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  • FID-SKA-Lizenzen  (70)
  • Ethnology  (40)
  • Feature films.
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  • 1
    Online Resource
    Online Resource
    In:  Museum Worlds - Advances in Research Vol. 9, 1 (2021)
    ISSN: 2049-6737 , 2049-6729
    Titel der Quelle: Museum Worlds - Advances in Research
    Publ. der Quelle: Berghahn Journals
    Angaben zur Quelle: Vol. 9, 1 (2021)
    Keywords: American colonialism ; Ethnology ; Philippines ; ruination
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  • 2
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: Spanish , English , South American Indian (Other)
    Pages: 1 online resource (86 minutes) , 012529
    Keywords: Palmer, John ; Anthropologists Biography. ; Mataco Indians Social life and customs. ; Indians of South America ; Indians of South America Civil rights ; Ethnology ; Bhutan ; Nonfiction films. ; Documentary films.
    Abstract: John Palmer arrived in a Wichí community, located in Argentina, thirty years ago as an anthropologist - today he has married a Wichí woman with whom he has five sons in the last 5 years, who babble English, Wichí, and Spanish words. As the legal advisor of the Lapacho Mocho community, and as a part of the family, he works to obtain Qatu's freedom, a member of the Wichí community who has been in jail for 5 years waiting for an oral hearing on a charge of abusing his wife's daughter. The film gains depth and impact from its more intimate domestic interludes involving John's wife Tojweya their young children - including a baby only weeks old. So while Palmer has achieved considerable eminence in his field, winning the Royal Anthropological Institute's Lucy Mair Medal in 2009, his immersion into Wichí culture, history and customs has become much more than a matter of academic ethnography.
    Note: Title from resource description page (viewed June 24, 2016). , In Spanish, English, and Wichí (Mataco).Optional subtitles in Spanish, English, French, Portuguese, Italian.
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  • 3
    Online Resource
    Online Resource
    Thailand :Extra Virgin Co,
    Language: Thai
    Pages: 1 online resource (121 min.). , 020044
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Ireland ; Feature films.
    Abstract: Two families are employed by a landowner to work on his rice fields. One of them used to own their own land, but was evicted for being unable to keep up with his hefty loan payments. In the absence of machinery, they plant rice using traditional farming methods and an untrained buffalo. However, the low market prices for rice mean that they have to supplement their income with picking wild mushrooms. They also eat wild frogs, snakes and honeycomb when their income proves to be too meagre to feed the family. In contrast, a neighboring farmer, a retired teacher, farms his land organically and hopes to keep the land fertile with the rice stalks, so that he will always be able to grow food for himself. Thai director Uruphong Raksasad had grown up in the same village where the film is beautifully shot, and had chosen to use local farmers as his actors. Awards/Festivals: NETPAC Special Mention Award, International Film Festival Rotterdam; Special Mention Award, Barcelona Asian Film Festival; NETPAC Award, Brisbane International Film Festival; Golden Hanoman Award, Jogja-NETPAC Asian Film Festival; NETPAC Award, Jogja-NETPAC Asian Film Festival; Best Narrative Film, Toronto Reel Asian International Film Festival; !f Inspired Award - Most Inspired Director, !f International Independent Film Festival, Istanbul; Special Jury Award, Millenium International Documentary Film Festival; Green Chilies Award (Best Film), Asian Hot Shot Berlin Festival; Hong Kong International Film Festival; Singapore International Film Festival; Jeonju International Film Festival; Libertas Film Festival; Filmfest Munchen; Vancouver International Film Festival; Yamagata International Documentary Film Festival; Flanders International Film Festival Ghent; Mumbai Film Festival; Vienna International Film Festival; Asiaticafilmmediale, Rome; Mar del Plata International Film Festival; Taipei Golden Horse International Film Festival; International Film Festival Bratislava; International Film Festival of Kerala; Pune International Film Festival; Fajr International Film Festival; San Francisco Asian American Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Thailand. , Previously released as DVD. , This edition in Thai with English subtitles.
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  • 4
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Tagalog
    Pages: 1 online resource (73 min.). , 011307
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Comedy. ; Satire. ; Short films ; Australia ; Feature films.
    Abstract: A collection of short films by the enfant terrible of Philippine cinema, including 'Amen, a brown comedy' -- a satire on the traditional Filipino custom of having younger people raise the hands of their elders, to their own foreheads, as a greeting and also as a superficial mark of respect; 'Ultimo: Different ways of killing a national hero' -- an adaptation of Jose Rizal's poem, 'Mi ultimo adios' (My Last Goodbye). Jose Rizal was a Philippine national hero, who had been sentenced to death by firing squad, by the Spanish government in 1896; I'm Not Batman; John Cage; Memory of Dawn; Headless (Pugot); This Is Not a Found Footage Film; By The Suez Canal. Awards/Festivals: .Mov International Digital Film Festival 1998.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in the Philippines. , Previously released as DVD. , This edition in Tagalog with English subtitles.
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  • 5
    Online Resource
    Online Resource
    Iran :Iranian Independents,
    Language: Persian
    Pages: 1 online resource (92 min.) , 013140
    Series Statement: Ethnographic video online, volume 2
    Keywords: Folklore. ; Murder. ; Tourists. ; Iran. ; Canada ; Feature films.
    Abstract: A few British tourists, who are exploring the forests of Northern Iran, are mysteriously murdered. Major Mohebi is called in to investigate the case, in spite of his recent loss of his wife and unborn child. Through his investigations, Major Mohebi becomes increasingly entangled in the local folklore, as he unravels the mysteries of a village that the other locals both fear and stay clear of.
    Note: Title from resource description page (viewed Februrary 25, 2015). , Previously released as DVD. , In Persian with English subtitles.
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  • 6
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Indonesian
    Pages: 1 online resource (70 min.). , 010958
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; North America ; Feature films.
    Abstract: Kantata Takwa was originally the name of a collaborative group of performers, which included musician Iwan Fals, his band, poet W.S. Rendra and his theatre group. In 1991, Kantata Takwa performed in a huge concert, singing songs about the oppressiveness of Soeharto's new order regime. Live footage of this performance is intercut with artists' interviews, and a loose narrative of a people who are ultimately killed by their oppressors. Due to its political content, Kantata Takwa was 18 years in the making, and only released in 2008. Awards/Festivals: Golden Hanoman Award, Jogja-NETPAC Asian Film Festival; Singapore International Film Festival; Louis Vuitton Hawaii International Film Festival; Indonesian Film Festival, Melbourne; St. George Bank Brisbane International Film Festival; Osian Cinefan Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Indonesia. , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 7
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Malayalam
    Pages: 1 online resource (93 min.). , 013255
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Marriage ; Women ; United Kingdom ; Feature films.
    Abstract: Based on the short story by Thakazhi Sivasankara Pillai, acclaimed director Adoor Gopalakrishnan's film version focuses on the lives of four women, each of whom is faced with a marital issue. The first story, 'The Prostitute,' features a young prostitute who has decided to give up her life on the streets to be with the love of her life. However, the couple's happiness is disrupted when they are caught sleeping on the pavement by the police who assume they have been engaging in illegal sexual activity. Unable to prove they are married, the couple is threatened with imprisonment. The second story, The 'Virgin,' focuses on a woman whose parents marry her off to a shopkeeper. However, unable to bring himself to be intimate with his new wife, the husband sends the young woman back to her mother and father. The third story, 'The Housewife,' features a married middle-aged woman who is unable to have children of her own. A visiting classmate offers an idea to help solve her problem, but his solution implies dire consequences. The final story involves a woman for whom her parents cannot find a husband. When her younger sister is offered a marriage proposal, the parents are faced with having to break tradition by marrying their youngest daughter off before their eldest. Awards/Festivals: Golden Lotus Award, Best Director, National Film Awards, India, 2009; Seattle International Film Festival 2008.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in Malayalam with English subtitles.
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  • 8
    Online Resource
    Online Resource
    Iran :Iranian Independents,
    Language: Persian
    Pages: 1 online resource (76 min.) , 011529
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnicity. ; Folklore. ; Refugees. ; Azerbaijan. ; Iran. ; Canada ; Feature films.
    Abstract: After ten years spent in a refugee camp in Sabirabad, a middle-aged Azerbaijani folk composer goes in search of his Armenian wife and their child, from whom he was separated during the Azerbaijan-Armenian conflict. His quest - which parallels the Azerbaijani folktale of the two lovers, Asli and Karam, is paired with a lyrical and detailed depiction of the musician's memories of his wife and the traditional music about which he is so passionate. Raami explores the relationships between nature, war, music, and folklore.
    Note: Title from resource description page (viewed Februrary 25, 2015). , Previously released as DVD. , In Persian with English subtitles.
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  • 9
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 minutes) , 005759
    Keywords: Ethnology ; Nightclubs ; Bhutan ; Ethnographic films.
    Abstract: Mirror Mirror is based on an audio-visual ethnography of London's queer Club Wotever. Begun in the autumn of 2003, it promoted itself as a club that welcomed all genders and sexualities - a counterpoise to London's mainstream segregated scenes.
    Note: Title from resource description page (viewed June 24, 2016). , In English.
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  • 10
    Online Resource
    Online Resource
    Thailand :Extra Virgin Co,
    Language: Thai
    Pages: 1 online resource (88 min.). , 012818
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Farmers ; Herders ; Thailand Social life and customs. ; Canada ; Feature films.
    Abstract: 8 moving vignettes reveal vivid contrasts of 21st-century life among farmers/herders in Thailand's northern mountains. Profound continuities of age-old traditions are countered by scattered but crucial technological benefits -- telephones, tin roofs, the car leading a Buddhist procession through rice fields, the rifle an old man uses to scare intruders. Cattle-rustlers on motorcycles interrupt agricultural methods thousands of years old, but the loneliness of the elderly is punctuated by phone calls with city relatives. They share dependence upon nature, each other (and pets), but their temperaments vary from the lone farmer pondering the sky with his dog, to a merry group of bicycling musicians visiting a temple. The vignettes, accompanied by the sounds of rain, threshing, and local musicians, are intercut with visually poetic takes focusing on timeless satisfactions clouds, mountains, waving grain, the full moon under which children tell ghost stories inspired by the mysteries of birth and unexpected death. Awards/Festivals: Vienna International Film Festival 2006; Munich Film Festival 2007.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Thailand. , Previously released as DVD. , This edition in Thai with English subtitles.
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  • 11
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Persian
    Pages: 1 online resource (85 min.). , 012500
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Australia ; Feature films.
    Abstract: Alibakhsh is an Afghani who has been forced to leave his wife, his family, and his home in order to find a job. He makes his way to Iran where he secures work in a henna grinding plant. While he is happy to be able to support his family from afar, Alibakhsh looks forward to the day when he can be reunited with them. However, fate conspires to keep Alibakhsh and his family apart as a US-led invasion in Afghanistan becomes imminent in the wake of the 9/11 terrorist attacks. Ali attempts to return to his homeland to find his family before war and chaos make it all but impossible. This powerful film has won several international awards, but has been banned from being shown in Iran. Awards/Festivals: Brooklyn International Film Festival 2006; World Film Festival 2006; Ashland Independent Film Festival 2008; Cairo International Film Festival 2009.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Afghanistan and Iran. , Previously released as DVD. , This edition in Farsi, western (Persian) with English subtitles.
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  • 12
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Chinese
    Pages: 1 online resource (87 min.). , 012718
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films ; Canada ; Feature films.
    Abstract: A-long comes from a long line of dragon dancers and is driven to prove his own worth. A pride to their town of Longphozai, his family has always observed cultural traditions and respected the village leaders -- unlike A-long's childhood sweetheart Fengmei. Wilful and rebellious, Fengmei is determined to be with A-long even if it means flouting the Huayao tradition by joining A-long's dragon dance team. Her impulsive charisma drives the team into numerous fixes and repeatedly brings the wrath of the village elder down upon a frustrated, confused A-long. But with a major dragon dance competition approaching, can A-long and Fengmei learn to balance their love with their cultural traditions? Or will they be forced to sacrifice one for the other? This lighthearted comedy deftly intertwines traditional Huayao song, dress and dance to illustrate the role of historical tradition in modern young love, and shot with brilliant scenery of China's countryside. Awards: Nominated 2005 Golden Rooster Best Actress, Won 11th Huabiao Best Feature Film Award, Won 11th Huabiao Best Newcomer Award, Won 12th Beijing Undergraduates Film Festival Best Actress.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China. , Previously released as DVD. , This edition in Mandarin with English subtitles.
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  • 13
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Sinhalese
    Pages: 1 online resource (109 min.). , 014841
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films ; Ireland ; Feature films.
    Abstract: This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, each of whom is affected by the war in different ways. Chamari enlists the aid of a London-based journalist to help locate her husband, a pilot who was captured by the Tamil Tigers; a young Muslim boy, Arfath, tries to keep his dog, even as his family joins thousands of other Muslims in a mass exodus to escape the conflict; and Dumida, a lonely young soldier, discovers that his sister has been working as a prostitute in a brothel that serves both Sinhalese and Tamil soldiers. All of these events, presented from a Sinhalese perspective, take place under the searing heat of a hot August sun and the weight of lengthy civil war. Awards/Festivals: Grand Jury Prize and nominated Lino Brocka Award Cinemanila International Film Festival 2003; Grand Prix des Amriques Montreal World Film Festival 2003; FIPRESCI/NETPAC Award Singapore International Film Festival 2004; Amiens International Film Festival 2003; International Film Festival Rotterdam 2004; Deauville Asian Film Festival 2004.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sri Lanka. , Previously released as DVD. , This edition in Sinhala. , This edition in Sinhala.
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  • 14
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Chinese
    Pages: 1 online resource (90 min.). , 013009
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: When Ruo Ma Was Seventeen illustrates the perspectives and fantasies of young people towards love. Ruo Ma, a girl from the Xiani tribe, lives with her grandmother since childhood. Fantasising about the world outside, Ruo Ma wants to visit the city but has no money. She meets Ming, a photographer, who helps her earn money by getting her to pose in her tribal costume with the tourists. But soon Ming has to leave. Screened at the Berlin International Film Festival and the Pusan International Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China. , Previously released as DVD. , This edition in Mandarin.
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  • 15
    Online Resource
    Online Resource
    Indonesia :Set Film Workshop,
    Language: Indonesian
    Pages: 1 online resource (90 min.). , 013003
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Eluay, Ondofolo Dortheys Hiyo, Drama. ; Papua (Indonesia) Drama. History ; Autonomy and independence movements ; North America ; Feature films.
    Abstract: Arnold, a 15 year old Papuan boy, obsesses over his desire to kiss a young woman he meets at the port. Meanwhile, his father Bertold, is being hunted down by a group of anonymous thugs for his political activities demanding justice for the detention of independence leader Theys Hiyo Eluay. When Theys is murdered, Bertold goes into hiding, leaving his son to fend for himself. This is the first Indonesian feature set in Irian Jaya.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in StateIrian Jaya. , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 16
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Chinese
    Pages: 1 online resource (103 min.). , 014242
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: During her summer vacation, Dawa returned to Lhasa to see her grandparents. Unfortunately her grandfather was ill and dying. During this time, her grandmother, Yixi Zhuoma, told Dawa her love stories with three men. The first man in Yixi's life was Jiacuo, a strong mule boy from Kangba. At the same time Gongsa, the young master of Luoga Garden, had fallen in love with Yixi. Jiacuo was not persuaded and eloped with Yixi and married her. Their marriage and Jiacuo's great energy brought Yixi a very happy and romantic time in her life. However, as a mule boy, Jiacuo was used to an unstable lifestyle, which drove Yixi back to Gongsa. During the 1950s, Gongsa fled with the Dalai Lama and took Yixi's youngest son with him, asserting that the son was his. In the meantime, Jiacuo could not tolerate Yixi's betrayal and decided to return to his hometown, Kongba, with his oldest daughter. Several years later, when Yixi got the news that Jiacuo was seriously ill, she immediately decided to begin her difficult and dangerous journey searching for her husband. During that difficult time, she met her old friend Songqiu Lama, who was her third man as well as her forever lover in her life. In their youth, they used to spend a lot of time together, and Songqiu taught Yixi how to write and sing. Unfortunately, they were separated after Songqiu became a monk. With the coming of the Cultural Revolution, Songqiu was forced to leave his temple and lived as an ordinary man again. This enabled him to accompany Yixi to continue her difficult journey. He also encouraged Yixi to return to her husband and he would like to go back to being a Lama again. Dawa sets out to find these men. Awards/Festivals: Won Golden Rooster for Best Music, Special Jury Prize for Acting and Directing, Nominated for Golden Rooster for Best Actress, Best Film, Best Screenplay 2000; Won Film of Merit and Best Director, Shanghai Film Critics Award 2000; Interfaith Award, St. Louis International Film Festival 2001.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2000 in Lhasa, Tibet Autonomous Region. , Previously released as DVD. , This edition in Mandarin with English subtitles.
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  • 17
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Vietnamese
    Pages: 1 online resource (88 min.). , 012740
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: For twenty years, Camh has lived in North Vietnam, unable to return to his home in the south, a small fishing village where his wife waits for him. She has been a guerrilla fighter for the triumphant communist forces, and has made a living selling food in the market. She is happy to reunite with her husband until she learns that he has married a young woman in the north and has a child by her. The love triangle becomes more complicated: Huy, a man who has lost a leg is in love with Troa, who does not return his affection, and there is Hoa, a young woman who has lost both legs and who is in love with him. All of the characters' emotional injuries are as deep as those of Huy and Hoa, but they behave with great kindness towards one another. The movie was made for $36,000, but the lack of special effects allows us to concentrate on the difficulties of reunification and of finding both political and psychic peace. Winner of national prizes - Golden Lotus for Best Picture, Best Director, Best actress, Asia Pacific Film Festival for Best Actress, Best Supporting Actress, Best Director, Best Film, and Special Prize, Amiens Int'l Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vietnam. , Previously released as DVD. , This edition in Vietnamese with English subtitles.
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  • 18
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (49 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Marriage customs and rites ; Jambi (Indonesia : Province) Social life and customs. ; Olakkemang (Indonesia) Social life and customs. ; Sumatra (Indonesia) Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: "This film records the preparations for the wedding of two sisters in eastern Sumatra in December 1996. There is an emphasis on the importance of the role of women in the village. Ritual exchanges of textiles and cakes, and a series of purification rituals are shown"--Original container.
    Note: "For educational use only"--Original container. , Originally produced as a motion picture in 1997. , Previously released as DVD. , This edition in English.
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  • 19
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Sinhalese
    Pages: 1 online resource (69 min.). , 010854
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Death Drama. ; Ethnic conflict Drama. ; War and society Drama. ; Canada ; Feature films.
    Abstract: Told against the backdrop of civil war, endemic poverty, and the struggles of everyday life in rural Sri Lanka, Death on a Full Moon Day revolves around the central protagonist, Wannihami, a blind man with a fierce sense of independence. When his son Bandara is killed by a land mine while fighting against Tamil rebels, Wannihami refuses to believe he is dead. Despite being overwhelmed by grief, Bandara's sister and her fiancee try to convince Wannihami to accept his son's death and the compensation payment the government is offering them. Impoverished as they are as a result of the civil war, the money could be used to complete construction of the family house and provide a better life for the family in a time of economic strife. However, even the poor conditions in which Wannihami and his family live cannot convince him to accept the money. Awards/Festivals: Golden Unicorn Best Feature Film Amiens International Film Festival 1999; FIPRESCI Prize Fribourg International Film Festival 1999; Silver Screen Award Best Asian Actor and Nominated Silver Screen Award Best Asian Film Singapore International Film Festival 1999; Thessaloniki International Film Festival 1998; Palm Springs International Film Festival 1999.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sri Lanka. , Previously released as DVD. , This edition in Sinhala with English subtitles.
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  • 20
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Bengali
    Pages: 1 online resource (107 min.). , 014640
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; North America ; Feature films.
    Abstract: In 1947, following the partition of India, Pakistan was formed. In East Pakistan (now Bangladesh), millions of Hindu families were forced to choose between living under Islamic rule, or abandoning the land, which their ancestors had been living in for centuries. Shashikanta Sengupta, a lawyer, refuses to migrate, although he sends his son to study in Calcutta. Together with his daughter, Minoti and his sister, Anuprava Devi, they continue to live in their hometown of Narail, by their beloved River Chitra. However, the riots and demonstrations of the sixties end up changing the course of their lives forever. Festivals: London Film Festival; Oslo International Film Festival; Fribourg International Film Festival; Singapore International Film Festival; Delhi International Film Festival; Kolkata International Film Festival; Trivandrum International Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Bangladesh. , Previously released as DVD. , This edition in Bengali with English subtitles.
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  • 21
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Malay
    Pages: 1 online resource (92 min.). , 013141
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; North America ; Feature films.
    Abstract: Based on the novel, Juara, by S. Othman Kelantan, Mamat, a Malaysian, works in Southern Thailand as a trainer in bullfighting (a jogho). In this small village, the winnings from the gambling during bull-fights, maintains the village economy. But when a village leader is killed during a bull-fight, Mamat has to uphold the village's honour by taking revenge. But a cycle of violence soon follows. U-Wei bin Haji Saari is the key Malaysian filmmaker preceding the rise of the Malaysian New Wave in 2000. His seminal work was his feature debut, Woman, Wife and Whore (1993). In 1995, his third feature, The Arsonist (1994), became the first Malaysian film to be selected in Cannes. The Champion (Jogho) is his fourth work and his latest feature, Hanyut (2011), based on Joseph Conrad's Almayer's Folly will be released in 2011.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Thailand. , Previously released as DVD. , This edition in Malay with English subtitles.
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  • 22
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Mongolian
    Pages: 1 online resource (101 min.). , 014055
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: Adapted from the novel Black Steed by Zhang Chengzhi (who spent four years during the Chinese Cultural Revolution with an Inner Mongolian family), A Mongolian Tale begins with two children being raised by Nai Nai, a wise grandmother, in the peaceful purity of childhood and the Mongolian steppes. Xie Fei's storytelling is simple and resonates with dignity. The spacious, traditional world of the steppe people is an idyllic landscape that seems timeless. Yet this is no fairytale but the story of childhood sweethearts separated by a changing world. Beiyinbulog, a boy whose father has left him to be raised by Nai Nai, has to leave Somiya, her shepherd grandmother's helper, when his father summons him to train in veterinary science in the city. When he returns for her as a folksinger, three years later, he finds her circumstances radically changed. As adults the two find their true destinies and the hand that fate has dealt. How do we redeem our idyllic dreams dashed by realities? Can love and acceptance be found despite betrayal and loss? Beiyinbulog is played by Tengger, a Mongolian-born pop singer and composer who composed the film's haunting, nostalgic score. His songs in the film capture the future for the children of the Mongolian steppes and the virtuous legacy of their homeland - 'the vast and boundless grasslands are the cradle I was reared in.' Awards/Festivals: Best Director, Best Artistic Contribution, Tengger's Music, Montreal World Film Festival; Best Director, Shanghai Film Critics Awards.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Mongolia. , Previously released as DVD. , This edition in Mongolian.
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  • 23
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Malay
    Pages: 1 online resource (67 min.). , 010701
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Ireland ; Feature films.
    Abstract: U-Wei Bin Haji Saari based The Arsonist (1995) on William Faulkner's short story Barn Burning, transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His family is isolated from the community, and their life is continually disrupted. They are often reduced to camping out in the open with their goats. His middle son admires his courage, but asks himself if his honor demands him to stop his father from ruining himself and their family. The movie premiered at the Singapore International Film Festival, and went on to be the most honored Malaysian film in history, selected in Cannes, and winning the Grand Prize (Best International Film) at the Brussels Film Festival. Other Festivals: Nominated Silver Lion Best Short Film Venice Film Festival 2004; Los Angeles International Short Film Festival 2004.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaysia. , Previously released as DVD. , This edition in Malay with English subtitles.
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  • 24
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (26 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Matriarchy ; Na (Chinese people) Social life and customs. ; Naxi (Chinese people) ; Ireland ; Nonfiction films.
    Abstract: The Na are an ethnic group in south-east China. Their particularity is that all the members of each household are consanguineous relatives; their social organization is absolutely matrilineal and as incest is prohibited, like elsewhere, their sexual life mainly takes the form of nocturnal visits of men to women.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English.
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  • 25
    Online Resource
    Online Resource
    Indonesia :Set Film Workshop,
    Language: Indonesian
    Pages: 1 online resource (123 min.). , 020317
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films. ; Motion pictures, Indonesian. ; Ireland ; Feature films.
    Abstract: Literally translated, the title means 'The Moon Pierced by Wild Grass,' and the film tells the story of the relationship between an aged traditional song teacher named Waluyo, his folk music disciple Ilalang (who has to cope with memories of his abusive father) and the lovely dancer Bulan, who Ilalang has loved for a long time. The feature is set in Solo, where the vestiges of feudal Javanese culture can still be found, and gamelan music is heard throughout. It is an intensely emotional meditation upon the relationship between the generations and the role of music in the search for recovery from a traumatic past and for identity in an uncertain present. Director Garin Nugroho, who has described himself as 'a Javanese living amidst multiculturalism,' and who celebrates Indonesian cultural diversity in such films as A Poet, here explores Javanese culture. He sees this film as 'encompassing at the same time refinement and cruelty, softness and tyranny, and a beauty based on feudalism.' Awards/Festivals: Best Director Award, Nantes International Film Festival. Special Jury Prize at the Nantes Three Continent Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Indonesia. , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 26
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Vietnamese
    Pages: 1 online resource (116 min.). , 015621
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films ; North America ; Feature films.
    Abstract: Set in a rice-growing village in Vietnam, this is a tale of crossroads where stories flow together like small rivers of sorrow. 17-year-old Nham has left school to care for his widowed mother, his little sister Minh, and his sister-in-law Ngu. Ngu, whose husband left to work in a coal mine five years ago and has only come home twice for a few days, lives in daily sadness and with a deep longing for him and a complete life. Nham and his family are visited by Quyen, who has come from America to revisit the village where she was raised by her aunt, Nham's relative. Quyen shares her nostalgia for her childhood with Nham as she remembers the places and the life she left before leaving her bad marriage. As Nham befriends her, his sexuality is awakened by her attractive personality and vivacious good looks. Ngu sees this attention being paid to Quyen by Nham and harbors a quiet jealousy. As Nham opens to his sexual feelings, his embarrassment drives him from Quyen but his sexuality is further awakened by innocent comfort given to Ngu. Nostalgia for the Countryside sweeps us through strong emotions as we experience the characters' heartbreaks and sorrows.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vietnam. , Previously released as DVD. , This edition in Vietnamese.
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  • 27
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Bengali
    Pages: 1 online resource (82 min.). , 012144
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures Drama. ; Canada ; Feature films.
    Abstract: Based on the novel by Prafulla Roy, Charachar (Shelter of the Wings) revolves around the film's protagonist Lakha, who comes from a family of bird catchers. Each day Lakha traps birds and sells them to Shashmal, the local dealer who in turn sells them to wealthy people who live in the city. Unfortunately, before they are sold, many of the birds die. Despite being in desperate need of the money he makes from the birds, Lakha's deep love for them inspires him to let many go free. Frustrated by her husband's lack of ambition and his obsession with the birds, Lakha's wife Sari has an affair with another bird catcher. This beautifully told narrative reveals the connection between humans and the natural world. Awards/Festivals: Nominated Golden Berlin Bear, Berlin International Film Festival 1994; Won Audience Award and Special Jury Award Fribourg International Film Festival 1995; Won Golden Lotus Award, India National Film Awards 1994.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in Bengali with English subtitles.
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  • 28
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Chinese
    Pages: 1 online resource (105 min.). , 014512
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: The men in a rural Chinese village make secret plans to watch sex and action films from Hong Kong. As the story unfolds it becomes clear that the little village can provide more scandalous and juicy materials than any filmmaker can dream up. The story centers around Xiang, her lazy and abusive alcoholic husband, and their mom-and-pop sesame oil making business.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China. , Previously released as DVD. , This edition in Mandarin with English subtitles.
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  • 29
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (157 min.). , 023640
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Taiga nomads ; 1-3
    Keywords: Ethnology ; Evenki (Asian people) Economic conditions. ; Evenki (Asian people) Social conditions. ; Evenki (Asian people) Social life and customs. ; Nomads ; France ; Nonfiction films.
    Abstract: Taiga Nomads is a film series about the Evenki (previously the Tungus), a nomadic people scattered all over eastern Siberia, and living under harsh conditions in the Taiga, an area predominated by coniferous/larch forests and swamp lands. This series gives a picture of everyday life, during the four seasons the film crew lived with the main characters, consisting of three generations of members of the Archemku family.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 30
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005514
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Canada ; Documentary films.
    Abstract: A further visit to the Mursi of Southern Ethiopia, with whom contact was established 17 years ago, for an important coming of age ceremony which has had to be postponed many times. An elder of the Mursi faces his last and most important challenge -- to arrange this ceremony. The date has been finally set but life has been very difficult for the Mursi over the past few years owing to attacks by hostile tribes, drought, famine, disease and cattle raiders and even now the ceremony may not take palace. There was a meningitis epidemic from which many people died until a vaccination and treatment programme ended it. This time we visit the South, the heartland of the Mursi, but everyone is fearful for the future.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Omo Valley, Ethiopia. , Previously released as DVD. , This edition in English.
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  • 31
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005305
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Manners and customs. ; Mende (African people) ; Sierra Leone Social life and customs. ; Canada ; Documentary films.
    Abstract: Granada Television’s major documentary series looks at various aspects of societies from around the world.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sierra Leone. , Previously released as DVD. , This edition in English.
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  • 32
    Online Resource
    Online Resource
    India :National Film Development Corporation,
    Language: Hindi
    Pages: 1 online resource (85 min.). , 012449
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films. ; Film adaptations. ; Foreign films. ; Man-woman relationships Drama. ; Motion pictures, Indic. ; United Kingdom ; Feature films.
    Abstract: Based on 'The Meek One', a short story by Fyodor Dostoyevsky, a 40-year-old antique shop owner and money lender recounts his first meetings with his 17-year-old wife, when she pawned her items at his shop. As the film progresses, their marriage is revealed to be an unhappy one with his wife growing increasingly distant and contemptuous of him. Their relationship gets more complicated with each quarrel and consequent reconciliation, even driving his wife to point a gun to his head. Sadly, it is ultimately she herself who gets destroyed. A languidly-paced drama that is a departure from the average Indian narrative film, told largely through the internal monologue of the husband. Festivals: Festival des 3 Continent Nantes, France; Fribourg Film Festival; Hongkong International Film Festival; Lisbon Film Festival; Rotterdam Film Festival; London Film Festival; Locarno Film Festival; Seattle Film Festival; Birmingham Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 33
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005456
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Kalash (Pakistan people) ; Pakistan Social life and customs. ; Canada ; Documentary films.
    Abstract: The Kalasha are a tribal people, 3,000 strong, who live in the high valleys of the Hindu Kush mountains in the North West Frontier Province of Pakistan. The Kalasha are unique as a pagan people in this Islamic Republic. Joshi, their three day festival of song and dance, rituals and sacrifice and the re-telling of legends celebrates the coming of spring and encourages chivalrous romance between the sexes. All this provides a colourful focus for this film which explores the life and customs of the Kalasha. Before the menfolk depart to the high mountain pastures for the goats’ summer grazing they present the women with goats’ milk and bread that has been ritually purified. The women sing their thanks, praise and food and clamour for more. Whilst the men are away, the women stay in the narrow valleys, tending their tiny terraced fields of wheat, maize and millet. The Kalasha are worried that their way of life is under threat. The naively mortgaged land and walnut trees to their Chitrali Muslim neighbours, often in exchange for paltry loands. The Chitralis now covet the profits to be made from exploiting the cedar and holm oak which grow in the Kalasha valleys. The Pakistan government is aware of the problems and would like to safeguard the Kalashas’ existence as a flourishing minority culture and tourist industry. But a future as a ‘zoo people’ within a tourist park does not appeal to the Kalasha. They are happy to welcome tourists at their festivities and they appreciate interest in their customs, but they are pragmatic about its value to them.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Balanguru, Pakistan. , Previously released as DVD. , This edition in English and Kalash with English subtitles.
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  • 34
    Online Resource
    Online Resource
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (68 min.) , 010716
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Manners and customs. ; Papua New Guinea ; Canada ; Documentary films.
    Abstract: The Trobriand Islands lie off the eastern tip of Papua New Guinea. The island society has a complex balance of male authority and female wealth. Magic spells and sorcery pervade everyday life. This programme focuses on two important events: the distribution of women's wealth after a death and the "month of play", a time of celebration following the yam harvest.
    Note: Title from resource description page (viewed October 28, 2014). , Previously released as DVD. , In English.
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  • 35
    Online Resource
    Online Resource
    Berkeley, CA :University of California, Berkeley,
    Language: Indonesian
    Pages: 1 online resource (26 min.). , 002625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology. ; Ethnology ; Manners and customs. ; Sumba Island (Indonesia) Social life and customs. ; Indonesia ; France ; Documentary films.
    Abstract: The eastern Indonesian island of Sumba is the last island in the Malay archipelago where the majority of the people still follow their ancestral religion, called marapu. This film, shot in 1986, focuses on a challenge to the authority of the spirits and ancestors in a village ritual to restore fertility after a fire and famine.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1986 in Manganipi-Kodi, Indonesia. , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 36
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Spanish
    Pages: 1 online resource (52 min.). , 005215
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Sierra de Gredos (Spain) Economic conditions. ; Sierra de Gredos (Spain) Social life and customs. ; Canada ; Documentary films.
    Abstract: The 130 villagers of Navalguijo in the Sierra de Gredos of Central Spain live in a village perched high in the mountains and they face an extreme climate with very cold winters and hot summers. The soil is acid and poor, and the steep slopes and short growing season mean that agriculture cannot provide a living. Collectively the villagers own summer pastures high in the mountains, and individually they hold smaller autumn pastures. With access to winter pastures across the mountains in the region of Extremadura, they are able to maintain a large herd of beef cattle, which form their main source of wealth and which are their dearest possessions. To make this film, the crew joined the village men on their trek to Extremadura, when they drive their cattle down the mountains. This cattle drive is a mixture of hard work and holiday, with passing round of leather wine bottles, story-telling and evening stopovers at favourite inns punctuating the long march. This film portrays a society whose ideals of village co-operation and the rigid and efficient organisation of tasks have given the village a strong sense of identity over generations. It remains to be seen if this sense of identity survives the breakdown of their isolation from the outside world as tourists discover 'hidden Spain' and better communications and roads bring increasing contact with the rest of the country.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Spain. , Previously released as DVD. , This edition in Spanish and English with English subtitles.
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  • 37
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Fragile Earth
    Keywords: Piailug, Mau. ; Thomas, Stephen D. ; Ethnology ; Micronesians Social life and customs. ; Navigation ; France ; Nonfiction films.
    Abstract: Stephen Thomas sails with Mau Piailug to learn about navigation and life in Micronesia.
    Note: Previously released as DVD. , This edition in English.
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  • 38
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005458
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuvinians Social conditions. ; Tuvinians Social life and customs. ; Ethnology ; United Kingdom ; Documentary films.
    Abstract: The Tuvinians live deep inside the Soviet Union, at the very centre of Asia. Tuva is geographically closer to Beijing than to Moscow. It only entered the USSR in 1944 and was closed to foreigners until 1988. According to the film-makers the last known British visitors were members of the Carruthers expedition in 1910-11. With 'glasnost', the new openness, a Disappearing World film crew was given permission to film the nomadic yak-herders of Mongun-Taiga, a rugged district on the border with Mongolia. Mongun-Taiga or 'sacred wilderness' is, even at its lowest point, 6,000 feet above sea level. Two huge mountains dominate the landscape and provide a stunning backdrop for the film, accompanied at times on the film sound track by the traditional throat singing. Arable farming is impossible and the inhabitants are dependent on the nomadic herding of yak, sheep, goats and horses. Families live alone or in groups of two to three felt tents (yurts). Following the seasons and the pastures, they move camp several times each year. The film looks at the methods the herders use to protect their children from destructive spirits. A child, dressed in a traditional frock, is revealed in the film to be a boy. This cross-dressing of the sexes continues until a child is three or four, when it is believed that its soul is more firmly attached to its body and not so easily stolen by spirits. Shamanic beliefs continue, despite state disapproval, and include worship of the spirits of mountains, purification by the water of sacred springs, sacrifice, and the use of animals in exorcism, omens and divination. The opportunities for modern Soviet life which attract many young people are countered by the pull of an independent Mongolia, which is much closer to the Tuvinians in culture and way of life. Under Gorbachev, new systems of herding have been introduced which allow families to work for themselves as well as the state farms. The herders, however, still have reservations about the new ways. 'How are you doing with perestroika?' asks the daughter of Chugluur-Ool, a herder. 'Perestroika's doing all right,' he replies. Part of what makes this film interesting is the film-makers' admission of the material they were not able to obtain. Continually throughout the film, the narrator mentions the confusion and frustration the film-makers felt. This gives a refreshing honesty to the film as a whole.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Tuva Region, Russia. , Previously released as DVD. , This edition in English and Tuvan with English subtitles.
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  • 39
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (67 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Samoa Social life and customs. ; France ; Nonfiction films.
    Abstract: This film is a valuable treatment of archival footage that George Milner shot while conducting field research in 1955 and 1959. The footage (eighteen minutes of the total film) focuses on traditional Samoan activities, such as fishing, cooking, house-building, hand-weaving, and bark-cloth making in preparation for the formal installation (saofa'i) of a Samoan matai (a male titleholder responsible for the welfare, prosperity and good behaviour of his extended family). This is one of the most important Samoan rites of passage. The ceremonies which validate his assumption of a new status are shown, both within the extended family and at the level of the village, whose existing titleholders formally acknowledge the new matai's right to a seat in council. Their approval is marked by the acceptance of gifts of goods and valuables, especially fine mats, which are of great importance. The musical sound track is of traditional songs recorded during the same period. Christina Toren, a South Pacific specialist, then interviews Reverend Lalomilo Kamu, a Samoan scholar currently at the University of Birmingham, about the previous footage and Samoan customs. In particular they discuss the formal preparation of a bowl of kava; the role of the taupou (ceremonial village virgin); the making of sinnet, the braided cord made from the fibres of coconut husk; the role of Samoan houses; cooking; the informal schooling of the young; the preparation of bark-cloth; and the process of hand-weaving. The interview provides a rare opportunity for viewers to hear a scholar from a filmed group comment on and explain the symbolism behind the pictures captured by the camera. The interview is quite detailed and is particularly useful for specialists in Polynesia or other regions of the South Pacific.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English.
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  • 40
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Romani
    Pages: 1 online resource (54 min.). , 005335
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Romanies ; Hungary Social life and customs. ; Ireland ; Documentary films.
    Abstract: 'Across the Tracks' is a gripping film for the general viewer ... It is beautifully filmed in observational style (lingering scenes of muddy courtyards) with enough subtitled interview material to provide context. Rom is the word that describes Vlach Gypsies, unassimilated descendents of Gypsy slaves in Wallachia in Romania in the 19th century. A larger group, the Romungro, are more obviously part of Hungarian society: they speak Hungarian, not Romany. Romungros are the people who play violins in restaurants; 'true' Rom, the Vlach, wouldn't dream of it. The total Gypsy population in Hungary forms 3% of the Hungarian population the same proportion as people of Asian or Caribbean origin in Britain. This Disappearing World film explores the Vlach Gypsies' position in socialist Hungary through the eyes of three related families. Maron and her husband Jozi work in conventional jobs where work is compulsory: this is the fundamental first principle of the 'official' economy. Maron and Jozi use their income to improve their impoverished lives. They are becoming more like the gazo — the contemptuous Romany term for all Hungarians, meaning 'peasants'. Jozi's first wife, Terez, and her husband Mokus try to realise their dreams in a more Gypsy-like fashion. Terez scavenges in rubbish bins for bread to fatten pigs which she hopes to sell for Mokus to buy horses. Mokus reluctantly works in a factory but wants to be a horse dealer like his brother-in-law Sera. He is disqualified from work by a dubious disability, and instead buys and sells horses, 'turning money around, so that more comes to me.' The market is central to the Gypsy economy, but is not seen as a means of accumulating wealth. The market exists to circulate wealth, to ensure money passes through as many hands as possible – so that all may benefit from it. If a Gypsy acquires money, he is expected to celebrate with his friends, his 'brothers'. Horses are like temporary bank deposits, ready to be exchanged or cashed in when a 'brother' needs money. This film provides an interesting view of the tensions between the Hungarian state and the Gypsies, and of the complex contradictions of the Gypsies' lives. It is recommended for classes in anthropology, sociology, European studies, ethnicity, ecology, and political studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Hungary. , Previously released as DVD. , This edition in Romani and English with English subtitles.
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  • 41
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Indonesian
    Pages: 1 online resource (53 min.). , 005303
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Whaling ; Lamalera (Indonesia) Social life and customs. ; Canada ; Documentary films.
    Abstract: The Whale Hunters of Lamalera was filmed over a period of four weeks during June 1987. Lamalera is a village which is perched on the rocky slopes of an active volcano on the southern coast of the island of Lembata, in Nusa Tenggara Timur in eastern Indonesia. An anonymous Portuguese document of 1624 describes the islanders as hunting whales with harpoons for their oil, and implies that they collected and sold ambergris. This report confirms that whaling took place in the waters of the Suva Sea at least two centuries before the appearance of American and English whaling ships at the beginning of the nineteenth century. The film follows the daily life of the villagers of Lamalera, a community of about 1500 people. The Christian Mission has been in place in the community for a hundred years, schools have been established and a training workshop teaches carpentry. It is a fishing village in a region where most communities support themselves by agriculture. Lamalera has very little productive land, so the villagers have to fish in order to survive. Their preferred quarry is sperm whale. Catching sperm whale with hand-thrown harpoons from small open boats powered by muscle and palm-leaf sail is no easy task, and the hunt is by no means uneven between man and whale. The tail flukes of a whale can smash the timbers of the boats and many boats are temporarily disabled by their prey. Harpooners have been disabled and killed. But the attraction of the whale is its size. The flesh of the whale (and shark and manta ray) is cut into strips and sun dried in the village. The meat is then carried to small markets where it is bartered with mountain villagers. One strip of dried fish or meat is equivalent to twelve ears of maize, twelve bananas, twelve pieces of dried sweet potatoes, twelve sections of sugar cane, or twelve sirih peppers plus twelve pinang nuts. Commercial whaling is banned throughout much of the world, but subsistence whaling is permitted by International Whaling Commission regulations in Alaska, the USA, the USSR and Greenland. Indonesia is not, however, a signatory to the IWC. Seven whales were caught in Lamalera in 1987.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 42
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Austronesian (Other)
    Pages: 1 online resource (55 min.). , 005441
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Solomon Islanders Religion. ; Solomon Islanders Social life and customs. ; Malaita (Solomon Islands) Social life and customs. ; Australia ; Documentary films.
    Abstract: Pierre Miranda and a team from Granada Television have made a fine film exploring the troubled realities of the people of the lagoon in the 1980s. This film focuses on the people of Lau lagoon in the Solomon Islands who live on artificial islands near the island of Malaita. These islands are built of coral rubble and the people moved to them in an attempt to escape the dangers of malaria and enemies, and to find better fishing. The film focuses on change and conflict. The concept of 'custom' is vital to the islanders' identity, yet this is being eroded, particularly by Christian missionaries. The conflict between Christian and Pagan now pervades daily life, creating divisions in families and eroding knowledge of traditional life. Two 'custom' priests recently committed ritual suicide, one by swimming under a canoe containing women and the other by deliberately making a mistake in a ceremony. Within weeks, both priests physically died. The despair in the ability of 'custom' to continue that these priests must have felt is presented visually throughout the film. Few of the islanders remember more than a fraction of the hundreds of traditional spirits and the young are turning more and more to the traditions and commodities of Western culture. That this theme is a common one makes it no less powerful or relevant. Spurred by the presence of the Disappearing World camera crew, the islanders built a house in which to store their traditional and ritual objects. A commendable act of preservation on the part of the islanders, but at the same time the implications of their act are saddening. They are taking their ritual things out of the sphere of living, daily tradition and placing them in the realm of objective history. The Lau is recommended for courses in anthropology, sociology, development, culture change, Melanesia, religion, and ecology.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaita, Solomon Islands. , Previously released as DVD. , This edition in Lau and English with English subtitles.
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  • 43
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005455
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians Social life and customs. ; Ethnology ; Ethnology. ; Indians of South America Social life and customs. ; Indians of South America Social life and customs. ; Brazil. ; North America ; Documentary films.
    Abstract: This film focuses on the conflicts and determination of a group of people trying to survive and maintain their ethnic identity in the face of almost overpowering odds. The film contrasts the reactions of two groups of Kayapo to outside influence. The Kapot have opposed contact and resisted both non-indigenous Brazilian settlers and gold miners. The Gorotire, by contrast, were invaded by gold miners who strip-mined their land and polluted their rivers. The miners paid the Gorotire very little for the destruction until 1985 when the Gorotire forced the miners to raise the commission by 5% when 200 warriors seized the airstrip. This commission amounts to two million dollars per year for the tribe and the tribe is learning to cope with the money, both with the problems it brings and the power it gives. They have trained several of their number to deal effectively with the outside world on behalf of the rest of the tribe and they now run a plane (and hire a pilot) to patrol their land against intruders. The Kapot, in their own way, are also trying to assert their identity and independence. This portion of the film shows the Kapot in the traditional activities of building and dismantling a hunting camp. The hunters returning with the tortoises they have caught are a particularly impressive sight. The now famous Chief Rop-ni is featured as a leader of the Kapot and he states eloquently his opposition to the Gorotire's acceptance of the gold miners. Despite their adherence to tradition, however, the Kapot use modern technology – video, radios, etc. – to protect their interests and record their rituals. This is a political film and would be excellent for courses in anthropology, Latin American studies, ecology, development, and international politics.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 44
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Chinese
    Pages: 1 online resource (64 min.). , 013415
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films. ; Foreign films ; Manners and customs Drama. ; Marriage Drama. ; Motion pictures ; Women Drama. ; China Drama. ; United Kingdom ; Feature films.
    Abstract: In 1900 a twelve-year-old girl, Xiaoxiao, comes to a mountain village to discover that her uncle has arranged a marriage with a boy who is still breast-fed at two. Strict clan rules govern all behaviors, and she becomes her husband's nanny (he must call her sister until he is old enough to marry her). In one scene, the villagers are discussing a group of schoolgirls who are allowed to marry whomever they want, and who enjoy reading and a degree of freedom that Xiaoxiao longs for. Huagou, a local peasant, takes notice of Xiaoxiao, now sixteen and taking good care of six-year-old Chunguan, and a love affair begins with terrifying consequences. She knows the feudal values her community clings to, and watches them strip and drown a young widow who has been unfaithful to her husband. That woman's lover lives, albeit with broken legs. And what will happen to her?
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Hunan. , Previously released as DVD. , This edition in Mandarin.
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  • 45
    Online Resource
    Online Resource
    India :National Film Development Corporation,
    Language: Hindi
    Pages: 1 online resource (118 min.). , 015749
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: In a British-ruled India, a subedar, an officer of the Indian Army, is sent to collect taxes in a village. Riding into the village, the subedar chances upon Sonbai, a beautiful, married woman. Abusing his power as an officer, he demands that Sonbai sleeps with him while her husband is away. To his surprise, Sonbai slaps him in full view of his soldiers before running off. Enraged and embarrassed, the subedar orders his soldiers to capture Sonbai. However, Sonbai escapes to the spice factory, where the elderly watchman locks the soldiers out to protect her. The town leader is then commanded to deliver Sonbai to the subedar and after some deliberation, the patriarchal village decides to sacrifice Sonbai. As the spice factory comes under attack, Sonbai and the female factory workers finally decide to stand up for themselves. Awards/Festivals: Best Feature Film, Hawaii International Film Festival; Moscow International Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 46
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005304
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: The Migrants is the third film in the trilogy In Search of Cool Ground made for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional territory in the Omo valley to the Mago valley, about fifty miles away. This migration has brought them, for the first time, into contact with the market economy of the Ethiopian Highlands. David Turton notes that, when he first met the Mursi, men were seldom, and women never, seen at the highland markets. Now the Mago migrants, and especially women, are familiar figures in the weekly market at Berka, just four hours' walk from their new settlements. With their foothold in the pastoral economy weakening (tsetse flies make the Mago area quite unsuitable for cattle herding) and their dependence on market exchange growing, the migrants are in the process of becoming settled agriculturalists, like their highland neighbours, the Ari. By tracing the present and likely impact of this move on the lives of the migrants, the film shows how they are beginning to carve out a new ethnic identity for themselves, as well as a new home.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 47
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (52 min.). , 005219
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 2
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about stealing goats and making reparation in a Kenyan Maasai village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 48
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (49 min.). , 004921
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 3
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about gender relationships in a Kenyan Maasai village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 49
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (47 min.). , 004715
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 5
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; North America ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about a ceremony called the 'ox of ilbaa' which takes place in a Kenyan Maasai village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 50
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (52 min.). , 005148
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 1
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; North America ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about cattle and legal issues in a Kenyan Maasai Village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 51
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (50 min.). , 005013
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 4
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about the journeys of two wives to villages in the Maasai region of Kenya.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 52
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (57 min.). , 005704
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Kwegu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: 'The Kwegu' is an entirely tasteful and dignified presentation of the harsh realities of subsistence living, and it may help us understand how, even in stateless societies, dominated groups come to accept their domination as part of the natural order. The Kwegu are hunters and cultivators who live along the banks of the River Omo in Southwestern Ethiopia. They are experts on the river, manipulating their dugout canoes through a swift current where falling overboard could mean delivery into the jaws of a crocodile. The Mursi are cattle herders and cultivators who live with the Kwegu for several months of the year. This film is about the relationship between these two groups of people. The Mursi number about 5,000 and the Kwegu about 500. Both groups cultivate flood land along the Omo during the dry season, when the Mursi may also bring their cattle to the river. But the Kwegu keep themselves separate from the Mursi; they speak their own language among themselves, although they are bilingual and communicate with the Mursi only in Mursi. When the Mursi and Kwegu share a village, the Kwegu houses usually form a separate cluster. When a Kwegu marries, a vital part of the bridewealth is livestock. But since the Kwegu do not keep cattle, a system of exchange has developed whereby the Kwegu perform services in exchange for Mursi cattle. In addition to providing bridewealth cattle, the Mursi patron protects 'his' Kwegu from other Mursi and acts on his behalf in bridewealth negotiations. In return the Kwegu provides his patron with honey and game meat and is available to ferry him and his family across the Omo when needed. This is a vital economic service, since the Mursi cultivate on both banks of the river and yet do not, unlike the Kwegu, live at the Omo all the year round. The Kwegu are therefore 'guardians' of the canoes as well as ferrymen. There is some debate about the nature of the Mursi-Kwegu relationship. The anthropologist advisor for the film, David Turton, sees the relationship as one of domination. The Mursi depend economically on the Kwegu more than the Kwegu do on them, and yet the Kwegu see themselves as dependent, in a different, more extreme sense, on the Mursi they cannot marry without the aid of Mursi patron. The Mursi exploit the economic services of the Kwegu through their control of Kwegu marriage. Jean Lydall, in her review of the film in RAIN (June 1982), suggests another interpretation for the exchange of services. She wonders if indeed the Kwegu are not making the Mursi 'pay through the nose' for the services they require. This film suggests that far from being second-class citizens, the Kwegu are sharp manipulators who have acquired protection and material wealth by making their services indispensable to the Mursi. Turton defended his interpretation in a reply to Lydall (RAIN, No. 51, pp. 10–12) and has more recently provided a more detailed description and analysis of the Mursi-Kwegu relationship, following the same argument as developed in the film but including much additional ethnographic information (Turton, 1986). The Kwegu won the Grand Prix du Festival at the Festival International du Film de Grand Reportage in Paris. This film is the second part of a trilogy, In Search of Cool Ground. The film is particularly recommended for courses in anthropology, African studies, patron–client relationships, ethnicity and multi-cultural studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 53
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (39 min.). , 003852
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghans ; Ethnology ; Pushtuns Social life and customs. ; Refugees ; Pakistan Social life and customs. ; North America ; Documentary films.
    Abstract: There are twelve million Pathans. Bound by a common language, a common heritage and the unifying force of Islam, these proud and independent people do not acknowledge the geographical boundary which divides them between Afghanistan and Pakistan. This film was shot at the same time as Khyber in Pakistan, close to the Afghan border. The Pathans accept no imposed leadership, from without or from within. Their laws are the decisions of the democratic assembly of the village, known as the jirga. To disobey the jirga is to court heavy penalties against which there is no appeal. Their code of living is called pukhtunwali ­ the way of the Pathan. At its core are the principles of hospitality, personal honour and revenge. A man will fight to the death to avenge a wrong done to himself, his family or friends or, above all, his women. The film is noteworthy for the way in which it brings out the importance of these values. Their fierce loyalty, coupled with the independence of spirit which tolerates no formal leaders, makes the Pathans a formidable enemy, as the British once found out and, more recently, the Soviet invaders of Afghanistan have discovered.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 54
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005309
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Refugees ; Afghanistan Exiles. ; Afghanistan History Soviet occupation, 1979-1989. ; Ireland ; Documentary films.
    Abstract: This documentary by Akbar Ahmed and Andre Singer is about the Soviet Invasion of Afghanistan and tribal groups in the area.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 55
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005332
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghan Wars. ; Ethnology ; Pushtuns History. ; Khyber Pakhtunkhwa (Pakistan) History, Military. ; North America ; Documentary films.
    Abstract: For more than a century Britain was engaged in war with the Pashtun tribesmen of India's North West frontier. It began with the bloodiest massacre in the history of the British Empire when, in January 1842, some 17,000 British soldiers, women and children died in Gandamark, en route to the Khyber Pass. ‘Khyber’ tells the story of how the British experience in the North West Frontier was part of the Great Game, as Rudyard Kipling called it. It was never a successful game and rarely took cognisance of the wishes of the Pashtun tribes that bore the brunt of the different resulting wars. Looking at the history up to the Soviet invasion in 1979, Khyber features the final interview with Sir Olaf Caroe, last governor of the North West Frontier Province before partition, and with Field Marshall Sir Claude Auchinleck, last commander of the British Army in India. The film looks at the different perspectives of the conflicts by both British and Pashtun and provides fascinating parallels to what is happening in Afghanistan today.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 56
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Cushitic (Other)
    Pages: 1 online resource (54 min.). , 005352
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Camels. ; Nomads ; Rendille (African people) Social life and customs. ; Ethnology ; North America ; Documentary films.
    Abstract: The Rendille are camel herders who live in villages and camps dotted over 10,000 square miles of desert and scrub bush in Northern Kenya. As the terrain they occupy is so dry, the Rendille grow no crops and their cultural and economic life is centred on their animals. As with other pastoral peoples, the Rendille have to be sensitive to the ever-shifting relationship between humans, animals and 'natural' resources in order to maintain a suitable balance between them. Throughout the year the Rendille have to follow the grazing and rains, dividing their herds between camel camps and semi-permanent village settlements. Long-term planning and decision-making are therefore crucial and this film brings out the manner in which the elders make their decisions. Each man gives his opinion and is listened to attentively until eventually a consensus is reached. The role of the sexual division of labour and the age-set system is explained in commentary, interviews and visual sequences, in a way which allows the viewer insights in the various interacting levels of Rendille social structure. Sequences detailing the ritual activities surrounding the naapo ceremony (which marks a young man's transition to elderhood) are given towards the end of the film, after explanation of the fact that young men have to live in camel camps for about 14 years, while girls look after sheep and goats living in settlements with women and elders. In this way the building of symbolic villages by moran, each man making his own 'home' with stones representative of wife and children before sacrificing a goat, is denied status as exotic spectacle the subtitled comments of the naapo participants convey their feelings of embarrassment and uncertainty about the ritual procedure and allow a visual statement to be made about the relationship of ritual to every-day life. The importance of the purely visual images in conveying a sense of vast desert space, of a daily life filled with the movement and sight of camels, sheep and goats, and of the social effects of village layout, is not to be underestimated. Although this colour film could be criticised for at times beautifying and softening the rough edges of pastoral life, its power as a statement of what it means to exist as a Rendille is very much a property of the camera work. The skilled usage of cinema verite techniques, combined with full subtitling of interviews, gives to this film an integrity and sensitivity which serves to reinforce its concern for the Rendille and its anxiety that for the Kenyan authorities the Rendille are a problem and an embarrassment.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in Rendille and English with English subtitles.
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  • 57
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005324
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Eskimos Social life and customs. ; Eskimos Social life and customs. ; Ethnology ; Pond Inlet (Nunavut : Inlet) ; Australia ; Documentary films.
    Abstract: For the Eskimos of Pond Inlet ­ a new village in North Baffin Island in which they have been settled by the Canadian Government ­ the life of the semi-nomadic hunter has given way to that of wage-labourer, in what appears as a pre-fabricated 'township'. Although hunting provides an important supplement to the Eskimos' income, it is now a part-time activity, and since 1975 (ten years after the start of the government's housing programme) nobody has lived all year round in hunting camps. For the older inhabitants of Pond Inlet, the old way of life is still vivid (in 1935 only 37 Eskimos lived in the village) and their reminiscences and recollections form part of a powerful statement about the present situation. These statements take the form of monologues, or comments addressed to friends and family about the effects of fifty years of contact with whites. Apart from these 'interviews' with the Eskimos, the film accompanies one family ­ grandfather, father, mother and children ­ as they go out hunting seals and jigging for fish. The visual contrast between the splendours of the open spaces of snow and water and the township of Pond Inlet is a startling one which reinforces the Eskimos' statements. We also see one member of this family selling seal skins in a trade store, and captioned information is given about the cost of maintaining the hunter's equipment and what he can expect to earn in any one year. The material was filmed during a seven week period in June and July 1975. A sophisticated 'observational' style is used, with long takes, few pans, no commentary or formal interviews and full subtitling. Caption cards are used to good effect, conveying necessary information without intruding on the narrative. These 'technical' factors have important consequences for the film's anthropological value, not least because one of the aims was to enable the Eskimos to 'speak for themselves'. Although it would be naive to suggest that the 'people's voice' manages to override the exigencies of making such a film for a 52 minute television slot, the Eskimos did have a say in the making of the film, and one of them was also involved in the editing. The striking oratorical style of the Eskimos awakens the viewer to the point that in this film they are addressing the Whites, voicing their distrust, having overcome the fear with which they first encountered these 'visitors' to the people's land.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1975 in North Baffin Island, NT. , Previously released as DVD. , This edition in English.
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  • 58
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Mongolian
    Pages: 1 online resource (58 min.). , 005742
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ulaanbaatar (Mongolia) ; Canada ; Documentary films.
    Abstract: The second of two films on Mongolia made by Granada Television in 1974­-75 looks at life in Ulan Bator, the capital of Mongolia and home of a quarter of the population. The city celebrates the 53rd anniversary of the socialist revolution with parades, festivals, wrestling and archery contests, and a remarkable horse-race. (The child jockeys are usually between 7 and 12 years old.) The film returns to a shepherd's camp on a collective for the traditional celebration of Tsagan Sar, the lunar New Year festival now known as the Herdsman's New Year.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ulan Bator, Mongolia. , Previously released as DVD. , This edition in Mongolian and English with Mongolian subtitles.
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  • 59
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005308
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Acculturation ; Ethnology ; Indians of South America ; Mehinacu Indians. ; Canada ; Documentary films.
    Abstract: The Mehinacu live near the head-waters of the River Xingu in Central Brazil, in a single village within the protective confines of the Xingu National Park. Although the film concentrates upon the most exotic aspects of Mehinacu life, focusing on a series of rituals concerned with the planting and harvesting of the piqui tree, these rites are firmly located in their social context. Relations between the sexes in this society are formalised in an astonishing abundance of ritual, celebration, dances and games, performed to ensure fertile soil and good crops. Many sequences deal with the daily life of the Mehinacu, showing, for example, the sexual division of labour, with men fishing and women preparing manioc. The use of subtitled interviews provides a depth and sensitivity in the film's approach which helps to underline the concern with the fact that these Indians are seriously threatened by a road which is being cut through their territory. One of the highlights of the film is an interview with a Mehinacu elder who tells of the origin myth of the sacred flutes, a myth which is part of a complex belief system that will be lost if the Mehinacu, who are such a small group, are not able to survive under the pressures of the outside world. The film could be used to stimulate discussions of sex role differences, sexual division of labour in particular societies, and the connection between ritual and social relationships.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Xingu National Park, Brazil. , Previously released as DVD. , This edition in English and Mehinaku with English subtitles.
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  • 60
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Austronesian (Other)
    Pages: 1 online resource (54 min.). , 005335
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Sakudei (Indonesian people) ; Indonesia. ; Canada ; Documentary films.
    Abstract: The Sakuddei are a small and ethnically separate community living on the island of Siberut off the west coast of Sumatra in Indonesia. Their distinctive way of life and elaborate religious ceremonies, centred on the umah (ceremonial house) are under threat from the Indonesian government which wishes to 'civilise' the Sakuddei. These people are also threatened by a timber company from the Philippines which has been granted a logging concession in the Sakuddei's territory. The first part of the film contains strikingly photographed scenes of ritual life in the umah, while in the second part there is an interview with a representative of the government who wants to send the Sakuddei children to school in a government village on the coast. The adults fear that the children will lose touch with their own customs and identity if placed in such an institution. Their concern forms part of a moving and dramatic film which explores the contrast between the Sakuddei's way of life and the various pressures of modern Indonesian society on them: Islam, money, police, administrators and the lumber companies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Siberut, Indonesia. , Previously released as DVD. , This edition in Mentawai and English with English subtitles.
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  • 61
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005409
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: What made this trilogy special was that, unlike most television reportage, it had a temporal dimension. That is to say, it offered not a brutal, intrusive and uncomprehending snapshot, but a sympathetic, well-informed and thoughtful history of ten difficult years in the life of a tribe. Its insight derived from an anthropologist, David Turton, who has been studying the Mursi for years and who was able to provide the absolutely essential explanations of the mysterious events filmed by the Granada crew. This is the kind of illumination which is often provided by books or by personal experience, but almost never by television. This is a trilogy about aspects of the culture of two groups of people, the Kwegu and the Mursi, in Ethiopia. The titles are THE MURSI, THE KWEGU, THE MIGRANTS.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 62
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005443
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ceremonial exchange ; Ethnology ; Kawelka (Papua New Guinean people) Social life and customs. ; Western Highlands Province (Papua New Guinea) Social life and customs. ; North America ; Documentary films.
    Abstract: Ongka is a charismatic big-man of the Kawelka tribe who live scattered in the Western highlands, north of Mount Hagen, in New Guinea. The film focuses on the motivations and efforts involved in organising a big ceremonial gift-exchange or moka planned to take place sometime in 1974. Ongka has spent nearly five years preparing for this ceremonial exchange, using all his big-man skills of oratory and persuasion in order to try to assemble what he hopes will be a huge gift of 600 pigs, some cows, some cassowaries, a motorcycle, a truck and £5,500 in cash. As an example of the big-man familiar from written texts, Ongka is memorable, and the film manages to convey through this main character the importance of pigs, of exchange and of prestige in the life of these Highlanders. The film-crew never in fact managed to film the big moka, as the conspiratorial and complex manoeuvres involved in setting the date thwarted their plans. But we are shown Ongka replacing tee-shirt and shorts with his ceremonial feathers and setting off to a little moka where he collects pigs he 'invested' with his wife's father. The interview with Ongka's wife raises the issue of the sexual division of labour and the importance of the wife's labour in pig-rearing and moka preparation, as well as the role of women in the establishment of a big-man.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Papua New Guinea. , Previously released as DVD. , This edition in English.
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  • 63
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005432
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Hmong (Asian people) Social life and customs. ; Hmong (Asian people) ; Laos History. ; Canada ; Documentary films.
    Abstract: Over the last three thousand years the Meo (Miao or Hmong) have migrated south from north and central China to avoid oppression and protect their way of life. Today they live in scattered mountain villages in south China and south-east Asia; and the 250,000 of them who live in the Kingdom of Laos have suffered greater losses, relative to their numbers, in the Indo-China wars than any other single group. In 1972, when this film was made, the Vietnam war was still at its peak; therefore it is not surprising that a fairly straightforward ethnographic account is combined with a more journalistic analysis of the political situation. Indeed it would be difficult to approach a discussion of the Meo without such an emphasis, and the review in RAIN (listed below) is a useful supplement to this. In effect, the film's narrative divides into two parts first we are introduced to a village which managed to remain neutral and avoid the worst effects of the war (which was why the anthropologist chose it for his fieldwork). The daily life and material culture of the Meo people are shown as they sow rice using slash-and-burn agricultural methods, distil opium for sale and entertainment, and discuss with the anthropologist their fear of conscription and its effects on other villages. Two rituals are shown ( the shaman who performed them was the close friend of the anthropologist) one to banish a nightmare, the other to exorcise the spirit of a man which haunts the house of the brother who accidentally killed him while out hunting. In the second part of the film we see the Meo who live in American-run refugee camps (which is the majority of them), far removed form the village life of their fellows. The interviews with some of the Meo pilots who fly American B28 bombers over their homeland emphasise the tragic absurdities of such a war; for these Meo are not sure exactly who the 'enemy' are, each one giving vague answers to the interviewer's questions.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China and Laos. , Previously released as DVD. , This edition in English.
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  • 64
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (68 min.). , 010731
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Barasana Indians. ; Ethnology ; Indians of South America ; Macú Indians (Papury River watershed) ; Canada ; Documentary films.
    Abstract: While relying on a polemical stance directed against the cultural genocide wrought by missionaries, War of the Gods also contains a wealth of information and detail about Amazonian Indian cosmology, social life and sexual division of labour. Two groups of Indians from the Vaupes region of Colombia are shown, the Maku, who live mainly by hunting and gathering, and the sedentary Barasana, who live mainly by farming. The film contrasts the belief systems and way of life of the Indians, presented by the anthropologists who worked and lived with them, with those of Protestant and Catholic missionaries. The Protestants, North American Fundamentalists from the Summer Institute of Linguistics, are said to have used their organisation as a cover in order to be allowed to work with the Indians, because open Protestant missionary activity would not have been acceptable to the authorities. No attempt is made to gloss over the complexities of contact between Whites and Indians. The Barasana themselves want change, and the missionaries' influence is undoubtedly more beneficial to the Indians than that of rubber gatherers. Included in this film is an interview — using voice-over — with a Maku shaman, and there are scenes from the Barasana moloka, the communal house which is a centre of social and domestic activity. The climax of the film is a contrasting look at a church service at the S.I.L. headquarters, a Barasana ritual dance (accompanied by the ritual use of the hallucinogen yage), and a Mass at the Catholic mission attended by some of the Indians who took part in the ritual dance. Some missionaries who have seen this film consider that its editing is unfair to the S.I.L., but the head of another important missionary organisation has said that it should be screened during missionary training courses.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vaupes, Colombia. , Previously released as DVD. , This edition in English.
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  • 65
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (66 min.). , 010625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cuiba Indians Social life and customs. ; Ethnology ; Indians of South America ; Colombia Social life and customs. ; Australia ; Documentary films.
    Abstract: The film focuses on recent changes in the culture and society of the Cuiva, hunters and gatherers in a remote forest region of south-eastern Colombia, brought about through contact with Colombian settlers. Two groups of Cuiva are shown: one is relatively isolated, while the other has had extensive contacts with the settlers. The first group live a nomadic life moving frequently; the men hunt and fish, the women gather. The second group has been drawn into the Colombian economy, working occasionally for the ranchers to earn money to buy trade goods. The film also usefully includes interviews with white ranchers, showing their racist attitudes to the Indians, whom in the past they feared and on whose land they are now continually encroaching. The basic incompatibility between the economic systems of the Cuiva (based on communal distribution of food, gift-giving and receiving), and that of the settlers who attempt to survive within the world-capitalist market, is startlingly illustrated. Unlike later films in the series, The Last of the Cuiva relies on a moving commentary recorded during filming by the French-Canadian anthropologist, Bernard Arcand, who emphasises that the traditional way of life of the Cuiva (whom he describes, following Sahlins, as exemplifying the 'original affluent society') will be seriously damaged by these contacts with whites. Rather than giving a more conventional anthropological description, Arcand's commentary is a humanist plea for the survival of hunter-gatherer groups, and carries an implicit criticism of western lifestyles.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Colombia. , Previously released as DVD. , This edition in English and Spanish.
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  • 66
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Korean
    Pages: 1 online resource (124 min.). , 020330
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Comedy films ; Canada ; Feature films.
    Abstract: Director Lee Hyeong-pyo tells us in the opening narration that his film will reflect 'a time when the old age and the new stand shoulder to shoulder.' Kim Hak-gyu, a doctor of Oriental medicine, spends his days hanging out with two friends -- a fortuneteller and a realtor. The three conduct their business from Kim's home in a small alley of traditional Korean homes. Ordinary life happens around this trio, as does trouble. Kim's family problems take center stage throughout most of the film. His stubbornness and arrogance create conflicts for his family and his friends. Across the street from his home is the modern office of Choi Du-Yeol, a doctor of Western medicine, who shares a mutual attraction with Kim's daughter, a widow. Choi knows that Kim frowns on his Western practice as well as his interest in his daughter. Kim's son, Hyeon-gyu, is dating a woman who becomes pregnant. When the two decide to get married, Kim objects and kicks his son out of the house, which stirs other troubles. The trio of friends cheats a couple who want their fortune read out of their wishes as well as their money. And when Choi decides to run for city council, Kim hears of this and decides to run against him despite the warning of his family that this will wreak havoc on them. Lessons come hard for this family as it makes its way toward the modern world. But as in real life, sweetness mingles with the bitter as the meaning and value of family and friends emerge.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Korean.
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  • 67
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Trobriand Islands (Papua New Guinea) Social life and customs. ; Ireland ; Nonfiction films.
    Abstract: The Trobriand Islands, regarded as anthropology's most sacred place, lie off the eastern tip of Papua New Guinea. The island society has a complex balance of male authority and female wealth. Magic spells and sorcery pervade everyday life. This program focuses on two important events: the distribution of women's wealth after a death, and the "month of play", a time of celebration following the yam harvest.
    Note: "Media Support and Development Centre, University of Manchester"---original cassette label. , Previously released as DVD. , This edition in English.
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  • 68
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Korean
    Pages: 1 online resource (52 min.). , 005219
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Fishers Drama. ; Kisaengs Drama. ; Man-woman relationships Drama. ; Korea Drama. ; United Kingdom ; Feature films.
    Abstract: In a remote fishing village, life is simple and tranquil. Dance and song open the film as the fishermen sing of their good harvest. Their cherished traditions keep the call of modern Seoul at bay, but not for In-soon, the daughter of fisherman Chun-san. She wants to join a friend in Seoul (Ok-boon, an independent woman) to make money and go to school. When her father is lost at sea, the debt he owes to a village lender falls upon In-soon, as her bereaved mother takes more cash from the lender who wants the daughter as his concubine. However, the lender's son, Cheol-soo, woos her into going with him to Seoul where he says she can find a job. Instead, he keeps her for himself and takes her purity. In-soon's friend Ok-boon knows Cheol-soo's ways and helps In-soon to escape. This sets In-soon on a course that threatens to destroy her life. Fisherman's Fire is one of the films from the late Japanese colonial period that the Korean Film Archive (KOFA) obtained through the China Film Archive (CFA) in 2004. Along with Homeless Angel (Jib-eobsneun cheonsa), Story of Sim-chung (Sim Cheongjeon), and Military Train (Gun-yong-yeolcha), it is one of just four films from the 1930s whose existence in Korea has been verified.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Korea. , Previously released as DVD. , This edition in Korean.
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  • 69
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Korean
    Pages: 1 online resource (67 min.). , 010648
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Espionage Drama. ; Sino-Japanese War, 1937-1945 Drama. ; Canada ; Feature films.
    Abstract: In 1937, as the Japan-China war intensified, and the Japanese military occupied Chosun (old Korea), this film emerged as a pro-Japanese government-sponsored film. A tale of espionage driven by love, Military Train centers on the friendship between two young Korean men, Jeom-yong and Won-jin. Won-jin is in love with Jeom-yong's sister and wants to free her from her miserable, degrading hostess job, but it will take money to extricate herself from work that has left her in debt to her employer. When a Chinese spy approaches Won-jin and seduces him with the cash he needs, Won-jin divulges secret information about the military train, secrets that he gains from spying on Jeom-yong who drives the military train. After Won-jin leaks the information, he is pricked with guilt and this leads to his trying to undo what he has tragically set in motion. The film was released to coincide with the mobilization of military troops soon after the start of the Sino-Japanese war and to promote the importance of the military mission of the railroad to transport the troops. Along with Homeless Angel (Jib-eobsneun cheonsa), Story of Sim-chung (Sim Cheongjeon), and Fisherman's Fire (Eohwa), it is one of just four films from the 1930s whose existence in Korea has been verified.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in South Korea. , Previously released as DVD. , This edition in Korean.
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  • 70
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Korean
    Pages: 1 online resource (96 min.). , 013616
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Families Drama. ; Feature films ; Man-woman relationships Drama. ; Women Drama. ; Women Drama. Social conditions ; Canada ; Feature films.
    Abstract: Before World War II, modern Seoul in the thirties was an urban landscape of cafes, hotels, and show rooms, presented compellingly (and clearly under Japanese colonial governance). A vain housewife, drawn to such places, desires a life free from traditional chores and wifely obligations. She rejects her bird in a cage status and is expelled from her home by her husband Seon-yong. Abandoning her young daughter Jeong-hee, Ae-soon moves into a hotel with her lover Chang-geon, while her heartbroken daughter is encouraged by her father to go on with life. Ae-soon finds out that her lover is not rich at all but is a laundry worker. When he robs the hotel, Ae-soon turns him in. She then meets a fate that turns her life to darkness. One of the featured films in The Past Unearthed: The Second Encounter/Collection of Chosun Films in the 1930s, a boxed set, Sweet Dream is the earliest surviving Korean film, now restored.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Seoul, Soul-t'ukpyolsi. , Previously released as DVD. , This edition in Korean.
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