Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • 2020-2024  (31)
  • 1930-1934
  • Jackson : University Press of Mississippi  (17)
  • Cham, Switzerland : Palgrave Macmillan  (14)
  • Musicology  (31)
Material
Language
Years
Year
  • 1
    ISBN: 9783030987046 , 3030987043
    Language: English
    Pages: xxvii, 465 Seiten , Illustrationen , 22 cm
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: volume 2
    RVK:
    Keywords: Popular music History and criticism ; Africans Music ; History and criticism
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    ISBN: 9783030978839
    Language: English
    Pages: XXIII, 401 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    ISBN: 9783030987046
    Language: English
    Pages: xxvii, 465 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    ISBN: 9783031055546
    Language: English
    Pages: xv, 275 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 941
    RVK:
    Keywords: Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496839190
    Language: English
    Pages: 1 Online-Ressource (314 pages)
    Series Statement: American Made Music Ser.
    DDC: 780.266
    RVK:
    RVK:
    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Abstract: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    ISBN: 9783030978839 , 3030978834
    Language: English
    Pages: xxiii, 401 Seiten , Illustrationen , 22 cm
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: volume 1
    DDC: 781.63096
    RVK:
    Keywords: Popular music History and criticism ; Africans Music ; History and criticism
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    ISBN: 9781496839152
    Language: English
    Pages: xi, 321 Seiten , Illustrationen , 24 cm
    Series Statement: American made music series
    DDC: 780.266
    RVK:
    RVK:
    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten
    Abstract: From the 1980s through the early 2000s, a golden era for southern roots music, producer and three-time Grammy winner Scott Billington recorded many of the period's most iconic artists. Working primarily in Louisiana for Boston-based Rounder Records, Billington produced such giants as Irma Thomas, Charlie Rich, Buckwheat Zydeco, Johnny Adams, Bobby Rush, Ruth Brown, Beau Jocque, and Solomon Burke. The loving and sometimes irreverent profiles in Making Tracks reveal the triumphs and frustrations of the recording process, and that obsessive quest to capture a transcendent performance. Billington's long working relationships with the artists give him perspective to present them in their complexity-foibles, failures, and fabled feats-while providing a vivid look at the environs in which their music thrived. He tells about Boozoo Chavis's early days as a musician, jockey, and bartender at his mother's quarter horse track, and Ruth Brown's reign as the most popular star in rhythm and blues, when the challenge of traveling on the "chitlin' circuit" proved the antithesis of the glamour she exuded on stage. In addition, Making Tracks provides a widely accessible study in the craft of recording. Details about the technology and psychology behind the sessions abound. Billington demonstrates varying ways of achieving the mutual goal of a great record. He also introduces the supporting cast of songwriters, musicians, and engineers crucial to the magic in each recording session. Making Tracks sings unforgettably like a "from the vault" discovery.
    Note: Diskographie Seite 281-298
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Language: English
    Pages: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.62410763
    RVK:
    Keywords: Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Abstract: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Language: English
    Pages: 1 Online-Ressource (viii, 153 pages).
    Series Statement: Mississippi scholarship online
    DDC: 820.99287096
    RVK:
    RVK:
    RVK:
    Keywords: Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Abstract: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1496836022 , 9781496836038 , 9781496836021
    Language: English
    Pages: VIII, 153 Seiten
    DDC: 820.99287096
    RVK:
    RVK:
    RVK:
    Keywords: Schwarze Frau ; Jazz ; Literatur
    Note: Bibliography Seite 139-145
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 11
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496842428 , 9781496842404
    Language: English
    Pages: x, 236 Seiten , Illustrationen, Notenbeispiele
    Edition: First printing
    Series Statement: American made music series
    DDC: 781.62410763
    RVK:
    Keywords: Franzosen ; Kreolen ; Jazz ; Louisiana
    Note: Literaturverzeichnis Seite 194-216, selected discography Seite 217-218 , Titelzusatz auf dem Umschlag: French Creole music & the birth of jazz
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 12
    Language: English
    Pages: 2 Bände
    Series Statement: Pop music, culture and identity
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 13
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030796259
    Language: English
    Pages: vi, 212 Seiten , 210 mm
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Eminem ; Geschichte 1999-2020 ; Ethnology—America ; Culture ; Literature—History and criticism ; Popular music ; Song ; Lyrics ; Musikalbum ; Hardcover, Softcover / Musik ; Eminem 1972- ; Musikalbum ; Song ; Lyrics ; Geschichte 1999-2020
    Abstract: "This book critically analyses Eminem’s studio album releases from his first commercial album release The Slim Shady LP in 1999, to 2020’s Music To Be Murdered By, through the lens of storytelling, truth and rhetoric, narrative structure, rhyme scheme and type, perspective, and celebrity culture. In terms of lyrical content, no area has been off-limits to Eminem, and he has written about domestic violence, murder, rape, child abuse, incest, drug addiction, and torture during his career. But whilst he will always be associated with these dark subjects, Mathers has also explored fatherhood, bereavement, mental illness, poverty, friendship, and love within his lyrics, and the juxtaposition between these very different themes (sometimes within the same song), make his lyrics complex, deep, and deserving of proper critical discussion.The first full-length monograph concerning Eminem's lyrics, this book affords the same rigorous analysis to a hip-hop artist as would be applied to any great writer's body of work; such analysis of 'popular' music is often overlooked. In addition to his rich exploration of Eminem's lyrics, Fosbraey furthermore delves into a variety of different aspects within popular music including extra-verbal elements, image, video, and surrounding culture. This critical study of his work will be an invaluable resource to academics working in the fields of Popular Music, English Literature, or Cultural Studies." (Buchrückseite)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 14
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031189999
    Language: English
    Pages: xvi, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 302
    RVK:
    Keywords: Social Psychology ; Popular Music ; Media Psychology ; Theory of Music ; Social psychology ; Popular music ; Psychology ; Mass Media ; Music theory ; Musikwahrnehmung ; Ohrwurm ; Sozialpsychologie ; Musikalische Form ; Popmusik ; Popmusik ; Ohrwurm ; Musikwahrnehmung ; Musikalische Form ; Sozialpsychologie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 15
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030924614
    Language: English
    Pages: XI, 202 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    DDC: 781.63
    RVK:
    RVK:
    RVK:
    Keywords: Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Musikproduktion ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 16
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831286 , 9781496831293
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American made music series
    DDC: 781.64097471
    RVK:
    Keywords: Geschichte 1940-1990 ; Musikleben ; Latin Music ; New York, NY
    Abstract: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.
    Note: Literaturverzeichnis Seite 383-403
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 17
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Language: English
    Pages: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Abstract: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Note: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 18
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
    RVK:
    RVK:
    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 19
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030551605
    Language: English
    Pages: xvii, 320 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 20
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030749026
    Language: English
    Pages: vii, 133 Seiten
    Series Statement: Palgrave pivot
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Aesthetics ; Postmodernism ; Music ; African Americans ; Critical theory ; Social sciences ; Philosophy ; Musiksoziologie ; Rassenfrage ; Hip-Hop ; Hip-Hop ; Rassenfrage ; Musiksoziologie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 21
    ISBN: 9781496837288 , 9781496837271
    Language: English
    Pages: xvii, 232 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Lyrics ; Englisch ; Popmusik ; Lyrik ; Blues ; Blues ; Popmusik ; Lyrics ; Englisch ; Lyrik
    Abstract: Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains.
    Abstract: Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry.Among the questions asked in Poetic Song Verse are: What, exactly,
    Abstract: is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to marc:recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 22
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 23
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
    RVK:
    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 24
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Abstract: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Note: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 25
    Online Resource
    Online Resource
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030676193
    Language: English
    Pages: 1 Online-Ressource (vii, 260 Seiten)
    Series Statement: Leisure studies in a global era
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 301
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Sociology, general ; Sociology of Culture ; Music ; Ethnicity, Class, Gender and Crime ; Sociology ; Culture ; Music ; Critical criminology ; Musikethnologie ; Weißsein ; Nationalismus ; Soziologie ; Ethnizität ; Rassismus ; Popkultur ; Heavy Metal ; Australien ; Südafrika ; Norwegen ; Heavy Metal ; Ethnizität ; Soziologie ; Norwegen ; Südafrika ; Australien ; Heavy Metal ; Rassismus ; Nationalismus ; Weißsein ; Popkultur ; Ethnizität ; Musikethnologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 26
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030676186
    Language: English
    Pages: vii, 260 Seiten
    Series Statement: Leisure studies in a global era
    Parallel Title: Erscheint auch als
    DDC: 301
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Sociology, general ; Sociology of Culture ; Music ; Ethnicity, Class, Gender and Crime ; Sociology ; Culture ; Music ; Critical criminology ; Musikethnologie ; Soziologie ; Weißsein ; Nationalismus ; Rassismus ; Ethnizität ; Popkultur ; Heavy Metal ; Australien ; Südafrika ; Norwegen ; Norwegen ; Südafrika ; Australien ; Heavy Metal ; Rassismus ; Nationalismus ; Weißsein ; Popkultur ; Ethnizität ; Musikethnologie ; Heavy Metal ; Ethnizität ; Soziologie
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 27
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496825162 , 9781496825155
    Language: English
    Pages: xi, 506 Seiten , Illustrationen
    Series Statement: American made music series
    RVK:
    Keywords: Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; USA ; Biografie
    Abstract: "The first and definitive biography of the great bass saxophone jazz man"--
    Note: Bibliography Seite 473-474
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 28
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030430993
    Language: English
    Pages: xv, 442 Seiten
    Parallel Title: Erscheint auch als
    DDC: 780.1
    RVK:
    RVK:
    RVK:
    Keywords: Adorno, Theodor W. ; Manic Street Preachers ; Philosophy of Music ; Music ; Music—Philosophy and aesthetics ; Music ; Rockmusik ; Kulturkritik ; Musikphilosophie ; Manic Street Preachers ; Rockmusik ; Adorno, Theodor W. 1903-1969 ; Musikphilosophie ; Kulturkritik
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 29
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496825148
    Language: English
    Pages: 1 Online-Ressource (xi, 506 pages) , Illustrations.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Rollini, Adrian ; Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; Jazz musicians Biography ; Saxophonists Biography ; Vibraphonists Biography ; Pianists Biography ; USA ; Biografie
    Abstract: Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare. At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 30
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496830609 , 9781496830524
    Language: English
    Pages: 272 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Davis, Betty ; Scott-Heron, Gil ; Khan, Chaka ; Geschichte 1970-1979 ; Soul ; Funk ; Blues ; USA ; Funk (Music) / History and criticism ; Funk (Music) ; Criticism, interpretation, etc ; USA ; Funk ; Blues ; Soul ; Geschichte 1970-1979 ; Khan, Chaka 1953- ; Scott-Heron, Gil 1949-2011 ; Davis, Betty 1945-2022 ; Funk
    Abstract: "Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history"--
    Note: Intro , Groove theory: liner notes on funk aesthetics , Blue funk: the ugly beauty of stank , Sly Stone and the gospel of funk -- , Songbird: Chaka Khan as funk queen , Funky bluesology: Gil Scott-Heron as black organic intellectual , The kinkiness of turquoise: Betty Davis's liberated funk-rock
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 31
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...