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  • 1
    ISBN: 366246487X
    Language: English
    Pages: Online Ressource (8942 KB, 195 S.)
    Edition: 1. Aufl.
    Series Statement: Chinese Contemporary Art Series
    Parallel Title: Print version Deconstructing Contemporary Chinese Art : Selected Critical Writings and Conversations, 2007-2014
    DDC: 301
    Keywords: Electronic books
    Abstract: The book presents a range of articles and discussions that offer critical insights into the development of contemporary Chinese art, both within China and internationally. It brings together selected writings, both published and unpublished, by Paul Gladston, one of the foremost international scholars on contemporary Chinese art. The articles are based on extensive first-hand research, much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he consistently argues for a 'polylogic' (multi-voiced) approach to research and analysis grounded in painstaking attention to local, regional and international conditions of artistic production, reception and display. Paul Gladston is a full professor at Nottingham - Chair of Contemporary Visual Cultures and Critical Theory. Between 2005 and 2010 he served as inaugural head of the Department of International Communications and director of the Institute for Comparative Cultural Studies at the University of Nottingham Ningbo, China. He has written extensively on the subject of contemporary Chinese art with particular reference to the concerns of critical theory. His recent book-length publications include Contemporary Art in Shanghai: Conversations with Seven Chinese Artists (Timezone 8 - Blue Kingfisher, 2011); a special edition of the Journal of Visual Art Practice, 'Contemporary Chinese Art and Criticality', co-edited with Katie Hill (2012); 'Avant-Garde' Art Groups in China, 1979-89 (Intellect and University of Chicago Press, 2013); and Contemporary Chinese Art: A Critical History (Reaktion and University of Chicago Press, 2014). He is principal editor of the Journal of Contemporary Chinese Art and was an academic adviser to the exhibition 'Art of Change: New Directions from China', which was staged at the South Bank Centre in London in 2012.
    Note: Description based upon print version of record
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  • 2
    ISBN: 9789811652936
    Language: English
    Pages: 1 online resource (269 pages)
    Series Statement: Contemporary East Asian Visual Cultures, Societies and Politics Ser.
    Parallel Title: Erscheint auch als
    DDC: 701.03
    Keywords: Art and society ; Electronic books
    Abstract: Intro -- Preface -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Introduction -- References -- Hong Kong and the South China Sea -- Some Tangible, Some Forgotten: Art About Borders in the Hong Kong SAR -- Introduction -- Talkover/Handover 2.0 -- Tangible Border: Law Yuk Mui, Walking in Circles -- Tangible Border: Yim Suifong, Falling Like a Feather -- Forgotten Borders: The Rooftop Institute and Asia Seed Programme -- Conclusion -- References -- Reclaiming the Autonomy of Living in Truth: Protest-Making and Design in Hong Kong's Occupy Central/Umbrella Movement -- Introduction -- From Art to Artefacts-Back to the Making Process -- Protest Infrastructures and Protest-Making -- Actor Network Theory as a Framework for the Analysis of Protest-Making -- Creating Spaces of Care, Order and Productivity Through Autonomous Protest-Making -- Reclaiming Autonomy, Defending the Ideological Border and DIY-ing Citizenship -- Conclusion -- References -- Imagined Mappings of Geopolitical Power: Liquid Borders, Military Infrastructures and Ecological Destruction in the South China Sea -- Introduction -- Historical Background -- What Is at Stake? -- Drawing Borders-Cartography and Exploitation -- MAP Office, Liquid Land|Solid Sea-Cartography Without Borders -- Conclusion-Retrieving the "Common" -- References -- Art and Technology -- Rendering Frontiers: From China's Historical Dynastic-Imperial to Modern Republican Borders and the Changing Significances of Chinese Art -- Introduction -- China's Historical Dynastic-Imperial Borders -- China's Modern Republican Borders -- Confucian-Literati Art in Dynastic-Imperial China -- Modern and Contemporary Art in Republican China -- Conclusion -- References -- Confucianism and Technology: Critical Reflections on the Borders Between Chinese and Euro-American Modernity -- Introduction.
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    Article
    Article
    In:  Post-conflict cultures (2006), Seite 77-87 | year:2006 | pages:77-87
    ISBN: 1902878582
    Language: Undetermined
    Titel der Quelle: Post-conflict cultures
    Publ. der Quelle: London : Zoilus Press, 2006
    Angaben zur Quelle: (2006), Seite 77-87
    Angaben zur Quelle: year:2006
    Angaben zur Quelle: pages:77-87
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  • 4
    ISBN: 366246487X , 9783662464878
    Language: English
    Pages: 195 Seiten , Illustrationen (zum Teil farbig) , 235 mm x 155 mm
    Series Statement: Chinese Contemporary Art Series
    Parallel Title: Online-Ausg. Gladston, Paul Deconstructing Contemporary Chinese Art
    DDC: 709.5109051
    RVK:
    Keywords: Aufsatzsammlung ; China ; Kunst ; Geschichte 1990-2014
    URL: Cover
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  • 5
    ISBN: 9783662464885
    Language: English
    Pages: Online-Ressource (XVIII, 195 p. 70 illus., 57 illus. in color, online resource)
    Edition: 1st ed. 2016
    Series Statement: Chinese Contemporary Art Series
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer eBook Collection
    Series Statement: Humanities, Social Sciences and Law
    Parallel Title: Druckausg. Gladston, Paul Deconstructing Contemporary Chinese Art
    RVK:
    Keywords: Humanities ; Humanities / Arts ; Fine arts. ; Cultural studies. ; Aufsatzsammlung ; China ; Kunst ; Geschichte 1990-2014
    Abstract: The book presents a range of articles and discussions that offer critical insights into the development of contemporary Chinese art, both within China and internationally. It brings together selected writings, both published and unpublished, by Paul Gladston, one of the foremost international scholars on contemporary Chinese art. The articles are based on extensive first-hand research, much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he consistently argues for a “polylogic” (multi-voiced) approach to research and analysis grounded in painstaking attention to local, regional and international conditions of artistic production, reception and display
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 6
    ISBN: 9789811652936 , 9811652937
    Language: English
    Pages: 1 Online-Ressource (XXIII, 253 Seiten) , 41 illus., 39 illus. in color.
    Edition: 1st ed. 2021
    Series Statement: Contemporary East Asian Visual Cultures, Societies and Politics
    Parallel Title: Erscheint auch als Visual Culture Wars at the Borders of Contemporary China
    DDC: 306
    Keywords: Künste ; Culture Study and teaching ; Mass media and culture ; Ethnology ; Culture ; Globalization ; Art, Modern 21st century ; Visual Culture ; Media Culture ; Regional Cultural Studies ; Globalization ; Contemporary Art ; China ; Westliche Welt ; Aufsatzsammlung
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