ISBN:
9783839442562
Sprache:
Englisch
Seiten:
1 Online-Ressource (232 Seiten)
,
Illustrationen
Serie:
Popular music
Serie:
Studien zur Popularmusik
Paralleltitel:
Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
Dissertationsvermerk:
Dissertation University of London
Schlagwort(e):
Anonymität
;
Feldforschung
;
Performance
;
Performativität
;
Popmusik
;
Elektronische Musik
;
Anonymity.
;
Cultural Studies.
;
Ethnography.
;
Music.
;
Musicology.
;
Performance.
;
Pop Music.
;
Popular Culture.
;
MUSIC / History & Criticism
;
Hochschulschrift
;
Hochschulschrift
;
Elektronische Musik
;
Performativität
;
Anonymität
Kurzfassung:
In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations.This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music.
DOI:
10.14361/9783839442562
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