ISBN:
9780415617635
Sprache:
Englisch
Seiten:
XII, 221 S.
,
Ill.
,
24 cm
Serie:
Media, culture and social change in Asia 27
Serie:
Media, culture and social change in Asia
DDC:
791.430959
Schlagwort(e):
Motion pictures History
;
Culture in motion pictures
;
Aufsatzsammlung
;
Südostasien
;
Filmwirtschaft
;
Geschichte
Kurzfassung:
Introduction: Southeast Asian film as a site of cultural interpretation and social intervention / David C. L. Lim -- From contested histories to ethnic tourism: cinematic representations of shans and shanland on the Burmese silver screen / Jane M. Ferguson -- Toward a Laotian independent cinema? / Panivong Norindr -- Screening the crisis of monetary masculinity in Rithy Panh's One night after the war and burnt theater / Boreth Ly -- When memories collide: revisiting war in Vietnam and the diaspora / Vo Hong Chuong-Dai -- Malay(sian) patriotic films as racial crisis and intervention / David C.L. Lim -- "Our people": telemovies, bangsa and nationalism 3.0 in Sabah, Malaysia / Hiroyuki Yamamoto -- The hero in passage: the Chinese and the activist youth in Riri Riza's Gie / Abidin Kusno -- Alternative vision in neoliberal Singapore: memories, places, and voices in the films of Tan Pin Pin / Kenneth Paul Tan -- Documentary filmmaking, civil activism, and the new media in Singapore: the case of Martyn See as citizen journalist / Yasuko Hassall Kobayashi -- Cinema and state in crisis: political film collectives and people's struggle in the Philippines / Rolando B. Tolentino -- Nostalgic parodies and migrant ironies in two Thai comedy films / Pattana Kitiarsa
Beschreibung / Inhaltsverzeichnis:
Introduction: Southeast Asian film as a site of cultural interpretation and social intervention / David C. L. LimFrom contested histories to ethnic tourism: cinematic representations of shans and shanland on the Burmese silver screen / Jane M. Ferguson -- Toward a Laotian independent cinema? / Panivong Norindr -- Screening the crisis of monetary masculinity in Rithy Panh's One night after the war and burnt theater / Boreth Ly -- When memories collide: revisiting war in Vietnam and the diaspora / Vo Hong Chuong-Dai -- Malay(sian) patriotic films as racial crisis and intervention / David C.L. Lim -- "Our people": telemovies, bangsa and nationalism 3.0 in Sabah, Malaysia / Hiroyuki Yamamoto -- The hero in passage: the Chinese and the activist youth in Riri Riza's Gie / Abidin Kusno -- Alternative vision in neoliberal Singapore: memories, places, and voices in the films of Tan Pin Pin / Kenneth Paul Tan -- Documentary filmmaking, civil activism, and the new media in Singapore: the case of Martyn See as citizen journalist / Yasuko Hassall Kobayashi -- Cinema and state in crisis: political film collectives and people's struggle in the Philippines / Rolando B. Tolentino -- Nostalgic parodies and migrant ironies in two Thai comedy films / Pattana Kitiarsa.
Anmerkung:
Literaturangaben
,
Introduction: Southeast Asian film as a site of cultural interpretation and social intervention
,
From contested histories to ethnic tourism: cinematic representations of shans and shanland on the Burmese silver screen
,
Toward a Laotian independent cinema?
,
Screening the crisis of monetary masculinity in Rithy Panh's One night after the war and burnt theater
,
When memories collide: revisiting war in Vietnam and the diaspora
,
Malay(sian) patriotic films as racial crisis and intervention
,
"Our people": telemovies, bangsa and nationalism 3.0 in Sabah, Malaysia
,
The hero in passage: the Chinese and the activist youth in Riri Riza's Gie
,
Alternative vision in neoliberal Singapore: memories, places, and voices in the films of Tan Pin Pin
,
Documentary filmmaking, civil activism, and the new media in Singapore: the case of Martyn See as citizen journalist
,
Cinema and state in crisis: political film collectives and people's struggle in the Philippines
,
Nostalgic parodies and migrant ironies in two Thai comedy films
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