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  • Bielefeld : transcript  (4)
  • New Haven : Yale University Press  (3)
  • Lanham : Lexington Books
  • Oxford : Oxford University Press
  • USA  (7)
  • Politik
  • Art History  (8)
Datasource
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Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Image
    Image
    Black artists in America : from civil rights to the bicentennial (2023)
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    Details
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    LO 94000
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 2
    Image
    Image
    Multiplicity : Blackness in contemporary American collage (2023)
    Nashville, TN : Frist Art Museum | New Haven : Yale University Press
    Details
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    LO 96720
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 3
    Online Resource
    Online Resource
    Grotesque touch : women, violence, and contemporary circum-Caribbean narratives (2021)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
    RVK:
    LO 97100
    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469664644.001.0001
    URL: https://doi.org/10.5149/northcarolina/9781469664644.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 4
    Online Resource
    Online Resource
    Taking stakes in the unknown : tracing post-black art (2021)
    Bielefeld : transcript
    Details
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    LO 94037
    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    MPI-MMG
  • 5
    Book
    Book
    Fernsehen und Wohnkultur : zur Vermöbelung von Fernsehgeräten in der BRD der 1950er- und 1960er-Jahre (2018)
    Bielefeld : transcript
    Details
    ISBN: 9783837642537 , 3837642534
    Language: German
    Pages: 375 Seiten , Illustrationen
    Series Statement: Edition Medienwissenschaften Band 51
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Miggelbrink, Monique Fernsehen und Wohnkultur
    Dissertation note: Dissertation Universität Paderborn 2017
    DDC: 302.2345094309046
    RVK:
    AP 34000
    RVK:
    LK 91220
    Keywords: Wohnkultur ; Fernsehempfänger ; Design ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; USA ; Fernsehempfänger ; Design ; Wohnkultur ; Geschichte 1953-1970 ; Fernsehen ; Möbel ; Fernsehen ; Wohnkultur ; Fernsehempfänger ; Möbel
    Note: Quellen- und Literaturverzeichnis: Seite 349-375
    URL: http://www.transcript-verlag.de/978-3-8376-4253-7
    URL: Inhaltsverzeichnis
    URL: Unbekannt
    URL: http://www.transcript-verlag.de/978-3-8376-4253-7
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: http://www.transcript-verlag.de/978-3-8376-4253-7
    URL: Inhaltsverzeichnis
    URL: Unbekannt
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  • 6
    Image
    Image
    American watercolor in the age of Homer and Sargent (2017)
    New Haven and London : Yale University Press | New Haven : Yale University Press
    Details
    ISBN: 9780876332726 , 9780300225891
    Language: English
    Pages: 496 Seiten , Illustrationen
    DDC: 750
    RVK:
    LO 96670
    Keywords: Watercolor painting Exhibitions 20th century ; Watercolor painting, American Exhibitions 19th century ; Watercolor painting, American Exhibitions 20th century ; Watercolor painting Exhibitions 19th century ; Watercolor painting ; Watercolor painting ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; USA ; Aquarell ; Geschichte 1800-1930 ; USA ; Aquarell ; Geschichte 1800-1930
    Abstract: The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture
    Abstract: The American watercolor movement -- American watercolor before 1866: separate worlds -- Ruskin, Turner, and the English tradition, 1855-1865 -- The formation of the American Watercolor Society -- "Strenuous and persistent efforts": the watercolor movement, 1873-1877 -- Landscape in the 1870s -- The illustrators: from "black and white" to color, 1873-1882 -- Figure painting in the 1870s: Homer and Eakins -- Art for a Decorative Age -- Impressionism from Munich and Rome -- High-water mark: figure painters in the 1880s -- Landscape painting after 1880: tonalism -- Illustration and decoration in the Gilded Age -- Impressionism and post-impressionism: Prendergast, Homer, and Sargent -- The "American medium" and the moderns -- Flash in the pan: a history of manufacturing watercolor paint in America / Rebecca Pollak
    Note: Rückseite der Titelseite: "Published on the occasion of the exhibition American Watercolor in the Age of Homer and Sargent, March 1-May 14, 2017."
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 7
    Online Resource
    Online Resource
    Urban transformations in the U.S.A : spaces, communities, representations (2016)
    Bielefeld : transcript | Berlin, Germany : Walter de Gruyter GmbH
    Details
    ISBN: 9783839431115
    Language: English
    Pages: 1 Online-Ressource (425 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: Urban studies
    DDC: 300
    RVK:
    LB 73000
    RVK:
    LO 96630
    RVK:
    MS 1750
    RVK:
    MS 1780
    RVK:
    MS 1820
    RVK:
    RB 10906
    RVK:
    RU 10627
    Keywords: Geschichte 1880-2015 ; Literatur ; Amerikabild ; Stadt ; Stadt ; Soziokultureller Wandel ; America ; American Culture ; American Literature ; Cities ; City ; Cultural Geography ; Social Geography ; Sociology ; Urban Studies ; USA ; USA ; Aufsatzsammlung
    Abstract: How did American cities change throughout the 20th and early 21st century? This timely publication integrates research from American Literary and Cultural Studies, Urban Studies and History. The essays range from negotiations of the »ethnic city« in US literature and media, to studies of recent urban phenomena and their representations: gentrification, re-appropriation and conversion of urban spaces in the USA. These interdisciplinary and intercultural perspectives on American cities provide unique points of access for studying the complex narratives of urban transformation.
    Note: Literaturangaben
    DOI: 10.1515/9783839431115
    URN: urn:nbn:de:101:1-201607311731
    URL: http://d-nb.info/1109538626/34
    URL: http://dx.doi.org/10.1515/9783839431115?locatt=mode:legacy
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839431115
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    HU Berlin
    HeBIS
  • 8
    Book
    Book
    Cairo : images of transition ; perspectives on visuality in Egypt 2011 - 2013 (2013)
    Bielefeld : transcript
    Details
    ISBN: 3837626156 , 9783837626155
    Language: English
    Pages: 274 S. , zahlr. Ill. , 28 cm
    Series Statement: Urban studies
    Parallel Title: Online-Ausg. Cairo
    Parallel Title: Erscheint auch als Cairo: Images of Transition
    Parallel Title: Erscheint auch als Cairo
    DDC: 300
    RVK:
    LB 40495
    RVK:
    LO 91250
    RVK:
    MI 12086
    RVK:
    LB 72495
    Keywords: Systemtransformation ; Relation ; Ästhetik ; Wandel ; Öffentlichkeit ; Öffentlichkeitsarbeit ; Politischer Prozess ; Ägypten ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Ägypten ; Arabischer Frühling ; Politik ; Visuelle Kommunikation ; Geschichte 2011-2013 ; Kairo ; Arabischer Frühling ; Streetart
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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    Ethn. Museum Berlin
    MPI-MMG
    MARKK
    MPI Ethno. Forsch.
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