ISBN:
9781781900567
Language:
English
Pages:
Online-Ressource (293 p)
Edition:
Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
Series Statement:
Studies in Symbolic Interaction v.39
Parallel Title:
Print version Studies in Symbolic Interaction
DDC:
302
Keywords:
Electronic books
Abstract:
The essays in this bi-annual series consist of original research and theory within the general sociological perspective known as symbolic interactionism. Longer than conventional journal-length articles, the essays wed micro and macro concerns within a qualitative, ethnographic, autoethnographic and performance studies orientation
Description / Table of Contents:
FRONT COVER; STUDIES IN SYMBOLIC INTERACTION; COPYRIGHT PAGE; CONTENTS; LIST OF CONTRIBUTORS; PART I: THEORETICAL OPENINGS; THE MESODOMAIN OF WELFARE REFORM: RENEGOTIATING THE ORDER OF ECONOMIC INEQUALITY; INTRODUCTION; THEORETICAL SCAFFOLDING AND RESEARCH CONTRIBUTIONS; RESEARCH METHODS; FIELD OBSERVATIONS; IMPRESSIONS; NOTE; REFERENCES; MILKSHAKES AND CONVERTIBLES: AN AUTOBIOGRAPHICAL REFLECTION; PART ONE: SARA THE ETHNOGRAPHER; PART TWO: MG CARS AND WITCHCRAFT; AFTERWORD; ACKNOWLEDGEMENTS; REFERENCES
Description / Table of Contents:
THE SUPERIORITY DELUSION AND CRITICAL CONSCIOUSNESS: THE PARADOX OF ROLE-TAKING REFUSAL IN THE MICROFOUNDATION OF DEHUMANIZATION AND RESISTANCEINTRODUCTION; ROLE-TAKING: THE HUMANIZING ELEMENT; JUSTIFYING PERSECUTION; CONSCIOUSNESS, RESISTANCE, AND COLLECTIVE ACTION; JUSTIFYING PROTECTION; REFLECTED RESISTANCE AND MODERNITY; THEORIES OF RACIALIZATION; CONCLUSION; NOTES; ACKNOWLEDGMENT; REFERENCES; COLLECTIVE IDENTITY NARRATIVES: HISTORICAL AND EMERGENT STORIES OF SELFHOOD IN A DEINDUSTRIALIZING COMMUNITY; INTRODUCTION; REFERENCES; PART II: STUDIES IN SOCIAL CONSTRUCTION
Description / Table of Contents:
NEVER MIND THE SCHOLAR, HERE'S THE OLD PUNK: IDENTITY, COMMUNITY, AND THE AGING MUSIC FANDATA COLLECTION AND ANALYSIS; HE'S MORE PUNK THAN ME; DOING PUNK; BEING PUNK; REFERENCES; COMPLIANCE DRAMAS IN ALCOHOLIC ANONYMOUS FILMS: AN INTERACTIONIST READING OF THE DAYS OF WINE AND ROSES; THE DAYS OF WINE AND ROSES AS AN ALCOHOLICS ANONYMOUS FILM; COMPLIANCE DRAMAS IN THE DAYS OF WINE AND ROSES; CONCLUSION: COMPLIANCE DRAMAS AND THE PROBLEMATIC; REFERENCES; INTERACTIONS AND THE DRAMA OF ENGAGEMENT; GAMES, SOCIAL ACTS, AND SEMIOSIS; DRAMAS OF ENGAGEMENT; ENGAGING WITH SOUND; ENGAGING WITH STRUCTURES
Description / Table of Contents:
ENGAGING WITH SYNTAXENGAGING WITH SPEECH GENRES; ENGAGING WITH TROPES; ENGAGING WITH NARRATIVES; FORMS OF ENGAGEMENT; CONCLUSION; NOTES; REFERENCES; PART III: INTERPRETIVE INTERVENTIONS; IMAGINING IMAGINATION; THE IMAGINED COMMUNITY OF UNDOCUMENTED IMMIGRANTS IN THE UNITED STATES (FRANCISCO ALATORRE); THE IMAGINED COMMUNITY OF TERRORISM (DAVID BERG); DAKOTA SIOUX PRISON LETTERS 1862-1867 (ROY JANISCH); IMAGINATION IN THE COLLABORATIVE LAW MOVEMENT (ELIZABETH MCLIN); THE IMAGINED REVENGE FANTASIES OF MASS KILLERS (JENNIFER MURRAY); THE IMAGINED COMMUNITIES OF UKRAINIANS (ANDREY MELNIKOV)
Description / Table of Contents:
IMAGINATION IN ROLE PLAYING VIDEO GAMES (TIMOTHY ROWLANDS)IMAGINING THE HUTU GENOCIDE IN 1994 RWANDA (KYRSTEN SINEMA); CONCLUDING IMAGININGS (SCOTT RENSHAW); ACKNOWLEDGMENT; REFERENCES; INTIMATE DECEPTION IN EVERYDAY LIFE; THE FASCINATION-FEAR DIALECTIC; ENCOUNTERS BETWEEN STRANGERS: ILLUSIONS OF INTERSUBJECTIVITY; STRATEGIC MISREPRESENTATION BETWEEN DRAMATURGICAL TEAMS; COMPETITIVE GAME PLAY BETWEEN TEAMMATES; BETRAYAL BY AN INTIMATE ACCOMPLICE; TRANSCEIVERSHIP AND DUPLICITOUS CONSCIOUSNESS; CONCLUSION; NOTE; REFERENCES; ABOUT THE AUTHORS;
Note:
Description based upon print version of record
,
Electronic reproduction; Available via World Wide Web
Permalink
