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* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 839179278
 Felder   ISBD   MARC21 (FL_924)   Citavi, Referencemanager (RIS)   Endnote Tagged Format   BibTex-Format   RDF-Format 
Bücher, Karten, Noten
 
K10plusPPN: 
839179278     Zitierlink
SWB-ID: 
462928705                        
Titel: 
Autorin/Autor: 
Chalk, Brian [Verfasserin/Verfasser] info info
Erschienen: 
Cambridge : Cambridge University Press, 2015
Umfang: 
xi, 222 Seiten : Illustrationen
Sprache(n): 
Deutsch, Englisch
Angaben zum Inhalt: 
Machine generated contents note: Introduction: 'raptures of futurity'; 1. 'Let All things End': Marlowe's immortality; 2. Jonson's textual monument; 3. Webster's 'worthyest monument': the problem of posterity in The Duchess of Malfi; 4. 'Mocking life': preemptive commemoration in The Winter's Tale; 5. Fletcher's future: dynasty and collaborative posterity in Henry VIII; Coda: what they hath left us; Select bibliography; Index.
Anmerkung: 
Literaturverzeichnis: Seiten 210-219
ISBN: 
978-1-107-12347-2 ( : hardback)
EAN: 
9781107123472
Sonstige Nummern: 
OCoLC: 952322992     see Worldcat
OCoLC: 934228938 (aus SWB)     see Worldcat


RVK-Notation: 
Sachgebiete: 
Schlagwortfolge: 
Sonstige Schlagwörter: 
Inhaltliche
Zusammenfassung: 
"In spite of the ephemeral nature of performed drama, playwrights such as Marlowe, Jonson, Webster, Fletcher, and Shakespeare were deeply interested in the endurance of their theatrical work and in their own literary immortality. This book re-evaluates the relationship between these early modern dramatists and literary posterity by considering their work within the context of post-Reformation memorialization. Providing fresh analyses of plays by major dramatists, Brian Chalk considers how they depicted monuments and other funeral properties on stage in order to exploit and criticize the rich ambiguities of commemorative rituals. The book also discusses the print history of the plays featured. The subject will attract scholars and upper-level students of Renaissance drama, memory studies, early modern theatre, and print history"--

"In spite of the ephemeral nature of performed drama, playwrights such as Marlowe, Jonson, Webster, Fletcher, and Shakespeare were deeply interested in the endurance of their theatrical work and in their own literary immortality. This book re-evaluates the relationship between these early modern dramatists and literary posterity by considering their work within the context of post-Reformation memorialization. Providing fresh analyses of plays by major dramatists, Brian Chalk considers how they depicted monuments and other funeral properties on stage in order to exploit and criticize the rich ambiguities of commemorative rituals. The book also discusses the print history of the plays featured. The subject will attract scholars and upper-level students of Renaissance drama, memory studies, early modern theatre, and print history"--


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