ISBN:
9783839452943
Language:
English
Pages:
1 Online-Ressource (215 Seiten)
,
Illustrationen
Series Statement:
Image volume 180
Series Statement:
Image
Parallel Title:
Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
DDC:
700.411
Keywords:
Art, Black
;
Blacks in art
;
Blacks--Race identity
;
Electronic books
;
Bradford, Mark 1961-
;
Hewitt, Leslie 1977-
;
Thomas, Mickalene 1971-
;
Thomas, Hank Willis 1976-
;
Metz, Philip 1971-
;
Engagierte Kunst
;
Schwarze
;
Postkolonialismus
;
Kunst
;
Afroamerikanismus
;
Bradford, Mark 1961-
;
USA
;
Schwarze
;
Kunst
;
Identität
;
Geschichte 2000-2020
Abstract:
Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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