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  • 1
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Multiple languages
    Pages: 1 online resource (54 min.). , 005339
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Mountaineering ; Mountaineering. ; Sherpa (Nepalese people) ; Nepal. ; Canada ; Documentary films.
    Abstract: Thami is a village 12,000 feet up in the Himalayas in the Kingdom of Nepal. As the film's opening shots illustrate, in a type of filmic short-hand, Thami is composed of a patchwork of individual farms – indicative of the Sherpa emphasis on independence and family self-sufficiency. The main concern of the film is to examine what it means to be Sherpa today in both cultural and economic terms. To this end the film concentrates on the varied career choices of three brothers from Thami – peasant farmer, Buddhist monk and head guide. Interviews with the brothers, enabling them to express their own attitudes and expectations, deepen the analysis. The second half of the film deals with the preparations for the festivities of a Sherpa wedding, emphasising that negotiations about bridewealth are lengthy – often taking years – since marriage is viewed primarily as an economic transaction. Sequences showing peasant farming activities, in combination with scenes of Sherpa life in Katmandu, contrast the old way of life with the new and illustrate the changing socio-economic conditions encountered by Sherpas today.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Nepal. , Previously released as DVD. , This edition in Nepali, Sherpa and English with English subtitles.
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  • 2
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005304
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: The Migrants is the third film in the trilogy In Search of Cool Ground made for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional territory in the Omo valley to the Mago valley, about fifty miles away. This migration has brought them, for the first time, into contact with the market economy of the Ethiopian Highlands. David Turton notes that, when he first met the Mursi, men were seldom, and women never, seen at the highland markets. Now the Mago migrants, and especially women, are familiar figures in the weekly market at Berka, just four hours' walk from their new settlements. With their foothold in the pastoral economy weakening (tsetse flies make the Mago area quite unsuitable for cattle herding) and their dependence on market exchange growing, the migrants are in the process of becoming settled agriculturalists, like their highland neighbours, the Ari. By tracing the present and likely impact of this move on the lives of the migrants, the film shows how they are beginning to carve out a new ethnic identity for themselves, as well as a new home.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 3
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Fula
    Pages: 1 online resource (54 min.). , 005330
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Wodaabe (African people) ; Canada ; Documentary films.
    Abstract: ... Is the Wodaabe world disappearing? and how are we to place the painted male faces? The very considerable success of this film is the ways it answers these questions. The Wodaabe follow their herds in an endless migration across the borders of Niger, Nigeria, Chad and Cameroon in search of pasture. The droughts which have ravaged the Sahel since the late 1960s have devastated Wodaabe cattle herds, and this film looks at the daily pattern of survival of one hard-pressed family group at the height of the dry season. Gorjo bi Rima and his family have been the focus of Mette Bovin's fieldwork since 1968 and she has seen his herds decline from more than 300 cows to less than half a dozen. Yet, as she emphasises, the Wodaabe see their life as a balance between hardship and joy, and the film expresses this in sequences which record a child's naming feast and the Wodaabe's obsession with male beauty and adornment. 'We like beauty,' Gorjo says. 'We like to see people who are young and handsome and this is why we put on make-up.' The elaborate make-up of the young men and their dances, a kind of male beauty contest to gain the attention of women, are linked to a complex system of taboos which the Wodaabe insist they will maintain despite mounting pressures to abandon their nomadic lives.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Fula and English with English subtitles.
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  • 4
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005409
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: What made this trilogy special was that, unlike most television reportage, it had a temporal dimension. That is to say, it offered not a brutal, intrusive and uncomprehending snapshot, but a sympathetic, well-informed and thoughtful history of ten difficult years in the life of a tribe. Its insight derived from an anthropologist, David Turton, who has been studying the Mursi for years and who was able to provide the absolutely essential explanations of the mysterious events filmed by the Granada crew. This is the kind of illumination which is often provided by books or by personal experience, but almost never by television. This is a trilogy about aspects of the culture of two groups of people, the Kwegu and the Mursi, in Ethiopia. The titles are THE MURSI, THE KWEGU, THE MIGRANTS.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 5
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (56 min.). , 005550
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Murzu (African people) ; Murzu (African people) Rites and ceremonies. ; Ethiopia Social life and customs. ; North America ; Documentary films.
    Abstract: The proper time for a man to go through the Age Set Ceremony, the nitha, is just as he reaches physical maturity. But many years may elapse from one nitha to the next, so it is inevitable that some men will be well past this stage before they become 'adults'. Thus the occasion of this nitha, performed by the Mursi of Southwest Ehtiopia, gives adulthood to an entire generation for the first time in thirty years. The ceremony affirms individual identities as adults as well as their group identity as Mursi. The ceremony is performed admidst fears that this may be the last nitha. The continuing attacks on the tribe by the Bume and other neighbouring enemies using automatic weapons and the constant threat of drought and famine all undermine the existence of the Mursi.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1974 in Ethiopia. , Previously released as DVD. , This edition in English.
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  • 6
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005434
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Basques. ; North America ; Documentary films.
    Abstract: In her book 'The Circle of Mountains' Sandra Ott provided a fascinating analysis of social reciprocity ... The film highlights the village's contemporary dilemmas and thereby complements rather than visualises the arguments in Ott's published ethnography ... The approach is to be applauded since the book and the film now make excellent companion pieces that can usefully be employed in any course on European ethnography. This film follows the lives over one year, shot during three intervals, of two Basque shepherding families who live in Santazi, a village in the foothills of the French Pyrenees. The film is the only Disappearing World film made in western Europe and it focuses on the continuity and change in the community. Change has come to the village of Santazi in recent years along the avenues of introduced roads and improved communication systems with the outside world. The effects stretch from people's relationship with the Catholic religion to inheritance customs. Television has of course also entered these villagers' homes. The traditional life of shepherding is also changing amidst the conflict of interest between those who have formed a syndicated in an effort to maintain the viability of shepherding and the sons who have taken jobs as linemen for the electricity company. This film shows the rationality behind the choice the villagers are making. This film is recommended for courses in anthropology, sociology, culture change, and European communities.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Santazi (Sainte-Engrâce), France. , Previously released as DVD. , This edition in English and Basque with English subtitles.
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  • 7
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Austronesian (Other)
    Pages: 1 online resource (55 min.). , 005441
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Solomon Islanders Religion. ; Solomon Islanders Social life and customs. ; Malaita (Solomon Islands) Social life and customs. ; Australia ; Documentary films.
    Abstract: Pierre Miranda and a team from Granada Television have made a fine film exploring the troubled realities of the people of the lagoon in the 1980s. This film focuses on the people of Lau lagoon in the Solomon Islands who live on artificial islands near the island of Malaita. These islands are built of coral rubble and the people moved to them in an attempt to escape the dangers of malaria and enemies, and to find better fishing. The film focuses on change and conflict. The concept of 'custom' is vital to the islanders' identity, yet this is being eroded, particularly by Christian missionaries. The conflict between Christian and Pagan now pervades daily life, creating divisions in families and eroding knowledge of traditional life. Two 'custom' priests recently committed ritual suicide, one by swimming under a canoe containing women and the other by deliberately making a mistake in a ceremony. Within weeks, both priests physically died. The despair in the ability of 'custom' to continue that these priests must have felt is presented visually throughout the film. Few of the islanders remember more than a fraction of the hundreds of traditional spirits and the young are turning more and more to the traditions and commodities of Western culture. That this theme is a common one makes it no less powerful or relevant. Spurred by the presence of the Disappearing World camera crew, the islanders built a house in which to store their traditional and ritual objects. A commendable act of preservation on the part of the islanders, but at the same time the implications of their act are saddening. They are taking their ritual things out of the sphere of living, daily tradition and placing them in the realm of objective history. The Lau is recommended for courses in anthropology, sociology, development, culture change, Melanesia, religion, and ecology.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaita, Solomon Islands. , Previously released as DVD. , This edition in Lau and English with English subtitles.
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  • 8
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005514
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Canada ; Documentary films.
    Abstract: A further visit to the Mursi of Southern Ethiopia, with whom contact was established 17 years ago, for an important coming of age ceremony which has had to be postponed many times. An elder of the Mursi faces his last and most important challenge -- to arrange this ceremony. The date has been finally set but life has been very difficult for the Mursi over the past few years owing to attacks by hostile tribes, drought, famine, disease and cattle raiders and even now the ceremony may not take palace. There was a meningitis epidemic from which many people died until a vaccination and treatment programme ended it. This time we visit the South, the heartland of the Mursi, but everyone is fearful for the future.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Omo Valley, Ethiopia. , Previously released as DVD. , This edition in English.
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  • 9
    Online Resource
    Online Resource
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.) , 005317
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Families ; Quality of life ; Social history. ; China Social conditions 1976-2000. ; Canada ; Documentary films.
    Abstract: Through the words and lives of two families, the first of these companion films, made for Granada Television's Disappearing World series, examines change in two villages of southern China near Wuxi. One of these families, the Dings, are obviously influential members of the community and the parents have lived in the area of what is now called Big Ding Village all their lives. The other family, the Jues, live in a more traditional and rural Wong Jong Commune. Constantly the film compares life for these families before and after the Communist Revolution in 1949. Mrs Ding remembers her bitter childhood, the near infanticide of her fifth sister because as a girl the baby could only be a burden to the already over-extended family. Both the Dings and the Jues discuss the brutality of the Japanese, how the Japanese stole crops, how Mrs Ding's father hid her in the woodpile to save her from rape and possible murder by Japanese soldiers. The families recount their initial fear of the Communist Army, then their growing excitement for the ideals of the Party after the Revolution. They discuss the factions and fear of the Cultural Revolution, and the one Ding son who joined the Red Guards remembers his excitement on seeing Mao. He doesn't discuss the violence he may have helped create during these months as a Red Guard, although Mrs Ding hints at the dangers of giving any criticism of government policy during that period. More intimate revelations broadcast over national television could have been dangerous for the interviewees; the film-makers are to be commended for their portrayal, creating a picture of the individual in China while at the same time protecting that individual's privacy.The historical perspective sets the stage for the current prosperity of the villages and the families. The film-makers make clear that Wuxi, an area where prosperity and the success of the new economic policies after the Cultural Revolution are evident, was the Chinese government's choice not theirs, yet within that confine, they were given complete freedom in their filming. Individual memories compare a past of hunger and want, with present material consumption, a bride's dowry valued at 700 yuan, and new homes. The rights of women have improved: Mrs Ding is a Production Team Leader and a silkworm expert, while Mrs Jue makes money by working the family's alloted land. The interactions within each family are clearly drawn, and by the end of the film, we feel a closeness with these families, for all they have known and for the hope they have for their future.
    Note: Title from resource description page (viewed October 28, 2014). , Previously released as DVD. , In English.
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  • 10
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (57 min.). , 005704
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Kwegu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: 'The Kwegu' is an entirely tasteful and dignified presentation of the harsh realities of subsistence living, and it may help us understand how, even in stateless societies, dominated groups come to accept their domination as part of the natural order. The Kwegu are hunters and cultivators who live along the banks of the River Omo in Southwestern Ethiopia. They are experts on the river, manipulating their dugout canoes through a swift current where falling overboard could mean delivery into the jaws of a crocodile. The Mursi are cattle herders and cultivators who live with the Kwegu for several months of the year. This film is about the relationship between these two groups of people. The Mursi number about 5,000 and the Kwegu about 500. Both groups cultivate flood land along the Omo during the dry season, when the Mursi may also bring their cattle to the river. But the Kwegu keep themselves separate from the Mursi; they speak their own language among themselves, although they are bilingual and communicate with the Mursi only in Mursi. When the Mursi and Kwegu share a village, the Kwegu houses usually form a separate cluster. When a Kwegu marries, a vital part of the bridewealth is livestock. But since the Kwegu do not keep cattle, a system of exchange has developed whereby the Kwegu perform services in exchange for Mursi cattle. In addition to providing bridewealth cattle, the Mursi patron protects 'his' Kwegu from other Mursi and acts on his behalf in bridewealth negotiations. In return the Kwegu provides his patron with honey and game meat and is available to ferry him and his family across the Omo when needed. This is a vital economic service, since the Mursi cultivate on both banks of the river and yet do not, unlike the Kwegu, live at the Omo all the year round. The Kwegu are therefore 'guardians' of the canoes as well as ferrymen. There is some debate about the nature of the Mursi-Kwegu relationship. The anthropologist advisor for the film, David Turton, sees the relationship as one of domination. The Mursi depend economically on the Kwegu more than the Kwegu do on them, and yet the Kwegu see themselves as dependent, in a different, more extreme sense, on the Mursi they cannot marry without the aid of Mursi patron. The Mursi exploit the economic services of the Kwegu through their control of Kwegu marriage. Jean Lydall, in her review of the film in RAIN (June 1982), suggests another interpretation for the exchange of services. She wonders if indeed the Kwegu are not making the Mursi 'pay through the nose' for the services they require. This film suggests that far from being second-class citizens, the Kwegu are sharp manipulators who have acquired protection and material wealth by making their services indispensable to the Mursi. Turton defended his interpretation in a reply to Lydall (RAIN, No. 51, pp. 10–12) and has more recently provided a more detailed description and analysis of the Mursi-Kwegu relationship, following the same argument as developed in the film but including much additional ethnographic information (Turton, 1986). The Kwegu won the Grand Prix du Festival at the Festival International du Film de Grand Reportage in Paris. This film is the second part of a trilogy, In Search of Cool Ground. The film is particularly recommended for courses in anthropology, African studies, patron–client relationships, ethnicity and multi-cultural studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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