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  • 2015-2019  (134)
  • New York, NY : Oxford University Press  (108)
  • Bielefeld : transcript Verlag  (26)
  • Wiesbaden : VS Verlag für Sozialwissenschaften
  • Musicology  (134)
Material
Language
Years
Year
  • 1
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 0190653906 , 9780190653903
    Language: English
    Pages: VIII, 227 Seiten, 16 ungezählte Seiten Seiten , Illustrationen
    RVK:
    Keywords: Hodges, Johnny ; Geschichte 1906-1970 ; Saxofonist ; Jazzmusiker ; USA ; Biografie
    Note: Bibliography Seite 215-218
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  • 2
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190634902
    Language: English
    Pages: XV, 472 Seiten
    DDC: 782.254092
    RVK:
    Keywords: Jackson, Mahalia ; Afroamerikanische Musik
    Note: Literaturverzeichnis Seite 443-458
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  • 3
    Language: English
    Series Statement: Oxford handbooks
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    Keywords: Musikethnologie ; Angewandte Musikwissenschaft ; Applied ethnomusicology ; Aufsatzsammlung
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  • 4
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190659820
    Language: English
    Pages: 1 Online-Ressource (lvi, 774 Seiten) , Illustrationen, Karten, Portraits
    Parallel Title: Erscheint auch als
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    Keywords: Restitution ; Lautarchiv ; Musikethnologie ; Repatriierung ; Schallaufzeichnung ; Kulturerbe ; Music / Repatriation ; Sound recordings in ethnomusicology ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Kulturerbe ; Schallaufzeichnung ; Lautarchiv ; Restitution ; Repatriierung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    ISBN: 9783837650587 , 3837650588
    Language: German , English
    Pages: 308 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 486 g
    Series Statement: Beiträge zur Popularmusikforschung 45
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als (Dis-)orienting sounds - machtkritische Perspektiven auf populäre Musik
    DDC: 781.6301
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    Keywords: Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Unterhaltungsmusik ; Macht ; Intersektionalität ; Unterhaltungsmusik ; Musikerziehung ; Unterhaltungsmusik ; Forschung ; Musikwissenschaft ; Popmusik
    Note: Literaturangaben , Beiträge teilweise in Deutsch, teilweise in Englisch
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  • 6
    ISBN: 9780190462611
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65071
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    Keywords: Jazz Instruction and study ; USA ; Schule ; Musikerziehung ; Jazz
    Abstract: 'Teaching School Jazz' is an edited collection of suggested practices in school jazz education authored by a seasoned and diverse lineup of jazz educators with supporting research-based case studies woven into the narrative. It provides not only a wealth of school jazz teaching strategies but also, and perhaps as important, the jazz perspectives and principles from which they are derived.
    Note: Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 11, 2019)
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  • 7
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190056148
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 306.484249
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    Abstract: Hip hop and diplomacy are unlikely partners. And yet, since 2001 the US Department of State has been sending hip hop artists to perform and teach around the world. The government has good reason to be interested in hip hop: it is known and loved across the globe, readily acknowledged as a product of American culture. Moreover, hip hop has long been a means of fostering community through creative collaboration-what hip hop artists call building-and can thus facilitate mutual respect and cooperation among people of different nations, a key objective of diplomacy. At heart, 'Build' is about the intersection of art and power. It reveals the power of art to bridge cultural divides, facilitate understanding, and express and heal trauma.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
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  • 8
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199365197 , 9780190874438
    Language: English
    Pages: 1 Online-Ressource (xiv, 264 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.11
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    Keywords: Musical ability / Cross-cultural studies ; Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika ; Europa ; Nordamerika ; Afrika ; Musiker ; Kreativität ; Kulturvergleich
    Abstract: How are an individual's ability and motivation to be creative shaped by the world around her? Why does creativity seem to flourish in some environments, while in others it is stifled? Many societies value creativity as an abstract concept and many, perhaps even most, individuals feel an internal drive to be creative; however, tremendous social pressures restrict development of creative skill sets, engagement in creative activities, and willingness to take creative risks. Becoming Creative explores how social and cultural factors enable or inhibit creativity in music. The text integrates perspectives from ethnomusicology, education, sociology, psychology, and performance studies, prioritizing the voices of practicing musicians and music educators
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190670443
    Language: English
    Pages: 1 Online-Ressource (xl, 248 Seiten) , Diagramme, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    DDC: 782.4216491224
    RVK:
    Keywords: Rap (Music) / Analysis, appreciation ; Flow-Erlebnis ; Sprechgesang ; Rhythmus ; Musikalische Analyse ; Rap ; Rap ; Sprechgesang ; Rhythmus ; Flow-Erlebnis ; Musikalische Analyse
    Note: Includes index
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  • 10
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190698454
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    DDC: 781.6480977311
    RVK:
    Keywords: House music History and criticism ; Illinois ; Chicago ; Homosexuality and popular music Illinois ; Chicago ; African American gays Illinois ; Chicago ; Popmusik ; Chicago, Ill. ; House ; Geschichte 1975-2019
    Abstract: This interdisciplinary study historicizes house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago’s queer, black, and Latino social dancers. Working from oral history interviews, archival research, and performance ethnography, it argues that the remediation and adaptation of house by multiple and overlapping crossover communities in its first decade shaped the ways that contemporary Chicago house music producers, DJs, dancers, and promoters re-remember and re-animate house as an archive indexing experiences of queer of color congregation. Engaging with and extending the fields of African American studies, urban studies, gender and sexuality studies, dance studies, performance studies, popular music studies, ethnomusicology, and media studies, Do You Remember House? considers house music culture’s liberatory potential in relation to its flexible repertoire in motion, an ever-expanding archive of danceable sounds.
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  • 11
    ISBN: 9780190903220
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6409861
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    Keywords: Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    ISBN: 9780190885779
    Language: English
    Pages: x, 347 Seiten , Illustrationen
    Series Statement: An Oxford handbook of applied ethnomusicology / edited by Svanibor Pettan and Jeff Todd Titon Volume 3
    Series Statement: Oxford handbooks
    Series Statement: An Oxford handbook of applied ethnomusicology
    DDC: 780.89
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    Keywords: Applied ethnomusicology ; Angewandte Musikwissenschaft
    Note: Includes bibliographical references and index
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  • 13
    ISBN: 9780190885731
    Language: English
    Pages: x, 346 Seiten
    Series Statement: An Oxford handbook of applied ethnomusicology / edited by Svanibor Pettan and Jeff Todd Titon Volume 2
    Series Statement: Oxford handbooks
    Series Statement: An Oxford handbook of applied ethnomusicology
    DDC: 780.89
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    Keywords: Applied ethnomusicology ; Angewandte Musikwissenschaft
    Abstract: An introduction to applied ethnomusicology. Applied ethnomusicology : a descriptive and historical account / by Jeff Todd Titon ; Applied ethnomusicology in the global arena / by Svanibor Pettan ; An introduction to the chapters / by Jeff Todd Titon and Svanibor Pettan -- Advocacy. Advocacy and the ethnomusicologist : assessing capacity, developing initiative, setting limits, and making sustainable contributions / by Jeffrey A. Summit ; Applied ethnomusicology as an intercultural tool : some experiences from the last 25 years of minority research in Austria / by Ursula Hemetek ; Being applied in the ethnomusicology of autism / by Michael Bakan ; Motivations and methods for encouraging artists in longer tradtions / by Brian Schrag ; Activist ethnomusicology and marginalized music of South Asia / by Zoe C. Sherinian -- Indigenous peoples. Decolonization and applied ethnomusicology : story-ing the personal-political-possible in our work / by Elizabeth Mackinlay ; Andes to Amazon on the river Queros : indigenous voice in grassroots tourism, safeguarding, and ownership projects of the Queros and Wachiperi peoples / by Holly Wissler
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9780190604578
    Language: English
    Pages: xx, 169 Seiten , Notenbeispiele
    DDC: 781.655
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    Keywords: Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Note: Diskografie: Seite 157-159 , Literaturverzeichnis: Seite 161-164
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  • 15
    ISBN: 9780199949267 , 9780199949243
    Language: English
    Pages: xxix, 494 Seiten , Illustrationen, Notenbeispiele, Portraits
    Parallel Title: Erscheint auch als
    DDC: 781.62/914970561
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    Keywords: Geschichte ; Romanies Music ; History and criticism ; Music Social aspects ; Romanies Social life and customs ; Music History and criticism ; Identität ; Roma ; Musikleben ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Note: Includes bibliographical references and index
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  • 16
    ISBN: 9780190213176 , 9780190949877
    Language: English
    Pages: xxi, 296 Seiten , Illustrationen
    DDC: 782.42166092/2
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    Note: Bibliographie: Seite 269-280 , Literaturangaben
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  • 17
    ISBN: 9780190658359 , 9780190658366
    Language: English
    Pages: xxxii, 444 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.89/927
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    Keywords: Geschichte 1900-2000 ; Music History and criticism 20th century ; Music theory ; Music Performance ; Maqām ; Musikinstrument ; Araber ; Musik ; Musiktheorie ; Mittlerer Osten ; Mittlerer Osten ; Araber ; Musik ; Musikinstrument ; Musiktheorie ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 18
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190916756 , 0190916753 , 9780190916749 , 0190916745
    Language: English
    Pages: li, 268 Seiten , Illustrationen , 24 cm
    DDC: 781.599
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    Keywords: Crimean War, 1853-1856 Music and the war ; Music Political aspects ; History ; 19th century ; Sound Political aspects ; History ; 19th century ; Music and war ; Music Political aspects ; Aufsatzsammlung ; Krimkrieg ; Musik ; Geräusch ; Geschichte
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 9780190841485 , 9780190841492
    Language: English
    Pages: xvii, 431 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Thought and play in musical rhythm
    DDC: 781.2/24
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    Keywords: Musical meter and rhythm ; Musical meter and rhythm ; Musical meter and rhythm ; Aufsatzsammlung ; Afrika ; Asien ; Europa ; Nordamerika ; Musik ; Aufführung ; Rhythmus
    Abstract: Thinking with and about rhythm / Christopher Hasty -- Formative processes of durational projection in free rhythm world music / John Roeder -- Meter and rhythm in the sung poetry of Iranian Khorasan / Stephen Blum -- An approach to musical rhythm in agbadza / David Locke -- Rhythm and the physical / Eugene Montague -- Modern drum solos over ostinatos / Fernando Benadon -- Temporal and density flow in Javanese gamelan / Sumarsam -- Layers and elasticity in the rhythm of noh songs : taking komi and its social background / Takanori Fujita -- Rhythmic metamorphoses : botanical process models on the Atlas Mountains of Morocco / Miriam Rovsing Olsen -- Mapping a rhythmic revolution through eighteenth- and nineteenth-century sources on rhythm and drumming in North India / James Kippen -- Time changes : heterometric rhythm in South Asia / Richard Widdess -- Rhythm, beat, and freedom, in South Asian musical traditions / Richard K. Wolf -- New music - new rhythm / Christopher Hasty
    Note: Includes bibliographical references and index
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  • 20
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190604608
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Series Statement: Oxford scholarship online
    DDC: 781.6550973
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    Keywords: Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Abstract: Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw).
    Note: Also issued in print: 2019 , Includes bibliographical references, discography and index
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  • 21
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190466923 , 9780190466916
    Language: English
    Pages: xix, 293 Seiten , 24 cm
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 793.319468
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    Keywords: Geschichte 1492-1933 ; Flamenco ; Flamenco / Social aspects ; Dance and race ; Sinti ; Schwarze ; Flamenco ; Person of Color ; Roma ; Rasse ; Tanz ; Spanien ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; and how the imagined Gitano (Gypsy, or Roma) embodies the warring images and sounds of this process
    Note: Includes bibliographical references and index
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  • 22
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190659806
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karten, Portraits
    Parallel Title: Erscheint auch als
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    Keywords: Restitution ; Lautarchiv ; Musikethnologie ; Repatriierung ; Schallaufzeichnung ; Kulturerbe ; Music / Repatriation ; Sound recordings in ethnomusicology ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Kulturerbe ; Schallaufzeichnung ; Lautarchiv ; Restitution ; Repatriierung
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190055288
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 788.7165092
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    Keywords: Hodges, Johnny ; Geschichte 1906-1970 ; Saxofonist ; Jazzmusiker ; USA ; Biografie
    Abstract: A full-length biography of Johnny Hodges, 'Rabbit's Blues' tells the story of one of the premier saxophonists in jazz history, who brought the woody tone and bluesy technique of New Orleans music to the hot East Coast jazz of the Ellington orchestra.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
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  • 24
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190698416 , 9780190698423
    Language: English
    Pages: xiv, 344 Seiten , Illustrationen
    DDC: 781.6480977311
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    Keywords: Geschichte 1975-2019 ; House music History and criticism ; Homosexuality and popular music ; African American gays ; House ; Chicago, Ill. ; Chicago, Ill. ; House ; Geschichte 1975-2019
    Note: Includes bibliographical references and index
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  • 25
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190698454
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6480977311
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    Keywords: Geschichte 1975-2019 ; House music / Illinois / Chicago / History and criticism ; Homosexuality and popular music / Illinois / Chicago ; African American gays / Illinois / Chicago ; House ; Chicago, Ill. ; Chicago, Ill. ; House ; Geschichte 1975-2019
    Abstract: This interdisciplinary study historicizes house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago's queer, black, and Latino social dancers. Working from oral history interviews, archival research, and performance ethnography, it argues that the remediation and adaptation of house by multiple and overlapping crossover communities in its first decade shaped the ways that contemporary Chicago house music producers, DJs, dancers, and promoters re-remember and re-animate house as an archive indexing experiences of queer of colour congregation
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190847562
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2010-2011 ; Protest movements / Thailand / Bangkok / History ; Demonstrations / Thailand / Bangkok / History ; Sounds / Social aspects / Thailand / Bangkok ; Music / Social aspects / Thailand / Bangkok ; Politischer Protest ; Musik ; Geräuschkulisse ; Thailand / Politics and government / 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
    Abstract: 'Bangkok Is Ringing' is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Drawing on sixteen months of ethnographic fieldwork with dissidents in Bangkok and beyond, the book analyses how political dissidents must be sensitive to the ways that their sounding is constrained and channeled
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190670412
    Language: English
    Pages: xl, 248 Seiten , Diagramme, Notenbeispiele
    Series Statement: Oxford studies in music theory
    DDC: 782.4216491224
    RVK:
    Keywords: Rap (Music) / Analysis, appreciation ; Rap ; Flow-Erlebnis ; Sprechgesang ; Rhythmus ; Musikalische Analyse ; Rap ; Sprechgesang ; Rhythmus ; Flow-Erlebnis ; Musikalische Analyse
    Note: Includes index
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  • 28
    ISBN: 9780190885779
    Language: English
    Pages: x, 347 Seiten , Illustrationen
    Series Statement: Oxford handbooks
    RVK:
    Keywords: Aufsatzsammlung
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  • 29
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190215828
    Language: English
    Pages: XXI, 476 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als Budasz, Rogério Opera in the tropics
    DDC: 782.10981
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    Keywords: Musical theater History and criticism 18th century ; Musical theater History and criticism 17th century ; Brasilien ; Musiktheater ; Oper ; Geschichte 1564-1822
    Note: Includes bibliographical references and index
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  • 30
    ISBN: 9780190056681
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.64
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    Keywords: Geschichte 2000-2019 ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Popular music / Analysis, appreciation ; Musikalische Analyse ; Musikalischer Stil ; Hit ; Popmusik ; Popmusik ; Hit ; Musikalischer Stil ; Musikalische Analyse ; Geschichte 2000-2019
    Abstract: 'Switched on Pop' illuminates the essential musical concepts behind two decades of chart-topping songs. The text moves through close studies of 16 modern pop classics by artists from Beyonc e to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core concepts such as rhythm, melody, harmony, form, and timbre. As the work progresses, more complex concepts such as syncopation, counterpoint, rhyme, and modulation are covered, culminating in an examination of genre, identity, and musical meaning. Accessible prose and engaging illustrations break down pop hits and musical ideas in clear, jargon-free language, and point toward a new way of listening to the modern soundtrack of pop.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190656881
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 781.629697298307471
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    Keywords: Calypso ; Soca ; Steelband ; Karneval ; New York, NY
    Abstract: 'Jump Up!' provides a comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending urban studies, oral history, archival research, and ethnography, the work examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace, transformation, and hybridization of select Carnival music styles and performances. The text fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its island homeland and its burgeoning New York migrant community.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
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  • 32
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
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  • 33
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-199374-05-2
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Keywords: Taiko ; Taiko (Drum ensemble) / United States ; Music / Social aspects / United States ; Asian American musicians ; Asiaten ; Musik ; Kulturpolitik ; Einfluss ; Soziale Funktion ; Identität ; Performance ; Taiko ; USA ; Asien ; Hochschulschrift ; Hochschulschrift ; USA ; Taiko ; USA ; Musik ; Asien ; Einfluss ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 34
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190913526
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.42164909663
    RVK:
    RVK:
    Keywords: Geschichte 1985- ; Popular music / Social aspects / Senegal ; Rap music / Social aspects / Senegal ; Social change / Senegal ; Globalisierung ; Urbanität ; Sozialer Wandel ; Hip-Hop ; Rap ; Senegal / Social life and customs / 21st century ; Senegal ; Senegal ; Rap ; Hip-Hop ; Urbanität ; Globalisierung ; Sozialer Wandel ; Geschichte 1985-
    Abstract: 'In Hip Hop Time' goes beyond popular narratives of hip hop resistance to address Senegalese hip hop - Rap Galsen - as a musical movement deeply tied to indigenous performance practices and changing social norms in a modernizing Africa
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190635299
    Language: English
    Pages: 1 Online-Ressource (250 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.32216300956913
    RVK:
    Keywords: Syrian chants / Syria / Aleppo / History and criticism ; Church music / Syria / Aleppo ; Church music / Syrian Orthodox Church ; Kirchenmusik ; Kirchengesang ; Aleppo ; Aleppo ; Kirchenmusik ; Kirchengesang
    Abstract: 'Sense and Sadness' is a story of the living practice of Syriac chant in Aleppo, Syria. To understand and explain this oral tradition, the text puts forward the concept of the emotional economy of music aesthetics, an economy in which the emotional and the aesthetic interrelate in mutually indicative ways
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 36
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190635268 , 9780190635251
    Language: English
    Pages: xxvii, 219 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 782.32216300956913
    RVK:
    Keywords: Syrian chants / Syria / Aleppo / History and criticism ; Church music / Syria / Aleppo ; Church music / Syrian Orthodox Church ; Kirchenmusik ; Kirchengesang ; Aleppo ; Aleppo ; Kirchenmusik ; Kirchengesang
    Abstract: 'Sense and Sadness' is a story of the living practice of Syriac chant in Aleppo, Syria. To understand and explain this oral tradition, the text puts forward the concept of the emotional economy of music aesthetics, an economy in which the emotional and the aesthetic interrelate in mutually indicative ways
    Note: Includes bibliographical references and index
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  • 37
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199374052
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Keywords: Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; USA ; Taiko ; Musik ; Asien ; Einfluss ; Asiaten ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 18, 2018)
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  • 38
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190296643
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.49
    RVK:
    Keywords: Geschichte ; Sound recordings / Production and direction ; Popular music / Production and direction ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Musikproduktion ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Abstract: 'Dawn of the DAW' examines DIY recording studio practices past and present, with a focus on the concept of 'the studio as musical instrument' the evolving role of the producer, and the implications of these practices for the field of music education
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 39
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190653804
    Language: English
    Pages: 1 Online-Ressource
    DDC: 781.66117
    RVK:
    Keywords: Einführung ; Einführung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 40
    ISBN: 9783839444054
    Language: German
    Pages: 1 Online-Ressource (482 p.)
    Edition: 1st ed.
    Series Statement: Theater 112
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Protestbewegung ; Protest ; Chor ; Widerstand ; Ästhetik ; Theaterwissenschaft ; Arabischer Frühling ; Occupy Wall Street ; Stuttgart 21 ; Hochschulschrift
    Abstract: Protestformen haben sich im globalen Maßstab und über kulturelle wie politische Grenzen hinweg verändert. Die sozial- und politikwissenschaftliche Protestforschung verfolgt dies aufmerksam, wobei die ästhetischen Dimensionen oft unterbelichtet bleiben. Stefan Donath beschreibt am Beispiel einer der ältesten Ausdrucksformen des europäischen Theaters - dem Chor - den Wandel in den Darstellungsformen von Protest. Er zeigt: Im Rahmen von Stuttgart 21, des Arabischen Frühlings und der Occupy-Bewegung verweisen Protestchöre auf eine neue Ästhetik des Widerstands.
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  • 41
    ISBN: 9780199374014 , 9780199374021
    Language: English
    Pages: xviii, 177 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ahlgren, Angela K., author Drumming Asian America
    DDC: 786.908995073
    RVK:
    Keywords: Taiko ; Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; Soziale Funktion ; Asiaten ; Identität ; Musik ; Einfluss ; Taiko ; Kulturpolitik ; Performance ; Asien ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik ; USA ; Musik ; Asien ; Einfluss ; USA ; Taiko
    Note: Includes bibliographical references and index
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  • 42
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199365173 , 9780199365180
    Language: English
    Pages: xiv, 264 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.1/1
    RVK:
    Keywords: Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika
    Note: Includes bibliographical references
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  • 43
    ISBN: 9780190913489 , 9780190913496
    Language: English
    Pages: XI, 234 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42164909663
    RVK:
    RVK:
    Keywords: Geschichte 1985- ; Popular music Social aspects ; Rap music Social aspects ; Social change ; Urbanität ; Hip-Hop ; Rap ; Sozialer Wandel ; Globalisierung ; Senegal Social life and customs 21st century ; Senegal ; Senegal ; Rap ; Hip-Hop ; Urbanität ; Globalisierung ; Sozialer Wandel ; Geschichte 1985-
    Note: Includes bibliographical references and index
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  • 44
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
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  • 45
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 781.641234
    RVK:
    Abstract: 'The Relentless Pursuit of Tone' investigates the many ways tone and timbre function in popular music. From the twang of the banjo to the thump of subwoofers on the dance floor, the authors engage with the entire history of popular music as recorded sound, from the 1930s to the present day.
    Note: Previous edition issued in print: 2018 , Includes bibliographical references and index
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  • 46
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199392490
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), map (black and white).
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    DDC: 946.07
    RVK:
    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
    Abstract: Based on a study of Madrid (1850-1930), 'Discordant Notes' argues that sound, noise, street music and flamenco have played a key role in structuring the transition to modernity by helping to negotiate social attitudes and legal responses to fundamental problems such as poverty, insalubrity, and crime.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 47
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199985234
    Language: English
    Pages: xvii, 386 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Klangfarbe ; Geschichte 1930- ; Musikproduktion ; Unterhaltungsmusik ; Schallaufzeichnung ; Popular music / History and criticism ; Popular music / Production and direction / History ; Tone color (Music) ; Popular music ; Tone color (Music) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Description / Table of Contents: Introduction. Chasing the dragon : in search of tone in popular music / Robert Fink, Zachary Wallmark, and Melinda Latour -- Genre. Hearing timbre : perceptual learning among early Bay Area ravers / Cornelia Fales ; The twang factor in country music / Jocelyn R. Neal ; The sound of evil : timbre, body, and sacred violence in death metal / Zachary Wallmark ; Below 100 Hz : toward a musicology of subbass / Robert Fink -- Voice. Timbre and legal likeness : the case of Tom Waits / Mark C. Samples ; The triumph of Jimmy Scott : a voice beyond category / Nina Sun Eidsheim ; Auto-Tune, labor, and the pop music voice / Catherine Provenzano -- Instrument. Hearing luxe pop : Jay Z, Isaac Hayes, and the six degrees of symphonic soul / John Howland ; Santana and the metaphysics of tone : feedback loops, volume knobs and the quest for transcendence / Melinda Latour ; Synthesizers as social protest in early 1970s funk / Griffin Woodworth ; Crossing the electronic divide: guitars, synthesizers, and the shifting sound field of fusion / Steve Waksman -- Production. Clash of the timbres : recording authenticity in the California rock scene, 1966-68 / Jan Butler ; The death rattle of a laughing hyena : the sound of musical democracy / Albin J. Zak III ; The sound of nowhere : reverb and the construction of sonic space / Paul Théberge ; The spectromorphology of recorded popular music : the shaping of sonic cartoons through record production / Simon Zagorski-Thomas -- Afterword / Simon Frith
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  • 48
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190466954 , 0190466952
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Currents in Latin American & Iberian music
    DDC: 793.319468
    RVK:
    Keywords: Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190869366
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.62959720597
    RVK:
    Keywords: Hmong (Asian people) / Vietnam / Music / History and criticism ; Hmong (Asian people) / Vietnam / Social life and customs ; Folk music / Vietnam / History and criticism ; Musik ; Soziale Identität ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Abstract: 'Musical Minorities' is the first English-language monograph on the performing arts of an ethnic minority in Vietnam. Living primarily in the northern mountains, many of the one million Hmong in Vietnam have strategically maintained their cultural distance from foreign invaders and encroaching state agencies for almost two centuries. They use cultural heritage as a means of maintaining a resilient community identity, malleable to their everyday needs and to negotiations among themselves and with others in the vicinity. Case studies of revolutionary songs, countercultural rock, traditional vocal and instrumental styles, tourist shows, animist and Christian rituals, and light pop from the diaspora illustrate the diversity of their creative outputs
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 50
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190872397
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1976-1989 ; Punk rock music / History and criticism ; Punk rock music / Political aspects ; Sozialer Wandel ; Ost-West-Konflikt ; Politik ; Punk Rock ; Punk Rock ; Ost-West-Konflikt ; Politik ; Sozialer Wandel ; Geschichte 1976-1989
    Abstract: This work tells the story of punk rock as a global movement that spanned the boundaries of the Cold War world, focusing on examples in Poland and elsewhere in Eastern and Central Europe, the United States, the United Kingdom, and their connections with the Third World. Drawing on archival documents, 'zines, mainstream publications, and other sources, it closely examines the appeal of punk to its practitioners and the reactions of each society to the rise of punk. It argues that punk grew out of and contributed to the global transition from the late Cold War era to the era of neoliberal/neoconservative globalization
    Note: Previously issued in print: 2018. - Includes bibliographical references, discography, videography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
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  • 52
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984169
    Language: English
    Pages: 1 Online-Ressource (xiii, 676 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and queerness
    DDC: 780.8664
    RVK:
    RVK:
    Keywords: Gender identity in music ; Sex in music ; Homosexuality and music ; Gender identity in music ; Sex in music ; Homosexuality and music ; Musik ; Homosexualität ; Geschlechterforschung ; Musizieren ; Sexuelle Orientierung ; Queer-Theorie
    Abstract: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
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  • 53
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839444177
    Language: German
    Pages: 1 Online-Ressource (472 p.)
    Edition: 1st ed.
    Series Statement: American Culture Studies 23
    DDC: 000
    RVK:
    Keywords: Smith, Patti ; Soziales Netzwerk ; Transnationalisierung ; Weltbürgertum ; Pop-Kultur
    Abstract: Über die facettenreiche Arbeit der 71-jährigen Künstlerin Patti Smith gibt es eine Flut von Informationen - nicht zuletzt durch das Internet. Auch ihre autobiografischen Werke Just Kids und M Train haben eine internationale Leserschaft gefunden. Henning E. Kuckuk setzt sich ausgehend von der interdisziplinären Amerikanistik und den Cultural Studies - mit Bezug auf politik- und sozialwissenschaftliche Parameter - erstmals wissenschaftlich mit ihrem Werk und Leben auseinander. Der Analyse liegen empirische Untersuchungen von Performances und der Website der Künstlerin zugrunde, die von einem breiten Publikum rezipiert werden. Wie Patti Smith spricht auch dieses Buch eine politisch aktive Öffentlichkeit an.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 54
    ISBN: 9780190499631 , 9780190499648
    Language: English
    Pages: xiii, 253 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264/.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; Gotteslob ; Neues geistliches Lied ; Gottesdienst ; Evangelikale Bewegung
    Note: Includes bibliographical references and index
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  • 55
    ISBN: 9780190626976 , 9780190626969
    Language: English
    Pages: xxi, 208 Seiten
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Sheffield
    DDC: 781.62/959720597
    RVK:
    Keywords: Soziale Identität ; Musik ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Note: Includes bibliographical references and index
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  • 56
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190227012
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of algorithmic music
    DDC: 781.3/4
    RVK:
    Keywords: Computer composition (Music) ; Computer composition ; Computer composition ; Algorithmische Komposition ; Computermusik ; Algorithmus ; Algorithmische Komposition ; Computermusik ; Algorithmus
    Abstract: Algorithmic music appears to be at a turning point in its history, with many new systems and communities of practice developing together, as vibrant musical culture. This handbook brings together dozens of leading researchers and practitioners in the field, blending technical, artistic, cultural and scientific viewpoints into a whole that considers the making of algorithmic music as a rich, and essentially human activity. Featuring chapters by emerging and established scholars as well as by leading practitioners in the field, this handbook both describes the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music.
    Note: Includes bibliographical references and index
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  • 57
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190636241
    Language: English
    Pages: 1 Online-ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and the body
    DDC: 781.1
    RVK:
    RVK:
    Keywords: Music Psychological aspects ; Music Physiological aspects ; Music Performance ; Psychological aspects ; Music Performance ; Physiological aspects ; Human body in music ; Human body in music ; Music ; Psychological aspects ; Music ; Physiological aspects ; Musik ; Körper
    Abstract: Contextualizing music and the body : an introduction / Youn Kim and Sander Gilman -- The moving and performing body. Musicalities and the moving body in Western concert dance / Byron Suber ; Music and movement : expectations, aesthetics and representation / Jay Schulkin ; The science of voice and the body / Marina Gilman ; The body as musical instrument / Atau Tanaka and Marco Donnarumma -- The musical brain, psyche, and beyond. Music changes the brain / Paul Lennard ; Music and psychoanalysis / Sander Gilman ; Music sociology meets neuroscience / Mia Nakamura -- Embodied mind, embodied rhythm. Sound-motion bonding in body and mind / Rolf Inge Godøy ; Music, Bacchus, and freedom / Hedy Law ; Entrainment and embodiment in musical performance / Eugene Montague ; Rhythm and the performer's body / Daniel B. Stevens ; Embodied rhythm and musical impact of corporal punishment in twentieth-century opera / Shersten R. Johnson -- Music and the disabled and sexual body. Music and the embodiment of disability / Michael B. Bakan ; Musical remediation of disability / Blake Howe ; Virtuosities of deafness and blindness: musical performance and the prized body / Stefan Sunandan Honisch ; Embodied representation in staged opera / Linda Hutcheon and Michael Hutcheon ; Sexuality, dis/ability, and sublimity in grand opera / Hanne Blank ; Is there disabled music? music and the body from Dame Evelyn Glennie's perspective / Evelyn Glennie, Sander Gilman, and Youn Kim -- Music as medicine. Music and the body in the history of medicine / James Kennaway ; Music in body and imagination / H. Martyn Evans -- Music and the multimodal body. Spatial representations common to music and bodily experience / Xuejing Lu and William Forde Thompson ; Multimodal music in infancy and early childhood / Sandra E. Trehub ; Opera as film : multimodal narrative and embodiment / Yayoi U. Everett ; Listening to the musicking body : a cross-disciplinary and historical perspective / Youn Kim
    Note: Includes bibliographical references and index
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  • 58
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199313471
    Language: English
    Pages: xvi, 214 Seiten
    Series Statement: Inner lives
    RVK:
    Keywords: Dylan, Bob ; Biografie ; Biografie
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  • 59
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190235451 , 9780190235468
    Language: English
    Pages: xv, 155 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 2000-2016 ; Rap (Music) History and criticism ; Rap (Music) Social aspects ; Posthumanismus ; Rap ; Kulturkritik ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Rap ; Posthumanismus ; Kulturkritik ; Geschichte 2000-2016
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  • 60
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190631987 , 9780190631970
    Language: English
    Pages: xx, 288 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4/842291495
    RVK:
    Keywords: Music Social aspects ; Volksmusik ; Nepali ; Nepal Social life and customs ; Nepal ; Nepal ; Nepali ; Volksmusik
    Note: Includes bibliographical references and index
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  • 61
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190495039
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Affekt ; Islam ; Heilung ; Musiker ; Klassische Musik ; Melancholie ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190666583
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.643122
    RVK:
    Keywords: Geschichte ; Blues ; Blues (Music) / History and criticism ; Blues (Music) / Analysis, appreciation ; Time in music ; Diskografie ; Diskografie ; Blues ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190235468 , 9780190235475 , 9780190235482 , 9780190235499
    Language: English
    Pages: 1 Online-Ressource (xv, 155 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 2000-2016 ; Rap (Music) History and criticism ; Rap (Music) Social aspects ; Posthumanismus ; Rap ; Kulturkritik ; USA ; Hochschulschrift ; Hochschulschrift ; USA ; Rap ; Posthumanismus ; Kulturkritik ; Geschichte 2000-2016
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 64
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190252946
    Language: English
    Pages: xv, 302 Seiten, 16 ungezählte Seiten Bildtafeln
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421644092
    RVK:
    Keywords: Pickett, Wilson ; Pickett, Wilson ; Geschichte 1941-2006 ; Soul musicians Biography ; Sänger ; Soulmusiker ; USA ; USA ; Biografie ; Biografie ; Biografie ; Pickett, Wilson 1941-2006 ; USA ; Sänger ; Soulmusiker ; Geschichte 1941-2006
    Abstract: He was the Wicked Wilson Pickett, the legendary soul man whose forty-plus hits included "In the Midnight Hour," "634-5789," "Land of 1000 Dances," "Mustang Sally," and "Don't Let the Green Grass Fool You." Remarkably handsome and with the charisma to match, Wilson Pickett was considered by many to be the greatest, the most visceral and sensual of the classic 1960s soul singers, and as a man who turned screaming into an art form, the most forceful of them all. He was the living embodiment of soul. More than that, Wilson Pickett's journey reads like a guide to popular black American music in the late 20th century. From the gospel-rich cotton fields of Alabama to the pre-Motown metropolis of Detroit, and throughout his career at Atlantic Records--he was the first artist on that label to record at Stax in Memphis, Fame in Muscle Shoals, and Sigma in Philadelphia, and rehabilitated an exiled Bobby Womack and introduced Duane Allman along the way--Wilson Pickett led the shifts in Rhythm and Blues and soul music. Pickett's downfall, precipitated by the move towards softer soul and then disco in the 1970s, proved equally dramatic, leading to a heavy alcohol and drug addiction, a reputation for violence and gun use, a no-show for his induction into the Rock 'n' Roll Hall of Fame in 1991, and two jail terms later in the decade. Nonetheless, the "Wicked" Pickett climbed out of these depths to end his career with a Grammy-nominated album before his death in 2006. For this first-ever accounting of Wilson Pickett's life, bestselling biographer Tony Fletcher interviewed members of the singer's family, friends and partners, along with dozens of his studio and touring musicians. Offering equal attention to Pickett's personal and professional life, with detailed insight into his legendary studio sessions and his combative road style, In the Midnight Hour: The Life and Soul of Wilson Pickett is the essential telling of an epic life.
    Abstract: Tony Fletcher is the bestselling author of major biographies on Keith Moon, the Smiths, and R.E.M., as well as a memoir, a novel, and a history of the New York City music scene. Born in northern England, and raised in South London, where he started his own music magazine at the age of thirteen, he emigrated to New York City in the late 1980s. When not traveling with his family, he makes his home near Woodstock in the Catskill Mountains of upstate New York. A contributor to Salon and the Wall Street Journal, his writing has also appeared in Mojo, Rolling Stone, the New York Times, Spin, and Newsday, and he has contributed to a host of other publications, radio, and television shows worldwide.
    Description / Table of Contents: Dedication. Preface. Part I: 1941-1972 Rise. Part II: 1973-1996 Fall. Part III: 1997-2006 Redemption. Sources. Bibliography. Acknowledgments. Index
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  • 65
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190248178
    Language: English
    Pages: xii, 575 Seiten , Illustrationen
    DDC: 781.64209
    RVK:
    Keywords: Countrymusic ; Musikbranche ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 66
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190666552
    Language: English
    Pages: xix, 250 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.643/122
    RVK:
    Keywords: Geschichte ; Blues ; Blues (Music) / History and criticism ; Blues (Music) / Analysis, appreciation ; Time in music ; Diskografie ; Blues ; Geschichte
    Abstract: Spontaneity, immediacy and feeling characterize the blues as a genre. Whether it's the movement of call and response, the expressive bends and wails of voice and instruments or the synergistic relationship between audience and performers, the blues embody a kind of "living in the moment" aesthetic. At the same time, the blues genre has always responded in a unique way to its historical moment, its formal characteristics, figures, and devices constantly emerging from-and speaking to-the social relations emanating from Jim Crow segregation, sharecropping, racist violence, and migration. Time in the Blues presents an interdisciplinary analysis of the specific forms of temporality produced by and reflected in the blues. Examining time as it is represented, enacted, and experienced through the blues, interdisciplinary scholar Julia Simon addresses how the material conditions in the early twentieth century shaped a musical genre. The technical aspects of the blues-ostinato patterns, cyclical changes, improvisation, call and response-emerge from and speak to the Jim Crow era's economic, social, and political relations. Through this temporal analysis, Simon addresses how the moment-to-moment aspect of time in blues performance relates to the genre's location within historical time, with careful examinations of the historical performance and reception of blues music from the 1920s to the present day. Simon examines the structuring of time, and analyzes temporality to open the broader questions of desire, agency, self-definition, faith, and forms of resistance as they are articulated in this music. Ultimately, Time in the Blues, argues for the relevance, significance, and importance of time in the blues for shared values of community and a vision of social justice.
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  • 67
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190467333 , 9780190467340
    Language: English
    Pages: x, 146 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford keynotes
    DDC: 782.42164
    RVK:
    Keywords: Arlen, Harold ; Harburg, E. Y. ; Arlen, Harold ; Arlen, Harold 1905-1986 The wizard of Oz
    Note: Includes bibliographical references and index
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  • 68
    ISBN: 3837638324 , 9783837638325
    Language: German
    Pages: 325 Seiten , Illustrationen
    Series Statement: Studien zur Popularmusik
    Dissertation note: Dissertation Heinrich-Heine-Universität Düsseldorf [2016?]
    DDC: 782.4216490973
    RVK:
    Keywords: Hip-Hop ; Musikvideo ; Sakralisierung ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Dissertation eingereicht u.d.T.: I am a God. Inszenierungen des Sakralen in Musikvideos des US-amerikanischen Hip-Hops
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  • 69
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 019061689X , 9780190616892 , 0190616881 , 9780190616885
    Language: English
    Pages: 259 Seiten , Illustrationen
    DDC: 780.89
    RVK:
    RVK:
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    Keywords: Musikethnologie
    Note: References
    Library Location Call Number Volume/Issue/Year Availability
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  • 70
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190297688
    Language: English
    Pages: 1 Online-Ressource (xxx, 370 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.66081
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Rock music Social aspects ; Sex role in music ; Geschlechterrolle ; Rockmusik ; Rockmusik ; Geschlechterrolle
    Note: Includes index
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  • 71
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190629236 , 9780190629229
    Language: English
    Pages: xxvi, 220 Seiten , zahlreiche Notenbeispiele
    Parallel Title: Erscheint auch als Osborn, Brad Everything in its right place
    DDC: 782.42166092/2
    RVK:
    Keywords: Radiohead (Musical group) Criticism and interpretation ; Rock music History and criticism ; Radiohead ; Rockmusik ; Musikalische Analyse
    Note: Includes bibliographical references and index
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  • 72
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780199313488
    Language: English
    Pages: 1 Online-Ressource (xvi, 214 Seiten)
    Series Statement: Inner Lives
    Parallel Title: Erscheint auch als McCarron, Andrew Light come shining
    DDC: 782.42164091999996
    RVK:
    Keywords: Dylan, Bob ; Biografie
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  • 73
    ISBN: 9783839438565
    Language: German
    Pages: 1 Online-Ressource (312 p.)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
    RVK:
    RVK:
    Keywords: Unterhaltungsmusik ; Popmusik ; Rezeption ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Ob Soul in Deutschland, progressive Landdiskotheken in der Provinz oder neue Mixingkonzepte im Loudness War - das Spektrum der Aneignungsformen populärer Musik ist vielfältig. Für die musikwissenschaftliche, kulturwissenschaftliche und musikpädagogische Forschung ist das Thema, das sich weitgehend außerhalb formaler Bildungskontexte abspielt, ein bislang unerschlossenes Gebiet. Der Band ändert dies. Er versammelt theoretische Perspektiven sowie historische und aktuelle Fallbeispiele und spiegelt den aktuellen internationalen Diskussionsstand wider. Daraus ergeben sich maßgebende Impulse für weiterführende Forschungsaktivitäten auch in verwandten Fachdisziplinen.
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  • 74
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839438565
    Language: German
    Pages: 1 Online-Ressource (309 Seiten) , Illustrationen
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    RVK:
    Keywords: Weber, Bernhard ; Unterhaltungsmusik ; Popmusik ; Rezeption ; Unterhaltungsmusik ; Popmusik ; Rezeption ; Lernen ; Informelles Lernen ; Klang ; Musik ; Musik ; Musikwissenschaft ; Popkultur ; Popmusik ; Popular Music,Music,Popular Culture,Pop Music,Musicology ; Populäre Musik ; Systematische Musikpädagogik ; Systematische Musikwissenschaft ; Deutschland ; Deutschland ; Konferenzschrift 2016 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015
    Abstract: Music, cultural and music pedagogical perspectives on the appropriation of popular music.
    Abstract: Ob Soul in Deutschland, progressive Landdiskotheken in der Provinz oder neue Mixingkonzepte im Loudness War - das Spektrum der Aneignungsformen populärer Musik ist vielfältig. Für die musikwissenschaftliche, kulturwissenschaftliche und musikpädagogische Forschung ist das Thema, das sich weitgehend außerhalb formaler Bildungskontexte abspielt, ein bislang unerschlossenes Gebiet. Der Band ändert dies. Er versammelt theoretische Perspektiven sowie historische und aktuelle Fallbeispiele und spiegelt den aktuellen internationalen Diskussionsstand wider. Daraus ergeben sich maßgebende Impulse für weiterführende Forschungsaktivitäten auch in verwandten Fachdisziplinen.
    Note: Literaturangaben
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 75
    ISBN: 9783837629354 , 383762935X
    Language: German
    Pages: 355 Seiten , Illustrationen , 225 mm x 148 mm, 588 g
    Series Statement: TanzScripte Band 35
    Series Statement: TanzScripte
    Parallel Title: Erscheint auch als Wittrock, Eike Arabesken
    Parallel Title: Erscheint auch als Wittrock, Eike Arabesken - Das Ornamentale des Balletts im frühen 19. Jahrhundert
    Parallel Title: Erscheint auch als Wittrock, Eike Arabesken - Das Ornamentale des Balletts im frühen 19. Jahrhundert
    Dissertation note: Dissertation Freie Universität Berlin 2017
    RVK:
    RVK:
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    Keywords: Hochschulschrift ; Ballett ; Arabeske ; Das Ornamentale ; Geschichte 1800-1850
    Note: Literaturverzeichnis: Seite 319-352
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  • 76
    Musical Score
    Musical Score
    New York, NY : Oxford University Press
    ISBN: 9780190495015 , 9780190495008
    Language: English
    Pages: xxvi, 256 pages , illustrations, music , 24 cm
    DDC: 781.6909561
    RVK:
    Keywords: Music History and criticism ; Melancholy in music ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references (pages 211-242) and index
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  • 77
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190495008 , 9780190495015
    Language: English
    Pages: xxvi, 256 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Islam ; Heilung ; Affekt ; Klassische Musik ; Melancholie ; Musiker ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
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  • 78
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199359516 , 9780190688660
    Language: English
    Pages: xxvii, 363 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.66081
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Rock music Social aspects ; Sex role in music ; Geschlechterrolle ; Rockmusik ; Rockmusik ; Geschlechterrolle
    Note: Includes index
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  • 79
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839434314
    Language: German
    Pages: 1 Online-Ressource (244 p.)
    Edition: 1st ed.
    Series Statement: Religion und Medien 3
    DDC: 200
    RVK:
    RVK:
    RVK:
    Keywords: Heavy Metal ; Neuheidentum ; Religiosität ; Massenkultur ; Medien ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Religion findet sich nicht nur in Kirchen und Moscheen, sondern auch an profanen Orten wie Heavy Metal-Konzerten. Mittels der Analyse von Konzerten, Liedtexten, CD-Covern und Interviews mit bekannten Musikern im Bereich des Pagan Metal diskutiert Serina Heinen das Verhältnis von Religion und Populärkultur. Dabei tritt ein wichtiger Aspekt von moderner Religion zutage, der in religionssoziologischen Debatten kaum Beachtung findet: Religion im populärkulturellen Kontext ist vieldeutig. Pagan Metal ist voller explizit religionsbezogener Symbolik, doch verstehen die Musiker ihre künstlerische Auseinandersetzung mit Religion nicht zwingend als religiöses Bekenntnis.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 81
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199372164
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 780.71
    RVK:
    RVK:
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    Keywords: Music Instruction and study ; Technological innovations ; Music Instruction and study ; Technological innovations ; Music ; Instruction and study ; Technological innovations ; Aufsatzsammlung ; Musikerziehung ; Technische Innovation ; Musikerziehung ; Medien ; Technologie ; Musiklehrer ; Ausbildung ; Weiterbildung ; Medien ; Technologie
    Abstract: "Few aspects of daily existence are untouched by technology. Learning and teaching music are no exceptions and arguably have been impacted as much or more than other areas of life. Digital technologies have come to affect music learning and teaching in profound ways, influencing how we create, listen, share, consume, and interact with music--and conceptualize musical practices and the musical experience. For a discipline as entrenched in tradition as music education, this has brought forth myriad views on what does and should constitute music learning and teaching. To tease out and elucidate some of the salient problems, interests, and issues, The Oxford Handbook of Technology and Music Education critically situates technology in relation to music education from a variety of perspectives--historical, philosophical, socio-cultural, pedagogical, musical, economic, policy--organized around four broad themes: Emergence and Evolution; Locations and Contexts: Social and Cultural Issues; Experiencing, Expressing, Learning and Teaching; and Competence, Credentialing, and Professional Development. Chapters from a highly diverse group of junior and senior scholars provide analyses of technology and music education through intersections of gender, theoretical perspective, geographical distribution, and relationship to the field. The Oxford Handbook of Technology and Music Education's dedication to diversity and forward-facing discussion promotes contrasting perspectives and conversational voices rather than reinforce traditional narratives and prevailing discourses."-- $c Book jacket
    Note: Literaturangaben
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  • 82
    ISBN: 9783839436875
    Language: German
    Pages: 1 Online-Ressource (180 p.)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
    RVK:
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    Abstract: Tiefschwarze Nächte, Krächzgesang und Kunstblut, magische Symbole, archaische Rituale und uralte Geschichten: Black Metal bedient auf unterschiedlichsten Ebenen der Inszenierung Codes des Dunklen, Bösen und Geheimnisvollen - musikalisch-klanglich, diskursiv, visuell, körperlich-performativ, paratextuell. Doch wie genau funktionieren gängige ästhetische Symbole des Black Metal und wie sind sie in ihrem jeweiligen Kontext zu verstehen und einzuordnen? Ausgehend von dieser Frage bieten die Beiträge des Bandes differenzierte Einblicke in ein komplexes musikalisches und kulturelles Gegenwartsphänomen. Darüber hinaus geben sie methodisch Aufschluss über Möglichkeiten und Grenzen transdisziplinärer, kollektiver Analysen von populärer Musik.
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  • 83
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190696979
    Language: English
    Pages: 1 Online-Ressource , Diagramme, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Musikethnologie ; Musikethnologie
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 84
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 85
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190629267
    Language: English
    Pages: 1 Online-Ressource (xxvi, 220 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092
    RVK:
    RVK:
    Keywords: Radiohead (Musical group) ; Radiohead ; Geschichte 1989- ; Rock music / England / History and criticism ; Rockmusik ; Musikalische Analyse ; Rockgruppe ; Großbritannien ; Radiohead ; Rockmusik ; Musikalische Analyse ; Großbritannien ; Rockgruppe ; Geschichte 1989-
    Abstract: 'Everything in its Right Place' identifies the secret to Radiohead's immense commercial and critical success in the band's ability to navigate a sweet spot between expectation and surprise. The author uses tools from musical perception, semiotics, and music theory to demonstrate this reconciliation of extremes, and analyzes musical meaning with lyrics, biographical details, and intertextual relationships
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 86
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190245221
    Language: English
    Pages: 1 Online-Ressource (434 Seiten)
    Edition: 2. edition
    Parallel Title: Erscheint auch als Berlin, Edward A., 1936 - King of ragtime
    DDC: 781.645092
    RVK:
    RVK:
    Keywords: Joplin, Scott ; Joplin, Scott, 1868-1917 ; Composers Biography ; Ragtime music History and criticism ; Joplin, Scott ; 1868-1917 ; Composers ; United States ; Biography ; Ragtime music ; History and criticism ; Joplin, Scott 1868-1917 ; Composers United States ; Biography ; Ragtime music History and criticism ; Joplin, Scott 1868-1917
    Abstract: This volume tells the story of the life and works of Scott Joplin. In its expanded second edition, the book goes far beyond the original publication in uncovering details of the composer's life and insights into his music.
    Note: This edition previously issued in print: 2016. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 25, 2016)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 87
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 online resource.
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
    Keywords: Music History and criticism ; Music and globalization ; Afrika ; Musik ; Ethnologie ; Globalisierung
    Abstract: The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music.
    Note: Includes bibliographical references, discography, filmography and index. - Description based on online resource; title from home page (viewed on February 10, 2016)
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  • 88
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199347698 , 9780199347674 , 9780199347681 , 9780190456825
    Language: English
    Pages: 1 Online-Ressource (xiii, 289 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/6578
    RVK:
    Keywords: Jazz in motion pictures ; Musicians in motion pictures ; Jazz on television ; Musicians on television ; Rezeption ; Jazz ; Fernsehsendung ; Jazzmusiker ; Film ; Konferenzschrift 2011 ; Konferenzschrift 2011 ; Film ; Fernsehsendung ; Rezeption ; Jazzmusiker ; Jazz
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 89
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190467845
    Language: English
    Pages: 1 Online-Ressource (xiv, 263 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 781.64094965
    RVK:
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    Keywords: Geschichte 1945-2010 ; Popular music / Political aspects / Albania ; Music and state ; Popular music / Albania / History and criticism ; Musikpolitik ; Entwicklung ; Gesellschaft ; Soziologie ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Abstract: In 'Audible States', Nicholas Tochka traces an aural history of Albania's government through a close examination of the development and reception of light music as it has long been broadcast at an annual song competition, Radio-Television Albania's Festival of Song. Drawing on a wide range of archival resources and over 40 interviews with composers, lyricists, singers, and bureaucrats, Tochka describes how popular music became integral to governmental projects to improve society and a major concern for both state-socialist and post-socialist regimes between 1945 and the present
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 90
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199387809
    Language: English
    Pages: 1 Online-Ressource (xxii, 260 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089680747
    RVK:
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    Keywords: Geschichte 1930-1970 ; Salsa (Music) / New York (State) / New York / 1961-1970 / History and criticism ; Salsa (Music) / New York (State) / New York / 1971-1980 / History and criticism ; Salsa (Music) ; Musikleben ; Salsa ; New York (State) / New York ; New York, NY ; New York, NY ; Salsa ; Musikleben ; Geschichte 1930-1970
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Introduction. Guaracha to mambo : style shifts of the earlier generations (1930-60) -- Pachanga alegre -- La perfectafit -- Boogaloo soul -- Revolt in típico -- Fania's Latin thing -- Salsoul challenges
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 91
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
    RVK:
    RVK:
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    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190215750
    Language: English
    Pages: 1 online resource , illustrations (black and white), map (black and white)
    Parallel Title: Erscheint auch als
    DDC: 781.490949618
    RVK:
    Keywords: Music Social aspects ; Sound recording industry ; Istanbul ; Volksmusik ; Arrangement ; Tonstudio ; Schallaufzeichnung ; Digitaltechnik ; Soziale Funktion
    Abstract: In one of the first ethnographies of contemporary studio music production, author Eliot Bates investigates the emergence of a transnational market for Anatolian minority popular musics in the Turkish music industry. With its unique interdisciplinary approach, 'Digital Tradition' sets a new standard for the study of recorded music.
    Note: Previously issued in print: 2016. - Includes bibliographical references, discography and index. - Description based on online resource; title from home page (viewed on July 19, 2016)
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  • 93
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199368242
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Gidal, Marc Meistrich, 1972 - Spirit song
    DDC: 781.7968981
    RVK:
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    Keywords: Batuque music History and criticism ; Quimbanda music History and criticism ; Umbanda music History and criticism ; Batuque (Cult) ; Quimbanda (Cult) ; Umbanda (Cult) ; Porto Alegre (Rio Grande do Sul, Brazil) Religious life and customs ; Pôrto Alegre ; Umbanda ; Makumba ; Batuque ; Spiritualität ; Batuque
    Abstract: This volume explains how a multi-faith community in Brazil uses music both to combine and segregate three Afro-Brazilian religions: Batuque, Umbanda, and Quimbanda. It is a book-length study in English about music in Afro-Brazilian religions, which have synthesized African religions, folk Catholicism, Amerindian traditions, and in some cases European Spiritism.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 27, 2016)
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  • 94
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 95
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199380114 , 9780199380091 , 9780199380107
    Language: English
    Pages: 1 Online-Ressource (xiv, 311 Seiten) , Illustrations, Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.62/916204193
    RVK:
    RVK:
    Keywords: Geschichte ; Folk music History and criticism ; Volksmusik ; Irland ; Clare ; Irland ; Irland ; Clare ; Volksmusik ; Geschichte
    Note: Includes bibliographical references (pages 281-297), discographies (pages 275-278) and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 96
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 Online-Ressource (X, 372 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
    RVK:
    Keywords: Musik ; Music History and criticism ; Music and globalization ; Musik ; Musikethnologie ; Ethnologie ; Globalisierung ; Afrika ; Afrika ; Afrika ; Musik ; Ethnologie ; Globalisierung ; Afrika ; Musikethnologie
    Abstract: In "The African Imagination in Music", noted music scholar Kofi Agawy offers a fresh introduction to the vast, immensely rich and diverse set of repertoires that comprise the sound worlds of Sub-Saharan African music. Agawu introduces readers to the basic elements of African music and to the values upon which they are built. He then explores the key dimensions and resources of African music, including the place of music in society, musical instruments, the relationship between language and music, rhythm, melody, form, harmony and finally, appropriations of African music by musicians around the world. Written in an accessible styles, "The African Imagination in Music" is poised to renew interest in Black African music, and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists. - Kofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include "Playing with Signs: A Semiotic Interpretation of Classical Music" (Princeton University Press, 1991), "African Rhythm: A Northern Ewe Perspective" (Cambridge University Press, 1995), "Representing African Music: Postcolonial Notes, Queries, Positions" (Routledge, 2003) and "Music as Discourse: Semiotic Adventures in Romantic Music" (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. (Klappentext)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 97
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190259105
    Language: English
    Pages: 1 Online-Ressource (xix, 370 Seiten) , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Musikleben ; Weltmusik ; Tradition ; Musikethnologie ; Kulturvergleich ; Nachhaltigkeit ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199368242 , 9780199368235 , 9780199368259
    Language: English
    Pages: 1 Online-Ressource (X, 220 Seiten) , Illustrationen, Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.7/968981
    RVK:
    RVK:
    RVK:
    Keywords: Batuque music History and criticism ; Quimbanda music History and criticism ; Umbanda music History and criticism ; Batuque (Cult) ; Quimbanda (Cult) ; Umbanda (Cult) ; Batuque ; Spiritualität ; Umbanda ; Brasilien ; Porto Alegre (Rio Grande do Sul, Brazil) Religious life and customs ; Brasilien ; Pôrto Alegre ; Brasilien ; Pôrto Alegre ; Batuque ; Umbanda ; Spiritualität
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 99
    ISBN: 9780190259082 , 9780190259075
    Language: English
    Pages: xix, 370 Seiten , Illustrationen, Karten
    Edition: First edition
    DDC: 781.6
    RVK:
    RVK:
    RVK:
    Keywords: Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index
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  • 100
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-19-024454-5
    Language: English
    Pages: 1 Online-Ressource (xxiv, 412 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music / History and criticism ; Jews / Music / History and criticism ; Aschkenasim ; Tanz ; Klezmer ; Musikleben ; Musikalischer Stil ; Musik ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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