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  • 1
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    Toppenish, Washington : Celia Totus
    Associated volumes
    Language: English
    Keywords: Kachinas in art ; Iron-on transfers ; Kitsch ; Iron-on transfers ; Kachinas in art ; Kitsch ; United States ; Bildband
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  • 2
    ISBN: 9781467148719 , 1467148717
    Language: English
    Pages: 174 Seiten , Illustrationen, Karten , 23 cm
    DDC: 973.7115
    Keywords: 1800-1899 ; Underground Railroad ; Fugitive slaves History 19th century ; Fugitive slaves Biography ; Antislavery movements History 19th century ; Antislavery movements ; Fugitive slaves ; Underground Railroad ; Biographies ; History ; Maryland ; United States ; Biografie ; Biografie ; Maryland ; Underground Railroad ; Sklave ; Flüchtling ; Geschichte 1824-1850
    Abstract: "Maryland was the starting point of many unsung heroes of the Underground Railroad. Freedom seekers embarked on the perilous journey from slavery to freedom in whatever way they could. John Thompson signed onto a whaling ship. James Watkins sailed to England and became a lecturer on slavery. Hester Norman fled, was caught and was rescued by the Black community in her husband’s Pennsylvania town. They used ruses and found allies to elude slave catchers but lived in constant fear until they obtained their freedom papers. In their adventures, these freedom seekers used initiative, determination and courage. These qualities served them well as they achieved freedom. Jenny Masur tells their stories." -- From the publisher's website
    Note: Includes bibliographical references (pages [165]-170) and index , Setting a Legal Precedent , Alexander Helmsley (Queen Anne's), Mid-1820s , Curious Places of Refuge , Moses Viney (Talbot), 1840 , Basil Dorsey (Frederick), 1836 , Crossing the Wide Waters , John Thompson (Southern Maryland), 1835 , James Watkins (Baltimore County), 1844 , Retaliation for Achieving Freedom , Matilda and Richard Neal (Anne Arundel), 1849 and 1853 , A Network of African American Underground Railroad Agents , Isaac Mason (Kent), 1846 , Rescues from Slave Catchers , Hester Norman (Washington), 1847 , James Hamlet (Baltimore County), 1850.
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  • 3
    ISBN: 1642832618 , 9781642832617
    Language: English
    Pages: xiv, 239 Seiten , Illustrationen, Karten , 23 cm
    DDC: 303.48320973
    Keywords: Express highways Social aspects ; Roads Design and construction ; Social aspects ; City planning ; City planning ; Express highways - Social aspects ; United States ; USA ; Städtebaupolitik ; Autobahnbau ; Auswirkung ; Rassismus
    Abstract: Justice and the Interstates examines the toll that the construction of the U.S. Interstate Highway System has taken on vulnerable communities over the past seven decades, details efforts to restore these often- segregated communities, and makes recommendations for moving forward. It opens up new areas for historical inquiry, while also calling on engineers, urban planners, transportation professionals, and policymakers to account for the legacies of their practices
    Note: Includes bibliographical references and index , Introduction: How Can a Highway be Racist? , The Myth and the Truth about Interstate Highways / , The Interstates, Racism, and the Need for Truth and Reconciliation: The Case of Highway Routing in Alabama / , Overton Park: The Race and Class Politics of Environmentalism, Historic Preservation, and Highway Construction / , Milwaukee's Freeway Fights: Lessons from Building and Rebuilding / , The Perils of Civic Participation: Community Engagement and Interstate Planning in Baltimore / , Right in the Way: Generations of Highway Impacts in Houston / , Latino Interchanges: Greater East Los Angeles in the Freeway Era / , A Contemporary Path to Transportation Justice in Rondo / , Guerrilla in the Room / , Conclusion: Never Again Is Now: The Transportation Professions' Responsibility to Work Toward Justice /
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  • 4
    ISBN: 9781538717660 , 1538717662
    Language: English
    Pages: 457 Seiten : , Illustrationen ; , 24 cm.
    Edition: First edition
    DDC: 791.45/72
    RVK:
    RVK:
    Keywords: RuPaul / 1960- ; United States ; RuPaul's drag race (Television program : 2009- ) ; Talent shows (Television programs) / United States / History and criticism ; Drag queens / United States / Interviews ; Television personalities / United States / Interviews ; Drag queens ; Talent shows (Television programs) ; Television personalities ; Criticism, interpretation, etc ; Interviews ; Oral histories
    Abstract: "The four-time winner of the Emmy for outstanding reality series, RuPaul's Drag Race never set out to win over conventional America or climb the ladder of mainstream pop culture success. Its first season was classic counterculture, developed and filmed while President G.W. Bush was in office but launched at a time when Obama fever was at a national high. Over thirteen years and about 160 drag queen contestants later, everything from its language and style has seeped into the culture, cementing its place in herstory, one tuck at a time. With viewers everywhere from the halls of Congress to Wall Street, from big cities to small towns, Drag Race has become a worldwide phenomenon. Told over its first ten years, encompassing the show's first 14 seasons, And Don't F&%k It Up tells a cultural history through the stories of the people who lived it: the creators of the show, the contestants, the crew, the judges, and even some key (famous) fans. It begins with RuPaul's 34-year friendship and business relationship with World of Wonder Productions, the entertainment company that helped launch him into superstardom, and later talked him into giving a drag reality show a chance. From there, it traces the evolution of the show--and its queens--through a decade of gag-worthy seasons, serving up all kinds of behind-the-scenes realness, from Ongina's decision to reveal her HIV+ status to the story behind Asia O'Hara's butterfly finale fiasco. With a history as shady and funny as it is dramatic and inspiring, RuPaul's Drag Race is a mirror reflecting the cultural and political mores of our time. Its meteoric rise to becoming a once-in-a-generation success story is explored here as never before, in intimate, exuberant, unfettered detail"--
    Description / Table of Contents: Preface. The origin story -- The pilot season -- Season 2 -- Season 3 -- Season 4 -- Season 5 -- Season 6 -- Season 7 -- Season 8 -- Season 9 -- Season 10 -- All stars and beyond -- The legacy
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  • 5
    ISBN: 9783031299032 , 3031299035
    Language: English
    Pages: xiii, 207 Seiten , Illustrationen , 25 cm
    Series Statement: Lecture notes in social networks
    Parallel Title: Electronic version Murphy, Brian Foreign disinformation in America and the U.S. Government's ethical obligations to respond
    DDC: 303.3750973
    Keywords: Desinformation ; Social Media ; Politische Verantwortung ; Disinformation ; Online manipulation ; Social media Political aspects ; Disinformation ; Online manipulation ; Politics and government ; Social media Political aspects ; USA ; United States Politics and government 21st century ; United States
    Abstract: The U.S. no longer has a free marketplace of ideas. Instead, the marketplace is saturated with covert foreign-backed disinformation. And despite the ethical obligations to act, successive administrations have done nothing. Additionally, the decline in trust has left the door open for populism and illiberalism to enter. Some believe the very fabric of American liberalism is at stake. So what are the ethical responsibilities of the executive branch to counter covert campaigns such as the one coming from Russian-backed disinformation circulating within the US? Why has the government failed to act? So far, the practical challenges are daunting if the executive branch addresses the threat to the homeland. The process to limit this problem is wrought with profound political implications. By its very nature, social media-based disinformation is inextricably linked with existing complex societal cleavages, the First Amendment, and politics. But the failure to do anything is a serious abdication of the government's ethical responsibilities. This raises the question of where the line is for government intervention. This work provides answers
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  • 6
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
    RVK:
    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 7
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    New York, NY : Harper, an imprint of HarperCollinsPublishers
    ISBN: 9780358508083 , 0358508088
    Language: English
    Pages: 209 Seiten , Illustrationen , 24 cm
    Edition: First edition
    DDC: 792.7028092
    Keywords: Velour, Sasha ; Drag performance ; Drag performance Social aspects ; Drag queens Biography ; Drag performance ; Drag queens ; Drag ; Autobiographies ; Biographies ; LGBTQ+ autobiographies ; Queer autobiographies ; Autobiographies ; United States
    Abstract: From iconic queen Sasha Velour, a thought-provoking manifesto that explores the cultural influence of drag as activism, art, resistance, and identity, illustrated with her original artwork
    Description / Table of Contents: "No big deal" -- Ritual -- Drama -- Costume -- Queen -- Revolution -- Camp -- Art -- Key -- "The little reveal".
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  • 8
    ISBN: 0847873137 , 9780847873135
    Language: English
    Pages: 256 Seiten , Illustrationen , 29 cm
    DDC: 746.9208207474423
    Keywords: Smith College Catalogs Art collections ; Smith College ; Women's clothing Private collections ; Women's clothing History ; Women's clothing History ; Social aspects ; Art museums ; Women's clothing ; Women's clothing - Social aspects ; Catalogs ; History ; Massachusetts - Northampton ; United States ; Smith College ; Sammlung ; Frauenkleidung ; Damenmode ; Geschichte 1800-2000
    Abstract: "Real Clothes, Real Lives highlights over 300 garments and accessories from the Smith College Historic Clothing Collection. This unique survey honors countless lives, tracing through the lens of dress how women's roles have changed over the decades. Each piece holds colorful stories about the woman who wore it, the one who made or bought it, and her context in place and time. Whether homemade or ready-made, many of the garments are modest and inexpensive. Some are one-of-a-kind pieces; others are examples of clever making-do, which seems particularly relevant today; and most reflect the popular styles of their era. Among the many extraordinary examples are a rare World War I uniform worn by an American woman working behind enemy lines and a 1970s go-go dancer's costume."--Publisher's website
    Note: Includes bibliographical references (page 254)
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  • 9
    ISBN: 9781800753747 , 1800753748
    Language: English
    Pages: xii, 225 pages , illustrations , 24 cm
    DDC: 306.81
    Keywords: 2000-2099 ; Families Economic aspects ; Marriage Economic aspects ; Income distribution ; Marriage Social aspects ; Marriage Economic aspects ; Divorced people Social conditions ; Equality ; Social mobility ; Privilege (Social psychology) ; Familles - Aspect économique - États-Unis ; Mariage - Aspect économique - États-Unis ; Revenu - Répartition - États-Unis ; Mariage - Aspect social ; Mariage - Aspect économique ; Divorcés - Conditions sociales ; Mobilité sociale ; Privilège (Psychologie sociale) ; social mobility ; Economic history ; Equality ; Families - Economic aspects ; Income distribution ; Marriage - Economic aspects ; Marriage - Social aspects ; Privilege (Social psychology) ; Social mobility ; United States Economic conditions 21st century ; États-Unis - Conditions économiques - 21e siècle ; United States
    Note: First published as: The two-parent privilege : how Americans stopped getting married and started falling behind. Chicago : The University of Chicago Press, 2023 , Includes bibliographical references (pages 205-214) and index
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  • 10
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    University Park, Pennsylvania : Graphic Mundi
    ISBN: 9781637790397
    Language: English
    Pages: 101 Seiten , 24 cm
    DDC: 306.844092
    Keywords: Homosexueller ; Gleichgeschlechtliche Ehe ; Kirby, Robert / 1962- / Comic books, strips, etc ; Same-sex marriage / United States / Comic books, strips, etc ; Gay couples / United States / Comic books, strips, etc ; Homosexuels / Mariage / États-Unis / Bandes dessinées ; COMICS & GRAPHIC NOVELS / Nonfiction / Biography & Memoir ; FAMILY & RELATIONSHIPS / Marriage & Long-Term Relationships ; COMICS & GRAPHIC NOVELS / LGBTQ+ ; Same-sex marriage ; Gay couples ; United States ; Autobiographical comics ; Comics (Graphic works) ; Graphic novels ; Autobiographical comics ; Graphic novels ; Bandes dessinées autobiographiques ; Comic ; Homosexueller ; Gleichgeschlechtliche Ehe
    Abstract: "Marriage doesn't define a relationship. Unless you want it to. Marry Me a Little recounts Rob Kirby's experience of marrying his longtime partner, John, just after gay marriage was legalized in Minnesota in 2013, and two years before the Supreme Court decision in Obergefell v. Hodges made gay marriage the law of the land. This is a personal story about Rob's ambivalence (if not antipathy) toward the institution of marriage, his loving relationship with John, and the life that they share together--set against the historical and political backdrop of shifting attitudes toward gay rights and the institution of marriage. With humor and candor, Rob relates how he and John navigated this changing landscape, how they planned and celebrated their wedding, and how they and others in the gay community are now facing the very real possibility of setbacks to marriage equality. Heartwarming and humorous, Marry Me a Little is both a celebration of a romantic partnership between two men and a personal account of a momentous and historic moment in the fight for LGBTQ+ rights" --
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  • 11
    ISBN: 9781597115308 , 1597115304
    Language: English
    Pages: 223 Seiten , 24 cm
    Edition: First edition
    DDC: 306.76/6208996073
    RVK:
    RVK:
    Keywords: Gay liberation movement Pictorial works ; African American transgender people Pictorial works ; Transgender people Pictorial works ; Protest movements Pictorial works ; Documentary photography ; Protest literature, American ; Photographers ; Photography, Artistic ; African American transgender people ; Gay liberation movement ; Photography, Artistic ; Transgender people ; Black transgender people ; Black queer people ; Queer rights ; Pictorial works ; New York (N.Y.) Social conditions ; United States ; Bildband ; Bildband ; USA ; Dokumentarfotografie ; LGBT ; Transgender ; Geschichte 2020-2021
    Abstract: "'Revolution is love: a year of Black Trans Liberation' is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in actisim, advocacy, and community. In June 2020, activists Qween Jean and Joela Rivera founded the Stonewall Protests, weekly actions centering Black trans and queer identities that took place across New York City." "This book gathers twenty-four photographers who share images and words on the demonstrations, preserving this legacy as it unfolded."--Back flap of printed paper wrapper
    Note: Qween Jean and Raquel Willis in conversation , Images and voices , An ongoing revolution: writing a new history at Stonewall /
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  • 12
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
    RVK:
    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 13
    ISBN: 9781328900241 , 132890024X
    Language: English
    Pages: xviii, 330 Seiten , Illustrationen , 24 cm
    DDC: 973.7/1140922
    Keywords: Douglass, Frederick ; Garrison, William Lloyd ; Chapman, Maria Weston ; Douglass, Frederick ; Antislavery movements 19th century ; Antislavery movements History ; African American abolitionists ; Abolitionists History 19th century ; Racism Political aspects 19th century ; History ; HISTORY / United States / 19th Century ; BIOGRAPHY & AUTOBIOGRAPHY / Social Activists ; BIOGRAPHY & AUTOBIOGRAPHY / Historical ; Antislavery movements ; Racism ; Political aspects ; Slavery ; United States ; African American abolitionists ; Abolitionists ; History ; Massachusetts ; Boston ; United States ; Douglass, Frederick 1818-1895 ; Garrison, William Lloyd 1805-1879 ; Chapman, Maria Weston 1806-1885 ; USA ; Abolitionismus ; Geschichte
    Abstract: Introduction: Meeting on Nantucket --Part I: Allies Arise --Printer Garrison Learns His Trade --Manager Weston Chapman Comes of Age --Garrison Will Be Heard --The Enslaved Write Their History --Frederick Douglass's History in Slavery --Frederick Douglass's Escape --Part II: Abolition Takes Root --David Walker Appeals and Garrison Hears --Starting the Black and White Antislavery Societies --A National Movement Emerges --The Liberator Will Be Read --Maria Weston Chapman Takes the Reins --Antislavery on the March --Moral Garrison Splits with the Politicos --Part III: The Grand Alliance at Work --Douglas Joins Garrison --The Façade and the Cracks in the Alliance --Political Abolition Pulls on Garrisonians --The Cracks Widen --Douglass Writes and Garrison Publishes --Frederick Douglass, International Superstar and Publisher --Part IV: Douglass to the Political Side --Slave Power Rises and Abolition Power Rises --The Private Lives of Public Activists --Compromise Makes Conflict Worse --Douglass Recruits the Constitution --Part V: Douglass and Garrison Divide --The Political Divorce --The Personal Divorce --Epilogue: Three Meetings and a Funeral.
    Abstract: "The story of the fascinating, fraught alliance among Frederick Douglass, William Lloyd Garrison, and Maria Weston Chapman -- and how its breakup led to the success of America's most important social movement. In the crucial early years of the Abolition movement, the Boston branch of the cause seized upon the star power of the eloquent ex-slave Frederick Douglass to make its case for slaves' freedom. Journalist William Lloyd Garrison promoted emancipation while Garrison loyalist Maria Weston Chapman, known as "the Contessa," raised money and managed Douglass's speaking tour from her Boston townhouse. Conventional histories have seen Douglass's departure for the New York wing of the Abolition party as a result of a rift between Douglass and Garrison. But, as acclaimed historian Linda Hirshman reveals, this completely misses the woman in power. Weston Chapman wrote cutting letters to Douglass, doubting his loyalty; the Bostonian abolitionists were shot through with racist prejudice, even aiming the N-word at Douglass among themselves. Through incisive, original analysis, Hirshman convinces that the inevitable breakup was in fact a successful failure. Eventually, as the most sought-after Black activist in America, Douglass was able to dangle the prize of his endorsement over the Republican Party's candidate for President, Abraham Lincoln. Two years later the abolition of slavery -- if not the abolition of racism -- became immutable law." --
    Note: Includes bibliographical references (pages 279-314) and index , Text in American English
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  • 14
    ISBN: 9781637150726
    Language: English
    Pages: 256 Seiten , 22 cm
    Edition: Deluxe edition
    Edition: Also available in electronic format
    Parallel Title: Erscheint auch als Kobabe, Maia Gender queer
    DDC: 306.76/8
    Keywords: Kobabe, Maia Comic books, strips, etc ; Gender-nonconforming people Biography ; Comic books, strips, etc ; Asexual people Biography ; Comic books, strips, etc ; Sexual minority youth Biography ; Comic books, strips, etc ; Sexual minorities Biography ; Comic books, strips, etc ; Asexuality (Sexual orientation) Comic books, strips, etc ; Gender identity Comic books, strips, etc ; Coming out (Sexual orientation) Comic books, strips, etc ; Asexual people ; Asexuality (Sexual orientation) ; Coming out (Sexual orientation) ; Gender identity ; Gender-nonconforming people ; Sexual minorities ; Sexual minority youth ; Autobiographical comics ; Autobiographies ; Comics (Graphic works) ; Genderqueer comics ; Graphic novels ; Nonfiction comics ; Autobiographies ; Nonfiction comics ; Autobiographical comics ; Graphic novels ; Genderqueer comics ; Memoirs ; Illustrated works ; United States ; Young adult literature ; Autobiografie ; Comic
    Abstract: "In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma and fundamental violation of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity--what it means and how to think about it--for advocates, friends, and humans everywhere."--Provided by publisher
    Note: Originally published: 2020 , "This special deluxe hardcover edition of Gender Queer features a brand-new cover, exclusive art and sketches, a foreword from ND Stevenson (Lumberjanes writer and creator of She-Ra and the Princesses of Power) and an afterword from Maia Kobabe."--Amazon.com , Also available in electronic format.
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  • 15
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    Cham, Switzerland : Springer
    ISBN: 9783031149917
    Language: English
    Pages: xxxiii, 164 Seiten , 24 cm
    DDC: 363.2096761
    RVK:
    Keywords: Uganda Police Force ; Uganda Police Force ; Police History ; Police ; History ; United States ; Uganda ; Polizei ; Organisationsstruktur
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  • 16
    ISBN: 9781773216300 , 1773216309 , 9781773216294 , 1773216295
    Language: English
    Pages: 120 pages , illustrations (chiefly color) , 25 cm
    Edition: Issued also in electronic format
    Parallel Title: Erscheint auch als Yellowhorn, Eldon, 1956- Sky Wolf's call
    DDC: j500.89/97
    Keywords: Ethnoscience ; Ethnoscience ; Indigenous peoples ; Indians of North America ; Ethnoscience Juvenile literature ; Ethnoscience Juvenile literature ; Indigenous peoples Juvenile literature ; Indians of North America Juvenile literature ; Indigenous peoples ; Indians of North America ; Ethnosciences - Canada - Ouvrages pour la jeunesse ; Ethnosciences - États-Unis - Ouvrages pour la jeunesse ; Autochtones - Canada - Ouvrages pour la jeunesse ; Indians of North America ; Ethnoscience ; Indigenous peoples ; Aboriginal Canadians - Traditional spirituality ; Aboriginal Canadians - Intangible cultural heritage ; Informational works ; Illustrated works ; Juvenile works ; Informational works ; Illustrated works ; Canada ; United States
    Abstract: "From healing to astronomy to our connection to the natural world, the lessons from Indigenous knowledge inform our learning and practices today. How do knowledge systems get passed down over generations? Through the knowledge inherited from their Elders and ancestors, Indigenous Peoples throughout North America have observed, practiced, experimented, and interacted with plants, animals, the sky, and the waters over millennia. Knowledge keepers have shared their wisdom with younger people through oral history, stories, ceremonies, and records that took many forms. In Sky Wolf's Call, award-winning author team of Eldon Yellowhorn and Kathy Lowinger reveal how Indigenous knowledge comes from centuries of practices, experiences, and ideas gathered by people who have a long history with the natural world. Indigenous knowledge is explored through the use of fire and water, the acquisition of food, the study of astronomy, and healing practices."--
    Description / Table of Contents: Sky Wolf's call : the gift of Indigenous knowledge -- Water knowledge ways -- Fire and smoke knowledge -- Indigenous knowledge and food security -- Healing knowledge ways -- Sky knowledge -- Keeping the knowledge -- Sky Wolf's call.
    Note: Includes bibliographical references (pages 111-113) and index , The White Ravens 2023 , Issued also in electronic format
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  • 17
    ISBN: 9781399098076
    Language: English
    Pages: xiii, 231 Seiten , Illustrationen , 24 cm
    DDC: 391.00962
    Keywords: Fashion design Egyptian influences ; Fashion design Egyptian influences ; Egyptian revival (Art) ; Fashion Egyptian influences ; Egyptian revival (Art) ; Europe ; United States ; Ägypten ; Rezeption ; Mode ; Geschichte 1800-2000
    Note: Includes bibliographical references and index
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  • 18
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    Boston ; New York : Mariner Books, an imprint of HarperCollins Publishers
    ISBN: 9780358447757
    Language: English
    Pages: xiii, 384 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Porträts , 24 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.484092
    Keywords: White, Walter Francis ; White, Walter / 1893-1955 ; National Association for the Advancement of Colored People / Biography ; African American civil rights workers / Biography ; African Americans / Civil rights / History / 20th century ; Civil rights movements / United States / History / 20th century ; Défenseurs des droits de l'homme noirs américains / Biographies ; Noirs américains / Droits / Histoire / 20e siècle ; Mouvements des droits de l'homme / États-Unis / Histoire / 20e siècle ; BIOGRAPHY & AUTOBIOGRAPHY / Social Activists ; HISTORY / United States / 20th Century ; SOCIAL SCIENCE / Discrimination ; White, Walter / 1893-1955 ; National Association for the Advancement of Colored People ; African American civil rights workers ; African Americans / Civil rights ; Civil rights movements ; United States ; African American civil rights workers / Biography ; African Americans / Civil rights ; Civil rights movements / United States ; 1900-1999 ; Biography ; Biography ; Biographies ; History ; Biographies ; Biographies ; Biografie ; White, Walter Francis 1893-1955
    Abstract: "Walter F. White led two lives: one as a leader of the Harlem Renaissance and the NAACP in the early twentieth century; the other as a white newspaperman who covered lynching crimes in the Deep South at the blazing height of racial violence. Born mixed race and with very fair skin and straight hair, White was able to "pass" for white. He leveraged this ambiguity as a reporter, bringing to light the darkest crimes in America and helping to plant the seeds of the civil rights movement. White's risky career led him to lead a double life. He was simultaneously a second-class citizen subject to Jim Crow laws at home and a widely respected professional with full access to the white world at work. His life was fraught with internal and external conflict--much like the story of race in America. Starting out as an obscure activist, White ultimately became Black America's most prominent leader. A character study of White's life and career with all these complexities has never been rendered, until now."--Amazon
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  • 19
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    Boston ; New York : Mariner Books, an imprint of HarperCollins Publishers
    ISBN: 9780358447757
    Language: English
    Pages: xiii, 384 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Porträts , 24 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.484092
    Keywords: White, Walter Francis ; White, Walter / 1893-1955 ; National Association for the Advancement of Colored People / Biography ; African American civil rights workers / Biography ; African Americans / Civil rights / History / 20th century ; Civil rights movements / United States / History / 20th century ; Défenseurs des droits de l'homme noirs américains / Biographies ; Noirs américains / Droits / Histoire / 20e siècle ; Mouvements des droits de l'homme / États-Unis / Histoire / 20e siècle ; BIOGRAPHY & AUTOBIOGRAPHY / Social Activists ; HISTORY / United States / 20th Century ; SOCIAL SCIENCE / Discrimination ; White, Walter / 1893-1955 ; National Association for the Advancement of Colored People ; African American civil rights workers ; African Americans / Civil rights ; Civil rights movements ; United States ; African American civil rights workers / Biography ; African Americans / Civil rights ; Civil rights movements / United States ; 1900-1999 ; Biography ; Biography ; Biographies ; History ; Biographies ; Biographies ; Biografie ; Biografie ; White, Walter Francis 1893-1955
    Abstract: "Walter F. White led two lives: one as a leader of the Harlem Renaissance and the NAACP in the early twentieth century; the other as a white newspaperman who covered lynching crimes in the Deep South at the blazing height of racial violence. Born mixed race and with very fair skin and straight hair, White was able to "pass" for white. He leveraged this ambiguity as a reporter, bringing to light the darkest crimes in America and helping to plant the seeds of the civil rights movement. White's risky career led him to lead a double life. He was simultaneously a second-class citizen subject to Jim Crow laws at home and a widely respected professional with full access to the white world at work. His life was fraught with internal and external conflict--much like the story of race in America. Starting out as an obscure activist, White ultimately became Black America's most prominent leader. A character study of White's life and career with all these complexities has never been rendered, until now."--Amazon
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  • 20
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    Gainesville ; Tallahassee ; Tampa ; Boca Raton ; Pensacola ; Orlando ; Miami ; Jacksonville ; Ft. Myers ; Sarasota : University Press of Florida
    ISBN: 9780813068817 , 9780813069487
    Language: English
    Pages: 264 Seiten , Illustrationen , 24 cm
    DDC: 305.48896073
    Keywords: Geschichte 1977 ; Frauenbewegung ; Schwarze Frau ; Politische Beteiligung ; USA ; National Women's Conference (U.S.) / (1977 / Houston, Tex.) ; African American women social reformers / History / 20th century ; African American women / Political activity / History / 20th century ; United States / Social conditions / 1960-1980 ; National Women's Conference (U.S.) ; African American women / Political activity ; African American women social reformers ; Social conditions ; United States ; 1900-1999 ; History ; USA ; Schwarze Frau ; Politische Beteiligung ; Frauenbewegung ; Geschichte 1977
    Abstract: "This volume offers a panoramic view of Black feminist politics through the stories of Black women who attended the 1977 National Women's Conference, placing the diversity of Black women's experiences and their leadership at the center of the history of the women's movement"--
    Note: Beyond the minority plank , Symbols of sisterhood -- , Coretta Scott King: icon as activist , Michelle Cearcy: carrying the "torch of equality , Sisters in action -- , Dr. Gloria Dean Rundle Scott: raising the gavel with hope for all women , Human rights on the homefront: Dorothy Height and spirit of Houston , "I hope we won't turn our backs on the masses of women in Florida": Dr. Freddie Groomes-McLendon, the Florida Commission on the Status of Women and the struggle over the Equal Rights Amendment , "Each one teach one": Dr. Jeffalyn Johnson on the power of community, representation, and education , Activist organizers -- , Florynce Kennedy: a radical voice , Bringing depth to the movement: race, gender, and (dis)ability in the life of Georgia McMurray , Beyond Combahee: Barbara Smith and black radical feminism , Johnnie Tillmon: welfare as a women's issue , Addie Wyatt: bridging social movements , The politicians -- , Barbara Jordan: conveying the charge and the challenge , Beyond the symbolism: Shirley Chisholm, black feminism, and women's politics , C. Delores Tucker: delegate-at-large , "I was me": Yvonne Burke and the politics of representation , Maxine Waters: "I stood with Coretta Scott King" , Communicating change -- , Clara McLaughlin: "I don't want ON, I want O-W-N" , An everyday anchorwoman , Sharing a precious gift: photographing the National Women's Conference
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  • 21
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    Gainesville ; Tallahassee ; Tampa ; Boca Raton ; Pensacola ; Orlando ; Miami ; Jacksonville ; Ft. Myers ; Sarasota : University Press of Florida
    ISBN: 9780813068817 , 9780813069487
    Language: English
    Pages: 264 Seiten , Illustrationen , 24 cm
    DDC: 305.48896073
    Keywords: Geschichte 1977 ; Politische Beteiligung ; Schwarze Frau ; Frauenbewegung ; USA ; National Women's Conference (U.S.) / (1977 / Houston, Tex.) ; African American women social reformers / History / 20th century ; African American women / Political activity / History / 20th century ; United States / Social conditions / 1960-1980 ; National Women's Conference (U.S.) ; African American women / Political activity ; African American women social reformers ; Social conditions ; United States ; 1900-1999 ; History ; USA ; Schwarze Frau ; Politische Beteiligung ; Frauenbewegung ; Geschichte 1977
    Abstract: "This volume offers a panoramic view of Black feminist politics through the stories of Black women who attended the 1977 National Women's Conference, placing the diversity of Black women's experiences and their leadership at the center of the history of the women's movement"--
    Note: Beyond the minority plank , Symbols of sisterhood -- , Coretta Scott King: icon as activist , Michelle Cearcy: carrying the "torch of equality , Sisters in action -- , Dr. Gloria Dean Rundle Scott: raising the gavel with hope for all women , Human rights on the homefront: Dorothy Height and spirit of Houston , "I hope we won't turn our backs on the masses of women in Florida": Dr. Freddie Groomes-McLendon, the Florida Commission on the Status of Women and the struggle over the Equal Rights Amendment , "Each one teach one": Dr. Jeffalyn Johnson on the power of community, representation, and education , Activist organizers -- , Florynce Kennedy: a radical voice , Bringing depth to the movement: race, gender, and (dis)ability in the life of Georgia McMurray , Beyond Combahee: Barbara Smith and black radical feminism , Johnnie Tillmon: welfare as a women's issue , Addie Wyatt: bridging social movements , The politicians -- , Barbara Jordan: conveying the charge and the challenge , Beyond the symbolism: Shirley Chisholm, black feminism, and women's politics , C. Delores Tucker: delegate-at-large , "I was me": Yvonne Burke and the politics of representation , Maxine Waters: "I stood with Coretta Scott King" , Communicating change -- , Clara McLaughlin: "I don't want ON, I want O-W-N" , An everyday anchorwoman , Sharing a precious gift: photographing the National Women's Conference
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  • 22
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    New York, NY, United States of America : Oxford University Press
    ISBN: 0197600441 , 9780197600443 , 0197600433 , 9780197600436
    Language: English
    Pages: ix, 319 pages , color illustrations, map , 24 cm
    Parallel Title: Erscheint auch als Rosenfeld, Michael J., 1966 - The rainbow after the storm
    DDC: 306.84/80973
    Keywords: Same-sex marriage Social aspects ; Same-sex marriage Public opinion ; Social sciences ; Homosexuels - Mariage - Aspect social - États-Unis ; Homosexuels - Mariage - États-Unis - Opinion publique ; Social sciences ; United States ; USA ; Ehe ; Eheschließung ; Homosexualität ; Gleichberechtigung ; Sozialer Wandel
    Note: Includes bibliographical references (pages 287-309) and index
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  • 23
    ISBN: 9781588384522 , 1588384527
    Language: English
    Pages: 121 pages , illustrations , 22 cm
    Parallel Title: Erscheint auch als
    DDC: 323.1196/073076147
    Keywords: Montgomery Bus Boycott, Montgomery, Ala., 1955-1956 Influence ; Civil rights movements ; Civil rights movements ; Anti-apartheid movements ; Anti-apartheid movements ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Informational works ; Alabama ; Montgomery ; Great Britain ; South Africa ; United States ; Alabama ; Großbritannien ; Südafrika ; Montgomery Bus Boycott ; Schwarze ; Bürgerrechtsbewegung ; Antiapartheidbewegung ; Geschichte 1955-1956
    Abstract: "The Unlikely World of the Montgomery Bus Boycott analyzes the global influences and impact of the 1955-56 mass protest that many historians peg as the start of the twentieth-century civil rights movement. Author Cole S. Manley moves beyond the borders of Alabama, and even beyond the U.S., to interrogate how Black Montgomery boycotters thought about their movement alongside global freedom struggles, from the anti-apartheid movement in South Africa to the anti-color bar battles in the United Kingdom. With each day of the year-long boycott, news of the movement traveled farther, reaching White pacifists in New York, Black internationalists in London, and, not long thereafter, anti-apartheid leaders in South Africa. Manley's book calls for a new reading of the civil rights movement, one which can encompass the expansive thinking and radical dreams of leaders like Rosa Parks, Martin Luther King Jr., and Jo Ann Robinson. The Montgomery boycott was much more than a battle over fair bus seating. It remains an example of the power of protest and solidarity which still inspires struggles for racial and economic justice."--Back cover
    Note: Includes bibliographical references (pages 91-103) and index
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  • 24
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
    RVK:
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 25
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    New York ; Boston ; London : Little, Brown and Company
    ISBN: 9780349701189 , 9780316492935
    Language: English
    Pages: xiii, 336 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620973
    RVK:
    Keywords: Geschichte ; Sklaverei ; USA ; Slavery / United States / History ; Slaveholders / United States / History ; African Americans / Social conditions / History ; Historic sites / United States ; Plantations / United States ; Racism / United States / History ; Discrimination / United States / History ; Ethnology / Study and teaching ; Minorities / Study and teaching ; African Americans / Study and teaching ; HISTORY / African American ; HISTORY / United States / General ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Discrimination ; SOCIAL SCIENCE / Ethnic Studies / American / African American Studies ; African Americans ; African Americans / Social conditions ; African Americans / Study and teaching ; Discrimination ; Ethnology / Study and teaching ; Historic sites ; Minorities / Study and teaching ; Plantations ; Racism ; Slaveholders ; Slavery ; United States ; History / African American ; History ; Instructional and educational works ; USA ; Sklaverei ; Geschichte
    Abstract: "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves."
    Description / Table of Contents: "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project
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  • 26
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    New York ; Boston ; London : Little, Brown and Company
    ISBN: 9780349701189 , 9780316492935
    Language: English
    Pages: xiii, 336 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620973
    RVK:
    Keywords: Geschichte ; Sklaverei ; USA ; Slavery / United States / History ; Slaveholders / United States / History ; African Americans / Social conditions / History ; Historic sites / United States ; Plantations / United States ; Racism / United States / History ; Discrimination / United States / History ; Ethnology / Study and teaching ; Minorities / Study and teaching ; African Americans / Study and teaching ; HISTORY / African American ; HISTORY / United States / General ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Discrimination ; SOCIAL SCIENCE / Ethnic Studies / American / African American Studies ; African Americans ; African Americans / Social conditions ; African Americans / Study and teaching ; Discrimination ; Ethnology / Study and teaching ; Historic sites ; Minorities / Study and teaching ; Plantations ; Racism ; Slaveholders ; Slavery ; United States ; History / African American ; History ; Instructional and educational works ; USA ; Sklaverei ; Geschichte
    Abstract: "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves."
    Description / Table of Contents: "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project
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  • 27
    ISBN: 0847869016 , 9780847869015
    Language: English
    Pages: 352 Seiten , 33 cm
    DDC: 051
    RVK:
    RVK:
    RVK:
    Keywords: Ebony (Chicago, Ill.) History ; Ebony (Chicago, Ill.) ; African American journalists ; African Americans Social life and customs ; History ; African American journalists ; African Americans ; Social life and customs ; History ; Periodicals ; United States Periodicals ; United States ; Bildband ; Ebony ; Titelseite ; Person of Color ; Geschichte 1945-2020
    Abstract: Ebony / Lavaille Lavette -- Civil rights and social justice / Common -- Love and family / Dwayne Wade and Gabrielle Union -- Ebony man / Sean Combs (Diddy) -- Ebony Woman / Kimora Lee Simmons -- Ebony music / Ciara -- Afterword / Venus Williams -- Covers 1945-2020.
    Abstract: "In 1945, Ebony's legendary founder John H. Johnson set out to create a magazine for Black America much like that of the trailblazing Life Magazine, and that he did. For the African American community, Ebony has been a breath of fresh air, speaking on issues and events from the Black perspective, celebrating Black standards of beauty and elevating heroes of Black America--athletes, entertainers, activists, elected officials, or some combination thereof. Ebony: Covering Black America, by Lavaille Lavette, is a celebration of the treasure trove of the magazine's rich history, glamorous covers, groundbreaking cultural impact, and authentic coverage of Black American life from the magazine's inception to the present. Ebony was Black America's social media long before the birth of Facebook, Twitter, and Instagram, says Lavette. Curated by Lavette, this all-out feast of a book is packed with exclusive contributions by a host of celebrities, influencers, and cultural icons, including Common, Gabrielle Union, Dwyane Wade, Sean Combs, Kimora Lee Simmons, Ciara, and Venus Williams. The book also includes more than 600 covers and photographs featuring political forces such as Martin Luther King Jr., Michelle and President Barack Obama, and Congresswoman Barbara Jordan; entertainers such as Diana Ross, Sidney Poitier, Dorothy Dandridge, Oprah Winfrey, and Prince; as well as sports heroes like Serena Williams, Muhammad Ali, Russell Westbrook, and Simone Biles. Lavette has chosen select articles, features, and reportage of note, including Martin Luther King Jr.'s advice column, and Ebony Fashion Fair photo shoots, divided into categories found within the magazine, including Civil Rights & Social Justice, Love & Family, Ebony Men, Ebony Women, and Ebony Music. Unique in the quality of its photographs and contributors and chronicling everything from fashion and food to politics and social change, to sports and entertainment, Ebony: Covering Black America is a monumental milestone in African-American history and culture, and will be a treasured volume for the magazine's legion of loyal readers."--Provided by publisher
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  • 28
    ISBN: 9781633451148 , 1633451143
    Language: English
    Pages: 173 Seiten , Pläne, Karten, Diagramme , 26 cm
    DDC: 720.8996073
    RVK:
    Keywords: Museum of Modern Art (New York, N.Y.) ; Museum of Modern Art (New York, N.Y.) ; Architecture and race Exhibitions ; Racism Exhibitions History ; African American architects Exhibitions ; African American architects ; Architecture and race ; Racism ; History ; United States ; Ausstellungskatalog The Museum of Modern Art 20.02.2021-31.05.2021 ; Bildband ; USA ; Schwarze ; Architektur ; Geschichte ; USA ; Architekturgeschichtsschreibung ; Rassismus
    Abstract: Foreword / Glenn D. Lowry -- Preface / Robin D. G. Kelley -- Introduction / Sean Anderson and Mabel O. Wilson -- Refusal. Black gathering: An assembly in three parts / Christina Sharpe -- Immeasurability (Atlanta, GA) / Emanuel Admassu -- Visible by design / Michelle Joan Wilkinson -- The refusal of space (Nashville, TN) / Mario Gooden -- Moving beyond repair: Constructing a revisionist history of architectural modernity at MoMA / Charles L. Davis II -- Liberation. Designing for social justice / Roberta Washington -- Fabricating networks: Transmissions and receptions from Pittsburgh's Hill district (Pittsburgh, PA) / Felecia Davis -- Reconstruction's breadth / Adrienne Brown -- Black towers / Black power (Oakland, CA) / Walter J. Hood -- At the YMCA swimming pool / Arièle Dionne-Krosnick -- Supply-side criminomics / Carla Shedd -- On exactitude in science (Watts) / David Hartt -- Imagination. Time, memory, and living in shotgun houses in the south of the South City of New Orleans / Tonya M. Foster -- A spectrum of Blackness: The search for sedimentation in Miami, FL / Germane Barnes -- Shack stories / Aruna D'Souza -- R:R (New Orleans, LA) / V. Mitch McEwen -- Entanglements of slavery, segregation, and mass incarceration in the United States / Dianne Harris -- Care. We had a garden / Audry Petty -- We outchea: HIp-hop fabrications and public space (Syracuse, NY) / Sekou Cooke -- Housing as insertion point for creative urban alchemy / Ifeoma Ebo -- Environmental racism and its afterlives in the prison system / David Naguib Pellow -- Directions to Black space (after Mutabaruka) (Kinloch, MO) / Amanda Williams -- Knowledge. A refusal of border / Jennifer Newsom -- black city: the los angeles edition (Los Angeles, CA) / J. Yolande Daniels -- Reconstructing difference: Design for all of the above / Justin Garrett Moore -- The frozen neighborhoods (Brooklyn, NY) / Olalekan Jeyifous -- Toward an architecture race theory / Milton S. F. Curry -- Manifesting statement: the Black Reconstruction Collective -- Project teams -- Acknowledgments -- Trustees of The Museum of Modern Art.
    Abstract: "Reconstructions: Architecture and Blackness in America is an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition."--Back cover
    Abstract: "The Museum of Modern Art announces the fourth installment of the Issues in Contemporary Architecture series, Reconstructions: Architecture and Blackness in America, an investigation into the intersections of architecture, Blackness and anti-Black racism in the American context. On view from February 20 through May 31, 2021, the exhibition and accompanying publication will examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States. Such conditions have structured and continue to inform the built environment of American cities through public policies, municipal planning, and architecture, with specific repercussions for African American and African diaspora communities. Projects will explore how people have mobilized Black cultural spaces, forms, and practices as sites of imagination, liberation, resistance, and refusal."--City Life Org website (viewed on February 18, 2021)
    Note: Impressum: Published in conjunction with the exhibition "Reconstructions: Architecture and Blackness in America", at The Museum of Modern Art, New York, February 20-May 31, 2021 , Includes bibliographical references
    URL: Exhibit website  (Exhibit website)
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  • 29
    ISBN: 9780807081792
    Language: English
    Pages: 117 Seiten , 26 cm
    Parallel Title: Erscheint auch als Rediker, Marcus, 1951- Prophet against slavery
    DDC: 741.5973
    Keywords: Lay, Benjamin ; Society of Friends ; Abolitionismus ; Sklaverei ; Lay, Benjamin / 1677-1759 / Comic books, strips, etc ; Abolitionists / United States / Biography / Comic books, strips, etc ; Quaker abolitionists / United States / Biography / Comic books, strips, etc ; Slavery / United States / History / 18th century / Comic books, strips, etc ; Antislavery movements / United States / History / 18th century / Comic books, strips, etc ; Quakers / Comic books, strips, etc ; Dwarfs (Persons) / Comic books, strips, etc ; Lay, Benjamin / 1677-1759 ; United States ; 1700-1799 ; Graphic novels ; Comics (Graphic works) ; Biographical comics ; Comic ; Graphic novels ; Comic ; Biografie ; Graphic novels ; Comic ; Biografie ; Lay, Benjamin 1677-1759 ; Society of Friends ; Sklaverei ; Abolitionismus
    Abstract: "Prophet against Slavery illustrates the life and times of an eighteenth-century dwarf abolitionist who performed guerrilla theater against slaveowners and became one of the first to demand immediate and abolition"--
    Description / Table of Contents: Graphic adaptation of The fearless Benjamin Lay -- Postcript -- Afterword : why we need Benjamin Lay -- Comics art and the artist / by Paul Buhle
    Note: "Text adapted from The fearless Benjamin Lay : the Quaker dwarf who became the first revolutionary abolitionist"--Title page verso
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  • 30
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    Durham ; London : Duke University Press
    ISBN: 9781478011897 , 1478011890 , 9781478014034 , 1478014032
    Language: English
    Pages: 319 Seiten
    Parallel Title: Erscheint auch als
    DDC: 301.092
    RVK:
    RVK:
    Keywords: Genealogie ; Anthropologin ; Oberitalien ; USA ; Povinelli, Elizabeth A. ; Povinelli, Elizabeth A. / Family ; Women anthropologists / United States / Biography ; Women anthropologists / United States / Pictorial works ; Families ; Women anthropologists ; United States ; Autobiographies ; Biographies ; Pictorial works ; Autobiographies ; Bildband ; Autobiografie ; Comic ; Autobiografie ; Comic ; Bildband ; USA ; Oberitalien ; Anthropologin ; Genealogie
    Abstract: "The Inheritance is anthropologist Elizabeth A. Povinelli's graphic memoir in which she explores her family's history and the events, traumas, and social structures that define our individual and collective pasts and futures"--
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  • 31
    ISBN: 9781612199412 , 1612199410
    Language: English
    Pages: xxxvi, 251 pages , illustrations , 21 cm
    Edition: Updated and revised edition
    DDC: 303.48/4097309046
    Keywords: JOIN Community Union ; Young Patriots Organization ; Rising Up Angry (Organization) ; White Lightning (Organization) ; October 4th Organization ; JOIN Community Union ; White Lightning (Organization) ; Young Patriots Organization ; Radicalism History 20th century ; Community organization History 20th century ; Social movements History 20th century ; Poor whites Political activity 20th century ; History ; New Left History 20th century ; Community organization ; New Left ; Radicalism ; Social movements ; History ; United States ; Neue Linke ; Arbeiterklasse ; Armut ; Politisches Engagement ; Politisierung ; Soziale Bewegung
    Abstract: "Some of the most important and little-known activists of the 1960s were poor and working-class radicals. Inspired by the Civil Rights movement, the Black Panthers, and progressive populism, they started to organize significant political struggles against racism and inequality during the 1960s and into the 1970s. Historians of the period have traditionally emphasized the work of white college activists who courageously took to the streets to protest the war in Vietnam and continuing racial inequality. Poor and working-class whites have often been painted as spectators, reactionaries, and, even, racists. But authors James Tracy and Amy Sonnie disprove that narrative. Through over ten years of research, interviewing activists along with unprecedented access to their personal archives, Tracy and Sonnie tell a crucial, untold story of the New Left. Their deeply sourced narrative history shows how poor and working-class individuals from diverse ethnic, rural and urban backgrounds cooperated and drew strength from one another. The groups they founded redefined community organizing, and transformed the lives and communities they touched."--Amazon.com
    Note: First edition: 2011 , Includes bibliographical references (page 217-240) and index
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  • 32
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    Jackson :University of Mississippi Press,
    ISBN: 978-1-4968-3157-6 , 978-1-4968-3156-9
    Language: English
    Pages: xxiv, 196 Seiten : , Illustrationen.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: United States ; Geschichte 2016-2020 ; Women / Political activity / United States ; Protest movements / United States ; Protest movements ; Women / Political activity ; Frau. ; Feminismus. ; Protestbewegung. ; USA. ; Frau ; Feminismus ; Protestbewegung ; Geschichte 2016-2020
    Abstract: "The 2016 US presidential campaign and its aftermath provoked an array of protests notable for their use of humor, puns, memes, and graphic language. During the campaign, a video surfaced of then-candidate Donald Trump's lewd use of the word "pussy"; in response, many women have made the issue and the term central to the public debate about women's bodies and their political, social, and economic rights. Focusing on the women-centered aspects of the protests that started with the 2017 Women's March, Pussy Hats, Politics, and Public Protest deals with the very public nature of that surprising, grassroots spectacle and explores the relationship between the personal and the political in the protests. Contributors to this edited collection use a folkloristic lens to engage with the signs, memes, handmade pussy hats, and other items of material culture that proliferated during the march and in subsequent public protests. Contributors explore how this march and others throughout history have employed the social critique functions and features of carnival to stage public protests; how different generations interacted and acted in the march; how perspectives on inclusion and citizenship influenced and motivated participation; how women-owned businesses and their dedicated patrons interacted with the election, the march, and subsequent protests; how popular belief affects actions and reactions, regardless of some objective notion of truth; and how traditionally female crafts and gifting behavior strengthened and united those involved in the march"--
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  • 33
    ISBN: 978-0-525-55955-9
    Language: English
    Pages: xxii, 296 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: United States / Race relations / History / 19th century ; United States / Race relations / History / 20th century ; United States ; United States / Race relations ; 1800-1999 ; Geschichte 1860-1880 ; African Americans / Segregation / History ; Reconstruction (U.S. history, 1865-1877) ; African Americans / History / 1863-1877 ; African Americans / History / 1877-1964 ; White supremacy movements / United States / History ; Racism in popular culture / United States / History ; Visual communication / Social aspects / United States / History ; HISTORY / United States / Civil War Period (1850-1877) ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; HISTORY / African American ; African Americans ; African Americans / Segregation ; Race relations ; Racism in popular culture ; Visual communication / Social aspects ; White supremacy movements ; Reconstruction (1865-1876) ; White supremacy movements / United States ; Visual communication ; Schwarze. ; Rassendiskriminierung. ; Massenkultur. ; USA. ; History ; Schwarze ; Rassendiskriminierung ; Massenkultur ; Geschichte 1860-1880
    Abstract: "A profound new rendering of the struggle by African Americans for equality after the Civil War and the violent counterrevolution that resubjugated them, as seen through the prism of the war of images and ideas that have left an enduring stain on the American mind. The story of the abolition of slavery in the aftermath of the Civil War is a familiar one, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: If emancipation came in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In a history that moves from Reconstruction to the Harlem Renaissance, Harvard scholar Henry Louis Gates, Jr., one of our leading chroniclers of the African American experience, brings a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual to answer that question.
    Abstract: Interwoven with this history, Stony the Road examines America's first postwar clash of images utilizing modern mass media to divide, overwhelm--and resist. Enforcing a stark color line and ensuring the rollback of the rights of formerly enslaved people, racist images were reproduced on an unprecedented scale thanks to advances in technology such as chromolithography, which enabled their widespread dissemination in advertisements, on postcards, and on an astonishing array of everyday objects. Yet, during the same period when the Supreme Court stamped 'separate but equal' as the law of the land, African Americans advanced the concept of the 'New Negro' to renew the fight for Reconstruction's promise. Against the steepest of odds, they waged war by other means: countering depictions of black people as ignorant, debased, and inhuman with images of a vanguard of educated and upstanding black women and men who were talented, cosmopolitan, and urbane.
    Abstract: The story Gates tells begins with Union victory in the Civil War and the liberation of nearly four million enslaved people. But the terror unleashed by white paramilitary groups in the former Confederacy, combined with deteriorating economic conditions and diminished Northern will, restored 'home rule' to the South. One of the most violent periods in our history followed the retreat from Reconstruction, with thousands of African Americans murdered or lynched and many more afflicted by the degrading impositions of Jim Crow segregation. An essential tour through one of America's fundamental historical tragedies, [this book] is also a story of heroic resistance, as figures from Frederick Douglass to W E.B. Du Bois created a counternarrative, and culture, inside the lion's mouth.
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  • 34
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    Washington, DC : Smithsonian American Art Museum | Princeton : in association with Princeton University Press
    ISBN: 9780691200804 , 9780937311875 , 0937311871 , 0691193185 , 0691200807
    Language: English
    Pages: 442 Seiten , Illustrationen
    DDC: 700.973
    RVK:
    Keywords: Humboldt, Alexander von Exhibitions Influence ; Arts, American Exhibitions 19th century ; Arts, American Exhibitions German influences ; Nature and civilization Exhibitions ; Humboldt, Alexander von ; Arts, American ; Arts, American ; German influences ; Influence (Literary, artistic, etc.) ; Nature and civilization ; United States ; Exhibition catalogs ; Ausstellungskatalog Smithsonian American Art Museum 20.03.2020-16.08.2020 ; Humboldt, Alexander von 1769-1859 ; Einfluss ; USA ; Geschichte ; Humboldt, Alexander von 1769-1859 ; Rezeption ; USA ; Kunst ; Naturschutz ; Amerikanistik
    Abstract: The enduring influence of naturalist and explorer Alexander von Humboldt on American art, culture, and politics. Alexander von Humboldt (1769-18­59) was one of the most influential scientists and thinkers of his age. A Prussian-born geographer, naturalist, explorer, and illustrator, he was a prolific writer whose books graced the shelves of American artists, scientists, philosophers, and politicians. Humboldt visited the United States for six weeks in 1804, engaging in a lively exchange of ideas with such figures as Thomas Jefferson and the painter Charles Willson Peale. It was perhaps the most consequential visit by a European traveler in the young nation's history, one that helped to shape an emerging American identity grounded in the natural world. In this beautifully illustrated book, Eleanor Jones Harvey examines how Humboldt left a lasting impression on American visual arts, sciences, literature, and politics. She shows how he inspired a network of like-minded individuals who would go on to embrace the spirit of exploration, decry slavery, advocate for the welfare of Native Americans, and extol America's wilderness as a signature component of the nation's sense of self. Harvey traces how Humboldt's ideas influenced the transcendentalists and the landscape painters of the Hudson River School, and laid the foundations for the Smithsonian Institution, the Sierra Club, and the National Park Service. Alexander von Humboldt and the United States looks at paintings, sculptures, maps, and artifacts, and features works by leading American artists such as Albert Bierstadt, George Catlin, Frederic Church, and Samuel F. B. Morse. Published in association with the Smithsonian American Art Museum, Washington, DC Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 20-August 16, 2020
    Note: Impressum: "Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, D.C., March 20 to August 16, 2020." , Includes bibliographical references and index
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  • 35
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    Tucson, AZ : Watermark Retirement Communities
    ISBN: 9780578805801 , 0578805804
    Language: English
    Pages: 148 Seiten , Fotografien , 32 cm
    Edition: First edition
    DDC: 306.760846
    Keywords: Older sexual minorities Biography ; Older sexual minorities Portraits ; Older sexual minorities ; Biographies ; Portraits ; Biographies ; Portraits ; United States
    Abstract: "Not Another Second tells the stories of 12 LGBT+ seniors. It details the years they lost to societal constraints, years where they were not able to be their authentic selves or openly express their love. It also tells of the triumphs they experienced over these constraints. This book acknowledges and celebrates the sacrifices, bravery and contributions of these seniors and offers wisdom to future generations in the hopes that not one person will lose another second. LGBT+ seniors born in the 1930s, '40s and '50s are the brave pioneers who stood up and pushed back, refusing to be treated as social outcasts, criminals and sinners or seen as mentally ill. Their living legacy includes hard-won federal rights for LGBT+ members to legally marry, adopt, work and seek housing and health care without discrimination. Now in their sixties, seventies and eighties, the 3 million LGBT+ seniors currently living in the United States want subsequent generations to learn from their living history, to be inspired to stand on their shoulders and to continue to fight for what's right. A collaboration between the trailblazing nonprofit SAGE and Watermark Retirement Communities, this book gives readers a candid glimpse into the private and public lives of Pearl, Nick, Mark, Paul, Paulette, Pat, Lujira, Ellie, Reverend Kennedy, Ronnie, Ray and Richard. They are lesbian, gay, bisexual and transgender. Their generation led the Stonewall Uprising, founded Act Up and helped end "don't ask, don't tell." These seniors are presented through a series of more than 100 portraits interspersed with stories of their experiences as members of the LGBT+ community. Each moving portrait, captured by noted German photographer Karsten Thormaehlen, is accompanied by the number of years lost, years when they could not live as their true self beyond their inner circle of trusted friends and family. All proceeds collected from the sale of this book will be donated to Watermark for Kids, a nonprofit organization, in support of LGBT+ young people."--Publisher's description
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  • 36
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    New York, NY : Rizzoli
    ISBN: 9780847867950 , 0847867951
    Language: English
    Pages: 240 Seiten , 26 cm
    DDC: 303.48/4
    RVK:
    Keywords: Political participation ; Political participation Pictorial works ; Political participation ; Politics and government ; Photobooks ; Pictorial works ; Photobooks ; United States Politics and government 21st century ; United States Pictorial works Politics and government 21st century ; United States ; Bildband ; Lampert, Tish ; Bildpublizistik ; Protest ; Soziale Bewegung ; Geschichte 2014-2018
    Abstract: Foreword -- Introduction -- Not my President -- Gender equality -- #MeToo -- Immigration -- Family separation -- Civil rights -- Gun control -- Environment -- Voting rights -- Notes from the trail.
    Abstract: "A call to action--inspiring citizens to stand up and fight for social justice in our nation. In the last few years we have seen a wave of activism wash across our nation and inspire unprecedented protest and civic engagement. People came together in record-breaking numbers, outspoken and persistent. With the winds of resistance at their backs, people linked arms and set out to defend our freedoms and each other. Photojournalist Tish Lampert captures the spirit of the heroes and ordinary citizens on their activist journey to defend their American values during the most conflicted era in our recent history. The book charts the chronology of social-change movements that have dominated the headlines over the past several years: the fight for women's rights and gender equality, immigration rights, civil liberties, gun violence, and the environment. Lampert takes us to the front lines of activism, where she has documented each protest and their respective leaders, as well as the legions of ordinary Americans standing together to protect the values of our great nation."--provided by publisher
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  • 37
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    North Miami : Museum of Contemporary Art | New York, NY : Gregory R. Miller & Co
    ISBN: 9781941366301 , 1941366309
    Language: English
    Pages: 187 Seiten , 29 cm
    DDC: 709.2/396073
    RVK:
    Keywords: AFRICOBRA (Group of artists) Exhibitions ; AFRICOBRA (Group of artists) ; Black Arts movement Exhibitions ; African American art Exhibitions ; African American artists Exhibitions ; African Americans in art Exhibitions ; African American art ; African American artists ; African Americans in art ; Black Arts movement ; Exhibition catalogs ; Exhibition catalogs ; Illinois ; Chicago ; United States ; Bildband ; Ausstellungskatalog Museum of Contemporary Art 27.11.2018-24.03.2019 ; Africobra ; Geschichte 1968-2020
    Abstract: AfriCOBRA (African Commune of Bad Relevant Artists) was founded on the South Side of Chicago in 1968 by a collective of young Black artists, whose interest in Transnational Black Aesthetics led them to create one of the most distinctive visual voices in 20th-century American art. The key characteristics of what we now consider the classic AFRICOBRA look -- vibrant, 'cool-ade' colors, bold text, shine and positive images of Black people -- were essential to everyday life in the community from which this movement emerged. It is a movement with roots in the soil, streets, classrooms, studios and living rooms of the South Side of Chicago, yet its influence has extended around the world. This survey represents the first major appraisal of AFRICOBRA's work in Europe and builds on the exhibition AFRICOBRA: Messages to the People, which premiered at MOCA North Miami during Art Basel Miami 2018
    Note: "Published ... in conjunction with the related exhibitions curated by Jeffreen M. Hayes: AFRICOBRA: Messages to the People, presented at the Museum of Contemporary Art, North Miami, November 27, 2018-March 24, 2019; and AFRICOBRA: Nation Time, presented as an official Collateral Event of the 58th Venice Biennale, May 11-November 4, 2019"--Colophon , Includes an essay by Leslie Guy , Includes bibliographical references
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  • 38
    ISBN: 9780847867646 , 0847867641
    Language: English
    Pages: 198 Seiten , 33 cm
    DDC: 746.092
    Keywords: Zuzek, Susie ; Pulitzer, Lilly ; Pulitzer, Lilly ; Textile artists ; Textile crafts Pictorial works ; Fashion design Pictorial works ; Fashion design ; Textile artists ; Textile crafts ; Pictorial works ; United States ; Bildband ; Zuzek, Suzie 1920-2011 ; Pulitzer, Lilly 1931-2013 ; Textilmuster ; Design
    Abstract: The brightly colored, playful prints of Lilly Pulitzer's clothing were a staple of American fashion in the 1960s, '70s, and '80s--worn by members of society from Palm Beach to Nantucket, actresses, models, and stylish housewives. One could always spot a Lilly with its undeniable characteristics: clean, comfortable lines; bright and vivid colors; and the fantastical design of its fabrics. Whether at the beach or a cocktail party, these simple shifts for women and girls and jackets and trousers for the gents were a preppy rite of passage. The majority of Pulitzer's fabric designs from 1962 through 1985 were based on artwork by Key West-based artist Suzie Zuzek. These designs--monkeys sipping martinis, dancing flowers, colorful seashells, op-art geometrics--were all the rage and attracted the eye of such ladies as Jackie Kennedy, Happy Rockefeller, and Dina Merrill. This book--which is a treasure trove of the iconic prints and contextualizes the purely American label--is a must-have for the libraries of those who love fashion and social history. Exhibition: Cooper Hewitt, Smithsonian Design Museum, New York, USA (04.-09.2020)
    Note: Includes index
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  • 39
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    Pittsburgh, Pennsylvania : GoodKnight Books
    ISBN: 9781732273597 , 1732273596
    Language: English
    Pages: ix, 262 pages , illustrations , 29 cm
    DDC: 391.00973
    Keywords: Film noir ; Mode ; Fashion History 20th century ; Film noir History and criticism ; Fashion in motion pictures ; Fashion ; Fashion in motion pictures ; Film noir ; United States ; Motion picture reviews ; Instructional and educational works ; Criticism, interpretation, etc ; History
    Abstract: Explores twenty definitive film noir titles from 1941 to 1950 and traces the evolution of popular fashion in the decade of the 1940s, the impact of World War II on home-front fashion, and the influence of the film noir genre on popular fashion
    Note: Includes bibliographical references (pages 235-254) and index.
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  • 40
    ISBN: 9781984857583
    Language: English
    Pages: 233 pages , 24 x 21 cm
    Edition: First edition
    Parallel Title: Erscheint auch als Light, Ken Picturing resistance
    DDC: 303.48/40973
    Keywords: Social movements History ; Protest movements History ; Social movements Pictorial works ; Protest movements Pictorial works ; HISTORY / Social History ; Protest movements ; Social movements ; History ; Pictorial works ; Illustrated works ; United States ; Bildband
    Abstract: A Vision Takes Hold: 1954-1964 -- Marching toward a Vision of the Future: 1965-1974 -- Exhaustion and Backlash: 1975-1985 -- It's All About the Economy: 1986-1993 -- A New Era in Activism: 1994-2010 -- Activism in a Time of Repression and Upheaval: 2051-2019.
    Abstract: "A compelling phographic look at the important moments in the history of progressive resistance in America--from the civil rights movement to present--that will inspire the activists and change-makers of today." -- Back cover
    Abstract: "A compelling photographic history of the important moments of progressive resistance--from the civil rights movement to the present--to inspire the change-makers and activists of today"--
    Note: Includes bibliographical references (pages 214-228) and index
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  • 41
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    London : Routledge Taylor & Francis Group
    ISBN: 0367478870 , 9780367478872
    Language: English
    Pages: ix, 174 Seiten , Illustrationen , 24 cm
    Series Statement: Morality, society and culture
    DDC: 305.550973
    Keywords: Middle class History ; Middle class History ; Manners and customs ; Middle class ; History ; United States Social life and customs ; Germany Social life and customs ; Germany ; United States ; Deutschland ; Bürgertum ; Geschichte 1850-1910 ; USA ; Mittelstand ; Geschichte 1950-1960 ; USA ; Deutschland ; Mittelstand ; Erzählung ; Kulturvergleich ; Geschichte 1850-2015
    Note: Literaturverzeichnis Seite 153-170
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  • 42
    ISBN: 9780241451564 , 0241451566 , 9780241451519 , 0241451515
    Language: English
    Pages: viii, 338 Seiten , Illustrationen , 24 cm
    DDC: 303.4834
    Keywords: El Kaliouby, Rana ; Digital communications Social aspects ; Artificial intelligence Research ; Emotions ; Empathy ; Moral conditions ; Egyptian American women Biography ; Women scientists Biography ; Artificial intelligence ; Research ; Digital communications ; Social aspects ; Egyptian American women ; Emotions ; Empathy ; Moral conditions ; Women scientists ; Autobiographies ; Biographies ; Autobiographies ; United States
    Abstract: A nice Egyptian girl -- the scientist and the mind reader -- straddling two worlds -- a pioneer in AI.
    Abstract: In a captivating memoir, an Egyptian American visionary and scientist provides an intimate view of her personal transformWe are entering an empathy crisis. So much of our communication is conveyed through non-verbal cues - facial expressions, tone of voice, body language - nuances that are completely lost when we interact through our smartphones and other technology. The result is a digital universe that's emotion-blind - a society lacking in empathy. Rana al Kaloubi discovered this when she left Cairo, a newly-married, Muslim woman, to take up her place at Cambridge University to study computer science. Many thousands of miles from home, she began to develop systems to help her better connect with her family. She started to pioneer the new field of Emotional Intelligence (EI). She now runs her company, Affectiva (the industry-leader in this emerging field) that builds EI into our technology and develops systems that understand humans the way we understand one another. In a captivating memoir, Girl Decoded chronicles el Kaliouby's mission to humanise technology and what she learns about humanity along the way.
    Note: Literaturverzeichnis: Seite 319-326
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  • 43
    ISBN: 9780847868384
    Language: English
    Pages: 256 Seiten
    DDC: 782.42164/092/2
    RVK:
    Keywords: Beastie Boys Pictorial works ; Beastie Boys ; Beastie Boys ; Rap musicians Pictorial works ; Rap musicians ; United States ; Bildband ; Pictorial works
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  • 44
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    Minneapolis, MN : Wise Ink Creative Publishing
    ISBN: 9781634893664 , 1634893662 , 9781634894463 , 1634894464
    Language: English
    Pages: 60 Seiten , Illustrationen , 21 cm
    Series Statement: Minnesota Native American lives series
    DDC: 352.23/9092
    Keywords: Flanagan, Peggy Juvenile literature ; Flanagan, Peggy ; Flanagan, Peggy ; Lieutenant governors Juvenile literature ; Lieutenant governors Biography ; Juvenile literature ; Legislators Biography ; Juvenile literature ; Indian legislators Biography ; Juvenile literature ; Indian women politicians Biography ; Juvenile literature ; Ojibwa Indians Biography ; Juvenile literature ; Lieutenant governors ; Indigenes Volk ; Politik ; Parlementaires indiens d'Amérique - Minnesota - Biographies - Ouvrages pour la jeunesse ; Ojibwa (Indiens) - Minnesota - Biographies - Ouvrages pour la jeunesse ; Ojibwa Indians ; Legislators ; Indian women politicians ; Indian legislators ; Lieutenant governors ; Legislators - Biography - Juvenile literature ; Ojibwa Indians - Biography - Juvenile literature ; Native Americans - North America - Juvenile literature ; Legislators - Biography ; Ojibwa Indians - Biography ; Native Americans - North America ; Biography ; Biographies ; Juvenile works ; Biographies ; Biographies ; Minnesota ; United States ; Biography ; Jugendbuch ; Biografie
    Abstract: "Peggy Flanagan is the Lieutenant Governor of Minnesota. This is the second-highest office in the state. She is the first Native woman to hold such a high elected statewide office in the United States. Her whole life she knew that the school system doesn't tell American Indian stories in a true way. Peggy is working hard to change how Native peoples' stories are told and to make life better for all Minnesotans. Her story is a Minnesota Native American life."--Provided by publisher
    Description / Table of Contents: No more paper headdresses -- "What are you?" -- Keeping busy -- Mr. Redman's room -- The writing on the wall -- Guiding lights -- Called to serve -- Big decisions -- The second most powerful person in Minnesota -- Ceremony -- Everything is different now -- Ideas for writing and discussion -- Ideas for visual projects -- Ideas for further learning -- Timeline -- About the author -- About the illustrator -- About the series editors.
    Note: Includes bibliographical references , Interessenniveau: Middle grade
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  • 45
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 46
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 47
    ISBN: 9781419742132 , 1419742132
    Language: English
    Pages: xiv, 380 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Gruen, Bob Right Place, Right Time
    DDC: 770.92
    RVK:
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    Keywords: Gruen, Bob ; Gruen, Bob ; Photographers Biography ; Rock musicians Anecdotes ; Photographers ; Rock musicians ; Anecdotes ; Autobiographies ; Biographies ; Autobiographies ; Anecdotes ; United States ; Autobiografie ; Autobiografie ; Gruen, Bob 1945- ; Fotografie ; Rockmusik ; Rockmusiker
    Abstract: Introduction -- Where it all began -- Growing up -- The Emerald City -- Where there's smoke -- The rise and fall of Glitterhouse -- The Ike and Tina express -- 1971: it's all happening -- Elephant's memory -- Coast to coast -- Some time in New York City -- In the thick of it -- Surreal days -- New York to LA and back again -- Airborne! -- New York clubs -- Central Park to Byblos -- Whatever gets you through the night -- Right place, right time -- Money honey -- Trouble in Japan -- The club scene -- London calling -- Everything will be alright -- Anarchy in the UK -- Anarchy in the USA -- All-access pass -- Full moon rising -- The record plant -- Now he is everywhere -- The view from here -- See you in Jamaica -- Stars in my eyes -- Happy birthday to me -- Epilogue.
    Abstract: The veteran rock-and-roll photographer shares memories from nearly half a century in the industry, from his cross-country trip with the Ike and Tina Turner band to his backstage encounters with KISS
    Abstract: For more than fifty years Gruen has documented the music scene in pictures that have captured the world's attention. Here he tells of his winding, adventure-filled journey in a series of wildly entertaining stories. Gruen offers a unique window into the evolution of American music culture over the last five decades. -- adapted from jacket
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  • 48
    ISBN: 9781454936558 , 145493655X
    Language: English
    Pages: 168 Seiten , Illustrationen , 27 cm
    DDC: 306.766
    RVK:
    Keywords: Gay pride celebrations ; Gay rights History ; Images, Photographic ; Gay liberation movement History ; Gays History ; Stonewall Riots, New York, N.Y., 1969 ; Homophobia History ; Stonewall Riots (New York, New York : 1969) ; Gay liberation movement ; Gay pride celebrations ; Gay rights ; Gays ; Homophobia ; Images, Photographic ; New York (State) ; New York ; United States ; History ; Illustrated works ; USA ; Fotografie ; Homosexuellenbewegung ; Homophobie ; Geschichte 1920-2018
    Abstract: Introduction -- We're here... The world of night (1920-1930) ; Home ties broken (WWII) ; Back in the closet (The 1950s) -- We're queer... Road to rebellion (The 1960s) ; We're out! Sexual freedom for all (The 1970s) -- ...Get used to it! A crisis brings everybody out (The 1980s) ; Two steps forward (The 1990s) ; Real change (The 21st century).
    Abstract: This lavishly illustrated book commemorates the 50th anniversary of the Stonewall Uprising and is an inspiring photographic journey through the LGBTQ+ Pride movement over the last century
    Abstract: Starting in the bohemian subculture of post-World War I American cities, Measom covers the influence of World War II, which relocated millions of people to single-sex barracks and factories and helped spark the formation of gay communities after the war. The repressive ’50s era saw the launch of important rights organizations that led to the rebellions of the 1960s, culminating in the game-changing Stonewall Uprising of June 1969. Measom explores the devastation of the AIDS crisis, its impact on gay culture, and the fight to bring awareness to the disease. The modern period includes coverage of the struggles for equality in marriage, the military, and the push for gender rights. A groundbreaking homage to a historic movement and its milestone achievements and hurdles. -- adapted from jacket
    Note: Includes bibliographical references (pages 164-167)
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  • 49
    ISBN: 9781619305526 , 1619305526 , 9781619305557 , 1619305550
    Language: English
    Pages: VII, 120 Seiten , Illustrationen , 27 cm (hbk)
    Series Statement: Inquire & investigate
    DDC: 305.800973
    Keywords: Racism ; Minorities ; Ethnic relations ; Minorities ; Race relations ; Racism ; Social conditions ; United States ; United States Social conditions ; United States Ethnic relations ; United States Race relations
    Abstract: Where we stand now -- The creation of race -- An interracial fight for freedom -- A step toward equality -- Separate and unequal -- Renewing the battle for equal rights -- A color-blind society? -- The post-racial illusion -- Continuing the good fight.
    Abstract: How could a country founded on the honorable ideals of freedom and equality have so willingly embraced the evils of enslavement and oppression? Americas history of race relations is a difficult one, full of uncomfortable inconsistencies and unpleasant truths. Although the topic is sensitive, it is important to face this painful past unflinchingly knowing this history is key to understanding todays racial climate and working towards a more harmonious society. In Race Relations: The Struggle for Equality in America, kids ages 12 to 15 follow the evolution of race relations in America from the country's earliest beginnings until present day. The book examines how the concept of race was constructed in the seventeenth century and how American colonists used racial differences to justify slavery, discrimination and the persecution of people of color. Through links to online primary sources such as newspaper articles, letters, poems, and songs, young readers will explore how race relations changed and didntthrough the eras of Reconstruction, Jim Crow, and Civil Rights, and under the presidencies of Barack Obama and Donald Trump. The book introduces students to people from four different centuriessome famous, some ordinary citizenswho took great risks to fight for freedom, equality, and social justice. It also fosters discussions of contemporary racial issues and social justice movements, including Black Lives Matters, and encourages students to consider steps they can take to help improve race relations
    Note: Literaturverzeichnis Seite 116-118
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  • 50
    ISBN: 9788797078013 , 8797078018
    Language: English
    Pages: 176 Seiten , Illustrationen , 28 cm
    Series Statement: Unseen Nordic archives
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    Keywords: Hendrix, Jimi Pictorial works ; Hendrix, Jimi ; Rock musicians Biography ; Rock musicians ; Biographies ; Illustrated works ; Pictorial works ; Biographies ; Illustrated works ; United States
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  • 51
    ISBN: 9781608011773
    Language: English
    Pages: 255 Seiten
    DDC: 305.836073
    Keywords: Geschichte 1732-2019 ; Geschichte ; Austrians / United States ; Austrians ; Diplomatic relations ; Emigration and immigration ; Österreichischer Einwanderer ; Einwanderung ; Austria / Emigration and immigration ; United States / Emigration and immigration ; Austria / Foreign relations / United States ; United States / Foreign relations / Austria ; Austria ; United States ; USA ; Österreich ; Bildband ; USA ; Österreich ; Einwanderung ; Geschichte 1732-2019 ; USA ; Österreichischer Einwanderer ; Geschichte
    Abstract: "The present volume is part of a larger, ongoing investigation dealing with Austrian immigration to the United States against the backdrop of the Austrian-American relationship."--
    Description / Table of Contents: The beginnings of Austrians in America, 1732-1860 -- Growing contacts in an age of mass migration, 1861-1914 -- The age of the World Wars, 1914-1945 -- The American Occupation of Austria and the postwar beginnings of U.S.-Austrian contacts, 1945-1955 -- Quiet invaders: Austrian immigrants to the United States, 1945 to the present -- Austrian-American relations: political, economic, cultural, 1955 to the present
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  • 52
    ISBN: 9781608011773
    Language: English
    Pages: 255 Seiten
    DDC: 305.836073
    Keywords: Geschichte 1732-2019 ; Geschichte ; Austrians / United States ; Austrians ; Diplomatic relations ; Emigration and immigration ; Österreichischer Einwanderer ; Einwanderung ; Austria / Emigration and immigration ; United States / Emigration and immigration ; Austria / Foreign relations / United States ; United States / Foreign relations / Austria ; Austria ; United States ; USA ; Österreich ; Bildband ; Bildband ; USA ; Österreich ; Einwanderung ; Geschichte 1732-2019 ; USA ; Österreichischer Einwanderer ; Geschichte
    Abstract: "The present volume is part of a larger, ongoing investigation dealing with Austrian immigration to the United States against the backdrop of the Austrian-American relationship."--
    Description / Table of Contents: The beginnings of Austrians in America, 1732-1860 -- Growing contacts in an age of mass migration, 1861-1914 -- The age of the World Wars, 1914-1945 -- The American Occupation of Austria and the postwar beginnings of U.S.-Austrian contacts, 1945-1955 -- Quiet invaders: Austrian immigrants to the United States, 1945 to the present -- Austrian-American relations: political, economic, cultural, 1955 to the present
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  • 53
    ISBN: 1786997126 , 9781786997128
    Language: English
    Pages: xxix, 216 Seiten , 26 cm
    Additional Information: In Beziehung stehendes Werk McDarrah, Fred W. Gay pride : photographs from Stonewall to today 1994 978-1-55652-214-7
    Uniform Title: Gay pride
    DDC: 306.7660222
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    Keywords: McDarrah, Fred W. ; Geschichte 1959-1995 ; Fotografie ; Homosexualität ; Homosexuellenbewegung ; USA ; Gay Pride Day / United States / Pictorial works ; Gay Pride Day ; United States ; Pictorial works ; Bildband ; Bildband ; Bildband ; McDarrah, Fred W. 1926-2007 ; USA ; Fotografie ; Homosexualität ; Homosexuellenbewegung ; Geschichte 1959-1995
    Note: Originally published in 1994 with the title "Gay pride : photographs from Stonewall to today"
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  • 54
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    New York : Little, Brown and Company
    ISBN: 9780316286541 , 0316286540
    Language: English
    Pages: vii, 422 pages, 16 unnumbered pages of plates , illustrations , 25 cm
    Edition: First edition
    DDC: 305.26/20973
    Keywords: Older women History ; Older women Social conditions ; Older women Social life and customs ; Older women ; Elderly women ; United States ; History ; USA ; Ältere Frau ; Soziale Situation ; Geschichte 1800-1999
    Abstract: Introduction -- The colonies -- The 1800s arrive -- Before the Civil War -- The mid-1800s -- The nineteenth-century finale -- Turn of the century -- The twentieth century arrives -- The 1920s -- The 1930s -- The War -- The 1950s -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- Into the twenty-first century -- Onward and upward.
    Abstract: Americans have always had a complicated relationship with aging-- and women have been on the front lines of the battle, willingly or not. Collins illustrates the ways in which age is an arbitrary concept that has swung back and forth over the centuries. From Plymouth Rock to the first female nominee for president, she provides a social history of American women and aging-- and gives women a reason to expect the best from what's to come. -- adapted from jacket
    Note: Includes bibliographical references (pages 337-403) and index
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  • 55
    ISBN: 9781250316967 , 1250316960 , 9781250316974 , 1250316979
    Language: English
    Pages: 248 Seiten , 22 cm
    Edition: First edition edited by Calista Brill and Rachel Stark
    DDC: 304.8/2
    RVK:
    Keywords: Emigration and immigration Comic books, strips, etc Moral and ethical aspects ; Emigration and immigration Comic books, strips, etc Economic aspects ; Emigration and immigration Comic books, strips, etc Government policy ; Illegal aliens Comic books, strips, etc ; Emigration and immigration ; Emigration and immigration ; Economic aspects ; Illegal aliens ; United States ; Comic books, strips, etc ; Comics (Graphic works) ; Graphic novels ; Nonfiction comics ; Graphic novels ; Comics (Graphic works) ; United States Comic books, strips, etc Ethnic relations ; Comic ; USA ; Einwanderung ; Einwanderungspolitik
    Abstract: Global Apartheid --Trillion-dollar bills on the sidewalk --The native's burden? --Crimes against culture --The golden goose on trial --Keyhole solutions --All roads lead to open borders --Fantastic journeys ... and how to finish them.
    Abstract: "American policy-makers have long been locked in a heated battle over whether, how many, and what kind of immigrants to allow to live and work in the country. Those in favor of welcoming more immigrants often cite humanitarian reasons, while those in favor of more restrictive laws argue the need to protect native citizens. But economist Bryan Caplan adds a new, compelling perspective to the immigration debate: He argues that opening all borders could eliminate absolute poverty worldwide and usher in a booming worldwide economy--greatly benefiting humanity. With a clear and conversational tone, exhaustive research, and vibrant illustrations by Zach Weinersmith, Open Borders makes the case for unrestricted immigration easy to follow and hard to deny"--Provided by publisher
    Note: Literaturverzeichnis: Seite 237-248
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  • 56
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    Denver, Colorado : Denver Museum of Nature & Science | Louisville, Colorado : University Press of Colorado
    ISBN: 9781607329923
    Language: English
    Pages: 243 Seiten , Illustrationen , 30 cm
    Parallel Title: Erscheint auch als
    DDC: 970.004/97
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    Keywords: Bratley, Jesse H. ; Geschichte 1893-1903 ; Indianer ; Ausbildung ; Reservat ; USA Weststaaten ; Bratley, J. H. / (Jesse H.) / Photograph collections ; Indians of North America / Cultural assimilation ; Indigenous peoples / Cultural assimilation / United States ; Off-reservation boarding schools / United States ; Indians of North America / Education / History ; Indigenous peoples / Education / United States ; Indians of North America / Cultural assimilation ; Indians of North America / Education ; Indigenous peoples / Cultural assimilation ; Indigenous peoples / Education ; Off-reservation boarding schools ; Photograph collections ; United States ; History ; Bildband ; Bratley, Jesse H. 1867-1948 ; USA Weststaaten ; Reservat ; Indianer ; Ausbildung ; Geschichte 1893-1903
    Abstract: "Reframes the Bratley collection showing how tribal members have embraced it as their past and reclaimed it as contemporary identity. Bratley was an Indian school teacher charged with forcibly assimilating Native Americans. Although tasked with eradicating their culture, Bratley became entranced by their practices and collected artifacts/photographs."
    Description / Table of Contents: A man and world in between -- Bratley's collection in context -- Indian schools -- Collecting cultures -- Corners and fairs -- The pioneering life of Jesse H. Bratley -- Port Gamble Day School, 1893-1895 -- Lower Cut Meat Creek Day School, 1895-1899 -- Cantonment Boarding School, 1899-1900 -- Havasupai Day School, 1900-1901 -- Polacca Day School, 1902 -- Kansas and Florida, 1903-1948 -- The civilizing machine -- Work conquers all -- Resistance -- Persistence -- Objects of survivance
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  • 57
    ISBN: 9781608011773 , 1608011771
    Language: English
    Pages: 16 ungezählte Seiten, 255 Seiten, 9 ungezählte Seiten , Illustrationen , 29 cm
    DDC: 305.836073
    Keywords: Austrians ; Austrians ; Diplomatic relations ; Emigration and immigration ; Austria ; United States ; Austria Emigration and immigration ; United States Emigration and immigration ; Austria Foreign relations ; United States Foreign relations ; Bildband ; Bildband ; USA ; Österreichischer Einwanderer ; Geschichte ; USA ; Österreichischer Einwanderer ; Geschichte ; USA ; Österreicher ; Österreicherin ; Geschichte 1734-2019
    Abstract: The beginnings of Austrians in America, 1732-1860 -- Growing contacts in an age of mass migration, 1861-1914 -- The age of the World Wars, 1914-1945 -- The American Occupation of Austria and the postwar beginnings of U.S.-Austrian contacts, 1945-1955 -- Quiet invaders: Austrian immigrants to the United States, 1945 to the present -- Austrian-American relations: political, economic, cultural, 1955 to the present.
    Abstract: "The present volume is part of a larger, ongoing investigation dealing with Austrian immigration to the United States against the backdrop of the Austrian-American relationship."--
    Note: Includes bibliographical references (pages 256-261)
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  • 58
    ISBN: 9780745337869 , 9780745337852
    Language: English
    Pages: xxiv, 296 Seiten , Illustrationen , 20 cm
    Parallel Title: Erscheint auch als Ford, Glyn, 1950 - Talking to North Korea
    DDC: 327.519301821
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    Keywords: Nuclear disarmament Korea (North) ; Nuclear nonproliferation Korea (North) ; Nuclear nonproliferation ; Weapons of mass destruction ; Korea (North) ; Korea (North) ; Korea (North) ; Korea (North) ; Korea (North) ; United States ; Korea (North) Foreign relations ; Western countries ; Western countries Foreign relations ; Korea (North) ; Nordkorea ; Atomare Abrüstung ; Diplomatie ; Internationale Politik
    Abstract: North Korea's regime is often called 'crazy'. But what if we tried to understand the motivations of its leadership? This provocative insider account challenges the media myths which paint North Korea as a rogue state run by a mad leader, myths which are invoked by Western governments to support sanctions or even a military strike against the country. Informed by extraordinary direct access to the leadership of the DPRK, Glyn Ford investigates the internal logic of the regime, providing game-changing insights. Acknowledging that North Korea is a deeply flawed state with an atrocious record on human rights, he shows that sections of the leadership are in fact desperate to modernise and end its isolation. But the country is trapped in an arms race against its enemies and is dependent on its nuclear program. What if, instead of forcing regime change, the West talked to those who want to change the regime from within? Demanding a dialogue between East and West, Talking to North Korea provides a road map for averting the looming threat of a war in North East Asia that would threaten the lives of millions in the region and the wider world.
    Note: Literaturverzeichnis Seite 276-287, Register , The Pyongyang Paradox , Roots of the Present Crisis : Understanding North Korea’s History , Drawing the Iron Curtain , Kim’s Korea , Famine, Markets, Refugees and Human Rights , Kim Jong Un : Continuity and Change , Economic Development, Nuclear Deterrent , Daily Life in North Korea , The Diplomatic Stage , The Nuclear Factor , Foreign Affairs between Rapprochement and Standoff , After the Singapore Summit
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  • 59
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    New York :Vintage Books, a division of Penguin Random House LLC,
    ISBN: 0525436618 , 9780525436614
    Language: English
    Pages: xxiv, 321 Seiten : , Illustrationen ; , 21 cm.
    Edition: First Vintage Books edition
    Parallel Title: Reproduktion von Policing the Black man
    Parallel Title: Erscheint auch als
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    Keywords: United States ; Discrimination in criminal justice administration / United States ; African American criminals ; African American men / Social conditions ; Discrimination in criminal justice administration ; Discrimination in criminal justice administration ; African American criminals ; Strafverfolgung. ; Rassendiskriminierung. ; Strafrecht. ; USA ; USA. ; Strafverfolgung ; Rassendiskriminierung ; Strafrecht ; Rassendiskriminierung
    Abstract: Explores and critiques the many ways the criminal justice system impacts the lives of African American boys and men at every stage of the criminal process, from arrest through sentencing. Essays range from an explication of the historical roots of racism in the criminal justice system to an examination of modern-day police killings of unarmed black men. The contributors discuss and explain racial profiling, the power and discretion of police and prosecutors, the role of implicit bias, the racial impact of police and prosecutorial decisions, the disproportionate imprisonment of black men, the collateral consequences of mass incarceration, and the Supreme Court's failure to provide meaningful remedies for the injustices in the criminal justice system. --From publisher description
    Note: "Originally published in hardcover in the United States by Pantheon Books, a division of Penguin Random House LLC, New York, in 2017" --Title page verso , A presumption of guilt: the legacy of America's history of racial injustice , The endurance of racial disparity in the criminal justice system , Boys to men: the role of policing in the socialization of black boys , Racial profiling: the law, the policy, and the practice , Making implicit bias explicit: black men and the police , Policing: a model for the twenty-first century , The prosecution of black men , The grand jury and police violence against black men , Elected prosecutors and police accountability , Do black lives matter to the courts? , Poverty, violence, and black incarceration
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  • 60
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 61
    ISBN: 9781608011537 , 1608011534
    Language: English
    Pages: x, 190 Seiten , Illustrationen , 31 x 24 cm
    DDC: 900 /.091763
    Keywords: Folk art ; Mardi Gras Indians Pictorial works ; Carnival costume ; Beadwork ; African Americans Folklore ; African Americans Interviews ; Carnival Art ; Blacks in the performing arts ; Indian art ; Ethnic performing arts ; Mardi Gras Indians ; Maske ; Perle ; Afroamerikanischer Synkretismus ; Africa ; United States ; African Americans ; diasporas ; festivals ; beadwork ; pictorial works (form) ; Manners and customs ; Carnival costume ; Beadwork ; African Americans ; Indian art ; Folk art ; Carnival ; Blacks in the performing arts ; Ethnic performing arts ; Mardi Gras Indians ; North America ; Louisiana ; New Orleans ; Pictorial works ; Interviews ; Folklore ; Art ; History ; New Orleans (La.) Social life and customs ; New Orleans (La.) History
    Abstract: "During Mardi Gras, spectators wait for the approach of the Mardi Gras Indians, a sublime spectacle of dancing, chanting, and gorgeous hand-sewn costumes. But rarely are they shown the human stories behind this unique New Orleans tradition. Told through a collective oral history, [this book] weaves together the voices of costumers, anthropologists, and photographers to offer the previously undocumented stories of crafting costumes, tribe formations, and political engagement that has been so important to generations of New Orleanians"--Amazon.com
    Note: "A lushly illustrated oral history of the Black Indians of New Orleans. You're sure to be swept away by their total performance art: the brilliant masking traditions of a Black Creole culture, which endures because it changes all the time." -- Page 4 of cover , Literaturverzeichnis: Seiten 189-190
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  • 62
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    New York : Sterling Children's Books
    ISBN: 9781454926665 , 145492666X
    Language: English
    Pages: 32 ungezählte Seiten , Illustrationen , 29 cm
    DDC: 305.42092
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    Keywords: Steinem, Gloria Juvenile literature ; Steinem, Gloria Steinem, Gloria ; Feminists Biography ; Juvenile literature ; United States ; Political activists Biography ; Juvenile literature ; United States ; Journalists Biography ; Juvenile literature ; United States ; Feminism Juvenile literature ; History ; Feminists ; Political activists ; Journalists ; Feminism History ; Women Biography ; JUVENILE NONFICTION Biography & Autobiography ; Social Activists ; JUVENILE NONFICTION Biography & Autobiography ; Women ; JUVENILE NONFICTION Girls & Women ; Feminism ; Feminists ; Journalists ; Political activists United States
    Abstract: Gloria Steinem is known as a leader of the feminist movement and a trailblazer who fights for equality for all people. This unofficial biography for young readers tells her story, from being a young girl with big dreams to her inspiring travels in India to the launch of Ms. magazine, which gave women a voice. Gloria's message of believing in yourself and following your dreams will inspire a whole new generation
    Note: Includes bibliographical references
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  • 63
    ISBN: 1681774178 , 9781681774176
    Language: English
    Pages: ix, 452 pages, 16 unnumbered pages of plates , illustrations (some color), portraits, genealogical table , 24 cm
    Edition: First Pegasus books cloth edition
    DDC: 306.3/6/20973
    Keywords: Slavery History ; CRAFTS & HOBBIES ; HISTORY ; HISTORY ; Slavery ; Slavery ; Slavery ; United States ; Creative nonfiction ; Creative nonfiction ; History ; Nonfiction ; USA ; Stadt ; Industrie ; Sklaverei ; Geschichte 1798-1861
    Abstract: "Following the trail left by an unfinished quilt, this illuminating saga examines slavery from the cotton fields of the South to the textile mills of New England--and the humanity behind it. When we think of slavery, most of us think of the American South. We think of back-breaking fieldwork on plantations. We don't think of slavery in the North, nor do we think of the grueling labor of urban and domestic slaves. Rachel May's rich new book explores the far reach of slavery, from New England to the Caribbean, the role it played in the growth of mercantile America, and the bonds between the agrarian south and the industrial north in the antebellum era--all through the discovery of a remarkable quilt. While studying objects in a textile collection, May opened a veritable treasure-trove: a carefully folded, unfinished quilt made of 1830s-era fabrics, its backing containing fragile, aged papers with the dates 1798, 1808, and 1813, the words 'shuger, ' 'rum, ' 'casks, ' and 'West Indies, ' repeated over and over, along with 'friendship, ' 'kindness, ' 'government, ' and 'incident.' The quilt top sent her on a journey to piece together the story of Minerva, Eliza, Jane, and Juba--the enslaved women behind the quilt--and their owner, Susan Crouch. May brilliantly stitches together the often-silenced legacy of slavery by revealing the lives of these urban enslaved women and their world. Beautifully written and richly imagined, An American Quilt is a luminous historical examination and an appreciation of a craft that provides such a tactile connection to the past."--Jacket
    Abstract: Following the trail left by an unfinished quilt, May examines slavery from the cotton fields of the South to the textile mills of New England-- and the humanity behind it. In piecing together the story of Minerva, Eliza, Jane, and Juba-- the enslaved women behind a quilt made of 1830s-era fabric-- and their owner, Susan Crouch, May reveals the lives of these urban enslaved women and their world. -- adapted from jacket
    Abstract: Piecing the quilt -- Eliza, Minerva, & Juba -- Warp & weft : agriculture & industry -- Mosaic -- Medicine & its failures -- Hickory root -- The Leonids : a sermon in patchwork -- Even there -- Canuto Matanew -- An abomination -- Living history -- Portraits
    Note: "This is a work of creative nonfiction.... [B]ecause the records of enslaved people in the antebellum era are so scant, I have imagined their lives based on historical and contextual information. I make clear with the text what is known fact and where I'm imagining."--Page ix , Includes bibliographical references (pages 403-444) , Text in English
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  • 64
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    Baltimore : Johns Hopkins University Press
    ISBN: 9781421425849 , 142142584X
    Language: English
    Pages: x, 234 Seiten , Illustrationen, Pläne
    DDC: 970.980
    Keywords: Clothing and dress History ; 18th century ; United States ; Fashion History ; 18th century ; United States ; Shoemakers History ; 18th century ; Great Britain ; Shoes History ; 18th century ; United States ; Shoes History 18th century ; Shoemakers History 18th century ; Clothing and dress History 18th century ; Fashion History 18th century ; United States History ; Colonial period, ca. 1600-1775 ; United States Social life and customs ; To 1775 ; United States History Colonial period, ca. 1600-1775 ; United States Social life and customs To 1775 ; England ; Nordamerika ; Kolonie ; Schuh ; Geschichte 1660-1775 ; Großbritannien ; USA ; Schuh ; Gesellschaft ; Geschichte 1700-1800
    Abstract: The cordwainers -- Wedding shoes -- The value of a London label -- Coveting Calamancos : from London to Lynn -- The cordwainer's lament : Benjamin Franklin and John Hose testify on the effects of the Stamp act -- "For my use, four pair of neat shoes" : General George Washington & Mr Didsbury, Boot & Shoemaker of London -- Boston's cordwainers greet President Washington, 1789
    Note: Includes bibliographical references and index
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  • 65
    ISBN: 9781138849914 , 9781138849921
    Language: English
    Pages: xvi, 118 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als
    DDC: 302.230830973
    Keywords: Mass media and children History ; United States ; Television and children History ; United States ; Children Books and reading ; History ; United States
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  • 66
    ISBN: 9780714874012 , 0714874019
    Language: English
    Pages: 238 Seiten , Illustrationen , 30 cm
    Edition: Second edition, revised and expanded
    Series Statement: Contemporary artists
    Keywords: Durham, Jimmie ; Objektkunst ; Plastik ; USA ; Durham, Jimmie / Criticism and interpretation ; Durham, Jimmie ; Sculptors / United States ; Sculptors ; United States ; Criticism, interpretation, etc ; Künstlerbuch ; Durham, Jimmie 1940-2021 ; Plastik ; Durham, Jimmie 1940-2021 ; Objektkunst
    Abstract: An updated edition of the first - and still most authoritative - book on the legendary American iconoclast Twenty years ago, Phaidon published what has become the definitive study of Arkansas-born Jimmie Durham's career. This highly anticipated new edition brings this important book up to date, tracing his remarkable life from his experiences in the US, Mexico, and Europe - including his early involvement with the American Indian Movement - to his most recent output. It presents a full assessment of his sculptures, performances, wall-based collages, and ersatz ethnographic displays, that deliver ironic assaults on the colonizing procedures of Western culture
    Note: First published in 1995 by Phaidon. First author of first edition was Laura Mulvey
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  • 67
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 68
    ISBN: 9780062692665
    Language: English
    Pages: iv, 241 Seiten , Illustrationen , 23 cm
    DDC: 305.896073
    Keywords: African Americans Mental health ; Slavery History ; African Americans psychology ; African Americans ; Mental health ; Slavery ; History ; History ; United States
    Abstract: I don't even notice race -- Whole to three-fifths: dehumanization -- Crimes against humanity -- Post traumatic slave syndrome -- Slavery's children -- Healing.
    Abstract: "In the 16th century, the beginning of African enslavement in the Americas until the ratification of the Thirteenth Amendment and emancipation in 1865, Africans were hunted like animals, captured, sold, tortured, and raped. They experienced the worst kind of physical, emotional, psychological, and spiritual abuse. Given such history, isn't it likely that many of the enslaved were severely traumatized? And did the trauma and the effects of such horrific abuse end with the abolition of slavery? Emancipation was followed by one hundred more years of institutionalized subjugation through the enactment of Black Codes and Jim Crow laws, peonage, convict leasing, domestic terrorism and lynching. Today the violations continue, and when combined with the crimes of the past, they result in yet unmeasured injury. What do repeated traumas, endured generation after generation by a people produce? What impact have these ordeals had on African Americans today? The author answers these questions and more. With over thirty years of practical experience as a professional in the mental health field, the author encourages African Americans to view their attitudes, assumptions, and behaviors through the lens of history and so gain a greater understanding of how centuries of slavery and oppression has impacted people of African descent in America. This book helps to lay the necessary foundation to ensure the well-being and sustained health of future generations and provides a rare glimpse into the evolution of society's belief, feelings, attitudes and behavior concerning race in America." -- Publisher's description
    Note: Originally published in hardcover by Uptone Press in 2005 , Includes bibliographical references (pages 223-234) and index
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  • 69
    ISBN: 9780262036023
    Language: English
    Pages: xiv, 339 Seiten , Illustrationen , 23 cm
    Series Statement: The John D. and Catherine T. MacArthur Foundation series on digital media and learning
    Parallel Title: Erscheint auch als Vickery, Jacqueline Ryan Worried about the wrong things
    DDC: 303.4833
    Keywords: Information society United States ; Digital media Social aspects ; United States ; Information technology Social aspects ; United States ; Internet and teenagers United States ; Internet Safety measures ; Internet Security measures ; Information society ; Digital media Social aspects ; Information technology Social aspects ; Internet and teenagers ; Internet Safety measures ; Internet Security measures ; Jugend ; Information ; Wissen ; Neue Medien ; Social Media ; Risiko ; Risikoausschluss
    Abstract: Introduction : a generation at risk? -- Historical fear : teens, technology, & anxiety -- Policies of panic : porn, predators, & peers -- Access denied : information, knowledge, & literacy -- Networked sharing : participation, copyright, & values -- Visible privacy : norms, preferences, & strategies -- (dis)connected pathways : expectations, goals, & opportunities -- Conclusion : future expectations
    Note: Includes bibliographical references and index
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  • 70
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    [Versailles, France] : Jonglez Publishing
    ISBN: 2361951649 , 9782361951641
    Language: English
    Pages: 199 pages , Illustrationen , 22 x 31 cm
    DDC: 725/.823
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    Keywords: Motion picture theaters Pictorial works ; Theater architecture Pictorial works ; Architecture and recreation ; Historic buildings Conservation and restoration ; Architecture and recreation ; Architecture and recreation ; Cinémas ; Historic buildings ; Historic buildings ; Motion picture theaters ; United States ; États-Unis ; Conservation and restoration ; 1990- ; Conservation and restoration ; Motion picture theaters ; Ruines ; Theater architecture ; Photographies ; United States ; Pictorial works ; États-Unis ; Theater architecture ; Théâtres ; United States ; 1990- ; United States ; États-Unis ; Pictorial works ; Photographies ; Pictorial works ; 1990- ; Bildband ; Lambros, Matt ; Architekturfotografie ; USA ; Kino ; Ruine
    Abstract: Most of the time, there is nothing remarkable about a movie theater today; but that wasn't always the case. When the great American movie palaces began opening in the early 20th century, they were some of the most lavish, stunning buildings ever seen. However, they wouldn't last -- with the advent of in-home television, theater companies found it harder and harder to keep them open. Some were demolished, some were converted, and some remain empty to this day. After the Final Curtain: The Fall of the American Movie Theatre will take you through 24 of these magnificent buildings, revealing the beauty that remains years after the last ticket was sold
    Abstract: Loew's Poli Theatre, Bridgeport, Connecticut -- Adams Theatre, Newark, New Jersey -- Paramount Theatre, Newark, New Jersey -- Boyd Theatre, Philadelphia, Pennsylvania -- Uptown Theatre, Philadelphia, Pennsylvania -- Franklin Park Theatre, Dorchester, Massachusetts -- Embassy Theatre, Port Chester, New York -- Loew's Canal Theatre, New York, New York -- Shore Theatre, Brooklyn, New York -- Loew's Kings Theatre, Brooklyn, New York -- Lyric Fine Arts Theatre, Birmingham, Alabama -- Loew's State Theatre, New Orleans, Louisiana -- Grand Theatre, Steubenville, Ohio -- Variety Theatre, Cleveland, Ohio -- Eastown Theatre, Detroit, Michigan -- Liberty Theatre, Youngstown, Ohio -- Studebaker Theatre, Chicago, Illinois -- Kenosha Theatre, Kenosha, Wisconsin -- Jayhawk Theatre, Topeka, Kansas -- Paramount Theatre, Marshall, Texas -- Fox Theatre, Inglewood, California -- Warner Theatre, Huntington Park, California
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  • 71
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    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674660410
    Language: English
    Pages: 373 Seiten , Illustrationen , 25 cm
    DDC: 930.1074/73
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    Keywords: Human remains (Archaeology) ; Archaeological museums and collections History 19th century ; Archaeological museums and collections History 20th century ; Archaeology History ; Racism in anthropology History ; Human remains (Archaeology) United States ; Archaeological museums and collections History ; United States ; Archaeology History ; United States ; Racism in anthropology History ; United States ; USA ; Archäologisches Museum ; Anthropologie ; Sammlung ; Rassismus
    Abstract: "This book explores human remains as objects for research and display in the late nineteenth and early twentieth centuries. Influenced by early skull collectors such as Samuel George Morton, zealous scientists at museums in the United States established human skeletal collections. Museums such as the Smithsonian Institution, the American Museum of Natural History, and the Field Museum of Natural History established their own collections. Universities soon followed, with bones collected for Penn, Berkeley, and Harvard. American Indian remains collected from the American West arrived at museums at an increasingly fervent pace, and the project swiftly became global in scope. Coinciding with a high-water mark in Euro-American colonialism, collecting bones became a unique and evolving expression of colonialism experienced through archaeological, anthropological, and anatomical study of race and the body via work with human remains collections. In revealing this story, The Great Bone Race surveys shifts away from racial classification theories toward emerging ideas regarding human origins, arguing that the study of human remains contributed significantly to changing ideas about race and human history. These ideas were hotly contested, and competition to collect and exhibit rare human remains from around the world thrust ideas about race and history into the public realm through prominent museum displays visited by millions."--Provided by publisher
    Abstract: Collecting bodies for science -- Salvaging race and remains -- The medical body on display -- The story of man through the ages -- Scientific racism and museum remains -- Skeletons and human prehistory
    Description / Table of Contents: Collecting bodies for scienceSalvaging race and remains -- The medical body on display -- The story of man through the ages -- Scientific racism and museum remains -- Skeletons and human prehistory.
    Note: Includes bibliographical references(pages 293-353) and index
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  • 72
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 73
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
    RVK:
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 74
    ISBN: 9780988628656 , 0988628651
    Language: English
    Pages: 184 pages , illustrations , 20 cm
    DDC: 305.8
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    Keywords: Minorities ; Minorities Social conditions ; Racism ; Minorités Conditions sociales ; Racisme ; Minorities Social conditions ; Minorities ; Racism ; Aboriginal Canadians Activism ; United States ; essays ; Essays ; Essais
    Abstract: Writers, activists and artists of color share their visions for, and struggles with, solidarity at the intersections of PoC identity. How can we as Black people, Indigenous people and people of color, show up for each other? How are we succeeding and failing at that? Is there any hope for real solidarity between us? If not, what does that mean for us? If so, what will it take?
    Note: Includes bibliographical references.
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  • 75
    ISBN: 9781137562371 , 9781349850693
    Language: English
    Pages: xiii, 224 Seiten , 21 cm
    Series Statement: International political economy series
    DDC: 302.23430973
    Keywords: Walt Disney Company ; Motion pictures Economic aspects ; United States ; Politics and culture United States
    Note: Translated from the French
    URL: Cover
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  • 76
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    New Paltz, New York : Samuel Dorsky Museum of Art, State University of New York
    ISBN: 9780692560105 , 0692560106
    Language: English
    Pages: 137 Seiten , Illustrationen , 31 cm
    DDC: 759.13
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    Keywords: Tomlin, Bradley Walker 1899-1953 Exhibitions ; Tomlin, Bradley Walker 1899-1953 Catalogs ; Tomlin, Bradley Walker 1899-1953 ; Abstract expressionism Exhibitions ; United States ; Abstract expressionism Catalogs ; United States ; Abstract expressionism United States ; Ausstellungskatalog Morgan Anderson Gallery of the Samuel Dorsky Museum of Art 31.08.2016-11.12.2016 ; Ausstellungskatalog Everson Museum of Art 10.02.2017-14.05.2017 ; Tomlin, Bradley Walker 1899-1953 ; Malerei ; Geschichte 1920-1960
    Abstract: "Painter Bradley Walker Tomlin (1899-1953) was a key figure in Abstract Expressionism and a longtime resident of the Woodstock art colony. This brilliant artist has for too long been neglected. The Dorsky Museum, in partnership with the Everson Museum of Art, is presenting the first retrospective and catalogue to reassess Tomlin's art and legacy in over four decades. Bradley Walker Tomlin: A Retrospective includes over 40 paintings, works on paper, photographs, and printed materials, charting Tomlin's development from magazine illustrations of the 1920s to large-scale abstract paintings of the 1950s. Exhibition highlights include original cover illustrations for House & Garden from the Condé Nast Archive, Art Deco-influenced still life paintings, Cubist-Surrealist paintings, and major Abstract Expressionist canvases. The exhibition is accompanied by a fully illustrated, 138-page catalogue featuring an extensive critical essay by curator Daniel Belasco, and additional essays by Bard College art history professor Tom Wolf, Everson Museum of Art Executive Director Elizabeth Dunbar and Albright-Knox Art Gallery Chief Curator Emeritus Douglas Dreishpoon. A selection of primary source materials and writings by and about Tomlin, some published for the first time, and a diary entry by novelist Robert Phelps, serve as a valuable addition to this extensive new document." -- Samuel Dorsky Museum of Art website
    Note: Catalog of an exhibition held at Morgan Anderson Gallery of the Samuel Dorsky Museum of Art from August 31-December 11, 2016; and Everson Museum of Art from February 10-May 14, 2017 , Literaturverzeichnis Seite 132-134 , Salt City beginnings , Signs of relevance , Bradley Walker Tomlin: gentleman abstract expressionist , Tomlin and Woodstock , A sketch of Bradley , Selected writings , Exhibition checklist
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  • 77
    ISBN: 9780813349688
    Language: English
    Pages: xlii, 673 Seiten, 32 ungezahlte Seiten Bildtafeln , Karten , 26 cm
    Edition: Second edition
    DDC: 720.973
    Keywords: Architecture History ; United States ; ARCHITECTURE / History / General ; ARCHITECTURE / Criticism ; ART / American / General ; Architecture History ; Bildband ; USA ; Architektur ; Geschichte
    Abstract: "More than fifteen years after the success of the first edition, this sweeping introduction to the history of architecture in the United States is now a fully revised guide to the major developments that shaped the environment from the first Americans to the present, from the everyday vernacular to the high style of aspiration. Eleven chronologically organized chapters chart the social, cultural, and political forces that shaped the growth and development of American towns, cities, and suburbs, while providing full description, analysis, and interpretation of buildings and their architects. The second edition features an entirely new chapter detailing the green architecture movement and architectural trends in the 21st century. Further updates include an expanded section on Native American architecture and contemporary design by Native American architects, new discussions on architectural education and training, more examples of women architects and designers, and a thoroughly expanded glossary to help today's readers. The art program is expanded, including 640 black and white images and 62 new color images. Accessible and engaging, American Architecture continues to set the standard as a guide, study, and reference for those seeking to better understand the rich history of architecture in the United States"--
    Note: Formerly CIP. - Includes bibliographical references (pages 613-629) and index
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  • 78
    ISBN: 9780692422618 , 0692422617
    Language: English
    Pages: 39 Seiten , color illustrations , 18 x 21 cm
    Edition: First printing
    Keywords: Goshorn, Shan Exhibitions ; Sense, Sarah 1980- Exhibitions ; Goshorn, Shan ; Sense, Sarah ; Cherokee baskets Exhibitions ; Themes, motives ; Chitimacha baskets Exhibitions ; Themes, motives ; Indian baskets Exhibitions ; Themes, motives ; United States ; Indian baskets Exhibitions ; Themes, motives ; Oklahoma ; Indian art Exhibitions ; 21st century ; United States ; Indian art Exhibitions ; 21st century ; Oklahoma ; Basketwork Exhibitions ; United States ; Politics in art Exhibitions ; History in art Exhibitions ; Writing in art Exhibitions ; Choctaw baskets Exhibitions ; Themes, motives ; Cherokee ; Chitimacha ; Choctaw ; Korb ; Webarbeit ; Ausstellungskatalog Hardesty Arts Center 01.05.2015-05.07.2015
    Note: Catalog of an exhibition at the Hardesty Arts Center, home of the Arts & Humanities Council of Tulsa, Tulsa, Oklahoma, held May 1-July 5, 2015 , Enthält einen Aufsatz von Max Carocci über die beiden Künstlerinnen
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  • 79
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    Durham : Duke University Press
    ISBN: 9780822359173 , 9780822359364
    Language: English
    Pages: xiv, 429 Seiten , Illustrationen , 24 cm
    Series Statement: Refiguring American music
    DDC: 782.421640811
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    Keywords: Crooning ; Male singers United States ; Popular music History and criticism ; 1921-1930 ; United States ; Popular music History and criticism ; 1931-1940 ; United States ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940
    Abstract: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond)
    Description / Table of Contents: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond).
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 80
    ISBN: 9780300197457 , 0300197454
    Language: English
    Pages: 184 S , zahlr. Ill , 29 cm
    Edition: 1. ed.
    Series Statement: The Henry Roe Cloud series on American Indians and modernity
    DDC: 978.004/97
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    Keywords: Poolaw, Horace Exhibitions ; Poolaw, Horace 1906-1984 Exhibitions ; Kiowa Indians Pictorial works History 20th century ; Exhibitions ; Documentary photography Exhibitions ; Indians of North America Pictorial works History 20th century ; Exhibitions ; Indian photographers Biography ; Kiowa Indians Biography ; Indians of North America Pictorial works ; Exhibitions ; History ; 20th century ; Great Plains ; Kiowa Indians Pictorial works ; Exhibitions ; History ; 20th century ; Documentary photography Exhibitions ; United States ; Indian photographers Biography ; Kiowa Indians Biography ; Photography / Individual Photographers / Monographs ; History / Native American ; Photography / Photoessays & Documentaries ; Great Plains Pictorial works Social life and customs 20th century ; Exhibitions ; Great Plains Pictorial works ; Exhibitions ; Social life and customs ; 20th century ; Bildband ; Ausstellungskatalog 2014 ; Poolaw, Horace 1906-1984 ; Fotografie ; Oklahoma ; Kiowa ; Alltag ; Geschichte 1925-1960
    Abstract: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Abstract: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Note: "This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index , Foreword , Introduction: The Transcendence of the Everyday , Insider Knowledge , "An Age of Pictures More than Words" : Theorizing Early American Indian Photography , Breaking the Bounds of Documentation , For a Love of His People , Reflections , Why Horace Poolaw's Indians Won't Vanish , Horace Poolaw : "Pictures by an Indian" , Fancy , Planes, Flags, and Automobiles : Horace Poolaw's American Legacy , Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits , Justin Poolaw Comes to Visit [+ untitled reflections] , Afterword ; This is My Family , Appendix A: Horace Poolaw Biography , Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
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  • 81
    ISBN: 9780300197457 , 0300197454
    Language: English
    Pages: 184 S , zahlr. Ill , 29 cm
    Edition: 1. ed.
    Series Statement: The Henry Roe Cloud series on American Indians and modernity
    DDC: 978.004/97
    RVK:
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    Keywords: Poolaw, Horace Exhibitions ; Poolaw, Horace 1906-1984 Exhibitions ; Kiowa Indians Pictorial works History 20th century ; Exhibitions ; Documentary photography Exhibitions ; Indians of North America Pictorial works History 20th century ; Exhibitions ; Indian photographers Biography ; Kiowa Indians Biography ; Indians of North America Pictorial works ; Exhibitions ; History ; 20th century ; Great Plains ; Kiowa Indians Pictorial works ; Exhibitions ; History ; 20th century ; Documentary photography Exhibitions ; United States ; Indian photographers Biography ; Kiowa Indians Biography ; Photography / Individual Photographers / Monographs ; History / Native American ; Photography / Photoessays & Documentaries ; Great Plains Pictorial works Social life and customs 20th century ; Exhibitions ; Great Plains Pictorial works ; Exhibitions ; Social life and customs ; 20th century ; Bildband ; Ausstellungskatalog 2014 ; Bildband ; Ausstellungskatalog 2014 ; Poolaw, Horace 1906-1984 ; Fotografie ; Oklahoma ; Kiowa ; Alltag ; Geschichte 1925-1960
    Abstract: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Abstract: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Note: "This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index , Foreword , Introduction: The Transcendence of the Everyday , Insider Knowledge , "An Age of Pictures More than Words" : Theorizing Early American Indian Photography , Breaking the Bounds of Documentation , For a Love of His People , Reflections , Why Horace Poolaw's Indians Won't Vanish , Horace Poolaw : "Pictures by an Indian" , Fancy , Planes, Flags, and Automobiles : Horace Poolaw's American Legacy , Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits , Justin Poolaw Comes to Visit [+ untitled reflections] , Afterword ; This is My Family , Appendix A: Horace Poolaw Biography , Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
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  • 82
    ISBN: 9781554516865 , 1554516862 , 9781554516872 , 1554516870
    Language: English
    Pages: 128 Seiten , Überwiegend farbig , 29 cm
    DDC: 971.00497
    Keywords: Native peoples Juvenile literature ; Ethnic identity ; Canada ; Native peoples Biography ; Juvenile literature ; Canada ; Native artists Biography ; Juvenile literature ; Canada ; Indians of North America Juvenile literature ; Ethnic identity ; Indians of North America Biography ; Juvenile literature ; Indian artists Biography ; Juvenile literature ; United States ; Autochtones Ouvrages pour la jeunesse ; Identité ethnique ; Canada ; Autochtones Biographies ; Ouvrages pour la jeunesse ; Canada ; Artistes autochtones Biographies ; Ouvrages pour la jeunesse ; Canada ; Indiens d'Amérique Ouvrages pour la jeunesse ; Identité ethnique ; États-Unis ; Indiens d'Amérique Biographies ; Ouvrages pour la jeunesse ; Amérique du Nord ; Artistes indiens d'Amérique Biographies ; Ouvrages pour la jeunesse ; États-Unis ; Indian artists ; Indians of North America ; Indians of North America Ethnic identity ; United States ; Indigenes Volk ; Indianer ; Alltag ; Vorurteil ; Modernität ; Ethnische Identität ; Kunst ; Artistes autochtones Biographies ; Ouvrages pour la jeunesse ; Canada ; Artistes indiens d'Amérique Biographies ; Ouvrages pour la jeunesse ; États-Unis ; Autochtones Biographies ; Ouvrages pour la jeunesse ; Canada ; Autochtones Ouvrages pour la jeunesse ; Identité ethnique ; Canada ; Indian artists ; Indian artists Biography ; Juvenile literature ; United States ; Indians of North America ; Indians of North America Biography ; Juvenile literature ; Indians of North America Ethnic identity ; United States ; Indians of North America Juvenile literature ; Ethnic identity ; Indiens d'Amérique Biographies ; Ouvrages pour la jeunesse ; Amérique du Nord ; Indiens d'Amérique Ouvrages pour la jeunesse ; Identité ethnique ; États-Unis ; Native artists Biography ; Juvenile literature ; Canada ; Native peoples Biography ; Juvenile literature ; Canada ; Native peoples Juvenile literature ; Ethnic identity ; Canada ; Nordamerika ; Kanada ; Young adult literature Biography ; Juvenile works ; Young adult literature Biography ; Juvenile works ; Bildband ; Anthologie ; Jugendbuch ; Nordamerika ; Indianer ; Künstler
    Abstract: In a graphics-intensive, magazine-style format, 50 Native/Indian contributors from Canada and the United States present visual art (photography, drawings, paintings), poems, interviews and rememberances to show what it means to be Native/Indian today. Topics range from stereotypes and discrimination to discussions of the contributors' careers in activism, modelling, music, visual arts and more
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Roots , Battles , Medicines , Dreamcatchers , Foreword , Part I: Roots : I remember , Part 2: Battles : Growing up with Pocahontas , Part 3: Medicines : Watersong , Part 4: Dreamcatchers : Life lessons
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  • 83
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    [Hillsborough, N.C.] : Daylight Books
    ISBN: 9780988983199
    Language: English
    Pages: [56] Bl. , überw. Ill. , 28 cm
    DDC: 779.93063640973
    RVK:
    Keywords: Hunting and gathering societies Pictorial works ; United States ; Counterculture Pictorial works ; Pacific and Mountain States ; Documentary photography ; Bildband ; Chesser, Adrain 1965- ; Fotografie ; Nomade
    Note: Photographs by Adrain Chesser
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  • 84
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    Kuala Lumpur : Islamic Arts Museum Malaysia
    ISBN: 9832591074 , 9789832591078
    Language: English
    Pages: 79 ungezählte Seiten , Illustrationen , 30 cm
    Series Statement: Mosques of the United States of America
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    Keywords: Dar al Islam Mosque (Abiquiu, N.M.) Exhibitions ; Dar al Islam Mosque (Abiquiu, N.M.) ; Mosques Exhibitions ; United States ; Islamic architecture Exhibitions ; United States ; Mosques ; Mosques ; Islamic architecture ; USA ; Moschee
    Note: "This catalogue is published in conjunction with the handing over of the Dar al Islam Mosque model by the U.S. Embassy Kuala Lumpur to The Islamic Arts Museum Malaysia" -- Title page verso. - Includes bibliographical references. - In English
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  • 85
    ISBN: 9781517563141
    Language: English
    Pages: 261 Seiten, 13 Seiten Bildtafeln , 28 cm
    Edition: First Edition
    DDC: 306.4842
    Keywords: Rap (Music) / Collectibles ; Hip-hop / Collectors and collecting ; Hip-hop / United States / History ; Hip-hop / Social aspects / Michigan / Detroit ; Music / Social aspects ; Black History 101 Mobile Museum ; Hip-hop ; Music / Social aspects ; Michigan / Detroit ; United States ; History ; Bildband
    Abstract: The Center of the Movement, Collecting Hip Hop Memorabilia is a journey through the personal archives of the Black History Mobile Museum's hip hop artifacts and the stories behind their significance. Through interviews with artists, collectors and industry insiders, author Khalid El-Hakim illustrates the importance of preserving the cultural relevance of hip hop and provides a fascinating view into the world of hip hop memorabilia collecting
    Description / Table of Contents: Black artifacts / Umar Bin Hassan of the Last Poets -- A black history gem of a museum: connecting community, consciousness, & continent / Dr. Derrick Jenkins -- On the importance of the Black History 101 Mobile Museum / Dr. Marcella Runnell-Hall -- KRS One's Black History 101 Mobile Museum visit & interview / Khalid El-Hakim -- Goin hard in the paint: hip hop fine art: an interview with Isis Kenney / Khalid El-Hakim -- Diggin in the crates: hip Hop albums, CDs, & cassettes -- What's the hype? : hip hop show materials -- Mic check 1-2: hip hop show memorabilia -- Hey young world: hip hop toys -- Can you Picture this?: hip hop movie posters -- Strictly business: hip hop press kits -- Fresh to def: hip hop clothing & accessories -- What's the 4-1-1?: hip hop publications -- Meet you at the crossroads: hip hop memorial & obituaries -- Bigger than hip hop: hip hop political items -- The sure shot: hip hop photography -- Restoring hip hop's legacy through artifacts, conservation, & education / Martha Diaz
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  • 86
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    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9780786478170 , 0786478179
    Language: English
    Pages: ix, 224 pages , illustrations (some color) , 26 cm
    DDC: 395.4
    Keywords: Postcards History 20th century ; Greeting cards History 20th century ; Greeting cards ; Manners and customs ; Postcards ; United States ; History ; United States Social life and customs 20th century
    Abstract: Acknowledgments --Introduction --1.We Gather Together: Finding Audiences Within the American Postcard Fad --2.Should Old Acquaintance Be Forgot: Revising the History of the Postcard Phenomenon --3.Tidings of Comfort and Joy: The Functions and Uses of Postcards --4.Field and Fountain, Moor and Mountain: The Rural Landscape in Holiday Postcards --Between pages 114 and 115 are 8 color plates containing 17 photographs --5.Love's Redeeming Work Is Done: Images of Women and Courtship in Holiday Postcards --6.O Beautiful for Pilgrim Feet: Patriotism and Race in Holiday Postcards --7.And What Was on Those Ships All Three? Images of New Technology in Holiday Postcards --Epilogue --Appendix --Chapter Notes --Bibliography --Index.
    Abstract: "This book argues that holiday postcards circulated primarily among rural and small town, Northern, white women with Anglo-Saxon and Germanic heritages. Gifford reconsiders the postcard phenomenon as an image-based conversation among exclusive groups of Americans. This book demonstrates how the postcard images reveal deep divides at the height of the Progressive Era"--
    Note: Includes bibliographical references (pages 216-222) and index
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  • 87
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    San Clemente, Kalifornien : Rin Studios | Osaka, Japan : Cycleman Books
    ISBN: 9780984779499 , 0984779493
    Language: English , Japanese
    Pages: 351 Seiten , farbig , 31 cm
    Edition: 1st edition
    Series Statement: My freedamn! 10
    Keywords: Rock musicians Pictorial works Clothing ; Collectibles ; Rock musicians Pictorial works Clothing ; History ; Nineteen eighties ; Vintage clothing Pictorial works Collectors and collecting 20th century ; History ; Clothing and dress Pictorial works History 20th century ; T-shirts Pictorial works Collectors and collecting 20th century ; History ; Motorcycle jackets Pictorial works Collectors and collecting 20th century ; History ; Leather jackets Pictorial works Collectors and collecting 20th century ; History ; Punk culture Clothing ; Clothing and dress ; Nineteen eighties ; Vintage clothing ; Collectors and collecting ; History ; Pictorial works ; United States ; Bildband
    Abstract: Introduction : "Guys & dolls": Sony Walkman TPS-L2 ; "Give peace a chance" ; New "video" lifestyle ; MTV ; Girls rock!! ; The Heavy Metal boom ; Guitar heroes ; Reggae & European sports fashions ; American sports fashions -- 1980s New Wave fashions : 1980s street rock fashions ; "London calling": The Clash ; "Fujiyama Mama": Pearl Harbour ; Rock this town!: the neo rockabilly movement -- Hardcore punk movements : Sid Vicious and punkism ; 1980s skateboarding fashions ; 1980s surfing fashions ; 1980s motorcycle fashions -- 1980s rock tour T-shirts : 1980s rock T-shirts ; JV serials: Fender Japan 1982-84 ; Silver screws: Roland Boss -- Early Hip Hop movement : "My Adidas": Run DMC ; Magic Johnson and Converse ; Nike "Air Jordans".
    Note: 10. Band aus der Reihe "My freedamn!" (seit 2003 ; mit unterschiedlichen Untertiteln) , Enthält Quellen (Seite 350) und Literaturverweise (Seite 351) , Text auf Englisch und teilweise auf Japanisch
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  • 88
    ISBN: 9783037642412 , 3037642416
    Language: English
    Pages: 224 S. , zahlr. Ill.
    DDC: 759.13
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    Keywords: Artistic collaboration ; United States ; History ; 20th century ; K.O.S. (Group of artists) ; Rollins, Tim, 1955 ; -Criticism and interpretation ; Ausstellungskatalog 2011 ; Rollins, Tim 1955-2017 ; Kids of Survival
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  • 89
    ISBN: 1851496904 , 9781851496907
    Language: English
    Pages: 271 S. , zahlr. Ill , 30 cm
    DDC: 306.094109046
    RVK:
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    Keywords: Popular culture History 20th century ; Popular culture History 20th century ; Pop art ; Pop art ; Design History 20th century ; Design History 20th century ; Popular culture ; Great Britain ; History ; 20th century ; Popular culture ; United States ; History ; 20th century ; Pop art ; Great Britain ; Pop art ; United States ; Design ; Great Britain ; History ; 20th century ; Design ; United States ; History ; 20th century ; Bildband ; USA ; Pop-Art ; Mode ; Design ; Industriedesign ; Gebrauchsgrafik ; Geschichte 1956-1976 ; Großbritannien
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  • 90
    ISBN: 9780300176872 , 0300176872
    Language: English
    Pages: 260 S , zahlr. Ill , 22 cm
    DDC: 394.26630973
    Keywords: Christmas cards Exhibitions ; Art and society Exhibitions History 20th century ; Christmas cards Exhibitions ; United States ; Art and society Exhibitions ; History ; 20th century ; United States ; Ausstellungskatalog 2011 ; Ausstellungskatalog 2011 ; USA ; Grußkarte ; Weihnachten ; Geschichte 1900-1960
    Abstract: Christmas cards in America -- Cards of the nineteenth century -- Christmas postcards -- Calling cards -- Shrines -- Winter -- Candles -- Poinsettias -- Three kings -- Travel by coach -- Ships -- Medieval revels -- Houses and homes -- Hearths -- Music -- Couples -- Visiting -- Santa and the children -- Christmas trees -- Christian Christmas -- Churches -- Family photographs -- Warm places -- Cute -- Humor -- Business
    Note: Includes bibliographical references
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  • 91
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    Berkeley, Calif. [u.a. : University of California Press
    ISBN: 9780520262478 , 0520262476
    Language: English
    Pages: X, 244 S. , Ill. , 23 cm
    DDC: 339.460973
    RVK:
    Keywords: Working class Case studies ; Working poor Case studies ; Unemployed Case studies ; Poverty Case studies ; United States Economic conditions 21st century ; United States Social conditions 21st century ; Poverty ; United States ; Working class ; United States ; Unemployment ; United States ; Poverty ; United States ; Pictorial works ; Working class ; United States ; Pictorial works ; Unemployment ; United States ; Pictorial works ; United States ; Social conditions ; 1980 ; -Pictorial works ; United States ; Social conditions ; 1980- ; Bildband ; Williamson, Michael 1957- ; Fotografie ; USA ; Geschichte 1983-2010 ; USA ; Wirtschaftliche Lage ; Armut ; Arbeiter
    Note: Includes bibliographical references (p. 234-244)
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  • 92
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    [San Clemente, Calif.] : Rin Studios | Osaka, Japan : Cycleman Books
    Language: English , Japanese
    Pages: 215 Seiten , farbig , 31 cm
    Edition: 1st edition
    Series Statement: My freedamn! 9
    Keywords: Fashion Pictorial works History 20th century ; T-shirts Pictorial works Collectors and collecting 20th century ; History ; Clothing and dress Pictorial works History 20th century ; Vintage clothing Pictorial works History 20th century ; Hippies Pictorial works Clothing ; History ; Punk culture ; Counterculture ; Nineteen seventies ; radicalism ; Clothing and dress ; Counterculture ; Fashion ; Nineteen seventies ; Punk culture ; Vintage clothing ; History ; Pictorial works ; United States ; Bildband
    Abstract: Introduction : Frank Zappa's "freak out!" philosophy ; Freak-out fashions -- Fashion trends from the 1970s : The Beatles revival ; Peace & love fashions ; Hippie leathers ; Political & protest fashions ; 1976 Bicentennial fashions ; Black power ; Disco & roller skating booms ; Stadium merchandising ; The SF movie phenomenon ; Frisbee ; Nike -- Heat waves from the UK : Swinging London fashions ; British rock bands: tour T-shirts -- U.S. local rock fashions : U.S. music T-shirts from the 1970s ; Head shop fashions -- Deep Banana Blackout performed "James Brown songs" at Gathering of the Vibes 2007 -- Freak-out California fashions : West Coast rock T-shirts ; "Laid back" California beach fashions of the 1970s ; East Coast beach fashions from the 1970s ; Hawaiian beach fashions from the 1970s ; "On any Sunday" motocross fashions ; 1970s Harley-Davidson fashions ; Hot rod T-shirts -- Punk & New Wave fashions : Rockabilly revivals ; "Teddy Boys" fashions ; The punk movement ; New Wave T-shirts.
    Note: 9. Band aus der Reihe "My freedamn!" (seit 2003 ; mit unterschiedlichen Untertiteln) , Enthält Quellen (Seite 214) und Literaturverweise (Seite 215) , Text auf Englisch und teilweise auf Japanisch
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  • 93
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    New York : PowerHouse Books
    ISBN: 1576875504 , 9781576875506
    Language: English
    Pages: 139 S. , zahlr. Ill. , 25 cm
    Edition: 1. Engl. language ed.
    DDC: 391.1097309046
    Keywords: Men's clothing Pictorial works History 20th century ; Male college students Pictorial works Clothing 20th century ; History ; Fashion Pictorial works History 20th century ; Men's clothing ; United States ; History ; 20th century ; Pictorial works ; Male college students ; Clothing ; United States ; History ; 20th century ; Pictorial works ; Fashion ; United States ; History ; 20th century ; Pictorial works ; Bildband ; USA ; Ivy League ; Herrenmode ; Lebensstil ; Geschichte 1955-1965 ; Mode
    Note: Japan. Originalausg. erschienen 1965
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  • 94
    ISBN: 9780300155228 , 9781588393623 , 9781588393630 , 0300155220 , 9780300212310
    Language: English
    Pages: 256 S. , zahlr. Ill.
    DDC: 391.0074/7471
    Keywords: Brooklyn Museum Costume Collection at the Metropolitan Museum of Art Catalogs ; Dress accessories Catalogs ; Costume Catalogs ; Dress accessories Catalogs ; Costume Catalogs ; Brooklyn Museum Costume Collection at the Metropolitan Museum of Art ; Catalogs ; Costume ; United States ; Catalogs ; Dress accessories ; United States ; Catalogs ; Costume ; New York (State) ; New York ; Catalogs ; Dress accessories ; New York (State) ; New York ; Catalogs ; Ausstellungskatalog 2010 ; Brooklyn Museum Costume Collection ; Mode ; Design ; Kulturgeschichte
    Note: Includes bibliographical references , Hier auch spätere, unveränderte Nachdrucke
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  • 95
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    Osaka, Japan : Cycleman Books
    ISBN: 9780984779451
    Language: English , Japanese
    Pages: 287 Seiten , farbig , 36 cm
    Edition: 1st edition
    Series Statement: My freedamn! 8
    Keywords: Nineteen fifties Pictorial works ; Nineteen sixties Pictorial works ; Clothing and dress Pictorial works Collectors and collecting 20th century ; History ; Shirts, Men's Pictorial works Collectors and collecting 20th century ; History ; T-shirts Pictorial works Collectors and collecting 20th century ; History ; Jackets Pictorial works Collectors and collecting 20th century ; History ; Vintage clothing Pictorial works History 20th century ; Clothing and dress ; Collectors and collecting ; Nineteen fifties ; Nineteen sixties ; Vintage clothing ; History ; Pictorial works ; United States ; Bildband
    Abstract: Introduction : Atomic designs ; Beach Boys & Beatles ; Civil rights movement ; Dylan & Triumph ; Endless summer ; Peanuts and his gang "fashions" ; Warhol & Twiggy -- Suck 'em up: 1960s beach fashions : 1960s aloha shirt trends ; My "surf trip" to El Salvador, June 2007 ; 1960s surf fashion trends -- "The wild one" to "Easy rider": 1950s-1960s motorcycle fashions : Leather fashion trends, 1950s-1960s ; Motorcycle club fashions, 1950s-1960s ; Official motorcycle fashions, 1950s-1960s ; Fiberglass safety helmets -- Hop up!: 1950s-1960s hot rod fashions : Car club jackets, 1950s-1960s ; Racing club uniforms -- Vietnam War era fashions, 1960s to mid 1970s : Far-east tour jackets, 1960s to mid 1970s ; Bowling shirts ; Military casuals ; Easy rider revolution!: Late 1960s to early 1970s ; Chopper bicycles : Schwinn Sting Ray accessories parts.
    Note: Enthält Quellen (Seite 286) und Literaturverweise (Seite 287) , Text auf Englisch und telweise auf Japanisch
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  • 96
    ISBN: 0061153699 , 9780061153693
    Language: English
    Pages: 160 S. , Ill., Kt. , 28 cm
    Edition: 1. ed.
    DDC: 746.9/208997
    RVK:
    Keywords: Indian women Exhibitions Clothing ; Dresses Exhibitions ; Indian women Exhibitions ; Clothing ; United States ; Dresses Exhibitions ; United States ; Ausstellungskatalog 2007 ; Ausstellungskatalog ; Ausstellungskatalog 2007 ; Ausstellungskatalog ; Ausstellungskatalog 2007 ; Ausstellungskatalog ; USA ; Indianerin ; Kleidung ; Geschichte 1830-2005 ; Geschichte
    Note: Includes bibliographical references and index , Published in association with the National Museum of the American Indian, Smithsonian Institution. - "Published in conjunction with the exhibition Identity by Design: Tradition, Change, and Celebration in Native Women's Dresses, opening at the Smithsonian's National Museum of the American Indian, Washington, D.C., in spring 2007"--T.p. verso. - Includes bibliographical references and index
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  • 97
    ISBN: 0061153699 , 9780061153693
    Language: English
    Pages: 160 S. , Ill., Kt. , 28 cm
    Edition: 1. ed.
    DDC: 746.9/208997
    RVK:
    Keywords: Indian women Exhibitions Clothing ; Dresses Exhibitions ; Indian women Exhibitions ; Clothing ; United States ; Dresses Exhibitions ; United States ; Ausstellungskatalog 2007 ; Ausstellungskatalog ; USA ; Indianerin ; Kleidung
    Note: Includes bibliographical references and index , Published in association with the National Museum of the American Indian, Smithsonian Institution. - "Published in conjunction with the exhibition Identity by Design: Tradition, Change, and Celebration in Native Women's Dresses, opening at the Smithsonian's National Museum of the American Indian, Washington, D.C., in spring 2007"--T.p. verso. - Includes bibliographical references and index
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  • 98
    ISBN: 0061153699 , 9780061153693
    Language: English
    Pages: 160 S. , Ill., Kt. , 28 cm
    Edition: 1. ed.
    DDC: 746.9/208997
    RVK:
    Keywords: Indian women Exhibitions Clothing ; Dresses Exhibitions ; Indian women Exhibitions ; Clothing ; United States ; Dresses Exhibitions ; United States ; Ausstellungskatalog 2007 ; Ausstellungskatalog ; Ausstellungskatalog 2007 ; Ausstellungskatalog ; USA ; Indianerin ; Kleidung ; Geschichte 1830-2005 ; Geschichte
    Note: Includes bibliographical references and index , Published in association with the National Museum of the American Indian, Smithsonian Institution. - "Published in conjunction with the exhibition Identity by Design: Tradition, Change, and Celebration in Native Women's Dresses, opening at the Smithsonian's National Museum of the American Indian, Washington, D.C., in spring 2007"--T.p. verso. - Includes bibliographical references and index
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  • 99
    Language: English , Japanese
    Pages: 343 Seiten , farbig , 36 cm x 27,2 cm
    Edition: 1st edition
    Series Statement: My freedamn! 6
    DDC: 391
    Keywords: Rock musicians Pictorial works Clothing ; Collectibles ; Rock musicians Pictorial works Clothing ; History ; Vintage clothing Pictorial works History 20th century ; Nineteen fifties Pictorials works ; Jackets Pictorial works Collectors and collecting 20th century ; History ; Shoes Pictorial works Collectors and collecting 20th century ; History ; T-shirts Pictorial works Collectors and collecting 20th century ; History ; Sneakers Pictorial works Collectors and collecting 20th century ; History ; Shirts, Men's Pictorial works Collectors and collecting 20th century ; History ; Nineteen fifties ; Shoes ; Collectors and collecting ; Vintage clothing ; History ; Pictorial works ; United States ; Bildband
    Abstract: Very 50's : Gabardine ; Argyle ; Black & pink ; Gamble graphic ; Anima print ; Print shirt ; Motorcycle jacket ; Elvis Presley ; Atomic print ; Bowling shirt ; Hot rod club jacket ; James Dean ; Canvas shoes -- Rip it up!: rockabilly fashions : Gabardines ; Argyles ; Two-tones ; Waistband shirts ; Animal prints ; Print shirts ; 50's sports jackets -- Let's go to the alley!: bowling shirts : American styles ; Japanese designs ; Other countries' designs ; Staff shirts -- All summer long ...: hot rod fashions : Car club uniforms ; Racing T-shirts ; Painted hot rod shirts ; Canvas shoes -- More goodies!: sports fashions.
    Note: Der Titel steht auf dem Umschlag , Enthält Literaturverweise (Seite 343), Quellen (Seite [344]) und Danksagung (Seite [345]) , Text auf Englisch and Japanisch
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  • 100
    ISBN: 0393062694 , 9780393062694
    Language: English
    Pages: 352 S. , zahlr. Ill.
    Edition: 1. ed.
    Series Statement: Forward books
    DDC: 305.892/40747
    RVK:
    Keywords: Forṿerṭs (New York, N.Y.) ; Forṿerṭs (New York, N.Y.) Pictorial works ; Forṿerṭs ; Forṿerṭs Pictorial works ; Jews Social conditions ; New York (State) ; New York ; Jews Pictorial works ; Social conditions ; New York (State) ; New York ; Immigrants Social conditions ; New York (State) ; New York ; Immigrants Pictorial works ; Social conditions ; New York (State) ; New York ; Jews Social conditions ; United States ; Jews Pictorial works ; Social conditions ; United States ; New York (N.Y.) Ethnic relations ; New York (N.Y.) Pictorial works ; Ethnic relations ; Bildband ; New York, NY ; Forṿerṭs ; Juden ; Fotografie ; Geschichte 1897-2005 ; Fotografie ; Forṿerṭs ; Juden ; New York, NY ; Geschichte 1897-2005
    Abstract: Leaving Europe / Ruth Wisse -- Welcome to the Lower East Side / Allan Nadler -- Labor / Paul Berman -- Film / J. Hoberman -- Yiddish theater /Caraid O'Brien -- Diaspora / Ilan Stavans -- The Holocaust / Deborah Lipstadt -- Israel / Alan M. Dershowitz -- Upward into American life / Jenna Weissman Joselit -- Sports / Roger Kahn -- The arts / Leon Wieseltier -- Politics / Nathan Glazer -- Jewish identity / Paul Zakrzewski -- Revival / J. J. Goldberg
    Note: Forward books
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