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  • Ann Arbor, Michigan : ProQuest  (22)
  • New York, NY : Oxford University Press  (21)
  • Cambridge : Cambridge University Press
  • Geschichte  (50)
  • Musicology  (50)
Material
Language
  • 1
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 2
    Online Resource
    Online Resource
    Newcastle-upon-Tyne : Cambridge Scholars Publishing | Ann Arbor, Michigan : ProQuest
    ISBN: 9781527581234
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2nd Edition
    Parallel Title: Erscheint auch als Abecassis, Michaël An Anthology of French and Francophone Singers, from a to Z, 2nd Edition
    DDC: 782.420944
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    Keywords: Geschichte ; Sänger ; Sängerin ; Französisches Sprachgebiet ; Biografie ; Electronic books
    Abstract: French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. Every musical form has had an impact on the linguistic practices of our society. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to Fre
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  • 3
    ISBN: 9780197559284 , 9780197559277
    Language: English
    Pages: xviii, 254 Seiten , Illustrationen, Notenbeispiele, Portraits
    Parallel Title: Erscheint auch als Wells, Christi Jay Between beats
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    Keywords: Geschichte ; Jazztanz ; Jazztanz ; Geschichte
    Abstract: "The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of "choreographies of listening," the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. The book's later chapters also critically unpack the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. As musicians and critics sought to secure institutional space for jazz within America's body-averse academic and high-art cultures, an intentional severance from the dancing body proved crucial to jazz's re-positioning as a form of autonomous, elite art. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, this book seeks to advance participatory dance and embodied practice as central topics of analysis in jazz studies. As it tells the rich, untold story of jazz as popular dance music, this book also exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status"--
    Description / Table of Contents: Jazz Music and its Choreographies of Listening -- "Its Bite and Its Feeling" : The Quadroon Ball and Jazz's New Orleans Plaçage Complex -- "Lindy Hopper's Delight" : The Chick Webb Orchestra and the Fluid Labor of Whitey's Lindy Hoppers -- "Counter-Bopaganda" and "Torn Riffs" : Bebop as Popular Dance Music -- "A Fine Art in Danger" : Marshall Stearns's Jazz Dance Advocacy -- Dancing Every Note : Community Theater and Kinetic Memory at Jazz 966
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  • 4
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 5
    Online Resource
    Online Resource
    Santa Barbara : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    ISBN: 9781440873195
    Language: English
    Pages: 1 Online-Ressource (401 pages)
    DDC: 782.421599097303
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    Keywords: The star-spangled banner ; Geschichte ; USA ; Wörterbuch
    Note: Description based on publisher supplied metadata and other sources
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  • 6
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197548844
    Language: English
    Pages: 1 Online-Ressource (216 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6608623
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    Keywords: Geschichte ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Unterhaltungsmusik ; Rock 'n' Roll ; Arbeiterklasse ; Rockmusik ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197559314
    Language: English
    Pages: 1 Online-Ressource (272 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6509730904
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    Keywords: Geschichte ; Jazz / Social aspects / United States / History / 20th century ; Jazz dance ; Music and dance / United States / History / 20th century ; Jazztanz ; Jazztanz ; Geschichte
    Abstract: 'Between Beats' explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a 'legitimate' art form better suited for still, seated listening
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190087227
    Language: English
    Pages: 1 Online-Ressource (608 pages) , Illustrations (black and white).
    Edition: Third edition.
    Series Statement: Oxford scholarship online
    DDC: 781.6509
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    Keywords: Geschichte ; Jazz ; Jazz History and criticism ; Jazz musicians
    Abstract: In this new edition of his classic 'History of Jazz', author Ted Gioia brings the story to the present day with expanded treatment of women's contributions to the genre, jazz in the digital age, the increasing dialogue between jazz and popular music, and the music's new rise across the globe.
    Note: This edition also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 9
    Online Resource
    Online Resource
    Lanham : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781538128152
    Language: English
    Pages: 1 Online-Ressource
    Edition: Second edition
    Series Statement: Historical dictionaries of literature and the arts
    DDC: 781.6503
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    Keywords: Geschichte ; Jazz ; Wörterbuch
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  • 10
    Online Resource
    Online Resource
    New Brunswick : Rutgers University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780813574691
    Language: English
    Pages: 1 Online-Ressource (193 pages)
    DDC: 781.6409749
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    Keywords: Geschichte ; Unterhaltungsmusik ; Jazz ; Musikleben ; Musikproduktion ; Popular music-New Jersey-History and criticism ; Sound recording industry-New Jersey-History ; New Jersey ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 11
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190908294
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.62914970561
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    Keywords: Geschichte ; Romanies / Turkey / Music / History and criticism ; Music / Social aspects / Turkey ; Romanies / Turkey / Social life and customs ; Music / Turkey / History and criticism ; Identität ; Musikleben ; Roma ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Abstract: 'Sounding Roman' traces the role of music performance in maintaining, shaping, and challenging ascribed social identities of Roman ('Gypsy') groups, who constitute one of the most socially reviled and yet culturally romanticized minorities in Turkey
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    Online Resource
    Online Resource
    College Station : Texas A&M University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781623496395
    Language: English
    Pages: 1 Online-Ressource (472 pages)
    Series Statement: John and Robin Dickson Series in Texas Music, sponsored by the Center for Texas Music History, Texas State University
    DDC: 781.64309764
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    Keywords: Geschichte ; Blues ; Blues (Music)-Texas-History and criticism ; Texas ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 13
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190916756 , 0190916753 , 9780190916749 , 0190916745
    Language: English
    Pages: li, 268 Seiten , Illustrationen , 24 cm
    DDC: 781.599
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    Keywords: Crimean War, 1853-1856 Music and the war ; Music Political aspects ; History ; 19th century ; Sound Political aspects ; History ; 19th century ; Music and war ; Music Political aspects ; Aufsatzsammlung ; Krimkrieg ; Musik ; Geräusch ; Geschichte
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9780199949267 , 9780199949243
    Language: English
    Pages: xxix, 494 Seiten , Illustrationen, Notenbeispiele, Portraits
    Parallel Title: Erscheint auch als
    DDC: 781.62/914970561
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    Keywords: Geschichte ; Romanies Music ; History and criticism ; Music Social aspects ; Romanies Social life and customs ; Music History and criticism ; Identität ; Roma ; Musikleben ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Note: Includes bibliographical references and index
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  • 15
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190296643
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.49
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    Keywords: Geschichte ; Sound recordings / Production and direction ; Popular music / Production and direction ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Musikproduktion ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Abstract: 'Dawn of the DAW' examines DIY recording studio practices past and present, with a focus on the concept of 'the studio as musical instrument' the evolving role of the producer, and the implications of these practices for the field of music education
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252050312
    Language: English
    Pages: 1 Online-Ressource (179 pages)
    Series Statement: Music in American Life Ser.
    DDC: 781.640973
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    Keywords: Geschichte ; Unterhaltungsmusik ; Folk music ; USA ; Erlebnisbericht
    Note: Description based on publisher supplied metadata and other sources
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  • 17
    Online Resource
    Online Resource
    Bloomington, IN : Indiana University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780253026590
    Language: English
    Pages: 1 Online-Ressource (306 pages)
    Series Statement: Musical Meaning and Interpretation Ser.
    DDC: 781.64
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    Keywords: Geschichte ; Psychedelic Rock
    Note: Description based on publisher supplied metadata and other sources
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  • 18
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839439838
    Language: German
    Pages: 1 Online-Ressource (357 pages)
    Edition: 1st ed.
    Series Statement: Histoire v.118
    DDC: 306
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    Keywords: Geschichte ; Klang ; Musik ; Skandal ; Avantgarde ; Ereignis ; Neue Musik ; Popular culture ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 19
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190666583
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.643122
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    Keywords: Geschichte ; Blues ; Blues (Music) / History and criticism ; Blues (Music) / Analysis, appreciation ; Time in music ; Diskografie ; Diskografie ; Blues ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
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    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
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    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 22
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316271476
    Language: English
    Pages: 1 online resource (ix, 284 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094
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    Keywords: Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Abstract: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Note: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 23
    Online Resource
    Online Resource
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781442269415
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    Series Statement: Roots of American Music: Folk, Americana, Blues, and Country
    DDC: 781.64097300000003
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    Keywords: Geschichte ; Blues ; Folk music ; Countrymusic ; Amerikana ; Americana (Music)--History and criticism ; Electronic books
    Abstract: Michael Cain offers an informal social history that describes Americana as both a musical genre and a movement, showing what it is, where it came from and where it is going. Through anecdotes and interviews, Cain provides a firsthand view into the creation of Americana, trying to clarify how the genre can be categorized and defined.
    Note: Description based on publisher supplied metadata and other sources
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  • 24
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190666552
    Language: English
    Pages: xix, 250 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.643/122
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    Keywords: Geschichte ; Blues ; Blues (Music) / History and criticism ; Blues (Music) / Analysis, appreciation ; Time in music ; Diskografie ; Blues ; Geschichte
    Abstract: Spontaneity, immediacy and feeling characterize the blues as a genre. Whether it's the movement of call and response, the expressive bends and wails of voice and instruments or the synergistic relationship between audience and performers, the blues embody a kind of "living in the moment" aesthetic. At the same time, the blues genre has always responded in a unique way to its historical moment, its formal characteristics, figures, and devices constantly emerging from-and speaking to-the social relations emanating from Jim Crow segregation, sharecropping, racist violence, and migration. Time in the Blues presents an interdisciplinary analysis of the specific forms of temporality produced by and reflected in the blues. Examining time as it is represented, enacted, and experienced through the blues, interdisciplinary scholar Julia Simon addresses how the material conditions in the early twentieth century shaped a musical genre. The technical aspects of the blues-ostinato patterns, cyclical changes, improvisation, call and response-emerge from and speak to the Jim Crow era's economic, social, and political relations. Through this temporal analysis, Simon addresses how the moment-to-moment aspect of time in blues performance relates to the genre's location within historical time, with careful examinations of the historical performance and reception of blues music from the 1920s to the present day. Simon examines the structuring of time, and analyzes temporality to open the broader questions of desire, agency, self-definition, faith, and forms of resistance as they are articulated in this music. Ultimately, Time in the Blues, argues for the relevance, significance, and importance of time in the blues for shared values of community and a vision of social justice.
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  • 25
    Online Resource
    Online Resource
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781442254411
    Language: English
    Pages: 1 Online-Ressource (387 pages)
    DDC: 784.0820973
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    Keywords: Geschichte ; Frau ; Musikgruppe ; Women's bands (Music) - United States - History ; USA ; Aufsatzsammlung ; Electronic books
    Abstract: In the first comprehensive exploration of women's bands in American history, contributors trace women's emerging roles in town, immigrant, family, school, suffrage, military, swing, and rock bands, as well as society at large. Contributors bring together a series of disciplines in this unique work, including musicology, American history, women's studies, and history of education.
    Note: Description based on publisher supplied metadata and other sources
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  • 26
    ISBN: 9780199391875 , 9780199391882
    Language: English
    Pages: XI, 264 Seiten , Illustrationen, Notenbeispiele
    DDC: 782.421640973
    RVK:
    Keywords: Geschichte ; Popular music History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte
    Note: Includes bibliographical references
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  • 27
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199380114 , 9780199380091 , 9780199380107
    Language: English
    Pages: 1 Online-Ressource (xiv, 311 Seiten) , Illustrations, Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.62/916204193
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    Keywords: Geschichte ; Folk music History and criticism ; Volksmusik ; Irland ; Clare ; Irland ; Irland ; Clare ; Volksmusik ; Geschichte
    Note: Includes bibliographical references (pages 281-297), discographies (pages 275-278) and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    ISBN: 9783447106337 , 9783447194808 (Sekundärausgabe) , 9783447106337 (Sekundärausgabe)
    Language: English
    Pages: VI, 293 Seiten , Illustrationen, Notenbeispiele
    Edition: 1st ed.
    Edition: Online-Ausg. Online-Ressource ISBN 9783447194808
    Edition: ISBN 9783447106337
    Edition: [Online-Ausg.]
    Series Statement: Jüdische Musik Band 14
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    Keywords: Geschichte ; Musik ; Juden ; Musikleben ; Europa ; Osteuropa ; Mitteleuropa ; Konferenzschrift 2011 ; Aufsatzsammlung ; Online-Publikation
    Note: Online-Ausg.:
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  • 29
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199389223
    Language: English
    Pages: 1 Online-Ressource (241 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 782.14
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    Keywords: Kern, Jerome, ; Kern, Jerome ; Geschichte 1900-2000 ; Geschichte ; Geschichte ; Music and race History 20th century ; Sänger ; Aufführung ; Ethnische Identität ; USA ; Kern, Jerome 1885-1945 Show boat ; Sänger ; Aufführung ; Ethnische Identität ; Geschichte
    Abstract: "Who should sing Ol' man river? : the lives of an American song tells the almost eighty-year performance history of a great popular song. Examining over two hundred recorded and filmed versions of Jerome Kern and Oscar Hammerstein II's classic song, the book reveals the power of performers to remake one popular song into many different guises"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199389186
    Language: English
    Pages: 241 Seiten , Illustrationen
    DDC: 782.14
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    Keywords: Kern, Jerome, ; Kern, Jerome ; Geschichte 1900-2000 ; Geschichte ; Geschichte ; Music and race History 20th century ; Sänger ; Aufführung ; Ethnische Identität ; USA ; Kern, Jerome 1885-1945 Show boat ; Sänger ; Aufführung ; Ethnische Identität ; Geschichte
    Abstract: "Who should sing Ol' man river? : the lives of an American song tells the almost eighty-year performance history of a great popular song. Examining over two hundred recorded and filmed versions of Jerome Kern and Oscar Hammerstein II's classic song, the book reveals the power of performers to remake one popular song into many different guises"...Provided by publisher
    Description / Table of Contents: Includes bibliographical references, discography, and index
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  • 31
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839406083
    Language: German
    Pages: 1 Online-Ressource (282 pages)
    Edition: 1st ed.
    Series Statement: Kultur- und Medientheorie
    RVK:
    Keywords: Geschichte ; Rap ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 32
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190454951
    Language: English
    Pages: 1 Online-Ressource (xvii, 433 Seiten) , Notenbeispiele, Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.5/920952090512
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    Keywords: Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Geschichte ; Politik ; Popular music Political aspects 21st century ; History ; Protest songs History and criticism 21st century ; Fukushima Nuclear Disaster, Japan, 2011 Songs and music ; Nuclear power plants Public opinion ; Protest movements History 21st century ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan ; Japan ; Kernkraftwerk Fukushima ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Geschichte 2011-2015
    Note: Published to Oxford Scholarship Online: October 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 33
    Online Resource
    Online Resource
    Lexington : The University Press of Kentucky | Ann Arbor, Michigan : ProQuest
    ISBN: 9780813149806
    Language: English
    Pages: 1 Online-Ressource (240 Seiten) , Illustrationen
    DDC: 791.0820973
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    Keywords: Geschichte ; Entertainerin ; Lateinamerikanerin ; Geschlechterrolle ; USA
    Abstract: Entertainers were the first group of successful women to capture the public eye, taking to the stage in vaudeville and film and redefining their place in society. June Sochen introduces the white, African American, and Latina women who danced on Broadway, fell on bananas in silent films, and wisecracked in smoky clubs, as well as the modern icons of today's movies and popular music. Sochen considers such women as Mae West, Bette Davis, Shirley Temple, Lucille Ball, and Mary Tyler Moore to discover what show business did for them and what they did for the world of entertainment.
    Note: Literaturverzeichnis: Seite [221]-223 , Description based upon print version of record
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  • 34
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984619
    Language: English
    Pages: 1 Online-Ressource (xii, 701 Seiten)
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of music revival
    DDC: 780.9
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    Keywords: Music History and criticism ; Music ; History and criticism ; Aufsatzsammlung ; Musik ; Tradition ; Erneuerung ; Kulturvergleich ; Geschichte
    Abstract: Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal.
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  • 35
    Online Resource
    Online Resource
    New York : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780199832590
    Language: English
    Pages: 1 Online-Ressource (376 pages)
    DDC: 781.64809
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    Keywords: Geschichte ; Industrial Rock
    Abstract: In Assimilate, S. Alexander Reed provides the first ever critical history of industrial music. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created.
    Note: Description based on publisher supplied metadata and other sources
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  • 36
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190268305
    Language: English
    Pages: 1 Online-Ressource (XIV, 361 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64809
    RVK:
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    Keywords: Geschichte ; Industrial music History and criticism ; Industrial Rock ; Electronic books ; Electronic books ; Industrial Rock ; Geschichte
    Abstract: Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups who combined avant-garde electronic music with the provocative attitude and style of punk rock. In its early days, bands such as Throbbing Gristle and Cabaret Voltaire produced a genuinely radical form of music bent on recontextualizing the signs and methods of cultural authority in an attempt to liberate listeners from the trappings of modernity. But, as industrial music took on more and more elements of popular music over the course of the 1980s it slowly abandoned its mission. By the mid-1990s, it was seen as simply another style of pop music, and had ironically fallen into the trappings it sought by its very existence to destroy. In "Assimilate", S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre tracing industrial music's trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity on the back of the band Nine Inch Nails in the mid-1990s, and through its decline to the present day. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created. In so doing, he reveals an engaging story of an ideological disintegration and its aftermath. The definitive text on the genre, "Assimilate" is essential reading for fans of industrial music, and scholars and students of popular music alike.
    Note: Published to Oxford Scholarship Online: May 2015
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 37
    ISBN: 9780199940714
    Language: English
    Pages: 1 Online-Ressource (ix, 470 Seiten)
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of the American musical
    DDC: 782.140973
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    Keywords: Musicals History and criticism ; Musicals ; United States ; History and criticism ; Aufsatzsammlung ; USA ; Musical ; Geschichte
    Abstract: This text presents keywords and critical terms that deepen analysis and interpretation of the musical. Taking into account issues of composition, performance, and reception, the book's contributors bring a range of practical and theoretical perspectives to bear on their considerations of American musicals.
    URL: Volltext  (lizenzpflichtig)
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  • 38
    Online Resource
    Online Resource
    New York : Continuum | Ann Arbor, Michigan : ProQuest
    ISBN: 9781441118905
    Language: English
    Pages: 1 Online-Ressource (ix, 214 Seiten)
    DDC: 306.09
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    Keywords: Geschichte ; Schall ; Schallwelle ; Schwingung ; Wahrnehmung ; Hören ; Sinnesphysiologie ; Kultur
    Abstract: A pioneering study of the phenomenon of vibration and its history and reception through culture.
    Note: Literaturverzeichnis: Seite [193]-209
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  • 39
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252094095
    Language: English
    Pages: 1 Online-Ressource (250 pages)
    Series Statement: Music in American Life
    DDC: 782.25/408909075
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    Keywords: Geschichte ; Gospelsong ; USA Südstaaten
    Abstract: In this ambitious book on southern gospel music, Douglas Harrison reexamines the music's historical emergence and its function as a modern cultural phenomenon. Rather than seeing the music as a single rhetoric focusing on the afterlife as compensation for worldly sacrifice, Harrison presents southern gospel as a network of interconnected messages that evangelical Christians use to make individual sense of both Protestant theological doctrines and their own lived experiences. Reassessing the contributions of such figures as Aldine Kieffer, James D. Vaughan, and Bill and Gloria Gaither, this book traces an alternative history of southern gospel in the twentieth century, one that emphasizes the music's interaction with broader shifts in American life beyond the narrow confines of southern gospel's borders. His discussion includes the "gay-gospel paradox"--the experience of non-heterosexuals in gospel music--as a cipher for fundamentalism's conflict with the postmodern world.
    Note: Description based on publisher supplied metadata and other sources
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  • 40
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
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    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 41
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781107015388 , 9781139221306 (Sekundärausgabe)
    Language: English
    Pages: 358 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9781139221306
    Edition: [Online-Ausg.]
    DDC: 780.89924
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    Keywords: Geschichte ; Juden ; Musik ; Klassische Musik ; Komponist ; Europa
    Abstract: David Conway examines how Jews developed a significant presence in early nineteenth-century Western music.
    Note: Description based upon print version of record , Online-Ausg.:
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  • 42
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252091278
    Language: English
    Pages: 1 Online-Ressource (281 pages)
    Series Statement: Music in American Life
    DDC: 338.7/61781640973
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    Keywords: King Record Company ; Geschichte
    Abstract: In its time--1943 to the late 1960s--King Records was absolutely unique, and it deserves a unique account of its history. King of the Queen City is that account: focused, thoroughly researched, well written, and filled with vital information about America's most important independent record label.--Nolan Porterfield, author of Jimmie Rodgers: The Life and Times of America's Blue Yodeler_x000B__x000B__x000B__x000B_"A much needed glimpse of an underappreciated pop culture institution.--Publishers Weekly.
    Note: Description based on publisher supplied metadata and other sources
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  • 43
    Online Resource
    Online Resource
    Westport : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    ISBN: 9780313352461
    Language: English
    Pages: 1 Online-Ressource (240 pages)
    DDC: 781.642
    RVK:
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    Keywords: Geschichte ; Countrymusic
    Abstract: Discovering Country Music chronicles the incredible evolution of country music in America - from the fiddle to the pop charts - and provides an insightful account of the reasons and motives that have determined its various transformations and offshoots over the years. In order to understand what country music is, and why, it is essential to understand how it makes its money - the basic revenue streams, the major companies involved, and how country artists are booked and marketed. Author Don Cusic helps readers do that, and goes even further, covering not only the business and the technology that have shaped the industry, but also tackling the question of country's relationship to the other major genres of the American recording industry, including pop, blues, and rock music. Discovering Country Music is broken down into ten sections which include: key musical trends; ancillary business trends such as recording technology, radio, and the recording industry; and prominent artists, including as a small sample Stephen Foster, The Carter Family, Elvis, Johnny Cash, Dolly Parton, Willie Nelson, Garth Brooks, The Dixie Chicks, Tim McGraw, Faith Hill, and Kenny Chesney. This work should appeal to fans, scholars, educators, libraries and the general reader alike.
    Note: Description based on publisher supplied metadata and other sources
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  • 44
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604737288
    Language: English
    Pages: 1 Online-Ressource (320 pages)
    DDC: 781.643096
    RVK:
    Keywords: Geschichte ; Blues ; Afrika
    Abstract: In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world. Gerhard Kubik is a professor in the department of ethnology and African studies at the...
    Abstract: University of Mainz, Germany. Since 1983 he has been affiliated with the Center for Social Research of Malawi, Zomba. He is a permanent member of the Center for Black Music Research in Chicago and an Honorary Fellow of the Royal Anthropological Institute of Great Britain and Ireland, London.
    Note: Description based on publisher supplied metadata and other sources
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  • 45
    Online Resource
    Online Resource
    Berlin : Frank & Timme | Ann Arbor, Michigan : ProQuest
    ISBN: 9783865967046
    Language: German
    Pages: 1 Online-Ressource (248 Seiten)
    Series Statement: Kulturwissenschaften v.5
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    Keywords: Geschichte ; Deutsch ; Popliteratur ; Männlichkeit ; Männlichkeit ; Rockmusik ; Masculinity in literature ; Masculinity in music ; Masculinity in popular culture -- Germany ; Konferenzschrift 2008
    Note: Description based on publisher supplied metadata and other sources
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  • 46
    Online Resource
    Online Resource
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780292794245
    Language: English
    Pages: 1 Online-Ressource (302 pages)
    DDC: 781.640922764847
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    Keywords: Geschichte ; Künstler ; Musiker ; Schriftsteller ; Texas ; Interview
    Note: Description based on publisher supplied metadata and other sources
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  • 47
    ISBN: 9780195173031 , 019517304X , 9780195173048 , 0195173031
    Language: English
    Pages: XVIII, 350 S , Ill., Notenbeisp. , 25 cm
    Parallel Title: Online-Ausg. Music in American religious experience
    DDC: 201.6780973
    RVK:
    Keywords: Music Congresses Religious aspects ; United States Congresses Religious life and customs ; Konferenzschrift ; Konferenzschrift 1994 ; USA ; Musik ; Religiöses Leben ; Geschichte ; Kirchenmusik ; Geistliche Musik
    Description / Table of Contents: Experience and identity -- Liturgy, humnody, and song -- Individuals and the agency of faith -- Congregation and community
    Note: Includes bibliographical references and index , Papers from a conference held at the U. of Chicago, Apr. 22-24, 1994 (p. ix) - Includes bibliographical references and index
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  • 48
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Sozialgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781474473293
    Language: English
    Pages: 1 Online-Ressource (211 pages)
    Series Statement: BAAS Paperbacks
    DDC: 781.65/0973
    RVK:
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    Keywords: Geschichte ; Jazz ; Kultur ; Jazz-Social aspects-United States ; USA ; Electronic books
    Abstract: Jazz in American Culture offers an informed and entertaining introduction to jazz - one of the great musical cultures of the world.
    Note: Description based on publisher supplied metadata and other sources
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  • 50
    ISBN: 9780511628139
    Language: English
    Pages: 1 online resource (xi, 191 pages)
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1995 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History / 20th century ; Social movements / History / 20th century ; Political sociology / History / 20th century ; Popular culture / History / 20th century ; Music / Social aspects ; Soziale Bewegung ; Musik ; Musik ; Soziale Bewegung ; Geschichte 1900-1995
    Abstract: Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement. This highly readable book is among the first to link the political sociology of social movements to cultural theory
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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