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  • 2020-2024  (7)
  • 1960-1964
  • Durham : Duke University Press  (7)
  • Fotografie  (7)
  • General works  (7)
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Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Image
    Image
    Citizens of photography : the camera & the political imagination (2023)
    Durham : Duke University Press
    Show associated volumes/articles
    Details
    ISBN: 9781478020769 , 9781478020004
    Language: English
    Pages: 354 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Citizens of photography
    RVK:
    AP 94900
    RVK:
    AP 95000
    Keywords: Photography Political aspects ; Photography Social aspects ; Documentary photography ; Photography in ethnology ; PHOTOGRAPHY / History ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Aufsatzsammlung ; Dokumentarfotografie ; Ethnologie ; Fotografie ; Politische Identität
    Abstract: "Citizens of Photography explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography's performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums to social media to state and public archives, showing how it points to unknown futures and destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography's future-oriented, open-ended, and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality"--
    Description / Table of Contents: Introduction. Photographing : or, the future of the image / Christopher Pinney -- "The truth is in the soil" : the political work of photography in northern Sri Lanka / Vindhya Buthpitiya -- Visual citizenship in Cambodia : from apocalypse to visual "political emancipation" / Sokphea Young -- Photography, citizenship, and accusatory memory in the Greek crisis / Konstantinos Kalantzis --Insurgent archive : the photographic making and unmaking of the Nicaraguan revolutionary state / Ileana L. Selejan -- "We are moving with technology" : photographing voice and belonging in Nigeria / Naluwembe Binaisa -- Citizenship, contingency, and futurity : photographic ethnographies from Nepal, India, and Bangladesh / Christopher Pinney.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Image
    MPI Ethno. Forsch.
  • 2
    Book
    Book
    TV snapshots : an archive of everyday life (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478015642 , 9781478018285
    Language: English
    Pages: x, 315 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Spigel, Lynn TV snapshots
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
    RVK:
    AP 99083
    RVK:
    AP 95040
    Keywords: Television Social aspects ; Photography Social aspects ; Television viewers Attitudes ; Popular culture History 20th century ; PERFORMING ARTS / Television / History & Criticism ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times.
    Abstract: "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    HeBIS
    BVB
  • 3
    Book
    Book
    Wake up, this is Joburg (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478018704 , 9781478016069
    Language: English
    Pages: xvi, 344 Seiten , Illustrationen, 1 Karte
    Series Statement: Theory in forms
    Parallel Title: Erscheint auch als Zack, Tanya Wake up, This Is Joburg
    RVK:
    LB 73585
    RVK:
    AP 99079
    Keywords: Informelle Wirtschaft ; Entrepreneurship ; Johannesburg ; Informal sector (Economics) Pictorial works ; Entrepreneurship Pictorial works ; Informal sector (Economics) ; Entrepreneurship ; Photography, Artistic ; Informal sector (Economics) Pictorial works ; Entrepreneurship Pictorial works ; Informal sector (Economics) ; Entrepreneurship ; Photography, Artistic ; PHOTOGRAPHY / Photoessays & Documentaries ; HISTORY / Africa / South / Republic of South Africa ; PHOTOGRAPHY / Photoessays & Documentaries ; HISTORY / Africa / South / Republic of South Africa ; Johannesburg (South Africa) Pictorial works Social conditions ; Johannesburg (South Africa) Social conditions ; Johannesburg (South Africa) Pictorial works Social conditions ; Johannesburg (South Africa) Social conditions ; Johannesburg ; Fotografie
    Abstract: S'kop -- Tony Dreams in Yellow and Blue -- Inside Out -- Zola -- Good Riddance -- Tea at Anstey's -- Bedroom -- Master Mansions -- Johannesburg. Made in China -- Undercity.
    Abstract: "Wake Up, This Is Joburg is a collaboration between photographer Mark Lewis and writer Tanya Zack. Originally published from 2014-2019 as ten separate photobooks by Fourthwall Books in South Africa, the collection builds a portrait of Johannesburg through individual stories and accompanying photographs. Ranging from butchers removing meat from cow heads in a parking garage meat market to underground gold miners hauling rock by hand from abandoned shafts under the city, these stories contribute to ethnographic studies of the city by showing the lived experience of its residents. At its heart, this project investigates how people are improvising to repurpose land and buildings, especially in Johannesburg's inner city. It brings attention to a vast informal economy, as well as widespread reconstruction as crumbling buildings are occupied, burned, stripped of parts, and rebuilt to serve the needs of the residents."
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
  • 4
    Book
    Book
    Unseeing empire : photography, representation, South Asian America (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009849 , 9781478010890
    Language: English
    Pages: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
    RVK:
    AP 99083
    RVK:
    MS 1235
    RVK:
    MS 3600
    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Note: Literaturverzeichnis: Seiten 245-259
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
    KOBV
  • 5
    Book
    Book
    Photographic returns : racial justice and the time of photography (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
    AP 95000
    RVK:
    HD 474
    RVK:
    MS 1235
    RVK:
    MS 3530
    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    BSZ
    GBV
  • 6
    Online Resource
    Online Resource
    Unseeing Empire : Photography, Representation, South Asian America (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012436
    Language: English
    Pages: 1 online resource (301 pages)
    Series Statement: A Camera Obscura Book Ser.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
    RVK:
    AP 99083
    RVK:
    MS 3600
    RVK:
    MS 1235
    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
    BSZ
    GBV
    BVB
  • 7
    Online Resource
    Online Resource
    Photographic returns : racial justice and the time of photography (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
    RVK:
    AP 95000
    RVK:
    MS 3530
    RVK:
    MS 1235
    RVK:
    HD 474
    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    DOI: 10.1215/9781478005537
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9781478005537
    URL: Inhaltsverzeichnis
    URL: https://doi.org/10.1515/9781478005537
    URL: https://www.degruyter.com/isbn/9781478005537
    URL: Cover
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    HeBIS
    MPI-MMG
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