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  • Deutsch  (1)
  • Cambridge : Cambridge University Press
  • Hoboken : Taylor and Francis
  • Autor  (1)
  • 1
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781107123472
    Sprache: Deutsch , Englisch
    Seiten: xi, 222 Seiten , Illustrationen
    DDC: 822/.309
    RVK:
    Schlagwort(e): English drama History and criticism Early modern and Elizabethan, 1500-1600 ; English drama History and criticism 17th century ; Monuments in literature ; Memorials in literature ; Drama Publishing 16th century ; History ; Drama Publishing 17th century ; History ; England ; Theater ; Denkmal ; Bestattung ; Autor ; Geschichte 1600-1710 ; England ; Literatur ; Theater ; Denkmal ; Bestattung ; Geschichte 1600-1710
    Kurzfassung: "In spite of the ephemeral nature of performed drama, playwrights such as Marlowe, Jonson, Webster, Fletcher, and Shakespeare were deeply interested in the endurance of their theatrical work and in their own literary immortality. This book re-evaluates the relationship between these early modern dramatists and literary posterity by considering their work within the context of post-Reformation memorialization. Providing fresh analyses of plays by major dramatists, Brian Chalk considers how they depicted monuments and other funeral properties on stage in order to exploit and criticize the rich ambiguities of commemorative rituals. The book also discusses the print history of the plays featured. The subject will attract scholars and upper-level students of Renaissance drama, memory studies, early modern theatre, and print history"--
    Kurzfassung: "In spite of the ephemeral nature of performed drama, playwrights such as Marlowe, Jonson, Webster, Fletcher, and Shakespeare were deeply interested in the endurance of their theatrical work and in their own literary immortality. This book re-evaluates the relationship between these early modern dramatists and literary posterity by considering their work within the context of post-Reformation memorialization. Providing fresh analyses of plays by major dramatists, Brian Chalk considers how they depicted monuments and other funeral properties on stage in order to exploit and criticize the rich ambiguities of commemorative rituals. The book also discusses the print history of the plays featured. The subject will attract scholars and upper-level students of Renaissance drama, memory studies, early modern theatre, and print history"--
    Beschreibung / Inhaltsverzeichnis: Machine generated contents note: Introduction: 'raptures of futurity'; 1. 'Let All things End': Marlowe's immortality; 2. Jonson's textual monument; 3. Webster's 'worthyest monument': the problem of posterity in The Duchess of Malfi; 4. 'Mocking life': preemptive commemoration in The Winter's Tale; 5. Fletcher's future: dynasty and collaborative posterity in Henry VIII; Coda: what they hath left us; Select bibliography; Index.
    Anmerkung: Literaturverzeichnis: Seiten 210-219
    URL: Cover
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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