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  • Kronegger, Marlies  (5)
  • Husserl, Edmund  (4)
  • Dordrecht : Springer  (9)
  • London [u.a.] : Routledge
  • Phenomenology  (9)
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  • 1
    Online Resource
    Online Resource
    Philosophy of Arithmetic : Psychological and Logical Investigations with Supplementary Texts from 1887-1901 (2003)
    Dordrecht : Springer
    Details
    ISBN: 9789401000604
    Language: English
    Pages: Online-Ressource (LXIV, 515 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Edmund Husserl, Collected Works 10
    Series Statement: Husserliana: Edmund Husserl – Collected Works 10
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Modern philosophy. ; Philosophy, modern ; Mathematics ; Phenomenology ; Number theory ; History.
    Abstract: In his first book, Philosophy of Arithmetic, Edmund Husserl provides a carefully worked out account of number as a categorial or formal feature of the objective world, and of arithmetic as a symbolic technique for mastering the infinite field of numbers for knowledge. It is a realist account of numbers and number relations that interweaves them into the basic structure of the universe and into our knowledge of reality. It provides an answer to the question of how arithmetic applies to reality, and gives an account of how, in general, formalized systems of symbols work in providing access to the world. The "appendices" to this book provide some of Husserl's subsequent discussions of how formalisms work, involving David Hilbert's program of completeness for arithmetic. "Completeness" is integrated into Husserl's own problematic of the "imaginary", and allows him to move beyond the analysis of "representations" in his understanding of the logic of mathematics. Husserl's work here provides an alternative model of what "conceptual analysis" should be - minus the "linguistic turn", but inclusive of language and linguistic meaning. In the process, he provides case after case of "Phenomenological Analysis" - fortunately unencumbered by that title - of the convincing type that made Husserl's life and thought a fountainhead of much of the most important philosophical work of the twentieth Century in Europe. Many Husserlian themes to be developed at length in later writings first emerge here: Abstraction, internal time consciousness, polythetic acts, acts of higher order ('founded' acts), Gestalt qualities and their role in knowledge, formalization (as opposed to generalization), essence analysis, and so forth. This volume is a window on a period of rich and illuminating philosophical activity that has been rendered generally inaccessible by the supposed "revolution" attributed to "Analytic Philosophy" so-called. Careful exposition and critique is given to every serious alternative account of number and number relations available at the time. Husserl's extensive and trenchant criticisms of Gottlob Frege's theory of number and arithmetic reach far beyond those most commonly referred to in the literature on their views
    DOI: 10.1007/978-94-010-0060-4
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  • 2
    Online Resource
    Online Resource
    The Orchestration of the Arts - A Creative Symbiosis of Existential Powers : The Vibrating Interplay of Sound, Color, Image, Gesture, Movement, Rhythm, Fragrance, Word, Touch (2000)
    Dordrecht : Springer
    Details
    ISBN: 9789401734110
    Language: English
    Pages: Online-Ressource (XIV, 475 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 63
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Aesthetics ; Phenomenology ; Philosophy of mind ; Comparative Literature ; Philosophy.
    Abstract: What is Art? This perennial question is forcefully thrown open by the present day electronic expansion of its field and proliferation of arts. Toward the treatment of this great question with deepest philosophical underpinnings, this collection of studies means to lay a ground. It is presumed that art, transcendentality, the designs of the cosmos might yield some of their mysteries while we investigate the Orchestration of the Arts stretching into all main lines of the human creativity: literature, history.. and encompassing the distinctive and yet symbiotically inclined music, song, painting, opera, drama, stage decor, architecture, and ornament
    DOI: 10.1007/978-94-017-3411-0
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  • 3
    Online Resource
    Online Resource
    The Aesthetics of Enchantment in the Fine Arts (2000)
    Dordrecht : Springer
    Details
    ISBN: 9789401732345
    Language: English
    Pages: Online-Ressource (X, 326 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 65
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Humanities ; Fine arts. ; Aesthetics ; Metaphysics ; Phenomenology ; Philosophy. ; Arts.
    Abstract: Let us revive the true sense of fine arts: enchantment! In the conceptualised, commercialised, artificial approach to fine arts, we forgot its authentic experiential sense. It lies at the imaginative heart of all arts there to be retrieved by the creative recipient as the very 'truth of it all'
    DOI: 10.1007/978-94-017-3234-5
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  • 4
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    Online Resource
    Life the Human Quest for an Ideal : 25th Anniversary Publication Book II (1996)
    Dordrecht : Springer
    Details
    ISBN: 9789400916043
    Language: English
    Pages: Online-Ressource (XII, 344 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 49
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Philosophy ; Aesthetics ; Ethics ; Phenomenology ; Self. ; Philosophy of mind.
    Abstract: Above the dogmatic ideologies and utopias that have proved illusory, there is a resurgence of ideals of/for humanity in the human spirit's urgent quest after measure and harmony of the dispersed threads of existence. Devalued in the sectarism of postmodern thought, they affirm themselves in their original freedom as the irrepressible swing of the human spirit within the all-embracing new field of the Phenomenology of Life and of the Human Condition. Preceded by the exploration of allegory in aesthetics and the metaphysics of the ontopoiesis of life, the present collection opens with Tymieniecka proposing the `golden measure' as the ideal our present day humanity calls and strives for. Studies of the `Ascension in troubled times', `On the way', `The search for harmony', `European message', and other sections, collect papers by: G. Vajda, M.A. Cecilia, E. di Vito, A. Balan, R. Kieffer, G. Overvold, L. Kimmel, J.B. Williamson, F.P. Crawley, P. Pylkkö, N. Campi de Castro, and others. Introduced by the editor: Marlies Kronegger
    DOI: 10.1007/978-94-009-1604-3
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  • 5
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    Online Resource
    Allegory Old and New : In Literature, the Fine Arts, Music and Theatre, and Its Continuity in Culture (1994)
    Dordrecht : Springer
    Details
    ISBN: 9789401119467
    Language: English
    Pages: Online-Ressource (X, 330 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 42
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Science Philosophy ; Aesthetics ; Phenomenology ; Comparative Literature ; Science—Philosophy.
    Abstract: Bringing allegory into the light from the neglect into which it fell means focusing on the wondrous heights of the human spirit in its significance for culture. Contemporary philosophies and literary theories, which give pre-eminence to primary linguistics forms (symbol and metaphor), seem to favor just that which makes intelligible communication possible. But they fall short in accounting for the deepest subliminal founts that prompt the mind to exalt in beauty, virtue, transcending aspiration. The present, rich collection shows how allegory, incorporating the soaring of the spirit, offers highlights for culture, with its fluctuations and transformation. This collective effort, rich in ideas and intuitions and covering a vast range of cultural manifestations, is a pioneering work, retrieving the vision of the exalted human spirit, bringing together literature, theatre, music and painting in a variety of revealing perspectives. The authors include: M. Kronegger, Ch. Raffini, J. Smith, J.B. Williamson, H. Ross, M.F. Wagner, F. Divorne, L. Oppenheim, D.K. Heckerl, N. Campi de Castro, P. Saurez Pascual, M. Alfaro Amieiro, H. Fletcher Thompson, R.J. Wilson III, and A. Stensaas. For specialists, students and workers in philosophy, comparative literature, aesthetic phenomenologists and historians of art
    DOI: 10.1007/978-94-011-1946-7
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  • 6
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    Phenomenology and Aesthetics : Approaches to Comparative Literature and the Other Arts (1990)
    Dordrecht : Springer
    Details
    ISBN: 9789400920279
    Language: English
    Pages: Online-Ressource (300p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 32
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Aesthetics ; Phenomenology ; Comparative Literature ; Philosophy.
    Abstract: One The Life Significance of Literature -- A. History and Phenomenological Literary Theory -- The Concept of Autonomous Art and Literature Within Their Historical Context -- B. Time and Description in Fiction -- On the Manifold Significance of Time in the Novel -- One Autobiographer’s Reality: Robbe-Grillet -- Heidegger and English Poetry -- Expressionist Signs and Metaphors in Martin Heidegger’s Being and Time -- Two Phenomenology and Literature: The Human Conditon -- A. The Primeval Sources of Literary Creation -- Faulkner/Lévinas: The Vivacity of Disaster -- The Recursive Matrix: Jealousy and the Epistemophilic Crisis -- Phenomenology and the Structure of Desirability -- B. The Experience of the Other -- The Voice of Luxembourg Poets -- The Ramatoulaye-Aissatou Styles in Contemporary African Feminism(s) -- Nature and Civilization as Metaphor in Michel Rio’s Dreaming Jungles -- Problems of Literary Expression in Les Nourritures Terrestres -- Lucie Sebetka: The Phenomenon of Abandonment in Milan Kundera’s The Joke -- Three Aesthetic Reception -- A. Life-Reverberation and Aesthetic Enjoyment -- “Essential Witnesses”: Imagism’s Aesthetic “Protest” and “Rescue” via Ancient Chinese Poetry -- Towards a Post-Modern Hermeneutic Ontology of Art: Nietzschean Style and Heideggerian Truth -- Le Véritable Saint Genest: From Text to Performance -- B. The Existential Significance of Aesthetic Enjoyment -- Husserl, Fantasy and Possible Worlds -- Phenomenological Ontology and Second Person Narrative: The Case of Butor and Fuentes -- Modifications: A Reading of Auden and Iser -- C. Aesthetic Reception and the Other Arts -- A Study of Visual Form in Literary Imagery -- Indian and Western Music: Phenomenological Comparison from Tagore’s Viewpoint -- Index of Names.
    Abstract: and the one in the middle which judges as he enjoys and enjoys as he judges. This latter kind really reproduces the work of art anew. The division of our Symposium into three sections is justified by the fact that phenomenology, from Husserl, Heidegger, Moritz Geiger, Ingarden, in Germany and Poland, Merleau-Ponty, Paul Ricoeur, E. Levinas in France, Unamuno in Spain, and Tymieniecka, in the United States, have revealed striking coincidences in trying to answer the following questions: What is the philosophical vocation of literature? Does literature have any significance for our lives? Why does the lyric moment, present in all creative endeavors, in myth, dance, plastic art, ritual, poetry, lift the human life to a higher and authentically human level of the existential experience of man? Our investigations answer our fundamental inquiry: What makes a literary work a work of art? What makes a literary work a literary work, if not aesthetic enjoyment? As much as the formation of an aesthetic language culminates in artistic creation, the formation of a philosophical language lives within the orbit of creative imagination.
    DOI: 10.1007/978-94-009-2027-9
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  • 7
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    Cartesian Meditations : An Introduction to Phenomenology (1977)
    Dordrecht : Springer
    Details
    ISBN: 9789400999978
    Language: English
    Pages: Online-Ressource (176p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Phenomenology
    Abstract: The "Cartesian Meditations" translation is based primarily on the printed text, edited by Professor S. Strasser and published in the first volume of Husserliana: Cartesianische Meditationen und Pariser Vorträge, ISBN 90-247-0214-3. Most of Husserl's emendations, as given in the Appendix to that volume, have been treated as if they were part of the text. The others have been translated in footnotes. Secondary consideration has been given to a typescript (cited as "Typescript C") on which Husserl wrote in 1933: "Cartes. Meditationen / Originaltext 1929 / E. Husserl / für Dorion Cairns". Its use of emphasis and quotation marks conforms more closely to Husserl’s practice, as exemplified in works published during his lifetime. In this respect the translation usually follows Typescript C. Moreover, some of the variant readings n this typescript are preferable and have been used as the basis for the translation. Where that is the case, the published text is given or translated in a foornote. The published text and Typescript C have been compared with the French translation by Gabrielle Pfeiffer and Emmanuel Levinas (Paris, Armand Collin, 1931). The use of emphasis and quotation marks in the French translation corresponds more closely to that in Typescript C than to that in the published text. Often, where the wording of the published text and that of Typescript C differ, the French translation indicates that it was based on a text that corresponded more closely to one or the other - usually to Typescript C. In such cases the French translation has been quoted or cited in a foornote
    DOI: 10.1007/978-94-009-9997-8
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  • 8
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    Formal and Transcendental Logic (1969)
    Dordrecht : Springer
    Details
    ISBN: 9789401749008
    Language: English
    Pages: Online-Ressource (XIX, 340 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Logic ; Phenomenology
    Abstract: Preparatory Considerations -- I / The Structures and the Sphere of Objective Formal Logic -- 1. Formal logic as apophantic analytics -- 2. Formal apophantics, formal mathematics -- 3. Theory of deductive systems and theory of multiplicities -- 4. Focusing on objects and focusing on judgments -- 5. Apophantics, as theory of sense, and truthlogic -- II / From Formal to Transcendental Logic -- 1. Psychologism and the laying of a transcendental foundation for logic -- 2. Initial questions of transcendental-logic: problems concerning fundamental concepts -- 3. The idealizing presuppositions of logic and the constitutive criticism of them -- 4. Evidential criticism of logical principles carried back to evidential criticism of experience -- 5. The subjective grounding of logic as a problem belonging to transcendental philosophy -- 6. Transcendental phenomenology and intentional psychology. The problem of transcendental psychologism -- 7. Objective logic and the phenomenology of reason -- Conclusion -- Appendix I / Syntactical Forms and Syntactical Stuffs; Core-Forms and Core-Stuffs -- § 1. The articulation of predicative judgments -- § 2. Relatedness to subject-matter in judgments -- § 3. Pure forms and pure stuffs -- § 4. Lower and higher forms. Their sense-relation to one another -- § 5. The self-contained functional unity of the self-sufficient apophansis. Division of the combination-forms of wholes into copulatives and conjunctions -- § 6. Transition to the broadest categorial sphere -- a. Universality of the combination-forms that we have distinguished -- b. The distinctions connected with articulation can be made throughout the entire categorial sphere -- c. The amplified concept of the categorial proposition contrasted with the concept of the proposition in the old apophantic analytics -- § 7. Syntactical forms, syntactical stuffs, syntaxes -- § 8. Syntagma and member. Self-sufficient judgments, and likewise judgments in the amplified sense, as syntagmas -- § 9. The “judgment-content” as the syntactical stuff of the judgment qua syntagma -- § 10. Levels of syntactical forming -- § 11. Non-syntactical forms and stuffs — exhibited within the pure syntactical stuffs -- § 12. The core-formation, with core-stuff and core-form -- § 13. Pre-eminence of the substantival category. Substantivation -- § 14. Transition to complications -- § 15. The concept of the “term” in traditional formal logic -- Appendix II / The Phenomenological Constitution of the Judgment. Originally Active Judging and Its Secondary Modifications -- § 1. Active judging, as generating objects themselves, contrasted with its secondary modifications -- § 2. From the general theory of intentionality -- a. Original consciousness and intentional modification. Static intentional explication. Explication of the “meaning” and of the meant “itself.” The multiplicity of possible modes of consciousness of the Same -- b. Intentional explication of genesis. The genetic, as well as static, originality of the experiencing manners of givenness. The “primal instituting” of “apperception” with respect to every object-category -- c. The time-form of intentional genesis and the constitution of that form. Retentional modification Sedimentation in the inconspicuous substratum (unconsciousness) -- § 3. Non-original manners of givenness of the judgment -- a. The retentional form as the intrinsically first form of “secondary sensuousness”. The livingly changing constitution of a many-membered judgment -- b. Passive recollection and its constitutional effect for the judgment as an abiding unity -- c. The emergence of something that comes to mind apperceptionally is analogous to something coming to mind after the fashion of passive recollection -- § 4. The essential possibilities of activating passive manners of givenness -- § 5. The fundamental types of originally generative judging and of any judging whatever -- § 6. Indistinct verbal judging and its function -- § 7. The superiority of retentional and recollectional to apperceptional confusion; secondary evidence in confusion -- Appendix III / The Idea of a “Logic of Mere Non-Contradiction” or a “Logic of Mere Consequence” -- § 1. The goal of formal non-contradiction and of formal consequence. Broader and narrower framing of these concepts -- § 2. Relation of the systematic and radical building of a pure analytics, back to the theory of syntaxes -- § 3. The characterization of analytic judgments as merely “elucidative of knowledge” and as “tautologies” -- § 4. Remarks on “tautology” in the logistical sense, with reference to §§ 14–18 of the main text. (By Oskar Becker.).
    Abstract: called in question, then naturally no fact, science, could be presupposed. Thus Plato was set on the path to the pure idea. Not gathered from the de facto sciences but formative of pure norms, his dialectic of pure ideas-as we say, his logic or his theory of science - was called on to make genuine 1 science possible now for the first time, to guide its practice. And precisely in fulfilling this vocation the Platonic dialectic actually helped create sciences in the pregnant sense, sciences that were consciously sustained by the idea of logical science and sought to actualize it so far as possible. Such were the strict mathematics and natural science whose further developments at higher stages are our modem sciences. But the original relationship between logic and science has undergone a remarkable reversal in modem times. The sciences made themselves independent. Without being able to satisfy completely the spirit of critical self-justification, they fashioned extremely differentiated methods, whose fruitfulness, it is true, was practically certain, but whose productivity was not clarified by ultimate insight. They fashioned these methods, not indeed with the everyday man's naivete, but still with a na!ivete of a higher level, which abandoned the appeal to the pure idea, the justifying of method by pure principles, according to ultimate a priori possibilities and necessities.
    DOI: 10.1007/978-94-017-4900-8
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  • 9
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    Briefe an Roman Ingarden : Mit Erläuterungen und Erinnerungen an Husserl (1968)
    Dordrecht : Springer
    Details
    ISBN: 9789401034340
    Language: English
    Pages: Online-Ressource , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Additional Information: Rezensiert in Kuhn, Helmut [Rezension von: Husserl, Edmund, Briefe an Roman Ingarden. Mit Erläuterungen und Erinnerungen an Husserl...] 1972
    Series Statement: Phaenomenologica, Collection Publiée Sous Le Patronage des Centres d’Archives-Husserl 25
    Series Statement: Phaenomenologica, Series Founded by H. L. Van Breda and Published Under the Auspices of the Husserl-Archives 25
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Phenomenology
    Abstract: Inhaltsangabe -- Edmund Husserls Briefe an Roman Ingarden -- I. Schreiben vom Oktober 1915 -- II. Brief an Hofrat Roman Ingarden (Vater von Professor Roman Ingarden) vom 2. Februar 1917 -- III. Brief vom 13. Februar 1917 -- IV. Brief vom 20. Juni 1917 -- V. Brief vom 8. Juli 1917 -- VI. Brief vom 5. April 1918 -- VII. Brief vom 27. April 1918 -- VIII. Brief vom 16. November 1919 -- IX. Brief vom 12. März 1920 -- X. Brief vom 18. Juli 1920 -- XI. Brief vom 20. August 1920 -- XII. Brief vom 12. Dezember 1920 -- XIII. Brief vom 30. Dezember 1920 -- XIV. Brief vom 28. März 1921 -- XV. Brief vom 20. Juni 1921 -- XVI. Brief vom 6. August 1921 -- XVII. Brief vom 25. November 1921 -- XVIII. Brief vom 14. Dezember 1922 -- XIX. Brief vom 31. August 1923 -- XX. Brief vom 25. Februar 1924 -- XXI. Brief vom 16. Juni 1924 -- XXII. Brief vom 27. September 1924 -- XXIII. Brief vom 9. Dezember 1924 -- XXIV. Brief gegen Weihnachten 1924 -- XXV. Brief vom 27. Juni 1925 -- XXVI. Brief vom 10. Dezember 1925 -- XXVII. Brief vom 16. April 1926 -- XXVIII. Brief vom 9. April 1927 -- XXIX. Brief vom 29. Juni 1927 -- XXX. Brief vom 19. September 1927 -- XXXI. Brief vom 26. Dezember 1927 -- XXXII. Brief vom 23. Februar 1928 -- XXXIII. Brief vom 6. Mai 1928 -- XXXIV. Brief vom 13. Juli 1928 -- XXXV. Brief vom 18. Oktober 1928 -- XXXVI. Brief vom 23. Dezember 1928 -- XXXVII. Brief vom 31. Dezember 1928 -- XXXVIII. Brief vom 9. Januar 1928 -- XXXIX. Brief vom 16. März 1929 -- XL. Brief vom 24. März 1929 -- XLI. Brief vom 26. Mai 1929 -- XLII. Brief vom 2. Dezember 1929 -- XLIII. Brief vom 2. Dezember 1929 -- XLIV. Brief vom 19. März 1930 -- XLV. Brief vom 19. November 1930 -- XLVI. Brief vom 21. Dezember 1930 -- XL VII. Brief vom 31. Dezember 1930 -- XLVIII. Brief vom 5. Februar 1931 -- XLIX. Brief vom 16. Februar 1931 -- L. Brief vom 19. April 1931 -- LI. Brief vom 15. Mai 1931 -- LII. Brief vom 21. Mai 1931 -- LIII. Brief vom 8. Juli 1931 -- LIV. Brief vom 31. August 1931 -- LV. Brief vom 13. November 1931 -- LVI. Brief vom 25. November 1931 -- LVII. Brief vom 17. Dezember 1931 -- LVIII. Brief vom 10. Februar 1932 -- LIX. Brief vom 7. April 1932 -- LX. Brief vom 11. Juni 1932 -- LXI. Brief vom 19. August 1932 -- LXII. Brief vom 16. Oktober 1932 -- LXIII. Brief vom 21. Oktober 1932 -- LXIV. Brief vom 11. Oktober 1933 -- LXV. Brief vom 2. November 1933 -- LXVI. Brief vom 20. November 1933 -- LXVII. Brief vom 23. November 1933 -- LXVIII. Brief vom 13. Dezember 1933 -- LXIX. Brief vom 13. April 1934 -- LXX. Brief vom 31. Juli 1934 -- LXXI. Brief vom 25. August 1934 -- LXXII. Brief vom 7. Oktober 1934 -- LXXIII. Brief vom 26. November 1934 -- LXXIV. Brief vom 21. Dezember 1934 -- LXXV. Brief vom 15. März 1935 -- LXX VI. Brief vom 13. Mai 1935 -- LXXVII. Brief vom 10. Juli 1935 -- LXXVIII. Brief vom 23. Oktober 1935 -- LXXIX. Brief vom 14. Januar 1936 -- LXXX. Brief vom 16. Mai 1936 -- LXXXI. Brief vom 2. Februar 1936 -- LXXXII. Brief vom 15. Februar 1936 -- LXXXIII. Brief vom 31. Dezember 1936 -- LXXXIV. Brief vom 15. April 1937 -- LXXXV. Brief vom 23. Juli 1937 -- LXXXVI. Brief vom 24. Februar 1938 -- LXXXVII. Brief vom 20. März 1938 -- LXXXVIII. Brief vom 21. April 1938 -- LXXXIX. Todesanzeige vom 27. April 1938 -- Roman Ingarden -- Meine Erinnerungen an Edmund Husserl -- Erläuterungen zu den Briefen Husserls.
    DOI: 10.1007/978-94-010-3434-0
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