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  • 2000-2004  (30)
  • 1975-1979
  • Cambridge : Cambridge University Press
  • Durham : Duke University Press
  • Musicology  (20)
  • American Studies  (11)
Material
Language
Years
Year
  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822386155 , 0822386151
    Language: English
    Pages: 1 Online-Ressource (x, 236 Seiten)
    Parallel Title: Erscheint auch als
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    Keywords: Rap (Music) History and criticism ; Rap (Music) Political aspects ; Hip-hop Social aspects ; Hip-Hop ; Rap ; Electronic books ; Hip-Hop ; Rap
    Note: Includes bibliographical references and index , Hip hop's mama : originalism and identity in the music -- My mic sound nice : art, community, and consciousness -- Stinging like Tabasco : structure and format in hip hop compositions -- The glorious outlaw : hip hop narratives, American law and the court of public opinion -- B-boys, players and preachers : reading masculinity -- The venus hip hop and the pink ghetto : negotiating spaces for women -- Bling bling-- and going pop : consumerism and co-optation in hip hop
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780511211072
    Language: English
    Pages: 1 Online-Ressource (380 pages)
    Series Statement: Cambridge Studies in American Literature and Culture v.142
    DDC: 306.0974
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    Keywords: Geschichte 1620-1860 ; Literatur ; Politik ; Religion ; Neuengland
    Abstract: This compelling book is essential reading for historians and literary critics of New England.
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780511210679
    Language: English
    Pages: 1 Online-Ressource (328 pages)
    DDC: 305.89607300922
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    Keywords: Schwarze ; Intellektueller ; Philosophie ; Politisches Denken ; Konfliktlösung ; USA ; Biographie
    Abstract: Essays that focus on the complexity of the thought of five major African-American intellectuals.
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822385998 , 0822385996
    Language: English
    Pages: 1 Online-Ressource (xv, 363 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Country music Texas ; Lockhart ; History and criticism ; Working class Texas ; Lockhart ; Songs and music ; History and criticism ; Music and language ; Arbeiterklasse ; Countrymusic ; Texas ; Electronic books ; Texas ; Countrymusic ; Arbeiterklasse
    Note: Includes bibliographical references (pages [349]-356) and indexes , "Turns" -- Voicing working-class culture -- Knowing Lockhart: two perspectives -- Out the country : space, time, and stereotype -- The fool in the mirror : self, person, and subjectivity -- "Feeling" and "relating" : speech, song, story, and emotion -- Bring me up in a beer joint : the poetics of speech and song -- The women take care of that : engendering working-class culture -- The art of singing : speech and song in performance -- "I hang my head and cry" : the character of the voice
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822386131 , 0822386135
    Language: English
    Pages: 1 Online-Ressource (xi, 317 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Black Rock Coalition ; Rock music Social aspects ; United States ; African American musicians ; Music and race ; Rockmusik ; Schwarze ; USA ; Electronic books ; USA ; Rockmusik ; Schwarze
    Note: Includes discography (pages [267]-271), bibliographical references (pages [285]-298) and index , Reclaiming the right to rock -- The "postliberated generation" -- Saturday go to meeting -- Black rock manifesting -- Black rock aesthetics -- Living colored in the music industry -- Media interventions -- Playing rock, playing roles -- Jimi Hendrix experiences -- Until the levee breaks
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    ISBN: 9780511518317
    Language: English
    Pages: Online-Ressource (1 online resource (700 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Arom, Simha, 1930 - African polyphony and polyrhythm
    DDC: 781.76
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    Keywords: Music History and criticism ; Africa, Central ; Counterpoint ; Musical meter and rhythm ; Music History and criticism ; Music ; Africa, Central ; History and criticism ; Counterpoint ; Musical meter and rhythm ; African music ; Music++Africa++History and criticism ; Afrika ; Polyfonie ; Musik
    Abstract: In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
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    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822385639 , 0822385635
    Language: English
    Pages: 1 Online-Ressource (ix, 296 Seiten) , ill , 23 cm
    Parallel Title: Erscheint auch als
    DDC: 781.640981
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    Keywords: Geschichte ; Popular music / History and criticism / Brazil ; Music / Social aspects / Brazil ; Unterhaltungsmusik ; Brasilien ; Electronic books ; Electronic books ; Brasilien ; Unterhaltungsmusik ; Geschichte
    Abstract: Radio and estado novo -- Samba and national identity -- The rise of Northeastern regionalism -- American seduction -- Inventing the old guard of Brazilian popular music -- Fan clubs and auditorium programs -- Advertising and audience fragmentation
    Note: Description based on print version record. - Includes bibliographical references (p. [281]-290) and index
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822385110
    Language: English
    Pages: 1 Online-Ressource (528 p.) , 73 photos and Illustrations
    Edition: 2004
    DDC: 306.4/84
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    Abstract: Opening with David Mancuso's seminal "Love Saves the Day" Valentine's party, Tim Lawrence tells the definitive story of American dance music culture in the 1970s-from its subterranean roots in NoHo and Hell's Kitchen to its gaudy blossoming in midtown Manhattan to its wildfire transmission through America's suburbs and urban hotspots such as Chicago, Boston, San Francisco, Los Angeles, Newark, and Miami.Tales of nocturnal journeys, radical music making, and polymorphous sexuality flow through the arteries of Love Saves the Day like hot liquid vinyl. They are interspersed with a detailed examination of the era's most powerful djs, the venues in which they played, and the records they loved to spin-as well as the labels, musicians, vocalists, producers, remixers, party promoters, journalists, and dance crowds that fueled dance music's tireless engine.Love Saves the Day includes material from over three hundred original interviews with the scene's most influential players, including David Mancuso, Nicky Siano, Tom Moulton, Loleatta Holloway, Giorgio Moroder, Francis Grasso, Frankie Knuckles, and Earl Young. It incorporates more than twenty special dj discographies-listing the favorite records of the most important spinners of the disco decade-and a more general discography cataloging some six hundred releases. Love Saves the Day also contains a unique collection of more than seventy rare photos.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511482014
    Language: English
    Pages: 1 online resource (ix, 270 pages)
    Parallel Title: Erscheint auch als
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    DDC: 781.64
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    Keywords: Popular music / Analysis, appreciation ; Popular music / History and criticism ; Musical analysis ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik
    Abstract: How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way
    Description / Table of Contents: Popular music analysis : ten apothegms and four instances / Rob Walser -- From lyric to anti-lyric : analyzing the words in pop song / Dai Griffiths -- The sound is "out there" : score, sound design, and exoticism in The X-files / Robynn J. Stilwell -- Feel the beat come down : house music as rhetoric / Stan Hawkins -- The determining role of performance in the articulation of meaning : the case of "Try a little tenderness" / Rob Bowman -- Marxist music analysis without Adorno : popular music and urban geography / Adam Krims -- Jethro Tull and the case for modernism in mass culture / Allan F. Moore -- Pangs of history in late 1970s rock / John Covach -- Is anybody listening? / Chris Kennett -- Talk and text : popular music and ethnomusicology / Martin Stokes
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822384632 , 0822384639
    Language: English
    Pages: 1 Online-Ressource (xv, 335 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    DDC: 781.63/0968
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    Keywords: Popular music Social aspects ; South Africa ; Sound recording industry South Africa ; Musik ; Zulu ; Schallaufzeichnung ; Electronic books ; Electronic books ; Zulu ; Musik ; Schallaufzeichnung
    Note: Includes bibliographical references (pages [297]-312), discography (pages [313]-317), and index , Demo tape: about Sound of Africa! -- Cut one: mbaqanga -- Cut two: the recording studio as fetish -- Cut three: producing liveness -- Cut four: sounding figures -- Cut five: performing zuluness -- Cut six: imagining overseas -- A final mix: mediating difference
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780511157363
    Language: English
    Pages: 1 Online-Ressource (304 pages)
    DDC: 306.4
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    Abstract: A unique sociological vision of the evolution of jazz music in the twentieth century, first published in 2002.
    Note: Description based on publisher supplied metadata and other sources
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  • 12
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 0511041306 , 9780511041303
    Language: English
    Pages: xx, 266 p , ill , 24 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: Cambridge companions to literature
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version Cambridge companion to Edgar Allan Poe
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    Keywords: Poe, Edgar Allan, Criticism and interpretation. ; Poe, Edgar Allan, Critique et interprétation. ; Poe, Edgar Allan 1809-1849 Criticism and interpretation ; Poe, Edgar Allan 1809-1849 Critique et interprétation ; Poe, Edgar Allan Criticism and interpretation ; Poe, Edgar Allan, Criticism and interpretation. ; Poe, Edgar Allan, Critique et interprétation. ; Poe, Edgar Allan ; Electronic books. ; Electronic books. ; Electronic books ; Aufsatzsammlung ; Konferenzschrift ; Poe, Edgar Allan 1809-1849 ; Poe, Edgar Allan 1809-1849
    Abstract: Explores key dimensions of Edgar Allan Poe's work and life. Contributions provide a series of new perspectives on one of the most enigmatic and controversial American writers. The essays, specially tailored to the needs of undergraduates, examine all of Poe's major writings, his poetry, short stories, and criticism, and place his work in a variety of literary, cultural, and political contexts. The volume features a detailed chronology and a comprehensive guide to further reading
    Abstract: The poet as critic / Kent Ljungquist -- Poe and his circle / Sandra M. Tomc -- Poe's aesthetic theory / Rachel Polonsky -- Poe's humor / Daniel Royot -- Poe and the Gothic tradition / Benjamin Franklin Fisher -- Poe, sensationalism, and slavery / Teresa A. Goddu -- Extra! Extra! Poe invents science fiction! / John Tresch -- Poe's Dupin and the power of detection / Peter Thoms -- Poe's feminine ideal / Karen Weekes -- A confused beginning: The narrative of Arthur Gordon Pym, of Nantucket / Geoffrey Sanborn -- Poe's "constructiveness" and "The fall of the house of Usher" / Scott Peeples -- Two verse masterworks: "The raven" and "Ulalume" / Richard Kopley and Kevin J. Hayes -- Poe and popular culture / Mark Neimeyer -- One-man modernist / Kevin J. Hayes
    Description / Table of Contents: The poet as critic / Kent Ljungquist -- Poe and his circle / Sandra M. Tomc -- Poe's aesthetic theory / Rachel Polonsky -- Poe's humor / Daniel Royot -- Poe and the Gothic tradition / Benjamin Franklin Fisher -- Poe, sensationalism, and slavery / Teresa A. Goddu -- Extra! Extra! Poe invents science fiction! / John Tresch -- Poe's Dupin and the power of detection / Peter Thoms -- Poe's feminine ideal / Karen Weekes -- A confused beginning: The narrative of Arthur Gordon Pym, of Nantucket / Geoffrey Sanborn -- Poe's "constructiveness" and "The fall of the house of Usher" / Scott Peeples -- Two verse masterworks: "The raven" and "Ulalume" / Richard Kopley and Kevin J. Hayes -- Poe and popular culture / Mark Neimeyer -- One-man modernist / Kevin J. Hayes
    Description / Table of Contents: The poet as critic / Kent LjungquistPoe and his circle / Sandra M. Tomc -- Poe's aesthetic theory / Rachel Polonsky -- Poe's humor / Daniel Royot -- Poe and the Gothic tradition / Benjamin Franklin Fisher -- Poe, sensationalism, and slavery / Teresa A. Goddu -- Extra! Extra! Poe invents science fiction! / John Tresch -- Poe's Dupin and the power of detection / Peter Thoms -- Poe's feminine ideal / Karen Weekes -- A confused beginning: The narrative of Arthur Gordon Pym, of Nantucket / Geoffrey Sanborn -- Poe's "constructiveness" and "The fall of the house of Usher" / Scott Peeples -- Two verse masterworks: "The raven" and "Ulalume" / Richard Kopley and Kevin J. Hayes -- Poe and popular culture / Mark Neimeyer -- One-man modernist / Kevin J. Hayes.
    Note: Includes bibliographical references (p. 241-246) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 13
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822386957 , 082238695X
    Language: English
    Pages: 1 Online-Ressource (xiv, 326 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Wesley, Fred ; Wesley, Fred ; Trombonists United States ; Biography ; Funk musicians United States ; Biography ; Autobiografie ; Electronic books ; Wesley, Fred 1943- ; Autobiografie
    Note: "Foreword by Rickey Vincent"--Jacket. - Includes discography (pages [313]-316) and index , A musical upbringing -- Higher education -- Uncle Sam's army -- James Brown -- California -- James Brown again -- Bootsy's rubber band and Parliament/Funkadelic -- Count Basie -- Hollywood, Hollywood -- Mile high in Denver -- JB horns -- Star time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
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    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Geschichte ; Sozialgeschichte ; Jazz ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Sozialgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: Online-Ressource (1 online resource (304 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Lopes, Paul, 1958 - The rise of a jazz art world
    Parallel Title: Print version
    DDC: 781.65/09
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    Keywords: Jazz History and criticism ; Music Social aspects ; Music Social aspects ; Jazz History and criticism ; Jazz ; History and criticism ; Music ; Social aspects ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Description / Table of Contents: Introduction: the quest for cultural legitimacy -- Before the Jazz Age: professional musicians and good music -- Jazz Age: professional musicians and the cultivated vernacular -- Swing craze: professional musicians, swing music and the art of improvisation -- Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt -- New jazz age: the jazz art world and the modern jazz renaissance -- Conclusion: the jazz art world and American culture.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 17
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822380986 , 0822380986
    Language: English
    Pages: 1 Online-Ressource (x, 491 Seiten) , ill
    Parallel Title: Erscheint auch als
    DDC: 781.54209
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    Keywords: Motion pictures and music ; Motion picture music / History and criticism ; Popular music / History and criticism ; Filmmusik ; Geschichte ; Unterhaltungsmusik ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Filmmusik ; Unterhaltungsmusik ; Geschichte
    Abstract: Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow -- "The future's not ours to see" : song, singer, labyrinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse réaliste in 1930s French cinema / Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings / Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African American recordings of Porgy and Bess as film and cultural criticism / Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik
    Note: Includes bibliographical references (p. [455]-473) and index. - Description based on print version record
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  • 18
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 082238003X , 0822327104 , 082232721X , 9780822380030 , 9780822327103 , 9780822327219
    Language: English
    Pages: Online-Ressource (xiv, 366 p) , ill , 25 cm
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Blue Nippon : Authenticating Jazz in Japan
    DDC: 781.65/0952
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    Keywords: Jazz History and criticism ; Japan ; Jazz ; Geschichte
    Abstract: The history and culture of jazz in Japan
    Description / Table of Contents: Contents; List of Illustrations; Acknowledgments; Prelude: Plenty Plenty Soul; 1. The Japanese Jazz Artist and the Authenticity Complex; 2. The Soundtrack of Modern Life: Japan's Jazz Revolution; 3. Talkin' Jazz: Music, Modernism, and Interwar Japan's Culture Wars; 4. ""Jazz for the Country's Sake"": Toward a New Cultural Order in Wartime Japan; 5. Bop, Funk, Junk, and That Old Democracy Boogie: The Jazz Tribes of Postwar Japan; 6. Our Thing: Defining ""Japanese Jazz""; Postlude: J-Jazz and the Fin de Siecle Blues; Notes; References; Discography; Index
    Note: Includes bibliographical references (p. [329]-350), discography (p. [351]-355), and index , Electronic reproduction; Available via World Wide Web
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  • 19
    ISBN: 0822380013 , 9780822380016
    Language: English
    Edition: Online-Ressource
    Series Statement: Latin America otherwise
    Series Statement: EBSCOhost eBook Collection
    DDC: 305.800973
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    Keywords: Mexican Americans Ethnic identity ; Mexican-American Border Region ; Indians of North America Ethnic identity ; Mexican-American Border Region ; Mestizos Ethnic identity ; Mexican-American Border Region ; Mexican Americans in literature ; Indians in literature ; Mestizaje in literature ; Ethnicity in literature ; Decolonization in literature ; Américains d'origine mexicaine Identité ethnique ; Mexican-American Border Region ; Indiens d'Amérique Identité ethnique ; États-Unis ; Mexican-American Border Region ; Métis Identité ethnique ; Mexican-American Border Region ; Américains d'origine mexicaine dans la littérature ; Indiens d'Amérique dans la littérature ; Métissage dans la littérature ; Ethnicité dans la littérature ; Décolonisation dans la littérature ; Mexican-American Border Region dans la littérature ; Mexican Americans Ethnic identity. ; Indians of North America Ethnic identity. ; Mestizos Ethnic identity. ; Mexican Americans in literature. ; Indians in literature. ; Mestizaje in literature. ; Ethnicity in literature. ; Decolonization in literature. ; Chicanos ; Ethnische Identität ; Indianer ; Literatur ; Selbstdarstellung ; Mexican-American Border Region In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region Relations interethniques ; North America ; Mexican-American Border Region ; Mexican-American Border Region In literature. ; Mexican-American Border Region Ethnic relations. ; USA ; Electronic books. ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Abstract: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2. When Mexicans Talk, Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta
    Description / Table of Contents: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2.When Mexicans Talk,Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta.
    Note: Includes bibliographical references (p. [159]-173 and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 20
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780511155826
    Language: English
    Pages: 1 Online-Ressource (314 pages)
    Series Statement: Cambridge Cultural Social Studies
    DDC: 305.896073
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    Keywords: Schwarze ; Sklaverei ; Identität ; USA
    Abstract: Ron Eyerman explores the formation of African American identity through the cultural trauma of slavery.
    Note: Description based on publisher supplied metadata and other sources
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  • 21
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822380030
    Language: English
    Pages: 1 online resource (384 p.) , 17 b&w photos
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    Keywords: Jazz / Japan / History and criticism ; MUSIC / Genres & Styles / Jazz
    Abstract: Japan’s jazz community—both musicians and audience—has been begrudgingly recognized in the United States for its talent, knowledge, and level of appreciation. Underpinning this tentative admiration, however, has been a tacit agreement that, for cultural reasons, Japanese jazz "can’t swing." In Blue Nippon E. Taylor Atkins shows how, strangely, Japan’s own attitude toward jazz is founded on this same ambivalence about its authenticity.Engagingly told through the voices of many musicians, Blue Nippon explores the true and legitimate nature of Japanese jazz. Atkins peers into 1920s dancehalls to examine the Japanese Jazz Age and reveal the origins of urban modernism with its new set of social mores, gender relations, and consumer practices. He shows how the interwar jazz period then became a troubling symbol of Japan’s intimacy with the West—but how, even during the Pacific war, the roots of jazz had taken hold too deeply for the "total jazz ban" that some nationalists desired. While the allied occupation was a setback in the search for an indigenous jazz sound, Japanese musicians again sought American validation. Atkins closes out his cultural history with an examination of the contemporary jazz scene that rose up out of Japan’s spectacular economic prominence in the 1960s and 1970s but then leveled off by the 1990s, as tensions over authenticity and identity persisted.With its depiction of jazz as a transforming global phenomenon, Blue Nippon will make enjoyable reading not only for jazz fans worldwide but also for ethnomusicologists, and students of cultural studies, Asian studies, and modernism
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 22
    ISBN: 0822380013 , 9780822380016
    Language: English
    Edition: Online-Ressource
    Series Statement: Latin America otherwise
    Series Statement: EBSCOhost eBook Collection
    DDC: 305.800973
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    Keywords: Mexican Americans Ethnic identity ; Mexican-American Border Region ; Indians of North America Ethnic identity ; Mexican-American Border Region ; Mestizos Ethnic identity ; Mexican-American Border Region ; Mexican Americans in literature ; Indians in literature ; Mestizaje in literature ; Ethnicity in literature ; Decolonization in literature ; Américains d'origine mexicaine Identité ethnique ; Mexican-American Border Region ; Indiens d'Amérique Identité ethnique ; États-Unis ; Mexican-American Border Region ; Métis Identité ethnique ; Mexican-American Border Region ; Américains d'origine mexicaine dans la littérature ; Indiens d'Amérique dans la littérature ; Métissage dans la littérature ; Ethnicité dans la littérature ; Décolonisation dans la littérature ; Mexican-American Border Region dans la littérature ; Mexican Americans Ethnic identity. ; Indians of North America Ethnic identity. ; Mestizos Ethnic identity. ; Mexican Americans in literature. ; Indians in literature. ; Mestizaje in literature. ; Ethnicity in literature. ; Decolonization in literature. ; Chicanos ; Ethnische Identität ; Indianer ; Literatur ; Selbstdarstellung ; Mexican-American Border Region In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region Relations interethniques ; North America ; Mexican-American Border Region ; Mexican-American Border Region In literature. ; Mexican-American Border Region Ethnic relations. ; USA ; Electronic books. ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Abstract: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2. When Mexicans Talk, Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta
    Description / Table of Contents: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2.When Mexicans Talk,Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta.
    Note: Includes bibliographical references (p. [159]-173 and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 23
    ISBN: 0822326361 , 0822326310
    Language: English
    Pages: viii, 290 Seiten , Illustrationen
    Series Statement: Perverse modernities
    DDC: 305.38895073
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    Keywords: Asian Americans Race identity ; Masculinity United States ; Sex role United States ; Race Psychological aspects ; American literature Asian American authors ; History and criticism ; Asian Americans in literature ; USA ; Asiaten ; Ethnische Beziehungen ; Geschlechterverhältnis ; Mann ; Homosexualität
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 24
    ISBN: 9780822383185 , 0822383187
    Language: English
    Pages: 1 Online-Ressource (xvi, 253 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Tapscott, Horace ; Pianists United States ; Biography ; Jazz musicians United States ; Biography ; African American musicians Biography ; Autobiografie ; Electronic books ; Biografie ; Biografie ; Autobiografie
    Note: Preface -- 1 Early Years in Houston -- 2 California -- 3 Setting the Pace -- 4 Central Avenue -- 5 Military Service -- 6 On the Road with Lionel Hampton -- 7 To Preserve and Develop Black Culture -- 8 The Fire This Time -- 9 In the Middle of It -- 10 Stayin' Alive -- 11 The Union of God's Musicians and Artists Ascension -- 12 Settling into the Community -- 13 Movements to the Present -- 14 Reflections and Directions -- Postscript: From the Funeral Service -- Appendix: A Partial List of UGMAA Artists, 1961-1998 -- Discography 1: Horace Tapscott -- Discography 2: Music from the Ark. - Includes discographies and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822383048 , 0822383047
    Language: English
    Pages: 1 Online-Ressource (x, 335 Seiten) , Illustrationen
    Series Statement: New Americanists
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: African Americans New York (State) ; New York ; Music ; History and criticism ; Harlem Renaissance ; Harlem renaissance ; Musik ; Geschichte ; Schwarze ; Harlem (New York, N.Y.) Intellectual life ; 20th century ; USA ; New York, NY ; Electronic books ; New York, NY ; Musik ; Schwarze ; Geschichte ; USA ; Musik ; Schwarze ; Harlem renaissance ; Musik
    Note: Includes bibliographical references (pages [311]-323) and index , "Unvoiced longings": Du Bois and the "sorrow songs" -- Swan songs and art songs: the spirituals and the "new Negro" in the 1920s -- "The twilight of aestheticism": Locke on cosmopolitanism and musical evolution -- "Beneath the seeming informality": Hughes, Hurston, and the politics of form -- Saving jazz from its friends: the predicament of jazz criticism in the swing era
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    ISBN: 0822380013 , 9780822380016
    Language: English
    Edition: Online-Ressource
    Series Statement: Latin America otherwise
    Series Statement: EBSCOhost eBook Collection
    DDC: 305.800973
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    Keywords: Mexican Americans Ethnic identity ; Mexican-American Border Region ; Indians of North America Ethnic identity ; Mexican-American Border Region ; Mestizos Ethnic identity ; Mexican-American Border Region ; Mexican Americans in literature ; Indians in literature ; Mestizaje in literature ; Ethnicity in literature ; Decolonization in literature ; Américains d'origine mexicaine Identité ethnique ; Mexican-American Border Region ; Indiens d'Amérique Identité ethnique ; États-Unis ; Mexican-American Border Region ; Métis Identité ethnique ; Mexican-American Border Region ; Américains d'origine mexicaine dans la littérature ; Indiens d'Amérique dans la littérature ; Métissage dans la littérature ; Ethnicité dans la littérature ; Décolonisation dans la littérature ; Mexican-American Border Region dans la littérature ; Mexican Americans Ethnic identity. ; Indians of North America Ethnic identity. ; Mestizos Ethnic identity. ; Mexican Americans in literature. ; Indians in literature. ; Mestizaje in literature. ; Ethnicity in literature. ; Decolonization in literature. ; Chicanos ; Ethnische Identität ; Indianer ; Literatur ; Selbstdarstellung ; Mexican-American Border Region In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region Relations interethniques ; North America ; Mexican-American Border Region ; Mexican-American Border Region In literature. ; Mexican-American Border Region Ethnic relations. ; USA ; Electronic books. ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Abstract: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2. When Mexicans Talk, Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta
    Description / Table of Contents: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2.When Mexicans Talk,Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta.
    Note: Includes bibliographical references (p. [159]-173 and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 27
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511481956
    Language: English
    Pages: Online-Ressource (1 online resource (248 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Rohr, Deborah The careers of British musicians, 1750 - 1850
    Parallel Title: Print version
    DDC: 305.978094109033
    RVK:
    Keywords: Music History and criticism ; 18th century ; Great Britain ; Music History and criticism ; 19th century ; Great Britain ; Music Social aspects ; Great Britain ; Musicians Great Britain ; Music Social aspects ; Musicians ; Music History and criticism 19th century ; Music History and criticism 18th century ; Music ; Great Britain ; 18th century ; History and criticism ; Music ; Great Britain ; 19th century ; History and criticism ; Music ; Social aspects ; Great Britain ; Musicians ; Great Britain ; Großbritannien ; Musiker ; Geschichte 1750-1850
    Abstract: The study of the social context of music must consider the day-to-day experiences of its practitioners; their economic, social, professional and artistic goals; and the material and cultural conditions under which these goals were pursued. This book traces the daily working life and aspirations of British musicians during the sweeping social and economic transformation of Britain from 1750 to 1850. It features working musicians of all types and at all levels - organists, singers, instrumentalists, teachers, composers and entrepreneurs - and explores their educational background, their conditions of employment, their wages, the systems of patronage that supported them, and their individual perceptions. Deborah Rohr focuses not only on social and economic pressures but also on a range of negative cultural beliefs faced by the musicians. Also considered are the implications of such conditions for their social and professional status, and for their musical aspirations
    Description / Table of Contents: 1. The social and professional status of musicians in the eighteenth century -- 2. Social profile -- 3. Patronage -- 4. Musical education -- 5. Church musicians -- 6. Secular musicians: singers -- 7. Secular musicians: instrumentalists -- 8. Teachers, composers, and entrepreneurs -- 9. The fortunes of musicians -- 10. The struggle for social and professional status.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 28
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511488788
    Language: English
    Pages: 1 online resource (viii, 302 pages)
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
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    Keywords: Psychologie ; Schwarze. USA ; Sklaverei ; African Americans / Race identity ; Slavery / United States / Psychological aspects ; African Americans / Psychology ; Slaves / United States / Psychology ; Ethnische Identität ; Psychisches Trauma ; Sklaverei ; Schwarze ; USA ; USA ; USA ; Schwarze ; Sklaverei ; Psychisches Trauma ; USA ; Ethnische Identität ; Schwarze
    Abstract: In this book, Ron Eyerman explores the formation of the African-American identity through the theory of cultural trauma. The trauma in question is slavery, not as an institution or as personal experience, but as collective memory: a pervasive remembrance that grounded a people's sense of itself. Combining a broad narrative sweep with more detailed studies of important events and individuals, Eyerman reaches from Emancipation through the Harlem Renaissance, the Depression, the New Deal and the Second World War to the Civil Rights movement and beyond. He offers insights into the intellectual and generational conflicts of identity-formation which have a truly universal significance, as well as providing a compelling account of the birth of African-American identity. Anyone interested in questions of assimilation, multiculturalism and postcolonialism will find this book indispensable
    Description / Table of Contents: Cultural trauma and collective memory -- Re-membering and forgetting -- Out of Africa: the making of a collective identity -- The Harlem Renaissance and the heritage of slavery -- Memory and representation -- Civil rights and black nationalism: the post-war generation
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 29
    ISBN: 0822380013
    Language: English
    Pages: 1 Online-Ressource (xix, 186 Seiten) , 24 cm
    Edition: Online_Ausgabe Boulder, Colo NetLibrary 2003 E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847
    Series Statement: Latin America otherwise
    Parallel Title: Reproduktion von Aldama, Arturo J., 1964- Disrupting savagism
    DDC: 305.800973
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    Keywords: Decolonization in literature ; Ethnicity in literature ; Indians in literature ; Indians of North America - Ethnic identity - Mexican-American Border Region ; Mestizaje in literature ; Mestizos - Ethnic identity - Mexican-American Border Region ; Mexican Americans - Ethnic identity - Mexican-American Border Region ; Mexican Americans in literature ; Indianer ; Decolonization in literature ; Ethnicity in literature ; Indians in literature ; Indians of North America Ethnic identity ; Mestizaje in literature ; Mestizos Ethnic identity ; Mexican Americans in literature ; Mexican Americans Ethnic identity ; Indianer ; Chicanos ; Ethnische Identität ; Selbstdarstellung ; Literatur ; Mexican-American Border Region - Ethnic relations ; Mexican-American Border Region - In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region In literature ; USA ; Electronic books ; Electronic books. ; Electronic books ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Note: Includes bibliographical references (p. [159]-173 and index
    URL: Full text  (Click to View (Currently Only Available on Campus))
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  • 30
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511625008
    Language: English
    Pages: 1 online resource (xi, 308 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 128/.4
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    Keywords: Philosophie ; Psychologie ; Rationalism / Psychological aspects ; Reasoning (Psychology) ; Psychology / Philosophy ; Psychologie ; Freiwilligkeit ; Beschränkung ; Rationalität ; Denken ; Beschränkung ; Freiwilligkeit ; Psychologie ; Denken ; Rationalität
    Abstract: Common sense suggests that it is always preferable to have more options than fewer, and better to have more knowledge than less. This provocative book argues that, very often, common sense fails. Sometimes it is simply the case that less is more; people may benefit from being constrained in their options or from being ignorant. The three long essays that constitute this book revise and expand the ideas developed in Jon Elster's classic study Ulysses and the Sirens. It is not simply a new edition of the earlier book, though; many of the issues merely touched on before are explored here in much more detail. Elster shows how seemingly disparate examples which limit freedom of action reveal similar patterns, so much so that he proposes a new field of study: constraint theory. The book is written in Elster's characteristically vivid style and will interest professionals and students in philosophy, political science, psychology, and economics
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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