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  • New York : Oxford University Press  (46)
  • Berlin : Walter de Gruyter GmbH  (16)
  • Musik  (56)
  • History
  • Musicology  (62)
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  • 1
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 2
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190058890
    Language: English
    Pages: 1 Online-Ressource (xxiii, 623 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 2: The Oxford Handbook of Music Performance, Volume 2
    DDC: 780.78
    RVK:
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
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  • 4
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190056315
    Language: English
    Pages: 1 Online-Ressource (714 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 1: The Oxford Handbook of Music Performance, Volume 1
    DDC: 780.78
    RVK:
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2022)
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  • 5
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
    RVK:
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
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  • 6
    ISBN: 9780190938802 , 9780190938796
    Language: English
    Pages: 232 Seiten
    DDC: 781.64
    RVK:
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    Keywords: Geschichte 2000- ; Musik ; Popmusik ; Geschlechterforschung
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  • 7
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 8
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
    RVK:
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 9780199367337
    Language: English
    Pages: 1 Online-Ressource (xv, 1134 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Western music and philosophy
    DDC: 780.01
    RVK:
    RVK:
    Keywords: Music and philosophy ; Music and philosophy ; Musikwissenschaft ; Philosophie ; Musik ; Geschichte ; Philosophie ; Musikphilosophie
    Abstract: The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 9, 2020)
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  • 10
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231549295
    Language: English
    Pages: 1 Online-Ressource , 10-15 film stills
    Edition: 2021
    Series Statement: Short Cuts
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Abstract: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    URL: Cover
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  • 11
    ISBN: 9783839455357
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Edition Museum Band 53
    DDC: 780.74
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    Keywords: Musik ; Museum ; Kulturvermittlung ; Narrativität ; Spezialmuseum ; Ausstellung ; Musikausstellung; Museum; Musik; Europa; Kunstvermittlung; Emotion; Erinnerung; Rezeption; Narration; Kulturmanagement; Museumsmanagement; Praktische Museumskunde; Erinnerungskultur; Museumspädagogik; Music Display; Music; Europe; Art Education; Memory; Perception; Cultural Management; Museum Management; Practical Museography; Memory Culture; Museum Education; ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Musikausstellungen vermitteln historisches und musikalisches Wissen und können darüber hinaus Orte der Erinnerung, Kontemplation und spielerischen Unterhaltung sein. Entsprechend vielfältig sind inhaltliche Ausrichtungen, museale Vermittlungskonzepte sowie Ansprüche und Erwartungen von Seiten des Publikums. Die Autor*innen des Bandes präsentieren Erkenntnisse aus einem mehrjährigen empirischen Studienprojekt, bei dem Museen verschiedener europäischer Länder erstmalig systematisch-vergleichend als musikkulturelle Institutionen untersucht wurden.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 12
    ISBN: 9780190869137 , 9780190869144
    Language: English
    Pages: xxi, 304 Seiten , Illustrationen , 24 cm
    Series Statement: American musicspheres
    DDC: 780.8997120798
    RVK:
    Keywords: Indigenes Volk ; Musik ; Alaska
    Abstract: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Note: Literaturverzeichnis Seite [269]-290
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  • 13
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190658472
    Language: English
    Pages: 1 Online-Ressource (xvii, 825 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and medievalism
    DDC: 781.59
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    Keywords: Medievalism ; Music History and criticism ; Music Medieval influences ; Medievalism ; Music ; History and criticism ; Music ; Medieval influences ; Aufsatzsammlung ; Musik ; Mittelalter ; Rezeption ; Geschichte 1800-2020
    Abstract: The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism-the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages-powerfully transforms many of the varied musical traditions of the last two centuries.
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  • 14
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
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    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 16
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Kultur und soziale Praxis
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    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Alevis ; Aleviten ; Cultural Anthropology ; Cultural Studies ; Kulturanthropologie ; Kurden ; Kurds ; Migration ; Music ; Musicology ; Musik ; Musikwissenschaft ; Politics ; Politik ; Protest Music ; Protestmusik ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: In Deutschland leben zahlreiche Musiker*innen aus der Türkei, die in ihrem Herkunftsland aus politischen Gründen nicht uneingeschränkt leben und musizieren könnten. Sie verließen die Türkei aufgrund des Militärputsches von 1980, der Diskriminierung ihrer kurdischen und/oder alevitischen Identität oder des gescheiterten Gezi-Protests und erneuter Einschränkungen von Minderheitsgruppierungen im Musikleben. Kirsten Seidlitz untersucht, wie sie von Deutschland aus mit ihrem musikalischen Schaffen politisch kommentieren, inwiefern die deutsche Gesellschaft mit Musik erreicht, aufgeklärt und beeinflusst werden kann, und ob die in Deutschland produzierte Musik zurück in die Türkei gelangt.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
    URL: Cover
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 17
    Online Resource
    Online Resource
    Berkeley, CA : University of California Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780520972032
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    DDC: 780.955
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    Keywords: Musik ; Iran ; Electronic books
    Abstract: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran's particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran's national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region's political history.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
    URL: Cover
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  • 18
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
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    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Image
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  • 19
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
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    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
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  • 20
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780199733163
    Language: English
    Pages: XII, 709 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks
    DDC: 303.376
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    Keywords: Musik ; Zensur ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index.
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  • 21
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839446645
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung 44
    DDC: 305.800943
    RVK:
    Keywords: Unterhaltungsmusik ; Popmusik ; Jazz ; Forschung ; Musikphilosophie ; Musiktheorie ; Cultural Studies ; Jazz Studies ; Jazz ; Jazzforschung ; Kulturwissenschaft ; Music ; Musicology ; Musik ; Musikphilosophie ; Musiktheorie ; Musikwissenschaft ; Philosophy of Music ; Popkultur ; Popular Culture ; Popular Music ; Popularmusik ; Theory of Music ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Aufsatzsammlung ; Konferenzschrift 2017 ; Aufsatzsammlung
    Abstract: Pop weiter denken versammelt Aufsätze, die sich diesemMotto auf zwei Weisen nähern: Zum einen wollen siepopuläre Musik weiter denken, den Begriff also öffnen undeinen stilistisch breiteren und historisch umfassenderenZugang abbilden. Zum anderen will der Band Ansätze derPopforschung weiterdenken, also wieder aufgreifen undfortspinnen, die einst selbstverständliche Bestandteile desDenkens über Musik waren, in den letzten Jahren aber ausunserem Blickfeld geraten sind: die aktuelle Jazzforschungund die Musikphilosophie. In diesem Kontext werden auchmusiktheoretische Zugänge zu populärer Musik weitergedacht, die in den USA seit vielen Jahren selbstverständlichund fruchtbar, hierzulande indes kaum gebräuchlich sind.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    ISBN: 9780199392469
    Language: English
    Pages: xii, 258 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    DDC: 306.4842094641
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    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
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  • 23
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839444306
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: texte zur populären musik 10
    DDC: 780
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    Keywords: Geschichte ; Heavy Metal ; Jugendkultur ; 1980er-Jahre ; 1980s ; Cultural History ; DDR ; GDR (East Germany),Practices ; Jugendkultur ; Kulturgeschichte ; Music ; Musicology ; Musik ; Musikwissenschaft ; Pop Music ; Popkultur ; Popmusik ; Popular Culture ; Praktiken ; Scene ; Subculture ; Subkultur ; Szene ; Youth Culture ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: DDR und Heavy Metal? Wolf-Georg Zaddach rückt eine in der Forschung lange Zeit vernachlässigte Jugendkultur in den Fokus und erläutert - erstmalig in diesem Umfang - die alltäglichen Praktiken und Entwicklungen der Heavy Metal-Szene im DDR-Sozialismus der 1980er-Jahre. Die empirische Grundlage hierfür bieten bisher unveröffentlichte Quellen wie Songtexte auf Karteikarten, Fan-Briefe und Akten der »Stasi« (Ministerium für Staatssicherheit). Es kommen aber auch zahlreiche Zeitzeugen wie die Macher der Kultradiosendung »Tendenz Hard bis Heavy« sowie diverse Fans und Musiker zu Wort.
    Abstract: Wolf-Georg Zaddach explores the practices and developments of an originally Western music for teens during the last decade of the German Democratic Republic.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839444825
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    Keywords: Popmusik ; Digitalisierung ; Soziologie ; Wirtschaft ; Musikerlebnis ; Sozialisation ; Medienkonsum ; Popmusik ; Musikerlebnis ; Sozialisation ; Digitalisierung ; Medienkonsum ; Cultural Studies ; Culture ; Digitalisierung ; Digitalization ; Kultur ; Media Appropriation ; Medienaneignung ; Mediensoziologie ; Music ; Musicology ; Musik ; Musikwissenschaft ; Perception ; Pop Music ; Popkultur ; Popmusik ; Popular Culture ; Rezeption ; Sociology of Media ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Aug 2018)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190299590
    Language: English
    Pages: viii, 187 Seiten , Illustrationen, Diagramme
    DDC: 306.4/84240973
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    Keywords: Geschichte ; Musik ; Identität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis: Seite [173]-182
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  • 26
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839434314
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Religion und Medien Band 3
    DDC: 200
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    Keywords: Heavy Metal ; Neuheidentum ; Religiosität ; Massenkultur ; Medien ; Heavy Metal ; Medien ; Medienästhetik ; Musik ; Pagan Metal ; Popkultur ; Popmusik ; Popular Culture,Media,Secularization,Music,Heavy Metal,Pagan Metal,Religious Studies,Pop Music,Media Aesthetics ; Populärkultur ; Religionswissenschaft ; Säkularisierung ; Hochschulschrift
    Abstract: Religion findet sich nicht nur in Kirchen und Moscheen, sondern auch an profanen Orten wie Heavy Metal-Konzerten. Mittels der Analyse von Konzerten, Liedtexten, CD-Covern und Interviews mit bekannten Musikern im Bereich des Pagan Metal diskutiert Serina Heinen das Verhältnis von Religion und Populärkultur.Dabei tritt ein wichtiger Aspekt von moderner Religion zutage, der in religionssoziologischen Debatten kaum Beachtung findet: Religion im populärkulturellen Kontext ist vieldeutig. Pagan Metal ist voller explizit religionsbezogener Symbolik, doch verstehen die Musiker ihre künstlerische Auseinandersetzung mit Religion nicht zwingend als religiöses Bekenntnis.
    Abstract: Religion is found not only in churches and mosques, but also in profane environments - even at heavy metal concerts. Through an analysis of concerts, lyrics, CD covers and interviews with famous musicians in the 'pagan metal' scene, Serina Heinen discusses the relationship between religion and popular culture. In the process, an important aspect of religion is brought to light that in the socio-religious debate on secularization and the return of religion is given hardly any attention: in a contemporary society strongly shaped by popular culture, religion does not necessarily have a religious connotation. The religious references in pagan metal are primarily used for stylistic purposes - and not as religious proclamations.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Apr. 18, 2017)
    URL: Cover
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  • 27
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839438329
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
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    Keywords: Hip-Hop ; Musikvideo ; Sakralisierung ; Amerika ; Anti-Religiosität ; Georges Bataille ; Kanye West ; Medienästhetik ; Musik ; Musikvideo ; Musikwissenschaft ; Popkultur ; Popmusik ; Religion ; Sakralisierung ; Sakraltheorie ; USA ; Video ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Forschung auf dem Gebiet »Hip-Hop und Religion« hat sich bisher meist auf religiöse Lesarten von Raptexten konzentriert und zudem Musikvideos bei dieser Betrachtung weitestgehend außer Acht gelassen. Eileen Simonow geht der These nach, dass religiöses Material in den Clips sakral und damit entgrenzend, in Bedeutungen überschießend - und damit im eigentlichen Sinne anti-religiös inszeniert - ist. Dafür werden Musikvideos des US-amerikanischen Mainstreams in ihrer komplexen Verschränkung der auditiven und visuellen Ebenen mit der Sakraltheorie Georges Batailles gelesen. In vier Analysen von Musikvideos - u.a. von Kanye West - wird das Sakrale als aus dem Sozialen hervorgehende Kraft im Spannungsfeld von Macht, Ideologie und Widerstand diskutiert.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 28
    Online Resource
    Online Resource
    Bielefeld : transcript | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839438916
    Language: German
    Pages: 1 Online-Ressource (448 Seiten)
    Series Statement: Musik und Klangkultur 23
    Parallel Title: Erscheint auch als Brockhaus, Immanuel, 190- Kultsounds
    Dissertation note: Dissertation Graduate School of the Arts Bern 2016
    DDC: 784
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    Keywords: Geschichte 1960-2014 ; Popmusik ; Sound ; And.Ypsilon ; Boris Blank ; Effekte ; Genres ; Klang ; Musik ; Musiktechnologie ; Musikwissenschaft ; Popmusik ; Produktion ; Roger Linn ; Sound,Pop Music,Music Technology,Production,Studio Recording,Effects,Styles,Genres,Synthesizer,Roge ; Sound ; Stile ; Studioaufnahme ; Synthesizer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Cult sounds - the most formative sounds of pop music 1960-2014. Including interviews with Roger Linn, Boris Blank, And.Ypsilon and many other prominent actors of the music industry.
    Abstract: Einzelsounds prägen die Geschichte der Popmusik. Der Clap Sound, der Synthesizer-Bass, der Klang eines DX 7 E-Pianos oder Auto-Tune sind genuine Popsounds und stehen in hohem Maße für die Identifizierung von Stilen. Immanuel Brockhaus analysiert erstmals umfassend prägende Einzelsounds in ihrem Entstehungs- und Entwicklungskontext und liefert damit Einblicke in Technologie, Anwendungspraxis und Ästhetik von Kultsounds sowie den damit verbundenen Netzwerken. Interviews mit Roger Linn, Boris Blank, And.Ypsilon und vielen anderen bekannten Akteuren ergänzen die Studie und verdeutlichen die Popularität und Komplexität von Sounds und Soundeffekten.
    Note: Bibliographie: Seite 411-420
    URL: Cover
    URL: Cover
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  • 29
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839438565
    Language: German
    Pages: 1 Online-Ressource (309 Seiten) , Illustrationen
    Series Statement: Studien zur Popularmusik
    DDC: 780
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    Keywords: Weber, Bernhard ; Unterhaltungsmusik ; Popmusik ; Rezeption ; Unterhaltungsmusik ; Popmusik ; Rezeption ; Lernen ; Informelles Lernen ; Klang ; Musik ; Musik ; Musikwissenschaft ; Popkultur ; Popmusik ; Popular Music,Music,Popular Culture,Pop Music,Musicology ; Populäre Musik ; Systematische Musikpädagogik ; Systematische Musikwissenschaft ; Deutschland ; Deutschland ; Konferenzschrift 2016 ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015
    Abstract: Music, cultural and music pedagogical perspectives on the appropriation of popular music.
    Abstract: Ob Soul in Deutschland, progressive Landdiskotheken in der Provinz oder neue Mixingkonzepte im Loudness War - das Spektrum der Aneignungsformen populärer Musik ist vielfältig. Für die musikwissenschaftliche, kulturwissenschaftliche und musikpädagogische Forschung ist das Thema, das sich weitgehend außerhalb formaler Bildungskontexte abspielt, ein bislang unerschlossenes Gebiet. Der Band ändert dies. Er versammelt theoretische Perspektiven sowie historische und aktuelle Fallbeispiele und spiegelt den aktuellen internationalen Diskussionsstand wider. Daraus ergeben sich maßgebende Impulse für weiterführende Forschungsaktivitäten auch in verwandten Fachdisziplinen.
    Note: Literaturangaben
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 30
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190618810 , 9780199765034
    Language: English
    Pages: x, 701 Seiten , Illustrationen
    Edition: First paperback edition
    DDC: 780.9
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    Keywords: Musik ; Revival ; Aufsatzsammlung
    Note: Originally published: 2014 , Literaturangaben
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  • 31
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839433850
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 781.5320943155
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    Keywords: Geschichte 2010-2011 ; Musikleben ; Straßenmusik ; Straßenmusikant ; Musiker ; Alltag ; Musikethnologie ; Feldforschung ; Auftrittskultur ; Berlin ; Deutschland ; Musik ; Musikethnologie ; Musikwissenschaft ; Popkultur ; Popmusik ; Stadt ; Straßenmusik ; Urban Studies ; Berlin ; Hochschulschrift
    Abstract: Wer macht in Berlin Straßenmusik und warum? Mark Nowakowski liefert ein detailliertes Portrait der Straßenmusik in Berlin sowie ihrer Akteure und damit die erste systematische Untersuchung dieser urbanen Auftrittskultur in Deutschland. Neben den Motiven d...
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016) , Mode of access: Internet via World Wide Web.
    URL: Cover
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  • 32
    ISBN: 9780190618810 , 9780199765034
    Language: English
    Pages: X, 701 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    Parallel Title: Erscheint auch als The Oxford handbook of music revival
    RVK:
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    Keywords: Aufsatzsammlung ; Musik ; Tradition ; Erneuerung ; Kulturvergleich ; Geschichte
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  • 33
    Online Resource
    Online Resource
    Bielefeld : transcript | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839432273
    Language: German
    Pages: 1 Online-Ressource (202 Seiten)
    Series Statement: Cultural studies Band 46
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    Keywords: Geschichte 2000-2015 ; Rap ; Musikleben ; Jugendkultur ; Sozialer Wandel ; Digitalisierung ; Musikproduktion ; Rezeption ; 21. Jahrhundert ; Cultural Studies ; Deutschland ; Internet ; Kulturwissenschaft ; Musik ; Popkultur ; Popmusik ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 34
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199379866
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Robinson, Danielle Modern moves
    DDC: 793.33097471
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    Keywords: Ballroom dancing History 20th century ; Dance History 20th century ; Dance Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race History 20th century ; Immigrants History 20th century ; Racism History 20th century ; New York (N.Y.) Race relations 20th century ; History ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 24, 2015)
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  • 35
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199361533
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 780.956709051
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    Keywords: Golfkrieg ; Musik ; Geräusch ; Musikpsychologie ; Iraq War, 2003-2011 Music and the war ; Music Psychological aspects ; Iraq War, 2003-2011 Psychological aspects ; Music in the army ; Sound Psychological aspects
    Abstract: This is a groundbreaking study of the centrality of listening to the experience of modern warfare. Based on years of ethnographic interviews with US military service members and Iraqi civilians, as well as on direct observations of wartime Iraq, the book reveals how these populations learned to extract valuable information from the ambient soundscape while struggling with the deleterious effects that it produced in their ears, throughout their bodies, and in their psyches.
    Note: Includes bibliographical references and index
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  • 36
    ISBN: 9780199369874
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Danzón
    DDC: 781.64
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    Keywords: Danzones (Music) History and criticism ; Danzón ; Musik ; Tanz ; Kuba ; Mexiko ; Gesellschaftstanz
    Abstract: Initially branching out of the European contradance tradition the danzón first emerged as a distinct form of music and dance among black performers in 19th-century Cuba. By the early 20th-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. This book studies the emergence hemisphere-wide influence, and historical and contemporary significance of this phenomenon of music and dance.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 11, 2013)
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  • 37
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354962 , 9780199354955
    Language: English
    Pages: 1 Online-Ressource (XV, 280 Seiten) , Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89924
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    Keywords: Geschichte ; Juden ; Musik ; Music / Israel / History and criticism ; Music by Jewish composers / History and criticism ; Jews / Music / History and criticism ; Musik ; Religiöse Identität ; Juden ; Komponist ; Israel ; Israel ; Juden ; Komponist ; Musik ; Religiöse Identität ; Geschichte
    Abstract: Shelleg revolutionizes the study of modern Israeli art music by tracking the surprising itineraries of Jewish art music in the move from Europe to Mandatory Palestine and Israel. Leaving behind clich es about East and West, Arab and Jew, this book provocatively exposes the legacies of European antisemitism and religious Judaism in the making of Israeli art music
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199352210
    Language: English
    Pages: 1 Online-Ressource (XIII, 206 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Applied ethnomusicology ; Sustainability ; Language maintenance ; Musik ; Sprache ; Musikethnologie ; Nachhaltigkeit ; Kulturerbe ; Gefährdung ; Musikethnologie ; Musik ; Sprache ; Gefährdung ; Kulturerbe ; Nachhaltigkeit
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 39
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199367504
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 780.89924043
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    Keywords: Geschichte ; Judentum ; Musik ; Kultur ; Kollektives Gedächtnis ; Juden ; Musikleben ; Nachkriegszeit ; Jews Music History and criticism ; Music History and criticism 20th century ; National socialism and music ; Deutschland ; Aufsatzsammlung
    Abstract: This title draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music - a highly debated topic - encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even 'German (Jewish) memory,' which is not necessarily physically bound to Germany.
    Note: Includes bibliographical references and index
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  • 40
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199936373 , 9780199346455 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource
    Edition: Online-Ausg. Online-Ressource ISBN 9780199346455
    Edition: [Online-Ausg.]
    DDC: 809.896
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    Keywords: Afroamerikanische Musik ; Literatur ; Solidarität ; Schwarze ; Musik ; Afrika
    Abstract: 'Africa In Stereo' examines the role that African American music has played in the pan-Africanist imagination since the end of the 19th century. Throughout, Jaji marshals a wide array of critical, archival, literary, visual, and sonic sources to craft an argument centered on the stereophonic echoes between three sites on the African continent emblematic of pan-Africanism (Ghana, Senegal, and South Africa) and black musical cultures in the US (as well as few other placeson the diasporic landscape).
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 41
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199346202
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 306.484209492352
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    Keywords: Avant-garde (Music) ; Social change ; Netherlands History 1945- ; Niederlande ; Amsterdam ; Musik ; Avantgarde
    Abstract: The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians with a pronounced commitment to social and political engagement. This book presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 26, 2013)
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  • 42
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354467
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.1
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    Keywords: Geschichte 1940-1970 ; Gesellschaft ; Counterculture / United States ; Popular music / Social aspects / United States ; Hippie ; Musik ; Soziale Bewegung ; USA ; USA ; USA ; Hippie ; Soziale Bewegung ; Musik ; Geschichte 1940-1970
    Abstract: 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture
    Note: Includes bibliographical references and index
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  • 43
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199345908
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 780.9598
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    Keywords: Gesellschaft ; Musik ; Music / Indonesia / Bali Island / History and criticism ; Music / Social aspects / Indonesia / Bali Island ; Gamelan ; Musik ; Musikethnologie ; Interkulturalität ; Bali ; Bali ; Musik ; Gamelan ; Interkulturalität ; Musikethnologie
    Abstract: In this work, author Andrew Clay McGraw shows how Balinese contemporary music, music kontemporer, embodies the tensions between culture as represented and lived. Through a highly interdisciplinary approach, this book presents an all-encompassing social and musical history of musik kontemporer
    Note: Published to Oxford Scholarship Online: January 2014 , Includes bibliographical references and index
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  • 44
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780199357406
    Language: English
    Pages: XIV, 458 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Parallel Title: Erscheint auch als Cook, Nicholas, 1950 - Beyond the score
    DDC: 781.1/7
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    Keywords: Music Performance ; Music Philosophy and aesthetics ; Musical analysis ; Musik ; Aufführung ; Musikphilosophie ; Musikästhetik ; Musik ; Aufführung ; Musikphilosophie ; Musikästhetik
    Description / Table of Contents: Introduction -- Plato's curse -- Page and stage -- What the theorist heard -- Beyond structure -- Close and distant listening -- Objective expression -- Playing somethin' -- Performing complexity -- The signifying body -- Everything counts -- The ghost in the machine -- Beyond reproduction.
    Note: Literaturverzeichnis: Seite 415 - 444
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  • 45
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199984190
    Language: English
    Pages: 1 Online-Ressource (x, 540 Seiten)
    Series Statement: The Oxford Handbooks series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als The Oxford handbook of sound and image in Western art
    DDC: 780/.07
    RVK:
    Keywords: Music History and criticism ; Art and music ; Music ; History and criticism ; Art and music ; Westliche Welt ; Audiovisuelle Medien ; Musik ; Mixed media
    Abstract: This book examines different kinds of analogies, mutual influences, integrations, and collaborations of the audio and the visual in different art forms. The contributions, written by key theoreticians and practitioners, represent state-of-the-art case studies in contemporary art, integrating music, sound, and image with key figure of modern thinking constitute a foundation for the discussion. It thus emphasizes avant-garde and experimental tendencies, while analyzing them in historical, theoretical, and critical frameworks.
    Note: Enthält: Beiträge aus den Jahren 2013-2016
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  • 46
    ISBN: 0199932301 , 9780199932306
    Language: English
    Pages: 1 Online-Ressource (XV, 191 S.)
    Parallel Title: Erscheint auch als
    DDC: 782.42082/09519
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    Keywords: Geschichte ; Gesellschaft ; Musik ; Songs, Korean History and criticism ; Women singers ; Music Social aspects ; Comfort women History ; Comfort women History ; Identität ; Lied ; Zwangsprostituierte ; Koreanerin ; Koreanerin ; Zwangsprostituierte ; Lied ; Identität
    Abstract: In the wake of the wartime experience of sexual slavery for the Japanese military during the Asia-Pacific War (1930-45), Korean survivors lived under great pressure not to speak about what had happened to them. These sexual slaves were known as 'comfort women,' and this book brings us into the lives of three of them
    Note: Includes bibliographical references and index
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  • 47
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9789048508112
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: IIAS Publications 4
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    Keywords: Musik ; Darstellende Kunst ; Ozeanien ; Südostasien
    Abstract: In Austronesia-the region that stretches from Madagascar in the west to Easter Island in the east-music plays a vital role in both the construction and expression of social and cultural identities. Yet research into the music of Austronesia has hitherto been sparse. Drawing together contemporary cultural studies and musical analysis, Austronesian Soundscapes will fill this research gap, offering a comprehensive analysis of traditional and contemporary Austronesian music and, at the same time, investigating how music reflects the challenges that Austronesian cultures face in this age of globalization.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)
    URL: Cover
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  • 48
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199940547
    Language: English
    Pages: 1 Online-Ressource (xvii, 586 p.) , Ill.
    DDC: 306.4842
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    Keywords: Geschichte ; Musik ; Kulturgeschichtsschreibung ; Enzyklopädie
    Abstract: This volume demonstrates a new approach to cultural history, as it now being practiced by both historians and musicologists, in their quest to grasp the realms of human experience understanding, communication and meaning through the study of music and of musical practices.
    Note: Includes index
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  • 49
    ISBN: 019987557X , 9780199875573
    Language: English
    Pages: 1 Online-Ressource (xvii, 264 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9/02
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    Keywords: Mary / Blessed Virgin, Saint ; Mary Prayers and devotions History and criticism ; 500 - 1499 ; Geschichte 1400-1500 ; Geschichte 1200-1500 ; MUSIC / History & Criticism ; Love songs ; Music ; Musik ; Music History and criticism 500-1400 ; Music History and criticism 15th century ; Love songs History and criticism ; Marienverehrung ; Geistliches Lied ; Liebe ; Weltliches Lied ; Geistliches Lied ; Marienverehrung ; Weltliches Lied ; Liebe ; Geschichte 1200-1500
    Note: Includes bibliographical references (pages 241-256) and index , Cover; Contents; List of Illustrations; Abbreviations; A Note on Texts and Translations; 1. Introduction: Devotion to the Virgin and Earthly Love; 2. The Assumption Story in Two Thirteenth-Century Motet Families; 3. Springtime and Renewal over the In seculum Tenor; 4. Guillaume Dufay's Vergene bella, the Cantilena Motet, and the Italian Lyric Tradition; 5. Walter Frye's Ave regina caelorum in Musical and Visual Culture; 6. Mary, De tous biens plaine; 7. Comme femme desconfortée and the Redemptive Power of the Virgin's Sorrow; Works Cited; Index , There is a striking similarity between Marian devotional songs and secular love songs of the late Middle Ages and Renaissance. Two disparate genres-one sacred, the other secular; one Latin, the other vernacular-both praise an idealized, impossibly virtuous woman. Each does so through highly stylized derivations of traditional medieval song forms-Marian prayer derived from earlier Gregorian chant, and love songs and lyrics from medieval courtly song. Yet despite their obvious similarities, the two musical and poetic traditions have rarely been studied together. Author David J. Rothenberg takes
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  • 50
    Book
    Book
    New York : Oxford University Press
    ISBN: 019538542X , 9780195385427 , 9780195385410 , 0195385411
    Language: English
    Pages: XXIII, 383 S. , Ill., graph. Darst., Kt.
    Parallel Title: Online-Ausg. Divine inspirations
    DDC: 780.9598
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    Keywords: Music History and criticism ; Music Islamic influences ; Islamic music History and criticism ; Music Religious aspects ; Islam ; Music History and criticism ; Indonesia ; Music Islamic influences ; Indonesia ; Islamic music History and criticism ; Indonesia ; Music Religious aspects ; Islam ; Indonesien ; Musik ; Islam
    Note: Includes bibliographical references and index , Past and present issues of Islam within the Central Javanese gamelan and Waylang kulit , Tensions between adat (custom) and agama (religion) in the music of Lombok , "The Muslim sisterhood" : religious performance, transitional feminism(s) and the particularity of Indonesia , Brai in performance : religious ectasy and art in Java , Self-defense and music in Muslim contexts in West Java , From "dust" to platinum : global current through the Malay world of musical Islam , "Authentic" Islamic sound? : Orkes gambus music, the Arab idiom, and sonic symbols in Indonesian Islamic musical arts , The discourse on Islam and music in West Java, with emphasis on the music group Ath-Thawaf , "Art with a Muslim theme" and "art with a Muslim flavor" among women of West Aceh , Islam, politics, and the dynamic of contemporary music in Indonesia , Morality and its (dis)contents : dangdut and Islam in Indonesia
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  • 51
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199864232
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: AMS studies in music
    DDC: 780.95982
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    Keywords: Geschichte ; Musik ; Musikästhetik ; Musikphilosophie ; Rasa ; Music History and criticism ; Music Philosophy and aesthetics ; Rasas ; Music ; Java
    Abstract: Rasa is the most thorough treatment to date of this all-important concept at the heart of Javanese aesthetics. Rasa encompasses not only affect, mood, and intuition, but also theories of musical perception and cognition, as well as meaning and expression in music.
    Note: Includes bibliographical references and index
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  • 52
    Book
    Book
    New York : Oxford University Press
    ISBN: 019537505X , 0195375068 , 9780195375053 , 9780195375060
    Language: English
    Pages: XVIII, 236 S. , Ill., Notenbeisp. , 21 cm.
    Additional Material: 1 Audio-CD (digital ; 4 3/4 in.)
    Series Statement: Global music series
    DDC: 780.9729
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    Keywords: Geschichte ; Music History and criticism ; Music Social aspects ; Musik ; Gesellschaft ; Karibik ; Karibik ; Musik ; Gesellschaft ; Geschichte
    Description / Table of Contents: Music and Spanish colonization -- Cultural legacies of the slave trade -- Creolized dance music -- Transnational Caribbean musics -- Political song -- Dialogues with blackness.
    Note: Includes bibliographical references and index
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  • 53
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199869992
    Language: English
    Pages: 1 Online-Ressource (368 p.) , Ill.
    Series Statement: AMS studies in music
    DDC: 780.89924
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    Keywords: Geschichte ; Judentum ; Musik ; Modernität ; Jews Music ; History and criticism ; Jews History
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index
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  • 54
    ISBN: 9780199869992
    Language: English
    Pages: 1 online resource (368 p.)
    Series Statement: AMS studies in music
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    Parallel Title: Print version
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    DDC: 780.89/924
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    Keywords: Jews History ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews ; Germany ; History ; Jews Music ; History and criticism ; Jews Germany ; History ; Jews ; Germany ; Music ; Jews ; Germany ; History ; Deutschland ; Juden ; Musik ; Moderne ; Geschichte ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Zionismus ; Musik
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 55
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199864492
    Language: English
    Pages: 1 Online-Ressource (xi, 402 p.) , Ill.
    DDC: 781.651599
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    Keywords: Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Schwarze ; Bürgerrechtsbewegung ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African Americans Civil rights 20th century ; History ; USA
    Abstract: An insightful examination of the impact of the civil rights movement and African independence on jazz in the 1950s and 60s this text traces the complex relationships between music politics, aesthetics, and activism through the lens of racial and economic issues.
    Note: Includes bibliographical references, discography and index
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  • 56
    Book
    Book
    New York : Oxford University Press
    ISBN: 0195144872 , 9780195144871 , 0195144880 , 9780195144888
    Language: English
    Pages: XXII, 184 Seiten , Illustrationen, Notenbeispiele, Karte
    Additional Material: 1 CD (digital ; 12 cm)
    Series Statement: Global music series
    DDC: 780.952
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    Keywords: Music History and criticism ; Music Foreign influences ; Musik ; Japan ; Japan ; Musik ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 170-174. - Filmografie: Seite 174-176
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  • 57
    ISBN: 019726297X
    Language: English
    Pages: XX, 227 Seiten , Illustrationen, Notenbeispiele, Diagramme
    Additional Material: 1 CD (12 cm)
    DDC: 781.629510516
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    Keywords: Sibo (Chinese people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Chinese History and criticism ; Sibo (Chinese people) Rites and ceremonies ; Sibo ; Sinkiang ; Musik ; Ritual
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  • 58
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 1280528370 , 1429414472 , 9780195100662 , 9781280528378 , 9781429414470
    Language: English
    Pages: 1 Online-Ressource (xvii, 310 p.)
    Parallel Title: Erscheint auch als
    DDC: 781.2/2
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    Keywords: MUSIC / Instruction & Study / Theory ; Ritme ; Muziek ; Metriek ; Musical meter and rhythm ; Musik ; Musical meter and rhythm ; Musik ; Metrum ; Metrum ; Musik
    Note: Includes bibliographical references (p. 305-307) and index , In this book Christopher Hasty presents a striking new theory of musical duration. Drawing on insights from modern "process" philosophy, he advances a fully temporal perspective in which metre is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression. Part one of the book reviews oppositions of law and freedom, structure and process, determinacy and indeterminacy in the speculations of theorists from the eighteenth century to the present. Part two reinterprets these contrasts to form a highly original account of metre that engages diverse musical repertories and aesthetic issues
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  • 59
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780195356533
    Language: English
    Pages: 1 Online-Ressource (XVII, 310 Seiten) , Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Musical meter and rhythm ; Musik ; Metrum ; Metrum ; Musik
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  • 60
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780195358827 , 0195358821
    Language: English
    Pages: 1 Online-Ressource (xvi, 378 pages) , music
    Series Statement: Studies in contemporary Jewry 9
    DDC: 780.89/924
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    Keywords: Geschichte 1800-1993 ; Musik ; Juden
    Note: Includes bibliographical references
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  • 61
    ISBN: 0195363264 , 1280523913 , 1601297319 , 9780195363265 , 9781280523915 , 9781601297310
    Language: English
    Pages: 1 Online-Ressource (xiii, 288 p., [12] p. plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.951
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    Keywords: 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1940-1988 ; Musicians / China ; Musique / Chine / 20e siècle / Aspect politique ; Musique / Politique gouvernementale / Chine ; Musiciens / Chine / Biographies ; MUSIC / History & Criticism ; Cultural policy ; Music and state ; Music / Political aspects ; Musicians ; Musik ; Politik ; Music Political aspects 20th century ; Music and state ; Musicians Biography ; Politik ; Klaviermusik ; China ; Westliche Welt ; Biografie ; Biografie ; China ; Politik ; Westliche Welt ; Klaviermusik ; Geschichte 1940-1988
    Note: Includes bibliographical references (p. 215-271) and index , 1. Cosmopolitan Culture at Capitalism's Periphery; 2. The Ambiguous Legacy of Composer Xian Xinghai; 3. The Defector: Fou Ts'ong; 4. Science versus Revolution in the Modernization of Music; 5. Court Pianist to the Cultural Revolution: Yin Chengzong; 6. The Red Aristocrat: Liu Shikun; 7. The Power of Music, the Music of Power; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z. , During the Cultural Revolution the piano, the musical embodiment of Western culture, became the object of intense hostility. This book examines the evolution of China's ever-changing disposition towards European music and Western influences generally
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  • 62
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 0195365038 , 1280523069 , 9780195038767 , 9780195365030 , 9781280523069
    Language: English
    Pages: 1 Online-Ressource (xiv, 280 p., [7] p. of plates)
    Parallel Title: Erscheint auch als
    DDC: 784.5/4/009
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    Keywords: Rock (Musique) / Histoire et critique ; Musique / Influence ; Musique / Aspect social ; Culture populaire ; Romantisme dans la musique ; MUSIC / Musical Instruments / General ; Rock 'n' Roll ; Music, Influence of ; Music / Social aspects ; Popular culture ; Rock music ; Romanticism in music ; Gesellschaft ; Musik ; Rock music History and criticism ; Music, Influence of ; Music Social aspects ; Popular culture ; Romanticism in music ; Rock 'n' Roll ; Rock 'n' Roll
    Note: Includes bibliographical references (p. 239-257) , Robert Pattison's new book discusses Romanticism, and the cross-currents between it and popular culture, using rock music as the main example. He shows that popular culture is not merely a continuation of folk culture or a spontaneous creation of the alienated masses, but a mirror-image of main-stream cultural doctrines
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