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  • English  (7)
  • 1
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    Image
    New York ; Boston ; London : Little, Brown and Company
    ISBN: 9780349701189 , 9780316492935
    Language: English
    Pages: xiii, 336 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620973
    RVK:
    Keywords: Geschichte ; Sklaverei ; USA ; Slavery / United States / History ; Slaveholders / United States / History ; African Americans / Social conditions / History ; Historic sites / United States ; Plantations / United States ; Racism / United States / History ; Discrimination / United States / History ; Ethnology / Study and teaching ; Minorities / Study and teaching ; African Americans / Study and teaching ; HISTORY / African American ; HISTORY / United States / General ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Discrimination ; SOCIAL SCIENCE / Ethnic Studies / American / African American Studies ; African Americans ; African Americans / Social conditions ; African Americans / Study and teaching ; Discrimination ; Ethnology / Study and teaching ; Historic sites ; Minorities / Study and teaching ; Plantations ; Racism ; Slaveholders ; Slavery ; United States ; History / African American ; History ; Instructional and educational works ; USA ; Sklaverei ; Geschichte
    Abstract: "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves."
    Description / Table of Contents: "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project
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  • 2
    Image
    Image
    New York ; Boston ; London : Little, Brown and Company
    ISBN: 9780349701189 , 9780316492935
    Language: English
    Pages: xiii, 336 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620973
    RVK:
    Keywords: Geschichte ; Sklaverei ; USA ; Slavery / United States / History ; Slaveholders / United States / History ; African Americans / Social conditions / History ; Historic sites / United States ; Plantations / United States ; Racism / United States / History ; Discrimination / United States / History ; Ethnology / Study and teaching ; Minorities / Study and teaching ; African Americans / Study and teaching ; HISTORY / African American ; HISTORY / United States / General ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Discrimination ; SOCIAL SCIENCE / Ethnic Studies / American / African American Studies ; African Americans ; African Americans / Social conditions ; African Americans / Study and teaching ; Discrimination ; Ethnology / Study and teaching ; Historic sites ; Minorities / Study and teaching ; Plantations ; Racism ; Slaveholders ; Slavery ; United States ; History / African American ; History ; Instructional and educational works ; USA ; Sklaverei ; Geschichte
    Abstract: "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves."
    Description / Table of Contents: "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
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    Washington, DC : Smithsonian American Art Museum | Princeton : in association with Princeton University Press
    ISBN: 9780691200804 , 9780937311875 , 0937311871 , 0691193185 , 0691200807
    Language: English
    Pages: 442 Seiten , Illustrationen
    DDC: 700.973
    RVK:
    Keywords: Humboldt, Alexander von Exhibitions Influence ; Arts, American Exhibitions 19th century ; Arts, American Exhibitions German influences ; Nature and civilization Exhibitions ; Humboldt, Alexander von ; Arts, American ; Arts, American ; German influences ; Influence (Literary, artistic, etc.) ; Nature and civilization ; United States ; Exhibition catalogs ; Ausstellungskatalog Smithsonian American Art Museum 20.03.2020-16.08.2020 ; Humboldt, Alexander von 1769-1859 ; Einfluss ; USA ; Geschichte ; Humboldt, Alexander von 1769-1859 ; Rezeption ; USA ; Kunst ; Naturschutz ; Amerikanistik
    Abstract: The enduring influence of naturalist and explorer Alexander von Humboldt on American art, culture, and politics. Alexander von Humboldt (1769-18­59) was one of the most influential scientists and thinkers of his age. A Prussian-born geographer, naturalist, explorer, and illustrator, he was a prolific writer whose books graced the shelves of American artists, scientists, philosophers, and politicians. Humboldt visited the United States for six weeks in 1804, engaging in a lively exchange of ideas with such figures as Thomas Jefferson and the painter Charles Willson Peale. It was perhaps the most consequential visit by a European traveler in the young nation's history, one that helped to shape an emerging American identity grounded in the natural world. In this beautifully illustrated book, Eleanor Jones Harvey examines how Humboldt left a lasting impression on American visual arts, sciences, literature, and politics. She shows how he inspired a network of like-minded individuals who would go on to embrace the spirit of exploration, decry slavery, advocate for the welfare of Native Americans, and extol America's wilderness as a signature component of the nation's sense of self. Harvey traces how Humboldt's ideas influenced the transcendentalists and the landscape painters of the Hudson River School, and laid the foundations for the Smithsonian Institution, the Sierra Club, and the National Park Service. Alexander von Humboldt and the United States looks at paintings, sculptures, maps, and artifacts, and features works by leading American artists such as Albert Bierstadt, George Catlin, Frederic Church, and Samuel F. B. Morse. Published in association with the Smithsonian American Art Museum, Washington, DC Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 20-August 16, 2020
    Note: Impressum: "Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, D.C., March 20 to August 16, 2020." , Includes bibliographical references and index
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  • 4
    ISBN: 978-0-525-55955-9
    Language: English
    Pages: xxii, 296 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: United States / Race relations / History / 19th century ; United States / Race relations / History / 20th century ; United States ; United States / Race relations ; 1800-1999 ; Geschichte 1860-1880 ; African Americans / Segregation / History ; Reconstruction (U.S. history, 1865-1877) ; African Americans / History / 1863-1877 ; African Americans / History / 1877-1964 ; White supremacy movements / United States / History ; Racism in popular culture / United States / History ; Visual communication / Social aspects / United States / History ; HISTORY / United States / Civil War Period (1850-1877) ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; HISTORY / African American ; African Americans ; African Americans / Segregation ; Race relations ; Racism in popular culture ; Visual communication / Social aspects ; White supremacy movements ; Reconstruction (1865-1876) ; White supremacy movements / United States ; Visual communication ; Schwarze. ; Rassendiskriminierung. ; Massenkultur. ; USA. ; History ; Schwarze ; Rassendiskriminierung ; Massenkultur ; Geschichte 1860-1880
    Abstract: "A profound new rendering of the struggle by African Americans for equality after the Civil War and the violent counterrevolution that resubjugated them, as seen through the prism of the war of images and ideas that have left an enduring stain on the American mind. The story of the abolition of slavery in the aftermath of the Civil War is a familiar one, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: If emancipation came in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In a history that moves from Reconstruction to the Harlem Renaissance, Harvard scholar Henry Louis Gates, Jr., one of our leading chroniclers of the African American experience, brings a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual to answer that question.
    Abstract: Interwoven with this history, Stony the Road examines America's first postwar clash of images utilizing modern mass media to divide, overwhelm--and resist. Enforcing a stark color line and ensuring the rollback of the rights of formerly enslaved people, racist images were reproduced on an unprecedented scale thanks to advances in technology such as chromolithography, which enabled their widespread dissemination in advertisements, on postcards, and on an astonishing array of everyday objects. Yet, during the same period when the Supreme Court stamped 'separate but equal' as the law of the land, African Americans advanced the concept of the 'New Negro' to renew the fight for Reconstruction's promise. Against the steepest of odds, they waged war by other means: countering depictions of black people as ignorant, debased, and inhuman with images of a vanguard of educated and upstanding black women and men who were talented, cosmopolitan, and urbane.
    Abstract: The story Gates tells begins with Union victory in the Civil War and the liberation of nearly four million enslaved people. But the terror unleashed by white paramilitary groups in the former Confederacy, combined with deteriorating economic conditions and diminished Northern will, restored 'home rule' to the South. One of the most violent periods in our history followed the retreat from Reconstruction, with thousands of African Americans murdered or lynched and many more afflicted by the degrading impositions of Jim Crow segregation. An essential tour through one of America's fundamental historical tragedies, [this book] is also a story of heroic resistance, as figures from Frederick Douglass to W E.B. Du Bois created a counternarrative, and culture, inside the lion's mouth.
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  • 5
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    New York : Sterling Children's Books
    ISBN: 9781454926665 , 145492666X
    Language: English
    Pages: 32 ungezählte Seiten , Illustrationen , 29 cm
    DDC: 305.42092
    RVK:
    Keywords: Steinem, Gloria Juvenile literature ; Steinem, Gloria Steinem, Gloria ; Feminists Biography ; Juvenile literature ; United States ; Political activists Biography ; Juvenile literature ; United States ; Journalists Biography ; Juvenile literature ; United States ; Feminism Juvenile literature ; History ; Feminists ; Political activists ; Journalists ; Feminism History ; Women Biography ; JUVENILE NONFICTION Biography & Autobiography ; Social Activists ; JUVENILE NONFICTION Biography & Autobiography ; Women ; JUVENILE NONFICTION Girls & Women ; Feminism ; Feminists ; Journalists ; Political activists United States
    Abstract: Gloria Steinem is known as a leader of the feminist movement and a trailblazer who fights for equality for all people. This unofficial biography for young readers tells her story, from being a young girl with big dreams to her inspiring travels in India to the launch of Ms. magazine, which gave women a voice. Gloria's message of believing in yourself and following your dreams will inspire a whole new generation
    Note: Includes bibliographical references
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  • 6
    ISBN: 0807612790 , 0807612804
    Language: English
    Pages: 271 S. , 27 cm
    DDC: 305.896073
    RVK:
    Keywords: African Americans Relations with Jews ; Jews Politics and government ; United States ; United States Race relations ; United States Ethnic relations ; Katalog ; Aufsatzsammlung ; Ausstellungskatalog ; Gesellschaft ; USA ; Minderheitenfrage
    Note: George Braziller in association with the Jewish Museum, New York , The exhibition will continue to the following locations: The Jewish Museum, San Francisco, California; The Strong Museum, Rochester, New York [und viele andere] , Bibliography: p. 259-261 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 7
    ISBN: 9780520062214 , 0520062205 , 0520062213
    Language: English
    Pages: xi, 361 Seiten , 29 cm
    Series Statement: Approaches to American culture 2
    Series Statement: Approaches to American culture
    DDC: 973.917
    RVK:
    RVK:
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    Keywords: Documentary photography History ; 20th century ; United States ; United States History ; Pictorial works ; 1933-1945 ; United States Social conditions ; Pictorial works ; 1933-1945 ; Ausstellungskatalog ; Bildband ; USA ; Alltag ; Geschichte 1935-1943 ; USA ; Dokumentarfotografie ; Geschichte 1935-1940
    Note: Bibliography: p. 343-351
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