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  • Durham : Duke University Press  (15)
  • USA  (15)
  • Anglistik  (14)
  • Wirtschaftswissenschaften  (1)
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  • 1
    Buch
    Buch
    Photographic returns : racial justice and the time of photography (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478004684 , 9781478004073
    Sprache: Englisch
    Seiten: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
    AP 95000
    RVK:
    HD 474
    RVK:
    MS 1235
    RVK:
    MS 3530
    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Kurzfassung: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Kurzfassung: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 2
    Buch
    Buch
    Infamous bodies : early black women's celebrity and the afterlives of rights (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478008323 , 9781478007838
    Sprache: Englisch
    Seiten: ix, 254 Seiten , Illustrationen
    Serie: Black studies gender and sexuality
    Paralleltitel: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
    RVK:
    HD 370
    Schlagwort(e): Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Kurzfassung: "INFAMOUS BODIES portrays ...
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: https://www.dukeupress.edu/infamous-bodies
    URL: Inhaltsverzeichnis
    URL: https://www.dukeupress.edu/infamous-bodies
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  • 3
    Online-Ressource
    Online-Ressource
    Infamous Bodies : early black women's celebrity and the afterlives of rights (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009283
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 254 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.48/896073
    RVK:
    MS 3200
    RVK:
    HD 370
    Schlagwort(e): Geschichte ; SOCIAL SCIENCE / Black Studies (Global) ; African American feminists ; African American women in popular culture ; African American women Legal status, laws, etc ; Fame Social aspects ; Womanism ; Women, Black Legal status, laws, etc ; Women, Black, in popular culture ; Feministin ; Schwarze Frau ; USA ; Biografie ; Biografie ; Biografie ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Kurzfassung: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how key political concepts such as freedom, consent, contract, citizenship, and sovereignty are shaped by the narratives surrounding these eighteenth- and nineteenth-century celebrities. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings' relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects
    DOI: 10.1515/9781478009283
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9781478009283
    URL: https://www.degruyter.com/isbn/9781478009283
    URL: Cover
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  • 4
    Online-Ressource
    Online-Ressource
    Photographic returns : racial justice and the time of photography (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478005537
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 236 Seiten)
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
    RVK:
    AP 95000
    RVK:
    MS 3530
    RVK:
    MS 1235
    RVK:
    HD 474
    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Kurzfassung: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    DOI: 10.1215/9781478005537
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9781478005537
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478005537
    URL: https://www.degruyter.com/isbn/9781478005537
    URL: Cover
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 5
    Online-Ressource
    Online-Ressource
    Reattachment theory : queer cinema of remarriage (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009139
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Serie: A Camera Obscura Book
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.84/8
    RVK:
    HD 370
    Schlagwort(e): Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Kurzfassung: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    DOI: 10.1515/9781478009139
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: https://doi.org/10.1515/9781478009139
    URL: https://www.degruyter.com/isbn/9781478009139
    URL: Cover
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  • 6
    Online-Ressource
    Online-Ressource
    Manufacturing Celebrity : Latino paparazzi and women reporters in Hollywood (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478008880
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 310 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.5/2
    RVK:
    AP 19830
    RVK:
    HD 370
    Schlagwort(e): SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Kurzfassung: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    DOI: 10.1515/9781478008880
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9781478008880
    URL: https://www.degruyter.com/isbn/9781478008880
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: https://www.jstor.org/stable/10.2307/j.ctv12fw7kj
    URL: Inhaltsverzeichnis
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  • 7
    Buch
    Buch
    Manufacturing celebrity : Latino paparazzi and women reporters in Hollywood (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009436 , 9781478008545
    Sprache: Englisch
    Seiten: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
    RVK:
    AP 19830
    RVK:
    HD 370
    Schlagwort(e): Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Anmerkung: Literaturverzeichnis Seite 271-300
    URL: Inhaltsverzeichnis
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  • 8
    Online-Ressource
    Online-Ressource
    The Afterlife of Reproductive Slavery : Biocapitalism and Black Feminism’s Philosophy of History (2019)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781478003281
    Sprache: Englisch
    Seiten: 1 Online-Ressource (296 p.) , 4 illustrations
    Ausgabe: 2019
    DDC: 306.3/620973
    RVK:
    NW 8295
    RVK:
    MS 3530
    RVK:
    MS 1235
    RVK:
    MS 3200
    RVK:
    HD 370
    Schlagwort(e): Geschichte 1970-2000 ; Fortpflanzung ; Schwarze Frau ; Ersatzmutterschaft ; Feminismus ; Sklaverei ; Geschichtsphilosophie ; USA
    Kurzfassung: In The Afterlife of Reproductive Slavery Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism. As a form of racial capitalism that relies on the commodification of the human reproductive body, biocapitalism is dependent upon what Weinbaum calls the slave episteme—the racial logic that drove four centuries of slave breeding in the Americas and Caribbean. Weinbaum outlines how the slave episteme shapes the practice of reproduction today, especially through use of biotechnology and surrogacy. Engaging with a broad set of texts, from Toni Morrison's Beloved and Octavia Butler's dystopian speculative fiction to black Marxism, histories of slavery, and legal cases involving surrogacy, Weinbaum shows how black feminist contributions from the 1970s, 1980s, and 1990s constitute a powerful philosophy of history—one that provides the means through which to understand how reproductive slavery haunts the present.
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    DOI: 10.1515/9781478003281
    URL: https://doi.org/10.1515/9781478003281
    URL: https://www.degruyter.com/isbn/9781478003281
    URL: Cover
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  • 9
    Buch
    Buch
    Black and blur (2017)
    Durham : Duke University Press
    Details
    ISBN: 9780822370161 , 9780822370062
    Sprache: Englisch
    Seiten: xvii, 339 Seiten
    Serie: Consent not to be a single being [1]
    DDC: 305.896
    RVK:
    HD 474
    RVK:
    HU 1728
    RVK:
    HD 370
    Schlagwort(e): Schwarze ; Kunst ; USA
    Anmerkung: Literaturverzeichnis: Seite 317-328
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
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  • 10
    Online-Ressource
    Online-Ressource
    In the Wake : On Blackness and Being (2016)
    Durham : Duke University Press
    Details
    ISBN: 9780822362838
    Sprache: Englisch
    Seiten: 1 Online-Ressource (188 SEiten)
    Paralleltitel: Erscheint auch als Sharpe, Christina Elizabeth In the wake
    DDC: 305.896073
    RVK:
    LB 31960
    RVK:
    HD 402
    RVK:
    MS 3450
    Schlagwort(e): Premature death - Social aspects - United States ; African Americans Social conditions ; Racism Health aspects ; Premature death Social aspects ; Discrimination in law enforcement ; Slavery Psychological aspects ; Electronic books ; Electronic books ; USA ; Schwarze ; Diskriminierung
    Kurzfassung: Using the multiple meanings of "wake" to illustrate the ways Black lives are determined by slavery's afterlives, Christina Sharpe weaves personal experiences with readings of literary and artistic representations of Black life and death to examine what survives in the face of insistent violence and the possibilities for resistance
    Kurzfassung: Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Chapter One: The Wake -- Chapter Two: The Ship -- Chapter Three: The Hold -- Chapter Four: The Weather -- Notes -- References -- Index
    Anmerkung: Description based upon print version of record
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
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  • 11
    Online-Ressource
    Online-Ressource
    Real men don't sing : crooning in American culture (2015)
    Durham : Duke University Press
    Details
    ISBN: 9780822375326
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 429 Seiten) , Illustrationen
    Serie: Refiguring American music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation University of Iowa 2000
    DDC: 782.42164/0811
    RVK:
    HD 375
    RVK:
    LS 48050
    RVK:
    LS 48615
    Schlagwort(e): Crosby, Bing ; Vallée, Rudy ; Geschichte 1921-1940 ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940 ; Männlichkeit ; Schlagersänger ; Crooning ; Popmusik ; USA ; Hochschulschrift ; USA ; Popmusik ; Schlagersänger ; Männlichkeit ; Crooning ; Geschichte 1921-1940 ; Vallée, Rudy 1901-1986 ; Crosby, Bing 1903-1977
    Kurzfassung: The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture
    Anmerkung: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    DOI: 10.1215/9780822375326
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822375326?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822375326
    URL: Cover
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  • 12
    Online-Ressource
    Online-Ressource
    Liquidated : an ethnography of Wall Street (2009)
    Durham : Duke University Press
    Details
    ISBN: 0822391376 , 9781283335218 , 9780822391371
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (xiii, 374 pages : ill. map))
    Ausgabe: Online-Ausg. Electronic reproduction; Available via World Wide Web
    Serie: a John Hope Franklin Center Book
    Paralleltitel: Erscheint auch als Ho, Karen, 1971 - Liquidated
    DDC: 331.7/6133264273
    RVK:
    QK 640
    RVK:
    LC 10610
    RVK:
    QK 650
    RVK:
    MS 4860
    RVK:
    LC 24000
    RVK:
    LB 85000
    Schlagwort(e): Investmentbank ; Wertpapierhandel ; Börsenmakler ; Unternehmenskultur ; Shareholder Value ; Personalmanagement ; Personalbeschaffung ; Ethnologie ; USA ; Investment banking ; Stockbrokers ; Securities industry Employees ; Downsizing of organizations ; Electronic books ; USA ; Investment Banking ; Wertpapierhandel ; Finanzmarketing ; Geschichte 1980-2009 ; USA ; Shareholder-Value-Analyse ; Personalabbau ; Geschichte 1980-2009
    Kurzfassung: An ethnography of Wall Street, investment bankers and the cultural logics of finance
    Beschreibung / Inhaltsverzeichnis: Contents; Acknowledgments; Introduction: Anthropology Goes to Wall Street; 1. Biographies of Hegemony: The Culture of Smartness and the Recruitment and Construction of Investment Bankers; 2. Wall Street's Orientation: Exploitation, Empowerment, and the Politics of Hard Work; 3. Wall Street Historiographies and the Shareholder Value Revolution; 4. The Neoclassical Roots and Origin Narratives of Shareholder Value; 5. Downsizers Downsized: Job Insecurity and Investment Banking Corporate Culture; 6. Liquid Lives, Compensation Schemes, and the Making of (Unsustainable) Financial Markets
    Beschreibung / Inhaltsverzeichnis: 7. Leveraging Dominance and Crises through the GlobalNotes; References; Index
    Anmerkung: "A John Hope Franklin Center Book , Description based on print version record , Includes bibliographical references (p. [325]-368) and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
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  • 13
    Online-Ressource
    Online-Ressource
    Soul Power : Culture, Radicalism, and the Making of a U.S. Third World Left (2006)
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780822388616
    Sprache: Englisch
    Seiten: 1 Online-Ressource (327 pages)
    Serie: e-Duke books scholarly collection.
    DDC: 303.4821724008996073
    RVK:
    HD 370
    Schlagwort(e): Geschichte 1960-1979 ; Schwarze ; Minderheit ; Politisches Handeln ; Radikalismus ; Soziale Gerechtigkeit ; USA ; Entwicklungsländer
    Kurzfassung: A cultural history of activists of color who appropriated theories and strategies from Third World anticolonial struggles in their fight for social and economic justice in the United States during the "long 1960s.".
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 14
    Online-Ressource
    Online-Ressource
    Egypt Land : Race and Nineteenth-Century American Egyptomania (2004)
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780822386315
    Sprache: Englisch
    Seiten: 1 Online-Ressource (371 pages)
    Serie: New Americanists
    DDC: 303.4827303209034
    RVK:
    HD 370
    RVK:
    LE 5100
    Schlagwort(e): Geschichte 1800-1900 ; Ägyptophilie ; USA
    Kurzfassung: Explores the relation between nineteenth-century American interest in ancient Egypt in architecture, literature, and science, and the ways Egypt was deployed by advocates for slavery and by African American writers.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 15
    Online-Ressource
    Online-Ressource
    The cultural life of intellectual properties : authorship, appropriation, and the law (1998)
    Durham : Duke University Press
    Details
    ISBN: 9780822382492 , 0822382490
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 462 Seiten)
    Serie: Post-contemporary interventions
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    HD 370
    RVK:
    LB 79000
    RVK:
    LR 57500
    RVK:
    PE 743
    RVK:
    PR 2352
    Schlagwort(e): Intellectual property United States ; Critical legal studies United States ; Popular culture United States ; Rechtsschutz ; Zivilisation ; Geistiges Eigentum ; United States Cultural policy ; USA ; Electronic books ; USA ; Geistiges Eigentum ; Rechtsschutz ; Zivilisation
    Anmerkung: Introduction: Authoring Culture. A Critical Cultural Legal Studies. Against Culture(s). Anthropology's Trademark and Its Academic Others. Authoring Alterity. Contested Cultures. Legalities,Identities, and Mass Media. Authorship and Alterity -- Objects of Property and Subjects of Politics: Objects and Subjects. Historicizing the Subject. Postmodern Culture. It's a Small, Small world. Postmodern Goods. Author(iz)ing the Corporate Persona. Manufacturing Distinction. Fixing the Signifier/Owning the Sign. Activist Appropriations. PolicingPostmodern Precincts. Xerox Cultures. Dialogicsof Postmodern Politics -- Author(iz)ing the Celebrity: Engendering Alternative Identities: The Value of the CelebrityPersona. CelebrityAuthorship. The CelebrityForm and the Politicsof Postmodernism. Doing Gender. Respecting Judy. Fictionalized Sexualities. Enterprising Women. Engendering and EndangeringAlternative Identities -- , - Tactics of Appropriation and the Politics of Recognition: PoliticalArticulations. Official Signifiers. Postmodernity and the Rumor. Racial Inscriptions and Iterations. Corporeal Vulnerability. Signifyin(g) Powers -- Embodied Trademarks: Mimesis and Alterity on American Commercial Frontiers. Mimicry, Alterity, and Embodiment. Marked and Unmarked Bodies. Contemporary Contestations. Fighting Redskins. Consuming Crazy Horse. Mimicking Authors at the Altars of Property -- The Properties of Culture and the Politics of Possessing Identity: Whose VoiceIs It Anyway? The European Art/Culture System. Contemporary Properties of Culture and Identity. Listening to Native Claims "in Context". Representation without Representation: Visibility without Voice. Possessive Individualism Revisited: Authorship and Cultural Identity. Aboriginal Title -- , - Dialogic Democracy I: Authorship and Alterity in Public Spheres: The Author in the Modern Public Sphere. FreeSpeech in the Condition of Postmodernity. Objects and Subjects Redux -- Dialogic Democracy II: Alterity and Articulation in the Space of the Political: Locating the Politics of the Public Sphere. Mass Mediation and the Publics of Civil Society. The Spaceof the Signature. The Unworked Community. An Ethics of Contingency. - Includes bibliographical references (pages [398]-443) and index
    DOI: 10.1215/9780822382492
    URL: Volltext  (URL des Erstveröffentlichers)
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