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  • FID-SKA-Lizenzen  (18)
  • 1985-1989  (12)
  • 1980-1984  (6)
  • London :Royal Anthropological Institute,  (18)
Datenlieferant
  • FID-SKA-Lizenzen  (18)
Materialart
Erscheinungszeitraum
Jahr
  • 1
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Spanisch
    Seiten: 1 online resource (52 min.). , 005215
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Sierra de Gredos (Spain) Economic conditions. ; Sierra de Gredos (Spain) Social life and customs. ; Canada ; Documentary films.
    Kurzfassung: The 130 villagers of Navalguijo in the Sierra de Gredos of Central Spain live in a village perched high in the mountains and they face an extreme climate with very cold winters and hot summers. The soil is acid and poor, and the steep slopes and short growing season mean that agriculture cannot provide a living. Collectively the villagers own summer pastures high in the mountains, and individually they hold smaller autumn pastures. With access to winter pastures across the mountains in the region of Extremadura, they are able to maintain a large herd of beef cattle, which form their main source of wealth and which are their dearest possessions. To make this film, the crew joined the village men on their trek to Extremadura, when they drive their cattle down the mountains. This cattle drive is a mixture of hard work and holiday, with passing round of leather wine bottles, story-telling and evening stopovers at favourite inns punctuating the long march. This film portrays a society whose ideals of village co-operation and the rigid and efficient organisation of tasks have given the village a strong sense of identity over generations. It remains to be seen if this sense of identity survives the breakdown of their isolation from the outside world as tourists discover 'hidden Spain' and better communications and roads bring increasing contact with the rest of the country.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Spain. , Previously released as DVD. , This edition in Spanish and English with English subtitles.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (54 min.). , 005413
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Cayapo Indians. ; Hydroelectric power plants Environmental aspects ; Hydroelectric power plants Political aspects ; Hydroelectric power plants Social aspects ; Indians of South America ; Indians, Treatment of ; Brazil ; North America ; Documentary films.
    Kurzfassung: Early in 1989 the Kayapo rallied other Brazilian Indians to attend a reunification of the tribes at Altamira-the proposed site of a massive hydro-electric dam that will flood large parts of the Xingu valley. The gathering also served as a media event as the Kayapo and their allies demonstrated their case to the assembled international press. The film focuses on the Kayapo's ability to manipulate the media, including Chief Rop-ni stage-managing his entrance to arrive with the pop-star Sting. However, much of the power of this film, made for Granada Television's Disappearing World series, comes from the tensions that revolve around the intricate planning behind the Altamira meeting. A Kayapo warrior, Payakan, brings together previously hostile and warring factions in a common cause. Tension mounts when, only days before the conference, he is rushed to hospital for major surgery, and must force himself from his hospital bed to ensure the survival of the alliance he has created.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (55 min.). , 005458
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Tuvinians Social conditions. ; Tuvinians Social life and customs. ; Ethnology ; United Kingdom ; Documentary films.
    Kurzfassung: The Tuvinians live deep inside the Soviet Union, at the very centre of Asia. Tuva is geographically closer to Beijing than to Moscow. It only entered the USSR in 1944 and was closed to foreigners until 1988. According to the film-makers the last known British visitors were members of the Carruthers expedition in 1910-11. With 'glasnost', the new openness, a Disappearing World film crew was given permission to film the nomadic yak-herders of Mongun-Taiga, a rugged district on the border with Mongolia. Mongun-Taiga or 'sacred wilderness' is, even at its lowest point, 6,000 feet above sea level. Two huge mountains dominate the landscape and provide a stunning backdrop for the film, accompanied at times on the film sound track by the traditional throat singing. Arable farming is impossible and the inhabitants are dependent on the nomadic herding of yak, sheep, goats and horses. Families live alone or in groups of two to three felt tents (yurts). Following the seasons and the pastures, they move camp several times each year. The film looks at the methods the herders use to protect their children from destructive spirits. A child, dressed in a traditional frock, is revealed in the film to be a boy. This cross-dressing of the sexes continues until a child is three or four, when it is believed that its soul is more firmly attached to its body and not so easily stolen by spirits. Shamanic beliefs continue, despite state disapproval, and include worship of the spirits of mountains, purification by the water of sacred springs, sacrifice, and the use of animals in exorcism, omens and divination. The opportunities for modern Soviet life which attract many young people are countered by the pull of an independent Mongolia, which is much closer to the Tuvinians in culture and way of life. Under Gorbachev, new systems of herding have been introduced which allow families to work for themselves as well as the state farms. The herders, however, still have reservations about the new ways. 'How are you doing with perestroika?' asks the daughter of Chugluur-Ool, a herder. 'Perestroika's doing all right,' he replies. Part of what makes this film interesting is the film-makers' admission of the material they were not able to obtain. Continually throughout the film, the narrator mentions the confusion and frustration the film-makers felt. This gives a refreshing honesty to the film as a whole.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Tuva Region, Russia. , Previously released as DVD. , This edition in English and Tuvan with English subtitles.
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  • 4
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Ful
    Seiten: 1 online resource (54 min.). , 005330
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Nomads ; Wodaabe (African people) ; Canada ; Documentary films.
    Kurzfassung: ... Is the Wodaabe world disappearing? and how are we to place the painted male faces? The very considerable success of this film is the ways it answers these questions. The Wodaabe follow their herds in an endless migration across the borders of Niger, Nigeria, Chad and Cameroon in search of pasture. The droughts which have ravaged the Sahel since the late 1960s have devastated Wodaabe cattle herds, and this film looks at the daily pattern of survival of one hard-pressed family group at the height of the dry season. Gorjo bi Rima and his family have been the focus of Mette Bovin's fieldwork since 1968 and she has seen his herds decline from more than 300 cows to less than half a dozen. Yet, as she emphasises, the Wodaabe see their life as a balance between hardship and joy, and the film expresses this in sequences which record a child's naming feast and the Wodaabe's obsession with male beauty and adornment. 'We like beauty,' Gorjo says. 'We like to see people who are young and handsome and this is why we put on make-up.' The elaborate make-up of the young men and their dances, a kind of male beauty contest to gain the attention of women, are linked to a complex system of taboos which the Wodaabe insist they will maintain despite mounting pressures to abandon their nomadic lives.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Fula and English with English subtitles.
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  • 5
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Indonesisch (Bahasa Indonesia)
    Seiten: 1 online resource (53 min.). , 005303
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Whaling ; Lamalera (Indonesia) Social life and customs. ; Canada ; Documentary films.
    Kurzfassung: The Whale Hunters of Lamalera was filmed over a period of four weeks during June 1987. Lamalera is a village which is perched on the rocky slopes of an active volcano on the southern coast of the island of Lembata, in Nusa Tenggara Timur in eastern Indonesia. An anonymous Portuguese document of 1624 describes the islanders as hunting whales with harpoons for their oil, and implies that they collected and sold ambergris. This report confirms that whaling took place in the waters of the Suva Sea at least two centuries before the appearance of American and English whaling ships at the beginning of the nineteenth century. The film follows the daily life of the villagers of Lamalera, a community of about 1500 people. The Christian Mission has been in place in the community for a hundred years, schools have been established and a training workshop teaches carpentry. It is a fishing village in a region where most communities support themselves by agriculture. Lamalera has very little productive land, so the villagers have to fish in order to survive. Their preferred quarry is sperm whale. Catching sperm whale with hand-thrown harpoons from small open boats powered by muscle and palm-leaf sail is no easy task, and the hunt is by no means uneven between man and whale. The tail flukes of a whale can smash the timbers of the boats and many boats are temporarily disabled by their prey. Harpooners have been disabled and killed. But the attraction of the whale is its size. The flesh of the whale (and shark and manta ray) is cut into strips and sun dried in the village. The meat is then carried to small markets where it is bartered with mountain villagers. One strip of dried fish or meat is equivalent to twelve ears of maize, twelve bananas, twelve pieces of dried sweet potatoes, twelve sections of sugar cane, or twelve sirih peppers plus twelve pinang nuts. Commercial whaling is banned throughout much of the world, but subsistence whaling is permitted by International Whaling Commission regulations in Alaska, the USA, the USSR and Greenland. Indonesia is not, however, a signatory to the IWC. Seven whales were caught in Lamalera in 1987.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 6
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Romani
    Seiten: 1 online resource (54 min.). , 005335
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Romanies ; Hungary Social life and customs. ; Ireland ; Documentary films.
    Kurzfassung: 'Across the Tracks' is a gripping film for the general viewer ... It is beautifully filmed in observational style (lingering scenes of muddy courtyards) with enough subtitled interview material to provide context. Rom is the word that describes Vlach Gypsies, unassimilated descendents of Gypsy slaves in Wallachia in Romania in the 19th century. A larger group, the Romungro, are more obviously part of Hungarian society: they speak Hungarian, not Romany. Romungros are the people who play violins in restaurants; 'true' Rom, the Vlach, wouldn't dream of it. The total Gypsy population in Hungary forms 3% of the Hungarian population the same proportion as people of Asian or Caribbean origin in Britain. This Disappearing World film explores the Vlach Gypsies' position in socialist Hungary through the eyes of three related families. Maron and her husband Jozi work in conventional jobs where work is compulsory: this is the fundamental first principle of the 'official' economy. Maron and Jozi use their income to improve their impoverished lives. They are becoming more like the gazo — the contemptuous Romany term for all Hungarians, meaning 'peasants'. Jozi's first wife, Terez, and her husband Mokus try to realise their dreams in a more Gypsy-like fashion. Terez scavenges in rubbish bins for bread to fatten pigs which she hopes to sell for Mokus to buy horses. Mokus reluctantly works in a factory but wants to be a horse dealer like his brother-in-law Sera. He is disqualified from work by a dubious disability, and instead buys and sells horses, 'turning money around, so that more comes to me.' The market is central to the Gypsy economy, but is not seen as a means of accumulating wealth. The market exists to circulate wealth, to ensure money passes through as many hands as possible – so that all may benefit from it. If a Gypsy acquires money, he is expected to celebrate with his friends, his 'brothers'. Horses are like temporary bank deposits, ready to be exchanged or cashed in when a 'brother' needs money. This film provides an interesting view of the tensions between the Hungarian state and the Gypsies, and of the complex contradictions of the Gypsies' lives. It is recommended for classes in anthropology, sociology, European studies, ethnicity, ecology, and political studies.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Hungary. , Previously released as DVD. , This edition in Romani and English with English subtitles.
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  • 7
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Austronesische Sprachen
    Seiten: 1 online resource (55 min.). , 005441
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Solomon Islanders Religion. ; Solomon Islanders Social life and customs. ; Malaita (Solomon Islands) Social life and customs. ; Australia ; Documentary films.
    Kurzfassung: Pierre Miranda and a team from Granada Television have made a fine film exploring the troubled realities of the people of the lagoon in the 1980s. This film focuses on the people of Lau lagoon in the Solomon Islands who live on artificial islands near the island of Malaita. These islands are built of coral rubble and the people moved to them in an attempt to escape the dangers of malaria and enemies, and to find better fishing. The film focuses on change and conflict. The concept of 'custom' is vital to the islanders' identity, yet this is being eroded, particularly by Christian missionaries. The conflict between Christian and Pagan now pervades daily life, creating divisions in families and eroding knowledge of traditional life. Two 'custom' priests recently committed ritual suicide, one by swimming under a canoe containing women and the other by deliberately making a mistake in a ceremony. Within weeks, both priests physically died. The despair in the ability of 'custom' to continue that these priests must have felt is presented visually throughout the film. Few of the islanders remember more than a fraction of the hundreds of traditional spirits and the young are turning more and more to the traditions and commodities of Western culture. That this theme is a common one makes it no less powerful or relevant. Spurred by the presence of the Disappearing World camera crew, the islanders built a house in which to store their traditional and ritual objects. A commendable act of preservation on the part of the islanders, but at the same time the implications of their act are saddening. They are taking their ritual things out of the sphere of living, daily tradition and placing them in the realm of objective history. The Lau is recommended for courses in anthropology, sociology, development, culture change, Melanesia, religion, and ecology.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaita, Solomon Islands. , Previously released as DVD. , This edition in Lau and English with English subtitles.
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  • 8
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (55 min.). , 005434
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Basques. ; North America ; Documentary films.
    Kurzfassung: In her book 'The Circle of Mountains' Sandra Ott provided a fascinating analysis of social reciprocity ... The film highlights the village's contemporary dilemmas and thereby complements rather than visualises the arguments in Ott's published ethnography ... The approach is to be applauded since the book and the film now make excellent companion pieces that can usefully be employed in any course on European ethnography. This film follows the lives over one year, shot during three intervals, of two Basque shepherding families who live in Santazi, a village in the foothills of the French Pyrenees. The film is the only Disappearing World film made in western Europe and it focuses on the continuity and change in the community. Change has come to the village of Santazi in recent years along the avenues of introduced roads and improved communication systems with the outside world. The effects stretch from people's relationship with the Catholic religion to inheritance customs. Television has of course also entered these villagers' homes. The traditional life of shepherding is also changing amidst the conflict of interest between those who have formed a syndicated in an effort to maintain the viability of shepherding and the sons who have taken jobs as linemen for the electricity company. This film shows the rationality behind the choice the villagers are making. This film is recommended for courses in anthropology, sociology, culture change, and European communities.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Santazi (Sainte-Engrâce), France. , Previously released as DVD. , This edition in English and Basque with English subtitles.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (55 min.). , 005455
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Cayapo Indians Social life and customs. ; Ethnology ; Ethnology. ; Indians of South America Social life and customs. ; Indians of South America Social life and customs. ; Brazil. ; North America ; Documentary films.
    Kurzfassung: This film focuses on the conflicts and determination of a group of people trying to survive and maintain their ethnic identity in the face of almost overpowering odds. The film contrasts the reactions of two groups of Kayapo to outside influence. The Kapot have opposed contact and resisted both non-indigenous Brazilian settlers and gold miners. The Gorotire, by contrast, were invaded by gold miners who strip-mined their land and polluted their rivers. The miners paid the Gorotire very little for the destruction until 1985 when the Gorotire forced the miners to raise the commission by 5% when 200 warriors seized the airstrip. This commission amounts to two million dollars per year for the tribe and the tribe is learning to cope with the money, both with the problems it brings and the power it gives. They have trained several of their number to deal effectively with the outside world on behalf of the rest of the tribe and they now run a plane (and hire a pilot) to patrol their land against intruders. The Kapot, in their own way, are also trying to assert their identity and independence. This portion of the film shows the Kapot in the traditional activities of building and dismantling a hunting camp. The hunters returning with the tortoises they have caught are a particularly impressive sight. The now famous Chief Rop-ni is featured as a leader of the Kapot and he states eloquently his opposition to the Gorotire's acceptance of the gold miners. Despite their adherence to tradition, however, the Kapot use modern technology – video, radios, etc. – to protect their interests and record their rituals. This is a political film and would be excellent for courses in anthropology, Latin American studies, ecology, development, and international politics.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 10
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (53 min.). , 005241
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Accordion music History and criticism. ; Accordion music History and criticism. ; Austrians Ethnic identity. ; Austrians Music ; History and criticism. ; Conjunto music History and criticism. ; Ethnicity. ; Ethnomusicology. ; Mexican Americans Music ; Ethnic identity. ; Mexican Americans Music ; History and criticism. ; Mexican Americans Music ; History and criticism. ; Polkas History and criticism. ; Polkas History and criticism. ; Popular music History and criticism. ; Popular music History and criticism. ; North America ; Documentary films.
    Kurzfassung: The film confronts the accordion music of Chicano immigrants in southern Texas with the traditional music of accordion players in Austria. Without making any final judgments on the ‘roots’ of ‘conjunto’ music of the Chicanos, the film is able to reveal the different claims to ethnic identity. Most interestingly, Chicanos in Mexico and Texas and Austrians comment upon each others’ way of playing Polka.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in January 1986 in Monterrey, Mexico, San Antonio, Texas and Salzburgerland, Austria. , Previously released as DVD. , This edition in English.
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  • 11
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (53 min.). , 005254
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Serie: Strangers abroad
    Schlagwort(e): Spencer, Baldwin, ; Aboriginal Australians. ; Anthropologists. ; Anthropology Fieldwork. ; Anthropology Research. ; Anthropology. ; Australia ; Documentary films.
    Kurzfassung: Spencer represents the link between the armchair anthropologist and the modern fieldworking anthropologist. The series begins by following in the footstep of the British scientist. It shows his work with the Australian Aborigines – who had, up until then, been regarded as a step in the evolutionary ladder between Neolithic men and the 'civilised' Victorian. Spencer went to Australia in 1887 as Professor of Biology at Melbourne University. While there he was invited to join the Horn expedition, an ambitious project to explore Australia's still largely unknown interior. At Alice Springs, Spencer met Frank J. Gillen, the operator of the telegraphic station and an initiated elder of the Aranda tribe. It was Gillen's special place in Aboriginal society that enabled Spencer to document the world of this ancient and complex culture through books, glass-plate photographs, wax cylinder recordings and some of the earliest cine films shot outside Europe. Spencer and Gillen made several expeditions together; the data they collected fueled the theories of anthropologists around the world. Some of their film was used in the programme.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 12
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (53 min.). , 005304
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Kurzfassung: The Migrants is the third film in the trilogy In Search of Cool Ground made for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional territory in the Omo valley to the Mago valley, about fifty miles away. This migration has brought them, for the first time, into contact with the market economy of the Ethiopian Highlands. David Turton notes that, when he first met the Mursi, men were seldom, and women never, seen at the highland markets. Now the Mago migrants, and especially women, are familiar figures in the weekly market at Berka, just four hours' walk from their new settlements. With their foothold in the pastoral economy weakening (tsetse flies make the Mago area quite unsuitable for cattle herding) and their dependence on market exchange growing, the migrants are in the process of becoming settled agriculturalists, like their highland neighbours, the Ari. By tracing the present and likely impact of this move on the lives of the migrants, the film shows how they are beginning to carve out a new ethnic identity for themselves, as well as a new home.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 13
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Kasachisch
    Seiten: 1 online resource (55 min.). , 005500
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Kazakhs ; North America ; Documentary films.
    Kurzfassung: The Kazakhs of Xinjiang (Sinkiang) are one of the fifty-five national minorities that now live within the borders of the People's Republic of China. The policy of the Chinese Communist Party toward these people has been one of Sinofication, a neutralization of 'reactionary' local leaders and an alliance of Han Chinese with the indigenous culture. Xinjiang is a particularly sensitive area for the Chinese because of the traditional ties of the Kazakh with the Soviet Union. In 1962, some 50,000 Kazakhs and other non-Han peoples sought refuge in the Kazakh Soviet Socialist Republic. Since then, the Sino-Soviet border has been closed, and until recently the entire area was off-limits to non-Chinese outsiders. This film offers unique ethnographic material about the Kazakh, as well as about Chinese policies in the years following the Cultural Revolution. The film follows the movement of the family of Abdul Gair, illustrated the cycles and tensions of present day Kazakhs, mixes detail of their traditional life as herders with suggestion of the effect of Chinese rule. The Chinese government allowed the filmmakers freedom to choose the subjects and people for the interviews and action sequences. Because of this, the film expresses, to a great extent, the view of the filmmaker, not of the Chinese government. Against a background of the Tienshan Mountains, the Kazakhs are shown branding yaks, milking mares, drinking kumis (fermented mare's milk), making their yearly move from winter to summer quarters, and setting up their felt-covered summer tents. Then, through the trip of Ahmed the production team leader to the brigade headquarters, the film portrays the relations between Kazakh and Han, showing the brigade's authority. Rather than livestock, formerly a mark of wealth being owned for individual profit, production and gain is now controlled by the brigade leaders. Women are given more freedom within the community. Kazakh children now have an opportunity for education in the Kazakh language, but the teaching is largely Party doctrine; they have health care, but this again is Chinese. Yet, despite pre-1977 restrictions on local religion and nomadic culture, and although Abdul Gair is himself a Party member, the Chinese do not, as yet, control the Kazakh. The Kazakh have retained their horses, not only as wealth, but as a means of freedom. Here, as in other cultures where a strong centralized government controls a minority, the continued cultural independence of the Kazakh is an open question. The Chinese policy is currently to move as many Han as possible from the overcrowded central areas of China to the less populated border areas such as Xinjiang. This film gives an understanding, not only of a Kazakh society, but also insights into current change, of the conflicts of domination and independence.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China. , Previously released as DVD. , This edition in Kazakh and English with English subtitles.
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  • 14
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (58 min.). , 005743
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ashanti (African people) Economic conditions. ; Ashanti (African people) Social life and customs. ; Women merchants ; Women, Ashanti (African people) ; Ireland ; Documentary films.
    Kurzfassung: As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this 'Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. The success of this crew is impressive. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, their perception of their society and also about marriage. The women control the market through Queen Mothers who are leaders of particular sections of the market such as the yam or tomato sections. Generally these Queen Mothers are elected by the traders. However, Oba, the Plantain Queen Mother acquired her position through influence and because of this she has less control over her workers and over the resolution of differences. Market traders work long hours, make less than a shoe clerk or office worker yet the rewards for them can be many. The residual matrilineal system of Asante society means that inheritance moves from a man to his sister's children. The result is that an Asante woman is left with no means of support if her husband dies. The traders have gone to work to protect themselves against this possibility, to pay for their children's education and to maintain their independence. Implicit in this analysis of women traders is the relationship between men and women in Asante society. Marriage is polygamous and the crew interview women about their feelings on marriage and of their hopes of coming marriages. The film portrays the influence women have in the market as a direct contrast to their position in the home. Interviews with several husbands reveal, perhaps not surprisingly, that their perception of women differs from the women's perception of themselves. The men talk of the importance of having two wives, one to serve when the other is tired; one to grant sexual favours while the other is menstruating; each to compete with the other for male attention thus allowing the husband to retain control. Although the men accept a woman earning extra money, they still say a woman should be submissive and serve men. The women regard themselves as assertive, capable, and in control. Interviews with two young women demonstrate a desire for equality in the home. The film's analysis is a sympathetic one and full of insight. The focus is, though, rather narrowly on the husband-wife relationship and women's important relationships with their female and male kin are given little attention.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kumasi, Ghana. , Previously released as DVD. , This edition in English and Akan with English subtitles.
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  • 15
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (57 min.). , 005704
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Kwegu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Kurzfassung: 'The Kwegu' is an entirely tasteful and dignified presentation of the harsh realities of subsistence living, and it may help us understand how, even in stateless societies, dominated groups come to accept their domination as part of the natural order. The Kwegu are hunters and cultivators who live along the banks of the River Omo in Southwestern Ethiopia. They are experts on the river, manipulating their dugout canoes through a swift current where falling overboard could mean delivery into the jaws of a crocodile. The Mursi are cattle herders and cultivators who live with the Kwegu for several months of the year. This film is about the relationship between these two groups of people. The Mursi number about 5,000 and the Kwegu about 500. Both groups cultivate flood land along the Omo during the dry season, when the Mursi may also bring their cattle to the river. But the Kwegu keep themselves separate from the Mursi; they speak their own language among themselves, although they are bilingual and communicate with the Mursi only in Mursi. When the Mursi and Kwegu share a village, the Kwegu houses usually form a separate cluster. When a Kwegu marries, a vital part of the bridewealth is livestock. But since the Kwegu do not keep cattle, a system of exchange has developed whereby the Kwegu perform services in exchange for Mursi cattle. In addition to providing bridewealth cattle, the Mursi patron protects 'his' Kwegu from other Mursi and acts on his behalf in bridewealth negotiations. In return the Kwegu provides his patron with honey and game meat and is available to ferry him and his family across the Omo when needed. This is a vital economic service, since the Mursi cultivate on both banks of the river and yet do not, unlike the Kwegu, live at the Omo all the year round. The Kwegu are therefore 'guardians' of the canoes as well as ferrymen. There is some debate about the nature of the Mursi-Kwegu relationship. The anthropologist advisor for the film, David Turton, sees the relationship as one of domination. The Mursi depend economically on the Kwegu more than the Kwegu do on them, and yet the Kwegu see themselves as dependent, in a different, more extreme sense, on the Mursi they cannot marry without the aid of Mursi patron. The Mursi exploit the economic services of the Kwegu through their control of Kwegu marriage. Jean Lydall, in her review of the film in RAIN (June 1982), suggests another interpretation for the exchange of services. She wonders if indeed the Kwegu are not making the Mursi 'pay through the nose' for the services they require. This film suggests that far from being second-class citizens, the Kwegu are sharp manipulators who have acquired protection and material wealth by making their services indispensable to the Mursi. Turton defended his interpretation in a reply to Lydall (RAIN, No. 51, pp. 10–12) and has more recently provided a more detailed description and analysis of the Mursi-Kwegu relationship, following the same argument as developed in the film but including much additional ethnographic information (Turton, 1986). The Kwegu won the Grand Prix du Festival at the Festival International du Film de Grand Reportage in Paris. This film is the second part of a trilogy, In Search of Cool Ground. The film is particularly recommended for courses in anthropology, African studies, patron–client relationships, ethnicity and multi-cultural studies.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 16
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Zande
    Seiten: 1 online resource (53 min.). , 005243
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Witchcraft ; Witchcraft. ; Zande (African people) Religion. ; Sudan. ; Canada ; Documentary films.
    Kurzfassung: 'Witchcraft among the Azande' is suitable for showing in undergraduate and graduate classes on topics of religion, philosophy, and African ethnography. It could also be stimulating to discussions of psychology and medicine. The success of the Granada series on public television in England indicates its appeal to a much wider audience as well. P. Leis Evans-Pritchard's book Witchcraft, Oracles and Magic among the Azande has become a classic of both ethnography and theories of witchcraft. Now, anthropologist John Ryle and film-maker André Singer, who was himself one of Evans-Pritchard's students and has published on the Azande, have teamed together to produce the film Witchcraft among the Azande for Granada Television's Disappearing World series. Singer wanted to learn for himself the accuracy of Evans-Pritchard's analysis and to note the changes since the original fieldwork carried out between 1926 and 1930. Among the Azande, witchcraft is considered to be a major danger. They believe that witchcraft can be inherited and that a person can be a witch, causing others harm, without realising her or his influence. Because of this danger, effective means of diagnosing witchcraft are, for them, vital. One method is through the use of an oracle. Several kinds of oracles are explored in the film, the most important being benge, a poison which is fed to baby chickens. The chick's death or survival provides the oracle's answer. Azande also use benge to judge other evidence in a court before a chief. Anthropologists have long argued about the nature and significance of beliefs in witchcraft and sorcery and, more generally, about the similarities and differences between 'traditional' thought and Western science. This film treads a delicate path, exploring an explanation of reality incomprehensible to a majority of Westerners and, at the same time, trying to portray the Azande as a clear-thinking, and almost familiar group of people. In this aim the film succeeds by creating a tension whereby the oracle's answers are important to the viewers because they have become involved and are forming their own opinions about the guilt or innocence of the defendants. Zande is not a static society and much has changed since Evans-Pritchard's original fieldwork. The area filmed is influenced by Catholicism; people are Christian, but the church cannot give answers to many of the questions of the Azande people. The older people see their children abandoning traditional moral and other values. For this schism, the older people seem to blame the government more than the church as the church teaches a value system consonant with the traditional one. Yet, alongside the Christian influence and changes among the younger generation, the power of beliefs in witchcraft and oracles remains. If Singer wanted to give support to Evans-Pritchard's ethnography, he has done so with Witchcraft among the Azande.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in North Central Africa. , Previously released as DVD. , This edition in Zande and English with English subtitles.
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  • 17
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (39 min.). , 003852
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Afghans ; Ethnology ; Pushtuns Social life and customs. ; Refugees ; Pakistan Social life and customs. ; North America ; Documentary films.
    Kurzfassung: There are twelve million Pathans. Bound by a common language, a common heritage and the unifying force of Islam, these proud and independent people do not acknowledge the geographical boundary which divides them between Afghanistan and Pakistan. This film was shot at the same time as Khyber in Pakistan, close to the Afghan border. The Pathans accept no imposed leadership, from without or from within. Their laws are the decisions of the democratic assembly of the village, known as the jirga. To disobey the jirga is to court heavy penalties against which there is no appeal. Their code of living is called pukhtunwali ­ the way of the Pathan. At its core are the principles of hospitality, personal honour and revenge. A man will fight to the death to avenge a wrong done to himself, his family or friends or, above all, his women. The film is noteworthy for the way in which it brings out the importance of these values. Their fierce loyalty, coupled with the independence of spirit which tolerates no formal leaders, makes the Pathans a formidable enemy, as the British once found out and, more recently, the Soviet invaders of Afghanistan have discovered.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 18
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (53 min.). , 005309
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Refugees ; Afghanistan Exiles. ; Afghanistan History Soviet occupation, 1979-1989. ; Ireland ; Documentary films.
    Kurzfassung: This documentary by Akbar Ahmed and Andre Singer is about the Soviet Invasion of Afghanistan and tribal groups in the area.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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