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  • 2015-2019  (55)
  • New York : Oxford University Press  (34)
  • Oakland, California : University of California Press
  • Musikwissenschaft  (55)
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Jahr
  • 1
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 0190656840 , 9780190656843 , 0190656859 , 9780190656850
    Sprache: Englisch
    Seiten: vii, 295 Seiten , Illustrationen
    Serie: American musicspheres
    DDC: 781.629697298307471
    RVK:
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    Schlagwort(e): Calypso ; Soca ; Steelband ; Karneval ; New York, NY
    Anmerkung: References Seite 261-266
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    ISBN: 9780199913923 , 9780199913947
    Sprache: Englisch
    Seiten: xiii, 319 Seiten , Illustrationen, Karten
    Serie: Currents in Latin American and Iberian music
    Paralleltitel: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    Schlagwort(e): Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520300804 , 0520300807
    Sprache: Englisch
    Seiten: xviii, 265 Seiten , Illustrationen, Karten, Notenbeispiele
    Paralleltitel: Erscheint auch als Lucas, Ann E., 1978- Music of a thousand years
    RVK:
    Schlagwort(e): Musik ; Iran
    Anmerkung: Literaturverzeichnis Seite 231-251
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190885694
    Sprache: Englisch
    Seiten: x, 312 Seiten
    Serie: An Oxford handbook of applied ethnomusicology / edited by Svanibor Pettan and Jeff Todd Titon Volume 1
    Serie: Oxford handbooks
    Serie: An Oxford handbook of applied ethnomusicology
    DDC: 780.89
    RVK:
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    Schlagwort(e): Applied ethnomusicology ; Angewandte Musikwissenschaft
    Kurzfassung: An introduction to applied ethnomusicology. Applied ethnomusicology : a descriptive and historical account / Jeff Todd Titon ; Applied ethnomusicology in the global arena / Svanibor Pettan ; An introduction to the chapters / Jeff Todd Titon and Svanibor Pettan -- Theoretical and methodological considerations. Transcending researcher vulnerability through applied ethnomusicology / Dan Bendrups ; Evaluating values in applied ethnomusicology / Klisala Harrison ; Cultural engagement and ownership through participatory approaches in applied ethnomusicology / Tan Sooi Beng ; Applied ethnomusicology and intangible cultural heritage : understanding ecosystems of music as a tool for sustainability / Huib Schippers ; Sustainability, resilience, and adaptive management for applied ethnomusicology / Jeff Todd Titon -- Conflict. The role of applied ethnomusicology in post-conflict and post-catastrophe communities / Erica Haskell ; The study of survivors' music / Joshua D. Pilzer ; Music and conflict resolution : the public display of migrants in nationalist conflicts in Europe : an analytical reflection on university-based ethnomusicological activism / Britta Sweers
    Anmerkung: Includes bibliographical references and index
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  • 5
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190660307
    Sprache: Englisch
    Seiten: xvii, 242 Seiten , Illustrationen
    DDC: 782.4215920973
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Protestsong ; USA
    Anmerkung: Literaturverzeichnis Seite 215-218
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  • 6
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press | New York, NY : JSTOR
    ISBN: 9780520972032 , 0520972031
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 online resource)
    Serie: Joan Palevsky imprint in classical literature
    Paralleltitel: Erscheint auch als Lucas, Ann E., 1978- Music of a thousand years
    RVK:
    Schlagwort(e): Musik ; Music History and criticism ; Maqām ; Dastgāh ; HISTORY / Middle East / Iran ; Dastgāh ; Maqām ; Music ; Criticism, interpretation, etc ; Iran ; Iran
    Kurzfassung: Introduction -- Culture of maqam. Musical empires -- Musical structure: cosmology and the universal order c. 1100-1800 -- Music and morality: listening to dangers inherent in the cosmos -- The politics of song: music for kings, music for empire c. 1400-1722 -- Culture of dastgah. Musical structure, musical nation c. 1800-1950 -- The nation's music: discovering and recovering the dastgah -- Music and morality: the recovery of a nation, c. 1880-1940 -- Singing the nation: words of the people, music for Iran -- Conclusion.
    Kurzfassung: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran's particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran's national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region's political history...
    Anmerkung: Includes bibliographical references and index
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  • 7
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190296612 , 9780190296605
    Sprache: Englisch
    Seiten: xviii, 229 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 781.49
    RVK:
    Schlagwort(e): Geschichte ; Sound recordings Production and direction ; Popular music Production and direction ; Musikproduktion ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190653774 , 9780190870522
    Sprache: Englisch
    Seiten: xiii, 292 Seiten , Diagramme, Notenbeispiele
    DDC: 781.66117
    RVK:
    Schlagwort(e): Einführung ; Einführung ; Einführung ; Einführung
    Anmerkung: Literaturverzeichnis: Seite 267-275
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  • 9
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520298712 , 0520298713
    Sprache: Englisch
    Seiten: xi, 174 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Eisenlohr, Patrick, 1967 - Sounding Islam
    Paralleltitel: Erscheint auch als Eisenlohr, Patrick Sounding Islam
    DDC: 297.2/67
    RVK:
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    Schlagwort(e): Voice ; Sound Religious aspects ; Islam ; Islamic poetry ; Islam ; Islam ; Islamic poetry ; Sound ; Voice ; Mauritius ; Islam ; Poetik ; Stimme ; Klang
    Kurzfassung: "Sounding Islam investigates the sonic dimensions of religion, combining perspectives from the anthropology of media, the anthropology of semiotic mediation, and sound studies. Based on long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religion. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' experience, especially within the context of Mauritian Islamic practices. The work is a contribution to the anthropological study of sound, media, and religious experience and a rich study of Mauritius, diasporic South Asian communities, and global Islam."--Provided by publisher
    Beschreibung / Inhaltsverzeichnis: Sounding Islam -- Devotional Islam and sound reproduction -- Aspirations in transnational religious networks -- The materiality of media and the vanishing medium -- The work of transduction: Voice as atmosphere -- Sound as affect? Encorporation and movement in vocal performance
    Anmerkung: Includes bibliographical references and index , Sounding Islam , Devotional Islam and sound reproduction , Aspirations in transnational religious networks , The materiality of media and the vanishing medium , The work of transduction: Voice as atmosphere , Sound as affect? Encorporation and movement in vocal performance
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  • 10
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780199392469
    Sprache: Englisch
    Seiten: xii, 258 Seiten , Illustrationen
    Serie: Currents in Latin American & Iberian music
    DDC: 306.4842094641
    RVK:
    Schlagwort(e): Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
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  • 11
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520279377 , 9780520279384
    Sprache: Englisch
    Seiten: xii, 282 Seiten , Illustrationen
    DDC: 306.484250973
    RVK:
    Schlagwort(e): Verve Jazz Masters ; Geschichte 1956- ; Jazz ; Musikwirtschaft ; Neoliberalismus ; USA
    Anmerkung: "Roth Family Foundation music in America imprint."
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  • 12
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780199733163
    Sprache: Englisch
    Seiten: XII, 709 Seiten , Illustrationen, Notenbeispiele
    Serie: Oxford handbooks
    DDC: 303.376
    RVK:
    Schlagwort(e): Musik ; Zensur ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Includes bibliographical references and index.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 13
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190637231
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of timbre
    DDC: 781.2/34
    RVK:
    Schlagwort(e): Sound ; Tone color (Music) ; Tone color (Music) ; Klangfarbe ; Klang
    Kurzfassung: Pathways & Trajectories : A Guide to the Organization and Use of This Book -- Ethereal Timbres / Emily Dolan and Thomas Patteson -- Deconstruction and Timbre / Naomi Waltham-Smith -- Timbrality : The Vibrant Aesthetics of Tone Color / Isabella van Elferen -- Qur'an Alphabetics and the Timbre of Recitation / Peter McMurray -- The Matter of Timbre : Listening, Genealogy, Sound / Daniel Villegas Vélez -- Translations / Gage Averill -- 'Where Were You When You Found Out Singer Bobby Caldwell Was White?' : Racialized Timbre as Narrative Arc / Nina Sun Eidsheim and Schuyler Whelden -- Music for Cochlear Implants / Stefan Helmreich -- Schoenberg as Sound Student : Pierrot's Klang / Joseph Auner -- Pitch vs. Timbre / Daniel Walden -- Tracing Timbre in Ancient Greece / Naomi Weiss -- Early Modern Voices / Bettina Varwig -- Timbre Before Timbre : Listening to the Effects of Organ Stops, Violin Mutes and Piano Pedals c. 1650-1800 / Deirdre Loughridge -- Futurist Timbres : Listening Failure in Milan / Gavin Williams -- Timbre-Centered Listening in the Soundscape of Tuva / Theodore Levin and Valentina Süzükei -- Timbral Thievery : Synthesizers and Sonic Materiality / Jonathan De Souza -- Timbre/Techne / Alexander Rehding -- Complex Impression and Klangfarbe : Timbre as a Catalyst of Carl Stumpf's Psychological Research / Sebastian Klotz -- Don't Choose the Nightingale : Timbre, Index, and Birdsong in Respighi's "Pini di Roma" / Arman Schwartz -- The Naturalization of Timbre : Two Case Studies / Alexandra Hui -- Perceptual Processes in Orchestration / Meghan Goodchild and Stephen McAdams -- Timbre as Harmony-Harmony as Timbre / Robert Hasegawa -- Timbre and Polyphony in Balinese Gamelan / Michael Tenzer -- Describing Sound : the Cognitive Linguistics of Timbre / Zachary Wallmark and Roger A. Kendall -- Technology and Timbre : Features of the Changing Instrumental Soundscape of the Long Nineteenth Century (1789-1914) / Elizabeth Bradley Strauchen-Scherer.
    Kurzfassung: "With essays covering an array of topics including ancient Homeric texts, contemporary sound installations, violin mutes, birdsong, and cochlear implants, this volume reveals the richness of what it means to think and talk about timbre and the materiality of the experience of sound"--
    Anmerkung: Includes bibliographical references and index
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  • 14
    ISBN: 9780190466992
    Sprache: Englisch
    Seiten: 1 online resource
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
    RVK:
    Schlagwort(e): Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Kurzfassung: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Anmerkung: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
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  • 15
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520970700 , 0520970705 , 9780520298651 , 0520970705 , 9780520298651 , 9780520970700
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 online resource)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
    RVK:
    Schlagwort(e): Britten, Benjamin ; Britten, Benjamin ; Britten, Benjamin ; Music ; Opera ; Modernism (Music) ; Music Philosophy and esthetics 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Music Philosophy and esthetics 20th century ; Electronic books ; MUSIC / History & Criticism ; Modernism (Music) ; Opera ; Operas (Britten, Benjamin) ; History ; Electronic books ; Britten, Benjamin 1913-1976 ; Oper ; Soziale Situation ; Massenkultur ; Neue Musik
    Kurzfassung: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Kurzfassung: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 16
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190299590
    Sprache: Englisch
    Seiten: viii, 187 Seiten , Illustrationen, Diagramme
    DDC: 306.4/84240973
    RVK:
    Schlagwort(e): Geschichte ; Musik ; Identität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Anmerkung: Literaturverzeichnis: Seite [173]-182
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  • 17
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520294394 , 0520294394 , 9780520294400 , 0520294408
    Sprache: Englisch
    Seiten: XI, 303 Seiten , Illustrationen , 26 cm
    Paralleltitel: Online version Tide was always high
    RVK:
    Schlagwort(e): Popular music / California / Los Angeles / Latin American influences ; Popular music / California / Los Angeles / History and criticism ; Latin Americans / California / Los Angeles / Music / History and criticism ; Latin Americans / Music ; Popular music ; Popular music / Latin American influences ; California / Los Angeles ; Criticism, interpretation, etc
    Kurzfassung: "A collection of essays, interviews, and scholarship exploring the often overlooked history of Latin American musicians and music in the shaping of Los Angeles. Featuring a mix of academics, musicians, and journalists, the book listens to the vibrant Latin American soundtracks of Los Angeles, from Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Perez Prado and Juan Garcia Esquivel."--Provided by publisher
    Beschreibung / Inhaltsverzeichnis: Mexican musical theater and movie palaces in downtown Los Angeles before 1950 / by John Koegel -- Rumba emissaries / by Alexandra T. Vazquez -- Doing the samba on Sunset Boulevard : Carmen Miranda and the Hollywoodization of Latin American music / by Walter Aaron Clark -- Walt Disney's Saludos Amigos : Hollywood and the propaganda of authenticity / by Carol A. Hess -- A century of Latin music at the Hollywood Bowl / by Agustin Gurza -- Voice of the Xtabay and Bullock's Wilshire : hearing Yma Sumac from Southern California / by Carolina A. Miranda -- Musical anthropology : a conversation with Elisabeth Waldo / by Gabriel Reyes-Whittaker -- Esquivel! / by Hans Ulrich Obrist -- Listening across boundaries : soundings from the Paramount Ballroom and Boyle Heights / by David F. García -- Studio stories : interviews with session musicians / by Betto Arcos and Josh Kun -- From Bahianas to the King of Pop... : a speculative history of Brazilian music into Los Angeles / by Brian Cross -- Heroes and saints / by Luis Alfaro -- Staging the dance of coalition with versa-style and CONTRA-TIEMPO / by Cindy García -- Booming bandas of Los Ángeles : gender and the practice of transnational Zapotec philharmonic brass bands / by Xóchitl C. Chávez -- Caminos y canciones en Los Angeles, CA / by Martha Gonzalez
    Anmerkung: "The Tide was always high is part of Pacific Standard Time: LA/LA, a far reaching project and ambitious exploration of Latin America and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than 70 cultural institutions across Southern California."--Page before title page
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  • 18
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520285415 , 9780520285408
    Sprache: Englisch
    Seiten: x, 257 Seiten , Illustrationen, Karten
    DDC: 781.6509747
    RVK:
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    Schlagwort(e): Geschichte 1900-2000 ; Sozialgeschichte 1970-1980 ; Geschichte ; Gesellschaft ; Jazz History and criticism 1971-1980 ; Jazz Social aspects 20th century ; History ; Loft ; Jazz ; Fabrikgebäude ; Lagerhalle ; Musikleben ; New York, NY ; New York, NY ; Jazz ; Fabrikgebäude ; Lagerhalle ; Loft ; Musikleben ; Sozialgeschichte 1970-1980
    Kurzfassung: "The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. Loft Jazz provides the first book-length study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination"...Provided by publisher
    Anmerkung: Includes bibliographical references and index
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  • 19
    ISBN: 9780195307245
    Sprache: Englisch
    Seiten: xxxv, 240 Seiten , Karten
    DDC: 780.8996
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    Schlagwort(e): Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Anmerkung: Bibliography Seite 221-233
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  • 20
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520293533 , 9780520293540
    Sprache: Englisch
    Seiten: xiv, 275 Seiten , 24 cm
    Paralleltitel: Erscheint auch als Nava, Alejandro (Author on hip hop), author In search of soul
    DDC: 233/.5
    RVK:
    Schlagwort(e): Soul Christianity ; Soul Judaism ; Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Judentum ; Christentum ; Seele ; García Lorca, Federico 1898-1936 ; Ellison, Ralph 1914-1994 ; Seele ; Afroamerikanische Musik ; Hip-Hop ; Spiritualität
    Kurzfassung: "In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing"--Provided by publisher
    Kurzfassung: In search of soul -- On Hebrew soul : de eloquentia vulgaria -- Christian soul and the revolt of the slave -- In search of duende : Lorca on Spanish soul -- The souls of black folk : Ralph Ellison's tragic-comic portrait -- From soul to hip-hop : the rise of the apocalypse -- Afro-Latin soul and hip-hop
    Anmerkung: Includes bibliographical references and index
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  • 21
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190215866
    Sprache: Englisch
    Seiten: 177 Seiten , 25 cm
    DDC: 781.1/7
    RVK:
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    Schlagwort(e): Musical criticism History 20th century ; Music critics
    Kurzfassung: How to be a music critic in 1940s Spain : expectations and restrictions -- Reviewing contemporary music -- The sound of Hispanidad : reviewing early music -- Reviewing traditional music : towards the unity of the men and the land of Spain
    Beschreibung / Inhaltsverzeichnis: How to be a music critic in 1940s Spain : expectations and restrictions Reviewing contemporary music -- The sound of Hispanidad : reviewing early music -- Reviewing traditional music : towards the unity of the men and the land of Spain.
    Anmerkung: Includes bibliographical references
    URL: Cover
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  • 22
    ISBN: 9780520234949 , 9780520234956 , 0520234944 , 0520234952
    Sprache: Englisch
    Seiten: xx, 315 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als Herder, Johann Gottfried, 1744-1803, author Song loves the masses
    DDC: 781.5/99
    RVK:
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    Schlagwort(e): Herder, Johann Gottfried Criticism and interpretation ; Herder, Johann Gottfried 1744-1803 Criticism and interpretation ; Nationalism in music ; National characteristics ; Folk songs History and criticism ; Folk songs History and criticism ; Nationalism in music ; National characteristics ; Herder, Johann Gottfried von 1744-1803 ; Musik ; Volkslied ; Literatur ; Nationalismus
    Kurzfassung: "Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder's writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder's musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder's own interpretive practice as a translator of languages and cultures, providing today's readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals"--Provided by publisher
    Kurzfassung: Prologue : again Herder -- Folk song at the beginnings of national history : Alte Volkslieder (1774) -- The folk-song project at the confluence of music and nationalism : Volkslieder (1778/1779) and Stimmen der Völker in Liedern (1807) -- Singing the sacred body : Lieder der Liebe -- The nation and its fragments : extract from Correspondence about Ossian and the songs of ancient peoples -- Songs of the enlightenment bard : Homer and Ossian -- Redemption through sacred song : letter 46, theological writings -- The shores of modernity : Wirkung der Dichtkunst auf die Sitten neuerer Zeiten -- The epic as nation : Herder's Cid -- Music transcendent and sublime : On music (1800) -- Epilogue : Herder's journey
    Anmerkung: Includes bibliographical references and index , Translated from the German
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  • 23
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190212605 , 9780190212599
    Sprache: Englisch
    Seiten: xv, 210 Seiten , Illustrationen
    DDC: 306.484240948
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    Schlagwort(e): Popmusik ; Rap ; Reggae ; Folk music ; Radikalismus ; Nationalismus ; Schweden
    Anmerkung: Literaturverzeichnis: Seite 189-206
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  • 24
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190244736
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: Oxford handbooks online
    DDC: 306.4842
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music (i.e., amateur, recreation) as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present a myriad of ways for reconsidering-refocusing attention on-the rich, exciting, and emotionally charged ways in which people of all ages make time for making music through music learning and participation.
    Anmerkung: Includes bibliographical references and index
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  • 25
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190204938
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 754 Seiten) , Illustrationen
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als The Oxford handbook of the British musical
    DDC: 782.1/40941
    RVK:
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    Schlagwort(e): Musicals History and criticism ; Musicals ; Great Britain ; History and criticism ; Großbritannien ; Musical ; Geschichte
    Kurzfassung: As the first comprehensive academic survey of British musical theatre from its origins to its current state, this volume is a detailed guide to understanding a vibrant form of entertainment 'made in Britain'. It provides both a historical account of musical theatre from 1728 to the present day and a range of in-depth critical analyses of key works and productions that illustrate the aesthetic values and sociocultural meanings of the genre. The twenty-eight essays offer new perspectives on the British musical, conceiving it as a cultural form complementary to the American musical rather than its poor relation, and questioning the cultural bias that views shows initiated in the West End of London as second-rate imitations of classic Broadway models.
    Beschreibung / Inhaltsverzeichnis: Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misâerables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noèel Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson
    Anmerkung: Literaturverzeichnis: Seite 697-705
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  • 26
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190248192
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: Oxford handbooks online
    DDC: 781.64209
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    Schlagwort(e): Countrymusic ; Musikbranche
    Kurzfassung: Country music studies is a thriving interdisciplinary field. 'The Oxford Handbook of Country Music' draws upon the expertise of leading and emerging scholars to present an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century and to suggest potential avenues for further research.
    Anmerkung: Includes bibliographical references and index
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  • 27
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190603922
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: Oxford handbooks online
    DDC: 781.640948
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    Kurzfassung: The Nordic countries, a group of countries spanning a large area of northern Europe and the North Atlantic, present unique natural and cultural environments in which popular music has come to play a significant role. Research on the region's music has largely followed national narratives and ignored more complex geographies and transcultural issues. This first handbook of music in the Nordic countries explores the significance of popular music in the history of the region, with implications for broader debates about the region's uniqueness and its future. The chapters highlight music's place in media and tourism industries, in sustaining exotic images of the North, but also in more serious issues such as racism and environmentalism.
    Anmerkung: Includes bibliographical references and index
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  • 28
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190618810 , 9780199765034
    Sprache: Englisch
    Seiten: x, 701 Seiten , Illustrationen
    Ausgabe: First paperback edition
    DDC: 780.9
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    Schlagwort(e): Musik ; Revival ; Aufsatzsammlung
    Anmerkung: Originally published: 2014 , Literaturangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 29
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190467814 , 9780190467821
    Sprache: Englisch
    Seiten: xiv, 263 Seiten , Illustrationen, Diagramme
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation
    DDC: 781.64094965
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    Schlagwort(e): Geschichte 1945-2010 ; Politik ; Popular music Political aspects ; Music and state ; Popular music History and criticism ; Entwicklung ; Soziologie ; Musikpolitik ; Gesellschaft ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Anmerkung: Includes bibliographical references and index ; revised dissertation
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  • 30
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190628444 , 9780195343069
    Sprache: Englisch
    Seiten: xv, 317 Seiten , Illustrationen
    Ausgabe: First published as an Oxford University Press paperback
    Serie: American musicspheres
    DDC: 781.62/410763
    RVK:
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    Schlagwort(e): Geschichte 1900-2008 ; Cajun musicœxHistory and criticism ; Popular musicœxSocial aspectsœzUnited States ; CajunsœxHistory ; Cajun-Music ; Louisiana ; Louisiana ; Cajun-Music ; Geschichte 1900-2008
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 31
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520960893
    Sprache: Englisch
    Seiten: 1 Online-Ressource , illustrations (black and white)
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Sozialgeschichte 1970-1980 ; Jazz History and criticism 1971-1980 ; Jazz Social aspects 20th century ; History ; Musikleben ; Jazz ; Loft ; Fabrikgebäude ; Lagerhalle ; New York, NY ; New York, NY ; Jazz ; Fabrikgebäude ; Lagerhalle ; Loft ; Musikleben ; Sozialgeschichte 1970-1980
    Kurzfassung: The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. This work provides a study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination
    Anmerkung: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520965317
    Sprache: Englisch
    Seiten: 1 Online-Ressource , illustrations (black and white)
    Paralleltitel: Erscheint auch als
    DDC: 781.64
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Popular music genres Social aspects ; Popular music History and criticism ; Musikalischer Stil ; Soziale Identität ; Musikgattung ; Popmusik ; USA ; USA ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; Geschichte 1900-2000
    Kurzfassung: 'Categorizing Sound' addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others?
    Anmerkung: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 33
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190497088 , 9780199844081
    Sprache: Englisch
    Seiten: 293 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Serie: American musicspheres
    DDC: 782.3/6
    RVK:
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    Schlagwort(e): Jews Music ; History and criticism ; Judaism Liturgy ; Judentum ; Liturgie ; Moderne
    Anmerkung: Includes bibliographical references (pages 275-283) and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 34
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 0520260376 , 9780520260375
    Sprache: Englisch
    Seiten: 323 Seiten , Illustrationen
    Serie: Music in America imprint
    DDC: 781.65092
    RVK:
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    Schlagwort(e): Mingus, Charles ; Geschichte 1922-1979 ; Jazzmusiker ; Kontrabassist ; Pianist ; USA ; Biografie
    Anmerkung: Bibliography Seite 285 - 296 , "This biography traces the output of jazz master Charles Mingus--his recordings, his compositions, and his writings--highlighting key moments in his life and musicians who influenced him and were influenced by him. As a young man, Mingus played with Louis Armstrong as well as with Kid Ory. Mingus also played in bands led by Duke Ellington, Charlie Parker, Lionel Hampton, Red Norvo, Art Tatum, and many others. He began leading his own bands in New York City in 1955. Eric Dolphy, Rahsaan Roland Kirk, Jimmy Knepper, Jackie McLean, Toshiko Akiyoshi, Cat Anderson, and Jaki Byard are among the many distinguished jazz artists who made music with Mingus during the 1950s, 1960s, and 1970s. In addition to leaving behind a large collection of compelling recordings by large and small units, Mingus was also a talented writer. His autobiography, Beneath the Underdog: His World Composed by Mingus, is unlike any other book by a major jazz artist. Mingus creates vivid portraits of the many people who passed through his life and tells his story with compelling prose. Mingus also wrote a good deal of poetry and prose, all of it reflecting his unique vision. In 1977 he was diagnosed with amyotrophic lateral sclerosis. After several months of steady deterioration, he died in 1979 in Mexico"--Provided by publisher
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  • 35
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520291614 , 9780520248717
    Sprache: Englisch
    Seiten: xvi, 368 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Paralleltitel: Online version Categorizing sound
    DDC: 781.64
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    Schlagwort(e): Geschichte 1900-2000 ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; USA
    Anmerkung: Literaturverzeichnis: Seite 335-350
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  • 36
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190618810 , 9780199765034
    Sprache: Englisch
    Seiten: X, 701 Seiten , Illustrationen
    Ausgabe: First issued as an Oxford University Press paperback
    Paralleltitel: Erscheint auch als The Oxford handbook of music revival
    RVK:
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    Schlagwort(e): Aufsatzsammlung ; Musik ; Tradition ; Erneuerung ; Kulturvergleich ; Geschichte
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  • 37
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520965317
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVI, 368 Seiten) , Diagramme, Notenbeispiele
    Paralleltitel: Erscheint auch als Brackett, David, 1958 - Categorizing sound
    DDC: 781.64
    RVK:
    RVK:
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    Schlagwort(e): Popular music genres Social aspects ; Popular music History and criticism
    Kurzfassung: "Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? After an introduction that discusses the key theoretical concepts to be deployed, Categorizing Sound presents a series of case studies that range from foreign music, race music, and old-time music in the 1920s up through country and rhythm and blues in the 1980s. Each chapter focuses not so much on the musical contents of these genres as on the process of 'gentrification' through which these categories are produced."--Provided by publisher
    Kurzfassung: Introduction: They never even knew -- Foreign music and the emergence of phonography -- Forward to the past: race music in the 1920s -- The newness of old-time music -- From jazz to pop: swing in the 1940s
    Beschreibung / Inhaltsverzeichnis: Introduction: They never even knewForeign music and the emergence of phonography -- Forward to the past: race music in the 1920s -- The newness of old-time music -- From jazz to pop: swing in the 1940s.
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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  • 38
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Serie: Music of the african diaspora 18
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.6508996073044361
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Kurzfassung: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 39
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520963122
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 237 pages) , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als Patteson, Thomas, 1981 - Instruments for new music
    RVK:
    Schlagwort(e): Musical instruments ; Music and technology History ; Electronic musical instruments History ; Music Philosophy and aesthetics ; Civil engineering. ; Communication. ; Electronic musical instruments; History. ; Engineering. ; Mass media. ; Music and technology; History. ; Music; Philosophy and aesthetics. ; Musical instruments. ; Music ; Theory of music & musicology ; Media studies ; History of engineering & technology ; Electronic books ; Musikinstrument ; Neue Musik ; Elektronische Musik
    Kurzfassung: Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.
    Anmerkung: English
    URL: Volltext  (kostenfrei)
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  • 40
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520965096 , 9780520965096 , 9780520965096 , 9780520291249
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 electronic resource (468 p.))
    RVK:
    Schlagwort(e): Music ; Media studies ; Electronic books
    Kurzfassung: How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book?s diverse objects of inquiry?from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles?enter into analogical relations. Remapping the keyboard?s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new
    Anmerkung: English
    URL: Volltext  (kostenfrei)
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  • 41
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780199368211 , 9780199368228
    Sprache: Englisch
    Seiten: x, 220 Seiten , Illustrationen, Notenbeispiele , 24 cm
    DDC: 781.7/968981
    RVK:
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    Schlagwort(e): Batuque music History and criticism ; Quimbanda music History and criticism ; Umbanda music History and criticism ; Batuque (Cult) ; Quimbanda (Cult) ; Umbanda (Cult) ; Porto Alegre (Rio Grande do Sul, Brazil) Religious life and customs ; Brasilien ; Pôrto Alegre ; Batuque ; Umbanda ; Spiritualität
    Anmerkung: Includes bibliographical references (pages 199-210) and index
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 42
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 0520283988 , 0520283996 , 9780520283985 , 9780520283992
    Sprache: Englisch
    Seiten: xi, 205 Seiten , Illustrationen , 23 cm
    Ausgabe: First edition
    DDC: 782.421649
    RVK:
    Schlagwort(e): Rap (Music) Social aspects ; Music and race ; Race awareness ; Racism in popular culture ; Rap (Music) Social aspects ; United States ; Music and race ; Race awareness United States ; Racism in popular culture United States ; USA ; Rap ; Hip-Hop ; Ethnische Identität
    Kurzfassung: "As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond"--Provided by publisher
    Beschreibung / Inhaltsverzeichnis: "Rapper's delight" : from genre-less to new genre"Rebel without a pause" : public enemy revolutionizes the break -- "Let me ride" : gangsta rap's drive into the popular mainstream -- "My name is" : signifying whiteness, rearticulating race -- Conclusion : sounding race in the twenty-first century.
    Anmerkung: Includes bibliographical references (pages 183-191), discography (pages 179-180), filmography (page 181), and index
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  • 43
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780199341801 , 9780199341818
    Sprache: Englisch
    Seiten: xx, 313 Seiten
    DDC: 306.4842490973
    RVK:
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    Schlagwort(e): Obama, Barack ; Politik ; Hip-Hop ; Politisierung ; Sozialer Wandel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 44
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199361533
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    DDC: 780.956709051
    RVK:
    RVK:
    Schlagwort(e): Golfkrieg ; Musik ; Geräusch ; Musikpsychologie ; Iraq War, 2003-2011 Music and the war ; Music Psychological aspects ; Iraq War, 2003-2011 Psychological aspects ; Music in the army ; Sound Psychological aspects
    Kurzfassung: This is a groundbreaking study of the centrality of listening to the experience of modern warfare. Based on years of ethnographic interviews with US military service members and Iraqi civilians, as well as on direct observations of wartime Iraq, the book reveals how these populations learned to extract valuable information from the ambient soundscape while struggling with the deleterious effects that it produced in their ears, throughout their bodies, and in their psyches.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 45
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520287945 , 9780520287938 , 0520287932 , 0520287940
    Sprache: Englisch
    Seiten: xiv, 265 Seiten , Illustrationen, Diagramme , 23 cm
    Paralleltitel: Erscheint auch als Morris, Jeremy Wade, 1976 - Selling digital music, formatting culture
    DDC: 381/.4578
    RVK:
    Schlagwort(e): Musikwirtschaft ; Innovation ; Digitale Musik ; Music trade Technological innovations ; Music and the Internet ; Digital jukebox software Case studies ; Musikwirtschaft
    Kurzfassung: "Selling Digital Music documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Exploring the emergence of what Morris calls the digital music commodity, Selling Digital Music considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music's meanings and uses. Through case studies of five key technologies--Winamp, metadata, Napster, iTunes, and cloud computing--Morris questions how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CDs. The digitization of the music commodity connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music is a sounding out of music's encounters with the interfaces, metadata, and algorithms of digital culture."--Provided by publisher
    Beschreibung / Inhaltsverzeichnis: Introduction : the digital music commodity -- Music as a digital file -- Making technology behave -- This business of Napster -- Click to buy : Music in digital stores -- Music in the cloud -- Conclusion : exceptional objects.
    Anmerkung: Literaturverzeichnis: Seiten 223-252 , Register: Seiten 253-265
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  • 46
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780199354016
    Sprache: Englisch
    Seiten: 271 Seiten , Illustrationen
    DDC: 791.08996073
    RVK:
    RVK:
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    Schlagwort(e): Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Anmerkung: Bibliography Seite 259-268
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  • 47
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780199377091
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 226 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1950-1980 ; Popular music / France / 1951-1960 / History and criticism ; Popular music / France / 1961-1970 / History and criticism ; Popular music / France / 1971-1980 / History and criticism ; Music and globalization ; Music and globalization ; Popular music ; Kulturleben ; Unterhaltungsmusik ; Globalisierung ; France ; Frankreich ; Frankreich ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Kurzfassung: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Anmerkung: Includes bibliographical references and index , Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190246068
    Sprache: Englisch
    Seiten: 1 online resource , illustrations (black and white)
    Paralleltitel: Erscheint auch als
    DDC: 793.33
    RVK:
    RVK:
    Schlagwort(e): Salsa (Dance) ; Salsa (Dance) ; Salsa (Dance) ; Mambo (Dance) ; Dance ; Karibik ; Kuba ; New York, NY ; Los Angeles, Calif. ; Florida Süd ; Salsa ; Mambo ; USA ; Kommerzialisierung ; Sozialer Wandel
    Kurzfassung: This study chronicles histories of salsa dance in the United States, starting from its incarnation as mambo in the late 1940s, through the creation of salsa as a musical genre in the 1970s, into the formation of a global salsa dance industry in the 1990s and 2000s. Equally informative for those interested in the dance's changing aesthetics and its relationship to evolving music styles and those concerned with how sociopolitical issues related to race, class, ethnicity, nationality, and gender played into this history, the text considers dance as both an object and an agent of change.
    Anmerkung: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on May 26, 2015)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 49
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190230944
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    Ausgabe: [First edition].
    DDC: 201.678165
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Jazz ; Religion ; Jazz Religious aspects ; Jazz History and criticism ; Music Social aspects ; USA
    Kurzfassung: This is the first comprehensive comparative study of religions in the history of American jazz, and of jazz's contributions to American religions. Going beyond extant biographical studies of individual exemplars, or cursory attention to either 'spirituality' or jazz in the civil rights movement, the book argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that attention to jazz opens up new interpretations of American religious history.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 50
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780199377091
    Sprache: Englisch
    Seiten: 1 online resource , illustrations (black and white)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    DDC: 781.64094409045
    RVK:
    Schlagwort(e): Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben
    Kurzfassung: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Anmerkung: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 20, 2015)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 51
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780199379866
    Sprache: Englisch
    Seiten: 1 online resource , illustrations (black and white)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Robinson, Danielle Modern moves
    DDC: 793.33097471
    RVK:
    RVK:
    Schlagwort(e): Ballroom dancing History 20th century ; Dance History 20th century ; Dance Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race History 20th century ; Immigrants History 20th century ; Racism History 20th century ; New York (N.Y.) Race relations 20th century ; History ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Kurzfassung: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally.
    Anmerkung: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 24, 2015)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 52
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780199354016 , 9780199354047 (Sekundärausgabe)
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white, and colour)
    Ausgabe: Online-Ausg. Online-Ressource ISBN 9780199354047
    Ausgabe: [Online-Ausg.]
    DDC: 791.08996073
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Kurzfassung: 'Some of These Days' shows how interwar European audiences, artists, and intellectuals particularly associated with modernism, used Black American culture - for which 'jazz' was often a shorthand - to negotiate the disorientating experience of modernity and modernization. One manifestation of this process was the fashionable Negrophilia of the 1920s, the decade in which the two most successful Black American stars of their era first made their names: Josephine Baker and Paul Robeson. The book is threaded around their careers, their travels, and their relationships.
    Anmerkung: Includes bibliographical references and index , Online-Ausg.:
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 53
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190227951 , 9780190227975 (Sekundärausgabe)
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    Ausgabe: Online-Ausg. Online-Ressource ISBN 9780190227975
    Ausgabe: [Online-Ausg.]
    DDC: 810.989162
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Juden ; Rezeption ; Literatur ; Unterhaltungsmusik ; Irland ; USA
    Kurzfassung: This study traces the often uncanny relationships between Irish- and Jewish-Americans, arguing for the centrality of these diasporic groups to the development of American popular music, fiction, and especially drama. The book reads such cultural forms as tenement fiction, Tin Pan Alley music, and melodrama as part of a larger 'circum-North Atlantic' world in which texts and performers from Ireland, Europe, and America were involved in a continuous cultural exchange within which stereotypes and performances of Jewishness and Irishness took centre stage.
    Anmerkung: Includes bibliographical references and index , Online-Ausg.:
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 54
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520959668
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 205 Seiten) , Diagramme, Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 782.421649
    RVK:
    Schlagwort(e): Rap (Music) / Social aspects / United States ; Music and race ; Race awareness / United States ; Racism in popular culture / United States ; Hip-Hop ; Ethnische Identität ; Rap ; USA ; USA ; Rap ; Hip-Hop ; Ethnische Identität
    Kurzfassung: As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. 'Sounding Race in Rap Songs' argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs?0Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond
    Anmerkung: Includes bibliographical references, filmographies, discographies and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 55
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520962590 , 0520962591 , 0520287630 , 9780520243583 , 9780520287631 , 0520243587
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxv, 165 pages)
    Ausgabe: Open access edition.
    Serie: Luminos
    Paralleltitel: Erscheint auch als Kerman, Joseph, 1924-2014.; Art of fugue.
    Paralleltitel: Print version Kerman, Joseph, 1924-2014 Art of fugue
    RVK:
    Schlagwort(e): Bach, Johann Sebastian ; Bach, Johann Sebastian ; Fugue ; Fugue. ; Fugue ; Keyboard music (Bach, Johann Sebastian) ; Fugue ; MUSIC ; Genres & Styles ; Classical ; Electronic books ; Bach, Johann Sebastian 1685-1750 Die Kunst der Fuge
    Kurzfassung: "Fugue for J.S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most infl uential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues?some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving."--Provided by publisher.
    Kurzfassung: Fugue in C major : The well-tempered clavier, book 1 -- Fugue in C minor : The well-tempered clavier, book 1 -- Fughetta in C major, BWV 952 -- Fugue in C-sharp minor : The well-tempered clavier, book 1 -- Contrapunctus 1 : The art of fugue -- Contrapunctus 10 : The art of fugue -- Chromatic fantasy and fugue, BWV 903 -- Prelude and fugue in E-flat major : The well-tempered clavier, book 1 -- Fugue in E major : The well-tempered clavier, book 2 -- Fugue on "Jesus Christus unser Heiland" : Clavierübung, book 3 -- Fugue in F-sharp minor : The well-tempered clavier, book 1 -- Gigue : English suite no. 3 in G minor -- Fugue in A-flat major : The well-tempered clavier, book 1 -- Fugue in A minor : Fantasy and fugue in A minor, BWV 904 -- Fugue in B-flat major : The well-tempered clavier, book 2 -- Fugue in B major : The well-tempered clavier, book 2
    Anmerkung: "Simpson, imprint in humanities"--PDF of front matter , Includes bibliographical references (pages 159-161) and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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