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  • 2010-2014  (10)
  • 1990-1994
  • Durham : Duke University Press  (6)
  • Frankfurt am Main [u.a.] : Campus-Verl.  (4)
  • Film  (10)
  • General works  (10)
  • Ethnology  (3)
  • Comparative Studies. Non-European Languages/Literatures  (2)
Material
Language
Years
Year
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
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    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
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  • 2
    ISBN: 9780822353263 , 9780822353409
    Language: English
    Pages: xxiii, 335 Seiten, 16 ungezählte Seiten , Illustrationen
    Parallel Title: Erscheint auch als Demos, T. J., 1966 - The Migrant Image
    DDC: 700.86/91
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    Keywords: Arts and globalization ; Culture and globalization ; Art and society ; Documentary mass media and the arts ; Emigration and immigration in art ; Globalisierung ; Globalisierung ; Massenmedien ; Film ; Videokunst ; Fotografie ; Performance ; Kunst ; Politik ; Migration ; Kunst ; Politik ; Migration
    Abstract: Indeterminacy and bare life in Steve McQueen's Western deep -- Sabotaging the future? : the essay-films of the Otolith Group -- Hito Steyerl's travelling images -- The art of Emily Jacir : dislocation and politicization -- Recognizing the unrecognized : the photographs of Ahlam Shibli -- The politics of opacity : the Otolith Group's Nervus rerum -- Out of Beirut : mobile histories and the politics of fiction -- Ursula Biemann's Sahara chronicle : video's migrant geography -- Means without end : Anastas and Gabri's camp campaign -- Destination : the politics of aesthetics during global crisis.
    Description / Table of Contents: Indeterminacy and bare life in Steve McQueen's Western deep -- Sabotaging the future? : the essay-films of the Otolith Group -- Hito Steyerl's travelling images -- The art of Emily Jacir : dislocation and politicization -- Recognizing the unrecognized : the photographs of Ahlam Shibli -- The politics of opacity : the Otolith Group's Nervus rerum -- Out of Beirut : mobile histories and the politics of fiction -- Ursula Biemann's Sahara chronicle : video's migrant geography -- Means without end : Anastas and Gabri's camp campaign -- Destination : the politics of aesthetics during global crisis.
    Note: Literaturverzeichnis: Seiten 305-322
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9780822395331
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.50982
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    Keywords: Geschichte 1920-1946 ; Film ; Hörfunk ; Argentinien ; Electronic books ; Electronic books. ; History. ; Electronic books ; Electronic books ; Electronic books
    Abstract: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Includes bibliographical references (p. [251]-268) and index , Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    Frankfurt am Main [u.a.] : Campus-Verl.
    ISBN: 9783593411279
    Language: German
    Edition: Online-Ressource (268 S.) Campus digitale Bibliothek
    Edition: Geschichte 2011
    Series Statement: Historische Einführungen Bd. 10
    Series Statement: Historische Einführungen
    Parallel Title: Druckausg. Bösch, Frank, 1969 - Mediengeschichte
    DDC: 302.2309
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    Keywords: Kulturgeschichtsschreibung ; Medien ; Typografie ; Buchdruck ; Zeitung ; Zeitschrift ; Presse ; Massenmedien ; Film ; Medienkultur ; Fernsehen ; Internet ; Bildung ; Alphabetisierung ; Politik ; Gesellschaft ; Kommunikation ; 19. Jahrhundert ; 20. Jahrhundert ; Film ; Medien ; Frühe Neuzeit ; Mediengeschichte ; Fernsehen ; Buchdruck ; Zeitungen ; Rundfunk ; Deutschland ; Europa ; Ostasien ; Medien ; Geschichte
    URL: Cover
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Knowledge Unlatched
    ISBN: 9780822393351 , 0822393352
    Language: English
    Pages: 1 Online-Ressource (xiv, 313 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Tasker, Yvonne, 1964 - Soldiers' stories
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    Keywords: Film ; Militär ; Frau ; Soldatin
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued.
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  • 6
    Online Resource
    Online Resource
    Frankfurt am Main [u.a.] : Campus-Verl.
    ISBN: 9783593410739
    Language: German
    Pages: Online-Ressource (237 S.) , Ill.
    Parallel Title: Erscheint auch als
    DDC: 363.82
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    Keywords: Geschichte 1885-2000 ; Postkolonialismus ; Fotografie ; Literatur ; Kolonialismus ; Welternährung ; Männlichkeit ; Film ; Landwirtschaft ; Ernährungssicherung ; Gerechtigkeit ; Bekämpfung ; Welthandel ; Hunger ; Englisch ; Nachhaltigkeit ; Aufsatzsammlung ; Welternährung ; Ernährungssicherung ; Hunger ; Bekämpfung ; Welthandel ; Gerechtigkeit ; Landwirtschaft ; Nachhaltigkeit ; Englisch ; Literatur ; Fotografie ; Film ; Kolonialismus ; Postkolonialismus ; Männlichkeit ; Geschichte 1885-2000
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  • 7
    ISBN: 9783593393995 , 3593393999
    Language: English
    Pages: 320 S. , Ill.
    Dissertation note: Zugl.: Berlin, Humboldt-Univ., Diss., 2009
    DDC: 823.9109355
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    Keywords: Geschichte 1885-2000 ; Englisch ; Roman ; Film ; Kolonialismus ; Postkolonialismus ; Männlichkeit ; Kolonialliteratur ; Postkoloniale Literatur ; Mann ; Literatur ; Fotografie ; Kolonialismus ; Postkolonialismus ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 8
    ISBN: 359339491X , 9783593394916
    Language: German
    Pages: 208 S. , Ill. , 213 mm x 140 mm
    Series Statement: Wissenschaftliche Reihe des Fritz Bauer Instituts 19
    Parallel Title: Online-Ausg. "Der Letzte der Ungerechten"
    DDC: 943
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    Keywords: Murmelstein, Benjamin Congresses In motion pictures ; Lanzmann, Claude Congresses ; Theresienstadt (Concentration camp) Congresses In motion pictures ; Shoah (Motion picture) Congresses ; Jewish councils Congresses In motion pictures ; Antisemitismus ; Faschismus ; Medien ; Konferenzschrift 2010 ; Murmelstein, Benjamin 1905-1989 ; Konzentrationslager Theresienstadt ; Film ; Geschichte 1942-1975
    Abstract: Die Shoah-Outtakes / Ronny Loewy -- Das Ende von Theresienstadt : Stellungnahme eines Beteiligten / Benjamin Murmelstein -- "Wenn Sie das demokratisch nennen, dann bin ich gerne ein Faschist" : ein Auszug aus dem Interview von Claude Lanzmann mit Benjamin Murmelstein -- Benjamin Murmelstein, "der Letzte der Ungerechten" : Elemente und Folgen totaler Ohnmacht / Doron Rabinovici -- "... zwischen Hammer und Amboss" : Selbstwahrnehmung und Zuschreibung bei Benjamin Murmelstein / Lisa Hauff -- Der Judenälteste und seine SS-Männer : Benjamin Murmelstein und seine Beziehung zu Adolf Eichmann und Karl Rahm / Anna Hájková -- Emotionen, Körper, Mythen : Lanzmann interviewt Murmelstein / Daniel Wildmann -- Film Ghetto Theresienstadt : die Suche nach Zusammenhängen / Eva Strusková -- Benjamin Murmelstein und der Nazi-Propagandafilm Theresienstadt von 1944 / Karel Margry -- Rekonstruktion und Groteske : Zbyněk Brynychs Trandport aus dem Paradies im Kontext / Hanno Loewy
    Note: Die Shoah-Outtakes , Das Ende von Theresienstadt : Stellungnahme eines Beteiligten , "Wenn Sie das demokratisch nennen, dann bin ich gerne ein Faschist" : ein Auszug aus dem Interview von Claude Lanzmann mit Benjamin Murmelstein ; Benjamin Murmelstein, "der Letzte der Ungerechten" : Elemente und Folgen totaler Ohnmacht , "... zwischen Hammer und Amboss" : Selbstwahrnehmung und Zuschreibung bei Benjamin Murmelstein , Der Judenälteste und seine SS-Männer : Benjamin Murmelstein und seine Beziehung zu Adolf Eichmann und Karl Rahm , Emotionen, Körper, Mythen : Lanzmann interviewt Murmelstein , Film Ghetto Theresienstadt : die Suche nach Zusammenhängen , Benjamin Murmelstein und der Nazi-Propagandafilm Theresienstadt von 1944 , Rekonstruktion und Groteske : Zbyněk Brynychs Trandport aus dem Paradies im Kontext , Deutsch
    URL: Volltext  (Inhaltsverzeichnis)
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  • 9
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
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    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 10
    ISBN: 9780822347019 , 9780822346920
    Language: English
    Pages: xii, 388 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wilderson, Frank B., 1956 - Red, white & black
    DDC: 791.43/6529
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    Keywords: Minorities in motion pictures ; Race in motion pictures ; African Americans in motion pictures ; Indians in motion pictures ; Motion pictures History ; USA ; Schwarze ; Indianer ; Weiße ; Filmanalyse ; USA ; Film ; Minderheit ; Rasse
    Abstract: The ruse of analogy -- The narcissistic slave -- Fishing for Antwone -- Cinematic unrest : Bush Mama and the Black Liberation Army -- Absurd mobility -- The ethics of sovereignty -- Excess lack -- The pleasures of parity -- "Savage" Negrophobia -- A crisis in the commons -- Half-white healing -- Make me feel good
    Description / Table of Contents: The ruse of analogy -- The narcissistic slave -- Fishing for Antwone -- Cinematic unrest : Bush Mama and the Black Liberation Army -- Absurd mobility -- The ethics of sovereignty -- Excess lack -- The pleasures of parity -- "Savage" Negrophobia -- A crisis in the commons -- Half-white healing -- Make me feel good.
    Description / Table of Contents: Includes bibliographical references and index
    Note: Bibliographie: Seite [365]-374
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