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  • 1
    ISBN: 9789400920279
    Language: English
    Pages: Online-Ressource (300p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 32
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Aesthetics ; Phenomenology ; Comparative Literature ; Philosophy.
    Abstract: One The Life Significance of Literature -- A. History and Phenomenological Literary Theory -- The Concept of Autonomous Art and Literature Within Their Historical Context -- B. Time and Description in Fiction -- On the Manifold Significance of Time in the Novel -- One Autobiographer’s Reality: Robbe-Grillet -- Heidegger and English Poetry -- Expressionist Signs and Metaphors in Martin Heidegger’s Being and Time -- Two Phenomenology and Literature: The Human Conditon -- A. The Primeval Sources of Literary Creation -- Faulkner/Lévinas: The Vivacity of Disaster -- The Recursive Matrix: Jealousy and the Epistemophilic Crisis -- Phenomenology and the Structure of Desirability -- B. The Experience of the Other -- The Voice of Luxembourg Poets -- The Ramatoulaye-Aissatou Styles in Contemporary African Feminism(s) -- Nature and Civilization as Metaphor in Michel Rio’s Dreaming Jungles -- Problems of Literary Expression in Les Nourritures Terrestres -- Lucie Sebetka: The Phenomenon of Abandonment in Milan Kundera’s The Joke -- Three Aesthetic Reception -- A. Life-Reverberation and Aesthetic Enjoyment -- “Essential Witnesses”: Imagism’s Aesthetic “Protest” and “Rescue” via Ancient Chinese Poetry -- Towards a Post-Modern Hermeneutic Ontology of Art: Nietzschean Style and Heideggerian Truth -- Le Véritable Saint Genest: From Text to Performance -- B. The Existential Significance of Aesthetic Enjoyment -- Husserl, Fantasy and Possible Worlds -- Phenomenological Ontology and Second Person Narrative: The Case of Butor and Fuentes -- Modifications: A Reading of Auden and Iser -- C. Aesthetic Reception and the Other Arts -- A Study of Visual Form in Literary Imagery -- Indian and Western Music: Phenomenological Comparison from Tagore’s Viewpoint -- Index of Names.
    Abstract: and the one in the middle which judges as he enjoys and enjoys as he judges. This latter kind really reproduces the work of art anew. The division of our Symposium into three sections is justified by the fact that phenomenology, from Husserl, Heidegger, Moritz Geiger, Ingarden, in Germany and Poland, Merleau-Ponty, Paul Ricoeur, E. Levinas in France, Unamuno in Spain, and Tymieniecka, in the United States, have revealed striking coincidences in trying to answer the following questions: What is the philosophical vocation of literature? Does literature have any significance for our lives? Why does the lyric moment, present in all creative endeavors, in myth, dance, plastic art, ritual, poetry, lift the human life to a higher and authentically human level of the existential experience of man? Our investigations answer our fundamental inquiry: What makes a literary work a work of art? What makes a literary work a literary work, if not aesthetic enjoyment? As much as the formation of an aesthetic language culminates in artistic creation, the formation of a philosophical language lives within the orbit of creative imagination.
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  • 2
    Online Resource
    Online Resource
    Dordrecht : Springer
    ISBN: 9789401732345
    Language: English
    Pages: Online-Ressource (X, 326 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 65
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Humanities ; Fine arts. ; Aesthetics ; Metaphysics ; Phenomenology ; Philosophy. ; Arts.
    Abstract: Let us revive the true sense of fine arts: enchantment! In the conceptualised, commercialised, artificial approach to fine arts, we forgot its authentic experiential sense. It lies at the imaginative heart of all arts there to be retrieved by the creative recipient as the very 'truth of it all'
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  • 3
    ISBN: 9789401734110
    Language: English
    Pages: Online-Ressource (XIV, 475 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 63
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Aesthetics ; Phenomenology ; Philosophy of mind ; Comparative Literature ; Philosophy.
    Abstract: What is Art? This perennial question is forcefully thrown open by the present day electronic expansion of its field and proliferation of arts. Toward the treatment of this great question with deepest philosophical underpinnings, this collection of studies means to lay a ground. It is presumed that art, transcendentality, the designs of the cosmos might yield some of their mysteries while we investigate the Orchestration of the Arts stretching into all main lines of the human creativity: literature, history.. and encompassing the distinctive and yet symbiotically inclined music, song, painting, opera, drama, stage decor, architecture, and ornament
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  • 4
    ISBN: 9789400916043
    Language: English
    Pages: Online-Ressource (XII, 344 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 49
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Philosophy ; Aesthetics ; Ethics ; Phenomenology ; Self. ; Philosophy of mind.
    Abstract: Above the dogmatic ideologies and utopias that have proved illusory, there is a resurgence of ideals of/for humanity in the human spirit's urgent quest after measure and harmony of the dispersed threads of existence. Devalued in the sectarism of postmodern thought, they affirm themselves in their original freedom as the irrepressible swing of the human spirit within the all-embracing new field of the Phenomenology of Life and of the Human Condition. Preceded by the exploration of allegory in aesthetics and the metaphysics of the ontopoiesis of life, the present collection opens with Tymieniecka proposing the `golden measure' as the ideal our present day humanity calls and strives for. Studies of the `Ascension in troubled times', `On the way', `The search for harmony', `European message', and other sections, collect papers by: G. Vajda, M.A. Cecilia, E. di Vito, A. Balan, R. Kieffer, G. Overvold, L. Kimmel, J.B. Williamson, F.P. Crawley, P. Pylkkö, N. Campi de Castro, and others. Introduced by the editor: Marlies Kronegger
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  • 5
    Online Resource
    Online Resource
    Dordrecht : Kluwer Academic Publishers | Dordrecht : Imprint: Springer
    ISBN: 9789401152402
    Language: English
    Pages: Online-Ressource (xvii, 411 p) , ill
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 57
    Keywords: Philosophy (General) ; Phenomenology ; Philosophy ; Philosophy of nature ; Science Philosophy ; Phenomenology . ; Science—Philosophy. ; Philosophy of nature. ; Philosophy of mind. ; Self.
    Abstract: In her Introduction, Tymieniecka states the core theme of the present book sharply: Is culture an excess of nature's prodigious expansiveness - an excess which might turn out to be dangerous for nature itself if it goes too far - or is culture a 'natural', congenial prolongation of nature-life? If the latter, then culture is assimilated into nature and thus would lose its claim to autonomy: its criteria would be superseded by those of nature alone. Of course, nature and culture may both still be seen as being absorbed by the inner powers of specifically human inwardness, on which view, human being, caught in its own transcendence, becomes separated radically in kind from the rest of existence and may not touch even the shadow of reality except through its own prism. Excess, therefore, or prolongation? And on what terms? The relationship between culture and nature in its technical phase demands a new elucidation. Here this is pursued by excavating the root significance of the 'multiple rationalities' of life. In contrast to Husserl, who differentiated living types according to their degree of participation in the world, the phenomenology of life disentangles living types from within the ontopoietic web of life itself. The human creative act reveals itself as the Great Divide of the Logos of Life - a divide that does not separate but harmonizes, thus dispelling both naturalistic and spiritualistic reductionism
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  • 6
    ISBN: 9789401119467
    Language: English
    Pages: Online-Ressource (X, 330 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 42
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Science Philosophy ; Aesthetics ; Phenomenology ; Comparative Literature ; Science—Philosophy.
    Abstract: Bringing allegory into the light from the neglect into which it fell means focusing on the wondrous heights of the human spirit in its significance for culture. Contemporary philosophies and literary theories, which give pre-eminence to primary linguistics forms (symbol and metaphor), seem to favor just that which makes intelligible communication possible. But they fall short in accounting for the deepest subliminal founts that prompt the mind to exalt in beauty, virtue, transcending aspiration. The present, rich collection shows how allegory, incorporating the soaring of the spirit, offers highlights for culture, with its fluctuations and transformation. This collective effort, rich in ideas and intuitions and covering a vast range of cultural manifestations, is a pioneering work, retrieving the vision of the exalted human spirit, bringing together literature, theatre, music and painting in a variety of revealing perspectives. The authors include: M. Kronegger, Ch. Raffini, J. Smith, J.B. Williamson, H. Ross, M.F. Wagner, F. Divorne, L. Oppenheim, D.K. Heckerl, N. Campi de Castro, P. Saurez Pascual, M. Alfaro Amieiro, H. Fletcher Thompson, R.J. Wilson III, and A. Stensaas. For specialists, students and workers in philosophy, comparative literature, aesthetic phenomenologists and historians of art
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