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  • HeBIS  (58)
  • Jackson : University Press of Mississippi  (53)
  • New York, NY : JSTOR
  • Musikwissenschaft  (58)
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Erscheinungszeitraum
  • 1
    ISBN: 9781496839152
    Sprache: Englisch
    Seiten: xi, 321 Seiten , Illustrationen , 24 cm
    Serie: American made music series
    DDC: 780.266
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    Schlagwort(e): Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten
    Kurzfassung: From the 1980s through the early 2000s, a golden era for southern roots music, producer and three-time Grammy winner Scott Billington recorded many of the period's most iconic artists. Working primarily in Louisiana for Boston-based Rounder Records, Billington produced such giants as Irma Thomas, Charlie Rich, Buckwheat Zydeco, Johnny Adams, Bobby Rush, Ruth Brown, Beau Jocque, and Solomon Burke. The loving and sometimes irreverent profiles in Making Tracks reveal the triumphs and frustrations of the recording process, and that obsessive quest to capture a transcendent performance. Billington's long working relationships with the artists give him perspective to present them in their complexity-foibles, failures, and fabled feats-while providing a vivid look at the environs in which their music thrived. He tells about Boozoo Chavis's early days as a musician, jockey, and bartender at his mother's quarter horse track, and Ruth Brown's reign as the most popular star in rhythm and blues, when the challenge of traveling on the "chitlin' circuit" proved the antithesis of the glamour she exuded on stage. In addition, Making Tracks provides a widely accessible study in the craft of recording. Details about the technology and psychology behind the sessions abound. Billington demonstrates varying ways of achieving the mutual goal of a great record. He also introduces the supporting cast of songwriters, musicians, and engineers crucial to the magic in each recording session. Making Tracks sings unforgettably like a "from the vault" discovery.
    Anmerkung: Diskographie Seite 281-298
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  • 2
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 153 pages).
    Serie: Mississippi scholarship online
    DDC: 820.99287096
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    Schlagwort(e): Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Kurzfassung: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 3
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496842428 , 9781496842404
    Sprache: Englisch
    Seiten: x, 236 Seiten , Illustrationen, Notenbeispiele
    Ausgabe: First printing
    Serie: American made music series
    DDC: 781.62410763
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    Schlagwort(e): Franzosen ; Kreolen ; Jazz ; Louisiana
    Anmerkung: Literaturverzeichnis Seite 194-216, selected discography Seite 217-218 , Titelzusatz auf dem Umschlag: French Creole music & the birth of jazz
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  • 4
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 1496836022 , 9781496836038 , 9781496836021
    Sprache: Englisch
    Seiten: VIII, 153 Seiten
    DDC: 820.99287096
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    Schlagwort(e): Schwarze Frau ; Jazz ; Literatur
    Anmerkung: Bibliography Seite 139-145
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  • 5
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 781.62410763
    RVK:
    Schlagwort(e): Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Kurzfassung: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 6
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496839190
    Sprache: Englisch
    Seiten: 1 Online-Ressource (314 pages)
    Serie: American Made Music Ser.
    DDC: 780.266
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    Schlagwort(e): Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Kurzfassung: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 7
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 781.6508996073
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    Schlagwort(e): Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Kurzfassung: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 8
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Sprache: Englisch
    Seiten: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
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    Schlagwort(e): Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Kurzfassung: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Anmerkung: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
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  • 9
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Sprache: Englisch
    Seiten: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Serie: American made music series
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Kurzfassung: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Anmerkung: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 10
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496831286 , 9781496831293
    Sprache: Englisch
    Seiten: xxiv, 412 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Serie: American made music series
    DDC: 781.64097471
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    Schlagwort(e): Geschichte 1940-1990 ; Musikleben ; Latin Music ; New York, NY
    Kurzfassung: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.
    Anmerkung: Literaturverzeichnis Seite 383-403
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  • 11
    ISBN: 9781496832108 , 9781496832115
    Sprache: Englisch
    Seiten: x, 192 Seiten , Notenbeispiele , 23 cm
    Ausgabe: First printing
    DDC: 781.6508996073
    RVK:
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    Schlagwort(e): Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Kurzfassung: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Anmerkung: Literaturangaben
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  • 12
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496825162 , 9781496825155
    Sprache: Englisch
    Seiten: xi, 506 Seiten , Illustrationen
    Serie: American made music series
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    Schlagwort(e): Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; USA ; Biografie
    Kurzfassung: "The first and definitive biography of the great bass saxophone jazz man"--
    Anmerkung: Bibliography Seite 473-474
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  • 13
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496825148
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 506 pages) , Illustrations.
    Serie: American made music series
    Serie: Mississippi scholarship online
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    Schlagwort(e): Rollini, Adrian ; Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; Jazz musicians Biography ; Saxophonists Biography ; Vibraphonists Biography ; Pianists Biography ; USA ; Biografie
    Kurzfassung: Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare. At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone.
    Anmerkung: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 14
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Sprache: Englisch
    Seiten: x, 351 Seiten , Illustrationen, Porträt
    Serie: American made music series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Anmerkung: Literaturverzeichnis Seite 305-321
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  • 15
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496819710 , 9781496819703
    Sprache: Englisch
    Seiten: xii, 467 Seiten , Illustrationen, Noten
    Serie: American made music series
    Paralleltitel: Online version Greek music in America
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    Schlagwort(e): Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; USA ; Griechenland ; Aufsatzsammlung
    Kurzfassung: "Despite a substantial artistic legacy, there has never been a book devoted to Greek music in America until now. Those seeking to learn about this vibrant and exciting music were forced to seek out individual essays, often published in obscure or ephemeral sources. This volume provides a singular platform for understanding the scope, practice, and development of Greek music in America through essays and profiles written by principal scholars in the field. Greece developed a rich variety of traditional, popular, and art music that diasporic Greeks brought with them to America. In Greek American communities, music was and continues to be an essential component of most social activities. Music links the past to the present, the distant to the near, and bonds the community with an embrace of memories and narrative. From 1896 to 1942, more than a thousand Greek recordings in many genres were made in the United States, and thousands more have appeared since then. These encompass not only Greek traditional music from all regions, but also emerging urban genres, stylistic changes, and new songs of social commentary. Greek Music in America includes essays on all of these topics as well as history and genre, places and venues, the recording business, and profiles of individual musicians. This book is required reading for anyone who cares about Greek music in America, whether scholar, fan, or performer." -- Provided by publisher
    Anmerkung: Literaturangaben und Index , Overview of Greek music in America / Tina Bucuvalas and Stavros K. Frangos -- Musical genre, style, and content -- Growth of liturgical music in the Iakovian Era / Frank Desby -- Greek café music / Roderick Conway Morris -- Amanes: the legacy of the oriental mother / Gail Holst-Warhaft -- Rebetika, the blues of Greece and Australia / Stathis Gauntlett -- George Katsaros: the last café-aman performer / Stavros K. Frangos -- Health to you, Marko, with your bouzouki!: the role of spoken interjection in Greek musicians' imagined performance world in historical recordings made in America and abroad -- Michael G. Kaloyanides -- Turkish music in the Greek American experience -- Joseph G. Graziosi -- Places -- Survival of Greek folk music in New York / Sotirios (Sam) Chianis -- Communities born in song / Anna Caraveli -- Musical practice and memory on the edge of two worlds: Kalymnian Tsambouna and song repertoire in the family of Nikitas Tsimouris / Anna Lomax Wood -- , Alternate resonances: Kalymnian traditions in Tarpon Springs, Florida / Panayotis League -- Delivering the music: recording companies and performance venues -- Greek record making in the early days, 1896-1937 / Dick Spottswood -- Greek music piano rolls in the United States / Meletios Pouliopoulos -- Encountering Greek American soundscapes / Anthony Shay -- Bouzoukis and belly dancers, drinkers and dreamers: a look at Greek nightlife at the crossroads / Nick Pappas -- Profiles -- Giorgos "Nisyrios" Makrigiannis (1875-1933) / Panayotis League -- Madame Koula (circa 1880-1954) / Stavros K. Frangos -- George Dimitrios Grachis (1882-1965) / Sotirios (Sam) Chianis -- Harilaos Piperakis (1888-1978) / Panayotis League -- Marika Papagika (1890-1943) / Stavros K. Frangos -- Theodotos "Tetos" Demetriades (1897-1971) / Stavros K. Frangos -- Amalia Baka (1897-1979) / David Soffa -- Ioannis Halikias, aka Jack Gregory (1898-1957) / Aydin Chaloupka -- , John K. Gianaros (1904-1998) / Stavros K. Frangos -- Pericles Halkias (1909-2005) / Jim Stoynoff -- Steve Zembillas (1923-2002) and the grecophon record company / Stavros K. Frangos -- Nicholas "Nicos" Tseperis (1923-2010) and Nina Records / Meletios Pouliopoulos -- Sotirios (Sam) Chianis (b. 1926) / Tina Bucuvalas -- Ilias Kementzides (1926-2006) / National Endowment for the Arts -- Giannis Tatasopoulos (1928-2001) / Tina Bucuvalas -- Gust J. (Dino) Pappas (1931-1999) / Stavros K. Frangos -- Harilaos Papapostolou (1932-1998) / National Endowment for the Arts -- Kay Skordilis (b. 1936) / Tina Bucuvalas -- Peter Stephen Kyvelos (1943-2017) / Michael G. Kaloyanides -- Trio Bel Canto and Takis Elenis (b. 1948) / Tina Bucuvalas -- George E. Soffos (1953-2013) / Tina Bucuvalas
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  • 16
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496812544
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Ausgabe: American edition.
    Serie: American made music series
    Serie: Mississippi scholarship online
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    Schlagwort(e): Boom, J. Frank G. ; Gilbert, Will G ; Music journalists Biography ; Blues (Music) History and criticism ; Blues (Music) History and criticism
    Kurzfassung: This work stands as both a remarkable biography of J. Frank G. Boom (1920-1953) and a recovery of his incredible contribution to blues scholarship originally titled 'The Blues'. The text tells how and when the Netherlands was introduced to African American blues music and describes the equally dramatic and peculiar friendship that existed between Boom and jazz critic and musicologist Will Gilbert, who worked for the Kultuurkamer during World War II and had been charged with the task of formulating the Nazi's Jazzverbod, the decree prohibiting the public performance of jazz.
    Anmerkung: Translated from the Dutch , This edition previously issued in print: 2017 , Includes bibliographical references, discography and index
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  • 17
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496816061
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 781.65092
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    Schlagwort(e): Wilson, Gerald ; Wilson, Gerald ; Jazz ; Composers Biography ; Jazz musicians Biography ; Band directors Biography
    Kurzfassung: Jazz great Gerald Wilson (1918-2014), born in Shelby, Mississippi, left a global legacy of paramount significance through his progressive musical ideas and his orchestra's consistent influence on international jazz. Aided greatly by interviews that bring Wilson's voice to the story, this text presents a perspective on what the musician and composer called his 'jazz pilgrimage.'
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references, discography and index
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  • 18
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496805843
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 782.00973
    RVK:
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    Schlagwort(e): Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Kurzfassung: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Anmerkung: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 19
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819826
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
    RVK:
    Schlagwort(e): Armstrong, Louis Criticism and interpretation ; Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil ; Jazz History and criticism ; Jazz musicians ; Jazz Analysis, appreciation 1921-1930
    Kurzfassung: Throughout his life, Louis Armstrong tried to explain how singing on the streets of New Orleans with a barbershop quartet was foundational to his musicianship. However, up to now, there has been no in-depth inquiry into what he meant when he said 'I Figure Singing and Playing is the Same,' or 'Singing was more into my blood than the trumpet.' This text shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played the work discusses elements of music theory.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 20
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496813367
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Dylan, Bob Criticism and interpretation ; Dylan, Bob ; Popular music History and criticism ; Aufsatzsammlung
    Kurzfassung: This text participates in the creation of the postmillennial Bob Dylan by exploring three central records of the 21st century along with the 2003 film 'Masked and Anonymous', which Dylan helped write and in which he appears as an actor and musical performer. The work does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints. Readers will find a variety of critical contexts and cultural perspectives as well as a range of experiences as members of Dylan's audience.
    Anmerkung: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 21
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819758
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
    RVK:
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    Schlagwort(e): Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Kurzfassung: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 22
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496810946
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 782.2540922
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    Schlagwort(e): Gaither, Gloria ; Gaither, Bill ; Gaither, Gloria ; Gaither, Bill ; Gaither Vocal Band ; Geschichte 1991- ; Gospelsong ; Musikpflege ; Gospel musicians Biography ; Gospel music History and criticism
    Kurzfassung: This ethnography examines songwriters Bill and Gloria Gaithers' Homecoming video and concert series. The Homecomings re-present the 'southern gospel' subgenre of gospel music - a musical style popular among white evangelical Christians in the American South and Midwest. The text explores how the Gaithers negotiate the tension between preservation and modification of community norms as they seek simultaneously to maintain and expand their audience, and to initiate and respond to ideological shifts within their fan base's culture. Using data he collected from his immersion in the Homecoming catalogue, his attendance of numerous concerts and tapings, and his extensive conversations with Homecoming fans and the Gaithers themselves, Harper reveals the Homecomings to be a crucible of American religious, racial, sexual and regional identity formation.
    Anmerkung: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 23
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press | New York, NY : JSTOR
    ISBN: 9780520972032 , 0520972031
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 online resource)
    Serie: Joan Palevsky imprint in classical literature
    Paralleltitel: Erscheint auch als Lucas, Ann E., 1978- Music of a thousand years
    RVK:
    Schlagwort(e): Musik ; Music History and criticism ; Maqām ; Dastgāh ; HISTORY / Middle East / Iran ; Dastgāh ; Maqām ; Music ; Criticism, interpretation, etc ; Iran ; Iran
    Kurzfassung: Introduction -- Culture of maqam. Musical empires -- Musical structure: cosmology and the universal order c. 1100-1800 -- Music and morality: listening to dangers inherent in the cosmos -- The politics of song: music for kings, music for empire c. 1400-1722 -- Culture of dastgah. Musical structure, musical nation c. 1800-1950 -- The nation's music: discovering and recovering the dastgah -- Music and morality: the recovery of a nation, c. 1880-1940 -- Singing the nation: words of the people, music for Iran -- Conclusion.
    Kurzfassung: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran's particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran's national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region's political history...
    Anmerkung: Includes bibliographical references and index
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  • 24
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 1496816021 , 9781496817389 , 9781496816023
    Sprache: Englisch
    Seiten: XVII, 189 Seiten , Noten
    Ausgabe: First printing
    Serie: American made music series
    DDC: 781.65092
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    Schlagwort(e): Wilson, Gerald ; Jazz
    Anmerkung: Literaturangaben Seite 175-178 und Index
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  • 25
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496819789 , 9781496819772
    Sprache: Englisch
    Seiten: xiv, 235 Seiten , Notenbeispiele
    Serie: American made music series
    Paralleltitel: Erscheint auch als Hobson, Vic., author Creating the jazz solo
    RVK:
    Schlagwort(e): Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil
    Anmerkung: Bibliography Seite 216-229 , "Portions of Chapter 15 have appeared in a different form in Jazz Perspectives, 10, no. 1, 2017, 97?116.". - Includes bibliographical references and index
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  • 26
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496807571
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Caribbean studies series
    DDC: 780.820972983
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    Schlagwort(e): Frau ; Afroamerikanische Musik ; Popular music History and criticism ; Women musicians ; Trinidad
    Kurzfassung: Drawing on ethnographic fieldwork conducted by the author in Trinidad and Tobago, this work demonstrates how the increased access and agency of women through folk and popular musical expressions has improved inter-gender relations and representation of gender in this nation.
    Anmerkung: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 27
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781628462159
    Sprache: Englisch
    Seiten: 169 Seiten , Illustrationen
    Serie: American made music series
    DDC: 781.6213009
    RVK:
    Schlagwort(e): Folk music ; Musikmarkt ; USA
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  • 28
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496813329
    Sprache: Englisch
    Seiten: 196 Seiten
    Serie: American made music series
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Dylan, Bob ; Aufsatzsammlung
    Anmerkung: Literaturverzeichnis Seite 177-184
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  • 29
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496805119
    Sprache: Englisch
    Seiten: XVI, 301 Seiten
    Serie: American made music series
    Originaltitel: Boom's Blues : muziek, journalistiek en vriendschap in oorlogstijd
    RVK:
    Anmerkung: A recovery of the first book-length study of the blues and the story behind the extraordinary Dutchman who wrote in under Nazi occupation , Bibliography: Seite 288-290 , Song index and discography: Seite 291-301
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  • 30
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496815262
    Sprache: Englisch
    Seiten: X, 222 Seiten
    Ausgabe: First printing 2017
    Serie: American made music series
    DDC: 781.640976335
    RVK:
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    Schlagwort(e): Geschichte 1990-2017 ; Jazz ; Musikleben ; New Orleans, La.
    Anmerkung: Literaturangaben: Seite 195-207
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  • 31
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496810908
    Sprache: Englisch
    Seiten: xi, 315 Seiten
    Ausgabe: First printing
    Serie: American made music series
    DDC: 782.2540922
    RVK:
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    Schlagwort(e): Gaither, Gloria ; Gaither, Bill ; Geschichte 1991- ; Gospelsong ; Musikpflege
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  • 32
    Online-Ressource
    Online-Ressource
    Philadelphia : The Jewish Publication Society | New York, NY : JSTOR
    ISBN: 9780827613324
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: Second, expanded edition
    RVK:
    Schlagwort(e): Bibel ; Kantillation
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  • 33
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496823434 , 9781496807533
    Sprache: Englisch
    Seiten: ix, 219 Seiten , Illustrationen
    Serie: Caribbean studies series
    Paralleltitel: Erscheint auch als
    DDC: 780.820972983
    RVK:
    Schlagwort(e): Frau ; Afroamerikanische Musik ; Trinidad
    Anmerkung: Literaturverzeichnis: Seite 203-215
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  • 34
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496807786 , 9781617039911
    Sprache: Englisch
    Seiten: x, 168 Seiten , Notenbeispiele
    DDC: 781.653
    RVK:
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    Schlagwort(e): Geschichte ; Blues ; Jazz ; Entstehung ; New Orleans, La.
    Anmerkung: Bibliography Seite 155-162 , First printing: 2014
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  • 35
    ISBN: 9781628462203 , 9781496803740
    Sprache: Englisch
    Seiten: VI, 425 Seiten , Illustrationen, Notenbeispiele
    Serie: American made music series
    DDC: 780.973
    RVK:
    Schlagwort(e): Multikulturelle Gesellschaft ; Musik ; Ethnische Identität ; USA ; Aufsatzsammlung
    Anmerkung: Literaturangaben
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  • 36
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 1496805801 , 9781496805805
    Sprache: Englisch
    Seiten: VIII, 251 Seiten , Notenbeispiele , 24 cm
    Serie: American made music series
    Paralleltitel: Online version Wise, Timothy E. Yodeling and meaning in American music.
    DDC: 782.00973
    RVK:
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    Schlagwort(e): Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; USA
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  • 37
    ISBN: 9781496804914 , 9781496805058
    Sprache: Englisch
    Seiten: xviii, 280 Seiten , Diagramme
    Serie: American made music series
    DDC: 781.642081
    RVK:
    Schlagwort(e): Country-Musiker ; Country-Musikerin ; Geschlechterrolle ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Selected bibliography Seite 255-266
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  • 38
    Online-Ressource
    Online-Ressource
    Manchester : Manchester University Press | New York, NY : JSTOR
    ISBN: 9781847799937
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Music and society
    DDC: 781.66
    RVK:
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    Schlagwort(e): Geschichte 1975-1980 ; Punk Rock ; Postpunk ; Musiksoziologie ; Großbritannien
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  • 39
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781626745346
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xic, 304 Seiten, 32 ungezählte Seiten) , Illustrationen (teilweise farbig), Notenbeispiele
    Ausgabe: First printing
    Serie: American made music series
    DDC: 782.42162/96073
    RVK:
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    Schlagwort(e): Sklaverei ; Musik ; Songbook ; USA
    Kurzfassung: The untold story behind the creation of the classic songbook Slave Songs of the United States.
    Anmerkung: Literaturverzeichnis: Seite 297-300 , Description based on publisher supplied metadata and other sources
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  • 40
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781621039662
    Sprache: Englisch
    Seiten: 1 Online-Ressource (206 pages)
    Serie: American Made Music Series
    DDC: 781.64092
    RVK:
    Kurzfassung: Quincy Jones (b. 1933) is one of the most prolific composers, arrangers, bandleaders, producers, and humanitarians in American music history and the recording and film industries. Among pop music fans he is perhaps most famous for producing Michael Jackson's album, Thriller. Clarence Bernard Henry focuses on the life, music, career, and legacy of Jones within the social, cultural, historical, and artistic context of American, African American, popular, and world music traditions. Jones's career has spanned over sixty years, generating a substantial body of work with over five hundred compositions and arrangements. The author focuses on this material as well as many of Jones's accomplishments: performing as a young trumpeter in the bands of Lionel Hampton and Dizzy Gillespie, becoming the first African American to hold an executive position in the competitive white-owned recording industry, breaking racial barriers as a composer in the Hollywood film and television industries, producing the best-selling album of all time, and receiving numerous Grammy Awards. The author also discusses many of Jones's compositions, arrangements, and recordings and his compositional study in France with legendary teacher Nadia Boulanger. In addition, details are provided about Jones's distinct ability as one of the most innovative composers and arrangers who incorporates many different styles of music, techniques, and creative ideas in his compositions, arrangements, and film scores. He collaborated with an array of musicians and groups such as Louis Armstrong, Duke Ellington, Miles Davis, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Clifford Brown, Ray Charles, Michael Jackson, USA for Africa, and many others. Clarence Bernard Henry shows how Jones has, throughout his career, wholeheartedly embraced philosophies of globalization and cultural diversity in his...
    Kurzfassung: body of work, collaborations, humanitarian projects, and musical creativity.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 41
    E-Ressource
    E-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781617036262 , 9781617036279 (Sekundärausgabe)
    Sprache: Englisch
    Seiten: 273 p.
    Ausgabe: Online-Ausg. Online-Ressource ISBN 9781617036279
    Ausgabe: [Online-Ausg.]
    Serie: American Made Music Series
    DDC: 788.93165
    RVK:
    Schlagwort(e): Online-Publikation
    Kurzfassung: Edward ""Kid"" Ory (1886-1973) was a trombonist, composer, recording artist, and early New Orleans jazz band leader. Creole Trombone tells his story from birth on a rural sugar cane plantation in a French-speaking, ethnically mixed family, to his emergence in New Orleans as the city's hottest band leader. The Ory band featured such future jazz stars as Louis Armstrong and King Oliver, and was widely considered New Orleans's top ""hot"" band. Ory's career took him from New Orleans to California, where he and his band created the first African American New Orleans jazz recordings ever made. In 1...
    Anmerkung: Description based upon print version of record , Online-Ausg.:
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  • 42
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781628460643
    Sprache: Englisch
    Seiten: xv, 278 Seiten , Illustrationen
    Ausgabe: First printing
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Folk music ; Blues ; USA ; Großbritannien ; Konferenzschrift 2009
    Anmerkung: Includes bibliographical references and index , The historical and social background of transatlantic roots music revivals / Jill Terry and Neil A. Wynn -- "Early morning blues" : the early years of the transatlantic connection / Paul Oliver -- Dreaming up the blues : transatlantic blues scholarship in the 1950s / Christian O'Connell -- American balladry and the anxiety of ancestry / Erich Nunn -- Woody Guthrie at the crossroads / Will Kaufman -- "It's not British music, it's American music" : Bob Dylan and Britain / John Hughes -- Alan Lomax : an American ballad hunter in Great Britain / Ronald D. Cohen -- Putting the blues in British blues rock / Roberta Freund Schwartz -- The white man, Burdon : the Animals, race, and the American South in the British blues boom / Brian Ward -- Born in Chicago : the impact of the Paul Butterfield Blues Band on the British blues "network," 1964-1970 / Andrew Kellett -- "When somebody take your number and use it" : the 1960s, British blues, and America's racial crossroads / Robert H. Cataliotti -- Groove me : dancing to the discs of northern soul / David Sanjek -- Some reflections on "Celtic" music / Duck Baker
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  • 43
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781604738018
    Sprache: Englisch
    Seiten: 1 Online-Ressource (431 Seiten)
    Serie: American Made Music
    DDC: 781.620092
    RVK:
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    Schlagwort(e): Lomax, Alan ; Geschichte 1935-1945 ; Musikethnologie ; Folk music ; USA ; Briefsammlung 1935-1945
    Kurzfassung: Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee.While Lomax is noted for his field recordings, these collected letters, man...
    Anmerkung: Description based upon print version of record
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  • 44
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781617030116
    Sprache: Englisch
    Seiten: xviii, 277 p., [20] p. of plates
    Serie: American made music series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/84243097624
    RVK:
    Schlagwort(e): Geschichte ; Geschichte ; Gesellschaft ; Blues (Music) Social aspects ; Blues (Music) History and criticism ; Music and tourism History ; Blues ; Tourismus ; Musikfestspiel ; Mississippi-Gebiet ; Mississippi-Gebiet ; Blues ; Musikfestspiel ; Tourismus ; Mississippi-Gebiet ; Blues ; Geschichte
    Beschreibung / Inhaltsverzeichnis: The history of the Mississippi Delta blues -- The history of blues tourism in the Mississippi Delta -- Blues myths and the rhetorical imagination of place -- Blues festivals, race, and the construction of authenticity -- A blues countermemory : the history of Mississippi, the story of the Delta -- Public memory, historical amnesia, and the Shack Up Inn -- Assessing tourism goals : money, image, and reconciliation
    Anmerkung: Includes bibliography (p. 239-267), discography (p. 268-270) and index
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  • 45
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781604734393 , 1604734396 , 9781604734386 , 1604734388
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 215 pages)
    Serie: American made music series
    DDC: 781.642092/273
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    Schlagwort(e): MuzikMafia (Musical group) ; MuzikMafia (Musical group) ; MuzikMafia ; Geschichte 2000-2010 ; Fine Arts ; MUSIC / Genres & Styles / Country & Bluegrass ; Country musicians ; Country musicians ; Musikleben ; Tonträger ; USA ; Nashville, Tenn. ; Verzeichnis ; Verzeichnis ; MuzikMafia ; Tonträger ; Nashville, Tenn. ; Musikleben ; Geschichte 2000-2010
    Anmerkung: Includes bibliographical references (pages 195-197) , discography (p. 201-202) , videography (p. 199) , and index , The Nashville scene -- The birth of the MuzikMafia -- August 2002 to March 2004 : growing popularity in Nashville and beyond -- April through December 2004 : the MuzikMafia takes the national stage -- Interlude : meet the MuzikMafia of 2004 -- 2005 : the second wave -- The beginning of the end , In October 2001, an unlikely gathering of musicians calling itself the MuzikMafia took place at the Pub of Love in Nashville, Tennessee. "We had all been beat up pretty good by the 'industry' and we told ourselves, if nothing else, we might as well be playing muzik," explains Big Kenny of Big and Rich. For the next year and a half, the MuzikMafia performed each week and garnered an ever-growing, dedicated fan base. Five years, several national tours, six Grammy nominations, and eleven million sold albums later, the MuzikMafia now includes a family of artists including founding member
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  • 46
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781604732689 , 1604732687
    Sprache: Englisch
    Seiten: 219 p
    Serie: American made music series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.650973/0947
    RVK:
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1954-1968 ; Geschichte ; Gesellschaft ; Politik ; Jazz Political aspects 20th century ; History ; Cold War Social aspects ; Ost-West-Konflikt ; Kulturaustausch ; Kulturvermittlung ; Diplomatie ; Jazz ; USA ; USA ; Sowjetunion ; Ost-West-Konflikt ; Diplomatie ; Jazz ; Geschichte 1954-1968 ; USA ; Sowjetunion ; Kulturaustausch ; Geschichte 1954-1968 ; USA ; Jazz ; Kulturvermittlung ; Sowjetunion
    Beschreibung / Inhaltsverzeichnis: Introduction -- Battling the Reds -- Jazz diplomacy at home and abroad, 1954-1957 -- Jazz means freedom, 1957-1960 -- The paradox of jazz diplomacy, 1961-1966 -- Jazz behind the iron curtain, 1961-1966 -- Bedlam from the decadent West, 1967-1968 -- Conclusion
    Anmerkung: Includes bibliographical references (p. [199]-212) and index
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  • 47
    Online-Ressource
    Online-Ressource
    Chapel Hill : Univ. of North Carolina Press | New York, NY : JSTOR
    Dazugehörige Bände/Artikel
    ISBN: 9781469616674
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XX, 428 Seiten) , Illustrationen
    Ausgabe: [Online-Ausg.]
    RVK:
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  • 48
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604737288
    Sprache: Englisch
    Seiten: 1 Online-Ressource (320 pages)
    DDC: 781.643096
    RVK:
    Schlagwort(e): Geschichte ; Blues ; Afrika
    Kurzfassung: In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world. Gerhard Kubik is a professor in the department of ethnology and African studies at the...
    Kurzfassung: University of Mainz, Germany. Since 1983 he has been affiliated with the Center for Social Research of Malawi, Zomba. He is a permanent member of the Center for Black Music Research in Chicago and an Honorary Fellow of the Royal Anthropological Institute of Great Britain and Ireland, London.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 49
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781604733372 , 1604733373
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 282 pages)
    Serie: American made music series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.62/410763
    RVK:
    Schlagwort(e): MUSIC / Ethnic ; MUSIC / Genres & Styles / Folk & Traditional ; MUSIC / Ethnomusicology ; Cajun music ; Folk dance music ; Zydeco music ; Cajun music History and criticism ; Zydeco music History and criticism ; Folk dance music History and criticism ; Musik ; Zydeco ; Volkstanz ; Cajun ; Kalifornien ; Kalifornien Nord ; Cajun ; Zydeco ; Kalifornien Nord ; Volkstanz ; Musik
    Anmerkung: Includes bibliographical references (pages 259-266) , discography (p. 267-269) , filmography (p. 271) and index , Prelude: Down at the twist and shout -- Identity issues, research methods, and ethnography -- Music, dance, and social capital -- Wartime and postwar Creole migration to California -- Further Creole migration and bridging to other social networks -- Folk revival connection: The musicians -- Folk revival connection: The dancers -- Later Gulf Coast arrivals , Queen Ida. Danny Poullard. Documentary filmmaker Les Blank. Chris Strachwitz and Arhoolie Records. These are names that are familiar to many fans of Cajun music and zydeco, and they have one other thing in common--longtime residence in the San Francisco Bay Area. They are all part of a vibrant scene of dancing and live Louisiana-French music that has evolved over several decades. Cajun and Zydeco Dance Music in Northern California traces how this region of California has been able to develop and sustain dances several times a week with more than a dozen bands. Description of this active region
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  • 50
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781604733273 , 1604733276
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 288 pages)
    Serie: American made music series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.640975
    RVK:
    Schlagwort(e): 1900 - 1999 ; Geschichte 1900-2000 ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / History & Criticism ; Folk music ; Folk songs ; Sound recordings ; Schallplattenaufzeichnung ; Volksmusik ; Geschichte ; Folk music History and criticism ; Folk songs History and criticism ; Sound recordings History 20th century
    Anmerkung: Includes bibliographical references and index , Prelude: supposing we have us a little tune here -- Learning to listen -- True relations -- Let's get this dance started -- Here's one you can all sing right with us -- A special prayer on the man that's a-catching the record -- I ought to be recording right now -- A corn licker still in Georgia -- Coda: well folks, here we are again , When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key "hillbilly" and "race" records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R & B, honk
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  • 51
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604737301
    Sprache: Englisch
    Seiten: 1 Online-Ressource (264 pages)
    DDC: 781.643
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    Schlagwort(e): Geschichte 1950-1999 ; Rhythm and Blues
    Kurzfassung: Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called "doo-wop," "soul," "funk," "urban contemporary," or "hip-hop," R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a "re-Africanization" over time. By investigating musical elements of form, style, and content in R&B-and offering numerous musical examples-the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical "super-genre" which he labels "The New Blue Music." Richard J. Ripani is a faculty member at Hume-Fogg Academic High School in Nashville, Tennessee. He is also a professional musician and songwriter in Nashville, performing with artists such as Ronnie Milsap, Ronnie McDowell, the Kentucky Headhunters, and Lee Greenwood. He has worked on numerous national television programs and earned gold and platinum records.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 52
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604739565
    Sprache: Englisch
    Seiten: 1 Online-Ressource (215 pages)
    DDC: 781.642082
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    Schlagwort(e): Countrymusic ; Geschlechterrolle
    Kurzfassung: From the smiling, sentimental mothers portrayed in 1930s radio barn dance posters, to the sexual shockwaves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Proper male and female roles have influenced the kinds of sounds and images that could be included in country music; preconceptions of gender have helped to determine the songs and artists audiences would buy or reject; and gender has shaped the identities listeners made for themselves in relation to the music they revered. This interdisciplinary collection of essays is the first book-length effort to examine how gender conventions, both masculine and feminine, have structured the creation and marketing of country music. The essays explore the uses of gender in creating the personas of stars as diverse as Elvis Presley, Patsy Cline, and Shania Twain. The authors also examine how deeply conventions have influenced the institutions and everyday experiences that give country music its image: the popular and fan press, the country music industry in Nashville, and the line dance crazes that created the dance hall boom of the 1990s. From Hank Thompson's "The Wild Side of Life" to Johnny Cash's "A Boy Named Sue," from Tammy Wynette's "Stand by Your Man" to Loretta Lynn's ode to birth control, "The Pill," A Boy Named Sue demonstrates the role gender played in the development of country music and its current prominence. Kristine M. McCusker is a professor of history at Middle Tennessee State University. Diane Pecknold is an independent scholar in Chicago, Illinois.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 53
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781604737271 , 1604737271 , 1283382032 , 9781283382038
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxxi, 232 pages)
    Serie: American made music series
    DDC: 782.421644/092/273
    RVK:
    Schlagwort(e): BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians ; MUSIC / Printed Music / General ; MUSIC / Genres & Styles / Soul & R 'n B. ; Soul musicians ; Women singers ; Women singers Biography ; Soul musicians Biography ; Sängerin ; Soul ; USA ; USA ; Biografie ; Biographie ; USA ; Soul ; Sängerin
    Anmerkung: Includes bibliographical references (pages 211-213) , selected discography (p. 205-209) , and index , Denise LaSalle : true-to-life stuff -- Ruby Johnson : having soul for it -- Carla Thomas : Memphis's reluctant soul queen -- Bettye LaVette : buzzard luck -- Barbara Mason : a lot of life in a short time -- Maxine Brown : story of a soul legend -- Timi Yuro : giving them the truth of me , American soul music of the 1960s is one of the most creative and influential musical forms of the twentieth century. With its merging of gospel, R & B, country, and blues, soul music succeeded in crossing over from African American culture into the general pop culture. Soul became the byword for the styles, attitudes, and dreams of an entire era. Female performers were responsible for some of the most enduring and powerful contributions to the genre. All too frequently overlooked by the star-making critics, seven of these women are profiled in this book -Maxine Brown, Ruby Johnson, Denise LaSalle, Bettye LaVette, Barbara Mason, Carla Thomas, and Timi Yuro. Getting started during the heyday of soul, each of these talented women had recording contracts and gave live performances to appreciative audiences. Their careers can be tracked through the popularity of soul during the 1960s and its decline in the 1970s. , With humor, candor, pride, and honest recognition that their careers did not surge into the mainstream and gain superstardom, they recount individual stories of how they struggled for success. Their oral histories as told to David Freeland address compelling issues, including racism and sexism within the music industry. They discuss their grueling hardships on the road, their conflicts with male managers, and the cutthroat competition in the recording business. As each singer examines her career with the author, she reveals the dreams, hopes, and desires on which she has built her professional life. All seven face up to the career swings, from the highs of releasing the first hit to the frustrating lows when the momentum stops. Although the obstacles to stardom are heartbreaking, these singers are committed to their art. With determination and style these seven have pressed onward with club appearances and recordings. , They survive through their savvy mix of talent, hubris, and honesty about their lives and their music. David Freeland is an oral historian and artistic adviser of a performance series at Columbia University's Miller Theatre. He has been a guest lecturer at Columbia's School for Social Work
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  • 54
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781604735970 , 160473597X , 1578063337 , 9781578063338 , 1578063345 , 9781578063345 , 1283382024 , 9781283382021
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvii, 184 pages)
    Serie: American made music series
    DDC: 781.643/092
    RVK:
    Schlagwort(e): Rachell, Yank ; Rachell, Yank ; Rachell, Yank ; Rachell, Yank ; Rachell, Yank ; BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians ; MUSIC / Genres & Styles / Blues ; MUSIC / Genres & Styles / Soul & R 'n B. ; African American musicians ; Blues (Music) ; Blues musicians ; Biographie ; Blues musicians Biography ; African American musicians Biography ; Blues (Music) History and criticism ; USA ; Biografie ; Rachell, Yank 1908-1997
    Anmerkung: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 177-178) , discography (p. 143-157) , and index , Blues Mandolin Man - 3 -- - Appendix 1 - Comments on Yank Rachell's Mandolin Style - Rich DelGrosso - 89 -- - Appendix 2 - Comments on Yank Rachell's Guitar Style - David Evans - 93 -- - Appendix 3 - Interviews - 97 -- - Appendix 4 - Musicians - 125 -- - Appendix 5 - Brownsville Lynching - 139 , Yank Rachell and his mandolin playing style moved every musician lucky enough to hear him perform in the early sixties. When he died in April 1997, he left behind a stack of unanswered requests to tour Europe and to play blues festivals in the United States. In Blues Mandolin Man: The Life and Music of Yank Rachell, Richard Congress delivers the first biography of a family man whose playing inspired and energized the likes of David Honeyboy Edwards, Sleepy John Estes, and Henry Townsend. No other biography discusses the mandolin's influence and role in the blues. Guitar great Ry Cooder said, "
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  • 55
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604736762
    Sprache: Englisch
    Seiten: 1 Online-Ressource (191 pages)
    DDC: 781.654
    RVK:
    Schlagwort(e): Musikleben ; Swing ; USA
    Kurzfassung: It was for stage bands, for dancing, and for a jiving mood of letting go. Throughout the nation swing re-sounded with the spirit of good times. But this pop genre, for a decade America's favorite, arose during the worst of times, the Great Depression. From its peak in the 1930s until bebop, r & b, and country swamped it after World War II, swing defined an American generation and measured America's musical heartbeat. In its heyday swing reached a mass audience of very disparate individuals and united them. They perceived in the tempers and tempos of swing the very definition of modernity. A survey of the thirties reveals that the time was indeed the Swing Era, America's segue into modernity. What social structures encouraged swing's creation, acceptance, and popularity? Swing, That Modern Sound examines the cultural and historical significance of swing and tells how and why it achieved its audience, unified its fans, defined its generation, and, after World War II, fell into decline. What fed the music? And, in turn, what did the music feed? This book shows that swing manifested the kind of up-to-date allure that the populace craved. Swing sounded modern, happy, optimistic. It flouted the hardship signals of the Great Depression. The key to its rise and appeal, this book argues, was its all-out appropriation of modernity--consumer advertising, the language and symbols of consumption, and the public's all-too-evident wish for goods during a period of scarcity. As it examines the role of race, class, and gender in the creation of this modern music, Swing, That Modern Sound tells how a music genre came to symbolize the cultural revolution taking place in America. Kenneth J. Bindas is an associate professor of history at Kent State University, Trumbull Campus, in Warren, Ohio. He is the author of All of This Music Belongs to the...
    Kurzfassung: Nation: The WPA's Federal Music Project and American Society, 1935--1939.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 56
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 1578061733 , 1578061741
    Sprache: Englisch
    Seiten: xiii, 156 Seiten , Illustrationen , 22 cm
    DDC: 305.800284
    RVK:
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    Schlagwort(e): Sound recordings in ethnology History ; Sound recordings in ethnomusicology History ; Phonograph History ; Cylinder recordings History ; Cylinder recordings Collectors and collecting ; Musik ; Schallaufzeichnung
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seiten 135-147
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  • 57
    Online-Ressource
    Online-Ressource
    Alexandria, VA : Alexander Street Press | Jackson : University Press of Mississippi
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiii, 166 p.)
    Ausgabe: Reproduction s.l
    Serie: Music Online Reference
    Serie: African American music reference
    DDC: 306.4/84
    RVK:
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    Schlagwort(e): Jazz in literature ; Jazz ; Social aspects ; United States ; Race in literature ; Gesellschaft ; USA ; United States / Race relations
    Anmerkung: Includes bibliographical references (p. [153]-160) and index. - Erscheinungsjahr in Vorlageform:c1997
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  • 58
    Online-Ressource
    Online-Ressource
    Ann Arbor, Michigan : University of Michigan Press | New York, NY : JSTOR
    ISBN: 9780472127429 , 047212742X , 9780472901371 , 0472901370
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 255 pages) , illustrations
    Serie: Michigan Monographs in Chinese Studies no. 19
    Paralleltitel: Erscheint auch als Crump, J. I Chinese and Japanese Music-Dramas
    DDC: 782.10951
    RVK:
    Schlagwort(e): Opera History and criticism ; Theater ; Nō ; Nō ; Opera ; Theater ; SOCIAL SCIENCE / General ; Criticism, interpretation, etc ; China
    Kurzfassung: Crump, J. I. and Malm, W. P. Preface. -- Abbreviations used. -- Crump, J. I. Giants in the earth; Yüan drama as seen by Ming critics. -- Pian, R. C. Aria structural patterns in the Peking opera. -- Malm, W. P. The musical characteristics and practice of the Japanese noh drama in an East Asian context. -- Sesar, C. China vs. Japan; the noh play Haku rakuten. -- Teele, R. E. The structure of the Japanese noh play. -- Glossary.
    Anmerkung: Includes bibliographical references
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