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  • Online Resource  (7)
  • Durham : Duke University Press  (7)
  • Film
  • General works  (5)
  • Ethnology  (2)
  • Engineering
  • Economics
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  • Online Resource  (7)
  • Book  (8)
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  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009016 , 1478009012
    Language: English
    Pages: 1 Online-Ressource (xi, 276 pages) , illustrations
    Series Statement: Sign, storage, transmission
    Parallel Title: Erscheint auch als
    DDC: 333.79241400000001
    RVK:
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    Keywords: Nuclear power plants / Environmental aspects / India ; Nuclear power plants / Social aspects / India ; Cell phone systems / Antennas / Social aspects / India ; Kernkraftwerk ; Medien ; Basisstation ; Film ; Infrastruktur ; Öffentliche Meinung ; Umweltpolitik ; Indien ; Indien ; Infrastruktur ; Medien ; Film ; Umweltpolitik ; Kernkraftwerk ; Basisstation ; Öffentliche Meinung
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478004622 , 1478004622
    Language: English
    Pages: 1 Online-Ressource (ix, 282 pages) , illustrations
    Series Statement: Theory in forms
    Parallel Title: Erscheint auch als
    DDC: 840.9/3552
    RVK:
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    Keywords: Bâ, Amadou Hampâté ; Rouch, Jean ; Chamoiseau, Patrick ; Leiris, Michel ; French literature / History and criticism / 20th century ; French fiction / History and criticism / French-speaking countries ; Ethnology in literature ; Imperialism in literature ; Imperialism in motion pictures ; Politics and literature / History / 20th century ; Literature and society / History / 20th century ; Imperialismus ; Ethnologie ; Postkolonialismus ; Film ; Literatur ; Französisches Sprachgebiet ; Electronic books ; Französisches Sprachgebiet ; Leiris, Michel 1901-1990 ; Rouch, Jean 1917-2004 ; Bâ, Amadou Hampâté 1901-1991 ; Chamoiseau, Patrick 1953- ; Literatur ; Film ; Imperialismus ; Ethnologie ; Postkolonialismus
    Abstract: Ethnographic didacticism and Africanist melancholy : Leiris, Hampaté-Bâ, and the epistemology of style -- The director of modern life : Jean Rouch's ethnofiction -- Folklore, fiction, and ethnographic nation building : Price-Mars, Alexis, Depestre, Laferrière -- Creole novels and the ethnographic production of literary history : Glissant, Chamoiseau, Confiant -- Speculative cityscapes and premillennial policing : ethnographies of the present in Jean-Claude Izzo's crime trilogy
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 3
    ISBN: 9781478007142 , 1478007141
    Language: English
    Pages: 1 Online-Ressource (xi, 287 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 791.43097291
    RVK:
    Keywords: Geschichte 1989-2016 ; Motion pictures / History and criticism / Cuba ; Motion pictures / Political aspects / Cuba ; Motion pictures / History / 20th century / Cuba ; Motion pictures / History / 21st century / Cuba ; Meinungsfreiheit ; Politik ; Film ; Kuba ; Electronic books ; Electronic books ; Kuba ; Meinungsfreiheit ; Film ; Politik ; Geschichte 1989-2016
    Abstract: Introduction: Criticism from within -- Symptomologies of the state -- Paranoid readings and ambivalent allegories -- Faith without Fidel -- Staying and suspicion -- Montage in the parenthesis -- Coda: 'Cuba está de moda'
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
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    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9780822395331
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.50982
    RVK:
    Keywords: Geschichte 1920-1946 ; Film ; Hörfunk ; Argentinien ; Electronic books ; Electronic books. ; History. ; Electronic books ; Electronic books ; Electronic books
    Abstract: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Includes bibliographical references (p. [251]-268) and index , Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Knowledge Unlatched
    ISBN: 9780822393351 , 0822393352
    Language: English
    Pages: 1 Online-Ressource (xiv, 313 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Tasker, Yvonne, 1964 - Soldiers' stories
    RVK:
    Keywords: Film ; Militär ; Frau ; Soldatin
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued.
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  • 7
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
    RVK:
    RVK:
    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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