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  • Rockmusik  (1,118)
  • Politik
  • Musicology  (1,343)
  • English Studies  (238)
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  • 1
    ISBN: 3922542301
    Language: German
    Edition: Orig.-Ausg.
    DDC: 016.78166/026/6
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    Keywords: Wörterbuch ; Verzeichnis ; Biografie ; Rockmusiker ; Rockmusik ; Langspielplatte ; Rockmusiker
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  • 2
    Book
    Book
    Frankfurt am Main : Fischer-Taschenbuch-Verl.
    Show associated volumes/articles
    Language: German
    Series Statement: Fischer-Taschenbuch ...
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    Keywords: Rockmusik ; Lexikon
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  • 3
    ISBN: 9783864893919 , 3864893917
    Language: German
    Pages: 702 Seiten , 23 cm x 17 cm
    Uniform Title: Manufacturing consent
    Parallel Title: Erscheint auch als Herman, Edward S., 1925 - 2017 Die Konsensfabrik
    DDC: 302.2/34
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    Keywords: 1975-1988 ; Mediensektor ; USA ; Mass media Political aspects ; World politics 1975-1985 ; World politics 1985-1995 ; Public opinion ; Mass media Objectivity ; Massenmedien ; Realitätsbezug ; Propaganda ; USA ; Politik ; Massenmedien ; Politische Berichterstattung ; Objektivität
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 4
    ISBN: 9783170434356 , 3170434357
    Language: German
    Pages: 193 Seiten , Illustrationen
    Edition: 1. Auflage
    Additional Information: Rezensiert in Hergenröder, Curt Wolfgang, 1955 - [Rezension von: Scheller, Jörg; Neuffer, Jochen, Make metal small again] 2023
    Additional Information: Rezensiert in Clostermeyer, Claus-Peter [Rezension von: Scheller, Jörg, Make metal small again], in: Schwäbische Heimat 75. Jahrgang (2024), 1, Seite 83-84
    Series Statement: Metalbook Vol. 2
    Series Statement: Metalbook
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    Keywords: Geschichte 2000-2020 ; Geschichte 2020-2040 ; 21. Jahrhundert (2000 bis 2100 n. Chr.) ; 21st century ; 21. Jahrhundert 2000-2020 ; 21. Jahrhundert 2020-2040 ; Rockmusik ; Musikgruppe ; 21st century history: from c 2000 - ; General & world history ; Geschichte allgemein und Weltgeschichte ; HISTORY / Modern / 21st Century ; Stuttgart
    Abstract: Metalbands stehen auf gewaltigen Bühnen, vor Verstärkertürmen und Tausenden wilder Fans. Sie trinken kübelweise Bier, rauschen in Tourbussen durch die Nacht und besingen Sex, Drogen und den Tod. Ihr größtes Ziel: Wacken. Alle Metalbands? Nein! Eine kleine Metalband tingelt seit zwei Jahrzehnten über Dorffeste, Vereinsfeiern, Hochzeiten, Vernissagen und durch Geburtstagspartys. Sie hat keine Verstärker, keine Plattenfirma. Sie liefert annähernd CO2-neutralen Metal wie Pizza auf Bestellung und hätte einmal beinahe Angela Merkel beschallt. Sie singt nur übers Wetter und spielt im Sitzen, gediegen gekleidet und teetrinkend. Sie richtet sich gleichermaßen an Bildungsbürger, Mutbürger, Spießbürger. Ihr Name: Malmzeit. Ihr Genre: Kammermetal. Ihr Motto: Make Metal Small Again! Tauchen Sie ein in die völlig irre Bandbiographie der kleinsten Metalband der Welt, verfasst von den Musikern selbst. Ein Buch voller bizarrer Ereignisse, das komplett erfunden sein könnte, wäre nicht jedes Wort wahr!
    Abstract: Musikgruppe aus Stuttgart
    URL: Cover  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    Stuttgart : Verlag W. Kohlhammer
    ISBN: 9783170426498 , 9783170426504
    Language: German
    Pages: 1 Online-Ressource (187 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: Metalbook 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rosa, Hartmut, 1965 - When monsters roar and angels sing
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    Keywords: Metaler ; Metaller ; Metalszene ; Musik ; Musikgeschichte ; soziokulturelle Kontexte ; Soziologie ; Subkulturen ; Heavy Metal ; Soziologie ; Musiksoziologie ; Heavy Metal ; Musiksoziologie ; Heavy Metal ; Musikpsychologie ; Soziologie ; Rockmusik ; Leben ; Musikhören ; Hard Rock ; Konzert ; Wacken Open Air ; Black Sabbath ; Eric Clapton ; Deep Purple ; Dream Theater ; Iron Maiden ; Metallica ; Pink Floyd ; Schenker, Michael 1955- ; The Who ; Within Temptation ; Yes ; Gesang ; Resonanz ; Religion ; Lebensfreude ; Heavy Metal ; Romantik
    Abstract: Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln - und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören - und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.
    URL: Cover
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  • 6
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
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    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 7
    Book
    Book
    London : Louder Than War Books
    ISBN: 9781526173201
    Language: English
    Pages: viii, 539 Seiten , Illustrationen
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    Keywords: Sozialgeschichte ; Rockmusik ; Subkultur ; Gothic Rock ; Gothic rock music ; Goth culture (Subculture) ; Goth culture (Subculture) ; Gothic rock music ; Rockmusik ; Gothic Rock ; Subkultur ; Sozialgeschichte
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  • 8
    ISBN: 9783111247090
    Language: German
    Pages: 1 Online-Ressource (VI, 666 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
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    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kraftwerk ; Kältepop ; Neue Deutsche Welle ; Rammstein ; HISTORY / General ; Rockmusik ; Kälte ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    Abstract: Am Ende der 1970er Jahre entstand ein ästhetisch-subjektkulturelles Konzept in der deutschsprachigen Pop-Musik, das alles ,Kalte' affirmierte: ,Kälte-Pop'. Bands wie Kraftwerk, DAF und Einstürzende Neubauten entwickelten als Gegenentwurf zum pop- wie gegenkulturell hegemonialen Wärme-Kult ein System von Motiven und Strategien, das all jene Zeichen und Prozesse der (Post-)Moderne ästhetisierte und glorifizierte, die in der bundesdeutschen Gesellschaft und vor allem im linksalternativen Milieu als negative Aspekte einer vermeintlich kalten Welt interpretiert wurden: Gefühlslosigkeit und Dehumanisierung, Industrie und Großstadt, Künstlichkeit und Entfremdung, Disziplin und körperliche Funktionalität, Schnee und Eis, Beton und Stahl sowie Computer, Maschinen und Roboter. Dabei schlugen die ,Kälte'-Akteur:innen eine Brücke zu den Historischen Avantgarden der 1920er Jahre und inszenierten sich stereotypisch als ,kalte Deutsche'. Die Arbeit analysiert unter Einbeziehung der transnationalen Verknüpfungen die ,Kälte-Welle' (1978-1983) in der deutschen Pop-Musik, ihre Bildwelten und Codes, historischen Bezüge und Rezeption, das historische Umfeld ihrer Entstehung sowie nachfolgende Erscheinungsformen ,kalter' Musik, die sich bis heute in der internationalen Pop-Musik und bei Acts wie Rammstein zeigen
    Abstract: Concrete and steel, machines and industry, robots and artificiality, discipline and emotionlessness: the bands that preceded and came from Neue Deutsche Welle, such as Kraftwerk, DAF, Ideal, and Einstürzende Neubauten, focused on "coldness" in their performances, lyrics, and sounds in contrast to the "warmth" cult of the leftist alternative milieu, and influenced groups that would follow - like Rammstein - by staging the "cold German.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197577356 , 9780197577349
    Language: English
    Pages: xxxiv, 230 Seiten
    Edition: Updated edition
    Parallel Title: Erscheint auch als
    DDC: 305.8960730905
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    Keywords: Geschichte ; Geschichte 2013-2021 ; Politik ; Schwarze. USA ; Black lives matter movement ; African Americans Social conditions 21st century ; African Americans Politics and government 21st century ; Equality ; Racism ; Black Lives Matter ; Soziale Ungleichheit ; Schwarze ; Rassismus ; Entstehung ; Soziale Situation ; Protestbewegung ; USA ; United States Race relations ; USA ; USA ; Schwarze ; Soziale Situation ; Rassismus ; Geschichte ; USA ; Schwarze ; Rassismus ; Soziale Ungleichheit ; Protestbewegung ; Geschichte 2013-2021 ; Black Lives Matter ; Protestbewegung ; Entstehung ; Geschichte
    Abstract: Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and incendiary campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement is only a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that 〈"Black Lives Matter〉" comes out of a much older and richer tradition arguing for the equal dignity-and not just equal rights-of black people. The Making of Black Lives Matter presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that 〈"Black Lives Matter〉" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and argument of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America. Quelle: Klappentext.
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  • 10
    Language: Spanish
    Pages: viii, 342 Seiten , Diagramme
    Parallel Title: Erscheint auch als
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    Dissertation note: Dissertation Katholische Universität Eichstätt-Ingolstadt 2023
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    Keywords: Geschichte 1968-2015 ; Rockmusik ; Spanisch ; Textanalyse ; Korpus ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Spanisch ; Popmusik ; Rockmusik ; Korpus ; Textanalyse ; Geschichte 1968-2015
    URL: Volltext  (kostenfrei)
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  • 11
    Online Resource
    Online Resource
    Lisboa : Imprensa de História Contemporânea
    ISBN: 9789898956491 , 9789898956477 , 9789898956484
    Language: Portuguese
    Pages: 1 Online-Ressource
    Edition: 1.a edição
    Series Statement: Contemporânea
    Parallel Title: Erscheint auch als
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    Keywords: Rockmusik ; Portugal ; Popular culture ; Portugal ; Rockmusik
    URL: Volltext  (kostenfrei)
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  • 12
    ISBN: 9783948486761 , 394848676X
    Language: German
    Pages: 300 Seiten , Illustrationen , 22 cm, 378 g
    Edition: 1. Auflage
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Parallel Title: Erscheint auch als
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    Keywords: Girgsdies, Kornelia ; Musikleben ; Rockmusik ; Musikbranche ; Wacken ; U2 ; David Gilmour ; Udo Lindenberg ; Herbert Grönemeyer ; Extrabreit ; Grobschnitt ; Iron Maiden ; Coldplay ; Motörhead ; Gary Morre ; Die Toten Hosen ; Deep Purple ; Lady Gaga ; Phil Collins ; Rolling Stones ; Bob Dylan ; W:O:A ; Musik ; Else Somebodys ; Bands ; Erlebnisse ; Dublin ; London ; Autobiografie ; Autobiographie ; Trauer ; Tod ; Verlust ; Anker ; Wacken;U2;David Gilmour;Udo Lindenberg;Herbert Grönemeyer;Extrabreit;Grobschnitt;Iron Maiden;Coldplay;Motörhead;Gary Morre;Die Toten Hosen;Deep Purple;Lady Gaga;Phil Collins;Rolling Stones;Bob Dylan;W:O:A;Musik;Else Somebodys;Bands;Erlebnisse;Dublin;London;Autobiografie;Autobiographie;Trauer;Tod;Verlust;Anker ; Erlebnisbericht ; Autobiografie ; Erlebnisbericht ; Autobiografie ; Girgsdies, Kornelia 1960- ; Rockmusik ; Musikbranche ; Musikleben
    Note: Auf dem Umschlag: Autobiografie
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  • 13
    ISBN: 9783111245157 , 3111245152
    Language: German
    Pages: VI, 666 Seiten , Illustrationen , 23 cm x 15.5 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 781.640943
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    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kälte ; Rockmusik ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    URL: Cover
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    URL: Unbekannt  (lizenzpflichtig)
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  • 14
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150113240 , 3150113245
    Language: German
    Pages: 752 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Parallel Title: Erscheint auch als
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    Keywords: Rassismus ; Politik ; Jazz ; Musik ; Antirassismus ; Politisches Engagement ; Cool Jazz ; Hip hop ; Free Jazz ; Vinyl ; New Orleans ; Funk ; Musik ; Rassismus ; Black Lives Matter ; Rebellion ; Louis Armstrong ; Miles Davis ; Charlie Parker ; Jazz ; Rassismus ; Musik ; Politik ; Jazz ; Politisches Engagement ; Antirassismus
    Note: Untertitel auf dem Cover: Zur politischen Ästhetik des Jazz , Literaturverzeichnis S. 707-725
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  • 15
    ISBN: 9783150113240 , 3150113245
    Language: German
    Pages: 752 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Edition: 2., durchgesehene Auflage
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    Keywords: Rassismus ; Politik ; Jazz ; Musik ; Antirassismus ; Politisches Engagement ; Cool Jazz ; Hip hop ; Free Jazz ; Vinyl ; New Orleans ; Funk ; Musik ; Rassismus ; Black Lives Matter ; Rebellion ; Louis Armstrong ; Miles Davis ; Charlie Parker ; Jazz ; Rassismus ; Musik ; Politik ; Jazz ; Politisches Engagement ; Antirassismus
    Note: Untertitel auf dem Cover: Zur politischen Ästhetik des Jazz , Literaturverzeichnis S. 707-725
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  • 16
    Book
    Book
    Baltimore, [Maryland] : Johns Hopkins University Press
    ISBN: 9781421444987
    Language: English
    Pages: 400 Seiten , Illustrationen
    DDC: 781.66097309046
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    Keywords: Geschichte 1960-1968 ; Rock 'n' Roll ; Rockmusik ; USA
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  • 17
    ISBN: 9780429284526
    Language: English
    Pages: 1 Online-Ressource (ix, 223 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Electronic books ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-
    Note: Description based on publisher supplied metadata and other sources
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  • 18
    ISBN: 9783982210025 , 398221002X
    Language: German
    Pages: 529 Seiten , Illustrationen , 23.5 cm x 15.9 cm, 912 g
    Edition: 1. Auflage
    Uniform Title: Times & sounds
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Rockmusik ; Krautrock ; Schlager ; Unterhaltungsmusik ; Jazz ; Deutschland ; Deutschland ; Unterhaltungsmusik ; Rockmusik ; Jazz ; Krautrock ; Schlager
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 19
    ISBN: 9783837653236 , 3837653234
    Language: German
    Pages: 236 Seiten , Illustrationen
    Series Statement: Transdisziplinäre Popkulturstudien Band 1
    Series Statement: Transdisziplinäre Popkulturstudien
    Parallel Title: Erscheint auch als Druckwellen
    DDC: 302.24
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Massenkultur ; Populismus ; Provokation ; Eskalation ; Hassrede ; Rockmusik ; Popmusik ; Popkultur ; Provokation ; Tabuverletzung
    Abstract: Von der Weltpolitik eines Trump, Orban und Erdogan über Popmusik von Rammstein und Frei.Wild bis hin zu Hate Speech in sozialen Medien – das Provozieren, das Brechen von Tabus, das Relativieren von bislang gültigen Werten sowie erhitzte öffentliche Debatten prägen längst unseren medialen Alltag. Pop(musik)kulturelle Phänomene und mittlerweile auch medialisierte Politik(er*innen) bewegen sich dabei zwischen bewusstem Tabubruch, dosierter Provokation und medienwirksamen Spielen mit Grenzüberschreitungen und -verschiebungen – mal progressiv, mal regressiv, mal schwer einzuordnen. Die Herausgeber*innen und Autor*innen des Bandes möchten einen Beitrag zu gelassener Analyse und Reflexion leisten.
    Note: Enthält Literaturangaben
    URL: Cover
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  • 20
    ISBN: 3406792847 , 9783406792847
    Language: German
    Pages: 346 Seiten , Illustrationen , 23.2 cm x 18.7 cm
    Uniform Title: The philosophy of modern song
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1924-2004 ; Folk music ; Rockmusik ; Song ; Interpretation ; Popmusik ; Popmusik ; Rockmusik ; Folk music ; Song ; Interpretation ; Geschichte 1924-2004
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  • 21
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
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    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
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    Oakland, California :University of California Press,
    ISBN: 978-0-520-38938-0 , 978-0-520-38939-7
    Language: English
    Pages: xviii, 200 Seiten, 8 ungezählte Bildtafelseiten : , Illustrationen ; , 23 cm.
    Edition: Updated edition with a new preface
    Parallel Title: Erscheint auch als
    Former Title: Ersatz von
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    Keywords: Popular music / Social aspects / Islamic countries ; Popular music / Social aspects / Middle East ; Popular music / Social aspects / Morocco ; Popular music / Social aspects / Egypt ; Popmusik. ; Islam. ; Gesellschaft. ; Musikleben. ; Rockmusik. ; Orient. ; Nordafrika. ; Naher Osten. ; Popmusik ; Islam ; Gesellschaft ; Islam ; Musikleben ; Rockmusik
    Note: Literaturverzeichnis Seite 187-193
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  • 23
    ISBN: 9780367248093 , 9780367248086
    Language: English
    Pages: ix, 223 Seiten , Notenbeispiele (schwarz-weiß)
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    Keywords: Geschichte 2000-2020 ; Politik ; Popmusik ; Popular music / Political aspects ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Musique populaire / Aspect politique ; Musique populaire / 2001-2010 / Histoire et critique ; Musique populaire / 2011-2020 / Histoire et critique ; Popular music ; Popular music / Political aspects ; 2001-2020 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-2020
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  • 24
    Book
    Book
    Mainz : Ventil
    ISBN: 9783955751692 , 3955751694
    Language: German
    Pages: 301 Seiten , Illustrationen , 23 cm x 15.5 cm
    Edition: 1. Auflage
    RVK:
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    Keywords: Geschichte 1920-2020 ; Musik ; Frau ; Musikerin ; Moe Tucker ; Mainstream ; Musikerinnen ; Joan Jett ; Billie Eilish ; Stevie Nicks ; Mercedes Sosa ; Frauenbewegung ; Independent ; Little Simz ; Gianna Nannini ; Gudrun Gut ; Amy Winehouse ; Vashti Bunyan ; Alternative ; Popkultur ; Rockmusik ; Role Model ; Britney Spears ; Feminismus ; Künstlerinnen ; Underground ; Sibylle Baier ; Sängerinnen ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Geschichte 1920-2020 ; Musik ; Frau ; Musikerin
    URL: Cover
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  • 25
    Online Resource
    Online Resource
    London : Faber
    ISBN: 9780571373208
    Language: English
    Pages: 1 Online-Ressource (90 ungezählte Seiten)
    Parallel Title: Erscheint auch als Dangarembga, Tsitsi, 1959 - Black and female
    DDC: 305.48896073
    RVK:
    Keywords: Schwarze ; Autor ; Frau ; Afrikaner ; Berühmte Persönlichkeit ; Kulturleben ; Feminismus ; Einflussgröße ; Politik ; Electronic books ; Simbabwe ; Autobiografie ; Autobiografie ; Dangarembga, Tsitsi 1959-
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  • 26
    ISBN: 9781350071216 , 9781350196247
    Language: English
    Pages: xxi, 185 Seiten
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University College London
    RVK:
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    Keywords: Geschichte 1945-1965 ; Volksmusik ; Politik ; Volkskultur ; Revival ; England ; Folk music / Great Britain / History and criticism ; Great Britain / Politics and government / 1945- ; Folk music ; Politics and government ; Great Britain ; Since 1945 ; Criticism, interpretation, etc ; Hochschulschrift ; England ; Politik ; Volkskultur ; Volksmusik ; Revival ; Geschichte 1945-1965
    Abstract: The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric of the nation. Postwar Politics, Society and the Folk Revival in England is the first study to interweave the story of a gentrifying folk revival with the socio-political tensions inherent in England's postwar transition from austerity to affluence. Julia Mitchell skillfully situates the English folk revival in the context of the rise of the new left, the decline of heavy industry, the rise of local, regional and national identities, the 'Americanisation' of English culture and the development of mass culture. In doing so, she demonstrates that the success of the English folk revival derived from its sense of authenticity and its engagement with topical social and political issues, such as the conflicted legacy of the Welfare State, the fight for nuclear disarmament and the fallout of nationalization. In addition, she shrewdly compares the US and British revival to identify the links but also what was distinctive about the movement in Britain. Drawing on primary sources from folk archives, the BBC, the music press and interviews with participants, this is a theoretically engaged and sophisticated analysis of how postwar culture shaped the folk revival in England.
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  • 27
    ISBN: 9781032090030 , 9780367182984
    Language: English
    Pages: x, 198 Seiten
    Edition: issued in paperback
    Series Statement: Routledge advances in international relations and global politics 144
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; USA
    Note: Originally published: 2020. , Literaturverzeichnis Seite 169-183
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  • 28
    ISBN: 1725272261 , 9781725272262 , 1725272253 , 9781725272255
    Language: English
    Pages: xvii, 215 Seiten , 24 cm
    RVK:
    Keywords: Sting ; Rockmusik ; Spiritualität ; Katholizismus
    Note: Literaturverzeichnis Seite 201-207
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  • 29
    Book
    Book
    Köln : Verlag Kiepenheuer & Witsch
    ISBN: 9783462001204 , 3462001205
    Language: German
    Pages: 226 Seiten , Illustration, Karte , 17 cm, 230 g
    Edition: 1. Auflage
    Series Statement: KiWi Musikbibliothek
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Dylan, Bob ; Verdamp' lang her ; Musikreihe ; Chronicles ; Bob Dylans Amerika ; Musikbibliothek ; BAP ; Lieblingsband ; Pop-Musik ; Rockmusik ; Folk ; Dylan, Bob 1941-
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  • 30
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 31
    ISBN: 9783830992745
    Language: German
    Pages: 1 Online-Ressource (577 Seiten) , Illustrationen
    Series Statement: Musik und Diktatur Band 4
    Series Statement: Musik und Diktatur
    Parallel Title: Erscheint auch als Lipp, Florian, 1980 - Punk und New Wave im letzten Jahrzehnt der DDR
    Dissertation note: Dissertation Universität Hamburg 2019
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    Keywords: 19./20. Jahrhundert ; 1980-1990 ; 20. Jahrhundert ; Bundesrepublik Deutschland/DDR ; DDR ; Deutschland ; Germany (East) ; Jugendkultur ; Neue Deutsche Welle ; New Wave ; Punk ; Rockmusik ; Subkultur ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Punk ; New wave ; Subkultur ; Jugendpolitik ; Kulturpolitik ; Geschichte 1976-1989 ; Deutschland ; Punk Rock ; New wave ; Geschichte 1976-1989
    Abstract: Auch in der DDR formierte sich zu Beginn der 1980er-Jahre eine Punkszene, die zwar klein, jedoch weder zu übersehen noch zu überhören war. Exponierte Vertreter und Bands dieser Szene wurden von der Mehrheitsgesellschaft abgelehnt, aus dem staatlich organisierten Kulturbetrieb ausgegrenzt und durch den Sicherheitsapparat kriminalisiert. Doch im Gegensatz zu diesen Repressionen gegen die Punkkultur in der ersten Hälfte der 1980er-Jahre vermittelt die zweite Hälfte der Dekade ein anderes Bild: Ehemals verfemte Musiker waren nun im Staatsfunk zu hören, wurden von der Freien Deutschen Jugend (FDJ) gefördert und unter dem Rubrum ›die anderen Bands‹ auf Schallplatte gehandelt. Die Analyse dieses Wandels im zeithistorischen Kontext ist Gegenstand dieses Buches.
    Note: Online resource; title from title screen (viewed May 11, 2021)
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  • 32
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057525
    Language: English
    Pages: 1 Online-Ressource (323 pages) , illustrations
    Parallel Title: Erscheint auch als Music in Arabia : perspectives on heritage, mobility, and nation
    DDC: 780.953
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    Keywords: Geschichte ; Music Social aspects ; Politik ; Musik ; Kultur ; Musikwirtschaft ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Note: Includes index , Description based on print version record
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  • 33
    ISBN: 9783355019026 , 335501902X
    Language: German
    Pages: 314 Seiten , Illustrationen, Porträts , 21 cm x 15 cm
    Edition: 1. Auflage
    DDC: 781.660943109
    RVK:
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    Keywords: Interview ; Deutschland ; Rockmusik ; Geschichte ; Deutschland ; Deutschland ; Rockmusik ; Geschichte
    Abstract: 16 Musiker mit Wurzeln in der DDR erzählen von ihren Anfängen, ersten Erfolgen und Krisen, von der Zeit vor und nach der Wende
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  • 34
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057549 , 9780253057532
    Language: English
    Pages: xi, 309 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
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  • 35
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197548844
    Language: English
    Pages: 1 Online-Ressource (216 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6608623
    RVK:
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    Keywords: Geschichte ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Unterhaltungsmusik ; Rock 'n' Roll ; Arbeiterklasse ; Rockmusik ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 37
    ISBN: 9781250195753
    Language: English
    Pages: XIX, 535 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980-1990 ; Musikleben ; Rockmusiker ; Rockmusik ; Rock music / 1981-1990 / Anecdotes ; Heavy metal (Music) / Anecdotes ; Glam metal (Music) / Anecdotes ; Rock musicians / Anecdotes ; Rock musicians / Interviews ; MUSIC / History & Criticism ; Glam metal (Music) ; Heavy metal (Music) ; Rock music ; Rock musicians ; 1981-1990 ; Anecdotes ; Interviews ; Gespräch ; Gespräch ; Rockmusiker ; Rockmusik ; Musikleben ; Geschichte 1980-1990
    Abstract: "The definitive, no-holds-barred oral history of 1980s hard rock and hair metal. 1980s hard rock was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated--and maybe even helped to define--a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister's 'We're Not Gonna Take It,' Mötley Crüe's 'Girls, Girls, Girls,' and Guns N' Roses' 'Welcome to the Jungle' are as inextricably linked to the era as Reaganomics, Pac-Man, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over 200 new interviews with members of Van Halen, Mötley Crüe, Poison, Guns N' Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford and many more, this is the ultimate, uncensored, and often unhinged chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era--one in which the bands and their fans went looking for nothin' but a good time...and found it"--
    Abstract: 1980s hard rock was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated-- and maybe even helped to define-- a spectacularly over-the-top decade. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Beaujour and Bienstock capture the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. -- adapted from publisher
    Description / Table of Contents: Foreword / by Corey Taylor -- Cast of characters -- Introduction -- Everybody wants some!! -- Feel the noize -- Knock 'em dead, kid -- Youth gone wild -- The last mile -- Shut up, Beavis -- Epilogue
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  • 38
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 39
    ISBN: 9783311220053 , 3311220056
    Language: German
    Pages: 255 Seiten , 19 cm
    Uniform Title: Three guineas
    DDC: 172.42
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    Keywords: Krieg ; Friede ; Faschismus ; Politik ; Patriarchat ; Frauenemanzipation ; Frau ; Berufstätigkeit ; Frauenbildung
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  • 40
    Title: Янка Дягилева : жизнь и творчество самой известной представительницы женского рок-андеграунда
    Author, Corporation: Пауэр, Кристина Юрьевна
    Author, Corporation: ut
    Publisher: Москва : Издательство Бомбора
    Publisher: Москва : Эксмо
    ISBN: 9785041177249
    Language: Russian
    Pages: 398 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen , 22 cm
    RVK:
    RVK:
    Keywords: Di͡agileva, I͡Anka ; Djagileva, Jana Stanislavovna ; Poets, Russian / 20th century / Biography ; Women rock musicians / Soviet Union / Biography ; Women rock musicians / Russia (Federation) / History ; Russian poetry / 20th century / History and criticism ; Rock musicians' writings, Russian / History and criticism ; Punk rock music / Russia (Federation) / History ; Poètes russes / 20e siècle / Biographies ; Musiciennes rock / URSS / Biographies ; Musiciennes rock / Russie / Histoire ; Punk (Musique) / Russie / Histoire ; Poets, Russian ; Punk rock music ; Rock musicians' writings, Russian ; Russian poetry ; Women rock musicians ; Untergrundkunst ; Rockmusik ; Punk Rock ; Russia (Federation) ; Soviet Union ; Sowjetunion ; Djagileva, Jana Stanislavovna 1966-1991 ; Sowjetunion ; Rockmusik ; Punk Rock ; Untergrundkunst
    Note: Text russisch
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  • 41
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520383739 , 9780520383746
    Language: English
    Pages: xiv, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48422
    RVK:
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    Keywords: Folk music ; Politik ; USA
    Note: Literaturverzeichnis Seite 225-258
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  • 42
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057525
    Language: English
    Pages: 1 Online-Ressource (323 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.953
    RVK:
    Keywords: Geschichte ; Music Social aspects ; Politik ; Musik ; Kultur ; Musikwirtschaft ; Persian Gulf Region ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Note: Includes index
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  • 43
    ISBN: 9781913172305
    Language: English
    Pages: 288 Seiten , Illustrationen, Portraits (teilweise farbig) , 31 cm
    RVK:
    Keywords: Geschichte 1977-1986 ; Popmusik ; Rockmusik ; Musikjournalismus ; Großbritannien ; Popular music / 1971-1980 / History and criticism ; Popular music / 1981-1990 / History and criticism ; Rock music / 1971-1980 / History and criticism ; Rock music / 1981-1990 / History and criticism ; Fan magazines / Great Britain ; Jamming! ; Quelle ; Quelle ; Quelle ; Großbritannien ; Rockmusik ; Popmusik ; Musikjournalismus ; Geschichte 1977-1986
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  • 44
    ISBN: 9783828844414 , 3828844413
    Language: German
    Pages: 152 Seiten , Illustrationen , 21 cm x 14.8 cm
    Series Statement: Dresdner Schriften zur Musik Band 12
    Series Statement: Dresdner Schriften zur Musik
    Parallel Title: Erscheint auch als Jazz/Rock/Pop - Das Dresdner Modell
    DDC: 781.630711432142
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschule für Musik Carl Maria von Weber Dresden ; Musikstudium ; Unterhaltungsmusik ; Geschichte ; Musikhochschule ; Dresden ; Jazz ; Rockmusik ; Popmusik ; Ehemaliger Schüler ; Biografie
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  • 45
    ISBN: 9781479850891 , 9781479855858
    Language: English
    Pages: ix, 293 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alexander-Floyd, Nikol G. (Nikol Gertrude) Re-imagining Black women
    DDC: 305.48/896
    RVK:
    Keywords: Women, Black Social conditions ; Women, Black Political activity ; African American women Social conditions ; African American women Political activity ; USA ; Schwarze Frau ; Politik ; Massenkultur ; Psychoanalyse ; Ethnische Identität
    Abstract: Introduction: melodrama, liminality, and "post"-politics: neo-liberal racial and gender formation in the new millennium -- Splitting Condi(licious): Condoleezza Rice and melodramas of "closeness" in U.S. national community formation -- Unpacking President Barack Obama's "improbable story": a case study of gender, race, class, and melodrama in electoral politics -- Diary of a mad Black(wo)man: Tyler Perry, wounded masculinity, and post-feminist, postracial melodrama -- The reality of the white male rapist: Black women's rape, melodrama, and U.S.-based American political development -- MeToo? Black women, melodrama, and sexual harassment -- Conclusion: turbulent futures: post-politics as an analytic -- Coda: post-politics in the era of COVID-19.
    Abstract: "This book dissects "post-politics"--the repertoire of fantasies that hope for an afterlife beyond the social activism of the mid-Twentieth Century. Fusing political science, women's studies, media studies, and psychoanalysis, it provides a tour-de-force of Black politics, tackling gender and other subjects repressed or disavowed in the study of race"--
    Note: Literaturverzeichnis Seite: 257-279 , Includes bibliographical references and index
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  • 46
    ISBN: 1433176947 , 9781433176944 , 1433176890 , 9781433176890
    Language: English
    Pages: 150 Seiten
    Series Statement: Counterpoints 531
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    Keywords: Phish ; Popmusik ; Progressive Rock ; Rockmusik ; Jugendkultur ; Gegenkultur ; USA
    Abstract: "The late Dennis Carlson uses the alternative nature of the Burlington, Vermont, bred band, Phish, and the larger impact of rock n' roll to look at youth and revolutionary music culture. A History of Progressive Music and Youth Culture is designed for those who work with or teach young people to understand the nature and origin of musical commitment and devotion. For academics, the book traces a cultural study of rock which is unlike any other discussion of music or musicology published"
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  • 47
    ISBN: 9781350139534 , 9781350034389
    Language: English
    Pages: XI, 289 Seiten
    Edition: Paperback edition
    DDC: 781.660943515
    RVK:
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    Keywords: Geschichte 1956-1969 ; Rockmusik ; Rock 'n' Roll ; Deutschland ; Sankt Pauli
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  • 48
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819578952
    Language: English
    Pages: xv, 399 Seiten , 23 cm
    RVK:
    Keywords: Geschichte 1900-1997 ; Rockmusik ; Rhythm and Blues
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  • 49
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
    RVK:
    RVK:
    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 50
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Focal Press | Sebastopol, CA : O'Reilly Media Inc.
    ISBN: 9781351137089
    Language: English
    Pages: 1 Online-Ressource (168 pages)
    Edition: 1st edition
    RVK:
    Keywords: Rockmusik ; Cloud Computing ; Musikproduktion ; Synthesizermusik ; Electronic books
    Abstract: Cloud-Based Music Production: Samples, Synthesis, and Hip-Hop presents a discussion on cloud-based music-making procedures and the musical competencies required to make hip-hop beats. By investigating how hip-hop producers make music using cloud-based music production libraries, this book reveals how those services impact music production en masse . Cloud-Based Music Production takes the reader through the creation of hip-hop beats from start to finish - from selecting samples and synthesizer presets to foundational mixing practices - and includes analysis and discussion of how various samples and synthesizers work together within an arrangement. Through case studies and online audio examples, Shelvock explains how music producers directly modify the sonic characteristics of hip-hop sounds to suit their tastes and elucidates the psychoacoustic and perceptual impact of these aesthetically nuanced music production tasks. Cloud-Based Music Production will be of interest to musicians, producers, mixers and engineers and also provides essential supplementary reading for music technology courses.
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  • 51
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501330476 , 9781501330469
    Language: English
    Pages: 1 Online-Ressource (xvii, 636 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
    RVK:
    Keywords: Rockmusik ; Forschung ; Electronic books
    Abstract: Cover -- Contents -- List of Figures -- List of Tables -- Notes on Contributors -- Acknowledgments -- 1 Introduction: Rock Music's Emergence, Censorship, and Perceived Death Paul Carr and Allan Moore -- 2 Rock Historiography: Music, Artists, Perspectives, and Value John Covach -- 3 Serious Writing about Rock Sarah Hill -- 4 The Definition of "Rock" and Stylistic Overlaps Taylor Myers and Brad Osborn -- Part I Practice, Analysis, and Recording -- 5 Rock Voice Katherine Meizel -- 6 "The Rock Instrumentarium" Steve Waksman -- 7 Analyzing and Interpreting Song Forms Ralf von Appen -- 8 Convention and Invention in Harmonic and Melodic Theories for Rock Music Brett Clement -- 9 Rhythmic and Metric Theorization in Rock Music Nicole Biamonte -- 10 Computational Musicology in Rock Trevor de Clercq -- 11 Function and Construction of Rock Lyrics Dai Griffiths -- 12 Rock Music Engineering and Production Samantha Bennett -- 13 Sonic Space and Texture in Rock Olivier Julien -- Part II Rock Theories -- 14 Authenticity, Creativity, Originality Theodore Gracyk -- 15 Categorization: Genre, Style, Idiolect, and Beyond Nick Braae -- 16 Personas in Rock: "We Will, We Will Rock You" Stan Hawkins -- 17 Rock Hermeneutics Katherine Reed -- 18 Narrativity and Rock Music Alexander C. Harden -- 19 Sliding Scales and Slippery Slopes: Representations of Autonomy and Mediation in the "Radial Mainstream" of UK-Based Pop/Rock Damon Minchella -- Part III Rock Environments -- 20 Studio Practice and Organization in Rock Music Simon Zagorski-Thomas -- 21 Rock Music Pedagogy in the UK and USA: Ignorance or Elitism? Paul Carr -- 22 The Rock Press Paula Hearsum and Martin James -- 23 Rock and Time-Based Visual Media Laura Niebling -- 24 Rock in Time-Based Events Andrew Blake -- 25 Rock Live Performance Sergio Pisfil -- 26 Marketing and Commodification of Rock Roy Shuker
    Note: Literaturverzeichnis: Seite 507-612
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  • 52
    Online Resource
    Online Resource
    New York : Peter Lang Inc. | Bern : Peter Lang International Academic Publishers
    ISBN: 9781433176951
    Language: English
    Pages: 1 Online-Ressource (168 Seiten) , Illustrationen
    Edition: 1st, New ed.
    Series Statement: Counterpoints 531
    RVK:
    Keywords: Phish ; Popmusik ; Progressive Rock ; Rockmusik ; Jugendkultur ; Gegenkultur ; USA
    Abstract: The late Dennis Carlson uses the alternative nature of the Burlington, Vermont-bred band, Phish, and the larger impact of rock n’ roll to look at youth and revolutionary music culture. A History of Progressive Music and Youth Culture is designed for those who work with or teach young people to understand the nature and origin of musical commitment and devotion. For academics, the book traces a cultural study of rock which is unlike any other discussion of music or musicology published.
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  • 53
    ISBN: 9780815353195 , 9780815353188
    Language: English
    Pages: vii, 168 Seiten , Illustrationen, graphische Darstellungen , 26 cm
    Series Statement: Perspectives on music production
    Parallel Title: Erscheint auch als Shelvock, Matthew T Cloud-based music production
    RVK:
    Keywords: Rockmusik ; Cloud Computing ; Musikproduktion ; Synthesizermusik ; Rap (Music) Production and direction ; Cloud computing ; Software synthesizers
    Abstract: Introduction. Cloud-based Music Production (CBMP) -- Understanding Samples, Synthesis, Editing, and Mixing -- Making Music Using CBMP Resources -- The Mix - Conditioning Musical Materials on Records -- Hearing for Your Audience - Beat Production as a Psychoacoustic Art -- Case Studies in CBMP
    Abstract: "Cloud-Based Music Production: Samples, Synthesis, and Hip-Hop presents a discussion on cloud-based music-making procedures and the musical competencies required to make hip-hop beats. By investigating how hip-hop producers make music using cloud-based music production libraries, this book reveals how those services impact music production en masse. Cloud-Based Music Production takes the reader through the creation of hip-hop beats from start to finish - from selecting samples and synthesizer presets to foundational mixing practices - and includes analysis and discussion of how various samples and synthesizers work together within an arrangement. Through case studies and online audio examples, Shelvock explains how music producers directly modify the sonic characteristics of hip-hop sounds to suit their tastes and elucidates the psychoacoustic and perceptual impact of these aesthetically nuanced music production tasks. Cloud-Based Music Production will be of interest to musicians, producers, mixers and engineers and also provides essential supplementary reading for music technology courses
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 54
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (10 p.)
    Additional Information: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 55
    ISBN: 9783962890827
    Language: German
    Pages: 350 Seiten , Illustrationen , 30 cm x 24 cm
    Edition: 1. Auflage
    DDC: 782.4216409431
    RVK:
    Keywords: Geschichte 1990-2013 ; Geschichte 1970-1990 ; Rockmusik ; Popmusik ; Deutschland ; Deutschland ; Deutschland ; DDR ; Rockmusik ; Songtexte ; Liedermacher ; Wolfgang Herzberg ; Christian Kunert ; Flake Lorenz ; Bernd Rump ; Hans-Eckardt Wenzel ; Peter Wicke ; Ulrich Burchert ; Kurt Demmler ; Gerhard Gundermann ; Gerulf Pannach ; Gerhard Schöne ; Bettina Wegner ; Silly ; City ; Pankow ; Renft ; Puhdys ; Feeling B ; Ostdeutschland ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Bildband ; Aufsatzsammlung ; Anthologie ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1970-1990 ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1990-2013
    URL: Cover
    URL: Cover
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  • 56
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (208 p.)
    DDC: 306.48425
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; The arts ; Humanities ; Politics & government ; USA ; Arts ; humanities ; politics ; international relations
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 57
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226738680
    Language: English
    Pages: 1 Online-Ressource (347 Seiten) , Illustrationen
    Series Statement: Big issues in music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.78
    RVK:
    RVK:
    RVK:
    Keywords: Live-Auftritt ; Festival ; Sozialer Wandel ; Rockmusik ; Konzert ; Rock music / Social aspects / United States ; Rock music / Social aspects / Europe ; Music festivals / Social aspects / United States ; Music festivals / Social aspects / Europe ; Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    Abstract: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Abstract: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    ISBN: 9781138334748
    Language: English
    Pages: VI, 185 Seiten
    Series Statement: Routledge studies in popular music
    DDC: 782.421660922
    RVK:
    Keywords: Radiohead ; Rockmusik ; Musikalischer Stil
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  • 59
    ISBN: 9781350075351
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    DDC: 781.66
    RVK:
    Keywords: Rockmusik ; Heavy Metal ; Rezeption ; Antike ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite [217]-245
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  • 60
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501330452
    Language: English
    Pages: xvii, 636 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.66072
    RVK:
    RVK:
    Keywords: Rockmusik ; Forschung ; Rock music / History and criticism ; Rock music / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rockmusik ; Forschung
    Abstract: "The Bloomsbury Handbook of Rock is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions"--
    Note: Includes bibliographical references and index
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  • 61
    Online Resource
    Online Resource
    Middletown, CT. 06459 : Wesleyan University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780819578969
    Language: English
    Pages: 1 Online-Ressource (417 pages)
    RVK:
    Keywords: Geschichte 1900-1997 ; Rockmusik ; Rhythm and Blues ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 62
    ISBN: 9789526938905 , 9526938909
    Language: English
    Pages: 32 [ungezählte] Seiten, 165 Seiten , 21 cm
    Edition: Second edition
    RVK:
    Keywords: Archie Shepp-Bill Dixon Quartet ; World Festival of Youth and Students for Peace and Friendship ; World Festival of Youth and Students for Peace and Friendship ; Jazz History and criticism 20th century ; Jazz Political aspects ; Jazz ; Criticism, interpretation, etc ; Aufsatzsammlung ; Free Jazz ; Weltfestspiele der Jugend und Studenten 8. Helsinki 1962 ; Musik ; Politik
    Abstract: Introduction /Sezgin Boynik, Taneli Viitahuhta --Ten days that shook the world /Pekka Saarnio --Archie Shepp and Bill Dixon in Helsinki, 1962 /Jeff Schwartz --Jazz wars in Finland 1962 /Erkki Pälli, Pertti Hynynen, Bertil Sundin, Dim. --Policed in the east /Taneli Viitahuhta --1962 testimonies /Ann Eccles, Donald Quinlan, Perry Robinson, Angela Davis, Johan von Bonsdorff --Black music survived not because but in spite of capitalism /interview with Archie Shepp --I will not let you misconstrue me /three texts by Archie Shepp --A lily in the swamp /Sezgin Boynik.
    Note: "This book is part of Rab-Rab Press' research and publishing project 'The forms of people's revolt' supported by Kone Foundation"--Colophon , Edition of 500 , Includes bibliographical references
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  • 63
    ISBN: 9783826071867
    Language: German
    Pages: 212 Seiten , Illustrationen , 23.5 cm x 15.5 cm
    Series Statement: Thurnauer Schriften zum Musiktheater Band 42
    Series Statement: Thurnauer Schriften zum Musiktheater
    DDC: 792.50943
    RVK:
    Keywords: Konferenzschrift 2019 ; Deutschland ; Musiktheater ; Ästhetik ; Aufführung ; Gesellschaft ; Halle (Saale) ; Musiktheater ; Politisches Theater ; Oper ; Inszenierung ; Politik ; Politisches Theater ; Oper ; Inszenierung ; Gesellschaft
    Note: "Diese Fragen behandelte die diesem Band zugrundeliegende kooperative Tagung von Musitheaterwissenschaftler*innen und Theaterpraktiker*innen an einem Opernhaus, also umgeben von eben jener Kunstpraxis im Juli 2019. " - Seite 12
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  • 64
    ISBN: 3355018775 , 9783355018777
    Language: German
    Pages: 319 Seiten , Illustrationen, Porträts , 21 cm x 14.5 cm
    DDC: 781.660943109
    RVK:
    Keywords: Interview ; Interview ; Interview ; Deutschland ; Rockmusik ; Geschichte
    Abstract: Der Musikjournalist C. Hentschel schrieb schon einige Bücher über Ostrock-Bands wie City, Keimzeit oder "Als ich fortging ...". In diesem Interviewband fragte er bei Musikern aus 15 Bands nach, wie ihre Karriere nach der Wiedervereinigung gelaufen und wie der aktuelle Stand ist. Natürlich sind die Erfolge oder Probleme in der DDR auch Thema der Interviews. Die Bands hatten alle ihre Wurzeln in der DDR, aber inzwischen sind sie auch 30 Jahre im wiedervereinigten Deutschland im Musikgeschäft. Er spricht mit unterschiedlichen Musikern wie C. Dreilich (Karat), S. Krumbiegel (Die Prinzen), T. Powileit (Gundermann), U. Hassbecker (Silly) oder D. Birr (Puhdys). Musiker mit unterschiedlichen Erfahrungen, Erfolgen und Erlebnissen, die auch Einblicke in ihr Privatleben geben. Siebzig Fotos runden das schön gestaltete Buch ab. Da dieses Buch nicht alles abbilden kann, was die DDR an Rockmusik zu bieten hatte, ist für nächstes Jahr das "jetzt wirklich allerletzte Ostrock Buch" angekündigt
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    URL: Cover
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  • 65
    Book
    Book
    London : Penguin Books
    ISBN: 9780141975283
    Language: English
    Pages: 940 Seiten, 24 ungezählte Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 941.0858
    RVK:
    Keywords: Great Britain History Elizabeth II, 1952- ; Great Britain Politics and government 1979-1997 ; Great Britain Economic conditions 1979-1997 ; Great Britain Social conditions 1945- ; Großbritannien ; Politik ; Wirtschaft ; Gesellschaft ; Geschichte 1979-1982
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  • 66
    ISBN: 978-3-8253-4648-5 , 382534648X
    Language: English
    Pages: x, 299 Seiten : , Illustrationen ; , 21 cm x 13.5 cm.
    Series Statement: American Studies volume 303
    Series Statement: American Studies
    Parallel Title: Erscheint auch als
    DDC: 970.980
    RVK:
    RVK:
    RVK:
    Keywords: Grabbe, Hans-Jürgen ; Frau. ; Politik. ; Politische Beteiligung. ; USA. ; Festschrift ; 1947- Grabbe, Hans-Jürgen ; Frau ; Politik ; Politische Beteiligung
    Note: Auswahlbibliographie "Women and US politics" 2016-2019 Seite 289-299
    Library Location Call Number Volume/Issue/Year Availability
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  • 67
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030430993
    Language: English
    Pages: xv, 442 Seiten
    Parallel Title: Erscheint auch als
    DDC: 780.1
    RVK:
    RVK:
    RVK:
    Keywords: Adorno, Theodor W. ; Manic Street Preachers ; Philosophy of Music ; Music ; Music—Philosophy and aesthetics ; Music ; Rockmusik ; Kulturkritik ; Musikphilosophie ; Manic Street Preachers ; Rockmusik ; Adorno, Theodor W. 1903-1969 ; Musikphilosophie ; Kulturkritik
    Library Location Call Number Volume/Issue/Year Availability
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  • 68
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030431006
    Language: English
    Pages: 1 Online-Ressource (XV, 442 p)
    Edition: 1st ed. 2020
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.1
    RVK:
    RVK:
    RVK:
    Keywords: Adorno, Theodor W. ; Manic Street Preachers ; Philosophy of Music ; Music ; Music—Philosophy and aesthetics ; Music ; Rockmusik ; Kulturkritik ; Musikphilosophie ; Manic Street Preachers ; Rockmusik ; Adorno, Theodor W. 1903-1969 ; Musikphilosophie ; Kulturkritik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    ISBN: 9783447199780
    Language: German
    Pages: 1 Online-Ressource (X, 331 Seiten)
    Series Statement: Forschungen zur osteuropäischen Geschichte Band 88
    Dissertation note: Dissertation Friedrich-Schiller-Universität Jena 2019
    RVK:
    RVK:
    Keywords: Geschichte 1975-1991 ; Jugendpolitik ; Jugendkultur ; Kulturpolitik ; Musik ; Punk ; Erlaubnis ; Subkultur ; Rockmusik ; Politischer Wandel ; Sowjetunion ; Moskau ; Vilnius ; Litauen ; Wiesbaden ; Hochschulschrift
    Note: Literaturverzeichnis Seite [323]-331
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  • 70
    ISBN: 9781419742132 , 1419742132
    Language: English
    Pages: xiv, 380 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Gruen, Bob Right Place, Right Time
    DDC: 770.92
    RVK:
    RVK:
    Keywords: Gruen, Bob ; Gruen, Bob ; Photographers Biography ; Rock musicians Anecdotes ; Photographers ; Rock musicians ; Anecdotes ; Autobiographies ; Biographies ; Autobiographies ; Anecdotes ; United States ; Autobiografie ; Autobiografie ; Gruen, Bob 1945- ; Fotografie ; Rockmusik ; Rockmusiker
    Abstract: Introduction -- Where it all began -- Growing up -- The Emerald City -- Where there's smoke -- The rise and fall of Glitterhouse -- The Ike and Tina express -- 1971: it's all happening -- Elephant's memory -- Coast to coast -- Some time in New York City -- In the thick of it -- Surreal days -- New York to LA and back again -- Airborne! -- New York clubs -- Central Park to Byblos -- Whatever gets you through the night -- Right place, right time -- Money honey -- Trouble in Japan -- The club scene -- London calling -- Everything will be alright -- Anarchy in the UK -- Anarchy in the USA -- All-access pass -- Full moon rising -- The record plant -- Now he is everywhere -- The view from here -- See you in Jamaica -- Stars in my eyes -- Happy birthday to me -- Epilogue.
    Abstract: The veteran rock-and-roll photographer shares memories from nearly half a century in the industry, from his cross-country trip with the Ike and Tina Turner band to his backstage encounters with KISS
    Abstract: For more than fifty years Gruen has documented the music scene in pictures that have captured the world's attention. Here he tells of his winding, adventure-filled journey in a series of wildly entertaining stories. Gruen offers a unique window into the evolution of American music culture over the last five decades. -- adapted from jacket
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  • 71
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226738543 , 9780226738406
    Language: English
    Pages: 347 Seiten , Illustrationen
    Series Statement: Big issues in music
    Parallel Title: Erscheint auch als
    DDC: 780.78
    RVK:
    RVK:
    RVK:
    Keywords: Konzert ; Festival ; Rockmusik ; Sozialer Wandel ; Live-Auftritt ; Rock music / Social aspects / United States ; Rock music / Social aspects / Europe ; Music festivals / Social aspects / United States ; Music festivals / Social aspects / Europe ; Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    Abstract: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Abstract: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 72
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
    RVK:
    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
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  • 73
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108769426
    Language: English
    Pages: 1 Online-Ressource (xviii, 365 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
    RVK:
    Keywords: Beatles ; The Beatles ; Geschichte 1960-1970 ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Politik ; Soziokultur ; Großbritannien ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms
    Note: Title from publisher's bibliographic system (viewed on 11 Mar 2020) , The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    Image
    Image
    Moskva : Izdatelʹstvo AST
    Title: Русский рок: история : фотографии, интервью, документы
    Publisher: Москва : Издательство АСТ
    ISBN: 9785171204785
    Language: Russian
    Pages: 207 Seiten
    Series Statement: Zvezdy veka
    RVK:
    RVK:
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    Keywords: Geschichte 1980-1990 ; Rockmusik ; Rockmusiker ; Russisch ; Sowjetunion ; Interview ; Quelle ; Bildband ; Interview ; Quelle ; Bildband ; Bildband ; Interview ; Quelle ; Bildband ; Interview ; Quelle ; Bildband ; Sowjetunion ; Russisch ; Rockmusik ; Rockmusiker ; Geschichte 1980-1990
    Note: Text russisch , Kyrillisch
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  • 75
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Kultur und soziale Praxis
    RVK:
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Alevis ; Aleviten ; Cultural Anthropology ; Cultural Studies ; Kulturanthropologie ; Kurden ; Kurds ; Migration ; Music ; Musicology ; Musik ; Musikwissenschaft ; Politics ; Politik ; Protest Music ; Protestmusik ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: In Deutschland leben zahlreiche Musiker*innen aus der Türkei, die in ihrem Herkunftsland aus politischen Gründen nicht uneingeschränkt leben und musizieren könnten. Sie verließen die Türkei aufgrund des Militärputsches von 1980, der Diskriminierung ihrer kurdischen und/oder alevitischen Identität oder des gescheiterten Gezi-Protests und erneuter Einschränkungen von Minderheitsgruppierungen im Musikleben. Kirsten Seidlitz untersucht, wie sie von Deutschland aus mit ihrem musikalischen Schaffen politisch kommentieren, inwiefern die deutsche Gesellschaft mit Musik erreicht, aufgeklärt und beeinflusst werden kann, und ob die in Deutschland produzierte Musik zurück in die Türkei gelangt.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
    URL: Cover
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 76
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag | Stuttgart : Wissenschaftliche Verlagsgesellschaft
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    RVK:
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    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
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  • 77
    ISBN: 9783515125857 , 351512585X
    Language: German
    Pages: 519 Seiten , Illustrationen , 25 cm, 1022 g
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    Parallel Title: Erscheint auch als Borscheid, Peter, 1943- The American Way of Music
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
    Note: Literaturverzeichnis Seite 508-519
    URL: Cover
    URL: Cover
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  • 78
    ISBN: 9781350075368 , 9781350075375
    Language: English
    Pages: 1 Online-Ressource (xii, 260 Seiten) , Illustrationen, Karten
    Series Statement: Imagines : classical receptions in the visual performing arts
    Parallel Title: Erscheint auch als Classical antiquity in heavy metal music
    DDC: 781.66
    RVK:
    Keywords: Heavy metal (Music) History and criticism ; Classical antiquities in music ; Heavy metal (Music) ; Criticism, interpretation, etc ; Classical antiquities in music ; Heavy metal (Music)-History and criticism.. ; Electronic books ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Rockmusik ; Heavy Metal ; Rezeption ; Antike
    Abstract: Vergil's Aeneid and nationalism in Italian metal / K.F.B. Fletcher -- Eternal defiance: Celtic identity and the classical past in heavy metal / Matthew Taylor -- Screaming ancient Greek hymns: the case of Kawir and the Greek black metal scene / Christodoulos Apergis -- Cassandra's plight: gender, genre, and historical concepts of femininity in gothic and power metal / Linnea Åshede and Anna Foka -- Heavy metal Dido: Heimdall's "Ballad of the Queen" / Lissa Crofton-Sleigh -- A metal Monstrum: Ex Deo's Caligula / Iker Magro-Martínez -- Occult and pulp visions of Greece and Rome in heavy metal / Jared Secord -- "When the land was milk and honey and magic was so strong and true": Edward Said, ancient Egypt, and heavy metal / Leire Olabarria -- Coda: some trends in metal's use of classical antiquity / Osman Umurhan
    Abstract: This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil's Aeneid, and Caesar's Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands' engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music-often dismissed as lowbrow-engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    ISBN: 9783734408991 , 3734408997
    Language: German
    Pages: 173 Seiten , 19 cm x 12 cm
    Parallel Title: Erscheint auch als Büchner, Timo Der Begriff "Heimat" in rechter Musik
    DDC: 306.4842
    RVK:
    Keywords: Rechtsradikalismus ; Unterhaltungsmusik ; Heimat ; Rockmusik ; Rechtsradikalismus ; Heimat
    Abstract: Der Kampf um die Deutungshoheit des Heimatbegriffs wird nicht nur im Netz und im Parlament, sondern auch in der Musik geführt. "Rechtsrock" ist seit mehr als 30 Jahren zu einem wichtigen Ideologieträger geworden. Eingerahmt wird dieser Text von persönlichen Erfahrungen des Autors mit dem Begriff Heimat. Nachdem T. Büchner (s. "Weltbürgertum statt Vaterland", 2018, hier nicht besprochen) ausführlich auf die Aktualität und die Geschichte des Begriffs eingegangen ist, gibt er einen Einblick in die verschiedenen Aspekte der rechten Musik. Er analysiert Musik und Texte der Rapper Komplott und Chris Ares und geht ausführlich auf den rechten Liedermacher F. Reinicke ein. Dabei macht er deutlich welche Kontakte die Musiker zu rechten Personen, Parteien und Organisationen haben. Einen breiten Raum nimmt die angeblich unpolitische Band Frei-Wild ein. Als positiven Gegenpol berichtet der Autor über die Band "Feine Sahne Fischfilet". Eine informative Analyse der rechten Musikszene, geeignet für Lehrer und Schüler, die nach dem deutlich umfangreicheren Band "Rechtsrock" angeschafft werden sollte
    Note: Literaturverzeichnis: Seite 157-172
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  • 80
    Book
    Book
    Lanham ; Bouldre ; New York ; London : Rowman & Littlefield
    ISBN: 9781538127179
    Language: English
    Pages: xv, 207 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1960-1970 ; Musikleben ; Rockmusik ; London ; Rock music / England / London / 1961-1970 / History and criticism ; Rock musicians / England ; Rock music ; Rock musicians ; England ; England / London ; 1961-1970 ; Criticism, interpretation, etc ; London ; Rockmusik ; Musikleben ; Geschichte 1960-1970
    Abstract: "London, Reign Over Me captures all of the excitement, freedom of expression, love, wild abandon, and the moment of cultural transformation that gave us classic rock. Stephen Tow draws from an array of sources, including influential London music newspapers as well as original interviews with key participants in the scene"--
    Description / Table of Contents: Out of the gray and into the blues -- R&B boom! -- It was just bloody Wednesday -- Discovering prog rock -- You can all join in (progressive rock) -- Blues revisited
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  • 81
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (519 Seiten) , Diagramme
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
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    Keywords: Geschichte ; Geschichte 1945-2020 ; Musikmarkt ; Unterhaltungsmusik ; Internationalisierung ; Musikwirtschaft ; Rockmusik ; Globalisierung ; Amerikanisierung ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 82
    Book
    Book
    Hofheim am Taunus : Wolke Verlag | Darmstadt : Jazzinstitut Darmstadt
    ISBN: 9783955930165
    Language: German
    Pages: 236 Seiten , Illustrationen , 23 cm x 15.8 cm, 340 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 16
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 781.65092
    RVK:
    Keywords: Politik ; Jazz ; Jazzmusiker ; Politisches Engagement ; Musik und Politik ; Jazz und Politik ; politischer Jazz ; Konferenzschrift Jazzinstitut Darmstadt 03.10.2019-05.10.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift Jazzinstitut Darmstadt 03.10.2019-05.10.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift Jazzinstitut Darmstadt 03.10.2019-05.10.2019 ; Konferenzschrift 2019 ; Jazz ; Politik ; Jazzmusiker ; Politisches Engagement
    Note: Genaue Kongressdaten ermittelt
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  • 83
    Book
    Book
    Lanham : Lexington Books
    ISBN: 9781498588522
    Language: English
    Pages: vii, 209 Seiten
    DDC: 781.660904
    RVK:
    RVK:
    Keywords: Geschichte 1964-1980 ; Rockmusik ; Literatur ; Imagination ; Kreativität ; Soziokultureller Wandel
    Note: Selected Bibliography Seite 187-196
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  • 84
    ISSN: 0943-0547
    Language: German
    Pages: Illustrationen
    Titel der Quelle: Kreuzer
    Publ. der Quelle: Leipzig : Kreuzer-Medien-Ges., 1990
    Angaben zur Quelle: (2019), 2, Seite 38-39
    Angaben zur Quelle: year:2019
    Angaben zur Quelle: number:2
    Angaben zur Quelle: pages:38-39
    RVK:
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    Keywords: Leipzig ; Musikleben ; Rockmusik ; Post-Rock ; Geschichte 2019
    Note: Abweichender Titel im Inhaltsverzeichnis: Liegengeblieben: eine Erneuerung täte dem Post Rock auch in Leipzig gut
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  • 85
    Book
    Book
    London and New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229474
    Language: English
    Series Statement: SOAS musicology series
    DDC: 781.62/610468
    RVK:
    Keywords: Geschichte ; Musik ; Politik ; Flamenco music History and criticism ; Folk music History and criticism ; Music Political aspects ; Regionalism in music ; Flamenco History ; Soziale Funktion ; Regionalismus ; Flamenco ; Spanien ; Andalusien ; Andalusien ; Flamenco ; Regionalismus ; Soziale Funktion
    Note: Includes bibliographical references and index
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  • 86
    ISBN: 9780367229238
    Language: English
    Pages: xiv, 237 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Popular music Influence ; Popular music Political aspects ; Popular music Social aspects ; Music and transnationalism ; Sänger ; Popmusik ; Musiksoziologie ; Songwriter ; Politik ; Europa ; Aufsatzsammlung ; Europa ; Popmusik ; Sänger ; Songwriter ; Politik ; Musiksoziologie
    Note: Includes bibliographical references and index , First issued in paperback 2019
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  • 87
    ISBN: 1350118990 , 9781350118997 , 9781350016446
    Language: English
    Pages: IX, 198 Seiten , Illustrationen
    Series Statement: Bloomsbury advances in critical discourse studies
    DDC: 781.6309561
    RVK:
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    Keywords: Musik ; Politik ; Popmusik ; Popsong ; Türkei
    Note: Originally published: in ebook format 2018
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  • 88
    ISBN: 9780226922997 , 9780226923000
    Language: English
    Pages: 346 Seiten , Illustrationen
    RVK:
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    Keywords: Geschichte ; Countrymusic ; Politik ; USA
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  • 89
    ISBN: 9781350016446
    Language: English
    Pages: ix, 198 pages , Illustrationen
    Edition: Paperback ed.
    Parallel Title: Erscheint auch als Way, Lyndon C. S. Popular music and multimodal critical discourse studies
    DDC: 781.6309561
    RVK:
    Keywords: Popular music Political aspects ; Türkei ; Unterhaltungsmusik ; Politik ; Geschichte 2002-2018
    Note: Includes bibliographical references and index
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  • 90
    Online Resource
    Online Resource
    Bingley, England : Emerald Publishing
    ISBN: 9781787563957
    Language: English
    Pages: 1 Online-Ressource (xx, 189 pages) , illustrations
    Series Statement: Emerald studies in metal music and culture
    Parallel Title: Erscheint auch als Medievalism and metal music studies : throwing down the gauntlet
    DDC: 909.07
    RVK:
    Keywords: Medievalism ; Heavy metal (Music) Criticism and interpretation ; Rockmusik ; Rezeption ; Mittelalter ; Heavy Metal ; Aufsatzsammlung ; Mittelalter ; Rezeption ; Rockmusik ; Heavy Metal
    Note: Description based on print version record
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  • 91
    ISBN: 978-3-534-40305-9 , 978-3-534-40304-2
    Language: German
    Pages: 1 Online-Ressource (147 Seiten) : , Illustrationen.
    Series Statement: Schriftenreihe des Mittelalterlichen Kriminalmuseums Rothenburg ob der Tauber Band 10
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Bänkelsang. ; Musik. ; Hexensabbat. ; Völkerstrafrecht. ; Paperback / softback ; Allgemein ; Bänkelsang ; Brecht ; Geschichte ; Hexensabbat ; Mittelalter ; Moritat ; Musik ; Popmusik ; Rammstein ; Recht ; Rockmusik ; WF: Wissen Fachbuch ; 1559: Hardcover, Softcover / Geschichte/Kulturgeschichte ; Konferenzschrift 11.08.2018 ; Bänkelsang ; Geschichte ; Musik ; Hexensabbat ; Geschichte ; Völkerstrafrecht ; Musik ; Geschichte
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  • 92
    Online Resource
    Online Resource
    Darmstadt : wbg Theiss
    ISBN: 9783806239539 , 9783806239546
    Language: German
    Pages: 1 Online-Ressource (295 Seiten)
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1914-2018 ; Popsong ; Provokation ; Hardback ; Allgemein ; Musik ; Musikgeschichte ; Popmusik ; Popsong ; Rockmusik ; WS: Wissen Sachbuch ; 1965: Hardcover, Softcover / Sachbücher/Musik, Film, Theater/Pop, Rock ; Popsong ; Provokation ; Geschichte 1914-2018
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  • 93
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781138592100 , 9781472462404
    Language: English
    Pages: xxiv, 321 Seiten , Notenbeispiele
    Edition: 3rd edition
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Rockmusik ; Musiktheorie ; Musikwissenschaft ; Einführung ; Einführung ; Einführung ; Rockmusik ; Musiktheorie ; Musikwissenschaft
    Note: Includes bibliographical references and index
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  • 94
    ISBN: 9783453202924 , 3453202929
    Language: German
    Pages: 496 Seiten , Illustrationen , 22.7 cm x 15 cm
    Edition: Deutsche Erstausgabe
    Additional Information: In Beziehung stehende Ressource 9783453163034
    Additional Information: In Beziehung stehende Ressource 9783453201316
    Uniform Title: Me
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: John, Elton ; Hardback ; )With dust jacket ; Autobiografie ; Popmusik ; Rockmusik ; Prinzessin Diana ; Musikgeschichte ; Musiker ; John Lennon ; Candle in the Wind ; Homosexualität ; I'm Still Standing ; 1961: Hardcover, Softcover / Sachbücher/Musik, Film, Theater/Biographien, Autobiographien ; Autobiografie ; Autobiografie ; Autobiografie ; John, Elton 1947-
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  • 95
    ISBN: 9783943483086 , 3943483088
    Language: German
    Pages: VII, 198 Seiten , Notenbeispiele, Illustration , 20.5 cm x 14.5 cm, 278 g
    Series Statement: Schwarze Reihe Musik Nr. 4
    Series Statement: Schwarze Reihe Musik
    DDC: 780.92
    RVK:
    Keywords: Biografie ; Diskografie ; Emerson, Keith 1944-2016 ; Kunstmusik ; Rockmusik
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  • 96
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226654775
    Language: English
    Pages: 1 online resource (208 pages) , 14 halftones, 2 line drawings
    Series Statement: Chicago Studies in Ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 306.4/842096652
    RVK:
    Keywords: MUSIC / General ; Music Political aspects ; Politik ; Musik ; Guinea ; Guinea ; Musik ; Politik
    Abstract: Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But as Nomi Dave shows us in The Revolution's Echoes, the opposite is also true-music can often support, rather than challenge, the powers that be. Examining fifty years of history in Guinea, Dave introduces readers to the music supporting the authoritarian regime of former president Sékou Touré, and to the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn't just the result of state manipulation-even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution's Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) , In English
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  • 97
    ISBN: 9783534403059 , 9783534403042
    Language: German
    Pages: 1 Online-Ressource (147 Seiten) , Illustrationen
    Series Statement: Schriftenreihe des Mittelalterlichen Kriminalmuseums Rothenburg ob der Tauber Band 10
    Series Statement: Schriftenreihe des Mittelalterlichen Kriminalmuseums Rothenburg ob der Tauber
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Hexensabbat ; Musik ; Völkerstrafrecht ; Bänkelsang ; Paperback / softback ; Allgemein ; Bänkelsang ; Brecht ; Geschichte ; Hexensabbat ; Mittelalter ; Moritat ; Musik ; Popmusik ; Rammstein ; Recht ; Rockmusik ; WF: Wissen Fachbuch ; 1559: Hardcover, Softcover / Geschichte/Kulturgeschichte ; Konferenzschrift 11.08.2018 ; Bänkelsang ; Geschichte ; Musik ; Hexensabbat ; Geschichte ; Völkerstrafrecht ; Musik ; Geschichte
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  • 98
    ISBN: 9783838271736
    Language: English
    Pages: 1 Online-Ressource (250 p.)
    Edition: 1st, New ed.
    Series Statement: Soviet and Post-Soviet Politics and Society 203
    RVK:
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    RVK:
    Keywords: Geschichte 2013-2017 ; Euromaidan ; Politische Bewegung ; Popmusik ; Internationale Politik ; Music ; Politics ; Ukraine ; Russia ; Musik ; Politik ; Russland ; Russland ; Ukraine
    Abstract: This multi-authored monograph consists of the sections: “Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution”, “The Euromaidan’s Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists?”, “Exposing the Fault Lines beneath the Kremlin’s Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem”, “‘Lasha Tumbai’, or ‘Russia, Goodbye’? The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground”, and “(Post-)Soviet Rock Soundtracks the Donbas Conflict”.
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  • 99
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 0367871718 , 9780367871710
    Language: English
    Pages: ix, 334 Seiten
    Edition: First issued in paperback
    Series Statement: Routledge music bibliographies
    RVK:
    RVK:
    Keywords: Popmusik ; Rockmusik ; Musiktheorie ; Music theory Bibliography ; Music theory Bibliography ; Bibliografie ; Bibliografie
    Abstract: Popular Music Theory and Analysis: A Research and Information Guide uncovers the wealth of scholarly works dealing with the theory and analysis of popular music. This annotated bibliography is an exhaustive catalog of music-theoretical and musicological works that is searchable by subject, genre, and song title. It will support emerging scholarship and inquiry for future research on popular music
    Note: First published 2017 by Routledge
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  • 100
    ISBN: 9780807049396
    Language: English
    Pages: ix, 270 Seiten , Illustrationen, Karten
    DDC: 970.004/97
    RVK:
    Keywords: Dos Passos, John ; Indians of North America Juvenile literature Historiography ; Indians of North America Juvenile literature Colonization ; Indians, Treatment of Juvenile literature History ; Politik ; Geschichte ; United States Juvenile literature Colonization ; United States Juvenile literature Race relations ; United States Juvenile literature Politics and government ; Nordamerika ; Jugendbuch
    Abstract: "Going beyond the story of America as a country "discovered" by a few brave men in the "New World," Indigenous human rights advocate Roxanne Dunbar-Ortiz reveals the roles that settler colonialism and policies of American Indian genocide played in forming our national identity. The original academic text is fully adapted by renowned curriculum experts Debbie Reese and Jean Mendoza, for middle-grade and young adult readers to include discussion topics, archival images, original maps, recommendations for further reading, and other materials to encourage students, teachers, and general readers to think critically about their own place in history"--
    Note: Includes bibliographical references and index
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