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  • FID-SKA-Lizenzen  (54)
  • 1995-1999  (33)
  • 1980-1984  (21)
  • 1930-1934
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  • 1
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (54 min.). , 005332
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Serie: Forbidden rites
    Schlagwort(e): North America ; Documentary films.
    Kurzfassung: The history of cannibalism around the world and its role in different culture, from ancient Britain to Papua New Guinea. The Forbidden Rites trilogy explores cannibalism, head hunting and human sacrifice. This series includes first-hand accounts, expert interviews, and rarely seen footage. It reveals the legends behind man-eating tribes, headhunters in jungles of Ecuador and sheds light on the link between human sacrifice and salvation. The series looks at rituals considered important and acceptable to one society but regarded, particularly in the West, as unacceptable and even abhorrent. The aim is to look at the differences and get explanations from practitioners in other societies as to why such rituals worked for them.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (40 min.). , 004025
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Naxi (Chinese people) ; Shamans ; South Africa ; Nonfiction films.
    Kurzfassung: After more than a quarter of a century without any form of religious ceremony, the Na, an ethnic group living on the Himalayan plateau, began openly practising their religion again in the early 1990s. Their priests are called daba. Among the few old shamans who are still living today, Dafa Luzo is the most remarkable. As the main character in the film, we see him looking after his farm and his family, as well as performing rituals to expel all unclean spirits and demons and honour the ancestors. His main worry, and his greatest hope, is to make sure his knowledge is safely handed down to the next generation.
    Anmerkung: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English and an undetermined language with English subtitles.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Watertown, MA :Documentary Educational Resources (DER),
    Sprache: Englisch
    Seiten: 1 online resource (30 min.). , 002953
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Anthropology, Cultural ; Art ; Skull ; France ; Documentary films.
    Kurzfassung: This video documents the over-modeling in clay of a real human skull in Lae, Papua New Guinea, in the spring of 1997. A painted skull had been purchased from a trader. When Adam Kone visited, he found the skull poorly decorated and set out to mold a more elaborate skull-portrait, adding modern materials, in his friend's house. Asked to sculpt in the garden, he refused. Adam had nothing to do with the dead person, but was weary of head hunting suspicions, and feared arrest. Historically, skull art is associated with tribal warfare and headhunting, banned by the colonial administration in the 1920's, and equally outlawed in modern independent Papua New Guinea. Because of its association with a banned practice, skull art has become rare and is carried out in secrecy. In Adam's home on the Sepik, decorating skulls is a prominent, highly developed form of body art. A skull-portrait commemorates an initiate's first kill, a great warrior, a fierce enemy, an extraordinary, or beautiful person. The portrait honors a deceased person - friend or foe - and is held in high esteem. Sepik societies are known for their artistic wealth, but also as fierce warriors. The Iatmul people of the middle Sepik are the most prominent. Headhunting was once their major pastime, indulged like a sport, and feared by their neighbors. Among these warriors, killing an enemy was regarded an adult man's duty, a source of male pride, and a symbol of masculine identity. Ritualized homicide was part of initiation. Skull art belongs to the spirit house, Haus Tambaran. Adult men spend most of their time there. Only fully initiated, adult men are allowed into the men's house. The Haus Tambaran is the venue for all major male activities, including meetings, artistic exploits, religious rituals, and initiation ceremonies. Several long stones in front of the Haus Tambaran once served as sacred locations where a slain enemy's head was ritually severed from his body. Warriors' heads once provided the physical and spiritual foundations of Sepik society and its spirit houses. Skulls were buried under a Haus Tambaran's major supporting posts, adorned its cornices and windows, were kept inside on special shelves and skull racks, displayed, and carried around on special dance wards during funerary rites. An adorned skull commemorates and honors a dead person. Some have linked skull art to masking. Others have observed that skull art is quite realistic. Historic skulls-portraits capture individuals' real life features.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1997 in Sepik, Papua New Guinea. , Previously released as DVD. , This edition in English.
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  • 4
    Online-Ressource
    Online-Ressource
    London, England :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (53 minutes) , 005300
    Schlagwort(e): Beheading. ; Rites and ceremonies. ; Borneo. ; Ecuador. ; Sweden ; Documentary films.
    Kurzfassung: The history of human decapitation, featuring the story of two British engineers beheaded by rebels in modern Russia and the psychological and religious implications of contemporary headhunting in Borneo. The Forbidden Rites trilogy explores cannibalism, head hunting and human sacrifice. This series includes first-hand accounts, expert interviews, and rarely seen footage. It reveals the legends behind man-eating tribes, headhunters in jungles of Ecuador and sheds light on the link between human sacrifice and salvation. The series looks at rituals considered important and acceptable to one society but regarded, particularly in the West, as unacceptable and even abhorrent. The aim is to look at the differences and get explanations from practitioners in other societies as to why such rituals worked for them.
    Anmerkung: Title from resource description page (viewed November 06, 2015). , In English.
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  • 5
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (53 min.). , 005307
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Serie: Forbidden rites
    Schlagwort(e): Human sacrifice. ; Canada ; Documentary films.
    Kurzfassung: The documentary gives insight into the ancient rituals and religious practices involved in human sacrifice. The Forbidden Rites trilogy explores cannibalism, head hunting and human sacrifice. This series includes first-hand accounts, expert interviews, and rarely seen footage. It reveals the legends behind man-eating tribes, headhunters in jungles of Ecuador and sheds light on the link between human sacrifice and salvation. The series looks at rituals considered important and acceptable to one society but regarded, particularly in the West, as unacceptable and even abhorrent. The aim is to look at the differences and get explanations from practitioners in other societies as to why such rituals worked for them.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Honolulu, HI :Asia Pacific Films,
    Sprache: Vietnamesisch
    Seiten: 1 online resource (88 min.). , 012740
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Motion pictures ; Canada ; Feature films.
    Kurzfassung: For twenty years, Camh has lived in North Vietnam, unable to return to his home in the south, a small fishing village where his wife waits for him. She has been a guerrilla fighter for the triumphant communist forces, and has made a living selling food in the market. She is happy to reunite with her husband until she learns that he has married a young woman in the north and has a child by her. The love triangle becomes more complicated: Huy, a man who has lost a leg is in love with Troa, who does not return his affection, and there is Hoa, a young woman who has lost both legs and who is in love with him. All of the characters' emotional injuries are as deep as those of Huy and Hoa, but they behave with great kindness towards one another. The movie was made for $36,000, but the lack of special effects allows us to concentrate on the difficulties of reunification and of finding both political and psychic peace. Winner of national prizes - Golden Lotus for Best Picture, Best Director, Best actress, Asia Pacific Film Festival for Best Actress, Best Supporting Actress, Best Director, Best Film, and Special Prize, Amiens Int'l Film Festival.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vietnam. , Previously released as DVD. , This edition in Vietnamese with English subtitles.
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  • 7
    Online-Ressource
    Online-Ressource
    San Francisco, CA :Center for Asian American Media,
    Sprache: Englisch
    Seiten: 1 online resource (87 minutes) , 012653
    Schlagwort(e): Immigrants ; Young adults Interviews. ; Young adults Attitudes. ; Hong Kong (China) History Transfer of Sovereignty from Great Britain, 1997. ; Canada ; Documentary films.
    Kurzfassung: This multi-layered portrait examines San Francisco filmmaker Ruby Yang's childhood home in its first year of postcolonial existence. In 1997, as the long-anticipated handover of the city from British rule to Chinese authority was about to occur, Yang returned to see the transition for herself. Instead of mirroring mainstream news reporting, Yang intimately explores the everyday lives of the people of Hong Kong, showing how the city's ever changing dynamics and energy shaped them. CITIZEN HONG KONG does this by intimately following five individuals who represent a diverse cross section of Hong Kong youth.
    Anmerkung: Title from resource description page (viewed November 06, 2015). , In English.
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  • 8
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (53 minutes) , 005237
    Schlagwort(e): Nubians History 20th century. ; Nubians Ethnic identity. ; Nuba (African people) Social conditions. ; Nuba (African people) Cultural assimilation. ; Nuba (African people) Civil rights. ; Sudan Ethnic relations. ; Sudan History ; Civil War, 1983-2005. ; Bhutan ; Documentary films.
    Kurzfassung: Ten years after he made Kafi's Story, director Arthur Howes returns to the Sudan to find the members of the Nuba who featured in his earlier documentary film. Soon after he had left the Sudan, the mountain area they had been living in became the battlefield of the civil war that has been destroying much of the Sudan ever since. With a government that is attempting to gain absolute control, the people of Nuba have been persecuted, deported, and deprived of much of their land. Children have been put into camps, many of them brainwashed in the military. Many of their fathers have voluntarily joined the army and are now being forced to fight their own people, as they have not been able to find any other way of making a living. Some of the Nuba people have fled to other countries, such as Ethiopia and Kenya. Groups of women have withdrawn further into the mountains. Howes, who had a great deal of difficulty obtaining a visa for the Sudan, manages to find several of the Nuba men and women he filmed back in the late eighties, and their testimonies are, without exception, revealing. He succeeds in organizing secret screenings of Kafi's Story, which they have never seen before, and the contrast between their lives then and now is shocking. It is rare to hear stories collected from so deeply within a community. Howes gives his personal perspective during much of his commentary.
    Anmerkung: Title from resource description page (viewed June 24, 2016). , In English.
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  • 9
    Online-Ressource
    Online-Ressource
    London :Sky Vision,
    Sprache: Englisch
    Seiten: 1 online resource (50 min.). , 005006
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Egypt ; episode 1
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Antiquities. ; Civilization. ; Egypt Antiquities. ; Egypt Civilization To 332 B.C. ; Egypt History To 332 B.C. ; Egypt. ; North America ; Documentary films.
    Kurzfassung: This documentary by Jeff Morgan is about archaeological research into the early history of Ancient Egypt.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Egypt and Sudan. , Previously released as DVD. , This edition in English.
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  • 10
    Online-Ressource
    Online-Ressource
    Honolulu, HI :Asia Pacific Films,
    Sprache: Singhalesisch
    Seiten: 1 online resource (69 min.). , 010854
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Death Drama. ; Ethnic conflict Drama. ; War and society Drama. ; Canada ; Feature films.
    Kurzfassung: Told against the backdrop of civil war, endemic poverty, and the struggles of everyday life in rural Sri Lanka, Death on a Full Moon Day revolves around the central protagonist, Wannihami, a blind man with a fierce sense of independence. When his son Bandara is killed by a land mine while fighting against Tamil rebels, Wannihami refuses to believe he is dead. Despite being overwhelmed by grief, Bandara's sister and her fiancee try to convince Wannihami to accept his son's death and the compensation payment the government is offering them. Impoverished as they are as a result of the civil war, the money could be used to complete construction of the family house and provide a better life for the family in a time of economic strife. However, even the poor conditions in which Wannihami and his family live cannot convince him to accept the money. Awards/Festivals: Golden Unicorn Best Feature Film Amiens International Film Festival 1999; FIPRESCI Prize Fribourg International Film Festival 1999; Silver Screen Award Best Asian Actor and Nominated Silver Screen Award Best Asian Film Singapore International Film Festival 1999; Thessaloniki International Film Festival 1998; Palm Springs International Film Festival 1999.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sri Lanka. , Previously released as DVD. , This edition in Sinhala with English subtitles.
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  • 11
    Online-Ressource
    Online-Ressource
    Watertown, MA :Documentary Educational Resources (DER),
    Sprache: Englisch
    Seiten: 1 online resource (76 min.). , 011614
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Baïracli-Levy, Juliette de. ; Herbalists Biography. ; Holistic veterinary medicine. ; Animal welfare. ; France ; Documentary films.
    Kurzfassung: Juliette of the Herbs is a beautifully filmed lyrical portrait of the life and work of Juliette de Bairacli Levy: world renowned herbalist, author, breeder of Afghan hounds, friend of the Gypsies, traveller in search of herbal wisdom and the pioneer of holistic veterinary medicine.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 12
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (51 min.).
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Theater and society ; Theater Anthropological aspects ; Theater ; Ireland ; Nonfiction films.
    Kurzfassung: Winner of the (RAI) Basil Wright Film Prize 1998 Ymako Teatri, a theatre company based in Ivory Coast, uses street theatre to question some contemporary West-African problems. Their originality consists in using the ‘invisible theatre’ method in order to surprise the public and thus make it react itself to its own problems. This documentary shows how a local theatre company efficiently uses fiction to problematise today’s African reality. This film presents two performances, one criticises the current proliferation of religious sects, the other deals with the awakening of villagers towards AIDS. Ymako, in Bambara, means 'our concerns'.
    Anmerkung: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in French with English subtitles.
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  • 13
    Online-Ressource
    Online-Ressource
    Watertown, MA :Documentary Educational Resources (DER),
    Sprache: Georgisch
    Seiten: 1 online resource (74 min.). , 011402
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnomusicology ; Folk songs, Georgian ; Georgia (Republic) Social life and customs. ; France ; Documentary films.
    Kurzfassung: The Pshavi people of the eastern mountains of the Republic of Georgia perform a ritual which can be characterized as a syncretism of ancient polytheistic beliefs and Orthodox Christian faith, but which is qualified by city habitants of Tbilisi as pagan. The ritual of Tamar and Lashari celebrates queen Tamar (12-13th century) and her son Lasha, deified by the mountain dwellers.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1991 in Mtskheta-Mitaneti, Republic of Georgia. , Previously released as DVD. , This edition in Georgian and English with English subtitles.
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  • 14
    Online-Ressource
    Online-Ressource
    South Africa :Shadow Films,
    Sprache: Englisch
    Seiten: 1 online resource (53 minutes) , 005204
    Schlagwort(e): Initiation rites ; Mural painting and decoration, Ndebele ; Ndebele (African people) History. ; Ndebele (African people) Social life and customs. ; Ndebele (African people) Rites and ceremonies. ; India ; Documentary films.
    Kurzfassung: Documentary film that explores the art, culture, traditions and history of the Ndebele people of South Africa. Focuses on the initiation rites for both males and females and the Ndebele women's unique but disappearing art of decorative wall painting.
    Anmerkung: Title from resource description page (viewed November 11, 2015). , In English and Ndebele with English subtitles.
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  • 15
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Englisch , Vietnamesisch , Englisch
    Seiten: 1 online resource (57 min.).
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Herbs Therapeutic use. ; Medicinal plants ; Naturopathy. ; Traditional medicine ; Ireland ; Nonfiction films.
    Kurzfassung: A Vietnamese American filmmaker journey's to her native Vietnam to observe and document her great-uncle's folk medicine practices. During her visit, Nguyen observes him treating many patients and making his medicines for tumors, leprosy, and infections. She also talks to his patients, to local doctors and herbalists, battles Vietnamese government censors who are fearful her footage might make them appear backward to the Western world, and ultimately realizes that through her investigation she has unwittingly begun to apprentice.
    Anmerkung: Previously released as DVD. , This edition In English and Vietnamese with English subtitles.
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  • 16
    Online-Ressource
    Online-Ressource
    Honolulu, HI :Asia Pacific Films,
    Sprache: Bengali
    Seiten: 1 online resource (107 min.). , 014640
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Motion pictures ; North America ; Feature films.
    Kurzfassung: In 1947, following the partition of India, Pakistan was formed. In East Pakistan (now Bangladesh), millions of Hindu families were forced to choose between living under Islamic rule, or abandoning the land, which their ancestors had been living in for centuries. Shashikanta Sengupta, a lawyer, refuses to migrate, although he sends his son to study in Calcutta. Together with his daughter, Minoti and his sister, Anuprava Devi, they continue to live in their hometown of Narail, by their beloved River Chitra. However, the riots and demonstrations of the sixties end up changing the course of their lives forever. Festivals: London Film Festival; Oslo International Film Festival; Fribourg International Film Festival; Singapore International Film Festival; Delhi International Film Festival; Kolkata International Film Festival; Trivandrum International Film Festival.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Bangladesh. , Previously released as DVD. , This edition in Bengali with English subtitles.
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  • 17
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (49 min.).
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Marriage customs and rites ; Jambi (Indonesia : Province) Social life and customs. ; Olakkemang (Indonesia) Social life and customs. ; Sumatra (Indonesia) Social life and customs. ; South Africa ; Nonfiction films.
    Kurzfassung: "This film records the preparations for the wedding of two sisters in eastern Sumatra in December 1996. There is an emphasis on the importance of the role of women in the village. Ritual exchanges of textiles and cakes, and a series of purification rituals are shown"--Original container.
    Anmerkung: "For educational use only"--Original container. , Originally produced as a motion picture in 1997. , Previously released as DVD. , This edition in English.
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  • 18
    Online-Ressource
    Online-Ressource
    San Francisco, CA :Center for Asian American Media,
    Sprache: Englisch
    Seiten: 1 online resource (9 minutes) , 000838
    Schlagwort(e): Filipino Americans Drama. ; Italian Americans Drama. ; Racially mixed children Ethnic identity. ; Racially mixed children Family relationships. ; Racially mixed children ; Canada ; Short films.
    Kurzfassung: This short film takes place in San Francisco, 1951, focusing on the experience of a young Filipino American trying to adjust to his predominantly Caucasian workplace. It explores the subtleties of how racism affects members of a multi-ethnic family, most tellingly when a mixed-blood sibling denies his ethnic heritage and 'passes' as an Italian American in order to fit in.
    Anmerkung: Title from resource description page (viewed November 06, 2015). , In English.
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  • 19
    Online-Ressource
    Online-Ressource
    Honolulu, HI :Asia Pacific Films,
    Sprache: Malaiisch
    Seiten: 1 online resource (92 min.). , 013141
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Motion pictures ; North America ; Feature films.
    Kurzfassung: Based on the novel, Juara, by S. Othman Kelantan, Mamat, a Malaysian, works in Southern Thailand as a trainer in bullfighting (a jogho). In this small village, the winnings from the gambling during bull-fights, maintains the village economy. But when a village leader is killed during a bull-fight, Mamat has to uphold the village's honour by taking revenge. But a cycle of violence soon follows. U-Wei bin Haji Saari is the key Malaysian filmmaker preceding the rise of the Malaysian New Wave in 2000. His seminal work was his feature debut, Woman, Wife and Whore (1993). In 1995, his third feature, The Arsonist (1994), became the first Malaysian film to be selected in Cannes. The Champion (Jogho) is his fourth work and his latest feature, Hanyut (2011), based on Joseph Conrad's Almayer's Folly will be released in 2011.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Thailand. , Previously released as DVD. , This edition in Malay with English subtitles.
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  • 20
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Unbestimmte Sprache
    Seiten: 1 online resource (62 min.). , 010137
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology Fieldwork. ; India, South Social life and customs. ; Bhutan ; Nonfiction films.
    Kurzfassung: The documentary, filmed during ethnographic field research, shows three portraits of 'ordinary' personalities - Mala, a young weaver sharing a one-bedroom house with nine siblings; Santa Cruz, once a fishtrader and now a healer and magician; and Muthiah, a videographer of upper class weddings - living in a neighbourhood in Nagercoil, a south Indian town. The aim of the video is to show the persons not as representatives of homogeneous masses, but to acknowledge them as individuals who nurse their own specific worries and strategies in a changing world. The protagonists thus themselves comment about their own lives and actions.
    Anmerkung: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in an undetermined language with English subtitles.
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  • 21
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Portugiesisch
    Seiten: 1 online resource (58 min.).
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Candombleþ (Religion) ; Documentary videos ; São Paulo (Brazil) Religious life and customs. ; South Africa ; Nonfiction films.
    Kurzfassung: In the divine Afro Brazilian cult Candomble is an initiation religion centred around possession. The filmmakers concentrate on children who introduce and guide us to this world. The children play at Candomble. Passing from simulation of the representation, the children touch on the possession dance. Many are eager to be possessed. The film explores what Candomble may offer them.
    Anmerkung: Previously released as DVD. , This edition in Portuguese and English with English subtitles.
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  • 22
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (52 min.). , 005156
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Buddhist nuns ; Documentary films. ; France ; Nonfiction films.
    Kurzfassung: In the Sagaing Hills, 12 miles from the ancient capital of Mandalay are hundreds of pagodas, stupas, monasteries and nunneries which form a focal point of worship for Buddhism in Burma. In 1986 the filmmaker used to live for 15 months as a nun in the Thameikdaw Gaung nunnery. Some years later she is coming back for a visit in order to see what has changed. This is an intimate insight into the daily life of a nunnery as well a portrait of the monastic economy and its interactions with the society.
    Anmerkung: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English and an undetermined language with English subtitles.
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  • 23
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (41 min.). , 004039
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Documentary films ; Migrant labor ; Migrant labor ; Shepherds ; Bhutan ; Nonfiction films.
    Kurzfassung: This film documents a migrant worker's experiences as a herder on a Nevada sheep ranch who then returns to his family in Mexico after a long absence to renew ties and find a job at home. It contains an original Mexican corrido song track and a voice over based on John Berger's 'A Seventh Man.' The film contributes towards understanding the often temporal and circular process of migration, and its impact on social networks and familial relations.
    Anmerkung: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English and Spanish with English subtitles.
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  • 24
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Englisch , Indonesisch (Bahasa Indonesia)
    Seiten: 1 online resource (31 min.).
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Dance ; Ireland ; Nonfiction films.
    Kurzfassung: Once a year a ritual is held in a Javanese village. After a distribution of food, men dance with professional female dancers. Their allegedly sexual ethos makes these 'tayuban' unacceptable as national culture, but the dancing is a gift to the protective spirit in exchange for well-being, and represents community identity.
    Anmerkung: Previously released as DVD. , This edition in English and Indonesian with English subtitles.
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  • 25
    Online-Ressource
    Online-Ressource
    Paris :Ampersand,
    Sprache: Englisch
    Seiten: 1 online resource (51 minutes) , 005053
    Schlagwort(e): Baga (African people) ; Folk music ; Music ; Rites and ceremonies ; Women healers. ; Women ; India ; Documentary films.
    Kurzfassung: In Guinea, traditional music is not a mere hobby but a cultural element cementing the identity of each ethnic group. It was a men's affair, at least until the apparition of an independent female band. The 'Baga Guinee,' a band of ten women aged between 25 and 40, is performing at weddings, baptisms and other ceremonies raising eyebrows in this tradition-laden country.Their rising popularity is a source of problems at home, with husbands and large families complaining about their constant traveling and demanding performance schedule. So how do these Baga women manage to match their traditional family life with the requirements of a musical career?
    Anmerkung: Title from resource description page (viewed October 06, 2015). , In English.
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  • 26
    Online-Ressource
    Online-Ressource
    Watertown, MA :Documentary Educational Resources (DER),
    Sprache: Englisch
    Seiten: 1 online resource (100 min.). , 014029
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Textile Workers' Strike, Southern States, 1934. ; Textile workers Labor unions. ; Textile workers Labor unions ; Strikes and lockouts Textile industry ; Strikes and lockouts Textile industry. ; Textile industry. ; Textile industry ; Southern States. ; France ; Documentary films.
    Kurzfassung: The Uprising of '34 is a startling documentary which tells the story of the General Strike of 1934, a massive but little-known strike by hundreds of thousands of Southern cotton mill workers during the Great Depression. The mill workers' defiant stance — and the remarkable grassroots organizing that led up to it — challenged a system of mill owner control that had shaped life in cotton mill communities for decades. Sixty years after the government brutally suppressed the strike, a dark cloud still hangs over this event, spoken of only in whispers if at all. Through the voices of those on all sides, The Uprising of '34 paints a rare portrait of the dynamics of life in mill communities, offering a penetrating look at class, race, and power in working communities throughout America and inviting the viewer to consider how those issues affect us today. The film raises critical questions about the critical role of history in making democracy work today. A thoughtful exploration of the paternalistic relationship between mill management and its employees, the relationship between black and white workers, and the impact of the New Deal on the lives of working people, The Uprising of '34 is “meant to challenge the myths that Southern workers can't be organized, that they will work for nothing, and that they hate unions,” says Stoney. More than a social document, the film is intended to spark discussion on class, race, economics, and power — issues as vital today as they were 77 years ago. “This is more than a story about a strike; it's a story about community. We went out of our way to make sure that we didn't make a 'which side are you on' film,” says Helfand. “The thrust of this film is to give the workers their chance to speak,” adds Rostock. “We're very proud of the fact that here's a film in which they speak for themselves [with no narrator].
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1995 in South Carolina, Georgia and North Carolina. , Previously released as DVD. , This edition in English.
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  • 27
    Online-Ressource
    Online-Ressource
    Indonesia :Set Film Workshop,
    Sprache: Indonesisch (Bahasa Indonesia)
    Seiten: 1 online resource (123 min.). , 020317
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Feature films. ; Motion pictures, Indonesian. ; Ireland ; Feature films.
    Kurzfassung: Literally translated, the title means 'The Moon Pierced by Wild Grass,' and the film tells the story of the relationship between an aged traditional song teacher named Waluyo, his folk music disciple Ilalang (who has to cope with memories of his abusive father) and the lovely dancer Bulan, who Ilalang has loved for a long time. The feature is set in Solo, where the vestiges of feudal Javanese culture can still be found, and gamelan music is heard throughout. It is an intensely emotional meditation upon the relationship between the generations and the role of music in the search for recovery from a traumatic past and for identity in an uncertain present. Director Garin Nugroho, who has described himself as 'a Javanese living amidst multiculturalism,' and who celebrates Indonesian cultural diversity in such films as A Poet, here explores Javanese culture. He sees this film as 'encompassing at the same time refinement and cruelty, softness and tyranny, and a beauty based on feudalism.' Awards/Festivals: Best Director Award, Nantes International Film Festival. Special Jury Prize at the Nantes Three Continent Film Festival.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Indonesia. , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 28
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (26 min.).
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Matriarchy ; Na (Chinese people) Social life and customs. ; Naxi (Chinese people) ; Ireland ; Nonfiction films.
    Kurzfassung: The Na are an ethnic group in south-east China. Their particularity is that all the members of each household are consanguineous relatives; their social organization is absolutely matrilineal and as incest is prohibited, like elsewhere, their sexual life mainly takes the form of nocturnal visits of men to women.
    Anmerkung: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English.
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  • 29
    Online-Ressource
    Online-Ressource
    San Francisco, CA :Center for Asian American Media,
    Sprache: Englisch
    Seiten: 1 online resource (26 minutes) , 002548
    Schlagwort(e): Muslims Drama. Stereotypes ; Muslims. ; Racism. ; Canada ; Short films.
    Kurzfassung: In the days following the 1995 Oklahoma City bombing, there was a media frenzy pointing fingers at the North American Muslim community. Several weeks later, Oklahoma police arrested Timothy McVeigh, a white American. The cruel irony of that historic moment inspired this offbeat tale of two Muslim American brothers' backyard barbecue mishaps.
    Anmerkung: Title from resource description page (viewed November 06, 2015). , In English.
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  • 30
    Online-Ressource
    Online-Ressource
    San Francisco, CA :Center for Asian American Media,
    Sprache: Englisch
    Seiten: 1 online resource (56 minutes) , 005559
    Schlagwort(e): Ny, Sokly. ; Cambodian Americans ; Cambodians ; High school seniors ; Immigrants ; Refugees ; Canada ; Documentary films.
    Kurzfassung: After escaping the Khmer Rouge in Cambodia, the Ny family became one of thousands of refugees faced with resettlement in the U.S. Their lives unfold through the lens of this stirring video diary. As 18-year-old Sokly Ny (Don Bonus) struggles to graduate from high school, his family is harassed in the housing projects, his eldest brother cannot fill a dead father's shoes and his youngest brother ends up in a youth prison. Sokly shares these experiences, his personal feelings and his hopes as the year progresses. Ultimately, A.K.A DON BONUS becomes a story of triumph and survival from the perspective of one of America’s newest arrivals.
    Anmerkung: Title from resource description page (viewed November 06, 2015). , In English.
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  • 31
    Online-Ressource
    Online-Ressource
    Honolulu, HI :Asia Pacific Films,
    Sprache: Mongolisch
    Seiten: 1 online resource (101 min.). , 014055
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Motion pictures ; Canada ; Feature films.
    Kurzfassung: Adapted from the novel Black Steed by Zhang Chengzhi (who spent four years during the Chinese Cultural Revolution with an Inner Mongolian family), A Mongolian Tale begins with two children being raised by Nai Nai, a wise grandmother, in the peaceful purity of childhood and the Mongolian steppes. Xie Fei's storytelling is simple and resonates with dignity. The spacious, traditional world of the steppe people is an idyllic landscape that seems timeless. Yet this is no fairytale but the story of childhood sweethearts separated by a changing world. Beiyinbulog, a boy whose father has left him to be raised by Nai Nai, has to leave Somiya, her shepherd grandmother's helper, when his father summons him to train in veterinary science in the city. When he returns for her as a folksinger, three years later, he finds her circumstances radically changed. As adults the two find their true destinies and the hand that fate has dealt. How do we redeem our idyllic dreams dashed by realities? Can love and acceptance be found despite betrayal and loss? Beiyinbulog is played by Tengger, a Mongolian-born pop singer and composer who composed the film's haunting, nostalgic score. His songs in the film capture the future for the children of the Mongolian steppes and the virtuous legacy of their homeland - 'the vast and boundless grasslands are the cradle I was reared in.' Awards/Festivals: Best Director, Best Artistic Contribution, Tengger's Music, Montreal World Film Festival; Best Director, Shanghai Film Critics Awards.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Mongolia. , Previously released as DVD. , This edition in Mongolian.
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  • 32
    Online-Ressource
    Online-Ressource
    Honolulu, HI :Asia Pacific Films,
    Sprache: Malaiisch
    Seiten: 1 online resource (67 min.). , 010701
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Motion pictures ; Ireland ; Feature films.
    Kurzfassung: U-Wei Bin Haji Saari based The Arsonist (1995) on William Faulkner's short story Barn Burning, transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His family is isolated from the community, and their life is continually disrupted. They are often reduced to camping out in the open with their goats. His middle son admires his courage, but asks himself if his honor demands him to stop his father from ruining himself and their family. The movie premiered at the Singapore International Film Festival, and went on to be the most honored Malaysian film in history, selected in Cannes, and winning the Grand Prize (Best International Film) at the Brussels Film Festival. Other Festivals: Nominated Silver Lion Best Short Film Venice Film Festival 2004; Los Angeles International Short Film Festival 2004.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaysia. , Previously released as DVD. , This edition in Malay with English subtitles.
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  • 33
    Online-Ressource
    Online-Ressource
    Honolulu, HI :Asia Pacific Films,
    Sprache: Vietnamesisch
    Seiten: 1 online resource (116 min.). , 015621
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Feature films ; North America ; Feature films.
    Kurzfassung: Set in a rice-growing village in Vietnam, this is a tale of crossroads where stories flow together like small rivers of sorrow. 17-year-old Nham has left school to care for his widowed mother, his little sister Minh, and his sister-in-law Ngu. Ngu, whose husband left to work in a coal mine five years ago and has only come home twice for a few days, lives in daily sadness and with a deep longing for him and a complete life. Nham and his family are visited by Quyen, who has come from America to revisit the village where she was raised by her aunt, Nham's relative. Quyen shares her nostalgia for her childhood with Nham as she remembers the places and the life she left before leaving her bad marriage. As Nham befriends her, his sexuality is awakened by her attractive personality and vivacious good looks. Ngu sees this attention being paid to Quyen by Nham and harbors a quiet jealousy. As Nham opens to his sexual feelings, his embarrassment drives him from Quyen but his sexuality is further awakened by innocent comfort given to Ngu. Nostalgia for the Countryside sweeps us through strong emotions as we experience the characters' heartbreaks and sorrows.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vietnam. , Previously released as DVD. , This edition in Vietnamese.
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  • 34
    Online-Ressource
    Online-Ressource
    London :British Broadcasting Corporation (BBC),
    Sprache: Englisch
    Seiten: 1 online resource (52 min.). , 005148
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Diary of a Maasai village ; episode 1
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; North America ; Documentary films.
    Kurzfassung: This documentary, directed by Melissa Llewelyn-Davies, is about cattle and legal issues in a Kenyan Maasai Village.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 35
    Online-Ressource
    Online-Ressource
    London :British Broadcasting Corporation (BBC),
    Sprache: Englisch
    Seiten: 1 online resource (50 min.). , 005013
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Diary of a Maasai village ; episode 4
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Kurzfassung: This documentary, directed by Melissa Llewelyn-Davies, is about the journeys of two wives to villages in the Maasai region of Kenya.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 36
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Privately Published,
    Sprache: Englisch
    Seiten: 1 online resource (8 minutes) , 000733
    Schlagwort(e): Demonology ; Religion ; Rites and ceremonies ; Sri Lanka Social life and customs. ; Sri Lanka. ; Canada ; Documentary films.
    Kurzfassung: This film, written and filmed by Barrie Machin, is about Mahasona, the Great Cemetary Demon of southwestern Sri Lanka.
    Anmerkung: Title from resource description page (viewed October 06, 2015). , In English.
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  • 37
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (56 min.).
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Hook, Hilary. ; Soldiers Biography. ; Soldiers Conduct of life. ; France ; Nonfiction films.
    Kurzfassung: An unsentimental, sometimes painful and sometimes humorous portrait of Colonel Hilary Hook, an old British soldier and former professional hunter, forced to retire from his country home in the Kenyan hills to live in a small semi- detached cottage in an English village. Colonel Hook's dilemma suggests something of the legacy of colonialism, in which the 'civilisers' have become anachronisms.
    Anmerkung: Previously released as DVD. , This edition in English.
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  • 38
    Online-Ressource
    Online-Ressource
    London :British Broadcasting Corporation (BBC),
    Sprache: Englisch
    Seiten: 1 online resource (49 min.). , 004921
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Diary of a Maasai village ; episode 3
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Kurzfassung: This documentary, directed by Melissa Llewelyn-Davies, is about gender relationships in a Kenyan Maasai village.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 39
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Privately Published,
    Sprache: Griechisch
    Seiten: 1 online resource (10 minutes) , 000953
    Schlagwort(e): Agricultural laborers ; Agriculture ; Crete (Greece) ; Asia ; Documentary films.
    Kurzfassung: This video, filmed by Barrie Machin, is about threshing in Western Crete.
    Anmerkung: Title from resource description page (viewed November 11, 2015). , In Greek.
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  • 40
    Online-Ressource
    Online-Ressource
    London :British Broadcasting Corporation (BBC),
    Sprache: Englisch
    Seiten: 1 online resource (47 min.). , 004715
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Diary of a Maasai village ; episode 5
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; North America ; Documentary films.
    Kurzfassung: This documentary, directed by Melissa Llewelyn-Davies, is about a ceremony called the 'ox of ilbaa' which takes place in a Kenyan Maasai village.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 41
    Online-Ressource
    Online-Ressource
    London :British Broadcasting Corporation (BBC),
    Sprache: Englisch
    Seiten: 1 online resource (52 min.). , 005219
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Diary of a Maasai village ; episode 2
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Kurzfassung: This documentary, directed by Melissa Llewelyn-Davies, is about stealing goats and making reparation in a Kenyan Maasai village.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 42
    Online-Ressource
    Online-Ressource
    San Francisco, CA :Center for Asian American Media,
    Sprache: Englisch
    Seiten: 1 online resource (27 minutes) , 002643
    Schlagwort(e): Asian American women Biography. ; Asian American women Education. ; Asian American women Employment. ; Asian American women. ; Canada ; Documentary films.
    Kurzfassung: A compelling mosaic of oral histories and historical footage of Japanese, Chinese, Korean, Filipino and Laotian women featuring their journey to the U.S. and their unique immigrant stories.
    Anmerkung: Title from resource description page (viewed November 06, 2015). , In Chinese, Japanese, and English with English subtitles.
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  • 43
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (109 min.).
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Dance ; Islamic shrines ; Music ; Herat (Afghanistan : Province) Social life and customs. ; Herat (Afghanistan) ; France ; Nonfiction films.
    Kurzfassung: Three films, directed by John Baily, about culture in Herat.
    Beschreibung / Inhaltsverzeichnis: I. The city of Herat -- II. The annual cycle of music in Herat -- III. The shrines of Herat.
    Anmerkung: Field recordings made on 8 mm. film by John Baily between 1973 and 1977. , Title from original cassette label. , Previously released as DVD. , This edition in English.
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  • 44
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Kasachisch
    Seiten: 1 online resource (55 min.). , 005500
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Kazakhs ; North America ; Documentary films.
    Kurzfassung: The Kazakhs of Xinjiang (Sinkiang) are one of the fifty-five national minorities that now live within the borders of the People's Republic of China. The policy of the Chinese Communist Party toward these people has been one of Sinofication, a neutralization of 'reactionary' local leaders and an alliance of Han Chinese with the indigenous culture. Xinjiang is a particularly sensitive area for the Chinese because of the traditional ties of the Kazakh with the Soviet Union. In 1962, some 50,000 Kazakhs and other non-Han peoples sought refuge in the Kazakh Soviet Socialist Republic. Since then, the Sino-Soviet border has been closed, and until recently the entire area was off-limits to non-Chinese outsiders. This film offers unique ethnographic material about the Kazakh, as well as about Chinese policies in the years following the Cultural Revolution. The film follows the movement of the family of Abdul Gair, illustrated the cycles and tensions of present day Kazakhs, mixes detail of their traditional life as herders with suggestion of the effect of Chinese rule. The Chinese government allowed the filmmakers freedom to choose the subjects and people for the interviews and action sequences. Because of this, the film expresses, to a great extent, the view of the filmmaker, not of the Chinese government. Against a background of the Tienshan Mountains, the Kazakhs are shown branding yaks, milking mares, drinking kumis (fermented mare's milk), making their yearly move from winter to summer quarters, and setting up their felt-covered summer tents. Then, through the trip of Ahmed the production team leader to the brigade headquarters, the film portrays the relations between Kazakh and Han, showing the brigade's authority. Rather than livestock, formerly a mark of wealth being owned for individual profit, production and gain is now controlled by the brigade leaders. Women are given more freedom within the community. Kazakh children now have an opportunity for education in the Kazakh language, but the teaching is largely Party doctrine; they have health care, but this again is Chinese. Yet, despite pre-1977 restrictions on local religion and nomadic culture, and although Abdul Gair is himself a Party member, the Chinese do not, as yet, control the Kazakh. The Kazakh have retained their horses, not only as wealth, but as a means of freedom. Here, as in other cultures where a strong centralized government controls a minority, the continued cultural independence of the Kazakh is an open question. The Chinese policy is currently to move as many Han as possible from the overcrowded central areas of China to the less populated border areas such as Xinjiang. This film gives an understanding, not only of a Kazakh society, but also insights into current change, of the conflicts of domination and independence.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China. , Previously released as DVD. , This edition in Kazakh and English with English subtitles.
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  • 45
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Privately Published,
    Sprache: Englisch
    Seiten: 1 online resource (80 minutes) , 011919
    Schlagwort(e): Demonology ; Exorcism ; Healing ; Sri Lankans Medicine. ; Sri Lanka Social life and customs. ; Sri Lanka. ; Canada ; Documentary films.
    Kurzfassung: This film, written and filmed by Barrie Machin, is about the beliefs of villagers in southwestern Sri Lanka in demonic possession causing illness and suffering. It shows the Iramudun and the Mahasona rituals being performed.
    Anmerkung: Title from resource description page (viewed October 06, 2015). , In English.
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  • 46
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Französisch
    Seiten: 1 online resource (48 min.). , 004824
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Griaule, Marcel, ; Dogon (African people) ; Ethnology History. ; Ireland ; Nonfiction films.
    Kurzfassung: This film tells with verve and a touch of self-irony the history of research on the Dogon since the famous 1931 expedition of Marcel Griaule. The film establishes the original expedition in the context of French anthropology at the time. Jean Rouch, celebrated filmmaker and less known as an anthropologist on the Dogon, narrates part of the story, and interviews Dogon elders and veteran expedition-member, Germaine Dieterlen.
    Anmerkung: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French and English.
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  • 47
    Online-Ressource
    Online-Ressource
    Watertown, MA :Documentary Educational Resources (DER),
    Sprache: Englisch
    Seiten: 1 online resource (80 min.). , 012001
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ecology. ; Sewage. ; Water Pollution. ; Water Pollution ; Water-supply engineering Environmental aspects. ; Water-supply ; United States. ; France ; Documentary films.
    Kurzfassung: From the cholera epidemics of the nineteenth century to the climbing cancer rate of our time; from the colossal scale of New York City's aqueduct and water tunnels to the water wars of the West; from the dangers of chemical contamination to the water politics of Polanski's film Chinatown, Water and the Dream of the Engineers explores both the engineers' dreams for, and public fears about, the world we have inherited. This is a fascinating documentary where rich social history frames a spirited debate between David Brower (former Sierra Club President), biologist Barry Commoner, and Able Wolman (dean of American Sanitary Engineering). The film's wider context is provided by the frustrations and concerns of those who maintain and use our water systems in the present day. The film is an educational odyssey about engineering, environmentalism, and the troubled relations between these two traditions. Most importantly, Water and the Dream of the Engineers reveals that conflicts over technology and the environment are, at root, debates about power and the promise of democracy.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1983 in New York City, New Orleans and California. , Previously released as DVD. , This edition in English.
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  • 48
    Online-Ressource
    Online-Ressource
    London, England :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (54 min.) , 005317
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Families ; Quality of life ; Social history. ; China Social conditions 1976-2000. ; Canada ; Documentary films.
    Kurzfassung: Through the words and lives of two families, the first of these companion films, made for Granada Television's Disappearing World series, examines change in two villages of southern China near Wuxi. One of these families, the Dings, are obviously influential members of the community and the parents have lived in the area of what is now called Big Ding Village all their lives. The other family, the Jues, live in a more traditional and rural Wong Jong Commune. Constantly the film compares life for these families before and after the Communist Revolution in 1949. Mrs Ding remembers her bitter childhood, the near infanticide of her fifth sister because as a girl the baby could only be a burden to the already over-extended family. Both the Dings and the Jues discuss the brutality of the Japanese, how the Japanese stole crops, how Mrs Ding's father hid her in the woodpile to save her from rape and possible murder by Japanese soldiers. The families recount their initial fear of the Communist Army, then their growing excitement for the ideals of the Party after the Revolution. They discuss the factions and fear of the Cultural Revolution, and the one Ding son who joined the Red Guards remembers his excitement on seeing Mao. He doesn't discuss the violence he may have helped create during these months as a Red Guard, although Mrs Ding hints at the dangers of giving any criticism of government policy during that period. More intimate revelations broadcast over national television could have been dangerous for the interviewees; the film-makers are to be commended for their portrayal, creating a picture of the individual in China while at the same time protecting that individual's privacy.The historical perspective sets the stage for the current prosperity of the villages and the families. The film-makers make clear that Wuxi, an area where prosperity and the success of the new economic policies after the Cultural Revolution are evident, was the Chinese government's choice not theirs, yet within that confine, they were given complete freedom in their filming. Individual memories compare a past of hunger and want, with present material consumption, a bride's dowry valued at 700 yuan, and new homes. The rights of women have improved: Mrs Ding is a Production Team Leader and a silkworm expert, while Mrs Jue makes money by working the family's alloted land. The interactions within each family are clearly drawn, and by the end of the film, we feel a closeness with these families, for all they have known and for the hope they have for their future.
    Anmerkung: Title from resource description page (viewed October 28, 2014). , Previously released as DVD. , In English.
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  • 49
    Online-Ressource
    Online-Ressource
    Watertown, MA :Documentary Educational Resources (DER),
    Sprache: Englisch
    Seiten: 1 online resource (63 min.). , 010255
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Public housing ; Public housing Social aspects. ; Public housing. ; Massachusetts ; France ; Documentary films.
    Kurzfassung: Down The Project ... From the Project: The Crisis of Public Housing presents the story of two projects that housed working families, both white and black, in the 1940s. In later years, crippled by lower budgets and the needs of poorer populations, they came to be regarded as eyesores, as danger zones. How did these changes occur? How did public housing begin? Which forces lobbied for it and against it? How do the people living in this housing see it?
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1982 in Boston, MA. , Previously released as DVD. , This edition in English.
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  • 50
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (57 min.). , 005704
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Kwegu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Kurzfassung: 'The Kwegu' is an entirely tasteful and dignified presentation of the harsh realities of subsistence living, and it may help us understand how, even in stateless societies, dominated groups come to accept their domination as part of the natural order. The Kwegu are hunters and cultivators who live along the banks of the River Omo in Southwestern Ethiopia. They are experts on the river, manipulating their dugout canoes through a swift current where falling overboard could mean delivery into the jaws of a crocodile. The Mursi are cattle herders and cultivators who live with the Kwegu for several months of the year. This film is about the relationship between these two groups of people. The Mursi number about 5,000 and the Kwegu about 500. Both groups cultivate flood land along the Omo during the dry season, when the Mursi may also bring their cattle to the river. But the Kwegu keep themselves separate from the Mursi; they speak their own language among themselves, although they are bilingual and communicate with the Mursi only in Mursi. When the Mursi and Kwegu share a village, the Kwegu houses usually form a separate cluster. When a Kwegu marries, a vital part of the bridewealth is livestock. But since the Kwegu do not keep cattle, a system of exchange has developed whereby the Kwegu perform services in exchange for Mursi cattle. In addition to providing bridewealth cattle, the Mursi patron protects 'his' Kwegu from other Mursi and acts on his behalf in bridewealth negotiations. In return the Kwegu provides his patron with honey and game meat and is available to ferry him and his family across the Omo when needed. This is a vital economic service, since the Mursi cultivate on both banks of the river and yet do not, unlike the Kwegu, live at the Omo all the year round. The Kwegu are therefore 'guardians' of the canoes as well as ferrymen. There is some debate about the nature of the Mursi-Kwegu relationship. The anthropologist advisor for the film, David Turton, sees the relationship as one of domination. The Mursi depend economically on the Kwegu more than the Kwegu do on them, and yet the Kwegu see themselves as dependent, in a different, more extreme sense, on the Mursi they cannot marry without the aid of Mursi patron. The Mursi exploit the economic services of the Kwegu through their control of Kwegu marriage. Jean Lydall, in her review of the film in RAIN (June 1982), suggests another interpretation for the exchange of services. She wonders if indeed the Kwegu are not making the Mursi 'pay through the nose' for the services they require. This film suggests that far from being second-class citizens, the Kwegu are sharp manipulators who have acquired protection and material wealth by making their services indispensable to the Mursi. Turton defended his interpretation in a reply to Lydall (RAIN, No. 51, pp. 10–12) and has more recently provided a more detailed description and analysis of the Mursi-Kwegu relationship, following the same argument as developed in the film but including much additional ethnographic information (Turton, 1986). The Kwegu won the Grand Prix du Festival at the Festival International du Film de Grand Reportage in Paris. This film is the second part of a trilogy, In Search of Cool Ground. The film is particularly recommended for courses in anthropology, African studies, patron–client relationships, ethnicity and multi-cultural studies.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 51
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (58 min.). , 005743
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ashanti (African people) Economic conditions. ; Ashanti (African people) Social life and customs. ; Women merchants ; Women, Ashanti (African people) ; Ireland ; Documentary films.
    Kurzfassung: As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this 'Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. The success of this crew is impressive. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, their perception of their society and also about marriage. The women control the market through Queen Mothers who are leaders of particular sections of the market such as the yam or tomato sections. Generally these Queen Mothers are elected by the traders. However, Oba, the Plantain Queen Mother acquired her position through influence and because of this she has less control over her workers and over the resolution of differences. Market traders work long hours, make less than a shoe clerk or office worker yet the rewards for them can be many. The residual matrilineal system of Asante society means that inheritance moves from a man to his sister's children. The result is that an Asante woman is left with no means of support if her husband dies. The traders have gone to work to protect themselves against this possibility, to pay for their children's education and to maintain their independence. Implicit in this analysis of women traders is the relationship between men and women in Asante society. Marriage is polygamous and the crew interview women about their feelings on marriage and of their hopes of coming marriages. The film portrays the influence women have in the market as a direct contrast to their position in the home. Interviews with several husbands reveal, perhaps not surprisingly, that their perception of women differs from the women's perception of themselves. The men talk of the importance of having two wives, one to serve when the other is tired; one to grant sexual favours while the other is menstruating; each to compete with the other for male attention thus allowing the husband to retain control. Although the men accept a woman earning extra money, they still say a woman should be submissive and serve men. The women regard themselves as assertive, capable, and in control. Interviews with two young women demonstrate a desire for equality in the home. The film's analysis is a sympathetic one and full of insight. The focus is, though, rather narrowly on the husband-wife relationship and women's important relationships with their female and male kin are given little attention.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kumasi, Ghana. , Previously released as DVD. , This edition in English and Akan with English subtitles.
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  • 52
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Zande
    Seiten: 1 online resource (53 min.). , 005243
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Witchcraft ; Witchcraft. ; Zande (African people) Religion. ; Sudan. ; Canada ; Documentary films.
    Kurzfassung: 'Witchcraft among the Azande' is suitable for showing in undergraduate and graduate classes on topics of religion, philosophy, and African ethnography. It could also be stimulating to discussions of psychology and medicine. The success of the Granada series on public television in England indicates its appeal to a much wider audience as well. P. Leis Evans-Pritchard's book Witchcraft, Oracles and Magic among the Azande has become a classic of both ethnography and theories of witchcraft. Now, anthropologist John Ryle and film-maker André Singer, who was himself one of Evans-Pritchard's students and has published on the Azande, have teamed together to produce the film Witchcraft among the Azande for Granada Television's Disappearing World series. Singer wanted to learn for himself the accuracy of Evans-Pritchard's analysis and to note the changes since the original fieldwork carried out between 1926 and 1930. Among the Azande, witchcraft is considered to be a major danger. They believe that witchcraft can be inherited and that a person can be a witch, causing others harm, without realising her or his influence. Because of this danger, effective means of diagnosing witchcraft are, for them, vital. One method is through the use of an oracle. Several kinds of oracles are explored in the film, the most important being benge, a poison which is fed to baby chickens. The chick's death or survival provides the oracle's answer. Azande also use benge to judge other evidence in a court before a chief. Anthropologists have long argued about the nature and significance of beliefs in witchcraft and sorcery and, more generally, about the similarities and differences between 'traditional' thought and Western science. This film treads a delicate path, exploring an explanation of reality incomprehensible to a majority of Westerners and, at the same time, trying to portray the Azande as a clear-thinking, and almost familiar group of people. In this aim the film succeeds by creating a tension whereby the oracle's answers are important to the viewers because they have become involved and are forming their own opinions about the guilt or innocence of the defendants. Zande is not a static society and much has changed since Evans-Pritchard's original fieldwork. The area filmed is influenced by Catholicism; people are Christian, but the church cannot give answers to many of the questions of the Azande people. The older people see their children abandoning traditional moral and other values. For this schism, the older people seem to blame the government more than the church as the church teaches a value system consonant with the traditional one. Yet, alongside the Christian influence and changes among the younger generation, the power of beliefs in witchcraft and oracles remains. If Singer wanted to give support to Evans-Pritchard's ethnography, he has done so with Witchcraft among the Azande.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in North Central Africa. , Previously released as DVD. , This edition in Zande and English with English subtitles.
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  • 53
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (53 min.). , 005309
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Refugees ; Afghanistan Exiles. ; Afghanistan History Soviet occupation, 1979-1989. ; Ireland ; Documentary films.
    Kurzfassung: This documentary by Akbar Ahmed and Andre Singer is about the Soviet Invasion of Afghanistan and tribal groups in the area.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 54
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (39 min.). , 003852
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Afghans ; Ethnology ; Pushtuns Social life and customs. ; Refugees ; Pakistan Social life and customs. ; North America ; Documentary films.
    Kurzfassung: There are twelve million Pathans. Bound by a common language, a common heritage and the unifying force of Islam, these proud and independent people do not acknowledge the geographical boundary which divides them between Afghanistan and Pakistan. This film was shot at the same time as Khyber in Pakistan, close to the Afghan border. The Pathans accept no imposed leadership, from without or from within. Their laws are the decisions of the democratic assembly of the village, known as the jirga. To disobey the jirga is to court heavy penalties against which there is no appeal. Their code of living is called pukhtunwali ­ the way of the Pathan. At its core are the principles of hospitality, personal honour and revenge. A man will fight to the death to avenge a wrong done to himself, his family or friends or, above all, his women. The film is noteworthy for the way in which it brings out the importance of these values. Their fierce loyalty, coupled with the independence of spirit which tolerates no formal leaders, makes the Pathans a formidable enemy, as the British once found out and, more recently, the Soviet invaders of Afghanistan have discovered.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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