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  • 2005-2009  (8)
  • ebrary, Inc
  • General works  (8)
Material
Language
Years
Year
  • 1
    ISBN: 9781845208141 , 1845208145 , 9781845208134 , 1845208137
    Language: English
    Pages: VII, 190 S.
    Edition: English ed., 1. publ.
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2011 Online-Ressource ebrary online Electronic reproduction; Available via World Wide Web
    Edition: [S.l.] Ebrary Berg new media series
    Parallel Title: Druckausg. Green, Nicola, 1969 - Mobile communications
    DDC: 302.231
    RVK:
    Keywords: Wireless Internet Social aspects ; Mobile communication systems Social aspects ; Cellular telephones Social aspects ; Wireless Internet Social aspects ; Mobile communication systems Social aspects ; Cell phones Social aspects ; Mobile Telekommunikation ; Soziologie ; Handy ; Kommunikation ; Neue Medien ; Kommunikation
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
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  • 2
    ISBN: 9783110209242
    Language: English
    Pages: Online-Ressource (vi, 122 p) , 24 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Series Statement: Communications monograph 6
    Parallel Title: Print version The Social Embeddedness of Media Use : Action Theoretical Contributions to the Study of TV Use in Everyday Life
    DDC: 302.23/45085
    RVK:
    Keywords: Television broadcasting Social aspects ; Television Social aspects ; Mass media Social aspects ; Television and families ; Communication Research Television News Viewing ; Familie ; Fernsehen ; Medienkonsum ; Alltag
    Abstract: Scholars in the field of communication research have extensively studied television viewing in general and watching television news in particular. The book looks at the subject from an integrative theoretical perspective. Based on Schutzean sociology and action theoretical approaches to media use, the author argues that immediate social influences and other everyday life situations largely determine television use, and that the influence of short-term situational characteristics are often overlooked in person-centered explanatory models. In three empirical studies, the role of short-term situations and the influence of immediate social surroundings is analyzed. The use of Discrete Time Event History Analysis is an innovative way to look at household diary data. Findings reveal how family members influence each other in many ways. Watching television turns out to be an integral part of everyday life in the family, but also a force that may reduce family interaction. It is shown that television may serve as a surrogate for those family members that are not present, and that family members while present at home follow each others example. Partners are shown to mimic each other, children to mimic their parents, and parents follow the example set by their children. Television news viewing, in contrast to general television viewing is less determined by the immediate influence of others. Also, the individual motivations for news viewing vary throughout the day. First exposure to television news appears to be motivated by other factors than subsequent exposure. A need for 'surveillance' dominates first exposure, but subsequent exposure appears to be governed by other, more 'ritualistic' motivations. The book is important to scholars, graduate-level students and practitioners who are concerned with theoretical and methodological insights in the phenomenon of television viewing in everyday life.
    Description / Table of Contents: Frontmatter ; Contents; Chapter 1. The social embeddedness of media use: An introduction; Chapter 2. Transcending Uses and Gratifications: Media use as social action and the use of event history analysis; Chapter 3. The situational and time-varying context of routines in television viewing; Chapter 4. Watching television news in everyday life: An event history analysis; Chapter 5. The social character of parental and adolescent television viewing; Chapter 6. On the use of an action theoretical approach to television (news) viewing; Backmatter
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Malden, MA : Blackwell Pub
    ISBN: 1405160640 , 1405160659 , 0470696540 , 9781405160643 , 9781405160650 , 9780470696545
    Language: English
    Pages: Online-Ressource (xxiv, 222 p) , 24 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Culture-on-Demand : Communication in a Crisis World
    DDC: 302.2
    RVK:
    Keywords: Communication and culture ; Globalization ; Communication, International ; Kommunikation ; Globalisierung
    Abstract: Film, video, music, TV, the internet - these are now the global channels for experiencing cultural activity on-demand. At the same time, intense cultural conflicts have thrown the world into chaos. Religious fundamentalism, nationalism, militarism, and globalization continue to provoke widespread violence and unrest. This highly original, thought-provoking book - written by a pioneer of communication studies - is the first to analyze the post 9/11 world in terms of global media and popular culture. From an evolutionary perspective, Lull argues that we need to harness the influence of information and personal communications technologies, mass media, and the culture industries to understand where our precarious world is headed and how we will get there
    Abstract: This highly original, thought-provoking book - written by a pioneer of communication studies - is the first to analyze the post 9/11 world in terms of global media and popular culture. Written in an engaging and candid manner by a leading expert in this field Argues that cross-cultural understanding can only be achieved by harnessing the power of global media, popular culture, information technology, and personal communications technologies Examines the global trend of using film, video, music, and TV "on-demand" as the framework through which we experience all cultural activity Draws inspirat
    Description / Table of Contents: Contents; Figures; Acknowledgments; Introduction; Chapter 1: All Eyes on the Global Stage; Chapter 2: Human Expression; Chapter 3: Programming Our Personal Supercultures; Chapter 4: The Push and Pull of Culture; Chapter 5: Globalized Islam; Chapter 6: Cultural Transparency; Chapter 7: The Open Spaces of Global Communication; Chapter 8: Fundamentalism and Cosmopolitanism; Chapter 9: Communicating the Future; References; Index
    Note: Includes bibliographical references (p. [207]-218) and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Malden, MA : Blackwell Pub
    ISBN: 140516154X , 1405161558 , 0470692464 , 1281069582 , 9781405161541 , 9781405161558 , 9780470692462 , 9781281069580
    Language: English
    Pages: Online-Ressource (xiv, 199 p) , 23 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version The Small Screen : How Television Equips Us to Live in the Information Age
    DDC: 302.23/45
    RVK:
    Keywords: Television broadcasting Social aspects
    Abstract: Television is one of the most important socializing forces in contemporary culture. This book is a cultural history of prime-time television in America during the 1990s. Documenting a period when televisions underwent several dramatic changes, this book examines TV as a tool that helped viewers come to terms with the new, fast paced information age
    Abstract: Television is one of the most important socializing forces in contemporary culture. This book is a cultural history of prime-time television in America during the 1990s. Examines changes that took place in programming, such as the rapid adoption of cable, the proliferation of content providers, the development of niche marketing, the introduction of high-definition television, the blurring of traditional genres, and the creation of new formats like reality-based programming Argues that television programmes of the 1990s afforded viewers a symbolic resource for negotiating the psychological cha
    Description / Table of Contents: The Small Screen : How Television Equips Us to Live in the Information Age; Contents; Preface; 1 Television and Social Change; The Times They Are a-Changin'; Television as Public Discourse; 2 Life in the Information Age; The Information Explosion; Society through the Lens of Technocapitalism; Social Anxieties in the Information Age; 3 Hyperconscious Television; Embracing 'the Future': The Attitude of Yes; The Simpsons as Exemplar; Symbolic Equipments in Hyperconscious TV; 4 Nostalgia Television; Celebrating 'the Past': The Attitude of No; Dr. Quinn, Medicine Woman as Exemplar
    Description / Table of Contents: Symbolic Equipments in Nostalgia TV5 Television and the Future; (Re)Viewing the Small Screen; Life and Television in the Twenty-First Century; The Next Great Paradigm Shift?; References; Index
    Note: Includes bibliographical references (p. [172]-188) and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Berlin : Mouton de Gruyter
    ISBN: 311019046X , 9783110897753 , 9783110190465
    Language: English
    Pages: Online-Ressource (xi, 306 p) , ill
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: Approaches to applied semiotics 5
    DDC: 302.2
    RVK:
    Keywords: Game theory ; Semiotics ; Communication and culture ; semiotics Communication studies ; game theory ; Electronic books ; Semiotik ; Kultur ; Spieltheorie
    Abstract: Main description: This study is a groundbreaking application of game theory to the semiotics of culture and communication. It shows that culture and communication are not merely means of integrating social actors, but primarily ways of distinguishing individuals who interact both competitively and cooperatively within society. Provocatively using the Darwinian idea of sexual selection, the author demonstrates how game theory enhances the semiotic understanding of culture and communication.
    Abstract: Biographical note: Eduardo Neiva, University of Alabama, Birmingham, USA.
    Abstract: Review text: Over the past twenty years the insights of semiotics have inspired and guided research across the whole spectrum of the humanities - from anthropology to queer theory, from literary history to film studies, from philosophy to art history. Yet with time the imbalances and fault lines within the original core of semiotic theory have also emerged, or half emerged. Neiva names and defines a set of problems that semiotics must finally resolve - before the whole engine runs out of steam. A daring, inventive, passionately original book, this is essential reading for everyone concerned with culture, signs, meanings, subjects. Norman Bryson Blending social history with evolutionary biology, Eduardo Neiva shows how sexual selection impacts cultural practice through complex communicative exchange. Debunking conventional explanations of cultural development, the author employs a massive body of evidence ranging from the bloody battlegrounds of ancient conflict to the technologically-driven terrain of contemporary life to fashion an intriguing argument. James Lull, San Jose State University
    Note: Includes bibliographical references (p. [265]-296) and index , Electronic reproduction; Available via World Wide Web
    URL: Cover
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  • 6
    Online Resource
    Online Resource
    Malden, MA : Blackwell Pub
    ISBN: 1405116064 , 1405116072 , 0470774908 , 1405153164 , 1281214647 , 9781405116060 , 9781405116077 , 9780470774908 , 9781405153164 , 9781281214645
    Language: English
    Pages: Online-Ressource (vii, 293 p) , 24 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Byerly, Carolyn M Women and media
    DDC: 302.23082
    RVK:
    Keywords: Mass media and women ; Women in mass media ; Women in the mass media industry
    Abstract: "Women and Media" is a thoughtful cross-cultural examination of the ways in which women have worked inside and outside mainstream media organizations since the 1970s. The book provides an overview of the key issues and developments in feminist media critiques and interventions over the last 30 years, beginning with the extant literature in this growing field and ending with a new study of women's media activism in 20 nations. The authors recount and analyze the first-hand narratives of nearly 100 women media activists whose work has contributed to the making of a feminist public sphere that has moved women leaders and agendas more forcefully into their societies. This highly original empirical base, and the Model of Women's Media Action that the authors developed from it, provides a unique account of women's struggles to improve, create, and otherwise employ media in pushing for social change. The text is written in a concise, engaging style, laying out the central concerns about the women - media relationship as it has operated in a variety of political/critical contexts. It can be used alongside "Women and Media: International Perspectives" (2004), by the same authors
    Description / Table of Contents: IntroductionPt. 1.Research on Women and Media: A Short HistoryWomen in/as EntertainmentImages of Women in News and MagazinesWomen as AudienceWomen and Production: Gender and the Political Economy of Media IndustriesPt. 2.Women, Media, and the Public Sphere: Shifting the AgendaToward a Model of Women's Media ActionFirst Path: Politics to MediaSecond Path: Media Profession to PoliticsThird Path: Advocate Change AgentFourth Path: Women's Media EnterprisesConclusionBibliographyAppendix:Research Participants.
    Note: Includes bibliographical references (p. [240]-272) and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    ISBN: 3110173530 , 9783110173536
    Language: German
    Pages: Online-Ressource (x, 486 p) , ill
    Edition: 3., völlig neu bearbeitete Aufl
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: De Gruyter Studienbuch
    DDC: 302.23
    RVK:
    RVK:
    RVK:
    Keywords: Mass media and language ; German language Discourse analysis
    Abstract: Biographical note: Harald Burger ist Ordinarius für Germanistische Linguistik an der Universität Zürich.
    Abstract: Review text: ""Die ›Mediensprache‹ wirkt gereift und reif - einfach ein stilles Buch, in der dritten Auflage seit 1984 am Ziel."Danie Perrin in: Publizistik 4/2006
    Abstract: Main description: Das Buch bietet eine umfassende Einführung in den aktuellen Stand der Medienlinguistik. So werden einerseits grundlegende kommunikationstheoretische Begriffe der Medienlinguistik vorgestellt ("Autor", "Medientext", "Intertextualität" usw.), andererseits werden - nach einem kurzen historischen Rückblick - die wichtigsten sprachlichen Phänomene in den heutigen deutschsprachigen Massenmedien Presse, Radio und Fernsehen an aktuellem Beispielmaterial beschrieben (Mündlichkeit und Schriftlichkeit, das sprachliche Profil des "Moderators", mediale Textsorten, insbesondere Nachrichten und ihre narratologischen Aspekte, Standardsprache und Dialekte etc.). Dabei ist auch das Verhältnis der Sprache zu anderen Zeichensystemen (Bilder, Geräusche) zu berücksichtigen. Ein Ausblick auf die "neuen" Medien skizziert, wie "neue" und "alte" Medien sich zueinander verhalten. Das Buch stellt eine umfassende Neubearbeitung und Weiterführung der zweiten Auflage des Göschen-Bandes "Sprache der Massenmedien" (1990) dar. Pluspunkte Umfassende Einführung in die moderne Medienlinguistik und ihre Terminologie Berücksichtigt alle heutigen Massenmedien (TV, Radio, Internet, Presse) Bezieht aktuelle kommunikations- und zeichentheoretische Modelle ein Grundlegend für Seminare und Selbststudium
    Abstract: Main description: The book provides a comprehensive introduction to the current status of media linguistics. The basic communication-theoretical concepts of media linguistics are introduced and, following a brief historical review, the most important linguistic phenomena of today's German-language mass media are described using current sample material, while taking the relationship of language to other systems of signs into account. Key Features Comprehensive introduction to the main aspects of German language history Compiled on the basis of historical text corpora Easy to understand through transcriptions of all historical examples of word usage A fundamental work in preparation for courses, study and exams
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Cover
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  • 8
    Online Resource
    Online Resource
    Amsterdam : Amsterdam Univ. Press
    ISBN: 9053567720 , 9053567739 , 9789048505456
    Language: English
    Pages: Online-Ressource (490 p) , ill
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Series Statement: Film culture in transition
    Parallel Title: Print version Hitchcock's Motifs
    RVK:
    Keywords: Hitchcock, Alfred Themes, motives ; Motion pictures Biography ; Film, TV & radio ; Individual film directors, film-makers ; Electronic book ; Hitchcock, Alfred 1899-1980 ; Film ; Motiv
    Abstract: Among the abundant Alfred Hitchcock literature, Hitchcock's Motifs has found a fresh angle. Starting from recurring objects, settings, character-types and events, Michael Walker tracks some forty motifs, themes and clusters across the whole of Hitchcock's oeuvre, including not only all his 52 extant feature films but also representative episodes from his TV series. Connections and deeper inflections that Hitchcock fans may have long sensed or suspected can now be seen for what they are: an intricately spun web of cross-references which gives this unique artist's work the depth, consistency and resonance that justifies Hitchcock's place as probably the best know film director ever. The title, the first book-length study of the subject, can be used as a mini-encyclopaedia of Hitchcock's motifs, but the individual entries also give full attention to the wider social contexts, hidden sources and the sometimes unconscious meanings present in the work and solidly linking it to its time and place
    Description / Table of Contents: Table of Contents; Acknowledgements; Introduction; Part I Hitchcock, Motifs and Melodrama; Part II The Key Motifs; Appendix I: TV Episodes; Appendix II: Articles on Hitchcock's motifs; Appendix III: Definitions; References; Filmography; List of illustrations; Index of Hitchcock's films and their motifs; General Index
    Note: Filmography: p. [431]-462 -- Includes bibliographical references (p. [421]-429) indexes , Part I.Hitchcock, Motifs and Melodrama.Introduction Three motifs.Home moviesCigarette case/lighterMilkMelodrama and Hitchcock's motifsAn elaborated motif: the Bed Scene in Rebecca and MarnieA melodramatic motif: handsDiagrammatic representationsOverview of the key motifsPart II.The Key Motifs.BED SCENECouples and bedsBeds and the policeBLONDES AND BRUNETTESCAMEO APPEARANCESCameos and the policeCHILDRENChildren's cameosFamily membersChildren and violenceChildren and the policeCONFINED SPACESBathrooms and washroomsConfinement and concealmentCages and bars: fears of imprisonmentWashrooms and the policeTHE CORPSEThe heroinesThe heroesThe villainsCorpses and the policeDOGS AND CATSDogs and the policeDOUBLESDoubles and the policeENDINGS AND THE POLICEENTRY THROUGH A WINDOWEntry through a window and the policeEXHIBITIONISM , Electronic reproduction; Available via World Wide Web
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