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  • Online Resource  (10)
  • Humanities  (10)
  • Art History  (10)
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  • Online Resource  (10)
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  • 1
    Online Resource
    Online Resource
    Deconstructing Contemporary Chinese Art : Selected Critical Writings and Conversations, 2007-2014 (2016)
    Berlin, Heidelberg : Springer
    Details
    ISBN: 9783662464885
    Language: English
    Pages: Online-Ressource (XVIII, 195 p. 70 illus., 57 illus. in color, online resource)
    Edition: 1st ed. 2016
    Series Statement: Chinese Contemporary Art Series
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer eBook Collection
    Series Statement: Humanities, Social Sciences and Law
    Parallel Title: Druckausg. Gladston, Paul Deconstructing Contemporary Chinese Art
    RVK:
    LO 88900
    Keywords: Humanities ; Humanities / Arts ; Fine arts. ; Cultural studies. ; Aufsatzsammlung ; China ; Kunst ; Geschichte 1990-2014
    Abstract: The book presents a range of articles and discussions that offer critical insights into the development of contemporary Chinese art, both within China and internationally. It brings together selected writings, both published and unpublished, by Paul Gladston, one of the foremost international scholars on contemporary Chinese art. The articles are based on extensive first-hand research, much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he consistently argues for a “polylogic” (multi-voiced) approach to research and analysis grounded in painstaking attention to local, regional and international conditions of artistic production, reception and display
    DOI: 10.1007/978-3-662-46488-5
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 2
    Online Resource
    Online Resource
    A Corpus of Rembrandt Paintings VI : Rembrandt's Paintings Revisited - A Complete Survey (2014)
    Dordrecht : Springer Netherlands
    Details
    ISBN: 9789401792400
    Language: English
    Pages: Online-Ressource (XII, 736 p. 1332 illus., 1135 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 6
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 6: Rembrandt's paintings revisited
    RVK:
    LI 71000
    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists - including the majority of members of the original RRP (up to 1989) - were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own i ...
    Note: Includes bibliographical references and index
    DOI: 10.1007/978-94-017-9240-0
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Inhaltsverzeichnis
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    BSZ
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  • 3
    Online Resource
    Online Resource
    Blanc de Titre / Blank of Title (2012)
    Vienna : Springer
    Details
    ISBN: 9783709110621 , 9781299337848
    Language: English
    Pages: Online-Ressource (416 p. 150 illus. in color, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Susanna Fritscher - blanc de titre
    RVK:
    LI 99999
    Keywords: Humanities ; Arts ; Humanities / Arts ; Humanities ; Arts ; Bildband ; Fritscher, Susanna 1960- ; Installation ; Fritscher, Susanna 1960- ; Installation
    Abstract: Susanna Fritscher’s installation works cannot be separated from their environment. On the basis of core elements such as space and movement, they directly address our visual perceptions.This book documents sixteen of her completed works, including: the new Vienna Airport (with Baumschlager Eberle) and the Centre des Archives Nationales in Pierrefitte-sur-Seine (with Massimiliano Fuksas).In the first section of the book, the artist explains its guiding concept of artistic space. Together with the book designer Ruedi Baur, she develops a symbiosis of her own art with ink and the printed page.With texts by Philippe Alain Michaud (Curator of the film collection of the Musée d'Art Moderne,Centre Georges Pompidou), Sabine Folie (Director of the Generali Foundation), Hugues Fontenas (architect, lecturer at the École nationale supérieure d'architecture, Paris, Val de Seine) and Jean-Luc Nancy (Prof. emeritus, philosopher)
    Note: Includes bibliographical references
    DOI: 10.1007/978-3-7091-1062-1
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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    Online Resource
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  • 4
    Online Resource
    Online Resource
    A Corpus of Rembrandt Paintings : Small-Scale History Paintings (2011)
    Dordrecht : Springer Netherlands
    Details
    ISBN: 9781402057861
    Language: English
    Pages: Online-Ressource (XVIII, 674 p. 898 illus., 629 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 5
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 5: Small-scale history paintings
    RVK:
    LI 71000
    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Malerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandts own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandts self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called histories (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills known in Rembrandts time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandts own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandts own work with that of his pupils has furthermore provided a detailed access to Rembrandts own criteria regarding artistic quality
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandt’s self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called ‘histories’ (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills - known in Rembrandt’s time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt’s own work with that of his pupils has furthermore provided a detailed access to Rembrandt’s own criteria regarding artistic quality
    Description / Table of Contents: PrefaceBibliographical and other Abbreviations -- Essays: -- I. Towards a Reconstruction of Rembrandt’s Art Theory -- II. An Illustrated Chronological Survey of Rembrandt’s Small-Scale ‘Histories’: Paintings, Etchings and a Selection of Drawings, with Remarks on Art-Theoretical Aspects, Function and Questions of Authenticity -- III. Rembrandt’s Prototypes and Pupils’ Production of Variants -- IV. On Quality: Comparative Remarks on the Functioning of Rembrandt’s Pictorial Mind -- V. More than One Hand in Paintings by Rembrandt -- Catalogue of the Small-Scale History and Genre Paintings 1642-1669 by Rembrandt and his Pupils -- Corrigenda et Addenda -- Indexes.
    Note: At head of title: Stichting Foundation Rembrandt Research Project , Accompanied by folded leaf of small history paintings , Includes bibliographical references and indexes
    DOI: 10.1007/978-1-4020-5786-1
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Umschlagbild
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  • 5
    Online Resource
    Online Resource
    Giottus Pictor (2008)
    Wien : Böhlau
    Details
    ISBN: 9783205773719
    Language: German
    Pages: 1 electronic resource (631 Seiten p.)
    RVK:
    LI 33904
    Keywords: Giotto 〈1266?-1337〉 ; Humanities ; Giotto di Bondone 1266-1337
    Abstract: Es handelt sich um Band 2 eines dreibändigen Unternehmens. Band 1 (M.V. Schwarz und P. Theis, Giottos Leben, Wien 2004) hat Giottos Biographie und das Corpus der nach den Schriftquellen sicheren Werke kritisch erarbeitet. Diese Werke präsentiert nun Band 2 in ihren jeweiligen Kontexten und versucht Aufschluß über Datierung und Abfolge zu gewinnen. Den Anfang macht die Arena-Kapelle, als das umfangreichste und am besten dokumentierte Werk. Diese Dokumentation konnte durch eine von Michaela Zoeschg durchgeführte Kampagne in Archiven und Bibliotheken von Padua und Venedig noch weiter verbessert werden. Einige Umstände aus der Frühgeschichte der Kapelle erscheinen nun in einem anderen Licht. Bei den Malereien wird stärker als bisher herausgearbeitet, daß sie die Betrachter in dezidiert verschiedener Weise ansprechen. Diese klassischen "Bilder" (im Sinn Hetzers) sind Sonderfälle, deren Konzept erst allmählich entwickelt wird. Diese These kann auch deshalb formuliert werden, weil die letzte Restaurierung der Kapelle neue Einsichten über die Arbeitsabfolge erbrachte. Der zweite Teil ist jenen Werken gewidmet, welche die Voraussetzungen für die Bildlichkeit der Arena-Kapelle schufen. Damit verbunden sind die Entscheidungen, den Isaak-Meister mit dem jungen Giotto gleichzusetzen und die Navicella (quellenkonform) früh zu datieren. Dies vorausgesetzt sind die frühen Werke einheitlich in ihrer Herkunft aus der stadtrömischen Malerei mit ihrer spätbyzantinischen und ihrer antikisierenden Komponente. Ihr gemeinsamer Zug ist das Bemühen um eine höchstmögliche Präsenz der Bildgegenstände, quasi an die Welt der Betrachter angelagert werden. Vor diesem Hintergrund wird die Bildlichkeit, die in der Arena-Kapelle erarbeitet wird, als eine Form von Rücknahme kenntlich: Statt weiterhin in der Welt der Betrachter gegenwärtig zu sein, erhalten die Bildgegenstände immer perfektere eigene Bildwelten. Der dritte Teil reagiert auf den urkundlich belegten Umstand, daß Giotto bald nach Abschluß seiner Paduaner Aufträge in Assisi tätig war. Dabei ist unklar welcher der giottesken Freskenkomplexe in S. Francesco dieser Phase zugeordnet werden kann. Dies gibt Gelegenheit, die Komplexe durchzugehen und zu zeigen, daß sie verschiedene Phasen von Giottos Schaffen reflektieren - so in den jüngeren Bildern der Franzlegende - überlagern sich sogar mehrere Schichten aus dem Giotto-Oeuvre und seiner Rezeption. Mit Giottos Assisi-Aufenthalt von 1308 wird die Magdal ...
    Abstract: This represents the second volume of a three-volume undertaking. Volume I (M.V. Schwarz und P. Theis, Giottos Leben (Giotto´s life), Vienna 2004) critically examined Giotto´s biography and the corpus of his documented works. Volume 2 presents these works in their respective contexts and attempts to gather information about dating and sequence. It begins with the Arena Chapel, which is Giotto´s most extensive and best documented works. The documentation was still further improved by Michaela Zoeschg´s campaign in the archives and libraries of Padua and Venice. Some aspects of the chapel´s early history now appear in a different light. With regard to the paintings, it is possible to emphasise more strongly than before that they adress the viewer in a decidedly different way. The classic "pictures" (in Hetzer´s sense) are specially cases, whose conception is only gradually developed. The formulation of this thesis is also assisted by new insights into the sequence of work brought about the last restoration of the chapel.The second part is dedicated to those works which form the prerequisites for the imagery of the Arena Chapel. Connected to this are the decisions to identify the Isaac master with the young Giotto and date the Navicella early (confirming with the sources). On this basis, it can be shown that the early works are united in their origins in contemporary Roman painting with its late Byzantine and classicising components. Their common trait is the striving to maximise the presence of the subjects represented, which are almost deposited into the world of the viewer. Before this background, the pictorialism developed in the Arena Chapel can be recognised as a form of withdrawal: instead of being ever more present in the world of the viewer, the imgage´s subjects receive increasingly perfect pictorial worlds of their own.The third part responds to the documented fact that Giotto was active in Assisi soon after the conclusion of his work in Padua. It is, however, unclear which of the Giottesque fresco series in S. Francesco can be attributet to this phase. This provides an opportunity to go through the series and show that they reflect different phases of Giotto´s creative life, although - as in the younger pictures of the Francis legends - several layers from Giotto´s oeuvre and reception overlay each other. The Magdalene chapel is connected with Giotto´s visit to Assisi in 1308.The fourth part is dedicated to the works after the Magdalene c ...
    Note: de
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
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  • 6
    Online Resource
    Online Resource
    Thrown Rope (2006)
    New York, NY : Princeton Architectural Press
    Details
    ISBN: 9781568986449
    Language: English
    Pages: Online-Ressource , v.: digital
    Edition: Online-Ausg. Springer eBook Collection. Humanities, Social Science and Law Electronic reproduction; Available via World Wide Web
    DDC: 709.2
    RVK:
    LI 99999
    Keywords: Humanities ; Arts ; Bildband ; Hutchinson, Peter 1932- ; Naturkunst
    Abstract: Although Peter Hutchinson has been working with land art since the 1960s, he has yet to receive his proper due. His work isn't found in galleries and he doesn't practice the kind of sensationalism that is typical of the art world. He is a refreshingly modest artist, and his delicate, fleeting work is extraordinarily beautiful, remarkably intelligent, and endlessly charming. It is our hope that
    Abstract: Although Peter Hutchinson has been working with land art since the 1960s, he has yet to receive his proper due. His work isn't found in galleries and he doesn't practice the kind of sensationalism that is typical of the art world. He is a refreshingly modest artist, and his delicate fleeting work is extraordinarily beautiful, remarkably intelligent, and endlessly charming. It is our hope that ""Thrown Rope"" will place Hutchinson where he belongs in the canon of modern art alongside Andy Goldsworthy and Robert Smithson. Hutchinson's works are ephemeral and evanescent, produced out in the open
    Description / Table of Contents: Preliminary; Hutchinson's Travels; Living Variously; Back matter;
    Note: "A Blind Spot Book , Includes bibliographical references , Electronic reproduction; Available via World Wide Web
    DOI: 10.1007/1-56898-644-0
    URL: Volltext  (lizenzpflichtig)
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    MPI Ethno. Forsch.
  • 7
    Online Resource
    Online Resource
    Real Photo Postcards : Unbelievable Images from the Collection of Harvey Tulcensky (2005)
    New York, NY : Harvey Tulcensky and Laetitia Wolff
    Details
    ISBN: 9781568986654
    Language: English
    Pages: Online-Ressource , v.: digital
    Edition: Online-Ausg. Springer eBook Collection. Humanities, Social Science and Law Electronic reproduction; Available via World Wide Web
    DDC: 973.91/022/2
    RVK:
    LH 29912
    RVK:
    LH 98350
    Keywords: Humanities ; Arts ; Bildband ; USA ; Soziale Wirklichkeit ; Alltag ; Fotografie ; Sammlung ; Geschichte 1900-2000 ; Postkarte
    Abstract: It may be hard to believe, but there actually was a time when the postcard image was not a cliche. To reach it, you'll have to set your clock back to the end of the nineteenth century, when an Act of Congress allowed Americans to mail a card for just one cent. A few years later, Kodak introduced an easy-to-use and affordable folding camera that put postcard power into the hands of ordinary citizens, setting off a craze.
    Note: A selection of these cards was first exhibited under the title Postmarked at the K.S. Art Gallery, New York, May 2004 , Includes interview with artist , Electronic reproduction; Available via World Wide Web
    DOI: 10.1007/1-56898-665-3
    URL: Volltext  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    A Corpus of Rembrandt Paintings : The Self-Portraits (2005)
    Dordrecht : Springer Netherlands
    Details
    ISBN: 9781402044410
    Language: English
    Pages: Online-Ressource (XXXII, 690 p, online resource)
    Series Statement: Rembrandt Research Project Foundation 4
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer-11648
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 4: The self-portraits
    RVK:
    LI 71000
    Keywords: History ; Arts ; Humanities ; Humanities / Arts / Design
    DOI: 10.1007/978-1-4020-4441-0
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Inhaltstext
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  • 9
    Online Resource
    Online Resource
    In praise of Prambanan : Dutch essays on the Loro Jonggrang temple complex (1996)
    Leiden : KITLV Press
    Details
    ISBN: 9789004260429 , 9004260420 , 9789067181051 , 9067181056
    Language: English
    Pages: 1 Online-Ressource (xii, 259 pages)
    Edition: [S.l.] HathiTrust Digital Library 2011 Electronic reproduction
    Series Statement: Translation series / Koninklijk Instituut voor Taal-, Land- en Volkenkunde 26
    Parallel Title: Erscheint auch als
    Parallel Title: Print version In praise of Prambanan
    DDC: 726.14509598
    RVK:
    BE 8102
    RVK:
    LO 88819
    RVK:
    LO 88820
    RVK:
    LO 88813
    Keywords: Lara Jonggrang (Temple : Prambanan, Indonesia) ; Lara Jonggrang (Temple : Prambanan, Indonesia) ; Hindu temples ; Hindu temples ; Lara Jonggrang (Temple : Prambanan, Indonesia) ; Humanities ; Hindu temples ; Tempels ; Reliëfs ; Temples hindous ; Indonésie ; Prambanan ; Temples bouddhiques ; Indonésie ; Architecture ; Java ; Java (Indonésie) ; Art, Architecture & Applied Arts ; Architecture ; Prambanan (Indonésie) ; Prambanan ; Indonesia ; Prambanan ; Electronic books
    Abstract: In praise of Prambanan is devoted to the Hindu-Javanese temple complex of Candi Prambanan, also known by its locally more popular name of Candi Loro Jonggrang. The book has two parts. Part One is a general introduction to the temple complex based on an examination of the existing scholarly literature. It offers a detailed state-of-the-art survey of publications on Candi Prambanan as well as of the religious conditions which made its creation possible. Part Two contains a selection of important articles - in English translation - about the temple complex by prominent Dutch scholars all of whom had first-hand knowledge of it: J.W. IJzerman, J. Ph. Vogel, N.J. Krom, F.D.K. Bosch, B. de Haan, W.F. Stutterheim, V.R. van Romondt and A.J. Bernet Kempers. The book is richly illustrated with photographs, drawings and maps. Roy E. Jordaan, currently a private scholar, obtained his PhD in anthropology from Leiden University
    Note: Includes bibliographical references (pages 231-252) and index , Use copy Restrictions unspecified star MiAaHDL , Part One ; Candi Prambanan; An updated introduction , Preliminary description ; Name and legend ; Discovery, excavation, and restoration ; The location from a culture-historical perspective ; Dating the temple complex: retracing its history ; About the founders, art styles, and archaeological theories ; The mythical Mount Meru and the churning of the ocean ; Design, meaning, and sectarian sensibilities ; The statues ; The reliefs ; General conclusions ; Part Two ; The Prambanan temple pits , The first Prambanan Rāma relief , The Prambanan statues , The god Brahmā surrounded by mahaṛṣi , Candi A and candi B , The arrangement of the Rāma reliefs of Candi Loro Jonggrang and the course of the sun , The reconstruction of the Śiva temple at Prambanan , Prambanan 1954 , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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  • 10
    Online Resource
    Online Resource
    Wassermühlen der Schweiz (1987)
    Basel : Birkhäuser Basel | Imprint: Birkhäuser
    Details
    ISBN: 9783034860543
    Language: English
    Pages: 1 Online-Ressource (III, 192 Seiten)
    Edition: 1st ed. 1987
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LB 68150
    RVK:
    LB 70150
    RVK:
    LC 20150
    RVK:
    LC 23150
    RVK:
    LC 28150
    RVK:
    LL 87630
    RVK:
    ZL 5420
    RVK:
    ZG 8770
    Keywords: Humanities and Social Sciences ; Social sciences ; Humanities ; Wassermühle ; Geschichte ; Mühlenwirtschaft ; Schweiz ; Bildband ; Bildband ; Schweiz ; Mühlenwirtschaft ; Geschichte ; Schweiz ; Wassermühle ; Geschichte
    DOI: 10.1007/978-3-0348-6054-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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