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  • 2005-2009  (2)
  • 1980-1984
  • 1940-1944
  • Amsterdam : Amsterdam University Press  (2)
  • History  (2)
  • General works  (2)
  • English Studies
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Cinephilia : movies, love and memory (2005)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1280958146 , 1423709640 , 9048505445 , 9053567690 , 9781280958144 , 9781423709640 , 9789048505449 , 9789053567685 , 9789053567692
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als
    DDC: 302.2343
    RVK:
    AP 42200
    Keywords: SOCIAL SCIENCE / Media Studies ; The arts ; Film, TV and radio ; Films, cinema ; PERFORMING ARTS / Film & Video / General ; Motion picture audiences ; Motion pictures ; Motion pictures / Social aspects ; Filmkunst ; Filmliefhebbers ; Sociale aspecten ; Konzeption ; Film ; Kulturwandel ; Film ; Geschichte ; Gesellschaft ; Motion pictures Social aspects ; Motion pictures History ; Motion picture audiences ; Konzeption ; Film ; Kulturwandel ; USA ; Konferenzschrift 2002 ; Konferenzschrift 2002 ; History ; Motion pictures ; Motion pictures ; USA ; Film ; Kulturwandel ; Konzeption
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references and indexes , I. - The Ramifications of Cinephilia: Theory and History - Cinephilia or the Uses of Disenchantment -- - Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci's The Dreamers -- - Mass Memories of Movies: Cinephilia as Norm and Narrative in Blockbuster Culture -- - Love in the Time of Transcultural Fusion: Cinephilia, Homage and Kill Bill -- - II. - Technologies of Cinephilia: Production and Consumption - Remastering Hong Kong Cinema -- - Drowning in Popcorn at the International Film Festival Rotterdam?: The Festival as a Multiplex of Cinephilia -- - Ravenous Cinephiles: Cinephilia, Internet, and Online Film Communities -- - Re-disciplining the Audience: Godard's Rube-Carabinier -- - The Original Is Always Lost: Film History, Copyright Industries and the Problem of Reconstruction -- - III. - Techniques of Cinephilia: Bootlegging and Sampling - The Future of Anachronism: Todd Haynes and the Magnificent Andersons -- - Conceptual Cinephilia: On Jon Routson's Bootlegs -- - Playing the Waves: The Name of the Game is Dogme95 -- - The Parenthesis and the Standard: On a Film by Morgan Fisher -- - The Secret Passion of the Cinephile: Peter Greenaway's A Zed and Two Noughts Meets Adriaan Ditvoorst's De Witte Waan , Documents the latest generation of cinephiles and their use of new technologies
    URL: Volltext
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
    BVB
  • 2
    Online Resource
    Online Resource
    European cinema : face to face with Hollywood (2005)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789053565940
    Language: English
    Pages: 1 Online-Ressource (563 Seiten) , Illustrationen
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als Elsaesser, Thomas, 1943 - 2019 European cinema
    RVK:
    AP 59706
    Keywords: History (General) ; Communication. Mass media ; Social sciences (General) ; History (General) ; Social sciences (General) ; Communication. Mass media ; Film, TV & radio ; History ; Society & culture: general ; Europa ; Film ; USA ; Europa ; Film
    Abstract: In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition.
    Note: Literaturangaben
    DOI: 10.5117/9789053565940
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
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