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  • Cambridge : Cambridge University Press  (6)
  • Aldershot [u.a.] : Ashgate  (4)
  • London : Routledge, Taylor & Francis Group
  • Politik  (12)
  • Musicology  (12)
Material
Language
  • 1
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108769426
    Language: English
    Pages: 1 Online-Ressource (xviii, 365 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
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    Keywords: Beatles ; The Beatles ; Geschichte 1960-1970 ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Politik ; Soziokultur ; Großbritannien ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms
    Note: Title from publisher's bibliographic system (viewed on 11 Mar 2020) , The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107032415 , 9781107681088
    Language: English
    Pages: xiv, 272 Seiten , Illustrationen, Diagramme
    DDC: 306.4842
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    Keywords: Music Political aspects ; Music Social aspects ; Musik ; Politik ; Musik ; Politik
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  • 3
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
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    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 4
    ISBN: 9781138278431
    Language: English
    Pages: ix, 215 Seiten
    Edition: 1st published in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.640981
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    Keywords: Popular music History and criticism 20th century ; Music Political aspects ; Nationalism in music ; Brasilien ; Popmusik ; Politik ; Gesellschaft ; Nationalismus ; Geschichte 1900-2000
    Abstract: Musical nationalism and the cultural invasion debate -- Inventing the idea of MPB -- Television and popular music -- Cultural imperialism, globalisation, and the Brazilian record industry -- The state as cultural mediator the Política Nacional de Cultura, Funarte and the Projeto Pixinguinha -- Musical mapping : locating and defending the regional -- Reconsidering musical tradition : música do Brasil and Rumos Itaú Cultural Música
    Note: Literaturverzeichnis: Seite 187-204
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  • 5
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107504318 , 9781107007321
    Language: English
    Pages: XIV, 327 S.
    Series Statement: Music since 1900
    DDC: 780.904
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    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Note: Originally published: 2013. , Includes bibliographical references and index.
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  • 6
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139051682
    Language: English
    Pages: 1 Online-Ressource (xiv, 327 pages)
    Series Statement: Music since 1900
    DDC: 780.9/04
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    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Abstract: Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 7
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139042758
    Language: English
    Pages: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Parallel Title: Print version
    DDC: 306.4/842094309034
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    Keywords: Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Abstract: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Abstract: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 8
    ISBN: 9780754640554 , 0754640558
    Language: English
    Pages: XII, 251 S.
    Edition: Reprint.
    Series Statement: Ashgate popular and folk music series
    DDC: 781.63/1599
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    Keywords: Geschichte 2007 ; Gesellschaft ; Politik ; Popular music Social aspects ; Popular music Political aspects ; Popular culture ; Music and globalization ; Politik ; Popkultur ; Gesellschaft ; Globalisierung ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Gesellschaft ; Politik ; Geschichte 2007 ; Popkultur ; Globalisierung
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  • 9
    ISBN: 9780754653738
    Language: English
    Pages: XII, 166 S.
    Series Statement: Ashgate popular and folk music series
    DDC: 781.640941
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    Keywords: Geschichte 1990-2006 ; Politik ; Popular music Political aspects ; Popmusik ; Politik ; Großbritannien ; Großbritannien ; Großbritannien ; Popmusik ; Politik ; Geschichte 1990-2006
    Note: Includes bibliographical references (p. )
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  • 10
    ISBN: 0754640558
    Language: English
    Pages: XII, 251 S. , grph. Darst.
    DDC: 306.48423
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    Keywords: Musik ; Gesellschaft ; Popmusik ; Pop-Kultur ; Identität ; Politik ; Globalisierung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung
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  • 11
    ISBN: 9781351577984
    Language: English
    Pages: 1 Online-Ressource (xxi, 190 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als A Song for Europe
    DDC: 306.48424079
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    Keywords: Eurovision Song Contest ; Popular music Competitions ; Europe ; Popular music Political aspects ; Europe ; Grand Prix Eurovision de la Chanson ; Europa ; Politik ; Soziologie ; Grand Prix eurovision de la chanson ; Politik
    Abstract: The world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. The Contest is broadcast live in over 30 countries with over 100 million viewers annually. Established in 1956 as a televised spectacle to unify postwar Western Europe through music, the Contest features singers who represent a participating nation with a new popular song. Viewers vote by phone for their favourite performance, though they cannot vote for their own country's entry. This process alone reveals much about national identities and identifications, as voting patterns expose deep-seated alliances and animosities among participating countries. Here, an international group of scholars from a variety of disciplines, including musicology, communications, history, sociology, English and German studies, explore how the contest sheds light on issues of European politics, national and European identity, race, gender and sexuality, and the aesthetics of camp. For some countries, participation in Eurovision has been simultaneously an assertion of modernity and a claim to membership in Europe and the West. Eurovision is sometimes regarded as a low-brow camp spectacle of little aesthetic or intellectual value. The essays in this collection often contradict this assumption, demonstrating that the contest has actually been a significant force and forecaster for social, cultural and political transformations in postwar Europe.
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of tables -- List of contributors -- General Editor's preface -- Additional reading and resources -- Introduction -- 1 Camping on the borders of Europe -- 2 Return to ethnicity: The cultural significance of musical change in the Eurovision Song Contest -- 3 Eurovision at 50: Post-Wall and Post-Stonewall -- 4 Chanson, canzone, Schlager, and song: Switzerland's identity struggle in the Eurovision Song Contest -- 5 Chasing the "magic formula" for success: Ralph Siegel and the Grand Prix Eurovision de la Chanson -- 6 Fernando, Filippo, and Milly: Bringing blackness to the Eurovision stage -- 7 Finland, zero points: Nationality, failure, and shame in the Finnish media -- 8 The socialist star: Yugoslavia, Cold War politics and the Eurovision Song Contest -- 9 Lithuanian contests and European dreams -- 10 "Russian body and soul": t.A.T.u. performs at Eurovision 2003 -- 11 Gay brotherhood: Israeli gay men and the Eurovision Song Contest -- 12 Articulating the historical moment: Turkey, Europe, and Eurovision 2003 -- 13 "Everyway that I can": Auto-Orientalism at Eurovision 2003 -- 14 Idol thoughts: Nationalism in the pan-Arab vocal competition Superstar -- 15 "Changing Japan, unchanging Japan": Shifting visions of the Red and White Song Contest -- Index
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  • 12
    Book
    Book
    Aldershot [u.a.] : Ashgate
    ISBN: 0754651134 , 0754651142
    Language: English
    Pages: XXIV, 228 S. , Ill.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 306.4/8424
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    Keywords: Chansons contestataires - Histoire et critique ; Musique populaire - Aspect politique ; Musique populaire - Aspect social ; Populaire muziek ; Sociaal protest ; Subcultuur ; Gesellschaft ; Politik ; Popular music Social aspects ; Popular music Political aspects ; Protest songs History and criticism ; Sport ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Sport ; Popmusik
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