These islands are built of coral rubble and the people moved to them in an attempt to escape the dangers of malaria and enemies, and to find better fishing. The film focuses on change and conflict. The concept of 'custom' is vital to the islanders' identity, yet this is being eroded, particularly by Christian missionaries. The conflict between Christian and Pagan now pervades daily life, creating divisions in families and eroding knowledge of traditional life. Two 'custom' priests recently committed ritual suicide, one by swimming under a canoe containing women and the other by deliberately making a mistake in a ceremony. Within weeks, both priests physically died. The despair in the ability of 'custom' to continue that these priests must have felt is presented visually throughout the film. Few of the islanders remember more than a fraction of the hundreds of traditional spirits and the young are turning more and more to the traditions and commodities of Western culture. That this theme is a common one makes it no less powerful or relevant. Spurred by the presence of the Disappearing World camera crew, the islanders built a house in which to store their traditional and ritual objects. A commendable act of preservation on the part of the islanders, but at the same time the implications of their act are saddening. They are taking their ritual things out of the sphere of living, daily tradition and placing them in the realm of objective history. The Lau is recommended for courses in anthropology, sociology, development, culture change, Melanesia, religion, and ecology.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaita, Solomon Islands. , Previously released as DVD. , This edition in Lau and English with English subtitles.
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  • 60
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (48 min.). , 004752
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ambler (Alaska) History. ; Ambler (Alaska) Social life and customs. ; Ireland ; Nonfiction films.
    Abstract: Tuktu is the Kuvanmiit Eskimo word for caribou. The film traces the early evolution of Ambler, founded almost 30 years ago on the Kobuk River in Alaska. Change and development mark life now in this village near an old caribou migration path. Subsistence values face rapid Westernization, but the villagers' desire to combine their old way of life with the new remains the strongest force.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 61
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005304
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: The Migrants is the third film in the trilogy In Search of Cool Ground made for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional territory in the Omo valley to the Mago valley, about fifty miles away. This migration has brought them, for the first time, into contact with the market economy of the Ethiopian Highlands. David Turton notes that, when he first met the Mursi, men were seldom, and women never, seen at the highland markets. Now the Mago migrants, and especially women, are familiar figures in the weekly market at Berka, just four hours' walk from their new settlements. With their foothold in the pastoral economy weakening (tsetse flies make the Mago area quite unsuitable for cattle herding) and their dependence on market exchange growing, the migrants are in the process of becoming settled agriculturalists, like their highland neighbours, the Ari. By tracing the present and likely impact of this move on the lives of the migrants, the film shows how they are beginning to carve out a new ethnic identity for themselves, as well as a new home.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 62
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (52 min.). , 005148
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 1
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; North America ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about cattle and legal issues in a Kenyan Maasai Village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 63
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (50 min.). , 005013
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 4
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about the journeys of two wives to villages in the Maasai region of Kenya.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 64
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (47 min.). , 004715
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 5
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; North America ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about a ceremony called the 'ox of ilbaa' which takes place in a Kenyan Maasai village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 65
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (52 min.). , 005219
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 2
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about stealing goats and making reparation in a Kenyan Maasai village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 66
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (49 min.). , 004921
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 3
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about gender relationships in a Kenyan Maasai village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 67
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: French
    Pages: 1 online resource (48 min.). , 004824
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Griaule, Marcel, ; Dogon (African people) ; Ethnology History. ; Ireland ; Nonfiction films.
    Abstract: This film tells with verve and a touch of self-irony the history of research on the Dogon since the famous 1931 expedition of Marcel Griaule. The film establishes the original expedition in the context of French anthropology at the time. Jean Rouch, celebrated filmmaker and less known as an anthropologist on the Dogon, narrates part of the story, and interviews Dogon elders and veteran expedition-member, Germaine Dieterlen.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French and English.
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  • 68
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 min.). , 005743
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ashanti (African people) Economic conditions. ; Ashanti (African people) Social life and customs. ; Women merchants ; Women, Ashanti (African people) ; Ireland ; Documentary films.
    Abstract: As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this 'Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. The success of this crew is impressive. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, their perception of their society and also about marriage. The women control the market through Queen Mothers who are leaders of particular sections of the market such as the yam or tomato sections. Generally these Queen Mothers are elected by the traders. However, Oba, the Plantain Queen Mother acquired her position through influence and because of this she has less control over her workers and over the resolution of differences. Market traders work long hours, make less than a shoe clerk or office worker yet the rewards for them can be many. The residual matrilineal system of Asante society means that inheritance moves from a man to his sister's children. The result is that an Asante woman is left with no means of support if her husband dies. The traders have gone to work to protect themselves against this possibility, to pay for their children's education and to maintain their independence. Implicit in this analysis of women traders is the relationship between men and women in Asante society. Marriage is polygamous and the crew interview women about their feelings on marriage and of their hopes of coming marriages. The film portrays the influence women have in the market as a direct contrast to their position in the home. Interviews with several husbands reveal, perhaps not surprisingly, that their perception of women differs from the women's perception of themselves. The men talk of the importance of having two wives, one to serve when the other is tired; one to grant sexual favours while the other is menstruating; each to compete with the other for male attention thus allowing the husband to retain control. Although the men accept a woman earning extra money, they still say a woman should be submissive and serve men. The women regard themselves as assertive, capable, and in control. Interviews with two young women demonstrate a desire for equality in the home. The film's analysis is a sympathetic one and full of insight. The focus is, though, rather narrowly on the husband-wife relationship and women's important relationships with their female and male kin are given little attention.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kumasi, Ghana. , Previously released as DVD. , This edition in English and Akan with English subtitles.
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  • 69
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (57 min.). , 005704
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Kwegu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: 'The Kwegu' is an entirely tasteful and dignified presentation of the harsh realities of subsistence living, and it may help us understand how, even in stateless societies, dominated groups come to accept their domination as part of the natural order. The Kwegu are hunters and cultivators who live along the banks of the River Omo in Southwestern Ethiopia. They are experts on the river, manipulating their dugout canoes through a swift current where falling overboard could mean delivery into the jaws of a crocodile. The Mursi are cattle herders and cultivators who live with the Kwegu for several months of the year. This film is about the relationship between these two groups of people. The Mursi number about 5,000 and the Kwegu about 500. Both groups cultivate flood land along the Omo during the dry season, when the Mursi may also bring their cattle to the river. But the Kwegu keep themselves separate from the Mursi; they speak their own language among themselves, although they are bilingual and communicate with the Mursi only in Mursi. When the Mursi and Kwegu share a village, the Kwegu houses usually form a separate cluster. When a Kwegu marries, a vital part of the bridewealth is livestock. But since the Kwegu do not keep cattle, a system of exchange has developed whereby the Kwegu perform services in exchange for Mursi cattle. In addition to providing bridewealth cattle, the Mursi patron protects 'his' Kwegu from other Mursi and acts on his behalf in bridewealth negotiations. In return the Kwegu provides his patron with honey and game meat and is available to ferry him and his family across the Omo when needed. This is a vital economic service, since the Mursi cultivate on both banks of the river and yet do not, unlike the Kwegu, live at the Omo all the year round. The Kwegu are therefore 'guardians' of the canoes as well as ferrymen. There is some debate about the nature of the Mursi-Kwegu relationship. The anthropologist advisor for the film, David Turton, sees the relationship as one of domination. The Mursi depend economically on the Kwegu more than the Kwegu do on them, and yet the Kwegu see themselves as dependent, in a different, more extreme sense, on the Mursi they cannot marry without the aid of Mursi patron. The Mursi exploit the economic services of the Kwegu through their control of Kwegu marriage. Jean Lydall, in her review of the film in RAIN (June 1982), suggests another interpretation for the exchange of services. She wonders if indeed the Kwegu are not making the Mursi 'pay through the nose' for the services they require. This film suggests that far from being second-class citizens, the Kwegu are sharp manipulators who have acquired protection and material wealth by making their services indispensable to the Mursi. Turton defended his interpretation in a reply to Lydall (RAIN, No. 51, pp. 10–12) and has more recently provided a more detailed description and analysis of the Mursi-Kwegu relationship, following the same argument as developed in the film but including much additional ethnographic information (Turton, 1986). The Kwegu won the Grand Prix du Festival at the Festival International du Film de Grand Reportage in Paris. This film is the second part of a trilogy, In Search of Cool Ground. The film is particularly recommended for courses in anthropology, African studies, patron–client relationships, ethnicity and multi-cultural studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 70
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005309
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Refugees ; Afghanistan Exiles. ; Afghanistan History Soviet occupation, 1979-1989. ; Ireland ; Documentary films.
    Abstract: This documentary by Akbar Ahmed and Andre Singer is about the Soviet Invasion of Afghanistan and tribal groups in the area.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 71
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (39 min.). , 003852
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghans ; Ethnology ; Pushtuns Social life and customs. ; Refugees ; Pakistan Social life and customs. ; North America ; Documentary films.
    Abstract: There are twelve million Pathans. Bound by a common language, a common heritage and the unifying force of Islam, these proud and independent people do not acknowledge the geographical boundary which divides them between Afghanistan and Pakistan. This film was shot at the same time as Khyber in Pakistan, close to the Afghan border. The Pathans accept no imposed leadership, from without or from within. Their laws are the decisions of the democratic assembly of the village, known as the jirga. To disobey the jirga is to court heavy penalties against which there is no appeal. Their code of living is called pukhtunwali ­ the way of the Pathan. At its core are the principles of hospitality, personal honour and revenge. A man will fight to the death to avenge a wrong done to himself, his family or friends or, above all, his women. The film is noteworthy for the way in which it brings out the importance of these values. Their fierce loyalty, coupled with the independence of spirit which tolerates no formal leaders, makes the Pathans a formidable enemy, as the British once found out and, more recently, the Soviet invaders of Afghanistan have discovered.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 72
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005332
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghan Wars. ; Ethnology ; Pushtuns History. ; Khyber Pakhtunkhwa (Pakistan) History, Military. ; North America ; Documentary films.
    Abstract: For more than a century Britain was engaged in war with the Pashtun tribesmen of India's North West frontier. It began with the bloodiest massacre in the history of the British Empire when, in January 1842, some 17,000 British soldiers, women and children died in Gandamark, en route to the Khyber Pass. ‘Khyber’ tells the story of how the British experience in the North West Frontier was part of the Great Game, as Rudyard Kipling called it. It was never a successful game and rarely took cognisance of the wishes of the Pashtun tribes that bore the brunt of the different resulting wars. Looking at the history up to the Soviet invasion in 1979, Khyber features the final interview with Sir Olaf Caroe, last governor of the North West Frontier Province before partition, and with Field Marshall Sir Claude Auchinleck, last commander of the British Army in India. The film looks at the different perspectives of the conflicts by both British and Pashtun and provides fascinating parallels to what is happening in Afghanistan today.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 73
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005324
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Eskimos Social life and customs. ; Eskimos Social life and customs. ; Ethnology ; Pond Inlet (Nunavut : Inlet) ; Australia ; Documentary films.
    Abstract: For the Eskimos of Pond Inlet ­ a new village in North Baffin Island in which they have been settled by the Canadian Government ­ the life of the semi-nomadic hunter has given way to that of wage-labourer, in what appears as a pre-fabricated 'township'. Although hunting provides an important supplement to the Eskimos' income, it is now a part-time activity, and since 1975 (ten years after the start of the government's housing programme) nobody has lived all year round in hunting camps. For the older inhabitants of Pond Inlet, the old way of life is still vivid (in 1935 only 37 Eskimos lived in the village) and their reminiscences and recollections form part of a powerful statement about the present situation. These statements take the form of monologues, or comments addressed to friends and family about the effects of fifty years of contact with whites. Apart from these 'interviews' with the Eskimos, the film accompanies one family ­ grandfather, father, mother and children ­ as they go out hunting seals and jigging for fish. The visual contrast between the splendours of the open spaces of snow and water and the township of Pond Inlet is a startling one which reinforces the Eskimos' statements. We also see one member of this family selling seal skins in a trade store, and captioned information is given about the cost of maintaining the hunter's equipment and what he can expect to earn in any one year. The material was filmed during a seven week period in June and July 1975. A sophisticated 'observational' style is used, with long takes, few pans, no commentary or formal interviews and full subtitling. Caption cards are used to good effect, conveying necessary information without intruding on the narrative. These 'technical' factors have important consequences for the film's anthropological value, not least because one of the aims was to enable the Eskimos to 'speak for themselves'. Although it would be naive to suggest that the 'people's voice' manages to override the exigencies of making such a film for a 52 minute television slot, the Eskimos did have a say in the making of the film, and one of them was also involved in the editing. The striking oratorical style of the Eskimos awakens the viewer to the point that in this film they are addressing the Whites, voicing their distrust, having overcome the fear with which they first encountered these 'visitors' to the people's land.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1975 in North Baffin Island, NT. , Previously released as DVD. , This edition in English.
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  • 74
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Cushitic (Other)
    Pages: 1 online resource (54 min.). , 005352
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Camels. ; Nomads ; Rendille (African people) Social life and customs. ; Ethnology ; North America ; Documentary films.
    Abstract: The Rendille are camel herders who live in villages and camps dotted over 10,000 square miles of desert and scrub bush in Northern Kenya. As the terrain they occupy is so dry, the Rendille grow no crops and their cultural and economic life is centred on their animals. As with other pastoral peoples, the Rendille have to be sensitive to the ever-shifting relationship between humans, animals and 'natural' resources in order to maintain a suitable balance between them. Throughout the year the Rendille have to follow the grazing and rains, dividing their herds between camel camps and semi-permanent village settlements. Long-term planning and decision-making are therefore crucial and this film brings out the manner in which the elders make their decisions. Each man gives his opinion and is listened to attentively until eventually a consensus is reached. The role of the sexual division of labour and the age-set system is explained in commentary, interviews and visual sequences, in a way which allows the viewer insights in the various interacting levels of Rendille social structure. Sequences detailing the ritual activities surrounding the naapo ceremony (which marks a young man's transition to elderhood) are given towards the end of the film, after explanation of the fact that young men have to live in camel camps for about 14 years, while girls look after sheep and goats living in settlements with women and elders. In this way the building of symbolic villages by moran, each man making his own 'home' with stones representative of wife and children before sacrificing a goat, is denied status as exotic spectacle the subtitled comments of the naapo participants convey their feelings of embarrassment and uncertainty about the ritual procedure and allow a visual statement to be made about the relationship of ritual to every-day life. The importance of the purely visual images in conveying a sense of vast desert space, of a daily life filled with the movement and sight of camels, sheep and goats, and of the social effects of village layout, is not to be underestimated. Although this colour film could be criticised for at times beautifying and softening the rough edges of pastoral life, its power as a statement of what it means to exist as a Rendille is very much a property of the camera work. The skilled usage of cinema verite techniques, combined with full subtitling of interviews, gives to this film an integrity and sensitivity which serves to reinforce its concern for the Rendille and its anxiety that for the Kenyan authorities the Rendille are a problem and an embarrassment.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in Rendille and English with English subtitles.
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  • 75
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Mongolian
    Pages: 1 online resource (58 min.). , 005742
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ulaanbaatar (Mongolia) ; Canada ; Documentary films.
    Abstract: The second of two films on Mongolia made by Granada Television in 1974­-75 looks at life in Ulan Bator, the capital of Mongolia and home of a quarter of the population. The city celebrates the 53rd anniversary of the socialist revolution with parades, festivals, wrestling and archery contests, and a remarkable horse-race. (The child jockeys are usually between 7 and 12 years old.) The film returns to a shepherd's camp on a collective for the traditional celebration of Tsagan Sar, the lunar New Year festival now known as the Herdsman's New Year.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ulan Bator, Mongolia. , Previously released as DVD. , This edition in Mongolian and English with Mongolian subtitles.
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  • 76
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005308
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Acculturation ; Ethnology ; Indians of South America ; Mehinacu Indians. ; Canada ; Documentary films.
    Abstract: The Mehinacu live near the head-waters of the River Xingu in Central Brazil, in a single village within the protective confines of the Xingu National Park. Although the film concentrates upon the most exotic aspects of Mehinacu life, focusing on a series of rituals concerned with the planting and harvesting of the piqui tree, these rites are firmly located in their social context. Relations between the sexes in this society are formalised in an astonishing abundance of ritual, celebration, dances and games, performed to ensure fertile soil and good crops. Many sequences deal with the daily life of the Mehinacu, showing, for example, the sexual division of labour, with men fishing and women preparing manioc. The use of subtitled interviews provides a depth and sensitivity in the film's approach which helps to underline the concern with the fact that these Indians are seriously threatened by a road which is being cut through their territory. One of the highlights of the film is an interview with a Mehinacu elder who tells of the origin myth of the sacred flutes, a myth which is part of a complex belief system that will be lost if the Mehinacu, who are such a small group, are not able to survive under the pressures of the outside world. The film could be used to stimulate discussions of sex role differences, sexual division of labour in particular societies, and the connection between ritual and social relationships.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Xingu National Park, Brazil. , Previously released as DVD. , This edition in English and Mehinaku with English subtitles.
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  • 77
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Austronesian (Other)
    Pages: 1 online resource (54 min.). , 005335
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Sakudei (Indonesian people) ; Indonesia. ; Canada ; Documentary films.
    Abstract: The Sakuddei are a small and ethnically separate community living on the island of Siberut off the west coast of Sumatra in Indonesia. Their distinctive way of life and elaborate religious ceremonies, centred on the umah (ceremonial house) are under threat from the Indonesian government which wishes to 'civilise' the Sakuddei. These people are also threatened by a timber company from the Philippines which has been granted a logging concession in the Sakuddei's territory. The first part of the film contains strikingly photographed scenes of ritual life in the umah, while in the second part there is an interview with a representative of the government who wants to send the Sakuddei children to school in a government village on the coast. The adults fear that the children will lose touch with their own customs and identity if placed in such an institution. Their concern forms part of a moving and dramatic film which explores the contrast between the Sakuddei's way of life and the various pressures of modern Indonesian society on them: Islam, money, police, administrators and the lumber companies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Siberut, Indonesia. , Previously released as DVD. , This edition in Mentawai and English with English subtitles.
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  • 78
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005409
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: What made this trilogy special was that, unlike most television reportage, it had a temporal dimension. That is to say, it offered not a brutal, intrusive and uncomprehending snapshot, but a sympathetic, well-informed and thoughtful history of ten difficult years in the life of a tribe. Its insight derived from an anthropologist, David Turton, who has been studying the Mursi for years and who was able to provide the absolutely essential explanations of the mysterious events filmed by the Granada crew. This is the kind of illumination which is often provided by books or by personal experience, but almost never by television. This is a trilogy about aspects of the culture of two groups of people, the Kwegu and the Mursi, in Ethiopia. The titles are THE MURSI, THE KWEGU, THE MIGRANTS.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 79
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005443
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ceremonial exchange ; Ethnology ; Kawelka (Papua New Guinean people) Social life and customs. ; Western Highlands Province (Papua New Guinea) Social life and customs. ; North America ; Documentary films.
    Abstract: Ongka is a charismatic big-man of the Kawelka tribe who live scattered in the Western highlands, north of Mount Hagen, in New Guinea. The film focuses on the motivations and efforts involved in organising a big ceremonial gift-exchange or moka planned to take place sometime in 1974. Ongka has spent nearly five years preparing for this ceremonial exchange, using all his big-man skills of oratory and persuasion in order to try to assemble what he hopes will be a huge gift of 600 pigs, some cows, some cassowaries, a motorcycle, a truck and £5,500 in cash. As an example of the big-man familiar from written texts, Ongka is memorable, and the film manages to convey through this main character the importance of pigs, of exchange and of prestige in the life of these Highlanders. The film-crew never in fact managed to film the big moka, as the conspiratorial and complex manoeuvres involved in setting the date thwarted their plans. But we are shown Ongka replacing tee-shirt and shorts with his ceremonial feathers and setting off to a little moka where he collects pigs he 'invested' with his wife's father. The interview with Ongka's wife raises the issue of the sexual division of labour and the importance of the wife's labour in pig-rearing and moka preparation, as well as the role of women in the establishment of a big-man.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Papua New Guinea. , Previously released as DVD. , This edition in English.
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  • 80
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005432
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Hmong (Asian people) Social life and customs. ; Hmong (Asian people) ; Laos History. ; Canada ; Documentary films.
    Abstract: Over the last three thousand years the Meo (Miao or Hmong) have migrated south from north and central China to avoid oppression and protect their way of life. Today they live in scattered mountain villages in south China and south-east Asia; and the 250,000 of them who live in the Kingdom of Laos have suffered greater losses, relative to their numbers, in the Indo-China wars than any other single group. In 1972, when this film was made, the Vietnam war was still at its peak; therefore it is not surprising that a fairly straightforward ethnographic account is combined with a more journalistic analysis of the political situation. Indeed it would be difficult to approach a discussion of the Meo without such an emphasis, and the review in RAIN (listed below) is a useful supplement to this. In effect, the film's narrative divides into two parts first we are introduced to a village which managed to remain neutral and avoid the worst effects of the war (which was why the anthropologist chose it for his fieldwork). The daily life and material culture of the Meo people are shown as they sow rice using slash-and-burn agricultural methods, distil opium for sale and entertainment, and discuss with the anthropologist their fear of conscription and its effects on other villages. Two rituals are shown ( the shaman who performed them was the close friend of the anthropologist) one to banish a nightmare, the other to exorcise the spirit of a man which haunts the house of the brother who accidentally killed him while out hunting. In the second part of the film we see the Meo who live in American-run refugee camps (which is the majority of them), far removed form the village life of their fellows. The interviews with some of the Meo pilots who fly American B28 bombers over their homeland emphasise the tragic absurdities of such a war; for these Meo are not sure exactly who the 'enemy' are, each one giving vague answers to the interviewer's questions.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China and Laos. , Previously released as DVD. , This edition in English.
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  • 81
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (68 min.). , 010731
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Barasana Indians. ; Ethnology ; Indians of South America ; Macú Indians (Papury River watershed) ; Canada ; Documentary films.
    Abstract: While relying on a polemical stance directed against the cultural genocide wrought by missionaries, War of the Gods also contains a wealth of information and detail about Amazonian Indian cosmology, social life and sexual division of labour. Two groups of Indians from the Vaupes region of Colombia are shown, the Maku, who live mainly by hunting and gathering, and the sedentary Barasana, who live mainly by farming. The film contrasts the belief systems and way of life of the Indians, presented by the anthropologists who worked and lived with them, with those of Protestant and Catholic missionaries. The Protestants, North American Fundamentalists from the Summer Institute of Linguistics, are said to have used their organisation as a cover in order to be allowed to work with the Indians, because open Protestant missionary activity would not have been acceptable to the authorities. No attempt is made to gloss over the complexities of contact between Whites and Indians. The Barasana themselves want change, and the missionaries' influence is undoubtedly more beneficial to the Indians than that of rubber gatherers. Included in this film is an interview — using voice-over — with a Maku shaman, and there are scenes from the Barasana moloka, the communal house which is a centre of social and domestic activity. The climax of the film is a contrasting look at a church service at the S.I.L. headquarters, a Barasana ritual dance (accompanied by the ritual use of the hallucinogen yage), and a Mass at the Catholic mission attended by some of the Indians who took part in the ritual dance. Some missionaries who have seen this film consider that its editing is unfair to the S.I.L., but the head of another important missionary organisation has said that it should be screened during missionary training courses.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vaupes, Colombia. , Previously released as DVD. , This edition in English.
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  • 82
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (66 min.). , 010625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cuiba Indians Social life and customs. ; Ethnology ; Indians of South America ; Colombia Social life and customs. ; Australia ; Documentary films.
    Abstract: The film focuses on recent changes in the culture and society of the Cuiva, hunters and gatherers in a remote forest region of south-eastern Colombia, brought about through contact with Colombian settlers. Two groups of Cuiva are shown: one is relatively isolated, while the other has had extensive contacts with the settlers. The first group live a nomadic life moving frequently; the men hunt and fish, the women gather. The second group has been drawn into the Colombian economy, working occasionally for the ranchers to earn money to buy trade goods. The film also usefully includes interviews with white ranchers, showing their racist attitudes to the Indians, whom in the past they feared and on whose land they are now continually encroaching. The basic incompatibility between the economic systems of the Cuiva (based on communal distribution of food, gift-giving and receiving), and that of the settlers who attempt to survive within the world-capitalist market, is startlingly illustrated. Unlike later films in the series, The Last of the Cuiva relies on a moving commentary recorded during filming by the French-Canadian anthropologist, Bernard Arcand, who emphasises that the traditional way of life of the Cuiva (whom he describes, following Sahlins, as exemplifying the 'original affluent society') will be seriously damaged by these contacts with whites. Rather than giving a more conventional anthropological description, Arcand's commentary is a humanist plea for the survival of hunter-gatherer groups, and carries an implicit criticism of western lifestyles.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Colombia. , Previously released as DVD. , This edition in English and Spanish.
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  • 83
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Trobriand Islands (Papua New Guinea) Social life and customs. ; Ireland ; Nonfiction films.
    Abstract: The Trobriand Islands, regarded as anthropology's most sacred place, lie off the eastern tip of Papua New Guinea. The island society has a complex balance of male authority and female wealth. Magic spells and sorcery pervade everyday life. This program focuses on two important events: the distribution of women's wealth after a death, and the "month of play", a time of celebration following the yam harvest.
    Note: "Media Support and Development Centre, University of Manchester"---original cassette label. , Previously released as DVD. , This edition in English.
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