Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • 2025-2025
  • 2010-2014  (69)
  • 1995-1999  (5)
  • Electronic books
  • Musicology  (74)
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Ethnomusicology : a very short introduction (2014)
    New York, NY : Oxford University Press
    Details
    ISBN: 0199794588 , 0199397546 , 9780199794584 , 9780199397549
    Language: English
    Pages: 1 Online-Ressource (xvi, 151 Seiten)
    Series Statement: Very short introductions
    Parallel Title: Erscheint auch als Rice, Timothy, 1945 - Ethnomusicology
    DDC: 780.89
    RVK:
    EC 2440
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LC 86000
    Keywords: Ethnomusicology ; MUSIC ; Genres & Styles ; Classical ; MUSIC ; Reference ; Ethnomusicology ; Electronic books ; Einführung ; Musikethnologie
    Abstract: Defining ethnomusicology -- A bit of history -- Conducting research -- The nature of music -- Music and culture -- Individual musicians -- Writing music history -- Ethnomusicology in the modern world -- Ethnomusicologists at work
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
  • 2
    Online Resource
    Online Resource
    The Sounding Museum: Box of Treasures (2014)
    transcript Verlag
    Details
    ISBN: 9783839428566
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Edition Museum 11
    Parallel Title: Erscheint auch als
    RVK:
    AP 14900
    RVK:
    LB 34610
    RVK:
    LC 87610
    RVK:
    LR 57790
    RVK:
    MS 9400
    Keywords: Schoer, Hein ; Museum ; Education ; Cultural Education ; Museology ; Sound ; Museum Education ; Ethnographic Museum ; Intangible Cultural Heritage ; Indigeneity ; Coevalness ; Ethnologisches Museum ; Klangkunst ; Klang ; Electronic books ; Klang ; Ethnologisches Museum ; Schoer, Hein 1976- ; Klangkunst
    Abstract: The »Sounding Museum« fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education.Based on the piece »Two Weeks in Alert Bay«, it supplies researchers, practitioners, and audiences with an instrument to gain an acoustic image of the contemporary cultural and everyday life of the Kwakwaka'wakw of Alert Bay, BC. The project mediates intercultural competence thorough the affective agency of sound.With the coeval »Session Musician's Approach«, introduced and analysed in text, audio, and interactive form, it also bridges the gap between art, science, and education.With a foreword by Barry Truax.The box includes a book, 2 DVD and 1 CD.
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: Cover
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    KOBV
  • 3
    Online Resource
    Online Resource
    Ware Inszenierungen : Performance, Vermarktung und Authentizität in der populären Musik (2014)
    Bielefeld : transcript
    Details
    ISBN: 1306997267 , 9783839422984 , 9781306997263
    Language: English
    Pages: Online-Ressource (229 Seiten)
    Series Statement: Beiträge zur Popularmusikforschung 39
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Print version Ware Inszenierungen : Performance, Vermarktung und Authentizität in der populären Musik
    DDC: 780.2
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Electronic books ; Konferenzschrift 2011
    Abstract: Populäre Musik ist 'performte' Musik, sie ist eine Musik des Machens - im Gegensatz zu einer Musik des Erdenkens und Notierens des schriftlich fixierten Werkes. Ihre Medien sind Medien, die Performance ermöglichen, vervielfältigen und transportieren: die Schallplatte, das Video, die MP3-Datei - und zuerst das Konzert, das als Urform in alle Verbreitungsmedien eingeschrieben ist. Die Beiträge dieses Bandes zeigen: Die Art und Weise, wie (mit stimmlichen, instrumentalen oder körperlichen Gesten), wo (im Studio, im Club, auf Festivals) und von wem (welcher Persönlichkeit, welchen Geschlechts, wel
    Description / Table of Contents: Cover Ware Inszenierungen; INHALT; EDITORIAL; EDITORIAL; THE VALUE OF LIVE MUSIC; THE VALUE OF LIVE MUSIC; SOUND UND BILD: DIE AUDIO/VISUELLE ÖKONOMIE MUSIKALISCHER PERFORMANCE; SOUND UND BILD: DIE AUDIO/VISUELLE ÖKONOMIE MUSIKALISCHER PERFORMANCE; SCHEIN ODER NICHT-SCHEIN? ZUR INSZENIERUNG VON AUTHENTIZITÄT AUF DER BÜHNE; SCHEIN ODER NICHT-SCHEIN? ZUR INSZENIERUNG VON AUTHENTIZITÄT AUF DER BÜHNE; INSZENIERTE AUTHENTIZITÄT VERSUS AUTHENTISCHE INSZENIERUNG: EIN ORDNUNGSVERSUCH ZUM KONZEPT AUTHENTIZITÄT IN MEDIENKULTUR UND POPMUSIK
    Description / Table of Contents: INSZENIERTE AUTHENTIZITÄT VERSUS AUTHENTISCHE INSZENIERUNG: EIN ORDNUNGSVERSUCH ZUM KONZEPT AUTHENTIZITÄT IN MEDIENKULTUR UND POPMUSIKABHÄNGIGE INSZENIERUNGEN DER UNABHÄNGIGKEIT. DER INDEPENDENT-DISKURS IN MUSIKZEITSCHRIFTEN; ABHÄNGIGE INSZENIERUNGEN DER UNABHÄNGIGKEIT. DER INDEPENDENT-DISKURS IN MUSIKZEITSCHRIFTEN; ›GUTE FRAGE!‹ POPULÄRE INSZENIERUNGEN VON FRAGE-ANTWORT-STRATEGIEN AUF PRESSEKONFERENZEN IM BEREICH DER POPMUSIK; ›GUTE FRAGE!‹ POPULÄRE INSZENIERUNGEN VON FRAGE-ANTWORT-STRATEGIEN AUF PRESSEKONFERENZEN IM BEREICH DER POPMUSIK
    Description / Table of Contents: DER DOKUMENTARISCHE GESTUS. EINE SPURENSUCHE IN POPULÄRER MUSIK UND KULTUR IN DER BRD DER 1970ER JAHREDER DOKUMENTARISCHE GESTUS. EINE SPURENSUCHE IN POPULÄRER MUSIK UND KULTUR IN DER BRD DER 1970ER JAHRE; FACETTEN DER JOSEPHINE BAKER; FACETTEN DER JOSEPHINE BAKER; AN UNDERSTANDING OF PERFORMANCE: THE BEATLES IN HAMBURG; AN UNDERSTANDING OF PERFORMANCE: THE BEATLES IN HAMBURG; PINK RIEFENSTAHL. (UN-)AUTHENTISCHE INSZENIERUNGEN VON HOMOPHILIE UND HOMOPHOBIE IM MUSIKVIDEO »MANN GEGEN MANN« VON RAMMSTEIN
    Description / Table of Contents: PINK RIEFENSTAHL. (UN-)AUTHENTISCHE INSZENIERUNGEN VON HOMOPHILIE UND HOMOPHOBIE IM MUSIKVIDEO »MANN GEGEN MANN« VON RAMMSTEINÜBERSETZEN UND RAHMEN. AUFFÜHRUNGEN IN GLOBALISIERTEN POP(ULÄR)KULTUREN; ÜBERSETZEN UND RAHMEN. AUFFÜHRUNGEN IN GLOBALISIERTEN POP(ULÄR)KULTUREN; ZU DEN AUTOREN; ZU DEN AUTOREN
    Note: Description based upon print version of record
    URL: Volltext
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839422984
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
    HeBIS
  • 4
    Online Resource
    Online Resource
    Punk in Russia : cultural mutation from the "useless" to the "moronic" (2014)
    New York : Routledge
    Details
    ISBN: 9781315850573
    Language: English
    Pages: Online-Ressource (xiii, 223 p.) , ill.
    Series Statement: Routledge contemporary Russia and Eastern Europe series 55
    Parallel Title: Erscheint auch als Gololobov, Ivan Valerʹevič, 1975 - Punk in Russia
    DDC: 305.2350947
    RVK:
    LQ 86300
    RVK:
    MS 1225
    RVK:
    MS 2350
    RVK:
    LC 86326
    RVK:
    LB 42326
    Keywords: Youth Russia (Federation) ; Subculture Russia (Federation) ; Punk culture Russia (Federation) ; Electronic books ; Youth ; Subculture ; Punk culture ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Punk
    Abstract: 1. Punk, but not as we know it : rethinking punk from a post-socialist perspective / Hilary Pilkington -- 2. The evolution of punk in Russia / Ivan Gololobov and Yngvar B. Steinholt -- 3. St Petersburg : big city : small scenes / Yngvar B. Steinholt, Ivan Gololobov and Hilary Pilkington -- 4. Krasnodar : perpendicular culture in the biggest village on Earth / Ivan Gololobov -- 5. Vorkuta : a live scene in a 'rotting city' / Hilary Pilkington -- 6. Conclusion / Hilary Pilkington, Ivan Gololobov and Yngvar B. Steinholt
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries of the world. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia. It considers the music and lyrics of classic and new punk bands, explores social media underpinning punk scenes, and reports on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia, considering the music and lyrics of classic and new punk bands, exploring social media, and reporting on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781315850573
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
  • 5
    Online Resource
    Online Resource
    Aurality : listening and knowledge in nineteenth-century Colombia (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    LQ 90304
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
  • 6
    Online Resource
    Online Resource
    Cairo Pop : Youth music in contemporary Egypt (2014)
    Minneapolis, London : University of Minnesota Press
    Details
    ISBN: 9781452942797
    Language: English
    Pages: 1 online resource (xi, 256 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4
    RVK:
    MI 12930
    RVK:
    LS 35200
    Keywords: Geschichte 2000- ; Popmusik ; Jugendkultur ; Musiksoziologie ; Kairo ; Music ; Social aspects ; Egypt ; Cairo ; History ; 21st century ; Music and youth ; Egypt ; Cairo ; History ; 21st century ; Popular culture ; Egypt ; Cairo ; History ; 21st century ; Popular music ; Egypt ; Cairo ; History and criticism ; Electronic books ; Online-Publikation ; Online-Publikation ; Electronic books ; Kairo ; Jugendkultur ; Popmusik ; Musiksoziologie ; Geschichte 2000-
    Abstract: Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and '60s and even into the '70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the 'ud-the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya-and its role in the lives of a nation's youth
    Abstract: Cover -- Contents -- Preface -- Acknowledgments -- Note on Transliteration and Pseudonyms -- Introduction: Good Music, Bad Music, and Youth Music -- 1. "My Patience Is Short": Youth Talk about Grandpa's Music -- 2. " Oh, My Brown Skinned Darling": Sex, Music, and Egyptianness -- 3. "The Hardest Thing to Say": Taxonomies of Aesthetics -- 4. " A Poem Befitting of Her": Ambiguity and Sincerity in Revolutionary Pop Culture -- Epilogue: On the Counterrevolution -- Notes -- Glossary -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 7
    Online Resource
    Online Resource
    The global sixties in sound and vision : media, counterculture, revolt (2014)
    New York : Palgrave Macmillan
    Details
    ISBN: 9781306837965 , 9781137375230 , 9781137375223
    Language: English
    Pages: 1 Online-Ressource (VIII, 296 Seiten)
    DDC: 306.400904
    RVK:
    LS 48070
    RVK:
    AP 19000
    Keywords: Geschichte 1960-1970 ; Counterculture History 20th century ; Art and society History 20th century ; Mass media Social aspects 20th century ; Gegenkultur ; Massenmedien ; Rebellion ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Massenmedien ; Gegenkultur ; Rebellion ; Geschichte 1960-1970
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
    HBZ
  • 8
    Online Resource
    Online Resource
    The cultural impact of Kanye West (2014)
    New York, NY [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9781137395825 , 9781137395832
    Language: English
    Pages: 292 S.
    Edition: 1. ed.
    Parallel Title: Print version The Cultural Impact of Kanye West
    DDC: 306
    RVK:
    LS 48045
    RVK:
    LS 48650
    Keywords: Communication ; Electronic books ; Electronic books ; Aufsatzsammlung
    Abstract: Through rap and hip hop, entertainers have provided a voice questioning and challenging the sanctioned view of society. Examining the moral and social implications of Kanye West's art in the context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them
    Description / Table of Contents: Cover; Title; Copyright; Dedication; Contents; Foreword; Preface: The Cultural Impact of Kanye West ; Acknowledgments; Part I Revisiting the Pharmakon: Artistic Gifts / Human Complexities; Chapter 1 Now I Ain't Saying He's a Crate Digger: Kanye West, "Community Theaters" and the Soul Archive; Chapter 2 Kanye West: Asterisk Genius?; Chapter 3 Afrofuturism: The Digital Turn and the Visual Art of Kanye West; Chapter 4 You Got Kanyed: Seen but Not Heard; Chapter 5 An Examination of Kanye West's Higher Education Trilogy; Part II Unpacking Hetero-normativity and Complicating Race and Gender
    Description / Table of Contents: Chapter 6 "By Any Means Necessary": Kanye West and the Hypermasculine ConstructChapter 7 Kanye West's Sonic [Hip-hop] Cosmopolitanism; Chapter 8 "Hard to Get Straight"; Chapter 9 You Can't Stand the Nigger I See!: Kanye West's Analysis of Anti-Black Death; Part III Theorizing the Aesthetic, the Political, and the Existential; Chapter 10 When Apollo and Dionysus Clash: A Nietzschean Perspective on the Work of Kanye West; Chapter 11 God of the New Slaves or Slave to the Ideas of Religion and God?*; Chapter 12 Trimalchio from Chicago*: Flashing Lights and The Great Kanye in West Egg
    Description / Table of Contents: Chapter 13 Confidently (Non)cognizant of Neoliberalism: Kanye West and the Interruption of Taylor SwiftChapter 14 Kanye Omari West: Visions of Modernity; References; Notes on Contributors; Index
    Note: Description based upon print version of record
    DOI: 10.1057/9781137395825
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    HeBIS
  • 9
    Online Resource
    Online Resource
    Klang - Ton - Musik : Theorien und Modelle (national)kultureller Identitätsstiftung (2014)
    Hamburg : Meiner
    Details
    ISBN: 9783787324521
    Language: German
    Pages: Online-Ressource (348 S.)
    Series Statement: Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft 13
    Series Statement: Sonderheft
    Series Statement: Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft Sonderheft ... der Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft
    Parallel Title: Druckausg. Klang - Ton - Musik
    DDC: 111.0819
    RVK:
    CC 6900
    RVK:
    LR 55170
    Keywords: Electronic books ; Konferenzschrift 2012 ; Electronic books ; Konferenzschrift 2012 ; Klang ; Musik ; Kulturelle Identität ; Musikästhetik ; Kulturanthropologie ; Kulturelle Identität
    Abstract: Klänge, Töne und Musikwerke haben - nicht zuletzt seit Beginn der Moderne - (national-)kulturell identitätsstiftend gewirkt und tun dies in verschiedenen Kontexten noch heute. Welche medienspezifischen und soziokulturellen Voraussetzungen müssen erfüllt sein, damit Schallwellen eine kollektivbildende Wirkung entfalten können? Welche Parameter (Klang, Ton, Melodie, Rhythmus) sind dabei entscheidend? Wie werden Klänge zur Projektionsfläche ästhetischer Utopien, und existieren Zeit- und Lebensräume, in denen das Phänomen nicht begegnet? Die identitätsbildende Wirkung von Liedern, Hymnen, Klängen und Tönen ist aus geistes- wie gesellschaftswissenschaftlicher Perspektive wiederholt untersucht worden. Bis dato fehlt jedoch eine systematisch-interdisziplinäre Synopse und kritische Reflexion des in den Einzeldisziplinen Erforschten bzw. noch zu Erforschenden. In den vier Abschnitten dieses Bandes, der auf eine Tagung der »Jungen Akademie« in Paris zurückgeht, wird der Frage der Herausbildung kollektiver Identität durch Musik jeweils unter kulturanthropologischem, ästhetischem, historischem und kunstpraktischem Blickwinkel nachgegangen. Die Beiträge von Wissenschaftlern verschiedener Fächer werden ergänzt durch drei Künstlergespräche mit namhaften Komponisten, Dirigenten und Opernsängern.
    Description / Table of Contents: Inhaltsverzeichnis; J.-F. Candoni et S. Pesnel: Préface; W.G. Schmidt: Einleitung; I. Identitätsstiftung und Kulturanthropologie; M. Ebeling: Harmonie und Identitätsstiftung. Das Konzept von Konsonanz und Dissonanz vor dem Hintergrund von Erkenntnislehre und Neurowissenschaft; H. de la Motte-Haber: Mentale Prädispositionen und Bedeutungszuweisung; H. Brenner: Heimatklänge. Sound als identitätsstiftender Faktor aus ethnomusikologischer Sicht; O. Jahraus: Warum hören Völker die Signale? Zur Medientheorie (national)kultureller Identitätsstiftung durch Musik am Beispiel von Kleist und Kafka
    Description / Table of Contents: A.P. Olivier: Le concept de KlangII. Identitätsstiftung und Ästhetik; N. Gess: Das Wesen hören. Ideologien des Klanglichen von 1750 bis heute; J.-F. Candoni: Ton und Klang in den deutschen Musikdiskursen des klassizistisch-romantischen Zeitalters. Versuch einer terminologischen Standortbestimmung; S. Pesnel: Klang-Poetik und deutsch-jüdische Identität in Heinrich Heines Werk. Der Rabbi von Bacherach und Jehuda ben Halevy; A. Meier: Die Ironie des Nibelungen. Richard Wagners Projekt einer Identitätsstiftung durch romantische Mythen-Montage
    Description / Table of Contents: T. Valk: Adrian Leverkühn - Romantiker wider Willen. Zum Verhältnis von Musiktradition und Künstleridentität in Thomas Manns Doktor FaustusIII. Identitätsstiftung und Kulturgeschichte; I. Scheitler: Melodien und Gattungen anderer Nationen und die deutsche Gesangslyrik; E. Osterkamp: Wilhelm Hauff, Henriette Sontag und die Macht des Gesanges; W. Steinbeck: Musik und nationale Identifikation im 19. Jahrhundert; M. Giani: Das musikalische Selbstverständnis im Italien des ausgehenden 19. Jahrhunderts; Y. Nilges: »Das Land ohne Musik«. England als Postulat deutscher Kulturhegemonie
    Description / Table of Contents: IV. Identitätsstiftung und KunstpraxisC. Bruhn, G. Kampe und P. Maintz: (National)Kulturelle Identitätsmuster in der U- bzw. E-Musik des 20. und 21. Jahrhunderts. Ein Gespräch mit Wolf Gerhard Schmidt und anderen; H. Albrecht: Existieren (national)kulturell präformierte Dirigierformen und Orchesterklänge? Ein Gespräch mit Ernst Osterkamp, Wolf Gerhard Schmidt und anderen; S. Friedrich: Nationale Identität als Interpretation. Die musikalische Wagner-Rezeption zwischen »deutschem Klang« und Moderne
    Description / Table of Contents: T. Moser und A. Schmidt: Deutscher ›Belcanto‹? Zu Existenz und Bedeutung nationalerStimmcharakteristiken. Ein Gespräch mit Jens Malte Fischer und Wolf Gerhard SchmidtAutorinnen und Autoren
    Note: Description based upon print version of record
    URL: Volltext
    URL: Volltext  (Einzellizenz)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 10
    Online Resource
    Online Resource
    Paris blues : African American music and French popular culture, 1920-1960 (2014)
    Chicago : The University of Chicago Press
    Details
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
    RVK:
    LS 48015
    RVK:
    LS 48100
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226138954.001.0001/upso-9780226138787
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    HeBIS
    BVB
    Bayreuth UB
  • 11
    Online Resource
    Online Resource
    Rap in Deutschland : Musik als Interaktionsmedium zwischen Partykultur und urbanen Anerkennungskämpfen (2014)
    Bielefeld : transcript Verlag
    Details
    ISBN: 1306997380 , 9783839422519 , 9781306997386
    Language: English
    Pages: Online-Ressource (307 S.)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Print version Rap in Deutschland
    Dissertation note: Zugl.: Köln, Univ., Diss., 2012
    DDC: 782.4216490943
    RVK:
    AP 14900
    RVK:
    LS 48650
    Keywords: Electronic books ; Deutschland ; Rap
    Abstract: Rap - für die einen der Inbegriff des subversiven Widerstands einer marginalisierten Unterschicht, für die anderen klanglicher Ausdruck von Homophobie, Misogynie und Gewaltverherrlichung. Vergessen wird dabei oft, dass Rap in erster Linie Partymusik ist. Seit der Entstehung des Stils in den 1970er Jahren ist die HipHop-Kultur ein stark umkämpftes Terrain. Ayla Güler Saieds Studie legt den empirischen Fokus auf die Biographien von Rapperinnen und Rappern verschiedener Genres und bettet diese in die theoretische Analyse der Entstehungsgeschichten des HipHop in Deutschland und den USA ein. Auf di
    Description / Table of Contents: Cover Rap in Deutschland; Inhalt; 1 Einleitung; 2 HipHop: Vier Elemente für eine Kultur; 2.1 DJing und Graffiti; 2.2 Dancing to the Beat: B-Boys and B-Girls; 2.3 Rap als letztes Element; 2.4 Das Urbane als das Zentrale; 2.5 Gangster-Rap; 2.6 HipHop-Kritik; 2.7 HipHop und die Rezeption als Widerstandskultur; 2.8 Female MCs - Ladies First; 3 HipHop in der BRD; 3.1 One, two, three - from New York to Germany; 3.2 Multikulturalität und Mehrsprachigkeit im HipHop: Ein aufgezwungenes Konzept; 3.3 HipHop im neuen Jahrtausend; 3.4 Ethnisierende Diskurse im HipHop
    Description / Table of Contents: 3.5 „Fremd im eigenen Land" als nationales Statement3.6 Rap im politischen Diskurs; 3.7 Das urbane Quartier im Rap; 3.8 Köln-Porz Deadline; 4 Einwanderungsland BRD; 4.1 Migrations-Diskurse in der multikulturellen Stadt; 4.2 Imaginierte Ghettos und Parallelgesellschaften; 4.3 Ethnische Kategorisierung im Kontext des Pluralismus; 4.4 Ethnisierung und rassistische Praxen; 4.5 Verweigerung von Zugehörigkeit und Anerkennung; 4.6 Zwischenbilanz; 5 Forschungsdesign der empirischen Untersuchung; 5.1 Die „Entdeckung" der Grounded Theory; 5.2 Die Methoden der Grounded Theory
    Description / Table of Contents: 5.3 Das dreifache Kodierparadigma nach Strauss und Corbin5.3.1 Offenes Kodieren; 5.3.2 Axiales Kodieren; 5.3.3 Selektives Kodieren; 5.4 Biographischer Ansatz; 5.5 Das narrative Interview; 5.6 Feldzugang und Forschungsprotokoll; 5.6.1 Interviewdurchführung; 5.6.2 Transkription; 5.6.3 Auswertung des empirischen Datenmaterials; 6 Kurzbiographien; 6.1 Die erste Generation von Rappern in Deutschland; 6.1.1 Asia; 6.1.2 Signore Rossi; 6.1.3 Hannes Loh; 6.1.4 Killa Hakan; 6.1.5 Scope; 6.2 Female MCs; 6.2.1 Duygu DAI; 6.2.2 MC Sinaya; 6.2.3 MISS PM; 6.2.4 Aziza A.; 6.2.5 Akua Naru; 6.2.6 MC Soom T
    Description / Table of Contents: 6.3 Rapper Generation 20006.3.1 OJ Kingpin; 6.3.2 Ja2NI; 6.3.3 Patrik; 6.3.4 Dihad; 6.3.5 Ashraf; 6.3.6 David; 6.3.7 MC Hasso; 6.3.8 Mighty Maho; 6.3.9 Chaoze One; 6.4 Expertinnen-Interviews; 7 Bildungswege: „Ganz locker eingeschult worden!"; 7.1 Familiärer Kontext und die Konstruktion von sozialen Schichten; 7.2 „Ich sag nicht Rap, weil ich mit Rappen überhaupt nichts am Hut hatte!"; 7.3 „Wir kannten nicht den Türken, den Italiener. Wir waren einfach Wir!"; 7.4 „Ich mags nicht, wenn man Deutsch-Türkin sagt!"; 7.5 „Für ein Mädchen ist die aber echt gut!"
    Description / Table of Contents: 7.6 „Frauen sollen in Deutschland einfach nur als MCs akzeptiert werden!"7.7 „Die wichtigen Sachen, die vielleicht dazu beitragen, dass man das besser versteht, die haben die ausgelassen. So wie es halt im Journalismus ist."; 7.8 „Oh Gott, wo tun wir denn diese Scheibe hin in den Läden?"; 8 Resümee; Ausblick; Diskografie; Literaturverzeichnis
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 12
    Online Resource
    Online Resource
    Music city : musikalische Annäherungen an die »kreative Stadt« ; musical approaches to the "creative city" (2014)
    Bielefeld : transcript
    Details
    ISBN: 9783839419656
    Language: German
    Pages: 1 Online-Ressource (344 Seiten)
    Series Statement: Urban studies
    Parallel Title: Druckausg. Music City
    RVK:
    LR 57737
    Keywords: Music, Urbanity, Urban Studies, Musicology, Pop Music, Sociology ; Musikleben ; Kulturwirtschaft ; Stadtmarketing ; Kongress ; Hamburg 〈2010〉 ; Electronic books ; Musikleben ; Stadtmarketing ; Kulturwirtschaft
    Abstract: Die zunehmende Instrumentalisierung von Musik als Marketinginstrument und die Inszenierung urbaner Konglomerate als »Music Cities« dienen vor allem dem neoliberalen »City Branding«. Die komplexen Zusammenhänge zwischen Musik und Stadt wurden bislang nur punktuell untersucht. Dieser transdisziplinäre Band mit Beiträgen international renommierter Autoren und Autorinnen verbindet theoretische Grundlagen mit empirischen Ergebnissen, ausgewählten Fallstudien und historischen Abhandlungen. Mit der Fokussierung auf die Musik erweitert das Buch nicht nur den gängigen Diskurs um »Creative Cities«, sond
    Description / Table of Contents: Cover Music City; Inhalt; Danksagung; Music City - Musikalische Annäherung an die kreative Stadt; I. ALLGEMEINE ZUSAMMENHÄNGE ZUR MUSIK UND KREATIVEN STADT; What Is a Musically Creative City?; Musical Creativity as a Social Fact; Topos Musikstadt als Politikum - Eine historische Perspektive; Konfigurationen von Wertschöpfung - Musikproduktion zwischen Orten und Szenen; II. INTERNATIONALE BEISPIELE ZUR MUSIK UND KREATIVEN STADT; Popular Music, the Peripheral City and Cultural Memory - A Case Study of Perth, Australia; Making Glasgow a City of Music - Some Ruminations on an UNESCO Award
    Description / Table of Contents: Differentiating Music City - Legacy Industry and Scene in NashvilleGoverning Baltimore by Music - Insights from Governance and Governmentality Studies; Immigrant Music City Vienna? Zur Relevanz ethnischer Kulturökonomien in kreativen Städten; III. MUSIC CITY?! KRITISCHE ANALYSEN AM FALLBEISPIEL HAMBURG; Musikproduktion in Hamburg - Musikalische Akteure im Spannungsfeld von Künstlerexistenz und neoliberaler Stadtentwicklung; Die Hamburger Schule - Vom Entstehen und Vergehen eines Hamburger Musikclusters
    Description / Table of Contents: Wie klingt die Stadt wenn sie vermarktet wird? Zum Zusammenhang von Musik und StadtmarketingDie Musikwirtschaft in Hamburg - Status Quo und Entwicklungstrends; Gebaute Bürgerlichkeit - Zur Problemgeschichte der Elbphilharmonie; Die Autorinnen und Autoren; English Abstracts; Index
    URL: https://www.degruyter.com/isbn/9783839419656
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 13
    Online Resource
    Online Resource
    Thema Nr. 1 : Sex und populäre Musik (2014)
    s.l. : transcript Verlag
    Details
    ISBN: 1322003157 , 9783839415719 , 9781322003153
    Language: English
    Pages: Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung v.37
    Parallel Title: Print version Thema Nr. 1 : Sex und populäre Musik
    DDC: 306.4
    RVK:
    LR 54608
    RVK:
    LR 56608
    RVK:
    LS 48010
    Keywords: Electronic books
    Abstract: Sex ist Ekstase - und auch Musik kann Ekstase sein. Sex provoziert - und schafft durch Skandale Öffentlichkeit für die Ware Musik. Sex polarisiert - und ist daher Mittel der Distinktion für die Musik von sozialen Gruppen und Generationen. Populäre Musik ist ein Kulturprodukt, das in besonderem Maße jugendliche Lebenswelten repräsentiert. Wie kaum ein anderes Medium gibt sie Aufschluss über männliche und weibliche Identitätsmodelle und damit verbundene Machtstrukturen, über Moralvorstellungen, über intime Wünsche, Sehnsüchte, Hoffnungen und Idealvorstellungen in der Gesellschaft. So umfassend w
    Description / Table of Contents: CoverThema Nr. 1; INHALT; Editorial; Theoret ische Überlegungen und historische Schlagl ichter zum Thema »Erotik und Musik«; I'm bound to check your oil - Sexualisierte Metaphorik im Pre-War-Blues; What is this that stands before me? Männerbilder im Heavy Metal; Gender, Sex und populäre Mus ik. Drei Fallbeispiele; Technikphobie und Sexismus. Eine Interviewstudie zu Erfahrungen weiblicher DJs in Frankfurt am Main; »Je t'aime« und andere Stöhnsongs - über Musik und Erotik; »Make A Sex Noise Here«: Frank Zappa, Sex and Popular Music
    Description / Table of Contents: ». ..the only thing we're straight about is the edge«. Die Diskussion über (Homo-)Sexualität in Straight Edge»Come inna mi ramping shop«. Slackness und Schwulenhass in der jamaikanischen und deutschen Dancehall; Frauenrollen und Popmusik in der arabischen Welt: Von unantastbaren Starsängerinnen, Models in Unterwäsche und selbstbewussten Musikerinnen; Kopulations-Kulissen: Ergebnisse und Forschungsperspektiven einer explorativen Studie zu Selektions- und Nutzungsbedingungen von Popmusik in erotischen und sexuellen Kontexten; Zu den Autoren
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 14
    Online Resource
    Online Resource
    Schwermetallanalysen : Die musikalische Sprache des Heavy Metal (2014)
    s.l. : transcript Verlag
    Details
    ISBN: 1322003432 , 9783839415764 , 9781322003436
    Language: English
    Pages: Online-Ressource
    Series Statement: texte zur populären musik v.6
    Parallel Title: Print version Schwermetallanalysen : Die musikalische Sprache des Heavy Metal
    DDC: 781.66
    RVK:
    LS 48900
    Keywords: Electronic books ; Heavy Metal
    Abstract: Die Attraktivität von Heavy Metal ist seit 40 Jahren ungebrochen. »Metal« stellt trotz - oder wegen - seines oft zwiespältigen Leumunds ein globales Phänomen dar, in dessen Mittelpunkt die Liebe zur Musik steht. Dietmar Elflein beschäftigt sich intensiv mit Heavy Metal als Musik und untersucht LPs und Bands, die das Genre geprägt haben, auf musikalische Gemeinsamkeiten und Entwicklungslinien - die musikalische Sprache des Heavy Metal. Die Vielfalt der untersuchten musikalischen Ansätze reicht von Black Sabbath über Judas Priest und Iron Maiden bis zu Metallica, Megadeth und Slayer, schließt ab
    Description / Table of Contents: CoverSchwermetallanalysen; INHALT; I. Einleitung; Danksagung; II. Theoretische Überlegungen zur musikalischen Sprache eines Musikstils - komplexe musikalische Äußerungen im Traditionsstrom; Der Traditionsstrom als Reservoir des momentan verfügbaren Wissens; Verschiedene Arten des Zugriffs auf den Traditionsstrom: Erwartungshorizont und Kompositionsmodell; Bakhtins endlose Kette der Äußerungen; Die Bedeutung des Klangs - zum Verhältnis von Musik und Sprache; Das Werk als Äußerung im Dialog; Heavy Metal als Schichtung komplexer Äußerungen; Heavy Metal als Genre und/oder Stil
    Description / Table of Contents: Der Formverbrauchseffekt - „das ist kein Metal mehr"Zusammenfassung; III. Heavy Metal in der Literatur; Die soziologische Beschäftigung mit der Kulturwelt, Szene oder Subkultur Heavy Metal; Eine kurze Genregeschichte; Heavy Metal als Musikstil; Zusammenfassung; IV. Methodik; Zur Konzentration auf Tonträger; Drei sich ergänzende Zugänge zum Traditionsstrom; Zugang 1: Die Stichprobe; Zugang 2: Musikalische Assoziationen; Zugang 3: Zufallsstichprobe; Methodik der musikalischen Analyse; V. Die Auswertung der Stichprobe; Nationale Herkunftsverteilung; Die herausgehobenen Bands
    Description / Table of Contents: Herkunftsverteilung der herausgehobenen BandsDie herausgehobenen Alben I; Zeitliche Verteilung - die herausgehobenen Alben II; Fazit der Auswertung; VI. Musikalische Analysen; 1. Heavy (Metal) - die Erweiterung des Blues Rock und die Vereinfachung des Progressive Rock: Black Sabbath; Black Sabbath in der Auswertung; Bandbiographie; Black Sabbath mit Ozzy Osbourne - Instrumentierung, Komposition, Produktion; Die Klangfarbe - zur Dominanz verzerrter Gitarren; Die formale Struktur der komplexen Äußerungen; Paralleles Ensemblespiel; Das Gitarrenriff als komplexe musikalische Äußerung
    Description / Table of Contents: Die unverzerrte Klangfarbe - Akkordbrechungen und EinleitungenDie Emanzipation vom Backbeat - das Schlagzeugspiel auf Black Sabbath und Paranoid; Der Beginn einer musikalischen Sprache des Heavy Metal; Black Sabbath mit Ronnie James Dio - Unterschiede und Gemeinsamkeiten; 2. Classic Metal I - das Zurückdrängen des Blues Rock- und Progressive Rock-Einflusses: Judas Priest; Judas Priest in der Auswertung; Bandbiographie und Imagewechsel; Judas Priest mit Rob Halford - Instrumentierung, Komposition, Produktion; Die ‚Metallisierung' der Klangfarbe I - die Ausdünnung der Mitten
    Description / Table of Contents: ‚Scream For Me' - zur Wichtigkeit des Schreis im Traditionsstrom des Heavy MetalDie formale Struktur der komplexen Äußerungen; Die Aufwertung des Pulses im Ensemblespiel; ‚Metrische Ketten' - die Reihung von Gruppen von Pulsen zu Gitarrenriffs; Pulsbasiertes Instrumentalspiel; Das Ensemblespiel mit zwei Gitarren - Möglichkeiten und Beschränkungen; Eine erste Ausdifferenzierung einer musikalischen Sprache des Heavy Metal; 3. Harter Rock'n'Roll - vom parallelen Leben des Blues-Einflusses: AC/DC, Guns N'Roses, Motörhead; AC/DC, Guns N'Roses und Motörhead in der Auswertung; Bandbiographien
    Description / Table of Contents: Instrumentierung, Komposition, Produktion
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 15
    Online Resource
    Online Resource
    Warum Hits Hits werden : Erfolgsfaktoren der Popmusik. Eine Untersuchung erfolgreicher Songs und exemplarischer Eigenproduktionen (2014)
    Bielefeld : transcript
    Details
    ISBN: 9783837627237
    Language: German
    Pages: Online-Ressource (395 p)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Print version Warum Hits Hits werden : Erfolgsfaktoren der Popmusik. Eine Untersuchung erfolgreicher Songs und exemplarischer Eigenproduktionen
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Electronic books
    Abstract: Es gibt bestimmte Konstruktionsmerkmale, die sich bei erfolgreichen Popmusik-Stücken mithilfe unterschiedlicher Analysekriterien feststellen lassen. Diesen variablen und invariablen Vorgaben geht Volkmar Kramarz detailliert nach. Darüber hinaus zeigt er durch Befragungen von Pop-Hörern und beispielsweise über die Messung ihrer Gehirnaktivitäten Erkenntnisse in Bezug auf die begleitenden Harmonie-Abfolgen auf, die sich als maßgeblich für den Erfolg eines Stückes erweisen. Damit rückt bei dieser Betrachtung von weltweit erfolgreichen Hits die Musik mit ihrer direkten emotionalen Wirkung auf den
    Description / Table of Contents: cover Warum Hits Hits werden; Inhalt; 1. Popmusik und Erfolg; 1.1 Der geplante Erfolg; 1.2 Erfolg in der Popmusik; 1.3 Bewertung des Erfolgs in der Popmusik; 1.4 Das Streben nach Erfolg; 1.5 Produktion und Sound; 2. Kategorien und Parameter der Analyse; 2.1 Die Struktur; 2.2 Die Harmonik; 2.3 Die Melodik; 2.4 Die Rhythmik; 2.5 Das Arrangement; 2.6 Die non-musikalischen Elemente; 2.7 Die Texte; 3. Parameter-Auswertungen erfolgreicher Songs; 3.1 Die Struktur; 3.2 Die Harmonik; 3.3 Die Melodik; 3.4 Die Rhythmik; 3.5 Das Arrangement; 3.6 Die non-musikalischen Elemente; 3.7 Die Texte
    Description / Table of Contents: 4. Eigene Experimente und Untersuchungen4.1 Musiktheoretische Voraussetzungen; 4.2 Die Beispiel-Stücke; 4.3 Experiment I: Befragungen und Messungen; 4.4 Experiment II: MRT; 4.5 Die Befragung der MRT-Probanden; 5. Fazit und Diskussion; 5.1 Diskussion und Bewertung der Analysen; 5.2 Die Aussagekraft der Parameter; 5.3 Die Bewertung der Harmonie-Formeln; 5.4 Das Erkennen einer Erfolgswahrscheinlichkeit; 5.5 Die Erfolgsauswirkung von durchgehenden Harmonieformeln; 5.6 Zusammenfassung und Fazit; Literaturverzeichnis; Onlineverzeichnis; Notenverzeichnis
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 16
    Online Resource
    Online Resource
    αTief in Neukölln± : Soundkulturen zwischen Improvisation und Gentrifizierung in einem Berliner Bezirk (2014)
    s.l. : transcript Verlag
    Details
    ISBN: 1306997674 , 9783839423219 , 9781306997676
    Language: English
    Pages: Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Print version »Tief in Neukölln« : Soundkulturen zwischen Improvisation und Gentrifizierung in einem Berliner Bezirk
    DDC: 780.943155090512
    RVK:
    AP 24350
    RVK:
    LB 73032
    RVK:
    LC 87032
    RVK:
    LQ 80508
    RVK:
    LR 56600
    RVK:
    MS 1820
    RVK:
    MS 8020
    Keywords: Electronic books ; Berlin-Neukölln ; Musikleben ; Musikästhetik ; Musiksoziologie ; Klangkunst ; Experimentelle Musik ; Stadtsoziologie
    Abstract: Stadträume werden für und durch Musik erobert und transformiert. Dieser Band bietet Erkenntnisse über die symbolischen Konstruktionen von sowohl sozialen als auch geographischen Grenzen im Berliner Stadtteil Neukölln. In mehr als 60 Interviews mit Musikern, Soundkünstlern und Akteuren städtischer Institutionen wird nach der lokalen Verortung ästhetisch-klanglicher Phänomene gefragt. Medial vermittelte Vorstellungen über Neukölln und institutionelle Rahmenbedingungen erweisen sich dabei als konstitutiv für die Lebenswelten der kreativen Newcomer und deren ästhetische Ideen. Daneben veranschauli
    Description / Table of Contents: Cover »Tief in Neukölln«; Inhalt; Danksagung; Einleitung; I. Musikräume im Reuterquartier; 1. Vereine und Kneipen im Reuterquartier; 2. Erste Spuren des Quartiersmanagements im Kiez; 3. Die Weserrakete; 4. Konzerte im Reuterquartier; 5. Zusammenfassung: Gemeinschaft im Reuterquartier?; II. Neuköllner Zonen. Lokale und ästhetische Dispositionen; 1. Von Kreuzberg über Mitte und Prenzlauer Berg bis ins ›tiefe‹ Neukölln; 2. Ästhetisierungen Neuköllns; 3. ›Andere‹ Orte in Neukölln; 4. Zusammenfassung und Diskussion; III. Räume des Dubstep; 1. Musikalische Raumeroberung
    Description / Table of Contents: 2. Dubstep-Party und Zukunftsmusik in Neukölln3. Dubstep als Neuköllner Subkultur und die Frage nach Authentizität; 4. Dubstep in Space. Dislokalisierte Identitäten und imaginierte Musikräume; 5. Lokale Repräsentationen von Berliner Clubkulturen aus der Sichtweis von Kulturwissenschaftlern und Journalisten; 6. Zusammenfassung und Diskussion; IV. Räume der Experimentalmusik und Improvisation in Neukölln; 1. Die Neuköllner Fluxus-Performance Candle Piece for Radios; 2. Gegen Akademismus, Institutionen und Determination; 3. Experimentelle, elektronische Kammermusik
    Description / Table of Contents: 4. Künstleridentitäten in Neukölln5. Experimentalmusik-»Szene« in Neukölln?; 6. Zusammenfassung: Neukölln Haven. Idealisierung eines Ortes; V. Medialer Raum Neukölln; 1. Neukölln als sogenannter Problemkiez; 2. Kiez der Vielfalt oder die Eventisierung von Differenzen; 3. Neukölln in Transformation. Über Gentrifierung, kreative Spannungen und subkulturellen Imperialismus; 4. Branding, Empowerment und der Wert von Kunst für Neukölln; 5. Wissensgesellschaft in Neukölln; 6. Zusammenfassung: Raum ›urbaner Regeneration‹; Fazit und Ausblick; Epilog; Literatur; Anhang
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 17
    Online Resource
    Online Resource
    Die Do-it-yourself-Karrieren der DJs : Über die Arbeit in elektronischen Musikszenen (2014)
    s.l. : transcript Verlag
    Details
    ISBN: 1306997763 , 9783839423233 , 9781306997768
    Language: English
    Pages: Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Print version Die Do-it-yourself-Karrieren der DJs : Über die Arbeit in elektronischen Musikszenen
    RVK:
    LB 42000
    RVK:
    LB 45000
    RVK:
    LC 87000
    RVK:
    LR 57400
    RVK:
    LS 48655
    Keywords: Electronic books ; Discjockey ; Elektronische Musik ; Musikleben ; Jugendkultur ; Berufserfolg ; Karriere ; Arbeitsfeld
    Abstract: Über das Leben am Plattenteller - dieses Buch zeichnet die ökonomisch erfolgreichen Do-it-yourself-Karrieren von Diskjockeys (DJs) in elektronischen Musikszenen nach. Ausgehend von aktuellen Forschungen zu Jugendkulturen und Kulturarbeitsmärkten und mit Rekurs auf Pierre Bourdieus Theorie der kulturellen Felder beschreibt Rosa Reitsamer die zentralen Tätigkeitsbereiche von DJs. Die qualitative Studie rekonstruiert die Konstruktionsprozesse, durch die »gute« und erfolgreiche DJs im Feld erzeugt werden und legt die Inkorporierungsprozesse neoliberaler Arbeitsverhältnisse offen, anhand derer sich
    Description / Table of Contents: Cover Die Do-it-yourself-Karrieren der DJs; Inhalt; Einleitung; I.Zum Stand der Forschung: Ein Überblick; 1.»Jugend-Subkultur«: Ein Forschungsparadigma und seine Kritik; 2.Neuere Konzepte: Clubkulturen, Neo-Tribes, Musikszenen; 3.Ökonomien der Jugendkulturen und Kulturarbeitsmärkte; II.Theoretischer Rahmen für die empirische Untersuchung; 1.Kultur als »soziale Praxis«; 2.Musikszenen: Felder der kulturellen Produktion; 3.Kulturelles Kapital in Musikszenen; 4.Das Wissen der DJs; 5.Die Logik der Felder; III.Methodologie und Erhebungsinstrumente; 1.Grounded Theory: Grundprinzipien
    Description / Table of Contents: 2.Grounded Theory: Untersuchungslogik3.Erhebungsinstrumente der feldspezifischen Analyse; 4.Erhebungsinstrumente der fallspezifischen Analyse; 4.1Beobachtung, Begleitung und Leitfadeninterview; IV.Darstellung der Untersuchungsergebnisse; 1.Genese, Struktur und Organisationsweise lokaler Musikszenen; 1.1Theoretische Bestimmung des Begriffs Musikszene; 1.2Wiener Techno-Szene; 1.3Wiener Szene für experimentelle elektronische Musik; 1.4Wiener Drum'n'Bass-Szene; 2.DJ-Tätigkeit; 2.1Der Plattenladen und die Tonträgersammlung der DJs; 2.2Die Praxis des DJ-ings
    Description / Table of Contents: 2.3Die (Selbst-)Konstruktion »guter« DJs2.4Wie kommen DJs zu ihren Auftritten?; 3.Die Musikproduktion im »Wohnzimmer-Studio«; 3.1Das »Song Getting« elektronischer Musikstücke; 3.2Musikproduktion und Kreativität; 3.3Die Suche nach dem Plattenlabel für die Veröffentlichung von Tonträgern; 3.4Die Bedeutung der Tonträger für die DJ-Karriere; 4.Netzwerke; 4.1Clubhosts und Organisationseliten; 4.2Einladungspolitik der Clubhosts; 4.3Netzwerke von DJ-Frauen: Female Pressure; 5.Selbstvermarktung; 5.1Das verwertbare DJ-Profil; 5.2Selbststeuerung der Karriere durch Selbstvermarktung
    Description / Table of Contents: 5.3Die Arbeits- und Zeiteinteilung der DJsVon der Schwierigkeit, ein/e erfolgreiche/r DJ zu werden; Resümee und Ausblick; Literatur; Anhang
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 18
    Online Resource
    Online Resource
    SABOTAGE! : Pop als dysfunktionale Internationale (2014)
    s.l. : transcript Verlag
    Details
    ISBN: 1306998301 , 9783839422106 , 9781306998307
    Language: English
    Pages: Online-Ressource
    Series Statement: Kultur- und Medientheorie
    Parallel Title: Print version SABOTAGE! : Pop als dysfunktionale Internationale
    DDC: 900
    RVK:
    LB 40000
    RVK:
    LS 48015
    RVK:
    MS 7850
    RVK:
    AP 36360
    Keywords: Electronic books
    Abstract: Funktionalität wird sabotiert! Dieses Buch untersucht an sieben populär- und popkulturellen Feldern, wie Sabotage entsteht, wie sie sich medial, technisch, gesellschaftlich, kulturell und politisch auswirkt - und wie sie selbst wiederum unterlaufen wird - durch Gegensabotage. Die Beiträge zeigen: Sabotage und Gegensabotage, Dysfunktionalisierung und Refunktionalisierung sind seit dem Entstehen populärer Kulturen im 19. Jahrhundert und von Popkulturen ab Mitte der 1950er Jahre gleichsam Motor und Narkotikum ihrer Formierungen und Fortschreibungen. Der Band unternimmt eine (Medien-)Geschichtssch
    Description / Table of Contents: Cover SABOTAGE! ; Inhalt; REVOLUTION DER GESTÖRTEN; Dies ist eine Störung; REVOLUTION; Mit Pop ist keine Revolution zu machen Zur Dysfunktionalität der Popularisierung von Widerstandskulturen; More Pop Politics! Dysfunktionale Medienästhetik von politischen Videoinhalten auf YouTube; GESTÖRTE; Dreck, Lärm & Gestammel; Jetzt knallts Zur disruptiven Funktion der Knallcharge - einer popkulturellen Randfigur; DIE ABWEICHUNG; Die Medienästhetik der Störung Künstliche Filmalterungsprozesse im digitalen Zeitalter oder: Auf der Suche nach dem „wahren" Kino
    Description / Table of Contents: Abweichung vom Selbst Entwurf eines Gesellschaftsspiels zur Identitätskonstruktion in sozialen NetzwerkenSTÖRENDE UND GESTÖRTE; Widerstand und Geschlecht The Rebel Girl: I Got This Fucking Thorn In My Side; Quellenverzeichnis der Meme; Autorinnen und Autoren
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 19
    Online Resource
    Online Resource
    Coughing and Clapping : Investigating Audience Experience (2014)
    Farnham : Ashgate Publishing Ltd
    Details
    ISBN: 9781409469810
    Language: English
    Pages: Online-Ressource (226 p)
    Edition: Online-Ausg.
    Series Statement: SEMPRE Studies in The Psychology of Music
    Parallel Title: Print version Coughing and Clapping : Investigating Audience Experience
    DDC: 306.4842
    RVK:
    LR 56600
    Keywords: Electronic books ; Musik ; Aufführung ; Publikumsforschung
    Abstract: This collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives and the question of what makes an audience, arguing convincingly for the practical and academic value of that question
    Description / Table of Contents: Cover; Contents; List of Figures; List of Tables; Notes on Contributors; Series Editors' Preface; Acknowledgements; 1 Prelude; SECTION 1: Before the Event; 2 Marketing Live Music; 3 Musical, Social and Moral Dilemmas: Investigating Audience Motivations to Attend Concerts; 4 Safe and Sound: Audience Experience in New Venues for Popular Music Performance; SECTION 2: During the Event; 5 Interlude - Audience Members as Researchers; 6 The Value of 'Being There': How the Live Experience Measures Quality for the Audience
    Description / Table of Contents: 7 In the Heat of the Moment: Audience Real-time Response to Music and Dance Performance8 Texting and Tweeting at Live Music Concerts; 9 Moving the Gong: Exploring the Contexts of Improvisation and Composition; 10 Context, Cohesion and Community; 11 Interlude - Lasting Memories of Ephemeral Events; 12 'The Gigs I've Gone To': Mapping Memories and Places of Live Music; 13 Warts and All: Recording the Live Music Experience; 14 Staying Behind: Explorations in Post-performance Musician-Audience Dialogue; 15 Postlude; References; Index
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 20
    Online Resource
    Online Resource
    Youth and Rock in the Soviet Bloc : Youth Cultures, Music, and the State in Russia and Eastern Europe (2014)
    Lanham : Lexington Books
    Details
    ISBN: 9780739166932
    Language: English
    Pages: Online-Ressource (320 p)
    Parallel Title: Erscheint auch als Youth and rock in the Soviet bloc
    DDC: 306.484260947
    RVK:
    NQ 8273
    RVK:
    LS 48060
    Keywords: Youth - Europe, Eastern - History - 20th century ; Youth - Europe, Eastern - History - 20th century ; Electronic books ; Electronic books ; Aufsatzsammlung ; Osteuropa ; Jugend ; Popmusik ; Rockmusik ; Kulturpolitik ; Jugendkultur ; Musiksoziologie ; Geschichte 1945-1989
    Abstract: 〈span〉〈span style=""font-style:italic;""〉Youth and Rock in the Soviet Bloc 〈/span〉〈span〉explores the impact of Western popular culture on young people in Russia and Eastern Europe during the Cold War. 〈/span〉〈/span〉
    Description / Table of Contents: Contents; Introduction; 1 Swinging between East and West; 2 Against "Pop-Song" Poison from the West; 3 Coercion and Consumption; 4 Only Rock 'n' Roll?; 5 The Making of the Gang; 6 Détente and Western Cultural Products in Soviet Ukraine during the 1970s; 7 Punk and the State of Youth in the GDR; 8 "A Room-Sized Ocean"; 9 Shostakovich versus Boney M.; 10 Facing the Music; 11 Rockin' Down the Mainline; 12 East of (Teenaged) Eden, or, Is Eastern Youth Culture So Different from the West?; Select Bibliography; Index; About the Contributors
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
  • 21
    Online Resource
    Online Resource
    Soundscapes of the Urban Past : Staged Sound as Mediated Cultural Heritage (2014)
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783839421796
    Language: English
    Pages: 1 Online-Ressource (231 pages)
    Edition: 1st ed.
    Series Statement: Sound Studies v.5
    DDC: 700.108
    RVK:
    LR 57720
    RVK:
    LB 73000
    RVK:
    LC 87000
    RVK:
    RB 10909
    Keywords: Geschichte 1920-2010 ; Urbanität ; Darstellung ; Geräusch ; Museum ; Audiovisuelle Medien ; City sounds-Netherlands-Amsterdam ; City sounds ; Sound in art ; Berlin ; London ; Amsterdam ; Aufsatzsammlung ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HeBIS
  • 22
    Online Resource
    Online Resource
    Black popular music in Britain since 1945 (2014)
    Farnham : Ashgate
    Details
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Language: English
    Pages: 1 Online-Ressource (XVI, 240 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Note: Includes bibliographical references, discography, and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    HeBIS
  • 23
    Online Resource
    Online Resource
    Music in the Social and Behavioral Sciences : An Encyclopedia (2014)
    Thousand Oaks : SAGE Publications
    Details
    ISBN: 9781452283036
    Language: English
    Pages: Online-Ressource (1350 p)
    Parallel Title: Print version Music in the Social and Behavioral Sciences : An Encyclopedia
    DDC: 306.4/842
    RVK:
    LR 56400
    Keywords: Music -- Psychological aspects -- Encyclopedias ; Music -- Social aspects -- Encyclopedias ; Music ; Psychological aspects ; Encyclopedias ; Music ; Social aspects ; Encyclopedias ; Electronic books ; Musikpsychologie ; Musiksoziologie
    Abstract: This first definitive reference resource to take a broad interdisciplinary approach to the nexus between music and the social and behavioral sciences examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-t
    Description / Table of Contents: Cover; Volume 1; Copyright; Table of Contents; List of Articles; Reader's Guide; About the Editor; List of Contributors; Introduction; Chronology; A Chapter; B Chapter; C Chapter; D Chapter; E Chapter; F Chapter; G Chapter; H Chapter; I Chapter; Volume 2; L Chapter; M Chapter; N Chapter; O Chapter; P Chapter; R Chapter; S Chapter; T Chapter; U Chapter; V Chapter; W Chapter; Y Chapter; Glossary; Resource Guide; Appendix; Index; Photo Credits
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    HeBIS
  • 24
    Online Resource
    Online Resource
    Richard Strauss-Handbuch (2014)
    Stuttgart : J.B. Metzler
    Details
    ISBN: 9783476005106
    Language: German
    Pages: 1 Online-Ressource (XXXIII, 583 Seiten)
    Edition: Online-Ausg.
    Parallel Title: Print version Werbeck, Walter Richard Strauss-Handbuch
    DDC: 301
    RVK:
    LP 66059
    Keywords: Electronic books ; Aufsatzsammlung
    Note: Description based upon print version of record
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    HeBIS
  • 25
    Online Resource
    Online Resource
    Technologische Dramen : Radiokulturen und Medienwandel in Benin (Westafrika) (2014)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839425916
    Language: German
    Pages: Online-Ressource
    Series Statement: Locating Media/Situierte Medien 6
    Series Statement: Locating Media/Situierte Medien
    Parallel Title: Druckausg.
    Parallel Title: Erscheint auch als Grätz, Tilo Technologische Dramen
    DDC: 302.2344096683
    RVK:
    AP 19748
    RVK:
    LS 46774
    Keywords: Medien ; Wandel ; Hörfunk ; Alltag ; Medienkonsum ; Hörfunksendung ; Kommunikation ; Öffentlichkeit ; Benin ; (Produktform)Electronic book text ; Westafrika ; Benin ; Medienwandel ; Technologie ; Medien ; Ethnologie ; Analoge Medien ; Medienwissenschaft ; Afrika ; Media ; Ethnology ; Analogue Media ; Media Studies ; Africa ; (BISAC Subject Heading)SOC052000 ; (BIC subject category)JFD ; (VLB-WN)9752 ; Radio ; (DDC 22 ger)300 ; (BISAC Subject Heading)SOC002010 ; (BIC subject category)JHMC ; Electronic books ; Benin ; Medien ; Wandel ; Hörfunk ; Alltag ; Medienkonsum ; Hörfunksendung ; Kommunikation ; Öffentlichkeit
    Note: Lizenzpflichtig
    URN: urn:nbn:de:101:1-2015120114210
    URL: http://nbn-resolving.org/urn:nbn:de:101:1-2015120114210
    URL: http://d-nb.info/1079534717/34
    URL: http://www.transcript-verlag.de/978-3-8376-2591-2
    URL: lizenzpflichtig
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839425916
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    DNB
    BSZ
    GBV
    HeBIS
    BVB
  • 26
    Online Resource
    Online Resource
    Rock Star : The Making of Musical Icons from Elvis to Springsteen (2014)
    Baltimore : Johns Hopkins University Press | [Ann Arbor, Michigan] : [ProQuest]
    Details
    ISBN: 9781421413938
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    DDC: 306.48426
    RVK:
    LS 48635
    RVK:
    LS 48015
    Keywords: Rockmusiker ; Ruhm ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
    HeBIS
    BVB
  • 27
    Online Resource
    Online Resource
    Sexing the Groove : Popular Music and Gender (2013)
    Abingdon, Oxon : Taylor and Francis
    Details
    ISBN: 9780415146708
    Language: English
    Pages: 1 Online-Ressource (xxxvi, 353 Seiten)
    Parallel Title: Erscheint auch als Sexing the groove
    DDC: 306.484
    RVK:
    LR 56617
    RVK:
    LR 56600
    RVK:
    LS 48000
    Keywords: Electronic books ; Rockmusik ; Sexualverhalten
    Abstract: Sexing the Groove discusses these issues and many more, bringing together leading music and cultural theorists to explore the relationships between popular music, gender and sexuality. The contributors, who include Mavis Beayton, Stella Bruzzi, Sara Cohen, Sean Cubitt, Keith Negus and Will Straw, debate how popular music performers, subcultures, fans and texts construct and deconstruct `masculine' and `feminine' identities. Using a wide range of case studies, from Mick Jagger to Riot Grrrls, they demonstrate that there is nothing `natural', permanent or immovable about the r
    Description / Table of Contents: Cover; Title; Copyright Page; Contents; List of contributors; Acknowledgements; INTRODUCTION; Part I Rock music culture; 1 SIZING UP RECORD COLLECTIONS; 2 MEN MAKING A SCENE; 3 WOMEN AND THE ELECTRIC GUITAR; 4 (R)EVOLUTION NOW?; Part II Masculinities and popular music; 5 LITTLE RED ROOSTER v. THE HONKY TONK WOMAN; 6 BRUCE SPRINGSTEEN AND MASCULINITY; 7 THE PET SHOP BOYS; Part III A time of growth and change: Femininities and popular music; 8 CAN A FUJIYAMA MAMA BE THE FEMALE ELVIS?; 9 FEMALE IDENTITY AND THE WOMAN SONGWRITER; 10 SINÉAD O'CONNOR - MUSICAL MOTHER; 11 MANNISH GIRL
    Description / Table of Contents: 12 THE MISSING LINKS13 'REBEL GIRL, YOU ARE THE QUEEN OF MY WORLD'; Part IV Music, image and identity; 14 SEDUCED BY THE SIGN; 15 FEELING AND FUN; 16 ROLLING AND TUMBLING; Part V Annotated bibliography; 17 SOURCES FOR FURTHER READING AND RESEARCH; Index; Discography
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 28
    Online Resource
    Online Resource
    Bob Marley : Herald of a Postcolonial World (2013)
    Hoboken : Wiley
    Details
    ISBN: 9780745630892
    Language: English
    Pages: Online-Ressource (274 p)
    Edition: Online-Ausg.
    Series Statement: Polity celebrities series
    Parallel Title: Print version Bob Marley : Herald of a Postcolonial World
    DDC: 782.421646092
    RVK:
    HD 450
    RVK:
    LS 48040
    Keywords: Electronic books
    Abstract: Is Bob Marley the only third world superstar? How did he achieve this unique status? In this captivating new study of one of the most influential musicians of the twentieth century, Jason Toynbee sheds new light on issues such as Marley's contribution as a musician and public intellectual, how he was granted access to the global media system, and what his music means in cultural and political terms.Tracing Marley's life and work from Jamaica to the world stage, Toynbee suggests that we need to understand Marley first and foremost as a 'social author'. Trained in the co-operative yet al
    Description / Table of Contents: COPYRIGHT; contents; acknowledgements; INTRODUCTION; 1 HOW DO YOU SOLVE A PROBLEM LIKE BOB MARLEY?; 2 NESTA MARLEY AND COLONIAL JAMAICA; 3 BOB MARLEY AT THE REGGAE CONJUNCTURE; 4 STANDING UP AND FINALLY BEING COUNTED; 5 UP ON THE ROCK , CHANTING DOWN BABYLON; 6 AFTER BOB; discography and filmography; bibliography; index
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 29
    Online Resource
    Online Resource
    Punk rock and German crisis : adaptation and resistance after 1977 (2013)
    New York, NY : Palgrave Macmillan
    Details
    ISBN: 9781137337559
    Language: English
    Pages: Online-Ressource (209 S.) , Ill.
    Edition: Online-Ausg.
    Series Statement: Studies in European culture and history
    Parallel Title: Druckausg. Shahan, Cyrus Punk rock and German crisis
    DDC: 781.660943
    RVK:
    LS 48645
    Keywords: Geschichte 1977-1989 ; Punk rock music Social aspects ; Germany (West) ; Punk culture Germany (West) ; Deutschland 〈Bundesrepublik〉 ; Punk Rock ; Germany (West) Social life and customs ; Electronic books ; Deutschland ; Punk Rock ; Geschichte 1977-1989
    Abstract: Introduction--representing "no future" -- Punk poetics -- Psycho punk and the legacies of state emergency -- Post-punk poaching, subversive consumerism and reading for anti-racism -- After punk
    Note: Includes bibliographical references. - Description based on print version record
    URL: Volltext
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
  • 30
    Online Resource
    Online Resource
    Postcolonial studies : the key concepts (2013)
    London and New York : Rotledge, Taylor & Francis Group
    Details
    ISBN: 9781135039752
    Language: English
    Pages: 1 Online-Ressource
    Edition: 3. edition
    Series Statement: Routledge key guides
    Parallel Title: Erscheint auch als
    RVK:
    EC 1020
    RVK:
    EC 1878
    RVK:
    HP 1100
    RVK:
    LB 31000
    RVK:
    LR 57840
    RVK:
    MK 2600
    Keywords: Commonwealth ; Geschichte ; Kolonie ; Postkolonialismus ; Geschichtswissenschaft ; Ethnische Beziehungen ; Literatur ; Kolonialismus ; Entkolonialisierung ; Imperialismus ; Interdisziplinarität ; Entkolonialisierung ; Kultur ; Geschichte ; Englisch ; Postkoloniale Literatur ; Englisches Sprachgebiet ; Electronic books ; Decolonization ; Dictionaries ; Ethnic attitudes ; Dictionaries ; Postcolonialism ; Dictionaries ; Race relations ; Dictionaries ; Colonies ; Dictionaries ; Electronic books ; Wörterbuch ; Kolonialismus ; Entkolonialisierung ; Ethnische Beziehungen ; Englisch ; Literatur ; Commonwealth ; Entkolonialisierung ; Imperialismus ; Kolonie ; Postkoloniale Literatur ; Englisches Sprachgebiet ; Kultur ; Postkolonialismus ; Englisches Sprachgebiet ; Kultur ; Geschichte ; Englisches Sprachgebiet ; Kultur ; Geschichte ; Englisch ; Postkoloniale Literatur ; Geschichtswissenschaft ; Interdisziplinarität
    Abstract: This hugely popular A-Z guide provides a comprehensive overview of the issues which characterize post-colonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity. For this third edition over thirty new entries have been added including:CosmopolitanismDevelopmentFundamentalismNostalgiaPost-colonial cinemaSustainabilityTraffickingWorld Englishes.Post-Colonial Studies: The Key Concepts
    Description / Table of Contents: Cover; Postcolonial Studies; Title Page; Copyright Page; Table of Contents; Introduction to the third edition; List of key concepts; The Key Concepts; Bibliography; Name index; Subject index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BVB
  • 31
    Online Resource
    Online Resource
    Rock and roll always forgets : a quarter century of music criticism (2013)
    Durham [N.C.] : Duke University Press
    Details
    ISBN: 0822394170 , 9780822394174
    Language: English
    Pages: Online-Ressource (XVI, 335 S.) , Ill.
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Eddy, Chuck Rock and roll always forgets
    DDC: 781.64
    RVK:
    LS 48000
    Keywords: Rock music History and criticism ; 1981-1990 ; Rock music History and criticism ; 1991-2000 ; Rock music History and criticism ; 2001-2010 ; Popular music History and criticism ; 1981-1990 ; Popular music History and criticism ; 1991-2000 ; Popular music History and criticism ; 2001-2010 ; Electronic books
    Abstract: Over and out -- Rhymed funk hits area -- Skin yard, skin yard -- Drug crazed teens: flaming lips -- Music that passes the acid test -- New kids in the '90s: a decade in the life -- Radiohead, the bends -- Walking into spiderwebs : the ultimate band list -- Talking world war iii blues -- Bombast in the blood: bad religion -- Conscience of some conservatives: the ramones -- Punk's first family grow old together : the Ramones -- Howls from the heartland : the untamed Midwest -- An indie rises above: SST records -- Slime is money (bastard) -- Big black give you a headache -- Nirvana, "all apologies" -- Wrong is right : Marilyn Manson -- Live : Tower Theatre, Philadelphia, 18 february 1997 -- City of dreams : rock in Mexico -- Chumbawamba at the piss factory -- Mr. and Mrs. used to be : the White Stripes find a little place to fight 'em off -- Great beats-per-minute -- Seduce, seduce -- Agnostic front, beyond possession, Dr. Know, Helstar, Raw Power -- Top 40 that radio won't touch : Metallica -- Welcome home (sanitarium): Metallica seek psychiatric help -- Mentors, up the dose -- Robert Plant, technobilly -- Def Leppard?s magic and loss -- AC/DC's aged currencies -- White Wizzard escape each other -- Mantronix : strange loops -- Spoonie Gee : unreformed -- Just-Ice : rap with teeth -- Pazz & jop ballot excerpt 1989 : N.W.A -- Pazz & jop ballot excerpt 1992 : Arrested Development -- Sir Mix-a-Lot : Chief Boot Knocka -- From Taco Bell to Pachelbel : Coolio -- Pazz & jop ballot excerpt 1997 : Erykah Badu and B-Rock & the Bizz -- Timbaland, Magoo, and ma
    Note: Includes index. - Description based on print version record. - Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
  • 32
    Online Resource
    Online Resource
    Ethnomusicology : A Research and Information Guide (2013)
    Hoboken : Taylor and Francis
    Details
    ISBN: 9780415879774
    Language: English
    Pages: Online-Ressource (468 p)
    Edition: 2nd ed
    Series Statement: Routledge Music Bibliographies
    Series Statement: Routledge Music Bibliographies Ser
    Parallel Title: Print version Ethnomusicology : A Research and Information Guide
    Parallel Title: Druckausg. Post, Jennifer C. Ethnomusicology
    Parallel Title: Druckausg. Post, Jennifer C. Ethnomusicology
    DDC: 016.78089
    RVK:
    LS 13000
    Keywords: Ethnomusicology Bibliography ; Ethnomusicology ; Electronic books ; Ethnomusicology ; Bibliography ; Electronic books ; Bibliografie ; Musikethnologie
    Abstract: Ethnomusicology: A Research and Information Guide is an annotated bibliography to books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts. Part One is organized by resource type in categories of greatest concern to students and scholars. It includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widel
    Description / Table of Contents: Front Cover; Ethnomusicology; Copyright Page; Contents; Introduction; Part I: Reference and Information Sources; I. Research Guides and Links to Online Information; Topical Research Guides in Music and Dance; General Studies in Music and Dance; Jazz and Popular Music; Music Education and Music Therapy; Topical Research Guides in Other Subject Areas; Anthropology and Ethnography; Media and Cultural Studies; Research Guides: Regional Resources; Africa; Europe; Latin America and the Caribbean; North America; Online Information Guides; II: Encyclopedias, Dictionaries, and Handbooks
    Description / Table of Contents: Topical Encyclopedias and Dictionaries in Music and DanceGeneral Music and Dance Sources; Blues, Country, and Folk Music; Jazz; Musical Instruments; Popular Music; Regional Encyclopedias and Dictionaries in Music; African Music; Asian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Encyclopedias and Dictionaries in Related Disciplines; General; Anthropology and Sociology; Cultural Studies; Folklore; Gender Studies; Geography; Philosophy; Popular Culture; Race and Ethnicity; Religion; Theater
    Description / Table of Contents: Regional Encyclopedias and DictionariesAfrica and the African Diaspora; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia; Handbooks: Topics in Music; Medical Ethnomusicology; Music Education; Music Psychology; Musical Instruments; Handbooks: Other Topics; Cultural Studies; Fieldwork; Filmmaking; III: Bibliographies, Discographies, and Videographies; Topical Bibliographies in Music and Dance; Dance; Gender and Music; Jazz and Blues; Jewish Music; Popular Music; Religion and Music; Sound Engineering; Regional Music Bibliographies; General
    Description / Table of Contents: African MusicAsian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Topical Discographies; Regional Discographies; European Music; Latin American Music; North American Music; Pacific Island and Australian Music; Filmographies and Videographies; IV: Indexing and Abstracting Tools; Indexes: Arts and Humanities; General; Dance and Music; History; Religion; Indexes: Social Sciences; General; Anthropology and Sociology; Gender Studies; Regional Indexes; Africa; Asia; Europe; Latin America and the Caribbean; North America
    Description / Table of Contents: DissertationsPart II: Sources for Research and Study; V: Journals and Other Serial Publications; Journals in Music; Ethnomusicology; Folk Music; Gender and Music; Jazz and Blues; Music Education; Musicology, Organology, and Music Theory; Popular Music; Regional Music; Journals in Other Disciplines; Anthropology; Cultural Studies; Dance; Folklore; Popular Culture; Theater; Regional; VI: Audio Recordings; Record Companies; Audio Recordings: General; Regional Audio Recordings; Africa; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia
    Description / Table of Contents: VII: Film and Video Recordings
    Description / Table of Contents: Front Cover; Ethnomusicology; Copyright Page; Contents; Introduction; Part I: Reference and Information Sources; I. Research Guides and Links to Online Information; Topical Research Guides in Music and Dance; General Studies in Music and Dance; Jazz and Popular Music; Music Education and Music Therapy; Topical Research Guides in Other Subject Areas; Anthropology and Ethnography; Media and Cultural Studies; Research Guides: Regional Resources; Africa; Europe; Latin America and the Caribbean; North America; Online Information Guides; II: Encyclopedias, Dictionaries, and Handbooks
    Description / Table of Contents: Topical Encyclopedias and Dictionaries in Music and DanceGeneral Music and Dance Sources; Blues, Country, and Folk Music; Jazz; Musical Instruments; Popular Music; Regional Encyclopedias and Dictionaries in Music; African Music; Asian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Encyclopedias and Dictionaries in Related Disciplines; General; Anthropology and Sociology; Cultural Studies; Folklore; Gender Studies; Geography; Philosophy; Popular Culture; Race and Ethnicity; Religion; Theater
    Description / Table of Contents: Regional Encyclopedias and DictionariesAfrica and the African Diaspora; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia; Handbooks: Topics in Music; Medical Ethnomusicology; Music Education; Music Psychology; Musical Instruments; Handbooks: Other Topics; Cultural Studies; Fieldwork; Filmmaking; III: Bibliographies, Discographies, and Videographies; Topical Bibliographies in Music and Dance; Dance; Gender and Music; Jazz and Blues; Jewish Music; Popular Music; Religion and Music; Sound Engineering; Regional Music Bibliographies; General
    Description / Table of Contents: African MusicAsian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Topical Discographies; Regional Discographies; European Music; Latin American Music; North American Music; Pacific Island and Australian Music; Filmographies and Videographies; IV: Indexing and Abstracting Tools; Indexes: Arts and Humanities; General; Dance and Music; History; Religion; Indexes: Social Sciences; General; Anthropology and Sociology; Gender Studies; Regional Indexes; Africa; Asia; Europe; Latin America and the Caribbean; North America
    Description / Table of Contents: DissertationsPart II: Sources for Research and Study; V: Journals and Other Serial Publications; Journals in Music; Ethnomusicology; Folk Music; Gender and Music; Jazz and Blues; Music Education; Musicology, Organology, and Music Theory; Popular Music; Regional Music; Journals in Other Disciplines; Anthropology; Cultural Studies; Dance; Folklore; Popular Culture; Theater; Regional; VI: Audio Recordings; Record Companies; Audio Recordings: General; Regional Audio Recordings; Africa; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia
    Description / Table of Contents: VII: Film and Video Recordings
    Note: Description based upon print version of record
    URL: Volltext
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
  • 33
    Online Resource
    Online Resource
    Assimilate : a critical history of industrial music (2013)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190268305
    Language: English
    Pages: 1 Online-Ressource (XIV, 361 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64809
    RVK:
    LS 48015
    RVK:
    LS 48900
    Keywords: Geschichte ; Industrial music History and criticism ; Industrial Rock ; Electronic books ; Electronic books ; Industrial Rock ; Geschichte
    Abstract: Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups who combined avant-garde electronic music with the provocative attitude and style of punk rock. In its early days, bands such as Throbbing Gristle and Cabaret Voltaire produced a genuinely radical form of music bent on recontextualizing the signs and methods of cultural authority in an attempt to liberate listeners from the trappings of modernity. But, as industrial music took on more and more elements of popular music over the course of the 1980s it slowly abandoned its mission. By the mid-1990s, it was seen as simply another style of pop music, and had ironically fallen into the trappings it sought by its very existence to destroy. In "Assimilate", S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre tracing industrial music's trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity on the back of the band Nine Inch Nails in the mid-1990s, and through its decline to the present day. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created. In so doing, he reveals an engaging story of an ideological disintegration and its aftermath. The definitive text on the genre, "Assimilate" is essential reading for fans of industrial music, and scholars and students of popular music alike.
    Note: Published to Oxford Scholarship Online: May 2015
    DOI: 10.1093/acprof:osobl/9780199832583.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    München BSB
    BSZ
    GBV
    KOBV
    BVB
    Bayreuth UB
  • 34
    Online Resource
    Online Resource
    The Arab Avant-Garde : Music, Politics, Modernity (2013)
    Middletown, CT. 06459 : Wesleyan University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780819573872
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Edition: 1st ed.
    Series Statement: Music / Culture Series
    DDC: 780.9560905
    RVK:
    LS 34500
    Keywords: Avant-garde (Music)--Middle East ; Music--Middle East--20th century--History and criticism ; Music--Middle East--21st century--History and criticism ; Popular music--Middle East--History and criticism ; Music--Political aspects--Middle East ; Electronic books
    Abstract: The first in-depth study of diverse and radical innovation in Arab music.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HeBIS
  • 35
    Online Resource
    Online Resource
    Music and empire in Britain and India : identity, internationalism, and cross-cultural communication (2013)
    New York, NY : Palgrave Macmillan
    Details
    ISBN: 9781137311641 , 9781137311658
    Language: English
    Pages: 1 Online-Ressource(xii, 219 Seiten) , Illustrationen, Notenbeispiele
    Edition: Online-Ausgabe
    Series Statement: Palgrave studies in cultural and intellectual history
    Parallel Title: Erscheint auch als Linden, Bob van der Music and empire in Britain and India
    DDC: 780.9171/241
    RVK:
    LQ 84006
    RVK:
    LS 39400
    RVK:
    LQ 94006
    Keywords: Music Social aspects 20th century ; History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Indic influences ; Music Western influences ; Music Social aspects 19th century ; History ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Great Britain-History ; Electronic books ; Electronic books ; Indien ; England ; Geschichte 1649-1660 ; Musik ; Kulturkontakt ; Geschichte
    Abstract: Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in
    Note: Includes bibliographical references and index
    DOI: 10.1057/9781137311641
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
  • 36
    Online Resource
    Online Resource
    Making samba : a new history of race and music in Brazil (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
    RVK:
    LS 48800
    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822391906
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822391906
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
  • 37
    Online Resource
    Online Resource
    Bodies of sound : studies across popular music and dance (2013)
    Burlington, Vt : Ashgate
    Details
    ISBN: 9781409445180
    Language: English
    Pages: Online-Ressource (XVIII, 237 S.) , Ill.
    Edition: Online-Ausg.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. Bodies of sound
    DDC: 781.6409
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Dance History ; Electronic books ; Popmusik ; Tanz
    Abstract: Constructing the popular. The problem of popularity : the cancan between the French and digital revolutions / Clare Parfitt-Brown ; Bellowhead : re-entering folk through a pop movement aesthetic / Sherril Dodds ; Sound understandings : embodied musical knowledge and "connection" in a ballroom dance community / Joanna Bosse -- Authenticity, revival, and reinvention. Dancing out of time : the forgotten Boston of Edwardian England / Theresa Jill Buckland ; The English folk voice : singing and cultural identity in the English folk revival, 1955-65 / Simon Featherstone ; Halling as a tool for nationalistic strategies / Anne Margrete Fiskvik -- (Re)framing value. Rocking the rhythm : dancing identities in drum 'n' bass club culture / Joanna Hall ; Authenticity, uplift, and cultural value in Bahian samba junino / Danielle Robinson and Jeff Packman ; Hierarchical reversals : the interplay of dance and music in West Side story / Rachel Duerden & Bonnie Rowell ; Talking machines, dancing bodies : marketing recorded dance music before World War 1 / Susan C. Cook -- Politics of the popular. Superficial profundity : performative translation of the dancing body in contemporary Taiwanese popular culture / Chih-Chieh Liu ; Keeping the faith : issues of identity, spectacle, and embodiment in Northern soul / Laura Robinson ; Jazz, dance, and black British identities / Catherine Tackley
    Note: Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
  • 38
    Online Resource
    Online Resource
    DJ culture in the mix : power, technology, and social change in electronic dance music (2013)
    London : Bloomsbury Publishing
    Details
    ISBN: 9781623564377
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als DJ culture in the mix
    DDC: 781.648
    RVK:
    LS 48655
    Keywords: Electronic books ; Aufsatzsammlung ; Discjockey ; Elektronische Musik ; Tanzmusik ; Musiksoziologie
    Abstract: The DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dan
    Description / Table of Contents: FC; Half Title; Title Page; Copyright; Dedication; Contents; Acknowledgements; 1. Introduction; 2. Subjectivity in the Groove: Phonography, Digitality and Fidelity; 3.DJ Technologies, Social Networks and Gendered Trajectories in European DJ Cultures; 4.Journey to the Light? Immersion, Spectacle and Mediation; 5. The DJ as ElectronicDeterritorializer; 6.'It's Not the Mix, It's the Selection': Music Programming in Contemporary DJ Culture; 7.Electronic Dance Music and Technological Change: Lessons from Actor-Network Theory; 8. DJ Culture and the Commercial Club Scene in Sydney
    Description / Table of Contents: 9.DJs and the Aesthetic of Acceleration in Drum 'n' Bass10. The Forging of a White Gay Aesthetic at the Saint, 1980-4; 11. DJs as Cultural Mediators: The Mixing Work of São Paulo's Peripheral DJs; 12. War on the Dancefloor: Synthscenen's Military Power Games; 13.DJ-driven Literature: A Linguistic Remix; Contributors; Index
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 39
    Online Resource
    Online Resource
    Listening in detail : performances of Cuban music (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822378877 , 0822378876
    Language: English
    Pages: 1 online resource (xviii, 333 pages)
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    DDC: 780.97291
    RVK:
    LS 48700
    Keywords: Music History and criticism ; Music Performance ; Music ; Cuba ; History and criticism ; Music ; Performance ; Cuba ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books
    Abstract: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
  • 40
    Online Resource
    Online Resource
    Musical performance and the changing city : post-industrial contexts in Europe and the United States (2013)
    New York : Routledge
    Details
    ISBN: 9780203078921
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten)
    Series Statement: Routledge research in music 4
    Series Statement: Routledge research in music
    Parallel Title: Erscheint auch als Musical performance and the changing city
    DDC: 306.4/8424
    RVK:
    LR 56608
    Keywords: Popular music Social aspects ; Popular music History and criticism ; Popular music Social aspects ; Electronic books ; Popmusik ; Musiksoziologie ; USA ; Europa ; Popmusik ; Nachindustrielle Gesellschaft ; Urbanität
    Note: Includes bibliographical references at the end of each chapters and index
    DOI: 10.4324/9780203078921
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    BVB
  • 41
    Online Resource
    Online Resource
    The instrumental music of Wutaishan's Buddhist monasteries : social and ritual contexts (2012)
    Surrey, England ;Burlington, VT : Ashgate
    Details
    ISBN: 9781283429337
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 174 p.)) , ill., music
    Edition: Online-Ausg.
    Series Statement: SOAS musicology series
    Parallel Title: Druckausg. Szczepanski, Beth The instrumental music of Wutaishan's Buddhist monasteries
    DDC: 781.7430951152
    RVK:
    LS 41950
    Keywords: Buddhist music History and criticism ; China ; Wutai Mountains ; Shengguan History and criticism ; China ; Wutai Mountains ; Electronic books ; Buddhismus ; Kloster ; Instrumentalmusik ; Wutai Shan ; Hochschulschrift ; Wutai Shan ; Buddhismus ; Kloster ; Instrumentalmusik
    Note: Based on the author's thesis (doctoral--Ohio State University, 2008) presented under title: Sheng Guan in the past and present. - Includes bibliographical references (p. [157]-163) and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
  • 42
    Online Resource
    Online Resource
    Musik und Gender : ein Reader (2012)
    Köln : Böhlau Verlag
    Details
    ISBN: 9783412215781
    Language: German
    Pages: 1 Online-Ressource (316 Seiten)
    Series Statement: Musik - Kultur - Gender. Studien zur europäischen Kultur v.10
    Parallel Title: Erscheint auch als Musik und Gender
    Parallel Title: Erscheint auch als Musik und Gender
    DDC: 306.4842
    RVK:
    EC 1876
    RVK:
    LR 56610
    RVK:
    LR 56600
    Keywords: Electronic books ; Aufsatzsammlung ; Musik ; Geschlechterforschung ; Frau ; Weiblichkeit ; Musik ; Geschichte ; Komponistin ; Geschlechterforschung
    Note: Description based upon print version of record
    URL: Volltext
    URL: Volltext
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
  • 43
    Online Resource
    Online Resource
    Senses of Vibration : a History of the Pleasure and Pain of Sound (2012)
    New York : Bloomsbury Publishing
    Details
    ISBN: 9781441118905 , 144111890X
    Language: English
    Pages: Online Ressource (223 pages)
    Parallel Title: Print version Senses of Vibration : A History of the Pleasure and Pain of Sound
    DDC: 306.09
    RVK:
    LR 57810
    Keywords: Sound Psychological aspects ; Sound Physiological effect ; Vibration Physiological effect ; Sound in literature ; Sensory stimulation ; Vibration ; Sound Psychological aspects ; Sound Physiological effect ; Vibration ; Sound in literature ; Sensory stimulation ; Vibration ; Vibration Physiological effect ; Sound Psychological aspects ; Sound Physiological effect ; Sound ; Vibration ; Literature ; Noise ; Psychological Phenomena and Processes ; Sensory stimulation ; Sound Physiological effect ; Sound Psychological aspects ; Sound in literature ; Vibration Physiological effect ; Vibration ; SOCIAL SCIENCE ; Popular Culture ; Kultur ; Schallwelle ; Schwingung ; Wahrnehmung ; POLITICAL SCIENCE ; Public Policy ; Cultural Policy ; SOCIAL SCIENCE ; Anthropology ; Cultural ; Electronic books ; Electronic books
    Abstract: The study of the senses has become a rich topic in recent years. Senses of Vibration explores a wide range of sensory experience and makes a decisive new contribution to this growing field by focussing not simply on the senses as such, but on the material experience - vibration - that underpins them. This is the first book to take the theme of vibration as central, offering an interdisciplinary history of the phenomenon and its reverberations in the cultural imaginary. It tracks vibration through the work of a wide range of writers, including physiologists (who thought vibrations in the nerve
    Description / Table of Contents: Acknowledgements; Introduction: Hearing Vibrations; 1 Nervous Motions; 2 Psychophysical Sensations and Spiritual Vibrations; 3 Wires, Rays and Radio Waves; 4 Pathological Motions: Railway Shock, Street Noises, Earthquakes; 5 Sexual Health: Sewing Machines, Bicycle Spine, the Vibrator; Afterword; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages 193-209) and index. - Print version record , Includes bibliographical references (pages 193-209) and index
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
  • 44
    Online Resource
    Online Resource
    'Rock on' : women, ageing and popular music (2012)
    Farnham, Surrey, England : Ashgate
    Details
    ISBN: 9781409428428 , 1409428427 , 9781409428411 , 1409428419
    Language: English
    Pages: 1 Online-Ressource (viii, 174 p.)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64082
    RVK:
    LS 48015
    Keywords: MUSIC / Genres & Styles / Pop Vocal ; Aging ; Popular music / Political aspects ; Popular music / Social aspects ; Women in music ; Women musicians ; Gesellschaft ; Politik ; Women musicians ; Women in music ; Aging ; Popular music Political aspects ; Popular music Social aspects ; Rocksängerin ; Popsängerin ; Karriere ; Altern ; Aufsatzsammlung ; Electronic books ; Popsängerin ; Rocksängerin ; Karriere ; Altern
    Note: Includes bibliographical references (p. [155]-169), discography (p. 169), filmography (p. 169), and index , Renewal, recycling and renegotiation. Madonna : like a crone / Lucy O'Brien ; It's all just a little bit of history repeating : pop stars, audiences, performance and ageing : exploring the performance strategies of Shirley Bassey and Petula Clark / Ros Jennings ; Long live the queen! : Celia Cruz's longevity as a counterpoint of tradition and change / Delia Poey ; Framing Grace : shock and awe at the ageless black body / Abigail Gardner -- "It's not over..." Mom rock? Media representations of 'mothers who rock' / Norma Coates ; 27 forever : Kristen Pfaff and the coverage of death as the re-presentation of a gendered musical life / Paula Hearsum ; "I'd stage-dive, but I'm far too elderly" : Courtney Love and expectations of femininity and ageing / Catherine Strong ; Rebel without a pause : the continuity of controversy in Madonna's contemporary music videos / Paul Watson and Diane Railton , For female pop stars, whose star bodies and star performances are undisputedly the objects of a sexualized external gaze, the process of ageing in public poses particular challenges. Taking a broadly feminist perspective, 'Rock On': women, ageing and popular music shifts popular music studies in a new direction. Focussing on British, American and Latina women performers and ageing, the collection investigates the cultural work performed by artists such as Shirley Bassey, Petula Clark, Madonna, Celia Cruz, Grace Jones and Courtney Love. The study crosses generations of performers and audiences enabling an examination of changing socio-historical contexts and an exploration of the relationships at play between performance strategies, star persona and the popular music press. For instance, the strategies employed by Madonna and Grace Jones to engage with the processes and issues related to public ageing are not the same as those employed by Courtney Love or Celia Cruz. The essays in this insightful collection reflect on the ways that artists and fans destabilise both the linear trajectories and the compelling weight of expectations regarding ageing by employing different modalities of resistance through persona re-invention, nostalgia, postmodern intertextuality and even early death as the ultimate denial of age
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
  • 45
    Online Resource
    Online Resource
    Sound and sentiment : birds, weeping, poetics, and song in Kaluli expression (2012)
    Durham, N.C. : Duke University Press
    Details
    ISBN: 9780822395898 , 0822395894
    Language: English
    Pages: 1 online resource (xli, 300 p. , ill., map, music)
    Edition: 3rd ed.; thirtieth anniversary ed. with a new introduction.
    Parallel Title: Erscheint auch als
    DDC: 305.89/912
    RVK:
    LC 86690
    RVK:
    LS 49500
    RVK:
    RX 70844
    Keywords: Kaluli (Papua New Guinean people) Social life and customs ; Kaluli (Papua New Guinean people) Rites and ceremonies ; Kaluli (Papua New Guinean people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Kaluli History and criticism ; Birds Mythology ; Birds ; Electronic books ; Forschungsbericht
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822395898
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
  • 46
    Online Resource
    Online Resource
    Musical worlds in Yogyakarta (2012)
    Leiden, the Netherlands : KITLV Press
    Details
    ISBN: 9004253491 , 9789004253490 , 9789067183901 , 9067183903 , 129978402X , 9781299784024
    Language: English
    Pages: 1 Online-Ressource (xiii, 210 Seiten) , Illustrations
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal- 281
    Series Statement: Southeast Asia mediated [volume 2]
    DDC: 780.9598/27
    RVK:
    LS 45200
    Keywords: Music Social aspects ; Music History and criticism ; Society and social sciences ; MUSIC Genres & Styles ; Classical ; MUSIC Reference ; SOCIAL SCIENCE Ethnic Studies ; General ; Music ; Music Social aspects ; Indonesia ; music ; Yogyakarta ; urban life ; performing arts ; sociology ; Criticism, interpretation, etc ; Electronic books
    Abstract: Musical worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta's regional parliament, its military institutions, universities and the Sultan's palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari ('mixed essences') and jalanan ('of the street'). Musical worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu's theories on class, gender and nation with the author's alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings. Max M. Richter is director of the Monash Asia Institute and lecturer in Anthropology at Monash University, Australia. He has published in international journals and edited book collections, and has given presentations on Indonesian music and society in several countries and forums. His current research focuses on local-level music performance, intellectual/power-broker gatherings and centre/region identities in urban Indonesia.
    Note: Includes bibliographical references and index
    URL: kostenfrei
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HeBIS
    MPI Ethno. Forsch.
  • 47
    Online Resource
    Online Resource
    Beatlemania : technology, business, and teen culture in Cold War America (2012)
    Baltimore : The Johns Hopkins University Press | [Ann Arbor] : ProQuest
    Details
    ISBN: 9781421406275
    Language: English
    Pages: 1 Online-Ressource (203 Seiten)
    RVK:
    LS 48040
    Keywords: The Beatles ; Musikwirtschaft ; Technologie ; Electronic books ; USA
    Abstract: Refreshing and insightful, Beatlemania offers a deeper understanding the days of the Fab Four and the band's long-term effects on the business and culture of pop music
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HeBIS
  • 48
    Online Resource
    Online Resource
    Go-go live : the musical life and death of a chocolate city (2012)
    Durham : Duke University Press
    Details
    ISBN: 0822352117 , 0822395207 , 9780822352112 , 0822352001 , 9780822395201 , 9780822352006 , 9781280487163
    Language: English
    Pages: 1 online resource (xvi, 214 p.
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: e-Duke books scholarly collection
    Parallel Title: Print version Go-Go Live
    DDC: 306.4/84240975309045
    RVK:
    LS 48900
    Keywords: African Americans Social life and customs 20th century ; Go-go (Music) History and criticism ; African Americans Music 20th century ; Go-go (Music) Social aspects ; Go-go (Music) -- Washington (D.C.) -- History and criticism ; Go-go (Music) -- Social aspects -- Washington (D.C.) ; African Americans -- Washington (D.C.) -- Music -- 20th century ; African Americans -- Washington (D.C.) -- Social life and customs -- 20th century ; Electronic books ; Electronic books
    Abstract: Includes bibliographical references and index
    Abstract: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986
    Abstract: Go-go is an upbeat, funky Black popular music from Washington, D.C. with a history as long as that of house or hip-hop. Natalie Hopkinson is the Media and Culture Critic for The Root, with access to clubs, producers, and artists, and is therefore well-placed to tell the story of the music from the 70s to the present. With the regentrification of the District, more of the Black population and the go-go industry have moved to the Maryland suburbs. In Go-Go Live, Hopkinson gives a critical, inside account of the scene and how it survives in a changing city
    Description / Table of Contents: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986.
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1515/9780822395201
    URL: https://www.degruyter.com/isbn/9780822395201
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    HeBIS
    BVB
    Bayreuth UB
  • 49
    Online Resource
    Online Resource
    Contemporary Carioca : technologies of mixing in a Brazilian music scene (2012)
    Durham : Duke University Press
    Details
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48800
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    DOI: 10.1215/9780822394884
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    BVB
    Bayreuth UB
    MPI Ethno. Forsch.
  • 50
    Online Resource
    Online Resource
    Jazz Composition and Arranging in the Digital Age (2012)
    Cary : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780199701162
    Language: English
    Pages: 1 Online-Ressource (532 pages)
    DDC: 781.65/13
    RVK:
    LS 48200
    Keywords: Jazz ; Komposition ; Arrangement ; Partitur ; Computerunterstütztes Verfahren ; Composition (Music) ; Instrumentation and orchestration (Band) ; Jazz-Instruction and study. ; Musical notation-Computer programs. ; Arrangement (Music) ; Electronic books
    Abstract: This is a comprehensive instructional text and reference guidebook on the art and craft of jazz composition and arranging for small and large ensembles. It is written from the perspective of doing the work using music notation software, and contains many practical and valuable tips to that end for the modern jazz composer/arranger.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HeBIS
    BVB
  • 51
    Online Resource
    Online Resource
    The politics of post-9/11 music : sound, trauma, and the music industry in the time of terror (2011)
    Farnham, Surrey, England ;Burlington, VT : Ashgate Pub
    Details
    ISBN: 9781283318891 , 1409427854 , 128331889X , 9781409427858
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 211 p.)) , ill.
    Edition: Online-Ausg.
    Edition: 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. The politics of post-9/11 music
    Parallel Title: Print version The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
    DDC: 781.64097309051
    RVK:
    LR 57728
    RVK:
    LS 48015
    Keywords: Popular music Political aspects ; United States ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Electronic books ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Popular music History and criticism 2001-2010 ; September 11 Terrorist Attacks, 2001 Influence ; Popular music Social aspects ; Popular music Political aspects ; USA ; Attentat ; Elfter September ; Rezeption ; Musikwissenschaften ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Attentat ; Elfter September ; Rezeption ; Popmusik ; Musikwirtschaft
    Abstract: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music&quot
    Description / Table of Contents: Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
    Description / Table of Contents: 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
    Description / Table of Contents: 14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
    Note: Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record , Series from dust jacket , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
  • 52
    Online Resource
    Online Resource
    Victory Through Harmony C : The BBC and Popular Music in World War II (2011)
    Cary : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780199707324
    Language: English
    Pages: 1 Online-Ressource (290 pages)
    DDC: 791.440941/09044
    RVK:
    LS 48060
    RVK:
    LR 54607
    Keywords: British Broadcasting Corporation ; Geschichte 1941-1950 ; Unterhaltungsmusik ; Weltkrieg ; British Broadcasting Corporation -- History ; Radio and music -- Great Britain ; World War, 1939-1945 -- Music and the war ; Popular music -- Great Britain -- 1941-1950 -- History and criticism ; Großbritannien ; Aufsatzsammlung ; Electronic books
    Abstract: Victory through Harmony tells the fascinating story of the BBC's participation in the events of World War II through popular music and jazz broadcasting. Author Christina Baade argues that rather than providing the soundtrack for a unified "People's War" as its popular broadcast Victory through Harmony promised to do, the BBC's popular music broadcasting efforts exposed the divergent ideologies, tastes, and perspectives of the nation.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HeBIS
  • 53
    Online Resource
    Online Resource
    Populäre Musik und kulturelles Gedächtnis : Geschichtsschreibung - Archiv - Internet (2011)
    Köln/Wien : Böhlau Verlag
    Details
    ISBN: 9783412214524
    Language: German
    Pages: 1 Online-Ressource (178 p)
    Series Statement: Schriftenreihe der Hochschule für Musik ""Franz Liszt v.7
    Parallel Title: Print version Pfleiderer, Martin Populäre Musik und kulturelles Gedächtnis : Geschichtsschreibung - Archiv - Internet
    DDC: 303.48201
    RVK:
    LR 57240
    RVK:
    LR 57250
    RVK:
    LS 48015
    RVK:
    NB 5600
    Keywords: Collective memory ; Popular music ; Archival resources ; Congresses ; Popular music ; Social aspects ; Congresses ; Collective memory ; Congresses ; Electronic books ; Electronic books ; Konferenzschrift 2010 ; Konferenzschrift 2010
    Note: Description based upon print version of record
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
    HeBIS
    BVB
  • 54
    Online Resource
    Online Resource
    Alternative Chinese opera in the age of globalization : performing zero (2011)
    Basingstoke [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9780230245655 , 9780230300422 , 9780230312036
    Language: English
    Pages: XII, 232 S. , Ill.
    Edition: 1. publ.
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: Studies in International Performance
    Series Statement: Studies in International Performance Ser.
    Parallel Title: Print version Alternative Chinese Opera in the Age of Globalization
    DDC: 792.5089/951
    RVK:
    LS 41400
    Keywords: Chinese Ethnic identity ; Operas, Chinese History and criticism ; Operas, Chinese Performances ; Theater ; Electronic books
    Abstract: "Bringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese "opera" in locations around the Pacific Rim, including Hong Kong, Taiwan and California"--
    Description / Table of Contents: Cover; Contents; List of Figures; Acknowledgements; Series Editors' Preface; Introduction: Performing Zero; 1 Femininity Comes to the Rescue: Innovative Jingju in Taiwan; 2 Pacification and Silent Resistance: Performing Hong Kong in The Flower Princess; 3 The Blossoming of the Transnational Peony: Performing Alternative China in California; 4 Waiting for Meaning: The Joint Venture of Robert Wilson, Jingju, and Taiwan; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Regensburg UB
    BSZ
    GBV
    BVB
  • 55
    Online Resource
    Online Resource
    Brazilian popular music and citizenship (2011)
    Durham, NC : Duke University Press
    Details
    ISBN: 0822348845 , 1283265923 , 082234906X , 9781283265928 , 9780822348849 , 9780822349068
    Language: English
    Pages: Online-Ressource (1 online resource (x, 364 p.)) , ill
    Edition: Online-Ausg.
    Parallel Title: Print version Brazilian Popular Music and Citizenship
    DDC: 306.4/84240981
    RVK:
    LS 48800
    Keywords: Popular music Political aspects ; Popular music History and criticism ; Popular music Social aspects ; Popular music -- Social aspects -- Brazil ; Popular music -- Political aspects -- Brazil ; Popular music -- Brazil -- History and criticism ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: Covering more than one hundred years of history, this multidisciplinary collection of essays illuminates the important links between citizenship, national belonging, and popular music in Brazil
    Description / Table of Contents: Contents; Acknowledgments; Introduction. Music as Practice of Citizenship in Brazil - Idelber Avelar and Christopher Dunn; Dissonant Voices under a Regime of Order-Unity: Popular Music and Work in the Estado Novo - Adalberto Paranhos; Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education - Flávio Oliveira; Farewell to MPB - Carlos Sandroni; From Mr. Citizen to Defective Android: Tom Zé and Citizenship in Brazil - Christopher Dunn; Rude Poetics of the 1980s: The Politics and Aesthetics of Os Titãs - Angélica Madeira
    Description / Table of Contents: "We Live Daily in Two Countries": Audiotopias of Postdictatorship Brazil - Frederick MoehnSoundtracking Landlessness: Music and Rurality in the Movimento dos Trabalhadores Rurais Sem Terra - Malcolm K. McNee; Zhen Brasil's Japanese Brazilian Groove - Shanna Lorenz; Embodying the Favela: Representation, Mediation, and Citizenship in the Music of Bezerra da Silva - Aaron Lorenz; Hip-Hop in São Paulo: Identity, Community Formation, and Social Action - Wivian Weller and Marco Aurélio Paz Tella; "Conquistando Espaço": Hip-Hop Occupations of São Paulo - Derek Pardue
    Description / Table of Contents: Funk Music Made in Brazil: Media and Moral Panic - João Freire Filho and Micael HerschmannTechnobrega, Forró, Lambadão: The Parallel Music of Brazil - Hermano Vianna; "Tradition as Adventure": Black Music, New Afro-Descendant Subjects, and Pluralization of Modernity in Salvador da Bahia - Osmundo Pinho; Modernity, Agency, and Sexuality in the Pagode Baiano - Ari Lima; Candeal and Carlinhos Brown: Social and Musical Contexts of an Afro-Brazilian Community - Goli Guerreiro; Of Mud Huts and Modernity: The Performance of Civic Progress at Arcoverde's São João Festival - Daniel Sharp
    Description / Table of Contents: Mangue Beat Music and the Coding of Citizenship in Sound - Idelber AvelarWorks Cited; Contributors; Index
    Note: Description based on print version record , Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393603
    URL: https://doi.org/10.1515/9780822393603
    URL: https://www.degruyter.com/isbn/9780822393603
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393603
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    Bayreuth UB
  • 56
    Online Resource
    Online Resource
    Buena Vista in the club : rap, reggaetón, and revolution in Havana (2011)
    Durham : Duke University Press
    Details
    ISBN: 9780822393931 , 082239393X
    Language: English
    Pages: 1 online resource (xii, 410 p.)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Baker, Geoffrey, 1970 - Buena Vista in the club
    DDC: 782.421649097291
    RVK:
    LQ 90000
    RVK:
    LS 48650
    Keywords: Buena Vista Social Club (Musical group) ; Rap (Music) ; Reggaetón ; Music Political aspects ; Buena Vista Social Club (Musical group) ; Rap (Music) ; Cuba ; Havana ; Reggaetón ; Cuba ; Havana ; Music ; Political aspects ; Cuba ; Electronic books ; Electronic books ; Electronic books ; Kuba ; Hip-Hop ; Rap
    Abstract: Hip hop, revolución! : nationalizing rap in Cuba -- The revolution of the body : reggaetón and the politics of dancing -- The Havana you don't know : urban music and the late socialist city -- Cuban hip hop all stars: transnationalism and the politics of representation -- Conclusion: the rise and fall of Havana hip hop.
    Note: Description based on print version record. - Includes bibliographical references and index
    DOI: 10.1215/9780822393931
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393931
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393931
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
  • 57
    Online Resource
    Online Resource
    Bytes and backbeats : repurposing music in the digital age (2011)
    Ann Arbor, Mich : University of Michigan Press
    Details
    ISBN: 0472027735 , 0472117858 , 0472901184 , 1283334364 , 6613334367 , 9780472117857 , 9780472027736 , 9781283334365 , 9786613334367 , 9780472901180
    Language: English
    Pages: 1 Online-Ressource (x, 251 pages)
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als Savage, Steve, 1948- Bytes and backbeats
    DDC: 781.6409/051
    RVK:
    LR 57790
    Keywords: Sound recordings Production and direction ; Popular music Production and direction ; MUSIC ; Genres & Styles ; Pop Vocal ; MUSIC ; General ; Sound recordings ; Production and direction ; Musikproduktion ; Neue Medien ; Popmusik ; Remix ; Rockmusik ; Soundverarbeitung ; Electronic books
    Abstract: From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. Steve Savage, however, deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. Three original audio projects form an integral part of the work, drawing from rock & roll, jazz, and traditional African music. Through these projects, Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience from the perspective of composers, musicians, and listeners. This work stems from Savage's experience as a professional recording engineer and record producer. "Instead of focusing solely on legal aspects, as many authors have done, Savage takes the time to study not only how technologies have altered the way we make and consume music, but also how technology relates to culture. This balance between 'empirical' and 'critical' approaches is powerful."--Serge Lacasse, Université Laval
    Abstract: Repurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration?
    Note: Includes bibliographical references and index , English
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 58
    Online Resource
    Online Resource
    Weltmusik in Deutschland : Multikulturelle Musik in den Medien (2011)
    Hamburg : Diplomica Verlag
    Details
    ISBN: 9783842801240 , 3842801246 , 9783842851245
    Language: German
    Pages: 1 Online-Ressource (100 p.)
    DDC: 302.230943
    RVK:
    AP 14350
    RVK:
    LR 57255
    RVK:
    LS 19000
    Keywords: Mass media and music ; World music ; PSYCHOLOGY / Social Psychology ; Mass media and music ; World music ; Deutschland ; Electronic books
    Note: Cover title , Includes bibliographical references
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    GBV
    HeBIS
  • 59
    Online Resource
    Online Resource
    Stare in the darkness : the limits of hip-hop and black politics (2011)
    Minneapolis : University of Minnesota Press
    Details
    ISBN: 9780816669875 , 9780816669882
    Language: English
    Pages: Online-Ressource (245 p) , ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Stare in the Darkness : The Limits of Hip-hop and Black Politics
    DDC: 305.896/073
    RVK:
    HD 475
    RVK:
    LS 48650
    Keywords: Hip-hop Social aspects ; African Americans Politics and government ; Hip-hop Political aspects ; African Americans Social life and customs ; Plumbing -- Handbooks, manuals, etc ; Plumbing -- Standards -- Handbooks, manuals, etc ; African Americans ; Politics and government ; African Americans ; Social life and customs ; Hip-hop ; Political aspects ; Hip-hop ; Social aspects ; Electronic books
    Abstract: Rap's critique of police brutality in the 1980s. The Hip Hop Political Convention. The rise (and fall) of Kwame Kilpatrick, the "hip-hop mayor" of Detroit. Barack Obama echoing the body language of Jay-Z on the campaign trail. A growing number of black activists and artists claim that rap and hip-hop are the basis of an influential new urban social movement. Simultaneously, black citizens evince concern with the effect that rap and hip-hop culture exerts on African American communities. According to a recent Pew survey conducted on the opinions of Black Americans, 71 percent of black
    Description / Table of Contents: Cover; Contents; Introduction: Follow Me into a Solo; 1. In This Journey, You're the Journalist: Rap Lyrics, Neoliberalism, and the Black Parallel Public; 2. A Little Knowledge Is Dangerous: Consuming Rap and Political Attitudes; 3. Follow the Leader: Hip-hop Activism and the Circulation of Black Politics; 4. Put Here to Be Much More Than That: The Rise and Fall of Kwame Kilpatrick; Conclusion: Obama and the Future of Hip-hop Politics; Acknowledgments; Appendix A: Political Platforms for the Hip-hop Social Action Network and the Black Panther Party
    Description / Table of Contents: Appendix B: National Hip-hop Convention Agenda, 2004Appendix C: Top Hip-hop Albums for the Week of December 1, 2006; Appendix D: Ownership of Top Market Urban-Urban Adult Contemporary Radio Stations; Notes; Bibliography; Discography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.5749/minnesota/9780816669875.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    Bayreuth UB
  • 60
    Online Resource
    Online Resource
    Musikkommunikatoren : Berufsrollen, Organisationsstrukturen und Handlungsspielräume im Popmusikjournalismus (2011)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839418987
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: texte zur populären musik 7
    DDC: 781.640943
    RVK:
    AP 24350
    RVK:
    AP 26100
    RVK:
    AP 26660
    RVK:
    LR 57400
    RVK:
    LS 48015
    Keywords: Sociology of Work and Industry ; Arbeit ; Musikzeitschriften ; Media ; Pop Music ; Musikwissenschaft ; Arbeits- und Industriesoziologie ; Musikjournalismus ; Work ; Popular Culture ; Popkultur ; Musiksoziologie ; Musik ; Popmusik ; Musicology ; Music ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Musikjournalist ; Popmusik ; Berichterstattung ; Habitus ; Berufsrolle ; Berufsethik ; Berufspraxis
    Abstract: Biographical note: André Doehring (Dr. phil.) ist Musikwissenschaftler an der Universität Gießen. Zu seinen Forschungsschwerpunkten zählen Themen der populären Musik, der Musiksoziologie und der musikalischen Analyse.
    Abstract: Long description: Obwohl Popmusikzeitschriften unsere Vorstellungen von Popmusik wesentlich prägen, ist ihr Entstehungsprozess bisher kaum wissenschaftlich erfasst. André Doehring stellt die Musikredakteure deutscher Musikzeitschriften in den Mittelpunkt und beleuchtet die Sicht dieser Medienakteure auf die eigene Rolle inmitten der handlungsleitenden sowie -begrenzenden Strukturen und Produktionsverhältnisse. In einer Zusammenführung von Perspektiven der Musiksoziologie und der Journalistik wirft die materialreiche und interessante Studie einen Blick hinter die Kulissen des gegenwärtigen Popmusikjournalismus, der durch das immense persönliche Engagement der Musikkommunikatoren überhaupt erst ermöglicht und aufrechterhalten wird.; Review quote: Besprochen in: Trust, 154/3 (2012)
    Description / Table of Contents: Cover Musikkommunikatoren; INHALT; Vorwort; 1. Grundlegendes; 1.1 Arbeitsdefinitionen; 1.2 Popmusikmagazine und Popmusikredakteure - der Forschungsstand; 1.3 Exkurs: Popmusikmagazine und Popmusikredakteure im kulturellen Diskurs; 2. Soziologische Perspektiven auf Popmusikjournalismus; 2.1 Popmusikjournalismus als System; 2.2 Popmusikjournalismus als Feld; 2.3 Popmusikjournalismus als Diskurs; 2.4 Popmusikjournalismus als eigensinniges Handeln von Medienakteuren; 3. Das Feld der Popmusikmagazine; 3.1 Begründung und Vorstellung der ausgewählten Magazine; Rolling Stone; Spex; Intro
    Description / Table of Contents: 3.2 Der Blick über den disziplinären Tellerrand: JournalistikZum Begriff der Journalistik; Themen und Bereiche der Journalistik; 3.3 Die Ordnung des Feldes der Musikmagazine mit den Begriffen der Journalistik; Normenkontext: Rechtliche und (standes-)ethische Aspekte; Strukturkontext: Ökonomische und organisatorische Aspekte; Ökonomische Aspekte der Zeitschriftenproduktion; Organisatorische Aspekte der Zeitschriftenproduktion; Zur Autonomie der redaktionellen Arbeit; Funktionskontext: Aspekte journalistischer Wahrnehmungsroutinen; Zur Selektion und Gewichtung des Nachrichtenstoffes
    Description / Table of Contents: Bezugsgruppen, Publikumsvorstellungen und Deutungsmacht von JournalismusRollenkontext: Zur Situation deutscher Journalisten; 4. Die Wirklichkeit der Musikkommunikatoren; 4.1 Zur empirischen Rekonstruktion der Wirklichkeitskonstruktionen; 4.2 Ergebnisse; Rollenkontext; Musikalische und berufliche Sozialisation; Selbstbild, Aufgaben und Kompetenzen: Konstruktionen des Musikredakteurs und des Musikmagazins; Musikverständnis und Werturteil: Der professionelle Umgang mit Musik; Berufszufriedenheit; Funktionskontext; Die Wirklichkeit der Musiknachrichten - Dimensionen der Auswahl und Darstellung
    Description / Table of Contents: Quellen und BezugsgruppenStrukturkontext; Die Redaktion als Organisations- und Entscheidungszentrum; Technologische und zeitliche Aspekte der Produktion; Ökonomische Aspekte der Produktion; Normenkontext; Ethik und Aufgabe des Musikjournalismus; 4.3 Zusammenfassung am Beispiel der Hype-Konstruktionen in Popmusikmagazinen; 5. Diskussion und Ausblick; 5.1 Musiksoziologie und Popmusikmagazine; 5.2 Popmusikmagazine und das Internet; 5.3 Zur Typik und Notwendigkeit der Berufsauffassung im Popmusikjournalismus; Literaturverzeichnis
    Note: Description based upon print version of record
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
  • 61
    Online Resource
    Online Resource
    Wie Popmusik bedeutet : Eine synchrone Beschreibung popmusikalischer Zeichenverwendung (2011)
    Bielefeld : transcript
    Details
    ISBN: 9783837616583
    Language: German
    Pages: Online-Ressource (319 p)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Print version Wie Popmusik bedeutet : Eine synchrone Beschreibung popmusikalischer Zeichenverwendung
    DDC: 781.64
    RVK:
    AP 14900
    RVK:
    LS 48015
    Keywords: Electronic books ; Hochschulschrift ; Popmusik ; Musikalische Semiotik ; Rezeptionsästhetik
    Abstract: Popmusik ist zu einem komplexen Forschungsgegenstand geworden, bei dem diverse Idiome, Medien und Lesarten interagieren. Die Analyse erfolgt zumeist aus dem Blickwinkel einer singulären Disziplin, etwa der Musik-, Literatur-, Medien- oder Sozialwissenschaft. Jedoch bleibt dabei das Zusammenspiel der einzelnen Komponenten - und mit ihm das Deutungsspektrum des popmusikalischen Textgewebes - notwendig außen vor. Ole Petras entwickelt einen methodischen Ansatz, der stattdessen nach dem Wie der Sinnproduktion fragt und jene Regeln erforscht, die die Verbindung einzelner bedeutungstragender Element
    Description / Table of Contents: Cover Wie Popmusik bedeutet; Inhalt; EINLEITUNG; Kernprobleme der Popmusikanalyse; Text als Struktur; Rhizom; Plateaus - Ebenen; Autorschaft; Komptabilität - Autorfunktion; Autortext; Wie Popmusik bedeutet; DIE EBENE DER KOMPOSITION. ZUR ANALYSE DES MUSIKSTÜCKS; Verschriftungen; Form; Liedtext; Aufbau; Metrik; Syntax; Musik; Melodie; Harmonik; Rhythmus; Aussage; Musik; Denotate; Konnotate; Liedtext; Narrativität; Propositionaliät; DIE EBENE DER PRODUKTION. ZUR ANALYSE DES SONGS; Struktur als Text; Performanz; Sprechakte; Fiktionalität; Körper; Performance; Stimme; Arrangement
    Description / Table of Contents: InstrumentierungRecording; Sound; Produktion; Studiotechnik; Spuren; DIE EBENE DER ILLUSTRATION. ZUR ANALYSE DER REFERENTIALISIERUNGEN; Paratexte; Titel; Liedtitel; Albumtitel; Cover; Hintergrund; Vordergrund; Booklet; Layout; Credits; Linernotes; Video; Ästhetik; Funktionen; DIE EBENE DER DISTRIBUTION. ZUR ANALYSE DES ARTEFAKTS; Eine Krise des Mediums; Plattenfirmen; Major; Indie; Homerecording; Infrastruktur; Produkte; Datenträger; Ausstattung; Vertrieb; Einzelhandel; Mailorder; Download; Crossmarketing; Vertriebsmodelle; Urheberrecht; DIE EBENE DER AKQUISITION. ZUR ANALYSE VON IDENTITÄT
    Description / Table of Contents: StarsPersonal Relations; Marke; Bandnamen; Künstlernamen; Beinamen; Inszenierung; Image; Look; Mimik/Gestik; Tanz; Feldposition; Mainstream; Independent; Public Relations; Promotion; Reklame; Merchandise; Homepages; Presse; Interviews; Berichte; Kritiken; Konzerte; Booking; Bühne; Phatische Paratexte; DIE EBENE DER REZEPTION. ZUR ANALYSE VON DIFFERENZ; Hits; Synchrone Differenzen; Performanz des Hörens; Rahmung; Handlungsmuster; Emergenz; Das mediale Feld; Genre; Szene; Fans; Das kultureller Feld; Topografie; Milieu; Sprache; Diachrone Differenzen; Dokumentation; OEuvre; Historiografie
    Description / Table of Contents: KanonbildungDistinktion; E und U; Alteritätssignale; Modernität; Applikation; Einschreibungen; Umschreibungen; Fortschreibungen; SCHLUSS; Zur methodischen Konzeption; Zur Praxis der Analyse; Eine Parade der Formen; QUELLEN
    Note: Description based upon print version of record
    URL: Volltext
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
  • 62
    Online Resource
    Online Resource
    Queere Tracks : Subversive Strategien in der Rock- und Popmusik (2010)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839411933
    Language: German
    Pages: 1 online resource (340 pages) , illustrations
    Series Statement: Gender Studies
    DDC: 781.640866
    RVK:
    AP 14350
    RVK:
    LR 56600
    RVK:
    LR 56610
    RVK:
    LS 48000
    RVK:
    LS 78000
    RVK:
    MS 2850
    RVK:
    MS 8020
    Keywords: Gender identity in music ; Musik ; Queer theory ; Musik ; Music Philosophy and aesthetics ; Electronic books ; Popular music History and criticism ; Rock music History and criticism ; Rockmusik ; Queer-Theorie ; Philosophie ; Popmusik ; Geschlechterforschung ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Rockmusik ; Queer-Theorie ; Geschlechterforschung ; Philosophie ; Popmusik ; Queer-Theorie ; Geschlechterforschung ; Philosophie
    Description / Table of Contents: In dieser spannenden Pionierarbeit werden erstmals Schlüsselkonzepte der aktuellen Gender-Politik und Queer Theorie wie Ironie, Parodie, Camp, Maske/Maskerade, Mimesis/Mimikry, Cyborg, Transsexualität und Dildo wissenschaftlich aufbereitet. Mit Hilfe einer neuen Art der Wissensvermittlung verbindet die Autorin anspruchsvolle sozial- und kulturwissenschaftliche Theorien mit praktischen Beispielen aus den Cultural Studies. Der subversive Charakter queerer Motive wird am Beispiel zeitgenössischer Rock- und Popmusik aufgezeigt und in Beziehung zu klassischen Diskursen der abendländischen Philosophiegeschichte gesetzt
    Note: Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) , In German
    DOI: 10.14361/9783839411933
    DOI: 10.1515/9783839411933
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    KOBV
  • 63
    Online Resource
    Online Resource
    Rock the nation : Latin/o identities and the Latin rock diaspora (2010)
    New York : Continuum
    Details
    ISBN: 9781628928297 , 9781441167972 , 9780826441805
    Language: English
    Pages: 1 Online-Ressource (xii, 228 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.66089/68
    RVK:
    LS 48050
    Keywords: Geschichte 1950-2010 ; MUSIC / Genres & Styles / Punk ; MUSIC / Genres & Styles / Heavy Metal ; MUSIC / Genres & Styles / Rock ; Rock music History and criticism ; Rock music Latin American influences ; Hispanos ; Rockmusik ; Lateinamerika ; USA ; USA ; Electronic books ; USA ; Hispanos ; Rockmusik ; Geschichte 1950-2010
    Description / Table of Contents: Introduction : On Latinos/Hispanics in the United States, "Latino/as", the U.S. census, and other foundational concepts -- Heard it on the X : border radio as public discourse, the Latin/o legacy in popular music, and the roots of multicultural America -- The missing links : zoot suits, original Chicanos, and diasporic Latin/o connections -- Latinos in the garage : Latin/o presence and influence in garage-rock-- and other pop music -- Las ondas de José Agustín : the birth of rock in Mexico and the Latin/o rock diaspora (1970-1990) -- Transnational punk(s) : on the transnational character of the Latin/o rock diaspora -- Conclusion : Alter-Latino, the Latin/o rock diaspora and new Latinidades
    DOI: 10.5040/9781628928297
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    KOBV
    BVB
    Bayreuth UB
  • 64
    Online Resource
    Online Resource
    Blowin' Hot and Cool : Jazz and Its Critics (2010)
    Chicago, IL : University of Chicago Press
    Details
    ISBN: 9780226289229
    Language: English
    Pages: Online-Ressource (495 p)
    Parallel Title: Print version Blowin' Hot and Cool : Jazz and Its Critics
    DDC: 306.4/8425
    RVK:
    LS 48100
    Keywords: Jazz ; History and criticism ; Jazz ; Social aspects ; United States ; Electronic books ; Electronic books
    Abstract: In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled-often both-but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now.In Blowin' Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The
    Description / Table of Contents: Contents; Acknowledgments; Introduction: (Much More than) a Few Words about Jazz; Chapter 1: "Not Only a New Art Form but a New Reason for Living''; Chapter 2: "As If It Were Artistic and Not Just a Teenage Enthusiasm'': Hot Collecting across the Color Line; Chapter 3: Hearing the "Noisy Lostness': 'Telling the Story of Jazz; Chapter 4: Writer's Writers and Sensitive Cats: Mapping the New Jazz Criticism; Chapter 5: Swinging in a High-Class Groove: Mainstreaming Jazz in Lenox and Newport; Chapter 6: The Shock of the New: Black Freedom, the Counterculture, and 1960s Jazz Criticism
    Description / Table of Contents: Chapter 7: Race-ing the Bird: Ross Russell's Obsessive Pursuit of Charlie ParkerChapter 8: Tangled Up in Blues: The New Jazz Renaissance and Its Discontents; Conclusion: Change of the Century; Notes; Index
    Note: Description based upon print version of record
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    HeBIS
  • 65
    Online Resource
    Online Resource
    Vergleich von Sprachduktus und Melodik historischer Aufnahmen der Peking-Oper (2010)
    Göttingen : Cuvillier Verlag | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783736933835
    Language: German
    Pages: 1 Online-Ressource (505 pages)
    Edition: 1st ed.
    Series Statement: Orbis Musicarum v.123
    DDC: 782.81095100000005
    RVK:
    LS 41400
    Keywords: Geschichte 1910-1990 ; Peking-Oper ; Schallaufzeichnung ; Operas, Chinese--History and criticism ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HeBIS
  • 66
    Online Resource
    Online Resource
    Soul music : tracking the spiritual roots of pop from Plato to Motown (2010)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472022793
    Language: English
    Pages: xiii, 250 p
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6401
    RVK:
    LS 48640
    Keywords: Geschichte ; Musik ; Religion ; Schwarze. USA ; African Americans Music ; History and criticism ; Soul music History and criticism ; Blues (Music) History and criticism ; Music Religious aspects ; Music and philosophy ; Soul ; Religion ; Musikphilosophie ; Schwarze ; Musikästhetik ; Musik ; Blues ; Spiritualität ; Popmusik ; USA ; Electronic books ; USA ; Schwarze ; Popmusik ; Musikphilosophie ; Musikästhetik ; Spiritualität ; USA ; Schwarze ; Musik ; Geschichte ; USA ; Popmusik ; Religion ; Spiritualität ; Soul ; Blues ; Spiritualität ; Geschichte
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    BVB
  • 67
    Online Resource
    Online Resource
    Music and Conflict (2010)
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780252090257
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    DDC: 306.4/842
    RVK:
    LR 57720
    Keywords: Electronic books
    Abstract: This volume charts a new frontier of applied ethnomusicology by highlighting the role of music in both inciting and resolving a spectrum of social and political conflicts in the contemporary world. Contributors detail how music and performance are deployed to critique power structures and to nurture cultural awareness among communities in conflict. Speaking to the cultural implications of globalization and pointing out how music can promote a shared musical heritage across borders, the essays discuss the music of Albania, Azerbaijan, Brazil, Egypt, Germany, Indonesia, Iran, Ireland, North and South Korea, Uganda, the United States, and the former Yugoslavia. _x000B_Contributors are Samuel Araujo, William Beeman, Stephen Blum, Salwa El-Shawan Castelo-Branco, David Cooper, Keith Howard, Inna Naroditskaya, John Morgan O'Connell, Svanibor Pettan, Anne K. Rasmussen, Adelaida Reyes, Anthony Seeger, Jane C. Sugarman, and Britta Sweers.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    HeBIS
  • 68
    Online Resource
    Online Resource
    Mahler-Handbuch (2010)
    Stuttgart : J.B. Metzler
    Details
    ISBN: 9783476003577
    Language: German
    Pages: 1 Online-Ressource (XXX, 504 Seiten)
    Parallel Title: Print version Sponheuer, Bernd Mahler-Handbuch
    DDC: 301
    RVK:
    GN 1522
    RVK:
    LK 10357
    RVK:
    MG 81930
    RVK:
    LP 64730
    Keywords: Electronic books ; Aufsatzsammlung
    Note: Description based upon print version of record
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    HeBIS
  • 69
    Online Resource
    Online Resource
    Rhythms of the Afro-Atlantic world : rituals and remembrances (2010)
    Ann Arbor : The University of Michigan Press
    Details
    ISBN: 0472027476 , 0472901206 , 9780472027477 , 9780472901203
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Rhythms of the Afro-Atlantic world
    RVK:
    LS 48900
    Keywords: Geschichte ; Danse ; Hip-hop ; Musique populaire ; Black people ; Dance ; Hip-hop ; HISTORY ; MUSIC ; Popular music ; Black people Music ; History and criticism ; Dance History ; Hip-hop ; Popular music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Karibik ; Amerika ; Africa ; Caribbean Area ; Electronic books ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Karibik ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Geschichte
    Abstract: Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures
    Description / Table of Contents: The economic vitamins of Cuba : sacred and other dance performances / Yvonne Daniel -- Performing pentecostalism : music, identity, and the interplay of Jamaican and African American styles / Melvin L. Butler -- "The women have on all their clothes" : reading the texts of holy hip-hop / Deborah Smith Pollard -- Rhythmic remembrances / Yvonne Daniel -- Citizenship and dance in urban Brazil : Grupo Corpo, a case study / Lucía M. Suárez -- Muscle/memories : how Germaine Acogny and Diane McIntyre put their feet down / Susan Leigh Foster -- "To carry the dance of the people beyond" : Jean Léon Destiné, Lavinia Williams, and Danse Folklorique Haïtienne / Millery Polyné -- Motherland hip-hop : connective marginality and African American youth culture in Senegal and Kenya / Halifu Osumare -- New York bomba : Puerto Ricans, Dominicans, and a bridge called Haiti / Raquel Z. Rivera -- Talking drums : soca and go-go music as grassroots identity movements / Deidre R. Gantt -- Warriors of the world : rapso in Trinidad's festival culture / Patricia van Leeuwaarde Moonsammy -- Timba Brava : Maroon music in Cuba / Umi Vaughan -- Salsa memory : revisiting Grupo Folklórico y experimental nuevayorquino / Juan Flores and René López -- Performing memories : the atlantic theater of cultural production and exchange / Carrol Smith-Rosenberg
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Regensburg UB
    BVB
  • 70
    Online Resource
    Online Resource
    Songs of the Women Migrants : Performance and Identity in South Africa (1999)
    Edinburgh : Edinburgh University Press
    Details
    ISBN: 9781474469579
    Language: English
    Pages: 1 online resource (249 pages)
    Series Statement: International African Library
    Parallel Title: Erscheint auch als
    DDC: 304.8/082/0968
    RVK:
    LS 47974
    Keywords: Migrant labor ; Women employees ; Music-Social aspects ; Electronic books ; Electronic books
    Abstract: This book gives an account of how migrant women dance and sing the vibrant and expressive musical style of kiba.
    Abstract: Intro -- CONTENTS -- List of Maps, Tables and Figures -- Acknowledgements -- Introduction -- 1 Home Boys, Home Dances: Migrants Create Past and Place -- 2 'Those of My Home': MIgrant Women on the Reef -- 3 'We are Visitors': Men's and Women's Kiba -- 4 Women as Brothers, Women as Sons: Domestic Predicaments Unravelled -- 5 'I Dress in This Fashion': Rural Singers and the Sotho Life-Course -- 6 Dislocations and Continuitieis: Disrupted Youth and Adolescence -- 7 Family Gifts, Family Spirits -- Conclusion -- Appendix 1: Lists of Discussions and Interpreters -- Appendix 2: List of Kiba Performances -- Appendix 3: Select Discography -- Notes -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781474469579
    URL: https://www.degruyter.com/isbn/9781474469579
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    HeBIS
    BVB
  • 71
    Online Resource
    Online Resource
    Blutopia : visions of the future and revisions of the past in the work of Sun Ra, Duke Ellington, and Anthony Braxton (1999)
    Durham : Duke University Press
    Details
    ISBN: 9780822378471 , 0822378477
    Language: English
    Pages: 1 Online-Ressource (xi, 314 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48030
    Keywords: Sun Ra Criticism and interpretation ; Ellington, Duke 1899-1974 ; Criticism and interpretation ; Braxton, Anthony Criticism and interpretation ; Braxton, Anthony ; Sun Ra ; Ellington, Duke ; Jazz History and criticism ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Sun Ra Jazzmusiker 1914-1993 ; Braxton, Anthony 1945- ; Ellington, Duke 1899-1974
    Note: Includes bibliographical references (pages [285]-303) and index , Introduction: Blutopia -- Pt. I. Sun Ra: A Starward Eye. 1. Astro Black: Mythic Future, Mythic Past. 2. Of Aliens and Angels: Mythic Identity -- Pt. II. Duke Ellington: Tone Parallels. 3. In the Jungles of America: History Without Saying It. 4. Zajj: Renegotiating Her Story -- Pt. III. Anthony Braxton: Crossroad Axiums. 5. All the Things You Are: Legba's Legacy. 6. Going to the Territory: Sound Maps of the Meta-Real -- Coda: House of Voices, Sea of Music
    DOI: 10.1215/9780822378471
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BVB
    Bayreuth UB
  • 72
    Online Resource
    Online Resource
    The cultural life of intellectual properties : authorship, appropriation, and the law (1998)
    Durham : Duke University Press
    Details
    ISBN: 9780822382492 , 0822382490
    Language: English
    Pages: 1 Online-Ressource (xi, 462 Seiten)
    Series Statement: Post-contemporary interventions
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    HD 370
    RVK:
    LB 79000
    RVK:
    LR 57500
    RVK:
    PE 743
    RVK:
    PR 2352
    Keywords: Intellectual property United States ; Critical legal studies United States ; Popular culture United States ; Rechtsschutz ; Zivilisation ; Geistiges Eigentum ; United States Cultural policy ; USA ; Electronic books ; USA ; Geistiges Eigentum ; Rechtsschutz ; Zivilisation
    Note: Introduction: Authoring Culture. A Critical Cultural Legal Studies. Against Culture(s). Anthropology's Trademark and Its Academic Others. Authoring Alterity. Contested Cultures. Legalities,Identities, and Mass Media. Authorship and Alterity -- Objects of Property and Subjects of Politics: Objects and Subjects. Historicizing the Subject. Postmodern Culture. It's a Small, Small world. Postmodern Goods. Author(iz)ing the Corporate Persona. Manufacturing Distinction. Fixing the Signifier/Owning the Sign. Activist Appropriations. PolicingPostmodern Precincts. Xerox Cultures. Dialogicsof Postmodern Politics -- Author(iz)ing the Celebrity: Engendering Alternative Identities: The Value of the CelebrityPersona. CelebrityAuthorship. The CelebrityForm and the Politicsof Postmodernism. Doing Gender. Respecting Judy. Fictionalized Sexualities. Enterprising Women. Engendering and EndangeringAlternative Identities -- , - Tactics of Appropriation and the Politics of Recognition: PoliticalArticulations. Official Signifiers. Postmodernity and the Rumor. Racial Inscriptions and Iterations. Corporeal Vulnerability. Signifyin(g) Powers -- Embodied Trademarks: Mimesis and Alterity on American Commercial Frontiers. Mimicry, Alterity, and Embodiment. Marked and Unmarked Bodies. Contemporary Contestations. Fighting Redskins. Consuming Crazy Horse. Mimicking Authors at the Altars of Property -- The Properties of Culture and the Politics of Possessing Identity: Whose VoiceIs It Anyway? The European Art/Culture System. Contemporary Properties of Culture and Identity. Listening to Native Claims "in Context". Representation without Representation: Visibility without Voice. Possessive Individualism Revisited: Authorship and Cultural Identity. Aboriginal Title -- , - Dialogic Democracy I: Authorship and Alterity in Public Spheres: The Author in the Modern Public Sphere. FreeSpeech in the Condition of Postmodernity. Objects and Subjects Redux -- Dialogic Democracy II: Alterity and Articulation in the Space of the Political: Locating the Politics of the Public Sphere. Mass Mediation and the Publics of Civil Society. The Spaceof the Signature. The Unworked Community. An Ethics of Contingency. - Includes bibliographical references (pages [398]-443) and index
    DOI: 10.1215/9780822382492
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BVB
  • 73
    Online Resource
    Online Resource
    Saying something : jazz improvisation and interaction (1996)
    Chicago, Ill. [u.a.] : University of Chicago Press
    Details
    ISBN: 9780226534787 , 0226534774 , 0226534782 , 9780226534794
    Language: English
    Edition: Online-Ausg. [s.l.] eblib 2009 Online Ressource
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Druck-Ausg. Monson, Ingrid, 1955 - Saying something
    DDC: 781.65/136
    RVK:
    LS 48100
    Keywords: Improvisation (Music) ; Jazz ; Criticism and interpretation ; Electronic books ; Jazz ; Improvisation
    Abstract: This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century American cultural life. Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists.
    Abstract: Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1 Talking to Musicians -- 2 Grooving and Feeling -- 3 Music, Language, and Cultural Styles: Improvisation as Conversation -- 4 Intermusicality -- 5 Interaction, Feeling, and Musical Analysis -- 6 Ethnomusicology, Interaction, and Poststructuralism -- Coda -- Notes -- Interviews -- Recordings -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=432268
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
  • 74
    Online Resource
    Online Resource
    Jazz among the discourses (1995)
    Durham : Duke University Press
    Details
    ISBN: 9780822397083 , 0822397080
    Language: English
    Pages: 1 Online-Ressource (viii, 288 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Jazz History and criticism ; Musical canon ; Kritische Theorie ; Jazz ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Kritische Theorie
    Note: Includes bibliographical references and index , The jazz canon and its consequences / Krin Gabbard -- "Moldy figs" and modernists : jazz at war (1942-1946) / Bernard Gendron -- Jazz in crisis, 1948-1958 : ideology and representation / Steven B. Elworth -- Other : from noun to verb / Nathaniel MacKey -- Historical context and the definition of jazz : putting more of the history in "jazz history" / William Howland Kenney -- Oral histories of jazz musicians : the NEA transcripts as texts in context / Burton W. Peretti -- The media of memory : the seductive menace of records in jazz history / Jed Rasula -- "Out of notes" : signification, interpretation, and the problem of Miles Davis / Robert Walser -- Critical alchemy : Anthony Braxton and the imagined tradition / Ronald M. Radano -- Ephemera underscored : writing around free improvisation / John Corbett -- Double V, double time : bebop's politics of style / Eric Lott -- Ascension : music and the black arts movement / Lorenzo Thomas
    DOI: 10.1215/9780822397083
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BVB
    Bayreuth UB
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...