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  • Online Resource  (4)
  • Bielefeld : transcript  (4)
  • Urbana : University of Illinois Press
  • MUSIC / History & Criticism
  • Musicology  (4)
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  • Online Resource  (4)
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  • 1
    Online Resource
    Online Resource
    Popular music and public diplomacy : transnational and transdisciplinary perspectives (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    LS 48015
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    DOI: 10.14361/9783839443583
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 2
    Online Resource
    Online Resource
    Music practices across borders : (e)valuating space, diversity and exchange (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839446676
    Language: English
    Pages: 214 Seiten , 22.5 cm x 14.8 cm, 318 g
    Edition: First published
    Series Statement: Music and sound culture volume 35
    Series Statement: Musik und Klangkultur 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
    RVK:
    LS 48000
    Keywords: Music and transnationalism ; Music Effect of multiculturalism on ; Music Social aspects ; Music ; Ethnomusicology ; Musicology ; Musik ; Kulturaustausch ; Kultur ; Internationale Kooperation ; Kulturindustrie ; Internationale Politik ; Künstler ; Soziales Netzwerk ; Evaluation ; Migration ; Forschung ; MUSIC / History & Criticism ; Erde ; Evaluation ; Globalization ; Interculturalism ; Migration ; Music ; Musicology ; Sociology of Culture ; Transnational ; Konferenzschrift 2018 ; Konferenzschrift 2018
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Abstract: Frontmatter -- Content -- Introduction-Music practices across borders / Peres da Silva, Glaucia / Hondros, Konstantin -- Valuation in a reversed economy / Fryberger, Annelies -- Culture, creativity and practice / Wafula, Mukasa Situma -- "Come and expose yourself to the fantastic music from around the world" / Lell, Peter -- From desire for recognition to desire for independence / Le Coz, Sandrine -- The invention of African art music / Riva, Nepomuk -- Contemplating musical life in Tunisia under the French protectorate-the society and challenges / El Kahla, Alla -- The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century / Anabel González, Daniela -- Brazilian grooves and cultured clichés / Boy Bystron, Janco / Santana, Chico -- About the authors
    Note: Seite 8: [...] we organized a conference at the University of Duisburg-Essen in June 2018, entitled (E)valuating Transnational Music Practices: Space, Diversity, and Exchange [...]
    DOI: 10.14361/9783839446676
    URL: Open Access
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-4667-2
    URL: Cover
    URL: kostenfrei
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Open Access
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-4667-2
    URL: Cover
    URL: kostenfrei
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    Anonymity performance in electronic pop music : a performance ethnography of critical practices (2018)
    Bielefeld : transcript
    Details
    ISBN: 9783839442562
    Language: English
    Pages: 1 Online-Ressource (232 Seiten) , Illustrationen
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
    Dissertation note: Dissertation University of London
    RVK:
    LS 48655
    Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; Anonymity. ; Cultural Studies. ; Ethnography. ; Music. ; Musicology. ; Performance. ; Pop Music. ; Popular Culture. ; MUSIC / History & Criticism ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität
    Abstract: In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations.This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music.
    DOI: 10.14361/9783839442562
    URL: lizenzpflichtig
    URL: Volltext
    URL: Cover
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    URL: lizenzpflichtig
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  • 4
    Online Resource
    Online Resource
    Partituren der Städte : urbanes Bewusstsein und musikalischer Ausdruck (2015)
    Bielefeld : transcript
    Details
    ISBN: 9783839425770
    Language: German
    Edition: Online-Ressource
    Series Statement: Urban Studies
    Series Statement: De Gruyter eBook-Paket Sozialwissenschaften
    Parallel Title: Druckausg. Partituren der Städte
    RVK:
    LR 56600
    RVK:
    LB 73000
    RVK:
    RB 10627
    RVK:
    LR 56820
    Keywords: Music Instruction and study ; Activity programs ; Music Instruction and study ; Cities and towns in music Congresses ; Cities and towns Congresses Songs and music ; Music Congresses 19th century ; Music Congresses 20th century ; Urban Studies ; Musikwissenschaft ; Urbanity ; Kulturelle Inszenierung ; Design ; Kulturwissenschaft ; Soundscapes ; Klang ; Music ; Musicology ; Sound ; Cultural Studies ; Urbanity, Music, Design, Musicology, Sound, Urban Studies, Cultural Studies ; Musik ; Urbanität ; Ausdruck ; Rezeption ; Sujet ; Stadt ; Musiksoziologie ; Stadtleben ; MUSIC / History & Criticism ; Aufsatzsammlung ; Konferenzschrift 2012 ; Stadt ; Musik ; Sujet ; Geschichte ; Ausdruck ; Musik ; Geschichte ; Musik ; Musiksoziologie ; Urbanität ; Stadtbild ; Stadtleben ; Rezeption ; Musik
    Abstract: Biographical note: Susana Zapke ist Prorektorin und Universitätsprofessorin für Musikgeschichte und -analyse an der Konservatorium Wien Privatuniversität der Stadt. Dort leitet sie den Forschungsschwerpunkt »Urban Arts in Transition«. Zudem ist sie Gastforscherin der Österreichischen Akademie der Wissenschaften. Stefan Schmidl ist Universitätsprofessor für Theorie und Geschichte der Musik an der Konservatorium Wien Privatuniversität der Stadt und wissenschaftlicher Mitarbeiter des Instituts für Kunst- und Musikhistorische Forschungen an der Österreichischen Akademie der Wissenschaften.
    Abstract: Das Design und die Entzifferung des Urbanen vollziehen sich zugleich auf multiplen Ebenen sozialer Konfigurationen und künstlerischer Wahrnehmung. Stadt ist somit way of life, Projektionsfläche, Image und imaginärer Lebensraum, der seit dem 19. und 20. Jahrhundert eines der zentralen programmatischen Motive in Literatur, Malerei, Film und Musik bildet. Im Zentrum dieses Bandes stehen ausdrücklich musikalische Deutungen. Die Beiträge geben Einblick in die Vielfältigkeit künstlerischer Stadterfindungen und untersuchen anhand unterschiedlicher Metropolen-Porträts differenzierte Reaktionen auf das Städtische, Optiken und Ausdrucksformen sowie die Vergangenheit und Gegenwart urbaner Imaginationen.
    Abstract: The design and deciphering of the urban take place at multiple levels of social configurations and artistic perceptions simultaneously. The city has thus served as way of life, projection, image, and imaginary habitat, which has shaped one of the key programmatic themes in literature, painting, film, and music since the 19th and 20 centuries. Expressly musical interpretations are central to this volume. The articles provide insight into the diversity of artistic urban inventions and examine them on the basis of different cities - portraits of differentiated reactions to the municipal, scope, and forms of expression as well as past and present urban imaginations.
    DOI: 10.14361/transcript.9783839425770
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Cover
    URL: Cover
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