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  • Durham : Duke University Press  (5)
  • Florence : Firenze University Press
  • New York : Oxford University Press
  • History  (8)
  • English Studies  (8)
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Language
  • 1
    ISBN: 9781478025702 , 9781478020967
    Language: English
    Pages: xii, 242 Seiten , Illustrationen
    Series Statement: Anima
    Series Statement: critical race studies otherwise
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
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    Keywords: c 1800 to c 1900 ; 19. Jahrhundert (1800 bis 1899 n. Chr.) ; Geology in literature ; Geology Social aspects 19th century ; History ; Geology History 19th century ; American literature History 19th century ; NATURE / Environmental Conservation & Protection ; HISTORY / Modern / 19th Century ; Conservation of the environment ; General & world history ; Geschichte allgemein und Weltgeschichte ; SOC069000 ; Umweltschutz
    Abstract: "By the start of the nineteenth century, the impact of the geological sciences and advancements in the field had radically expanded people's perception of the Earth's age. In How the Earth Feels, Dana Luciano maps the emergence of a "geological fantasy," in which increased knowledge of planetary life was used to racialize Native peoples as fossils and curiosities. Further, the geological fantasy served to cement the notion that the Earth had been preparing for the presence of humans, and that humans were in fact the ultimate expression of the Earth's teleological development in a both scientific and spiritual sense. Counterposing a range of texts-from early European and US geological texts to Indigenous accounts of earthquakes to African American men's anti-slavery writing featuring geological tropes-Luciano reveals the workings of the geological fantasy as it operated across the racial and biopolitical discourses of the nineteenth-century United States. Luciano offers a rich and historically nuanced account of how imagined relations with the non-human world have long served as a means of avoiding engagement with the dynamics of racial and colonial power"
    Abstract: Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture, showing how it catalyzed transformative conversations regarding the intersections between humans and the nonhuman world
    Description / Table of Contents: The "Fashionable Science" -- 'The Infinite Go-Before of the Present': Geological Time, Worldmaking, and Race in the Nineteenth Century -- Unsettled Ground: Indigenous Prophecy, Geological Fantasy, and the New Madrid Earthquakes -- Romancing the Trace: Ichnology, Affect, Race -- Matters of Spirit: Vibrant Materiality and White Femme Geophilia -- The Natural History of Freedom: Blackness, Geomorphology, Worldmaking -- Ishmael's Anthropocenes and Others: Geological Fantasy in the Twentiethfirst Century.
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 2
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375708
    Language: English
    Pages: 1 Online-Ressource (XX, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.2308996073077311
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    Keywords: Geschichte 1900-2000 ; Geschichte 1910-1940 ; Geschichte ; African American girls History 20th century ; African American girls Social conditions 20th century ; African American girls Migrations 20th century ; History ; Soziale Situation ; Mädchen ; Binnenwanderung ; Schwarze ; Chicago (Ill.) History 1875- ; Chicago (Ill.) Social conditions 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Chicago, Ill. ; Schwarze ; Mädchen ; Binnenwanderung ; Soziale Situation ; Geschichte 1910-1940
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822346036 , 1283065150 , 0822391511 , 0822345854 , 9781283065153 , 9780822346036 , 9780822391517 , 9780822345855
    Language: English
    Pages: Online-Ressource (xiii, 390 p) , ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Slaves to Fashion
    DDC: 305.38/896073
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    Keywords: Clothing and dress ; Dandyism ; African American men Race identity ; African American men Clothing ; History ; Fashion ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Cultural and literary history of black dandyism from the 1700s to the 1960s
    Description / Table of Contents: Contents; Acknowledgments; Introduction; Mungo Marcaroni: The Slavish Swell; Crimes of Fashion: Dressing the Part from Slavery to Freedom; W.E.B. DuBois's ""Different"" Diasporic Race Man; ""Passing Fancies"": Dandyism, Harlem Modernism, and the Politics of Visuality; ""You Look Beautiful Like That"": Black Dandyism and Visual Histories of Black Cosmopolitanism; Notes ; Bibliography; Index
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780191577024
    Language: English
    Pages: 1 Online-Ressource (vi, 642 Seiten)
    Series Statement: Oxford handbooks in philosophy
    Parallel Title: Erscheint auch als The Oxford handbook of American philosophy
    DDC: 191
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    Keywords: Philosophy, American ; Philosophy, American History ; Philosophy, American ; Philosophie ; USA ; Geschichte, 20. Jh. ; Handbuch ; Nachschlagewerk ; Philosophy, American ; History
    Abstract: In this collective study of the development of philosophy in America from the 18th century to the present, leading experts examine distinctive features of American philosophy, trace notable themes, and consider the legacy of key figures, such as Emerson, James and Dewey.
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  • 7
    ISBN: 9780195347739 , 0195347730 , 9781602569508 , 9780195160512 , 0195160517 , 1280503173 , 9781280503177 , 1602569509 , 019518078X , 9780195180787
    Language: English
    Pages: 1 online resource (x, 270 pages) , Illustrationen
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version Charles Dickens in cyberspace
    DDC: 823/.8
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    Keywords: Dickens, Charles Appreciation ; United States ; Dickens, Charles Appreciation ; Dickens, Charles Appreciation ; Dickens, Charles, Appreciation ; Dickens, Charles 1812-1870 ; Dickens, Charles ; English literature History and criticism ; Theory, etc ; 19th century ; Criticism History ; 20th century ; United States ; English literature Appreciation ; United States ; Romanticism Great Britain ; Postmodernism (Literature) United States ; Literature and science United States ; Literature and science Great Britain ; Criticism History 20th century ; English literature Appreciation ; Postmodernism (Literature) ; Literature and science ; Literature and science ; Romanticism ; English literature History and criticism 19th century ; Theory, etc ; English literature Appreciation ; Postmodernism (Literature) ; Literature and science ; Literature and science ; Romanticism ; Criticism History 20th century ; English literature History and criticism 19th century ; Theory, etc ; Electronic books ; English literature Appreciation ; Postmodernism (Literature) ; Literature and science ; Literature and science ; Romanticism ; English literature History and criticism 19th century ; Theory, etc. ; Criticism History 20th century. ; Electronic books ; English literature ; Appreciation ; English literature ; Theory, etc ; Literature and science ; Postmodernism (Literature) ; Romanticism ; Criticism ; Civilization ; Civilization ; British influences ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; Art appreciation ; Criticism, interpretation, etc ; History ; Englisch ; Kultur ; Literatur ; Postmoderne ; Rezeption ; United States Civilization ; British influences ; United States Civilization ; 20th century ; Great Britain Civilization ; 19th century ; United States Civilization 20th century ; Great Britain Civilization 19th century ; United States Civilization ; British influences ; United States Civilization ; British influences ; United States Civilization 20th century ; Great Britain Civilization 19th century ; Great Britain ; United States ; USA ; Electronic books. ; Electronic book ; Electronic books ; Englisch ; Literatur ; Rezeption ; Postmoderne ; Geschichte 1800-1900 ; Dickens, Charles 1812-1870 ; Englisch ; Literatur ; Rezeption ; USA ; Kultur ; Geschichte 1980-2000 ; Englisch ; Literatur ; Rezeption ; Postmoderne ; Geschichte 1800-1900 ; Dickens, Charles 1812-1870 ; Englisch ; Literatur ; Rezeption ; USA ; Kultur ; Geschichte 1980-2000
    Abstract: Charles Dickens in Cyberspace' surveys novelists, scientists, filmmakers, and theorists over two centuries, tracing circuits that connect Austen, Babbage, Darwin, Dickens, and Mary Shelley with their contemporary counterparts: Andrea Barrett, Peter Carey, Richard Powers, Salman Rushdie, Ridley Scott, Neal Stephenson, Tom Stoppard, and others
    Abstract: The Past in the Future of Cultural Studies Crystal Palace to Millennium Dome -- The Voice in the Machine Hazlitt, Austen, Hardy, and James -- Undisciplined Cultures Peacock, Mary Somerville, and Mr. Pickwick -- Hacking the Nineteenth Century Babbage and Lovelace in The Difference Engine and Arcadia -- Concealed Circuits Frankenstein's Monster, Replicants, and Cyborgs -- Is Pip Postmodern? Or, Dickens at the Turn of the Millennium -- Genome Time New Age Evolution, The Gold Bug Variations, and Gattaca -- Convergence of the Two Cultures A Geek's Guide
    Description / Table of Contents: The Past in the Future of Cultural Studies Crystal Palace to Millennium DomeThe Voice in the Machine Hazlitt, Austen, Hardy, and JamesUndisciplined Cultures Peacock, Mary Somerville, and Mr. PickwickHacking the Nineteenth Century Babbage and Lovelace in The Difference Engine and ArcadiaConcealed Circuits Frankenstein's Monster, Replicants, and CyborgsIs Pip Postmodern? Or, Dickens at the Turn of the MillenniumGenome Time New Age Evolution, The Gold Bug Variations, and GattacaConvergence of the Two Cultures A Geek's Guide.
    Note: Description based on print version record , Includes bibliographical references (p. 237-258) and index , Charles Dickens in cyberspace
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 8
    Book
    Book
    New York : Oxford University Press
    ISBN: 0195152891 , 0195120469
    Language: English
    Pages: XX, 149 S. , Ill., graph. Darst.
    DDC: 306.4408996073
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    Keywords: Black English United States ; English language United States ; African influences ; Slaves United States ; Language ; History ; Afro-Americans Education ; Language arts ; Language and culture United States ; Afro-Americans Language ; History ; Black English ; English language Social aspects ; English language Foreign elements ; African ; African languages Influence on English ; Language and culture ; Slaves Languages ; African Americans Languages ; Black English ; USA ; Black English ; Soziolinguistik
    Description / Table of Contents: Includes bibliographical references (p. 133 - 137) and index
    Note: Includes bibliographical references and index
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