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  • USA  (3,419)
  • Electronic books ; local
  • Frankreich
  • Musicology  (2,068)
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  • 1
    Language: English
    DDC: 306.3620973
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    Keywords: Slavery History ; United States ; Aufsatzsammlung ; USA ; Sklaverei ; Geschichte
    Note: Suppl. zu: Without consent or contract / Robert William Fogel. - Umfasst: Vol. 1. Markets and production: technical papers. Vol. 2: Conditions of slave life and the transition to freedom: technical papers
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  • 2
    ISBN: 9780275991814
    Language: English
    Pages: 24cm
    Series Statement: Praeger perspectives
    DDC: 303.48273009051
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    Keywords: Globalization United States ; United States Social conditions ; 21st century ; Aufsatzsammlung ; USA ; Globalisierung
    Note: Bd. 2 u. 3 hrsg. von Beverly Grawford
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  • 3
    Journal/Serial
    Journal/Serial
    Wiesbaden : Springer VS | Opladen : Leske + Budrich | Wiesbaden : VS Verl. für Sozialwissenschaften ; 1.1988 - 12.1999; [13.]2000; 14.2001 - 15.2002(2003); 2003(2004) -
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    ISSN: 0935-6649
    Language: German
    Pages: 21 cm
    Dates of Publication: 1.1988 - 12.1999; [13.]2000; 14.2001 - 15.2002(2003); 2003(2004) -
    Parallel Title: Erscheint auch als Frankreich-Jahrbuch
    Former Title: Frankreich-Jahrbuch
    Former Title: Politik, Wirtschaft, Gesellschaft, Geschichte, Kultur
    DDC: 300
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    Keywords: Frankreich ; Frankreich Politisches System ; Wirtschaft ; Gesellschaft ; Kultur ; Länder- und Regionalforschung ; France Political systems ; Economy ; Society ; Culture ; Area studies ; Zeitschrift ; Frankreich ; Zeitschrift ; Frankreich ; Politik ; Wirtschaft ; Gesellschaft ; Zeitschrift ; Frankreich ; Politik ; Wirtschaft ; Gesellschaft ; Geschichte
    Note: Hrsg. ab 2.1989. , Ersch. jährl.
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  • 4
    Language: German
    Pages: 300 mm x 300 mm, 1450 g
    DDC: 780
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    Keywords: Bildband ; Gespräch ; Reimer, Arne 1972- ; USA ; Jazzmusiker ; Gespräch ; Reimer, Arne 1972- ; Porträtfotografie ; Jazzmusiker ; USA
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  • 5
    Journal/Serial
    Journal/Serial
    Paris : [Verlag nicht ermittelbar] ; N.S. T. 3=Année 6.1922 - 20=Année 23.1939 = Nr. 1-71/72; 22=Année [25.]1943 - 23=Année [26.]1944; 24=Année 27.1945 - 32=Année 35.1953 = Nr. 73/74-107/108; 36.1954 -
    ISSN: 0035-1601
    Language: French
    Dates of Publication: N.S. T. 3=Année 6.1922 - 20=Année 23.1939 = Nr. 1-71/72; 22=Année [25.]1943 - 23=Année [26.]1944; 24=Année 27.1945 - 32=Année 35.1953 = Nr. 73/74-107/108; 36.1954 -
    Additional Information: 21=Année [24.]1942 Société française de musicologie Société Française de Musicologie Paris : Fischbacher, 1942
    Parallel Title: Erscheint auch als Revue de musicologie
    Former Title: Vorg. Société française de musicologie Bulletin de la Société Française de Musicologie
    Former Title: Rapports et communications / Série speciale
    DDC: 780
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    Keywords: Zeitschrift ; Musikwissenschaft ; Frankreich ; Musik ; Geschichte ; Geschichte
    Note: Repr.: Nendeln, Liechtenstein : Kraus , Index 1967/81 in: 67.1981
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  • 6
    Journal/Serial
    Journal/Serial
    Baden-Baden : Nomos | Opladen : Leske + Budrich | Wiesbaden : Springer VS | Wiesbaden : VS Verl. für Sozialwissenschaften ; 1.1988 - 12.1999; [13.]2000; 14.2001 - 15.2002(2003); 2003(2004)-2020 ; 35. Jahrgang (2021)-
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    ISSN: 0935-6649 , 2627-1745 , 2627-1745
    Language: German
    Pages: 21 cm
    Dates of Publication: 1.1988 - 12.1999; [13.]2000; 14.2001 - 15.2002(2003); 2003(2004)-2020 ; 35. Jahrgang (2021)-
    Parallel Title: Erscheint auch als Frankreich-Jahrbuch
    Former Title: Frankreich-Jahrbuch
    Former Title: Politik, Wirtschaft, Gesellschaft, Geschichte, Kultur
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    Keywords: Frankreich ; Frankreich Politisches System ; Wirtschaft ; Gesellschaft ; Kultur ; Länder- und Regionalforschung ; Zeitschrift ; Frankreich ; Frankreich ; Politik ; Wirtschaft ; Gesellschaft ; Geschichte
    Note: Hrsg. ab 2.1989 , Ersch. jährl.
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  • 7
    Journal/Serial
    Journal/Serial
    Baden-Baden : Nomos | Opladen : Leske + Budrich | Wiesbaden : Springer VS | Wiesbaden : VS Verl. für Sozialwissenschaften ; 1.1988 - 12.1999; [13.]2000; 14.2001 - 15.2002(2003); 2003(2004)-2020 ; 35. Jahrgang (2021)-
    Show associated volumes/articles
    ISSN: 0935-6649 , ISSN 2627-1745 , ISSN 2627-1745
    Language: German
    Pages: 21 cm
    Dates of Publication: 1.1988 - 12.1999; [13.]2000; 14.2001 - 15.2002(2003); 2003(2004)-2020 ; 35. Jahrgang (2021)-
    Parallel Title: Erscheint auch als Frankreich-Jahrbuch
    Former Title: Frankreich-Jahrbuch
    Former Title: Politik, Wirtschaft, Gesellschaft, Geschichte, Kultur
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    Keywords: Frankreich ; Frankreich Politisches System ; Wirtschaft ; Gesellschaft ; Kultur ; Länder- und Regionalforschung ; Zeitschrift ; Frankreich ; Frankreich ; Politik ; Wirtschaft ; Gesellschaft ; Geschichte
    Note: Hrsg. ab 2.1989 , Ersch. jährl.
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  • 8
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 9
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 10
    ISBN: 9781541704114 , 9781541703155 , 1541703154
    Language: English
    Pages: 322 Seiten , Illustrationen
    Edition: First edition
    DDC: 306.30973
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    Keywords: Unternehmer ; Multinationales Unternehmen ; Soziale Ungleichheit ; Unternehmenspolitik ; Gesellschaft ; USA ; Equality ; Economics ; Metaverse ; Economics ; Equality ; Metaverse ; United States
    Abstract: "At a time when the crises of income inequality, climate, and democracy, are compounding to create epic wealth disparity and the prospect of a second American civil war, four billionaires are hyping schemes that are designed to divert our attention away from issues that really matter. Each scheme--the metaverse, cryptocurrency, space travel, and transhumanism--is an existential threat in moral, political, and economic terms. In The End of Reality, Jonathan Taplin provides perceptive insight into the personal backgrounds and cultural power of these billionaires--Peter Thiel, Elon Musk, Mark Zuckerberg, and Marc Andreesen ("The Four")--and shows how their tech monopolies have brought middle-class wage stagnation, the hollowing out of many American towns, a radical increase in income inequality, and unbounded public acrimony. Meanwhile, the enormous amount of taxpayer money to be funneled into the dystopian ventures of "The Four", the benefits of which will accrue to billionaires, exacerbate these disturbing trends. The End of Reality is both scathing critique and reform agenda that replaces the warped worldview of The Four with a vision of regenerative economics that seeks to build a sustainable society with healthy growth and full employment."
    Note: Includes bibliographical references and index
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  • 11
    ISBN: 9780197536261 , 9780197536254
    Language: English
    Pages: xviii, 220 Seiten , Illustrationen
    DDC: 791.45097309045
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    Keywords: Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; USA
    Note: Literaturverzeichnis: Seite 205-207
    URL: Cover  (lizenzpflichtig)
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  • 12
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467230
    Language: English
    Pages: 1 Online-Ressource (xix, 260 Seiten) , Illustrationen
    Series Statement: Eastman studies in music
    Parallel Title: Erscheint auch als
    DDC: 306.4842094409034
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    Keywords: Geschichte 1870-1939 ; Music / Political aspects / France / History / 20th century ; Music / Political aspects / France / History / 19th century ; Nationalism in music ; Musik ; Nation ; Kultur ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic
    Note: Previously issued in print: 2008. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    ISBN: 9780674292796 , 9780674292802 , 0674292790
    Language: English
    Pages: 1 Online-Ressource (xiv, 330 Seiten)
    Uniform Title: Le genre du capital
    Parallel Title: Erscheint auch als Bessière, Céline, 1977 - The gender of capital
    DDC: 305.420944
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    Keywords: Women Economic conditions ; Inheritance and succession Social aspects ; Sex discrimination in economics ; Families Economic aspects ; Feminist economics ; Families ; Economic aspects ; Feminist economics ; Inheritance and succession ; Social aspects ; Sex discrimination in economics ; Women ; Economic conditions ; France ; Frankreich ; Frau ; Geschlecht ; Wirtschaftliche Lage ; Unterprivilegierung
    Abstract: The Family as an Economic Institution -- Family Reproduction Versus Women's Wealth -- Acquit the Strong and Condemn the Weak -- Sexist Accounting under Cover of Egalitarian Law -- Tax Avoidance and Family Peace, at the Expense of -- Women -- Can the Courts Make Up for Wealth Inequality? -- The Particular Hardships of Proletarian Ex-Wives.
    Abstract: "Why do women accumulate less wealth than men? Why do marital separations impoverish women while they do not prevent men from becoming wealthy? This groundbreaking work approaches the institution of family from a materialist point of view, breaking with the dominant theory of modern, economically disinterested family relations. It takes seriously the economists, in the wake of Thomas Piketty, who observe a return to property inequality, based on the legacy of capitalism in the twenty-first century. It reconsiders the effectivity of legal changes that profess formal equality between men and women while condoning inequality in practice"--
    Note: First published in French as Le genre du capital: comment la famille reproduit les inégalités, Editions La Découverte, Paris, 2020 , Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    ISBN: 978-3-608-50220-6 , 3-608-50220-3
    Language: German
    Pages: 430 Seiten ; , 21 cm x 12.8 cm.
    Series Statement: Tropen Sachbuch
    Uniform Title: It's ok to be angry about capitalism
    Parallel Title: Erscheint auch als
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    Keywords: Kapitalismus. ; Umverteilung. ; Soziale Klasse. ; Verteilungsgerechtigkeit. ; Kritik. ; USA. ; Präsidentschaftskandidat ; berühmt ; USA ; Demokraten ; Sozialist ; Kapitalismus ; Hyperkapitalismus ; Kritik ; Kampfansage ; Buch ; politisch ; links ; Systemkritik ; Zukunft ; Zukunftsvision ; US-Politik ; Gesellschaftlicher Wandel ; Utopie ; neuer Gesellschaftsentwurf ; Menschenwürde ; Gleichheit ; Ungleichheit ; amerikanische Poltik ; Barack Obama ; Senator ; Democratic Socialism ; Hillary Clinton ; Kapitalismus ; Umverteilung ; Soziale Klasse ; Verteilungsgerechtigkeit ; Kapitalismus ; Kritik ; Umverteilung ; Soziale Klasse ; Verteilungsgerechtigkeit
    Note: Hier auch später erschienene unveränderte Nachdrucke
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  • 15
    Book
    Book
    Tours : Presses Universitaires François-Rabelais de Tours
    ISBN: 9782869069015 , 2869069014
    Language: French
    Pages: 308 Seiten, 42 ungezählte Seiten Tafeln , Illustrationen, Diagramme , 24 cm
    Series Statement: Collection Tables des hommes
    DDC: 330.0944
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    Keywords: Geschichte ; Teigwarenindustrie ; Lebensmittelproduktion ; Sozialer Wandel ; Frankreich
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  • 16
    ISBN: 9780197639276
    Language: English
    Pages: xviii, 280 Seiten , Illustrationen
    DDC: 306.3/80973
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    Keywords: Rentenfinanzierung ; Altersvorsorge ; Ältere Arbeitskräfte ; Altersgrenze ; Rentenpolitik ; USA ; Retirement ; Retirement Planning ; Retirement Government policy
    Abstract: "We need a new retirement paradigm as private pensions disappear. Families must take more responsibility for their retirement by saving consistently, working long enough to accumulate enough savings, and spending their savings at an appropriate rate in retirement. Families cannot build a secure retirement by themselves, however; they need help from government and employers. This book discusses the strengths and weaknesses of our current retirement system and suggests feasible, sensible reforms to make it much better."
    Note: Literaturverzeichnis: Seite 247-280
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  • 17
    ISBN: 9781324064473 , 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Notenbeispiele, Karte
    Edition: Norton paperback
    Parallel Title: Erscheint auch als
    DDC: 782.4215990973
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    Keywords: The star-spangled banner ; Nationalhymne ; USA
    Note: Literaturangaben, Index
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  • 18
    Online Resource
    Online Resource
    La Vergne : Feral House
    ISBN: 9781627311281
    Language: English
    Pages: 1 Online-Ressource
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    Keywords: Electronic books ; USA ; Punkerin ; Geschichte 1975-1983
    Abstract: Intro -- Title Page -- Copyright -- Dedication -- Contents -- Author's Note -- Foreword by Ann Magnuson -- Introduction -- Essays ¡Feminista! By Alice Bag -- Neo Boys Liner Notes by Suzi Creamcheese -- 1. Midwest: Hit Girls, Haute Girls -- Destroy All Monsters -- The Welders -- Nikki &amp -- the Corvettes -- Flirt -- Chi-Pig -- DA! -- The Shivvers -- The Waitresses -- Bitch -- The Dadistics -- The Cubes -- Unit 5 -- Ama-Dots -- The Dents -- Kate Fagan -- Algebra Suicide -- Dummy Club -- 2. South: Feast on My Heart -- Pylon -- Cichlids -- The Klitz -- The Delinquents -- Mydolls -- Screaming Sneakers -- The Cold -- F-Systems -- Teddy and the Frat Girls -- The Foams -- 3. Northwest: Guys Are Not Proud -- The Dishrags -- Chinas Comidas -- The Accident -- Neo Boys -- The Anemic Boyfriends -- Sado-Nation -- Art Object -- The Braphsmears -- The Visible Targets -- Bam Bam -- 4. West Coast (South): Manic in a Panic -- Backstage Pass -- The Bags -- The Controllers -- Castration Squad -- The Alley Cats -- The Eyes -- Suburban Lawns -- The Dinettes -- The Brat -- 45 Grave -- Tex &amp -- the Horseheads -- Sin 34 -- The Pandoras -- Screamin' Sirens -- 5. West Coast (North): Shake the Hands of Time -- Mary Monday -- The Nuns -- The Avengers -- The Blowdryers -- The Urge -- VS -- VKTMS -- U.X.A. -- IXNA -- Los Microwaves -- Romeo Void -- The Contractions -- Inflatable Boy Clams -- Wilma -- Frightwig -- 6. East Coast: Subversive Pleasure -- Jayne County -- Mars -- The Phantoms -- Helen Wheels Band -- 'B' Girls -- Teenage Jesus &amp -- the Jerks -- Cheap Perfume -- DNA -- Nasty Facts -- UT -- ESG -- Plasmatics -- Tiny Desk Unit -- Disturbed Furniture -- Bush Tetras -- Y Pants -- Egoslavia -- Dizzy and the Romilars -- Chalk Circle -- The Excuses -- Red C -- The Bloods -- Pulsallama -- IN MEMORIUM -- AUTHOR'S ACKNOWLEDGMENTS -- CITATIONS -- INDEX.
    Note: Description based on publisher supplied metadata and other sources
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  • 19
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031160080
    Language: English
    Pages: 1 Online-Ressource (XIX, 425 p. 11 illus., 9 illus. in color.)
    Edition: 8th ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Aliber, Robert Z., 1930 - Manias, panics, and crashes
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    Keywords: Finanzkrise ; Spekulation ; Bankenkrise ; Wirtschaftskrise ; Geldgeschichte ; Bankgeschichte ; Finanzkrise ; Lender of Last Resort ; Welt ; USA ; Financial crises ; Business cycles ; Depressions ; Macroeconomics. ; Finance. ; History. ; Economic history. ; Financial services industry. ; International relations. ; Financial crises ; Financial history ; Financial crashes ; Global financial crisis ; Financial markets ; Financial bubbles ; National banking systems ; Asset-price bubbles ; Exchange-rate volatility ; International financial systems ; Economic history ; Lender of last resort ; International economy ; Liquid capital ; Capital markets ; Housing based credit bubbles ; Minksy moment ; Japanese bubble of late 1980s ; Credit fueled price bubbles ; Cryptocurrencies ; Finanzkrise ; Bankenkrise ; Depression ; Geschichte ; Finanzwirtschaft ; Spekulation ; Börsenkrach ; Krise ; Weltwirtschaft ; Geschichte
    Abstract: 1: Financial Crises: a Hardy Perennial -- 2: The Anatomy of a Typical Crisis.-3: Speculative Manias -- 4: Fueling the Flames: the Expansion of Credit -- 5: The Critical Stage – When the Bubble Is About To Pop -- 6: Bernie Madoff: Frauds, Swindles, and the Credit Cycle -- 7: Domestic Contagion: Twin Peaks? -- 8: International Contagion 1618–1933 -- 9: Bubble Contagion: Mexico City to Tokyo to Bangkok to New York, London, and Reykjavik -- 10: Policy Responses: Benign Neglect, Exhortation, and Bank Holidays -- 11: The Domestic Lender of Last Resort -- 12: The International Lender of Last Resort before 2000.-13: The 21st Century International Lender of Last Resort -- 14: Bitcoin: Worse than a Ponzi -- 15 The Lessons of History.
    Abstract: In the Eighth Edition of this classic text on the financial history of bubbles and crashes, Robert McCauley joins with Robert Aliber in building on Charles Kindleberger's renowned work. McCauley draws on his central banking experience to introduce new chapters on cryptocurrency and the United States as the 21st Century global lender of last resort. He also updates the book's coverage of the recent property bubble in China, as well as providing new perspectives on the US housing bubble of 2003-2006, and the Japanese bubble of the late 1980s. And he gives new attention to the social psychology that leads people to take the risk of investing in Ponzi schemes and asset price bubbles. For the first time in this revised and updated edition, figures highlight key points to ensure that today’s generation of finance and economic researchers, students, practitioners and policy-makers—as well as investors looking to avoid crashes—have access to this panoramic history of financial crisis.
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  • 20
    ISBN: 9782271117830
    Language: French
    Pages: 284 Seiten , Illustrationen
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    Keywords: Rouget de Lisle, Claude Joseph ; Geschichte 1792-2023 ; Nationalhymne ; Aufführung ; Politisierung ; Internationale Politik ; Frankreich
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  • 21
    ISBN: 9780306826436 , 9780306826429
    Language: English
    Pages: xii, 256 Seiten
    DDC: 782.421660922
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    Keywords: Pearl Jam ; Geschichte 1990- ; Rockgruppe ; Grungerock ; USA
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  • 22
    ISBN: 9783830997566
    Language: English
    Pages: 1 Online-Ressource (250 p.)
    Edition: 1st ed.
    Series Statement: Populäre Kultur und Musik 40
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    Keywords: Unterhaltungsmusik ; Kultur ; Ästhetik ; USA
    Abstract: The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan Hip Hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to Country Rap, and from Steve Earle to the Trans Chorus of Los Angeles.
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  • 23
    ISBN: 9783596709458
    Language: German
    Pages: 441 Seiten , 19 cm x 12.5 cm
    Uniform Title: The tyranny of merit: what's become of the common good?
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: USA ; Leistungsgesellschaft ; Soziale Ungleichheit ; Bedrohung ; Demokratie ; Gemeinwohl ; Populismus ; Gemeinwohl ; Sozialer Wandel ; Demokratie ; Leistungsgesellschaft ; Ethik ; Gerechtigkeit
    URL: Inhaltstext  (lizenzpflichtig)
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  • 24
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 25
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
    RVK:
    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 27
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 28
    ISBN: 9780190212636
    Language: English
    Pages: 212 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Rank, Mark Robert Poverty paradox
    DDC: 362.5/560973
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    Keywords: Armut ; Sozialpolitik ; USA ; Poverty ; United States Social policy
    Abstract: "This book has been quite some time in the making. Across a number of years I have researched, taught, and written about poverty. In my opinion, there are few topics of greater importance. It is a dominant and disturbing feature of the American landscape. Yet despite the hundreds of books, articles, reports, and programs addressing the issue, the United States continues to have the highest rates of poverty among the wealthy countries."
    Note: Index
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  • 29
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226824079
    Language: English
    Pages: 388 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 688.7260973
    RVK:
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    Keywords: Geschichte ; Alltagskultur ; Billigware ; Massenkonsum ; Gesellschaft ; USA ; Novelties / United States / History ; Novelties / Social aspects / United States ; Consumption (Economics) / Social aspects / United States ; Material culture / United States ; United States / Civilization ; USA ; Massenkonsum ; Billigware ; Alltagskultur ; Gesellschaft ; Geschichte
    Abstract: "Wendy Woloson considers seriously the detritus of everyday consumerist Western lives--a category that comprises objects that function as art, jokes, tools, embodiments of fantasies, cultural signifiers, status symbols, and much more; a.k.a. "crap." She seeks to use these possessions to illuminate our society, culture, and economy. Why do we--as individuals and as a culture--have these things? Where do they come from, and why do we want them? In her words, this investigation "brings together material culture, consumer culture, behavioral economics, cultural economics, the histories of industrialization, capitalism and international trade, among other disciplines." Also, there's a Lightning Sausage"--
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  • 30
    Book
    Book
    Paris : Presses de la Fondation nationale des sciences politiques
    ISBN: 9782724638905 , 9782111410046
    Language: French
    Pages: 243 Seiten
    Series Statement: Questions de culture
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    Keywords: Geschichte 1970- ; Hip-Hop ; Frankreich ; Aufsatzsammlung
    Note: Literaturhinweise: Seite 213-230
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  • 31
    Book
    Book
    New York, NY : Routledge Taylor & Francis Group
    ISBN: 9780367421687 , 9781032189338 , 1032189339
    Language: English
    Pages: xiv, 203 Seiten , Illustrationen, Diagramme
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    DDC: 781.6509485
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    Keywords: Geschichte 1947-1963 ; Jazz ; Rezeption ; USA ; Schweden
    Note: Literaturangaben
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  • 32
    ISBN: 9781913231163
    Language: English
    Pages: XVIII, 318 Seiten
    DDC: 782.421640944
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    Keywords: Geschichte 1990- ; Musik ; Techno ; Tanzmusik ; Frankreich
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  • 33
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
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  • 34
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 35
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
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    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 36
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH | Bern : Peter Lang International Academic Publishers
    ISBN: 9783631875889
    Language: English
    Pages: 1 Online-Ressource (450 Seiten) , Illustrationen
    Edition: 1st, New ed.
    Series Statement: American Culture 16
    RVK:
    Keywords: Lomax, Alan ; Geschichte 1933-1969 ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift
    Abstract: Alan Lomax (1915-2002) is arguably the most popular and influential American folk song collector of the 20th century. Pursuing a mission of both preserving and popularizing folk music, Lomax moved between political activism, the scholarly world, and the world of popular culture. Based largely on primary material, the book shows how Lomax’s diverse activities made him an authority in the field of folk music and how he used this power to advocate the cultures of perceived marginalized Americans – whom he located primarily in the American South. In this approach, however, folk music became an abstract idea onto which notions oscillating between hope and disillusionment, fear and perspective were projected. The author argues that Lomax’s role as a cultural mediator, with a politically motivated approach, helped him to decisively shape the perception and reception of what came to be known as American folk music, from the mid 1930s to the late 1960s.
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  • 37
    ISBN: 9783751803793 , 3751803793
    Language: German
    Pages: 411 Seiten , Illustrationen
    Edition: Erste Auflage dieser Ausgabe
    Uniform Title: Accounting for Slavery
    RVK:
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    Keywords: Geschichte ; Sklaverei ; Kapitalismus ; Buchführung ; Plantagenwirtschaft ; Plantage ; USA ; Westindien ; Afrika ; Postkolonialismus ; Rassismus ; Amerika ; Wirtschaftsgeschichte ; Ökonomie ; Finanzbuchhaltung ; USA ; Westindien ; Sklaverei ; Plantage ; Kapitalismus ; Geschichte ; USA ; Westindien ; Plantagenwirtschaft ; Sklaverei ; Buchführung
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  • 38
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
    Library Location Call Number Volume/Issue/Year Availability
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  • 39
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
    RVK:
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 40
    ISBN: 9783751803793 , 3751803793
    Language: German
    Pages: 411 Seiten , Illustrationen, Diagramme , 22 cm, 646 g
    Edition: Erste Auflage
    Uniform Title: Accounting for slavery
    DDC: 331.11734097309033
    RVK:
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    Keywords: Plantagenwirtschaft ; Sklaverei ; Buchführung ; USA ; Westindien
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  • 41
    ISBN: 9780190939953 , 9780190939946 , 0190939958 , 019093994X
    Language: English
    Pages: xi, 564 Seiten , Notenbeispiele
    Edition: Third edition
    DDC: 782.421640973
    RVK:
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    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; USA
    Note: 50th anniversary edition, revised , Previous edition: 1990.
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  • 42
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810331
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 780.89928073
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    Keywords: Äthiopischer Einwanderer ; Musik ; Ethiopian Americans Music ; Ethiopians Music ; Musicians ; Musicians ; Music Social aspects ; Music Social aspects ; Music Political aspects ; Music Political aspects ; USA
    Abstract: A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution, 'Sing and Sing On' is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world's oldest monarchies and installed a brutal military regime.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 43
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
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    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: 'Django Generations' shows how relationships between racial identities, jazz, and national belonging become entangled in France.
    Note: Previously issued in print: 2021 , Includes bibliographical references and index
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  • 44
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190053024
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 782.421640973
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    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; Popular music History and criticism ; USA
    Abstract: Composer Alec Wilder's 'American Popular Song' is widely recognized as the definitive book on American popular song. In this volume, which achieved immediate praise and recognition upon its publication, Wilder discusses some 800 songs from the American Songbook, offering a composer's insight, accessible music analysis, as well has his strong personal biases. Nearly 50 years later, this classic study has received a much-needed revision. While leaving Wilder's colorful prose and brazen opinions intact, language, style, and musical nomenclature have been updated to reflect current usage. The musical examples mostly remain, but piano score notation has been replaced with lead-sheet notation: melody, chords, and lyrics. Rhythmic notation has also been adjusted to follow present-day norms. Additionally, a final chapter has been added, which includes more than 50 songs that were not in the original.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 45
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 46
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 47
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780197512067
    Language: English
    Pages: xv, 333 Seiten , Diagramme
    Parallel Title: Erscheint auch als Overtime
    Parallel Title: Erscheint auch als Overtime
    DDC: 304.6
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    Keywords: Ältere Arbeitskräfte ; Alternde Bevölkerung ; Altersgrenze ; Arbeitsangebotsverhalten ; Lebensbedingungen ; Soziale Ungleichheit ; Arbeitsmarktpolitik ; USA ; Aged ; Workforce trends ; Socioeconomic Factors ; United States ; Aufsatzsammlung
    Abstract: When I'm 54 : Working Longer Starts Younger than We Think / Beth C. Truesdale, Lisa F. Berkman, and Alexandra Mitukiewicz -- The Geography of Retirement / Courtney C. Coile -- The European Context : Declining Health but Rising Labor Force Participation among the Middle-Aged / Axel Börsch-Supan, Irene Ferrari, Giacomo Pasini, and Luca Salerno -- Planning for the "Expected Unexpected" : Work and Retirement in the U.S. after the COVID-19 Pandemic Shock / Richard B. Freeman -- The Link between Health and Working Longer : Disparities in Work Capacity / Ben Berger, Italo Lopez-Garcia, Nicole Maestas, and Kathleen Mullen -- The Psychology of Working Longer / Margaret E. Beier and Meghan K. Davenport -- Forecasting Employment of the Older Population / Michael D. Hurd and Susann Rohwedder -- Dying with Your Boots On : The Realities of Working Longer in Low-Wage Work / Mary Gatta and Jessica Horning -- Ad Hoc, Limited, and Reactive : How Firms Respond to an Aging Workforce / Peter Berg and Matthew M. Piszczek -- How Caregiving for Parents Reduces Women's Employment : Patterns Across Sociodemographic Groups / Sean Fahle and Kathleen McGarry -- Working Longer in an Age of Rising Economic Inequality / Gary Burtless -- How Does Social Security Reform Indecision Affect Younger Cohorts? / John B. Shoven, Sita Nataraj Slavov, and John G. Watson -- The Biased Politics of "Working Longer" / Jacob S. Hacker and Paul Pierson -- Conclusion : What Is the Way Forward? / Lisa F. Berkman, Beth C. Truesdale, and Alexandra Mitukiewicz.
    Abstract: "Worldwide, aging populations are one of humanity's greatest accomplishments - and one of our greatest challenges. As longevity has risen and fertility has fallen, older adults make up a larger portion of populations. Without a doubt, societies can reap more benefits from older people's contributions than they did in previous generations. At the same time, this demographic transition changes everything - including how nations navigate work and retirement."
    Note: Literaturangaben. - Index
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  • 48
    Book
    Book
    Baltimore, [Maryland] : Johns Hopkins University Press
    ISBN: 9781421444987
    Language: English
    Pages: 400 Seiten , Illustrationen
    DDC: 781.66097309046
    RVK:
    Keywords: Geschichte 1960-1968 ; Rock 'n' Roll ; Rockmusik ; USA
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  • 49
    Book
    Book
    Bristol, UK : Bristol University Press
    ISBN: 9781529211672 , 9781529211665
    Language: English
    Pages: x, 230 Seiten
    RVK:
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    Keywords: Corporate Social Responsibility ; Unternehmensethik ; Gesellschaftliches Bewusstsein ; Öffentliche Meinung ; Kapitalismus ; USA ; Welt ; Business and politics ; Corporations Political aspects ; Consumption (Economics) Moral and ethical aspects ; Business ethics ; Business ethics Case studies ; Unternehmensethik
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 50
    ISBN: 9791027803415
    Language: French
    Pages: 196 Seiten
    Series Statement: Castor Music
    RVK:
    RVK:
    Keywords: Geschichte 1990-2000 ; Rap ; Frankreich
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  • 51
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783030912314
    Language: English
    Pages: 1 Online-Ressource (195 illus., 97 illus. in color. eReference.)
    Edition: 3rd ed. 2022.
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Kapitalanlage ; Finanzmarkt ; Finanzdienstleistung ; Kapitalmarkttheorie ; Portfolio-Management ; Unternehmensfinanzierung ; Theorie ; Welt ; USA ; Business enterprises—Finance. ; Accounting. ; Financial engineering. ; Financial statements. ; Financial risk management. ; Econometrics. ; Financial Management ; Financial Markets and Instruments ; Financial Technology ; International Finance ; Financial Econometrics ; Portfolio Management ; Capital asset pricing model (CAPM) ; Security Analysis ; Credit Derivatives ; Credit Risk ; Capital Budgeting ; Aufsatzsammlung ; Bank ; Kapitalmarkt ; Kreditwesen ; Kreditmarkt ; Finanzmanagement ; Finanzwirtschaft
    Abstract: Terms and Essays -- Deposit Insurance Schemes -- Gramm-Leach-Bliley Act: Creating a New Bank for a New Millennium -- Pre-funded Coupon and Zero-Coupon Bonds: Cost of Capital Analysis -- Intertemporal Risk and Currency Risk -- Credit Derivatives -- Foreign exchange risk premium and policy uncertainty -- Treasury Inflation-Protected Securities -- Asset Pricing Models -- Conditional Asset Pricing -- Conditional Performance Evaluation -- Working Capital and Cash Flow -- Evaluating Fund Performance Within the Stochastic Discount Factor Framework -- Duration Concepts, Analysis, and Applications -- Loan Contract Terms -- Chinese A and B Shares -- Decimal Trading in the U.S. Stock Markets -- The 1997 NASDAQ Trading Rules -- Reincorporation -- Mean Variance Portfolio Allocation -- Online Trading -- A Critical Evaluation of the Portfolio Performance Indices Under Rank Transformation -- Corporate Failure: Definitions, Methods, and Failure Prediction Models -- Main Bank Relationships, Debt Structure, and Innovation in Japan -- Term Structure: Interest Rate Models -- Review of REIT and MBS -- Experimental Economics and the Theory of Finance -- Merger and Acquisition: Definitions, Motives, and Market Responses -- Multistage Compound Real Options: Theory and Application -- Market Efficiency Hypothesis -- The Microstructure/Micro-Finance Approach to Exchange Rates -- Arbitrage and Market Frictions -- Fundamental Tradeoffs in the Publicly Traded Corporation -- The Mexican Peso Crisis -- Methods for Portfolio Performance Evaluation -- Call Auction Trading -- Market Liquidity -- Market Makers -- Structure of Securities Markets -- Accounting Scandals and Implications for Directors: Lessons from Enron -- Agent-Based Models of Financial Markets -- The Asian Bond Market -- Cross-Border Mergers and Acquisitions -- Jump Diffusion Model -- Networks, Nodes, and Priority Rules -- The Momentum Trading Strategy -- Equilibrium Credit Rationing and Monetary Nonneutrality in a Small Open Economy -- Policy Coordination Between Wages and Exchange Rates in Singapore -- The Le Chatelier Principle of the Capital Market Equilibrium -- MBS Valuation and Prepayments -- The Impacts of IMF Bailouts in International Debt Crises -- Corporate Governance: Structure and Consequences -- A Survey Article on International Banking -- Hedge Funds: Overview, Strategies, and Trends -- An Appraisal of Modeling Dimensions for Performance Appraisal of Global Mutual Funds -- Structural Credit Risk Models: Endogenous Versus Exogenous Default -- Arbitrage Opportunity Set and the Role of Corporations -- Equity Premium Puzzle: The Distributional Approach -- Understanding Ginnie Mae Reverse Mortgage H-REMICs: Its Programs and Cashflow Analysis -- An Analysis of Risk Treatment in the Field of Finance -- The Trading Performance of Dynamic Hedging Models: Time Varying Covariance and Volatility Transmission Effects -- Portfolio Insurance Strategies -- Time-Series and Cross-Sectional Tests of Asset Pricing Models -- Unified Model Arbitrage-free Term Structure of Flow Risks -- A Comparison of Formulas to Compute Implied Standard Deviation -- Securities Transaction Taxes: Literature and Key Issues -- Financial Control and Transfer Pricing -- Alternative Models for Evaluating Convertible Bond: Review and Integration -- A Rationale for Hiring Irrationally Overconfident Managers -- The Statistical Distribution Method, the Decision-Tree Method and Simulation Method for Capital Budgeting Decisions -- Valuation of Interest Tax Shields -- Usefulness of Cash Flow Statements -- Do CEO Gender and Marital Status Affect Firm’s R&D and Value? An Empirical Analysis Using Nonlinear Models -- Three alternative methods for estimating hedge ratios -- Credit Risk Modeling: A General Framework -- Bankruptcy prediction studies across countries using Multiple Criteria Linear Programming (MCLP) data mining approaches -- Application of Difference-in-Differences Strategies in Finance: The Case of Natural Disasters and Bank Responses -- Financial Panel Data Models, Strict versus Contemporaneous Exogeneity, and Durbin-Wu-Hausman Specification Tests -- Accruals and the Asymmetric Timeliness of Earnings: a Decomposition Analysis -- Computer Technology for Financial Service -- Local Volatility Interest Rate Model -- Applications of logistic regression and hazard method in accounting and finance research -- Cube Root Utility Theory -- A Global Comparative Study of Impact Investments Research in Academic Institutions -- Financial Crisis, Capital Requirement and Stress Tests: Evidence from the Extreme Value and Stable Paretian Estimates -- The Economics of and Accounting for Lease Transactions -- Pension accounting, inside Debt, and capital structure -- The Role of Earnings Management in Equity Valuation -- The applications of machine learning in accounting and auditing research -- Internal capital budgeting and allocation in financial firms -- Job Security and CEO Compensation -- Tail-risk protection: Machine Learning meets modern Econometrics -- Structural Breaks in Financial Panel Data -- More on Equilibrium Credit Rationing and Interest Rates: A Theory with New Evidence -- The effect of Basel III on banks' lending -- Mortgage Analysis -- A History of Commercially Available Risk Models -- Short Selling Activity and Effects on Financial Markets and Corporate Decisions -- Simultaneous Equation Models for Financial Planning and Forecasting -- Alternative errors-in-variables models and their applications in finance research -- Optimal Payout Ratio under Uncertainty and the Flexibility Hypothesis: Theory and Empirical Evidence -- Mergers and Acquisitions: Principles and Practices -- Accrual Accounting and Risk: Abnormal Sales Growth and Accruals Quality and Returns -- Applications of Book-Tax Difference in Accounting and Finance Research -- Evaluating Portfolio Risk Management: A New Evidence from DCC Models and Wavelet Approach -- Cash Conversion Cycle and Corporate Performance: Global Evidence -- How Consistent are the Judges of Portfolio Performance? -- Entropy and the Value of Information for Investors -- A Fuzzy Real Option Valuation Approach To Capital Budgeting Under Uncertainty Environment.
    Abstract: The Encyclopedia of Finance comprehensively covers the broad spectrum of terms and topics relating finance from asset pricing models to option pricing models to risk management and beyond. This third edition is comprised of over 1,300 individual definitions, chapters, appendices and is the most comprehensive and up-to-date resource in the field, integrating the most current terminology, research, theory, and practical applications. It includes 200 new terms and essays; 25 new chapters and four new appendices. Showcasing contributions from an international array of experts, the revised edition of this major reference work is unparalleled in the breadth and depth of its coverage.
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  • 52
    ISBN: 9783944487908 , 3944487907
    Language: German
    Pages: 141 Seiten , Illustrationen , 30 cm, 470 g
    DDC: 782.421640904
    RVK:
    Keywords: Geschichte 1920-1952 ; Unterhaltungsmusik ; Schallplatte ; USA ; Diskografie
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  • 53
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 54
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
    RVK:
    RVK:
    RVK:
    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 55
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 56
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
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  • 57
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 58
    ISBN: 9780472055685 , 9780472075683
    Language: English
    Pages: xi, 151 Seiten , 23 cm
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Abstract: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Description / Table of Contents: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
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  • 59
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 60
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 61
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
    RVK:
    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 62
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472903016
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 63
    ISBN: 9783593450766
    Language: German
    Pages: 1 Online-Ressource (434 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Torp, Claudius, 1973 - Klavierwelten
    DDC: 786.2
    RVK:
    Keywords: Geschichte ; Kulturwissenschaft ; Deutschland ; USA ; Österreich ; Globalgeschichte ; global ; Südafrika ; Musik ; Japan ; Vereinigte Staaten ; Kosmopolitismus ; Verflechtungsgeschichte ; Instrument ; Musikgeschichte ; Musikwissenschaft ; Transkulturalität ; Musikkultur ; Klavier ; Piano ; Kunstmusik ; Pianoforte ; Klavierkultur ; Instrumentenhandel ; Konservatorium ; Musiktransfer ; Tasteninstrumente ; Klavierspiel ; Klavier lernen ; Klavier spielen ; Hochschulschrift ; Klavier ; Klaviermusik ; Musikwirtschaft ; Geschichte 1830-1940
    Abstract: Zwischen den 1830er und den 1930er Jahren entfaltete die europäische Kunstmusik eine erhebliche kosmopolitische Anziehungskraft. Auch der Handel mit Tasteninstrumenten nahm damals globale Dimensionen an. Besonders das Klavier erfüllte bedeutsame kulturelle Funktionen: Es war ein Werkzeug der Kanonbildung sowie der Übersetzung musikalischer und literarischer Stoffe. Es stand im Zentrum öffentlicher Spektakel und diente einer ästhetischen Leistungsschau. Darüber hinaus beförderte es eine intime Gefühlskultur. Weltbild und Habitus außereuropäischer Eliten und Musiker haben die Auseinandersetzung mit dem Klavier entscheidend geprägt. Claudius Torp zeichnet in seiner Globalgeschichte des Klaviers die Institutionen des Instrumentenhandels, der Missionen und Konservatorien nach und analysiert die Bedeutung des Klaviers in den drei Fallstudien USA, Südafrika und Japan.
    Note: Literaturverzeichnis: Seite [391]-429
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 64
    ISBN: 9780226810027 , 022681002X , 9780226810164
    Language: English
    Pages: xxx, 438 Seiten , Illustrationen, Karten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 780.89928073
    RVK:
    Keywords: Äthiopischer Einwanderer ; Musik ; USA
    Note: Bibliography Seite 391-416
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  • 65
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781032011783 , 9781032011813
    Language: English
    Pages: xxviii, 145 Seiten , Illustrationen
    Series Statement: Transnational studies in jazz
    Uniform Title: Femmes du jazz
    Parallel Title: Erscheint auch als
    DDC: 782.42165092/2
    RVK:
    RVK:
    Keywords: Geschichte 1980-2020 ; Jazzmusikerin ; Diskriminierung ; Frankreich ; Women jazz musicians / France ; Women jazz singers / France ; Jazz / Social aspects / France ; Sex role in music ; Musiciennes de jazz / France ; Chanteuses de jazz / France ; Rôle selon le sexe dans la musique ; Jazz / Social aspects ; Sex role in music ; Women jazz musicians ; Women jazz singers ; France ; Frankreich ; Jazzmusikerin ; Diskriminierung ; Geschichte 1980-2020
    Abstract: "Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--
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  • 66
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031175138
    Language: English
    Pages: 1 Online-Ressource (XI, 141 p. 20 illus., 15 illus. in color.)
    Series Statement: Exploring the Basic Income Guarantee
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Wright, Robert E., 1969 - Debating universal basic income
    RVK:
    RVK:
    Keywords: Labor economics. ; Artificial intelligence. ; Basic Income Guarantee ; Artificial Intelligence ; General Purpose Technology ; Universal Basic Income ; Labor economics ; Workforce ; USA ; Garantiertes Mindesteinkommen
    Abstract: 1. UBI Basics -- 2. In Favor: Something for Everyone -- 3. Opposed: Less for All -- 4. In Favor: Safety from Artificial Intelligence -- 5. Opposed: No Country for New Robots -- 6. In Favor: Another Weapon Against Climate Change -- 7. Opposed: The Centralized Control Conceit -- 8. Opposed: Too Dear or Too Little -- 9. In Favor: UBI Pays for Itself -- 1.0 Opposed: Democracy Destroyed -- 1.1 In Favor: Democracy Enhanced and Social Justice, Too! -- 12. Opposed: Dependency -- 13. In Favor: Autonomy -- 14. Summary and Alternatives.
    Abstract: This book presents the most compelling arguments for and against implementing a basic income guarantee today, in the voice of proponents and critics, in alternating chapters. Tables, figures, and pictures illustrate the key concepts and evidence, which include benefit cliffs and disincentive deserts, time series macroeconomic data, business, economic, and technological change (BETC), artificial intelligence and other general purpose technologies, along with advanced robotics, the environmental Kuznets Curve, income distributions, democracy, social justice, dependence, autonomy, and economic freedom. A neutral, non-partisan tone introduction defines UBI and covers the history of universal income plans, while the conclusion summarizes the main arguments for and against UBI before surveying alternative policies, including universal basic asset, credit, service, job, and training plans. Robert E. Wright Ph.D. is a Senior Faculty Fellow at the American Institute for Economic Research (AIER) and the (co)author of 24 books on economic policy and history. Aleksandra Przegalińska Ph.D. is an Associate Professor and Vice-President of Kozminski University, Poland. Aleksandra is responsible for International Relations and ESR as well as Senior Research Associate at the Harvard Labour and Worklife Program. Aleksandra is the head of the Human-Machine Interaction Research Center at Kozminski University and the Leader of the AI in Management Program. Until recently, she conducted post-doctoral research at the Center for Collective Intelligence at the Massachusetts Institute of Technology in Boston. She graduated from The New School for Social Research in New York. She is the co-author of Collaborative Society.
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  • 67
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780197519646
    Language: English
    Pages: xii, 406 Seiten
    Parallel Title: Erscheint auch als Gerstle, Gary, 1954- Rise and fall of the neoliberal order
    Parallel Title: Erscheint auch als Gerstle, Gary, 1954 - The rise and fall of the neoliberal order
    Parallel Title: Erscheint auch als Gerstle, Gary, 1954 - The rise and fall of the neoliberal order
    DDC: 320.510973
    RVK:
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    Keywords: 1930-2020 ; Wirtschaftsliberalismus ; Weltwirtschaftsordnung ; Wirtschaftsgeschichte ; USA ; Neoliberalism History ; Conservatism History ; Capitalism Political aspects ; History ; Free enterprise ; United States Foreign economic relations ; United States Foreign relations 1945-1989 ; United States Foreign relations 1989- ; USA ; Neoliberalismus ; Wirtschaftspolitik ; Außenpolitik ; Geschichte 1970-2022
    Abstract: The epochal shift toward neoliberalism – a web of related policies that, broadly speaking, reduced the footprint of government in society and reassigned economic power to private market forces – that began in the United States and Great Britain in the late 1970s fundamentally changed the world. Today, the word "neoliberal" is often used to condemn a broad swath of policies, from prizing free market principles over people to advancing privatization programs in developing nations around the world. To be sure, neoliberalism has contributed to a number of alarming trends, not least of which has been a massive growth in income inequality. Yet as the eminent historian Gary Gerstle argues in The Rise and Fall of the Neoliberal Order, these indictments fail to reckon with the full contours of what neoliberalism was and why its worldview had such persuasive hold on both the right and the left for three decades. As he shows, the neoliberal order that emerged in America in the 1970s fused ideas of deregulation with personal freedoms, open borders with cosmopolitanism, and globalization with the promise of increased prosperity for all. Along with tracing how this worldview emerged in America and grew to dominate the world, Gerstle explores the previously unrecognized extent to which its triumph was facilitated by the collapse of the Soviet Union and its communist allies. He is also the first to chart the story of the neoliberal order's fall, originating in the failed reconstruction of Iraq and Great Recession of the Bush years and culminating in the rise of Trump and a reinvigorated Bernie Sanders-led American left in the 2010s. An indispensable and sweeping re-interpretation of the last fifty years, this book illuminates how the ideology of neoliberalism became so infused in the daily life of an era, while probing what remains of that ideology and its political programs as America enters an uncertain future.
    Note: Enthält Literaturangaben und ein Register
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  • 68
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 69
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
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    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
    RVK:
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 71
    ISBN: 9781350107656 , 9781350107663
    Language: English
    Pages: ix, 209 Seiten , Illustrationen
    DDC: 782.42166092
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    Keywords: Presley, Elvis ; Pop-Kultur ; Rassismus ; USA
    Note: Bibliography Seite 182-196
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  • 72
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014393 , 9781478013471
    Language: English
    Pages: 132 Seiten , 1 Illustration
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Note: Bibliography Seite 125-126
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  • 73
    ISBN: 978-3-593-44531-1 , 978-3-593-44530-4
    Language: English
    Pages: 1 Online-Ressource (322 Seiten) : , Illustrationen, Diagramme.
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1800-2020 ; USA ; Capitalism ; Corporate culture ; United States ; Germany ; development ; 20th century ; 19th century ; Hidden Champions ; companies ; Family businesses ; Familienbetrieb. ; Unternehmenskultur. ; Organisationskultur. ; USA. ; Deutschland. ; Familienbetrieb ; Unternehmenskultur ; Organisationskultur ; Geschichte 1800-2020
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    Book
    Book
    Santa Barbara, California : ABC-CLIO, an imprint of ABC-CLIO, LLC
    ISBN: 9781440865145
    Language: English
    Pages: LIII, 359 Seiten
    DDC: 305
    RVK:
    Keywords: Minderheit ; Soziale Ungleichheit ; USA
    Note: Literaturangaben
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  • 75
    ISBN: 9781493060603
    Language: English
    Pages: xi, 275 Seiten , Fotografien
    Parallel Title: Erscheint auch als
    DDC: 781.6430973
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    Keywords: Blues ; Musik ; USA
    Note: Literaturverzeichnis Seite 259-261 , Impressum: Backbeat Books is "an imprint of Globe Pequot, the trade division of The Rowman & Littlefield Publishing Group, Inc."
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  • 76
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 77
    ISBN: 9781032090030 , 9780367182984
    Language: English
    Pages: x, 198 Seiten
    Edition: issued in paperback
    Series Statement: Routledge advances in international relations and global politics 144
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; USA
    Note: Originally published: 2020. , Literaturverzeichnis Seite 169-183
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  • 78
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 79
    Book
    Book
    Oakland : University of California Press
    ISBN: 9780520303713 , 9780520303706
    Language: English
    Pages: viii, 208 Seiten
    DDC: 781.650973
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    Keywords: Jazzklub ; Jazz ; Konzertsaal ; USA
    Note: Includes bibliographical references and index.
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  • 80
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
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    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 81
    ISBN: 9780197534892 , 9780197534885
    Language: English
    Pages: ix, 264 Seiten , Notenbeispiele
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    Keywords: Geschichte 1990-2000 ; Punk Rock ; USA
    Note: Literaturverzeichnis: Seite [255]-260
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  • 82
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197518199 , 9780197518229
    Language: English
    Pages: x, 293 Seiten , Diagramme
    Series Statement: International policy exchange series
    DDC: 305.50973
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    Keywords: Soziale Ungleichheit ; Einkommensverteilung ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 83
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 84
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Gypsy-Jazz ; Musikethnologie ; Frankreich ; Reinhardt, Django / 1910-1953 / Influence ; Jazz / Social aspects / France ; Romanies / Music / Social aspects / France ; Romanies / Music / Political aspects / France ; Romanies / France / Ethnic identity ; Music and race / France ; Musicians, Romani / France ; Jazz musicians / France ; Reinhardt, Django / 1910-1953 ; Influence (Literary, artistic, etc.) ; Jazz musicians ; Jazz / Social aspects ; Music and race ; Musicians, Romani ; Romanies / Ethnic identity ; France ; Frankreich ; Gypsy-Jazz ; Musikethnologie ; Geschichte
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 85
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503614826 , 9781503608436
    Language: English
    Pages: xi, 376 Seiten , Illustrationen
    Series Statement: Currencies
    Series Statement: new thinking for financial times
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Coleman, Charly The Spirit of French Capitalism
    DDC: 261.8/508828244
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    Keywords: 1650-1800 ; Kapitalismus ; Katholizismus ; Religionswissenschaft ; Ökonomische Ideengeschichte ; Frankreich ; Capitalism History 18th century ; Capitalism Religious aspects ; Catholic Church ; Economics Religious aspects ; Catholic Church ; Capitalism History 18th century ; France Church history 18th century ; Frankreich ; Frühkapitalismus ; Katholische Theologie ; Geschichte 1650-1800 ; Frankreich ; Katholische Kirche ; Finanzwirtschaft ; Merkantilismus ; Kapitalismus ; Moraltheologie ; Aufklärung
    Abstract: The economy of the mysteries -- Perpetual penance and frequent communion -- The spirit of speculation -- Usury redeemed -- The cult of consumption -- Luxury and the origins of the fetish -- Epilogue : encounters with economic theology.
    Abstract: "This book offers a new take on why, in the West, the economy has become synonymous with a belief in the creation of infinite wealth. It does so by turning to the long-suppressed role played by the Catholic Church in the development of capitalism in 18th-century France. Then a dominant and highly influential power, France was rocked by intellectual tumult and confessional clashes, as well as consumer and political revolutions. The church functioned as a de facto state bank, and its clerics thought deeply and extensively about financial matters. Charly Coleman argues that these theologians' long neglected writings show a convergence of economic thought grounded in theological concepts --- what he terms "economic theology" --- whether in managing the debt of sin or marshaling the infinite wealth of divine grace. A counterpart of sorts to Max Weber's famous thesis on The Protestant Ethic and the Spirit of Capitalism, the case here is made for a distinctly Catholic ethic, one that has animated the spirit of capitalism from its inception. The influence of sacramental theory demonstrates that at its core modern economic understanding does not adhere neatly to rational action or disenchanted designs, and in ways that scholars have yet to apprehend fully. Even during the Enlightenment, a sense of the miraculous did not wither away in the cold light of calculation. Rather, it emerged anew as a faith invested in the limitless, endlessly creative expansion of the economic realm."
    Note: Literaturverzeichnis: Seite 315-355
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  • 86
    Online Resource
    Online Resource
    Santa Barbara : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    ISBN: 9781440873195
    Language: English
    Pages: 1 Online-Ressource (401 pages)
    DDC: 782.421599097303
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    Keywords: The star-spangled banner ; Geschichte ; USA ; Wörterbuch
    Note: Description based on publisher supplied metadata and other sources
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  • 87
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
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    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 88
    Online Resource
    Online Resource
    Austin : University of Texas Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781477323946
    Language: English
    Pages: 1 Online-Ressource (xii, 343 Seiten)
    Edition: First edition
    Edition: 2022
    Series Statement: American music series
    DDC: 782.421649
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    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA
    URL: Cover
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  • 89
    Online Resource
    Online Resource
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781477323946
    Language: English
    Pages: 1 Online-Ressource (358 pages)
    Series Statement: American Music Ser.
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 90
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Language: English
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Singles
    DDC: 782.42166092
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    Keywords: Popmusik ; USA
    Abstract: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
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  • 91
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231549295
    Language: English
    Pages: 1 Online-Ressource , 10-15 film stills
    Edition: 2021
    Series Statement: Short Cuts
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Abstract: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    URL: Cover
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  • 92
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource (299 pages)
    Series Statement: Music in American Life Ser. v.1
    DDC: 781.640973
    RVK:
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 93
    ISBN: 9783453677432 , 3453677439
    Language: German
    Pages: 415 Seiten , Fotografien (schwarz-weiß) , 20.6 cm x 13.5 cm
    Edition: Überarbeitete und aktualisierte Ausgabe
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.642092
    RVK:
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    Keywords: Cash, Johnny 1932-2003 ; Countrymusic ; USA
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 94
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 95
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 96
    ISBN: 978-3-8325-5249-7
    Language: German , French
    Pages: 156 Seiten : , Illustrationen ; , 21 cm x 14.5 cm.
    Edition: Erstausgabe Paris, 1863
    RVK:
    Keywords: Viardot-García, Pauline ; Geschichte 1800-1900 ; Klassische Musik. ; Gesang. ; Musikalische Aufführungspraxis. ; Frankreich. ; Gesangsschule ; Oper ; Frankreich ; 19. Jahrhundert ; 22 ; 49 ; Klassische Musik ; Gesang ; Musikalische Aufführungspraxis ; Geschichte 1800-1900 ; 1821-1910 Viardot-García, Pauline
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  • 97
    Online Resource
    Online Resource
    Berlin : Humboldt-Universität zu Berlin, Universitätsbibliothek
    Language: German
    Pages: 1 Online-Ressource (VI, 237 Seiten)
    Parallel Title: Elektronische Reproduktion von Pasqué, Ernst Auf den Spuren des französischen Volkslieds
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    Keywords: Volkslied ; Frankreich ; Frankreich ; Volkslied
    URL: Volltext  (kostenfrei)
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  • 98
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 99
    ISBN: 9781793639004 , 9781793638984
    Language: English
    Pages: ix, 161 Seiten , Illustrationen
    Series Statement: Music, culture, and identity in Latin America
    DDC: 306.484226872064
    RVK:
    Keywords: Unterhaltungsmusik ; Popmusik ; Tex Mex Music ; USA ; Mexiko
    Note: Bibliography Seite 143-155
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  • 100
    Online Resource
    Online Resource
    Redwood City : Stanford University Press
    ISBN: 9781503627741
    Language: English
    Pages: 1 online resource (281 pages)
    Series Statement: Culture and economic life
    Series Statement: Culture and Economic Life Ser.
    Parallel Title: Erscheint auch als Skotnicki, Tad The sympathetic consumer
    DDC: 306.30941
    RVK:
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    Keywords: Konsum ; Konsumentenverhalten ; Konsumentenpräferenzen ; Soziale Bewegung ; Ethik ; Kapitalismus ; USA ; Großbritannien ; Consumer movements History ; Consumer movements-United States-History ; Electronic books ; USA ; Großbritannien ; Verbraucherverhalten ; Kapitalismus ; Soziale Bewegung ; Wirtschaftsethik
    Abstract: What the struggle to make consumption ethical reveals about our world.
    Note: Description based on publisher supplied metadata and other sources
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