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  • Chicago : University of Chicago Press  (16)
  • Jazz  (13)
  • Gesellschaft  (6)
  • Musicology  (16)
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  • 1
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 022630339X , 9780226303390
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als Gluck, Bob Miles Davis Lost Quintet
    DDC: 785/.32195165
    RVK:
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Jazz History and criticism 1961-1970 ; MUSIC ; Genres & Styles ; Chamber ; Jazz ; Jazz musicians ; Avantgarde ; Quintett ; Elektronische Musik ; Rock-Jazz ; Biographies ; Criticism, interpretation, etc ; United States ; Biografie ; Biografie
    Abstract: Miles Davis's 'Bitches Brew' is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. Here, jazz historian and musician Bob Gluck explores the performances of this revolutionary group, to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in
    Abstract: Miles goes electric -- "Bitches brew," in the studio and on the road -- Anthony Braxton : Leroy Jenkins, Musica Elettronica Viva, and the "Peace Church" concert -- Interlude : musical rumblings in Chelsea -- Miles Davis's increasingly electric 1970, and a reflection on his 1971-75 bands -- Circle -- The Revolutionary Ensemble -- Ornette Coleman's children : comparisons and contrasts inside and outside the jazz economy.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    AV-Medium
    AV-Medium
    Chicago : University of Chicago Press
    ISBN: 9780226158082 , 9780226236032
    Language: English
    Pages: XXXI, 496 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Additional Material: 1 CD
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.6509
    RVK:
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    Keywords: Jazz History and criticism ; Jazz Social aspects ; Aufsatzsammlung ; Jazz ; Weltmusik ; Globalisierung ; Ethnische Identität
    Abstract: "Many regard jazz as the soundtrack of America, born and raised in its cities and echoing throughout its tumultuous century of progress. So when Ernest Hemingway wrote about seeing jazz in 1920s Paris, and when British colonial officials danced to jazz in the clubs of Calcutta in the waning years of the Raj, how, exactly, had it gotten there? Jazz Worlds/World Jazz aims to answer these questions and more, bringing together voices from countries as far flung as Azerbaijan, Armenia, and India to show that the story of jazz is not trapped in American history books but alive in global modernity. Monumental in scope, this book explores the relationship between jazz and culture and how they influence each other across a range of themes and settings. Contributors offer an analysis of the social meaning of jazz in Iran, a look at the genesis of Ethiopian jazz and at Indian fusion, and chapters on jazz diplomacy, Balkan swing, and that French export par excellence: Django Reinhardt. Altogether the contributors approach jazz—in these global iterations—through the themes that have always characterized it at home: place, history, mobility, media, and race. The result is a first-of-its-kind map of jazz around the globe that pays tribute to the players who have given the form its seemingly infinite possibilities"--Publisher's website
    Abstract: Foreword. Who is jazz? / George E. Lewis -- Introduction / Goffredo Plastino and Philip V. Bohlman -- Place. Jazz and the politics of home in Scandinavia / Fabian Holt ; Swinging in Balkan mode: on the innovative approach of Milcho Leviev / Claire Levy ; Azerbaijani Mugham jazz / Inna Naroditskaya ; Jazz and its social meanings in Iran: from cultural colonialism to the universal / Laudan Nooshin -- History. Jazz at the edge of empire / Philip V. Bohlman ; That Gypsy in France: Django Reinhardt's occupation blouze / Andy Fry ; Jazz, race, and politics in colonial Portugal: discourses and representations / Pedro Roxo and Salwa El-Shawan Castelo-Branco -- Media. Traveling music: Mulatu Astatke and the genesis of Ethiopian jazz / Kay Kaufman Shelemay ; The medium is the message? Jazz diplomacy and the democratic imagination / Richard C. Jankowsky ; Musical echoes: Diasporic listening and the creation of a world of South African jazz / Carol Ann Muller -- Globalization/Indigenization. Jazz Napoletano: a passion for improvisation / Goffredo Plastino ; In search of compatible virtuosities: floating point and fusion in India / Niko Higgins ; Improvising diasporan identities: Armenian jazz / Anahid Kassabian --Race. Culture, commodity, palimpsest: locating jazz in the world / Travis A. Jackson ; A world(ly) jazz autonomy: Hazel Scott and Hollywood's musical-racial matrix / Kristin McGee ; Black music's body politics / Ronald Radano -- Epilogue -- Jazz: music of the multitude? / Richard Middleton
    Description / Table of Contents: Foreword. Who is jazz? / George E. LewisIntroduction / Goffredo Plastino and Philip V. Bohlman -- Place. Jazz and the politics of home in Scandinavia / Fabian Holt ; Swinging in Balkan mode: on the innovative approach of Milcho Leviev / Claire Levy ; Azerbaijani Mugham jazz / Inna Naroditskaya ; Jazz and its social meanings in Iran: from cultural colonialism to the universal / Laudan Nooshin -- History. Jazz at the edge of empire / Philip V. Bohlman ; That Gypsy in France: Django Reinhardt's occupation blouze / Andy Fry ; Jazz, race, and politics in colonial Portugal: discourses and representations / Pedro Roxo and Salwa El-Shawan Castelo-Branco -- Media. Traveling music: Mulatu Astatke and the genesis of Ethiopian jazz / Kay Kaufman Shelemay ; The medium is the message? Jazz diplomacy and the democratic imagination / Richard C. Jankowsky ; Musical echoes: Diasporic listening and the creation of a world of South African jazz / Carol Ann Muller -- Globalization/Indigenization. Jazz Napoletano: a passion for improvisation / Goffredo Plastino ; In search of compatible virtuosities: floating point and fusion in India / Niko Higgins ; Improvising diasporan identities: Armenian jazz / Anahid Kassabian --Race. Culture, commodity, palimpsest: locating jazz in the world / Travis A. Jackson ; A world(ly) jazz autonomy: Hazel Scott and Hollywood's musical-racial matrix / Kristin McGee ; Black music's body politics / Ronald Radano -- Epilogue -- Jazz: music of the multitude? / Richard Middleton.
    Note: CD contents (pages xxix-xxxi) , Includes bibliographical references (pages 469-471, discography (page 471) and index
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  • 3
    ISBN: 9780226125053 , 9780226125190
    Language: English
    Pages: xi, 268 pages , 24 cm
    DDC: 781.65071/073
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    Keywords: Berklee College of Music ; New School for Jazz and Contemporary Music ; Jazz Instruction and study ; Jazz musicians ; Berklee College of Music ; New School for Jazz and Contemporary Music ; Musikstudium ; Jazz ; Improvisation ; Kreativität
    Description / Table of Contents: Introduction : the academic jazz program as a hybridContext and histories : the search for cultural legitimacy and the reconfiguration of obsolete jazz scenes -- "Think-tank music" : public ambivalences and contradictions -- Charisma infusion : bringing the "street" back into the classroom -- Rituals of creativity : inhabiting the echoes of the past -- Transcribing creativity as creative transcribing : legitimizing theory and expertise -- "Now you have to think simple!" : improvisatory techniques of the improvising body -- The games students play : technologies of the listening self.
    Note: Includes bibliographical references (pages 243-256) and index
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  • 4
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 0226239225 , 9780226239224
    Language: English
    Pages: 1 Online-Ressource (xi, 214 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/1438
    RVK:
    Keywords: MUSIC / Genres & Styles / International ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / Genres & Styles / New Age ; Ensemble playing ; Jazz musicians ; Jazz / Social aspects ; Performing arts / Repertoire ; Gesellschaft ; Jazz Social aspects ; Jazz musicians ; Ensemble playing ; Performing arts Repertoire ; Musikleben ; Jazz ; Repertoire ; Musikalische Aufführungspraxis ; Einführung ; Jazz ; Musikleben ; Jazz ; Repertoire ; Jazz ; Musikalische Aufführungspraxis
    Note: Includes bibliographical references and index , How musicians make music together -- Repertoire as activity : the basic elements -- Learning songs and building an individual repertoire : sources -- The skills you need to play the contents of the song reservoir -- Things change : the organization of musical life -- Things change : the music -- On the stand : putting repertoire to work -- The results of bandstand dynamics -- Playing the repertoire game : what we wanted to know and how we learned to ask a better question , Anecdotes and insights from the world of jazz, in which musicians often take the stage never having previously played together, are related by two professional jazz artists. They offer insider views of how musicians collectively negotiate & improvise their way to a successful performance
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  • 5
    ISBN: 0226554252 , 9780226554259
    Language: English
    Pages: 1 Online-Ressource (xi, 216 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 810.9/3578
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    Keywords: Baldwin, James / 1924-1987 ; Baraka, Amiri / 1934-2014 ; Ellison, Ralph ; Ellison, Ralph Criticism and interpretation ; Baldwin, James Criticism and interpretation ; Baraka, Amiri Criticism and interpretation ; American literature ; Ellison, Ralph ; Jazz ; LITERARY CRITICISM / American / General ; American literature / African American authors ; Improvisation (Music) ; Jazz ; Jazz in literature ; Jazz ; Improvisation ; Intellektuelle Anschauung ; American literature African American authors ; History and criticism ; Jazz in literature ; Jazz History and criticism ; Improvisation (Music) ; Improvisation ; Jazz ; Intellektuelle Anschauung ; Jazz ; Improvisation ; Jazz ; Intellektuelle Anschauung
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 189-196) and index , Introduction: Vamping 'til ready -- Three ways of looking at a yardbird : Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and LeRoi Jones/Amiri Baraka -- Black is, black ain't : violence, black masculinity, and the novel as democratic symbol -- Cutting session : Baldwin as prizefighting intellectual, Baldwin as improvising intellectual -- Improvising over the changes : improvisation as intellectual and aesthetic practice in the transitional poems of LeRoi Jones/Amiri Baraka -- Coda , Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as The Shadow and the Act reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era. In this inspired study, Walton M. Muyumba situates them as a jazz trio, demonstrating how Ellison, Baraka, and Baldwin's individual works form a series of calls and responses with each other. Muyumba connects their writings on
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  • 6
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 0226477037 , 9780226477039
    Language: English
    Pages: 1 Online-Ressource (xlviii, 676 p., [44] p. of plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6506/077311
    RVK:
    Keywords: Association for the Advancement of Creative Musicians ; Association for the Advancement of Creative Musicians / History ; Association for the Advancement of Creative Musicians History ; Association for the Advancement of Creative Musicians ; 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1965-2005 ; MUSIC / Genres & Styles / Jazz ; African American jazz musicians ; Avant-garde (Music) ; Jazz ; Geschichte ; African American jazz musicians ; Avant-garde (Music) History 20th century ; Jazz History and criticism ; Jazz ; Experimentelle Musik ; Jazzmusiker ; USA ; Chicago, Ill. ; Chicago, Ill. ; Jazz ; Jazzmusiker ; Geschichte 1965-2005 ; Association for the Advancement of Creative Musicians ; Experimentelle Musik ; Geschichte 1965-2005
    Note: Includes bibliographical references (p. 601-635), discography (p. 519-523), and index , Foundations and prehistory -- New music, New York -- The development of the experimental band -- Founding the collective -- First fruits -- The AACM takes off -- Americans in Paris -- The AACM's next wave -- The AACM in New York -- The new regime in Chicago -- Into the third decade -- Transition and reflections , "Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles such as Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton has been matched by the enormous influence of the collective itself in inspiring a generation of musical experimentalists. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Faced with shrinking economic opportunities in Chicago and a segregated music industry, the original members of the AACM found inspiration in the civil rights movement's call for change through self-determination and collective action. These musicians pooled their individual strengths in a new organization powerfully committed to a forward-thinking approach to musical creation and performance. Evolving a range of experimental methods, from invented instruments and unusual musical scores to improvisation and the early use of computers, the AACM challenged the borders separating classical music and jazz. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art."--Publisher's description
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  • 7
    Book
    Book
    Chicago : University of Chicago Press
    ISBN: 9780226310596 , 9780226310602 , 0226310590 , 0226310604
    Language: English
    Pages: xii, 343 Seiten, [8] Blätter , Illustrationen , 23 cm
    Additional Material: 1 Audio-CD (12 cm)
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.64
    RVK:
    Keywords: Geschichte ; Calypso ; Gesellschaft ; Politik ; Karneval ; Trinidad ; CD ; CD ; CD
    Note: Literaturverzeichnis: Seite 319-332, Diskografie: Seite 333-335
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  • 8
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226328690 , 0226328694
    Language: English
    Pages: 1 Online-Ressource (xii, 289 p.)
    DDC: 781.65/20976335
    RVK:
    Keywords: Geschichte ; MUSIC / Genres & Styles / Jazz ; Jazz ; Music and race ; Music / Social aspects ; Geschichte ; Gesellschaft ; Musik ; Jazz History and criticism ; Music Social aspects ; History ; Music and race ; Jazz ; Gesellschaft ; New Orleans, La. ; New Orleans, La. ; Jazz ; Gesellschaft ; Geschichte
    Note: Includes bibliographical references (p. 247-270), discography (p. 271-273), and index , Places -- Reaction -- Musicians -- Music -- Dissemination : Morton, La Rocca, and Armstrong , Subversive Sounds probes New Orleans?s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form?jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans?s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of m
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  • 9
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 0226350401 , 9780226350400
    Language: English
    Pages: 1 Online-Ressource (xiv, 221 pages)
    Parallel Title: Erscheint auch als
    DDC: 781.64
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    Keywords: Geschichte ; Fine Arts ; MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Popular music genres ; Unterhaltungsmusik / USA. ; Country Rock ; Musikgattung ; Unterhaltungsmusik ; Jazz ; Popular music History and criticism ; Popular music genres ; Musikalischer Stil ; Popmusik ; USA ; USA ; USA ; Popmusik ; Musikalischer Stil ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 201-212) and index , "The Jeff Parker discography": pages 181-183 , Roots and refigurations -- Double session I : Reactions to rock -- A model of genre transformation -- Country music and the Nashville sound -- Jazz and jazz-rock fusion -- Double session II : Urban boundaries -- Jeff Parker and the Chicago jazz scene -- A closer look at Jeff Parker and his music -- Music at American borders , Through a collection of case studies, the author examines why music categories and music genres are debated, and why the terms used to describe these categories and genres are always changing
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  • 10
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226289229 , 9780226289243
    Language: English
    Pages: xiv, 480 p
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425
    RVK:
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    Keywords: Geschichte 1920-2005 ; Gesellschaft ; Jazz History and criticism ; Jazz Social aspects ; Musikkritik ; Jazz ; USA ; Jazz ; Musikkritik ; Geschichte 1920-2005
    Description / Table of Contents: Introduction : (much more than) a few words about jazz -- Not only a new art form but a new reason for living -- As if it were artistic and not just a teenage enthusiasm : hot collecting -- Across the color line -- Hearing 'the noisy lostness' : telling the story of jazz -- Writer's writers and sensitive cats : mapping the new jazz criticism -- Swinging in a high-class groove : mainstreaming jazz in Lenox and Newport -- The shock of the new : black freedom, the counterculture, and 1960s jazz criticism -- Race-ing the bird : Ross Russell's obsessive pursuit of Charlie Parker -- Tangled up in blues : the new jazz renaissance and its discontents -- Conclusion : change of the century
    Note: Includes bibliographical references (p. 387-444) and index
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  • 11
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 0226816966 , 0226817016 , 0226817024 , 9780226816968 , 9780226817026
    Language: English
    Pages: 1 Online-Ressource (x, 401 p.)
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63/096891
    RVK:
    Keywords: Geschichte 1930-2000 ; MUSIC / Genres & Styles / International ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / Genres & Styles / New Age ; Populaire muziek ; Nationalisme ; Musik ; Music / Social aspects ; Popular music ; Gesellschaft ; Musik ; Nationalismus ; Popular music History and criticism ; Music Social aspects ; Unterhaltungsmusik ; Simbabwe ; Simbabwe ; Unterhaltungsmusik ; Geschichte 1930-2000
    Note: Includes bibliographical references (p. 377-389), discography (p. 391-392), and index
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  • 12
    ISBN: 0226136116 , 0226136124 , 9780226136127
    Language: English
    Pages: XIII, 273 S. , Ill., Kt., Notenbeisp. , 24 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 782.42163/092
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    Keywords: Umm Kulthūm / 1898-1975 ; Umm Kulthūm / 1898?-1975 ; Umm Kulthūm 〈1898-1975〉 ; Umm Kulthūm 〈1898?-1975〉 ; Umm Kulthūm 〈1898-1975〉 ; Umm-Kulṯūm ; Geschichte 1900-1975 ; Singers / Egypt / Biography ; Songs, Arabic / Egypt / History and criticism ; Popular music / Egypt / History and criticism ; Music / Social aspects / Egypt ; Arabisch ; Chansons arabes (arabe égyptien) - Histoire et critique ; Chanteuses - Égypte - Biographies ; Liederen ; Musique - Aspect social - Égypte ; Musique populaire - Égypte - Histoire et critique ; Zangers ; Gesellschaft ; Musik ; Music Social aspects ; Popular music History and criticism ; Singers Biography ; Songs, Arabic History and criticism ; Gesellschaft ; Unterhaltungsmusik ; Musikleben ; Egypte ; Ägypten ; Biografie ; Biografie ; Biografie ; Bibliografie ; Umm-Kulṯūm 1898-1975 ; Ägypten ; Gesellschaft ; Musikleben ; Unterhaltungsmusik ; Geschichte 1900-1975
    Note: Includes bibliographical references (p. 251-261) and index , "The voice and face of Egypt" Some questions ; Speech about music ; Listening ; Performing ; "Popular" music ; The individual ; Social issues -- Childhood in the Egyptian delta. "Min al-Mashāyikh" ; Performing experience ; The audiences -- Beginning in Cairo. Music in Cairo ; The "Bedouin" singer ; An education in music and performance ; A turning point ; 1926 and beyond -- Media, style, and idiom. Taking a direction in style ; Producing concerts ; Negotiating the public ; Recordings and radio ; Making films ; Developing an idiom -- "The golden age of Umm Kulthūm" and two cultural formations. The 1940s ; Musical populism ; New films ; Neoclassicism ; The impact of the new Qaṣāʾid and the populist songs -- "The voice of Egypt": the artists' work and shared aesthetics. Building the model of the song ; The concerts ; "her voice...!" ; "But can you understand the words?" ; "She was good because she could read the Qurʼān" ; "She gave us back the Qaṣīda" ; "She never sang a line the same way twice" -- Umm Kulthūm and a new generation. The national songs and "Rābiʿa 'l-ʿAdawiyya" ; "A new stage" ; Collaboration with ʿAbd al-Wahhāb ; The resilience of al-Sunbāṭī's songs ; The Ughniyya ; The widening market ; The concerts for Egypt ; "The Fallaḥiin are my self" ; The repertory not sung -- Legacies of a performer
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  • 13
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 0226534790 , 9780226534787 , 9780226534794
    Language: English
    Pages: 1 Online-Ressource (xii, 253 pages)
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/136
    RVK:
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    Keywords: Jazz ; MUSIC / Genres & Styles / Jazz ; Improvisation (Music) ; Jazz ; Jazz Criticism and interpretation ; Improvisation (Music) ; Improvisation ; Jazz ; Jazz ; Improvisation
    Note: Includes bibliographical references and index , Cover; Contents; Introduction; List of Illustrations; Acknowledgments; 1 Talking to Musicians; 2 Grooving and Feeling; 3 Music, Language, and Cultural Styles: Improvisation as Conversation; 4 Intermusicality; 5 Interaction, Feeling, and Musical Analysis; 6 Ethnomusicology, Interaction, and Poststructuralism; Coda; Notes; Interviews; Recordings; Bibliography; Index , This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in t
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  • 14
    Online Resource
    Online Resource
    Chicago : University of Chicago Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780226534794 , 0226534790
    Language: English
    Pages: 1 Online-Ressource (xii, 253 pages) , Illustrations, music
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.65/136
    RVK:
    Keywords: Improvisation ; Jazz
    Abstract: This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in t.
    Note: Includes bibliographical references and index
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  • 15
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226534787
    Language: English
    Pages: xii, 253 p.
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/136
    RVK:
    RVK:
    Keywords: Jazz Criticism and interpretation ; Improvisation (Music) ; Improvisation ; Jazz ; Jazz ; Improvisation
    Note: Includes bibliographical references and index
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  • 16
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226044521
    Language: English
    Pages: 1 Online-Ressource (XIX, 883 S.)
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Jazz / History and criticism ; Improvisation (Music) ; Jazz musicians / Interviews ; Jazz ; Improvisation ; Jazz ; Improvisation
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